- 10 hours ago
The Great Indian Kapil Show - Season 3 - Episode 05: Sardaron ka Swag
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TVTranscript
00:00:09Baji, good morning.
00:00:10Morning, morning, Kapil.
00:00:11Baji, I thought that our third season is the first time you're coming.
00:00:17So, do you plan a special entry like you're coming in films?
00:00:21I mean, it's a very easy entry.
00:00:22I'll do two tanks.
00:00:25Why?
00:00:26I'll take a little bit of a tank, Bajis.
00:00:27Tank.
00:00:28I'm talking about an army tank.
00:00:30Okay, that's it.
00:00:31That's what you've done, right?
00:00:33I don't want to take a little bit, Baji.
00:00:35No, tell me something else, Baji.
00:00:36Four horses.
00:00:39It's going to be a season for the horses.
00:00:41But the horses are busy.
00:00:43They're busy, right?
00:00:44Okay.
00:00:45So, what can they do?
00:00:50Give me two motorcycles.
00:00:52Why do you give me two horses?
00:00:53Two horses, two horses, two tanks.
00:00:55You've also got two horses.
00:01:08Come on.
00:01:09Come on.
00:01:10Come on.
00:01:23Come on.
00:01:29Come on.
00:01:31Come on.
00:01:36Come on.
00:01:45Good evening and welcome to the great Indian Kapri show.
00:01:52Shukriya, Shukriya, please, please, Viraj Man ho jaiye, thank you.
00:01:56You are liking my little Billy Sili Chili, baby.
00:01:58I love them, but today you have made Prittor Jitok.
00:02:04This is why it's in Punjabi guitar, because today the guest here, they are coming from Punjab.
00:02:09Okay.
00:02:09Who is coming from?
00:02:10One, look, Sardar Ji, you are with me.
00:02:12Yes.
00:02:12If you come to Son of Sardar, how would you feel?
00:02:15Oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:02:17My old hoodie is going to be a good hoodie.
00:02:19You want my whole hoodie?
00:02:21My dress is going to be a good hoodie.
00:02:22Don't be afraid, Son of Sardar movie coming, who have his guests here today.
00:02:31Please welcome Mr. Ajay Devgan, Mr. Ravi Kishan and very beautiful Murunai Thakul.
00:02:47Oh
00:03:17Oh
00:03:47When will you come from 6 places, do you know how much it will come from them?
00:03:58This is an expert, Raviviyah.
00:04:00The same thing is that they don't do their work at night.
00:04:03If the vegetables come from the morning,
00:04:04they make it in the morning.
00:04:06They make it in the morning.
00:04:07When they come from there,
00:04:08they say,
00:04:09you will see the beautiful, beautiful.
00:04:11You will see the place where Akshay Paji comes from,
00:04:13you will see the kessari.
00:04:15They don't do it.
00:04:15It's a great job.
00:04:20You are very beloved.
00:04:22Now you are always loved.
00:04:23Very nice.
00:04:24You are very powerful.
00:04:24For our guests, come here.
00:04:33It's our old girl.
00:04:34I've come here many times.
00:04:36But today, I've never been with this.
00:04:39I've never been so long with this.
00:04:41that we have never done it.
00:04:45That means...
00:04:46What are these teeth?
00:04:48These teeth are so long.
00:04:51Who is that?
00:04:53Who is the good packer?
00:04:54Who is the mark-marker?
00:04:56Who can stand up the tree?
00:04:59The teeth are like this.
00:05:01The teeth are burned down.
00:05:02After all, the whole world, the whole world,
00:05:04the whole Netflix, the whole country,
00:05:06the whole country, the whole country,
00:05:07the whole world,
00:05:14the whole world,
00:05:15all the world,
00:05:15but the whole world,
00:05:16the whole world,
00:05:17it's really beautiful.
00:05:22But the whole world is so happy for you.
00:05:25What have you done with the ladies?
00:05:26Yes.
00:05:27Netflix had said to do the mention.
00:05:29We went to Oscar.
00:05:31We are so happy.
00:05:33What the truth is.
00:05:34That's right.
00:05:36I was doing a job for 34 years.
00:05:40Then I didn't have anything to do.
00:05:42Then I became a member of Mahadiya.
00:05:43I became a member of Gorakhpur.
00:05:45Then I thought maybe someone would call me acting.
00:05:49But it's a member of the group.
00:05:51It's a member of the group.
00:05:53It's a new film.
00:05:55It was a small film.
00:05:57It was a director of Kiran Khair.
00:05:59I don't know, ladies.
00:06:00It was a police officer.
00:06:01Their role was in food.
00:06:03I had 160 food.
00:06:06I was sitting in one place.
00:06:07Then I was in one place.
00:06:09But you were mind blowing in La Patah Lady.
00:06:13But Rabhi Biyya,
00:06:14I was so mad that you'd have heard the director of Kiran Khair.
00:06:19But Kiran was also in the well-known.
00:06:21I was going to say,
00:06:23but I kept quiet.
00:06:24I was so mad that
00:06:27in La Patah Ladies,
00:06:28After that, we are doing a comedy film and a very serious film.
00:06:36Yes.
00:06:37Oscar, Oscar.
00:06:38So, there is also a comedy, seriously.
00:06:41I said, it's a bit open.
00:06:44It's not open.
00:06:44It's about half a day.
00:06:45It's about half a day.
00:06:46It's about half a day.
00:06:46It's about half a day.
00:06:48I didn't know what to do.
00:06:49Now, I realized what to do.
00:06:51Actually, actually, we are from Singham.
00:06:54I will thanks to him.
00:06:55They have called me one day.
00:06:56I have never been here.
00:06:58In 33-34 years.
00:06:59They call me and they say,
00:07:00Ravik, what are you doing?
00:07:02They said,
00:07:04Sanju Baba is going to be here.
00:07:05Sanjadat, Sanav Sardar,
00:07:07he has rejected his visa.
00:07:10Do you think he will do it?
00:07:11I was so happy.
00:07:13Sanjadat is a cult man.
00:07:15And in that place,
00:07:16we have a love for him.
00:07:20Think about his own money.
00:07:23And we are in Sanjadat's roles.
00:07:26Unbelievable.
00:07:27It's a big compliment also, Ravik.
00:07:29And a very big role.
00:07:31Hey, brother.
00:07:33You have to know that in the climax,
00:07:35I'm a hero.
00:07:37Swarth is coming.
00:07:39In the climax,
00:07:40everyone wants to take their lines.
00:07:42I was standing there.
00:07:43The directors, Vijay Arora Ji,
00:07:45say,
00:07:45Ravik,
00:07:47Ravik,
00:07:48keep the camera on Ravik,
00:07:49keep the climax on Ravik.
00:07:51And silently,
00:07:52he was standing there.
00:07:53You can see the climax of this film.
00:07:55He just kept quiet.
00:07:57He was standing there.
00:07:58And this is not my hands.
00:08:00We fight for the lines.
00:08:02Because, Guru,
00:08:03this is the purpose of this.
00:08:04This is when the man is not insecure.
00:08:06When he knows that he is a fat.
00:08:12You have to do it for the film.
00:08:17Superb.
00:08:18You have to do it for the film.
00:08:22Superb.
00:08:22You have to do it for the film.
00:08:35Superb.
00:08:35Now, I know that I'm sitting in Vanity Van.
00:08:38It's been in the morning.
00:08:38It's been in the morning.
00:08:39It's been in the evening.
00:08:40And I have to go to another shooting.
00:08:43I just asked the lady.
00:08:44I called him.
00:08:44I said,
00:08:45What happened?
00:08:46Why did you not call me?
00:08:47He said,
00:08:48He is standing there.
00:08:48He is saying,
00:08:49I will kill him.
00:08:51I will kill him.
00:08:52I will kill him.
00:08:53I said,
00:08:53I will give you a bullet.
00:08:55I will kill myself.
00:08:58I will kill myself.
00:08:59I will kill myself.
00:09:01I will kill myself.
00:09:06I will kill myself.
00:09:07He will kill myself.
00:09:08I will kill myself.
00:09:08Thanks to him,
00:09:08that I am the son of a leader.
00:09:11I will see this entire entire of all.
00:09:12a whole whole entire of all.
00:09:13aF Guruā
00:09:15A Japanese guy.
00:09:22He will kill myself.
00:09:22He will kill myself.
00:09:22Then,
00:09:22I will just ask the question.
00:09:23Sanjay sir has,
00:09:25I mean,
00:09:25the first part of Sanjay sir,
00:09:28He is on the front rail industry.
00:09:29Sanjay sir is a Punjabi and he is.
00:09:31Suddenly he has run it.
00:09:44I don't know what to say, but I don't know what to say.
00:10:01My father has three daughters. One is in Punjab,
00:10:05he was driving a truck in Bihar a few days,
00:10:07and my mother got there.
00:10:09We got there, and then he got a pole dancer in London.
00:10:13They were working in the restaurant,
00:10:16and they said,
00:10:17that he was talking to his mother,
00:10:18and he gave his mother to his English.
00:10:21And then, I think that my father will not stop,
00:10:25so I will break his tongue.
00:10:27You will believe it.
00:10:28My God!
00:10:29So, think about how you are enjoying this film.
00:10:33After a very long time,
00:10:36Bihar Koi,
00:10:37Ashleel Shabdo,
00:10:38Kamal's family,
00:10:405-6 tickets,
00:10:41you can watch this film.
00:10:44Sir, one thing I would like to ask you.
00:10:46We were doing a film,
00:10:48we lost a little weight,
00:10:50and now we will go to Amritsar,
00:10:51and we will grow up eating.
00:10:53We are watching you.
00:10:54You keep maintaining it.
00:10:56It's not so difficult.
00:10:57It's not so difficult.
00:10:57But today,
00:10:58there is also a camera in the belt.
00:11:00Look at the camera.
00:11:01We don't wear a jacket.
00:11:02We said,
00:11:03the jacket is on the back.
00:11:08There are people in the back.
00:11:09It's like the back.
00:11:10It's like the back.
00:11:15It's like the back.
00:11:24And, sir,
00:11:25in between the shots also,
00:11:26we would go and work out.
00:11:29He would go and work out.
00:11:31Wow.
00:11:31That is the amount of dedication.
00:11:33When you are in the set,
00:11:35it seems like the outside is coming.
00:11:37Come with them.
00:11:37Just sit with them.
00:11:39I will come here.
00:11:40I will come here.
00:11:41I will do it.
00:11:43I will do it.
00:11:44I will do it.
00:11:44I will do it.
00:11:45I will do it.
00:11:47I will do it.
00:11:48No, no, no, no, no, no.
00:11:50My personal question is,
00:11:52how do you go home?
00:11:5412 years old,
00:11:55You've got to leave me Altman and
00:11:57stranger.
00:11:58You want to learn people out?
00:12:01Oh,
00:12:02beauty,
00:12:02I say to him,
00:12:04don't do this show anymore.
00:12:05banda.
00:12:05We allģ§ź³ .
00:12:06I will show Switzerland.
00:12:08But I will not watch the show anymore.64,
00:12:13the music
00:12:14company, how are
00:12:15you happy? Any woman
00:12:18happy. But it
00:12:20seems a good success. I don't
00:12:22know why I have asked for sure. You know,
00:12:24Marunal
00:12:24is better.
00:12:51I think, when you see Sun of Sardar 2,
00:12:53when you see Sun of Sardar 2,
00:12:55then you will know what you need to do.
00:12:58Raviyah, see, you are also a Neta.
00:13:00You have to suggest someone to Murnal.
00:13:04How do you find a life partner?
00:13:06Look, this is a very difficult question.
00:13:08The whole country, the whole world.
00:13:10I don't know.
00:13:11If you have a Neta married,
00:13:13after a month, after a month,
00:13:15after a month, the house will go.
00:13:17If you have a Neta married,
00:13:20then it will be 5 years later,
00:13:21after a month, after a month,
00:13:22after a month, after a month.
00:13:24If you have a son,
00:13:25then he will say his uncle.
00:13:26No.
00:13:29I mean,
00:13:30I mean,
00:13:30the situation will be less.
00:13:32You will forget the birthday.
00:13:33You will forget the anniversary.
00:13:35You will forget the anniversary.
00:13:37He will come,
00:13:38and he will come.
00:13:38But now, you never know.
00:13:40Neta is a good person.
00:13:43He will be the best person.
00:13:44He will be the best person.
00:13:46He will be the best person.
00:13:47He will be the best person.
00:13:47it's not that you have made a different image.
00:13:51It's not that they are emotional people.
00:13:53They are family people.
00:13:54Yeah.
00:13:54I am a good person.
00:13:55I have never thought that wrong.
00:13:57Really?
00:13:58Neta would not give a mic to his hands.
00:13:59You put it in his mouth.
00:14:01Now, he is also a good person.
00:14:08I am a good person.
00:14:10I am a good person.
00:14:11I am a good person.
00:14:11He knows this.
00:14:12But tell me,
00:14:13Neta is a good person.
00:14:15What will I get?
00:14:16I say,
00:14:17I will marry the topic of marriage.
00:14:17Avoid this.
00:14:18I will marry the topic.
00:14:20My son is a child.
00:14:22Really?
00:14:23I am a child.
00:14:25I want to get married.
00:14:26I want to have children.
00:14:27No,
00:14:27I mean,
00:14:27that's okay.
00:14:31I mean, that's okay.
00:14:32Let's change the topic.
00:14:33Yeah.
00:14:33Ajay sir,
00:14:34Son of Sardar tool is coming.
00:14:36First of all,
00:14:37Raid 2 came.
00:14:38Hit.
00:14:392,
00:14:39I have seen it.
00:14:40Like my baby,
00:14:41who loves me?
00:14:422 is coming.
00:14:43Come on.
00:14:44Let's do it.
00:14:45My two numbers are good.
00:14:46Ajay sir's date of birth
00:14:47and my date of birth is the same.
00:14:48Two numbers are good.
00:14:49Ajay sir.
00:14:50Do you believe me?
00:14:51Your two numbers are good.
00:14:52My 3-4-5 is good.
00:14:54How?
00:14:55How?
00:14:56Drishan 3 is coming.
00:14:57Dhawal 4 is coming.
00:14:58Goal 5 is coming.
00:14:59Yes.
00:15:02Yes.
00:15:03Yes.
00:15:03Before I talk about another question,
00:15:04I came from Ajay sir,
00:15:06a fan of Ajay sir.
00:15:07He said,
00:15:08let me ask a question to my side.
00:15:11Ganga Ram Ji is writing about it.
00:15:12Ganga Ram Ji's question is,
00:15:13Ajay sir,
00:15:14your Golmal series is a big comedy film,
00:15:16a big hit.
00:15:17Dhammal series is a big hit.
00:15:19You do comedy in your films.
00:15:21The show is made for comedy.
00:15:23Why are you serious?
00:15:24Why are you serious?
00:15:30Ganga Ram Ji's question is,
00:15:31when I film the film,
00:15:33you check my name.
00:15:35When I'm here,
00:15:36you check my name.
00:15:38When I'm here,
00:15:38you check your name.
00:15:43Ganga Ram Ji,
00:15:45Okay,
00:15:46the journey of Murnal is great.
00:15:48It's very difficult.
00:15:49It's very difficult.
00:15:49It's at 6 o'clock.
00:15:50It's at 11 o'clock.
00:15:51It's at 10 o'clock.
00:15:52Yeah.
00:15:52Oh, what's up?
00:15:53Yeah.
00:15:54I'll tell you this.
00:15:54I have to tell you that,
00:15:56one film in Mumbai,
00:15:57the other one does.
00:15:59One is there,
00:16:00and one is there.
00:16:01One is there.
00:16:01you go ahead and the other one?
00:16:04I have to tell you some information.
00:16:06I'm not supposed to tell you a movie.
00:16:08One is there.
00:16:10One is there.
00:16:11One is there.
00:16:11One is there.
00:16:11One is there.
00:16:13Get the food to you.
00:16:15That's what you look better.
00:16:16There's a set up there and there's a set up there.
00:16:19No, there's nothing.
00:16:20My dad is there.
00:16:20My dad is there.
00:16:22I always say,
00:16:24Anna, Anna.
00:16:25And they're like,
00:16:26Yeah?
00:16:27I said, Anna.
00:16:28Oh, sorry, my dad.
00:16:29I'm a dad.
00:16:30I'm a dad.
00:16:31It's a lot of confusion.
00:16:34How many languages have been done in Manala?
00:16:37In fact, only Hindi and Telugu.
00:16:40But have you learned Telugu?
00:16:41Have you spoken a little bit?
00:16:43No, no.
00:16:44Oh, okay.
00:16:45Murnal is the same.
00:16:47The journey will be the same.
00:16:48The journey will be the same.
00:16:48If you are the same,
00:16:49I think everything will be the same.
00:16:52What are you going to do?
00:16:53I'm in the mood.
00:16:56What are you going to do?
00:16:57What are you going to do with the wings?
00:17:00What are you going to do with the wings?
00:17:04Navjot bhabi.
00:17:09Bhabi, come and take a look.
00:17:10They've spread a lot.
00:17:11That's a lot of the wings.
00:17:13I feel like they haven't received a subscription.
00:17:16This is not a lot of the wings.
00:17:19I am going to tell you about something about Ajay sir.
00:17:20I am going to tell you about it.
00:17:21You all know.
00:17:22There are such superstars that are in every genre of films.
00:17:25Thriller,
00:17:26The film was by Drishyam,
00:17:26The crime was by Red.
00:17:27Now I was a super hit.
00:17:28The comedy was by Golmal,
00:17:30The Dhamal,
00:17:31The action was by Singham.
00:17:32In the small cities, there is a saloon, they don't leave any work.
00:17:41Like if you are cutting one, then the other is shaving.
00:17:44When you leave the cutting, they start shaving.
00:17:48So that they won't go.
00:17:50When the third comes, they start the facial.
00:17:53So you don't have to leave anything.
00:17:55How do you keep the producers of these 5-5 methods?
00:17:57How do you keep the producers of these 5-5 methods?
00:18:00Actually, I learned this from Siddupa Ji.
00:18:03They have put one rumal in cricket and one in politics.
00:18:08Do you keep one rumal here?
00:18:10No, here is the whole chadar.
00:18:19The chadar here is the little chadar.
00:18:34Please welcome Mr. Vindu Dara Singh.
00:18:38Mr. Sanjay Mishra.
00:18:39Mr. Deepak Dobrayal.
00:18:42And Mr. Vindu Dara Singh.
00:18:43Very beautiful Mr. Kubra Singh.
00:18:45Vindu Paji.
00:18:47Hello.
00:18:51Hello.
00:18:51Hello.
00:18:52Hello. Hello. How are you?
00:18:55Sanjay Bhaiya.
00:18:57My name is Sanjay Bhaiya.
00:18:59My name is Sanjay Bhaiya.
00:19:00My name is Sanjay Bhaiya.
00:19:03Hey, sir.
00:19:04Did you meet them?
00:19:05Lily, Billy, Silly, Chilly.
00:19:07Just like your artist, right?
00:19:10Ravi Bhaiya, Mindu Bhaiji, Sanjay Ji, Deepak Bhai.
00:19:13How do you feel?
00:19:14Give your brother.
00:19:17Now I've come to understand your tagline.
00:19:19Why is Sanjay Bhaiya?
00:19:19Every year will grow up.
00:19:26If you look at them, you can even say that
00:19:28Every year will grow up.
00:19:29But if you look at Ravi Bhaiya,
00:19:30you can't say this.
00:19:36Glamour needs to be with you.
00:19:38A little bit of a feature.
00:19:40I mean, it's not out.
00:19:41Lily, Lily, Silly, Silly.
00:19:43You guys go. Backstage.
00:19:49Good.
00:19:50I like that.
00:19:51I think that Ajay Sir's film in the film
00:19:52Murnal and Kubra.
00:19:54It's also known that
00:19:55they've come to the Son of Sardar.
00:19:57They're standing behind Vindu Bhaiya.
00:19:58They're standing behind, right?
00:19:58It's like a cup of tea.
00:20:01Vindu Bhaiya.
00:20:03Vindu Bhaiya.
00:20:05You know, Vindu Bhaiya.
00:20:05Vindu Bhaiya's name is Virendra Singh Randhawa.
00:20:07In total, there are 40 people.
00:20:11Vindu Bhaiya's name in total.
00:20:12No.
00:20:12If you want to get the good name of Murnal and Dr.
00:20:13We have about the good name of Murnal and Mukherjee
00:20:14if you get the good name of Murnal.
00:20:15This is the genetic situation.
00:20:16You know, we all know from Children's children.
00:20:18The two of them are good.
00:20:20Right.
00:20:21Vindu Bhaiya is a RASK.
00:20:23I have an amazing person.
00:20:23But, what about my pleasure?
00:20:26Goodbye, sir!
00:20:28You're a leader.
00:20:29I'm a leader, I'm a leader.
00:20:30And the rest of the people?
00:20:33foreign
00:20:41foreign
00:20:43foreign
00:20:43foreign
00:20:44foreign
00:20:44I don't think you've ever made such a place or you've never felt famous at night?
00:20:51It's not your desire.
00:20:53You've come to become an actor.
00:20:55I think you've never made it.
00:20:56It's been a film.
00:20:57It's been a film for now.
00:21:00But one thing is the power of the power.
00:21:03We go to the house of Saini Baba.
00:21:08We go to the house of Siddhi Vinayak.
00:21:10We go to the house of Siddhi Vinayak.
00:21:11And when it becomes a film, it's a big, big actor.
00:21:15They come to the house of Siddhi Vinayak.
00:21:19So when I will become a big, I will come to myself.
00:21:22Sanjay Biya, you're good.
00:21:25We've been waiting for you.
00:21:26What a deal.
00:21:28What a deal.
00:21:28What a deal.
00:21:30One to one.
00:21:30It's a very strange thing.
00:21:32I think that every big director, actor, producer has to come.
00:21:38I don't know.
00:21:39This is your love, Sanjay Biya.
00:21:40You don't know.
00:21:41I don't know.
00:21:42It's all.
00:21:42How many films have come.
00:21:46But we all say that the film is going to go to the mountains.
00:21:50Yes.
00:21:50What are you trying to look at the mountains?
00:21:52What are you going to go to the mountains, Sanjay Biyaak?
00:21:55I don't know.
00:21:55I've been an actor, Woody Helen.
00:21:58I've always studied.
00:21:58He said that the actors should be talking to us.
00:22:08You know.
00:22:08What are you trying to look at the mountains?
00:22:09Why wouldn't you go to the mountains of Nelly?
00:22:12You really have to look at the mountains.
00:22:13You are so good.
00:22:14Then you have to leave.
00:22:15What people do.
00:22:16But you have to leave.
00:22:16You have to go to the mountains of Nelly.
00:22:16What the hell?
00:22:16Look, when you stand here with the mountains and other people,
00:22:20you should know what's in the mountains.
00:22:22But why have you just told them this?
00:22:23What song?
00:22:25You should try yourself.
00:22:25Let's do it in your own.
00:22:27Let's do it in your own.
00:22:28It's just one thing, one thing.
00:22:30People will say it's just one thing,
00:22:31like this in the past 20 years.
00:22:33But Sidhu Ji comes out from cricket,
00:22:34and comes out from the parliament.
00:22:39Sidhu Sir, Sanjay Sir,
00:22:41they talk very well-known.
00:22:43I mean, in one day, I was very frustrated.
00:22:45I asked him, are you young or not?
00:22:48We always say wise.
00:22:50It's a big deal.
00:22:53It's a big deal.
00:22:53I don't even know what to call me.
00:22:55Oh, buddha.
00:22:58I don't think I'm a bad guy.
00:23:00When I was born,
00:23:01I didn't have a bad guy.
00:23:04I was a bad guy.
00:23:07I was a bad guy.
00:23:10I was a bad guy.
00:23:12I was a bad guy.
00:23:12I was a bad guy.
00:23:14I was a bad guy.
00:23:15I was a bad guy.
00:23:16So, the teacher said,
00:23:17if he comes to Sanjay,
00:23:18he doesn't want to go.
00:23:19He's a bad guy.
00:23:25I was a bad guy.
00:23:27He was a bad guy.
00:23:28When I was born in country,
00:23:30I was almost young.
00:23:32He was a bad guy.
00:23:34I was a bad guy.
00:23:40Ritual Gratis
00:23:41I was a bad guy.
00:23:41His bad guy was like,
00:23:44I have a bad guy.
00:23:46I'm a bad guy.
00:23:47I'm a bad guy.
00:23:47You can see it.
00:23:47you'll never do it.
00:23:47I expect it.
00:23:49It's weird.
00:23:49What is it today, Deepak?
00:23:50Do you keep any competition in your mind
00:23:52or keep 6-7 flat?
00:23:55No, that's also
00:23:56in the Kapil Sharma show.
00:23:58It starts with everyone.
00:24:01Today, you have got a pink smile.
00:24:02What is it?
00:24:03What is it?
00:24:04What is it?
00:24:04What is it?
00:24:05What is it?
00:24:05What is it?
00:24:07What is it?
00:24:20What is it?
00:24:24What is it?
00:24:24I'm going to make a look at the end.
00:24:26I'm going to make a look at the end.
00:24:30I've seen it all on the Secret Games.
00:24:32It was a debut of Netflix.
00:24:34When I saw it on the Secret Games,
00:24:37I've seen it all on the Secret Games.
00:24:39I've also received it all on Netflix.
00:24:40No, you're not even watching it.
00:24:44You're watching it.
00:24:47You're watching it.
00:24:47You're watching it on Instagram.
00:24:49You're watching it on our show.
00:24:52You're watching it on our show?
00:24:53I'm so ready.
00:24:55When I'm doing live shows,
00:24:56I think I'll get a chance.
00:24:58I'll get a chance.
00:24:59I know Kubra.
00:25:00We've done a lot of live shows.
00:25:02But as an actor in the Secret Games,
00:25:04I was shocked.
00:25:05Wow.
00:25:06I've done a great job.
00:25:08Welcome, Kubra.
00:25:21You're looking very pretty.
00:25:22Caps, finally.
00:25:23Now you're going to flirt with me.
00:25:25When I'm married,
00:25:25I don't do it on camera.
00:25:29I do it.
00:25:31I'm fine.
00:25:33You need a motivation for a person.
00:25:35You don't change the past.
00:25:37Yes.
00:25:38That's right.
00:25:38That's right.
00:25:39Let's go to the film.
00:25:40Let's see.
00:25:41Son of Serdar Tuk's shooting.
00:25:43It was in foreign.
00:25:44If I tell you the names of the locations,
00:25:45how fun it is.
00:25:46Glanko.
00:25:47Oh.
00:25:48Glanfelen.
00:25:49Oh.
00:25:50Curloss.
00:25:51Don.
00:25:51Lothian.
00:25:52If you give all these names,
00:25:54he'll give them one or two.
00:25:56He'll give them one or two.
00:25:59Sanjay,
00:26:00when you first know Glanfelen,
00:26:02you'll have to think of the 12-year-old
00:26:04or 18-year-old.
00:26:05Yeah.
00:26:06Glanfelen.
00:26:07Yeah.
00:26:13Glanfelen.
00:26:14Glanfelen.
00:26:14Luthian.
00:26:14You hear your name?
00:26:15Yeah.
00:26:16No, man.
00:26:16I was going to go to the building.
00:26:22Ajay, I said,
00:26:22I said,
00:26:23I said,
00:26:24I said,
00:26:24I said,
00:26:25I said,
00:26:26I said,
00:26:27I'm going to go to the building.
00:26:30I said,
00:26:30I went there.
00:26:31I said,
00:26:32I'm going to go a little bit.
00:26:33How will the day cut?
00:26:34I said,
00:26:35I'm going to go outside.
00:26:38I'm going to go outside.
00:26:49I said,
00:26:55I'm going to go outside.
00:26:56I said,
00:26:56I'm going to go outside.
00:26:58Deepak has kept all his heart.
00:27:01Huh?
00:27:01What happened to Deepak?
00:27:02What happened to Deepak?
00:27:04What happened to Deepak?
00:27:06Actually,
00:27:06people don't know.
00:27:08He's a woman in the film.
00:27:09Oh.
00:27:10Yeah.
00:27:11Yeah.
00:27:12It's a beautiful street.
00:27:13It's very beautiful.
00:27:15That's why I have to maintain everything.
00:27:20It's a very beautiful woman.
00:27:24Oh.
00:27:24We're going to see it.
00:27:25What do you mean?
00:27:26What do you mean?
00:27:27What do you mean?
00:27:27Because it was a whole set.
00:27:32The one who took me behind the henchmen
00:27:34with gun.
00:27:35Actually.
00:27:36The one who took me behind the henchmen
00:27:38all the tall guys.
00:27:39You know?
00:27:39They're high.
00:27:41They're all foreign.
00:27:42Yeah.
00:27:43He was a man.
00:27:45One man.
00:27:47He was a man.
00:27:47He was a man.
00:27:48He said,
00:27:48I'll marry him.
00:27:49Oh my God.
00:27:52The way he...
00:27:54They made him look.
00:27:55The way he carried himself.
00:27:58He was a man for 40 days.
00:28:00He was a man in a few weeks.
00:28:02And what did he do?
00:28:03If we went to restaurant,
00:28:05we went to eat food,
00:28:06and we didn't change clothes.
00:28:08The girl would dress with the wig wig.
00:28:11And the most important thing was to get.
00:28:14Why would they go to the lady's clothes
00:28:16so that they would eat food in three days?
00:28:17That was a party.
00:28:18I was a little close to my hotel.
00:28:19So, he was in the beach.
00:28:20I would go to the beach.
00:28:21I would have to go for one hour.
00:28:23I would have to go for one hour.
00:28:24Then I would have to go for one hour.
00:28:25I would have to go for one hour.
00:28:26I would have to go for one hour.
00:28:27I would have to go for one hour.
00:28:33He would have to go for a guest.
00:28:35Then he would have to go for the wedding.
00:28:37I would have to go for a first time.
00:28:37No, no, no.
00:28:40But they would have to go for a first while.
00:28:42They would have to go for a first time.
00:28:54The girl would have to go and say,
00:28:59What is your hand?
00:29:00No, no.
00:29:01They would have to go for a second.
00:29:01It was so much fun.
00:29:02that you don't want to go.
00:29:04So, you don't want to go.
00:29:05So, he was in there.
00:29:08So, he laughed and said,
00:29:10oh God, and I got to get my hands
00:29:11and I got to get ladies.
00:29:13No, no, no. He's a boy.
00:29:15He's a boy.
00:29:17Oh, God.
00:29:20What was that?
00:29:23Go, go.
00:29:47Go, go.
00:29:49Go, go.
00:29:55Go, go.
00:30:02ą½Æą½ą½ŗą½ą½²ą½ą½¦ ą½ą½ą½¦ ą½¤ą½¦ą¾²ą½ą½¦ ą½¤ą½¦ą¾²ą½“ ą½¢ą¾¾ļæ½ą½ą½¢ ą½ą½“ą½ą½¦ą¾²ą½ą½¦ ą½ą½¦
00:30:10ą½ą½ą½“ą½¦ ą½ ą½¦ą¾³ą½¢ ą½ ą½ą½¦ ą½¤ą½¦ą¾ą½ ą½ą½ą½¦ ą½¦ą¾³
00:30:30Where did the people come from?
00:30:34We came from this door because that door was empty.
00:30:40Who are you?
00:30:42Those who are less than the people who are less than the people who are less than the people.
00:30:48What are you doing?
00:30:51And what are you doing for?
00:30:52Those who do not have the love of my mother,
00:30:55we will become a father to become a father.
00:30:59Don't hurt yourself.
00:31:01Do you think you're scared from the above?
00:31:02Don't sit in the above.
00:31:04Don't sit in the above.
00:31:07Don't sit in the above.
00:31:10God!
00:31:12Tell us about how you came to do it.
00:31:14Yes.
00:31:16This is for you.
00:31:17You're late.
00:31:20You're late.
00:31:21Son of Sardar is coming.
00:31:22That was Ajay Devgan.
00:31:25We came to Ajay Devgan.
00:31:27Are you talking about Ajay Devgan?
00:31:30It's like that.
00:31:31It's like that.
00:31:36It's like that.
00:31:36It's like that it's a duplicate Ajay Devgan.
00:31:39And you're looking at it.
00:31:42It's not a duplicate.
00:31:46It's not a duplicate.
00:31:47You were there.
00:31:48You all are out there,
00:31:49you are out there with you.
00:31:50Hey!
00:31:52You're out there with Ajay Devgan,
00:31:53no one doesn't know.
00:31:54Yeah.
00:31:55Like that.
00:31:56Imagine the seats, Ajay Devgan.
00:32:00Come on.
00:32:02Oh!
00:32:03Oh!
00:32:03It's gone, please!
00:32:04The good?
00:32:05You just need to be able to tilt it.
00:32:06It's gone.
00:32:07You're Raja Devgan.
00:32:09Yes!
00:32:11Oh!
00:32:12Come on, come on.
00:32:15Oh, how are you, Hira Thakur?
00:32:18Hira Thakur, not, Murnal Thakur.
00:32:20Hira is a chamak, look at that.
00:32:22Oh, oh, oh, oh.
00:32:27Raviji, how many people have been here?
00:32:31Look at that, your hands will cut.
00:32:34What kind of hands will be cut, brother?
00:32:36Because, you have been given the same duplicate.
00:32:40Which association?
00:32:42Our association, Adda.
00:32:44Adda
00:32:46A-D-D-A
00:32:48What does it stand for?
00:32:50Ajay Devgan Duplicate Association
00:32:58I am a regional manager
00:33:01They are from marketing
00:33:03They are from HR
00:33:05They are from papad
00:33:06They are from chutney
00:33:08What are you saying about papad and chutney?
00:33:11I am like that
00:33:16Ajay Devgan
00:33:17I don't think you are going to duplicate
00:33:19You are running
00:33:21You are running
00:33:21You are good
00:33:24Attitude is a little less
00:33:30Attitude is a little better
00:33:31And how good they are
00:33:33They are not good
00:33:34They are true
00:33:36Oh
00:33:37Way to go
00:33:38Way to go
00:33:41That's nice
00:33:42Way to go
00:33:45Way to go
00:34:12I am
00:34:14I am
00:34:15I am
00:34:16I am
00:34:16I am
00:34:16I am
00:34:19I am
00:34:21I am
00:34:27I am
00:34:33I am
00:34:33I am
00:34:36I am
00:34:38I am
00:34:49I am
00:34:49I am
00:34:51I am
00:34:55I am
00:34:57I am
00:35:05I am
00:35:07I am
00:35:12Oh
00:35:33Are you poor India mess up so you're not duplicate?
00:35:36No, no, no, no, no
00:35:41But Ajay, I wanted to ask you that how do you feel when you mimic yourself?
00:35:46What does it make you feel?
00:35:48It makes you feel good only.
00:35:50But some people get very upset.
00:35:52No, in fact you should feel blessed that people are giving you that kind of respect.
00:35:56I am so happy you think so.
00:36:01People start imitating you, people start mimicking
00:36:05and then understand that your life is so subtle.
00:36:09It's a hit.
00:36:10You become a cult.
00:36:11Yes, exactly.
00:36:14What you said,
00:36:17I would say that someone's name is a land or a hotel.
00:36:20It's a very small thing.
00:36:22If someone's name is a situation,
00:36:24it's a very big thing.
00:36:25When we went to school,
00:36:27when we went to school,
00:36:29the other one would say,
00:36:29I will take you to your daddy.
00:36:31Is your daddy Dara Singh?
00:36:32Yes, very true.
00:36:34You were your daddy.
00:36:36Have you ever played in school or college?
00:36:38Have you ever played with Dara Ji?
00:36:39Have you ever played with Dara Ji?
00:36:40I am sure not.
00:36:41I've never played with Dara Ji.
00:36:44I've never played with Dara Ji.
00:36:44When we were young,
00:36:45we had a lot of fights in school or college.
00:36:47But first,
00:36:48when we were very young,
00:36:49people didn't believe
00:36:50that this is Dara Singh's son.
00:36:51Then he started his son.
00:36:53He started his son.
00:36:53If he was doing it,
00:36:54then people thought that he was Dara Singh's son.
00:36:56But Dara Ji has another speciality.
00:36:58He didn't have a Punjabi accent in Hindi pictures.
00:37:02Like the poor guy,
00:37:03he was just going to give it to a second.
00:37:04He was doing it.
00:37:04I was doing it.
00:37:06I was happy.
00:37:06I heard a story.
00:37:08I was told that
00:37:08we are Punjabi.
00:37:10he would have a little accent in Hindi.
00:37:13So,
00:37:13someone told me the story.
00:37:14He would say,
00:37:15Dara Ji was doing Hindi films.
00:37:17One time,
00:37:18he was going to dubbing in Punjabi.
00:37:21So,
00:37:22there was a dubbing engineer.
00:37:24He was sitting here.
00:37:24Dara Ji has asked,
00:37:25I don't want to say anything about my Punjabi Hindi accent.
00:37:35No.
00:37:40No.
00:37:41No.
00:37:42No.
00:37:43No.
00:37:44No.
00:37:45No.
00:37:46No.
00:37:46No.
00:37:47What did he do?
00:37:47He was saying that we were all ready.
00:37:48Because he did it.
00:37:49No.
00:37:49No.
00:37:50No.
00:37:50No.
00:37:50No.
00:37:50No.
00:37:51No.
00:37:51No.
00:37:51No.
00:37:51No.
00:37:57No.
00:38:10No.
00:38:12No.
00:38:13No.
00:38:15No.
00:38:15No.
00:38:16No.
00:38:17I don't think that you are scared from Sanjay sir.
00:38:20Why?
00:38:20You sit with a cobra, what is it?
00:38:23Oh, oh, oh, what is that?
00:38:25You're lying, girl, you're lying, my Instagram joke.
00:38:29You sit with a cobra.
00:38:31You're lying again.
00:38:33Wow.
00:38:34We've heard of Ravi Bhai's one thing that we've heard that every night,
00:38:37before sleeping, we've got to sleep with Shri Matiji's pants.
00:38:40If you have to sleep with your pants,
00:38:42how many days have you been vaccinated?
00:38:47I mean, yeah, I love, but she never let me do that.
00:38:51But even when she's sleeping.
00:38:53But it's a very good thing.
00:38:54What's the problem in this?
00:38:56Yeah.
00:38:58Because she was with me when she didn't have money.
00:39:01Absolutely.
00:39:02She didn't leave me with her.
00:39:05Today, whoever I am, she was with me.
00:39:09My son is in front of me.
00:39:11He knows the way she managed me.
00:39:14She's like a pair of shoes.
00:39:16How sweet.
00:39:17What's the problem?
00:39:19The man is so guilty, the more the pair of shoes.
00:39:25He's playing in front of me today, sir.
00:39:30Deepak bhai also has a habit.
00:39:32As the schedule of the film is finished,
00:39:34he goes to the saloon and he cuts all the hair.
00:39:36All the hair?
00:39:37You do so well, Deepak bhai.
00:39:39You cut your hair. What kind of hair is you?
00:39:41You can cut the hair off the collar.
00:39:42You put your hair on the collar.
00:39:44So, you cut your hair off the collar.
00:39:49You cut your hair off the collar.
00:39:56You cut it off the collar.
00:40:03I don't know that my hair will come from here.
00:40:08Okay, you know Sanjay brother, Ajay Sir has a lot of love.
00:40:12I think it's going to be a 15th film.
00:40:14Maybe a 14th film in the 7th film.
00:40:16So, did they open their office in your house or are you still in their office?
00:40:23I don't know where they live.
00:40:25Where do you call?
00:40:26I'm in Lunawala, I'm in Banaras.
00:40:28Where do you study?
00:40:30When shooting wasn't there...
00:40:32Sanjay is a poor man.
00:40:33What is it?
00:40:34He is a poor man.
00:40:35Basically, he is a poor man.
00:40:37He will get some vegetables in his car and a man is laying behind him.
00:40:45He is using a guru to take a look at him and take a look at him.
00:40:49He has had his own house for four years.
00:40:51What?
00:40:52He has kept his clothes and he is running away.
00:40:56What are you, Sanjay?
00:40:58What are you looking for?
00:40:59What?
00:40:59He has a good book.
00:41:01What are you looking for?
00:41:04What is it?
00:41:05What is it?
00:41:06What is it?
00:41:07So, the old man is a good book.
00:41:10How are you listening?
00:41:11When he is listening to the film, he has a great business.
00:41:14He has a great business.
00:41:14He is like that.
00:41:15He is an actor.
00:41:15He is an actor.
00:41:16You can't hear it.
00:41:20He is a little bit.
00:41:20One of my dear friends and dear friends,
00:41:23and I am a guru.
00:41:24ą¤ą¤° ą¤ą¤ą„ą¤¦ą¤® ą¤ą¤¾ą¤ą„ ą¤ą¤ą¤µą¤¾ ą¤ą¤° ą¤Æą„ ą¤ą¤ą¤¦ą¤®, ą¤Æą¤¾ ą¤²ą¤¾ ą¤
ą¤¬ ą¤ą¤øą¤ą„ ą¤¬ą„ą¤ ą¤®ą„ą¤ ą¤ą¤Ŗ ą¤°ą¤¹ ą¤°ą¤¹ą„ą¤ ą¤Æą„ ą¤øą¤¬ ą¤²ą„ą¤ą„ą¤ ą¤ą„
00:41:33ą¤¬ą„ą¤ ą¤®ą„ą¤
00:41:35A whole world of life is in our country.
00:41:38Hindu, Muslim, Sikh, Hizai, and our film is kind of like this.
00:41:43It is a philosophy of Guru Sahib.
00:41:45The First Allah, the earth, the power of the power of the Somcundi.
00:41:48One of the Somcundas, the Somcundas, the Somcundas.
00:41:51It's the most important thing.
00:42:30Where is the dharambeer from?
00:42:33Shidhu sahab, you have proved that if a person gets good and does time-to-time exercise,
00:42:42then he also shows the effect in this age.
00:42:48Shidhu sahab, you have to believe that you have done it.
00:42:51What will you show in this age?
00:42:53What will you show in this age?
00:42:54What will you do?
00:42:55You're dogs and Nuidya song.
00:43:00Sun of Sardar, the Siddhu Sahab'siki.
00:43:04Oh!
00:43:11He is a twin.
00:43:12Ashidhu Sahab eine Hinderung.
00:43:17He is a twin.
00:43:18Ninjaļæ½ get a son of Sardar, it's him to film,
00:43:22Yeah, it's a film in the theater.
00:43:24Yes, it's a film.
00:43:26I'm going to ask you about the dog.
00:43:34Don't let it go.
00:43:41Ankar!
00:43:42Ankar, what's happening? It's not happening.
00:43:46Don't let it go.
00:43:48Go, go.
00:43:49We've come back.
00:43:50Don't let it go.
00:43:51What are you laughing at them?
00:43:54You took the wrong information here.
00:43:59We're going to see how many people are doing this.
00:44:04There are great people.
00:44:07Sorry, Baba, it's wrong with me.
00:44:09Ankar, a father did wrong with his son.
00:44:14He asked you for forgiveness.
00:44:16Hey Baba!
00:44:16That's right.
00:44:23Your skirt is so small from the past.
00:44:25Don't let it go.
00:44:27Hey, I'm going to bring the skirt with another skirt.
00:44:30Look at this.
00:44:32a
00:44:33a
00:44:33a
00:44:34a
00:44:34a
00:44:35a
00:44:36a
00:44:38Never thought of what you need.
00:44:40Sir, my father is so much, he is still in his hand.
00:44:44Is this the skirt of the skirt and the other?
00:44:48Oh, my God!
00:44:50Oh, sir, it's a nice, sunny and warm.
00:44:54It's a parking lot on the Sharebort now,
00:44:57but it's just a late time here.
00:44:58Hey, Kappi lalei!
00:44:59Kappi lalei!
00:45:00Kappi lalei!
00:45:02Why are you looking up?
00:45:03I
00:45:38Oh, sorry, I didn't know what I was talking about.
00:46:23How can you excuse I want to speak to them?
00:46:29What a film.
00:46:33There is comedy, romance, action, tragedy, jealousy.
00:46:39We have jealousy.
00:46:42We have made a film from Punjab and made a film.
00:46:45We have not made a film.
00:46:50You are right, Baba.
00:46:52We have made a film from Punjab and we have not made a film.
00:46:56We have not made a film from this reason.
00:46:59When you see, wherever you go, you keep smiling.
00:47:03There is a film from a film.
00:47:05We have made a movie for a film.
00:47:08Baba, if someone will eat me, I will send it to her.
00:47:12This is a movie for a very hard time.
00:47:17it gets the
00:47:18shock
00:47:20he wants to do this
00:47:23so he wants to drink
00:47:25water on the lake
00:47:29and he wants to eat
00:47:32and he wants to drink
00:47:34meat
00:47:34not true
00:47:37I want to get married
00:47:40I want to get married
00:47:42I want to become a woman
00:47:43You're forgetting
00:47:45I don't want to be a little girl.
00:47:49Now I'm a young man.
00:47:53My son has grown up.
00:47:55Yes, Baba.
00:47:57Love you, my child.
00:47:59Love you, Baba.
00:48:04Ajay Sahib,
00:48:07when the kids are growing up,
00:48:09I don't know.
00:48:10I don't know.
00:48:11It's the same thing.
00:48:16I'm sitting on my hands.
00:48:18Baba, that's our baby.
00:48:19Baba, you're all the people.
00:48:23You're all the people.
00:48:24Baba, you're all the fun.
00:48:27Don't cry, my child.
00:48:30Don't cry.
00:48:31Don't cry.
00:48:33Why are you getting tension?
00:48:34I'm your father.
00:48:36Tell me what you'll eat.
00:48:37I'll get a couple of people.
00:48:38Tell me what you'll eat.
00:48:39Baba, I'll give you a hazelnut caramel macchiato.
00:48:44What did you say?
00:48:46Hazelnut caramel macchiato.
00:48:48You were born in Tanzania?
00:48:54They've made a film on Punjab.
00:48:56I'll give you a Punjabi dish.
00:48:59Baba, I'll give you a glass.
00:49:02Yes, Kapil.
00:49:03I'll give you a glass.
00:49:04Okay.
00:49:05I'll give you a hazelnut caramel macchiato.
00:49:11Wow, Baba, wow.
00:49:13Wow.
00:49:14Wow.
00:49:14I'm going to ask Punjab, I'm going to ask you to ask Punjab.
00:49:17So Punjabi people are also going to stay in Punjab.
00:49:20I have asked for Canada.
00:49:24Now, I'm going to sit with my mother or my father.
00:49:29Now, let's stop playing the political game.
00:49:32You will know that you will play a political game.
00:49:35No, it will play 87, it will play 88.
00:49:39Hey, go!
00:49:40No, I'm not going to play this game.
00:49:45It's not going to happen, but it can happen first.
00:49:47What do you mean?
00:49:49That person called you, who doesn't get out of your mouth.
00:49:52You don't get out of your mouth.
00:49:54Why?
00:49:55I called my father to the village!
00:49:59Father?
00:50:18My father, come here!
00:50:20My father, come here!
00:50:23Father?
00:50:25Where is my father?
00:50:27Wow!
00:50:27Son of Peace.
00:50:29See, sunade!
00:50:30The daughters of the son of saleā¦
00:50:31Yes, son of a priest.
00:50:33Son of a royal.
00:50:33In our hearts, it was called the son of the pack with grandmother.
00:50:39The vos- render, that the son that Cruze assisted through, said tocc breaks the groĆer.
00:50:42There are no words, Baba Ji.
00:50:45But you come to what the work had done, do it, sure.
00:50:47Yes, first, demand the son of the father.
00:50:51He is with you, Whew?
00:50:52In theģ where there is thestock of the man.
00:50:54Put a hand on the altar, then come to the throne of the Lord!
00:50:55I don't see that.
00:50:57I'll call him.
00:50:58I'll call him a way to call him.
00:51:00What?
00:51:00He's got two steps.
00:51:02He's got afirmed with the rope.
00:51:03He's got a rope.
00:51:05He's got a rope.
00:51:05Come here, son. Papa.
00:51:10Come here.
00:51:11Come here, Papa.
00:51:12Come here.
00:51:12I've called him and he's got a rope.
00:51:18Come here, Papa.
00:51:20Come here.
00:51:21No one else.
00:51:22This is nothing.
00:51:23Yes, brother.
00:51:24Bawji.
00:51:24One time, I have called the Surj, which I give to you,
00:51:27I also called the police and called the police,
00:51:29because it was closed.
00:51:31I said to him,
00:51:32I was standing in front of you,
00:51:33and I was standing in front of you.
00:51:35Oh, Suraj De Putr.
00:51:38Bawji, with due respect,
00:51:42he didn't come to your speech.
00:51:44He was running the fire, right, Bawji?
00:51:47That's why I came.
00:51:51You understand me.
00:51:51You understand me.
00:51:53There is no doubt.
00:51:54We don't know.
00:51:55If there is no doubt,
00:51:56then there is no doubt,
00:51:57then there is no doubt,
00:51:58then there is no doubt.
00:52:01Now, Devgane Ji,
00:52:02there is no doubt,
00:52:03there is no doubt.
00:52:04There is no doubt.
00:52:07There is no doubt.
00:52:08With due respect, Bawji,
00:52:09I don't say that, Bawji.
00:52:10It's a science.
00:52:12I have developed it,
00:52:13and science has developed it.
00:52:15Look, I respect the science,
00:52:18because we are drinking the blood of science.
00:52:21We do respect Bawji.
00:52:22I respect the science.
00:52:24But you will hear that
00:52:26what will be the science
00:52:26that what will be the science
00:52:27that will be done?
00:52:29What will be the science?
00:52:30What will be the science?
00:52:31With due respect, Bawji.
00:52:33What will you think, Bawji?
00:52:36You are very strong.
00:52:37How?
00:52:41I have also given you a skirt
00:52:42and you are saying,
00:52:44you are not strong.
00:52:44I don't know.
00:52:51You guys have come here.
00:52:53First of all, you have a film coming.
00:52:55Ajay Dev Ghani, I know that you have produced this film.
00:52:59I will tell you how to spend money in the film.
00:53:02How?
00:53:03If you start shooting at 11 o'clock,
00:53:06then you will spend money on your dance.
00:53:09That's a great idea, Baoh Ji.
00:53:11I'm telling you, let's do this.
00:53:12You will spend a home for your time,
00:53:13put out the film at 4 o'clock.
00:53:15Breakfast, lunch, you will spend money.
00:53:17Hey, I say so, I have to say that I will spend the last hour at 11 o'clock and
00:53:21time.
00:53:22Then, breakfast, lunch, dinner, you will spend the last hours at 3 o'clock, Baoh Ji.
00:53:25I say that you will not spend the last hours at 3 o'clock.
00:53:28We will spend the last hours at 7 o'clock.
00:53:32And next day, when you do a shooting,
00:53:33then at 11 o'clock.
00:53:35Next day, you will spend the last hour at 11 o'clock.
00:53:37Where am I saying?
00:53:38At 14 o'clock, you will spend the more money.
00:53:47foreign
00:53:48foreign
00:54:10No, no, Sidhuji, wrong, wrong.
00:54:14I know, this is Shahanshah.
00:54:17Shahanshah?
00:54:17Shahanshah, bauji. Give up, bauji, give up.
00:54:19The film was closed.
00:54:21It was closed.
00:54:23It was closed.
00:54:24It was closed.
00:54:25It was closed in 72 days.
00:54:26It was closed.
00:54:28Oh, sir.
00:54:29Oh, sir.
00:54:29Oh, sir.
00:54:29Oh, sir.
00:54:30Oh, sir.
00:54:32Oh, sir.
00:54:32Oh, sir.
00:54:34We'll guess what picture is.
00:54:35Yes, sir.
00:54:36I'll tell you.
00:54:37I'll tell you.
00:54:39I'll give you a hint.
00:54:41This film is Ajay Devgan Ji.
00:54:42Okay.
00:54:45Ata Ma Ji, Sadhkali Singham.
00:54:47No, no.
00:54:48One minute.
00:54:49If Ata Ma Ji is not a city,
00:54:51then who is here?
00:54:52Give up.
00:54:53Give up?
00:54:53Give up.
00:54:54It's a drishyam.
00:54:56One minute.
00:54:57How can this drishyam happen?
00:54:59I'm thinking, where am I going to hide?
00:55:27Give up.
00:55:28Give up.
00:55:28Give up.
00:55:28Give up.
00:55:29Give up.
00:55:32Okay.
00:55:32Yeah.
00:55:32I'm sitting at home.
00:55:33I don't know.
00:55:34I'm in tension.
00:55:35When will I go?
00:55:36When will I go?
00:55:37When will I go?
00:55:38I'll do something.
00:55:39Okay?
00:55:40Okay.
00:55:45Ata Ma Ji, Sadhkali Singham.
00:55:47I'll go.
00:55:48Babu Ji, why it's been mattering you a million hr pool lord
00:55:57It's called a drishya.
00:55:57How long did I go?
00:55:59Today's will you go?
00:56:00No.
00:56:02FaithƤƤbźøø j Yuab.
00:56:02I gave up.
00:56:03I gave up?
00:56:03I gave up.
00:56:04In the wind.
00:56:05Ah ah, how are you going to die?
00:56:07What are you going to die though?
00:56:08This inspector thinking of what did I create?
00:56:11I did.
00:56:12Have you put it back?
00:56:42Oh
00:56:43Oh
00:56:44Oh
00:56:50Oh
00:56:53Oh
00:56:55Oh
00:56:56Oh
00:56:57Oh
00:56:57Oh
00:56:57Oh
00:56:57Oh
00:57:00Oh
00:57:00Oh
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