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00:00Good luck finding anyone else who can deal with the great Margie Argyle.
00:03What do you think of theatre, Julia?
00:05Don't we all just watch Netflix now?
00:08Everyone, this is our new CEO, Julia McNamara.
00:11The Argyle is having a few tiny financial issues.
00:14This place is a disaster.
00:15Bring out your invoices!
00:18And when I do iron out these tiny financial issues, I get my job back.
00:21And Ryan does too.
00:22Are you even going to apologise?
00:23Oh, sorry for committing fraud.
00:26You know what you should do?
00:27Something Greece themed.
00:28What about a sexy Sandy?
00:30We're just going to sneak a new play into the programme.
00:33Our major production this season,
00:35Le Ison et Moït Kienkele.
00:38It's supposed to be Greece.
00:458, 8, 9, 8, 8, 9, 8, 8, 9, 8, 9, 8, 8, 9, 8, 8, 9, 8.
00:51Ha, ha, ha.
01:18Good morning.
01:20Oh, here we go.
01:21Good morning.
01:22Wow looking good
01:27Good luck. Okay, and no
01:31Yeah, hey
01:34I'm sensing a bit of tension. Are you angry with me? Oh, what do you think?
01:38You look fantastic in that Greece costume. Do you get any nice comments?
01:41Well someone your beauty school drop out from a car as I was leaving so I guess I have you
01:45to thank for that
01:46It's not personal. All right. I have to stand up for my art. Is it art or plays starring you?
01:51Well, that's what the public wants speaking of I've just got a little budget here for let pays on a
01:56mighty and today
01:56Yeah, they say I don't speak whatever that was that was French
02:00And if I could just grab a little signature just from you
02:03Thank you so much peasant show you shouldn't have announced at the launch. I'm not signing off on that. You
02:06did not have board approval
02:08Okay, how do I say this with such respect? You have no idea about theater
02:15Why don't you try and sell me this play in one sentence? Okay?
02:19It's an 18th century French masterpiece where I'm buried up to my neck in sand for four hours on stage
02:24delivering a single monologue
02:25Only to be interrupted twice by the ghost of my dead child
02:28Is that it?
02:31Not approved. What did I say? Monologue for a start when in real life do people talk uninterrupted for hours
02:37on end?
02:38Happens to me a bit. I think we're done for now Marguerite
02:42Okay, you know what? I see what's going on here. Yeah
02:46You haven't loved in many years. If only you could touch that sorrow, you know, and then bang life will
02:52come in
02:53Do you know is there a version of the play where they bury you in sand to just above the
02:56mouth because I would sign off on that?
03:01Why are there always egg people walking around here?
03:03Morning, Simone
03:05Simone?
03:08Ryan, did you get the email I sent you about the Pulse 54 program?
03:11That Scott guy, you're so obsessed
03:14I'm not obsessed with him. Don't say that. That's silly
03:16You are. You know, he's like a cult leader basically
03:18He's not a cult leader. He's a gym fluencer, and I've signed you up for the 6am Saturday program
03:236am? No, that's it. I'm coming down there for a big row
03:26Ryan, I'm at work
03:28Ryan, yeah, don't come down here
03:31Oh, it doesn't matter. I'll never find the place. Yeah, you need a fish extract
03:36I just use the Nivea from the IGA. It's quite scaly isn't it? Is it? What do you mean? It
03:41explains the dandruff as well
03:43No, I don't think that's dandruff. I think that's dust. That's skin-coloured dust. What?
03:48I just finished this, but if it doesn't work, I just keep making them till we get it right
03:51What's your artistic rationale with this week?
03:54The peasant's hair becomes a symbol of the freedom.
03:56I fucking love that
03:58Me too
04:00Morning
04:02Hi
04:02Good morning
04:03Everyone's here. We can kick it off
04:05Fantastic!
04:06Good morning everybody. What are you doing?
04:08What are you doing?
04:09I always start the meetings, so thanks
04:11Julie is first on the agenda
04:13What agenda?
04:14We have an agenda now
04:15All items emailed to Christian by 9am
04:17Systems and Processes people, you can take a seat Margaret
04:21Alright, well, I'll be straight with everyone
04:23This organisation is not financially viable
04:26Oh, so not going to acknowledge country or anything?
04:29No, please
04:29Time for a major strategic review. Does anyone know the most expensive part of any corporation? Anyone?
04:36Who cares?
04:37I got this
04:38The internet
04:39I don't think so
04:40It's the staff
04:41The staff
04:43That means you
04:44So I need to determine job scope and look for opportunities for cuts
04:47That's why Christian will assist me in conducting performance reviews with each of you starting today
04:52Oh, but we're not performers. I would never dream of going on stage
04:56Yeah, how is the performance stage? That's a really interesting question
04:59What? No
05:00What scene will I do?
05:01It's not a literal performance
05:02Am I out the front on the stage? Is there a text? Is it a one woman?
05:06It's not a ritual performance. It's a review of your performance at work
05:10Oh
05:10Okay, I've actually been trying to implement HR strategies for years
05:13Have you ever done?
05:14Well, I've never heard you mention it
05:16You know what? You should speak more from the diaphragm
05:18Your words seem to dissipate into the air
05:21People, we need to start thinking like a business
05:24There will be redundancies
05:26You will not be cutting my staff
05:28Okay, over my dead body
05:30What's next on the agenda, Christian?
05:31A bit of good news, actually
05:33Margie's new work, Scrambled, is upon us
05:36Oh, is this the egg people thing?
05:42Is that a, what do you call it, a play, is it?
05:45Devised work
05:45I devised it
05:46From source material
05:48Okay, previews start tonight
05:50And there's an exciting photo shoot beforehand
05:52Yes, Donna and I have four hours to prep half a dozen eggs
05:56Okay, well I guess we've got to make sure they're at room temperature
05:59The eggs need to be at room temperature
06:02Okay, performance reviews start today
06:04Check your diaries
06:05Christian, when you're ready
06:06Christian, when you're ready
06:08Sorry, Christian, when you're ready
06:11Off he goes
06:13It's about 20 minutes
06:14It's about 20 minutes
06:14But to be honest with you
06:15It is the de-egging that's the hard part
06:17Yeah, I can see that
06:17They look absolutely stunning, by the way
06:19Thank you
06:20Brilliant
06:20Thank you
06:22Now we've got half a dozen eggs prepped
06:24But they have to de-egg and then re-egg for tonight
06:26Mm-hmm
06:26We are going to have to move with like military precision
06:28Yes
06:29Oh
06:30Sorry, sorry
06:31Um, Simone, yeah
06:32Um, hi
06:33Um, did you just go to the bathroom egged up?
06:36Yeah, so please don't do that
06:37Because like what happens if you slip in your egg cracks?
06:40I don't have giant fucking chickens out the back
06:44Okay, everyone, there's limited eggs
06:46We've got an egg shortage
06:47So let's be careful and mindful
06:49Take a minute
06:49No, take a minute
06:51Yes, yeah
06:52God's sake
06:53Right, let's get back to rehearsal, please
06:55One of you is rotten
06:56How are we going to embody that?
06:58Has anyone got an offer?
07:00Margie up first?
07:02Yep, big kahuna
07:03Brave
07:04I'm not scared of it
07:06Really?
07:08Margie, performance review
07:10Ah, not here, what a surprise
07:12She might be in dress rehearsal
07:15Do you people just take meeting times as serving suggestions?
07:18Rehearsal
07:20Oh, okay
07:21That feels like a version of workplace harassment
07:23What?
07:24Oh, that, yeah
07:25I don't even, barely even notice that anymore
07:29You just go, what breasts? Do you know what I mean?
07:31What, what big breasts?
07:32We'll take that down
07:33Yep, yeah
07:35Take it down for sure
07:38I feel like you're lingering, Christian
07:39Yeah
07:41Sorry, Julia
07:42You're not, uh, you're not actually going to fire anyone, are you?
07:45I know you would all prefer to interpretive dance until the electricity cuts off
07:48But unfortunately someone has to make the tough decisions
07:51Okay, well, I feel like I should warn you
07:53These are theatre folk
07:54They won't go down easy
07:56Okay?
07:56I've turned around billion dollar companies
07:58I think I can handle the sewing and knitting club
08:01Okay
08:03Okay
08:16I'm breaking
08:18You're here
08:30What the hell is this?
08:31It's one of our more experimental works
08:33It's not in the small space
08:3580 seats
08:36Sorry, there's two theatres?
08:37I don't know, one theatre, two spaces
08:39I am breaking
08:40Yes, what else?
08:42Margie
08:43Margie
08:44What?
08:45You have your performance review
08:47Oh, we are working here
08:49Debatable
08:49Oh, no, I've lost it
08:50Okay, take five, everyone
08:51Should we go in your office?
08:53Oh, no, no
08:53Let's review my performance
08:58Alright, shall we?
09:00Yeah, I'll get my own chair
09:01Oh, there we go
09:02Did you go to uni for this?
09:03Of course I did
09:04I went to the School of Life
09:06And VCA for three years
09:08Okay, set?
09:09I'm ready
09:11Margie
09:11Hmm?
09:12How do you think your role helps the company strategically meet KPIs?
09:16My role?
09:17Yes
09:18What is my role?
09:19That is my question
09:20You know, am I a mother?
09:21Am I a lover?
09:22Am I a storyteller?
09:24You know, first they came screaming at me about KPIs
09:29KPI, KPI, KPI
09:31Key performance indicator
09:33But an indication of what?
09:35Love?
09:38The suffering of my fellow workers?
09:41Are we not more than human resources?
09:46Oh, Margie
09:47Oh, don't clap that
09:49Can you take this seriously, please?
09:51I'm taking it very seriously
09:53I'm just trying to show you the kind of magic you'll get
09:55If you sign off on my budget for Les Pisonne Moiti internet
09:58The peasant show?
09:59Yeah
09:59Okay, not gonna happen
10:02Reflecting on our mission
10:03How do you see your role evolving to further contribute to our collective success?
10:08Ah, the mission
10:09The mission
10:10The mission
10:11My mission is the craft
10:12I'm not writing that to you
10:13The craft of acting
10:14I get up every day
10:15I act
10:16This is completely pointless
10:18Well, thanks for coming, guys
10:19Okay, eggs
10:20Let's get back on your feet
10:21Let's go
10:22Let's get back to the work
10:22Okay, that's lunch
10:25Great, I've lost the whole morning
10:26Yep, go eat
10:27And then de-egg
10:29And be back in time to re-egg for the photo shoot
10:31Thanks, guys
10:31Sorry
10:33What are they even supposed to be?
10:34Spermatozoa?
10:35No
10:35Well, they look very much like spermatozoa to me
10:38Oh, just say come, Julia
10:40Take a risk
10:41Does she really think people are gonna pay to see that silly egg show?
10:45I don't understand
10:46People like eggs, I think
10:47Right, Ryan
10:49What are you doing here?
10:50Um, Christian
10:51This is my son Ryan
10:52Really?
10:53I did not see you as a mother at all
10:55What?
10:56Are you interested in the theatre, are you son?
10:59No
11:00He has a big future in commerce, don't you?
11:02No, I don't
11:03That's why I'm here to talk to you, Mum
11:04Sure, whatever it is can wait
11:05I'm really busy
11:06No, I'm staying with you
11:07We're chatting this out
11:08I will see you tonight
11:10Egg?
11:10God
11:11Mum
11:13I'm not leaving
11:15Why is there an egg?
11:17Okay, moving on
11:18Section 2
11:19Just so you know
11:20This is probably one of our busiest days of the year
11:22Is it?
11:24Okay
11:24What facilitation processes do you engage in
11:27To ensure sustainable and productive outcomes?
11:29Now what have you said there?
11:31What were all those words?
11:32Um, we design, we create, we consult
11:35If one of our departments isn't working, whole production can fall over
11:39Okay, explain it to me again
11:41You just do wigs?
11:43Just
11:43Why can't you plonk one on?
11:44Oh, I'm neck down, sorry
11:46What is neck down?
11:47I'm a peruchia
11:48That's a wig maker
11:49Only three of us in the entire country
11:51Every wig that you see here, handcrafted from human hair
11:54Oh, well that's disgusting
11:55I wash them
11:56I brush them
11:57I love them Julia
11:58Now they sound a bit like guinea pigs
12:00Okay, so I'm down here
12:01Thank you so much
12:01Hey, we're just looking for efficiencies
12:03That's all
12:04Aren't you supposed to be on our side?
12:05Hey, everybody
12:06Profit is not a dirty word
12:08But pussy is
12:10Well, sorry, sorry, who is that?
12:11That is something I'm dealing with right now
12:13Wow, I was sorry
12:14What?
12:15What are you doing?
12:18Okay, I'm so sorry you had to hear that, Donna
12:21What, pussy?
12:23Don't say it again
12:24In here, I am beyond disappointed, Brian
12:27It was funny
12:28This is a workplace, you can't speak like that
12:30What is going on with you today?
12:32Dad's moving to the Gold Coast
12:33Oh, finally some good news
12:34And he's starting a multi-level superannuation fund
12:37And it feeds into Retirement Lifestyle Village
12:40Oh, excellent, I look forward to seeing him on A Current Affair
12:42Yeah, well, he's asked me to source investors, okay?
12:45So, I'm going to move up to the Gold Coast with him
12:47Because this, honestly, it's not working for me
12:50Brian, I know he's your dad, but trust me
12:52He's not a good guy
12:53Please don't let him Melissa catec you
12:54Stop trying to rule my life, okay?
12:56I'll leave if I want to leave
12:57Can we talk about this at home tonight?
13:00Okay, we'll do a big catch-up on Dancing with the Stars
13:02I'll make your favourite nuggets
13:04Nugs and DWTS, yes?
13:06It's a good start
13:07Yes, it is
13:08Now go home
13:09Fine
13:09Okay, nuggets later
13:11Fine
13:11And don't say pussy
13:12Ever
13:13Fine
13:17Hello, hi, hi, hi, hi
13:19I'm Maggie Argyle, the Artistic Director here
13:21I don't think we've met
13:22I'm just Julia's son, Ryan
13:23Can I say something?
13:24You have the most fascinating face
13:27It holds a million stories, it's wise, yet it hides pain
13:30Really?
13:31Yes
13:31Thank you, my mum can't see any of that, so
13:34Have you ever acted before?
13:35Me? No
13:36You have
13:37I haven't
13:38I've not
13:39Why don't you come with me into the rehearsal space?
13:41I want to have a bit of a chat
13:42Okay
13:42Yep, come on
13:43You sure? Yeah
13:44I want to talk to you about the craft
13:46What's the craft?
13:47How you doing?
13:49Oh, what are we doing?
13:53Julia
13:54Huh
13:54Huh
13:55Huh
13:55That's good
13:56Yeah
13:56Let it out
13:57I think it's obvious, Jacob has to go
13:59Look what I found here. Crazywigs.com, Fantasy Wigs Online, The Reject Shop.
14:04These are all cheap wig places.
14:06And then we replace Jacob with AI or, I don't know, a 3D printer.
14:10Save the place 65K.
14:12I have to strongly advise you don't do this.
14:16No?
14:18Gently advise.
14:19I am so sorry I'm running behind Dominique.
14:22But we've got this new CEO. She's really throwing her weight around.
14:24The nerves. It never gets better.
14:26Oh, but Dominique, it's okay. We breathe through it. We take our time.
14:29It's amazing. And you are going to be amazing.
14:33Jacob, could we have a word outside, please?
14:36No, because I've now got one hour to fit three eggs or there will be no photo shoot.
14:40Really would be better if we could step outside.
14:41Yeah, you can just tell me here, Julia.
14:44Okay, we'll do it here.
14:47Jacob, unfortunately, due to a series of strategic realignments,
14:50your position no longer exists at this company.
14:53Sorry, what?
14:53Full details of your redundancy are in this information pack.
14:57Don't give it to me. Give it to Jacob.
14:59Sorry.
15:01Effective immediately.
15:05That's it!
15:07Whatever you're feeling, just let it out.
15:09Cold mother! Empty mother!
15:11And who are you?
15:12Ryan!
15:13But who are you really?
15:14You know, what makes you scream at night and laugh until you cry?
15:18I don't know.
15:19Ah, okay.
15:21You need to work out who you are.
15:22Find your voice.
15:24Maggie!
15:25Yeah?
15:25Join us fire Jacob.
15:27What?
15:27Come on!
15:28Leave the building, Jacob.
15:31Maggie!
15:31There's plenty of other jobs in the art.
15:33I can't help you with the resume.
15:34What are you doing?
15:35What?
15:35He's not going anywhere.
15:37Hey!
15:37Hey!
15:38Enough with the drama.
15:40Save it for the stage.
15:40How dare you come in here and fire my staff!
15:44You don't feel partly responsible?
15:45I've seen your work credit card.
15:47Alright.
15:47If he goes, we all go.
15:49I'm calling a snap strike.
15:50Thank you so much.
15:51No, that's okay.
15:52I'm coming too.
15:53And me?
15:54Well, good.
15:54At least now we'll have internet.
15:55And me?
15:56And me.
15:58Why the hell are you still here?
15:59You don't even work here.
16:01You can't strike if you don't work.
16:03And what about you, Egg?
16:05I just booked a trip to Bali.
16:07Sorry.
16:07Great.
16:08Thank you, Egg.
16:09Appreciate it.
16:09Guys, we've got a photo shoot in one hour.
16:12Can we all just...
16:12Scab!
16:13Let's not say that.
16:14Scab!
16:14No.
16:15Scab!
16:16No.
16:16Scab!
16:17What a shock.
16:18People in the arts trying to avoid work.
16:20Oh, okay, Julia.
16:21If this is all so easy, why don't you do it?
16:23No.
16:24I think we'll be fine.
16:26God, suck your face in.
16:27Make your head small.
16:28It's the wrong size.
16:29It's not my egg.
16:30Alright, let's try this one.
16:31Oh!
16:32Oh, Jesus Christ, Christ.
16:33That's two, you Humpty Dumpty.
16:35That's the last of the backup eggs.
16:36Let's not break any more eggs, people.
16:37I spilled soy on my suit.
16:39Oh, what, were you bathing in it?
16:41New policy, no more canapes.
16:42The media are going to be here soon.
16:44Okay, everybody, listen up.
16:45Just own eggs.
16:46You've got to put your own eggs on.
16:47We're doing our own eggs now, guys.
16:49We're not trained.
16:50No, we're not doing that.
16:51Where's Dominique?
16:52I don't know.
16:52Which one's Dominique?
16:53Has anyone seen Dominique?
16:55That one?
16:55Okay, just take an egg.
16:57Dominique.
16:57Put it on your head.
16:58Uh-uh, I'm joining the strike.
17:00Shut up, you scab.
17:01You're not joining the strike.
17:02Put an egg on.
17:02It's easy.
17:04Yeah, I remember when Papa took me to Paris.
17:06Oh, have I told you this one?
17:08Probably.
17:09But we love to hear it.
17:10Le Pige en Mouy Entere had just gone on tour,
17:14and the French were saying it was better than the original.
17:16Papa said to me, you will play this one day,
17:18and you will play it better than me.
17:20Yeah.
17:22Dominique.
17:23I want to speak to Margie.
17:24You're the star.
17:26We're here to support you.
17:28We're here to help you.
17:29Anything we can do.
17:30Christian.
17:31What the frick?
17:32I was demonstrating how easy it was to get on.
17:34Now it's stuck.
17:35It's suctioned on.
17:36I can't get it off without cracking.
17:37How do we...
17:38It's the last of the good eggs.
17:39Okay, okay.
17:39Okay.
17:40I'm just going to grab underneath.
17:41Okay.
17:42Pull.
17:42Don't.
17:43I'm trying.
17:43Take my face with it.
17:44Don't crack it.
17:46It's really sweaty in there.
17:47Who's in there?
17:49Dominique.
17:50Stage fright.
17:51Doesn't want to do the show.
17:52Won't do the photo shoot either.
17:53Oh, thank God.
17:55I'm starting to feel a bit better.
17:57You listen to me, Egg.
17:58You are contracted to take the stage at 7pm.
18:01If you fail to do so, I can and will sue you for damages.
18:04Get it?
18:05She's not going to...
18:06There's no one suing.
18:08Why would you do that?
18:09That's not helpful.
18:10Speak to Margie.
18:11Okay, you go get Margie from the pub.
18:13I'll deal with Dominique.
18:14I'm not leaving the building like this.
18:16I'll deal with that.
18:17You get Margie.
18:17I can't deal with that.
18:18You're right.
18:19I'll get Margie.
18:19Dominique.
18:21Come on.
18:22Shit.
18:23Shit.
18:24Wonderful work on the floor today.
18:26Yeah, it felt so natural.
18:27Mum never let me do it.
18:28Oh, my God.
18:31What?
18:32Oh, is this some sort of sick joke?
18:34Have you come here to rub an egg on our faces?
18:36According to the Industrial Relations Act, this strike is illegal.
18:39And Dominique has locked himself in a cupboard and refuses to come out.
18:42Sounds like it's a little disaster over there and you need me to come back.
18:45Not really.
18:46Oh, okay then.
18:47So, Ryan, where did you, like, go to school?
18:50Just like...
18:50Fine.
18:51Oh.
18:51Yes, we need your help, please, Margie.
18:53Mm-hmm.
18:54I'll come back if you reinstate Jacob.
19:06Fabulous.
19:08You look excellent.
19:08I'm a mama molotov.
19:10I'm a mama molotov.
19:10Go, go, go.
19:12You look fabulous.
19:13You're done, Denise.
19:14I'm a mama molotov.
19:15Just get it off.
19:17Ah!
19:17Not like that.
19:18You can't pull it.
19:19My face is stuck in it.
19:20I'm going to have to vest you up.
19:21What?
19:22I'm going to vest you up.
19:24Dominique, it's Margie.
19:25Come on.
19:25Yeah, come on.
19:27Come on out.
19:28You're going to be magnificent.
19:29Oh, I can feel it.
19:31It's going to be.
19:32Like, you'll step out there and you'll drop in and you'll say, I am the egg.
19:37Two.
19:38Here I am.
19:38Three.
19:39Ah!
19:41Oh.
19:42You'll be magnificent.
19:44It's all in you already.
19:45Thank you, Donna.
19:46You're a valuable team member.
19:48That's the gift you give to the audience.
19:50You share yourself with them and then they feel less alone.
19:53Always say the right thing.
19:55Get yourself out there.
19:56Go on.
19:59That's how it's done.
20:03You're good.
20:03Hide this way.
20:04Over here.
20:05Over here.
20:06Okay, we are looking really good.
20:07But can we bring it closer together, please?
20:09Yes, powerful.
20:10That is good.
20:10Hold back.
20:12Yes, there he is.
20:14Simone, are you with us?
20:15Hey, good.
20:16You all?
20:17Wake up.
20:17Wake up.
20:18Closer together.
20:19Like, presumably we all came from the same carton, right?
20:21So we love each other.
20:22That's raw egg intensity.
20:24Yes, that's the shot.
20:26Just jump in there.
20:26I've got a dinner to go to.
20:29Always here for the most important moments, Carmel.
20:31Okay, a quick photo with Carmel, everyone.
20:33Important photo with Carmel.
20:35Great.
20:36Good use of time.
20:39Oh, Jules.
20:41It's been a tough day for you, hasn't it?
20:43It was a bit of cross-purposing, but I think I turned it around.
20:46I just feel like this creative stuff, it's not for you.
20:49Why don't you just sign up on my budget, and then you can just drift away.
20:53Unfortunately for both of us, I'm here till we're back in the black.
20:55Okay.
20:57Okay.
20:57Oh.
20:58Fun day.
20:59Cheers.
21:00Julia.
21:00Oh, Carmel.
21:02Is that the wet look, is it?
21:03Just something I'm trying, yes.
21:05We're going to do the photo?
21:09Great caption for that would be, industry heavyweight encourages more women than the others.
21:16What the hell is your son doing here?
21:19Ah, just dropping off my keys and some dry shampoo.
21:23For the hell, I hope you've changed all the passwords.
21:26I don't want him hanging around here.
21:27Oh, he won't be here, ever.
21:29Alright, don't you worry, Carmel.
21:31Everything is under control.
21:38So what's your favourite citrus?
21:40I'm just going to get you a water.
21:42Come on, come on.
21:43Come with me.
21:44Just be strong about it.
21:45You know yourself better than anyone.
21:47Better than you.
21:48You only just met him this morning.
21:50Come on, Ryan.
21:50I need you to drive me home.
21:52Let's go.
21:52No, Mum.
21:53I've got something to tell you.
21:55Has your dad's foot turned up on a beach south of Sydney?
21:57No, Mum.
21:58I'm not going to the Gold Coast with Dad.
22:00Oh, that's great news.
22:02We can get back on track.
22:03Maybe you could do an MBA.
22:05I'm not going to the Gold Coast because...
22:07Yep.
22:08I'm a gay man and an actor.
22:11Sorry, what?
22:12It's about time you knew who I am.
22:14Yeah, I know you're gay.
22:15Who cares?
22:16But an actor?
22:17Oh, Ryan, I think I'm going to be sick.
22:19I've seen something profoundly beautiful in Ryan.
22:23Yeah.
22:23Margie said I'm like a big Greek guy.
22:25No, I said you're like a gift from the Greek gods.
22:27Like, yeah, that.
22:28And not only that, but she's cast me in her French play about a peasant.
22:32It's just a small role, but he has the quality I'm looking for.
22:35The tragic sum.
22:37No, this isn't happening.
22:38Unless the play doesn't happen for some silly reason like budgets.
22:43No.
22:44No, Mum, that wouldn't happen, would it?
22:45No.
22:46Because then you'd have to go to the Gold Coast with your dad.
22:49He sounds awful, doesn't he?
22:53Oh, Sticky.
22:56Oh, dear.
23:00Bring it up!
23:04What do we work here?
23:08I'm with your hands.
23:14Come on in, everyone.
23:15Leave your old selves to the door and embrace your inner clown.
23:19I've actually found my 40s to be my most sexually active.
23:22Marcella!
23:23Maggie!
23:25Oh!
23:25Mum reckons she's getting a big star.
23:27It's Kate Manella.
23:28What?
23:29Can you believe that?
23:29Kate Manella, it's her sister.
23:31You know, I could have sold out to Hollywood.
23:33I've got to get rid of Julia.
23:34Oh, chickens, do you?
23:35Oh, enough chickens!
23:35Chickens!
23:36So, here's the pitch.
23:37Chevy's Chickens sponsors the Argyle Theatre.
23:41I'm Julia McNamara.
23:42How much does that cost?
23:44I'm a corporate robot.
23:45Is that my suit?
23:49What do you mean, my kid?
23:51I'm a bad, bad, bad, bad.
23:53I'm a baddest.
23:55I'm a baddest.
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