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00:00Today is about the Hong Kong police dagger movie
00:02One of the strongest IP series
00:04The premiere date of the Korean War returning to the big screen
00:07I didn't come to see the premiere.
00:09I watched the video before.
00:10Today's task
00:11They just wanted to find a director.
00:13and several of the main actors
00:14Sit down and have a chat
00:16Today's time is very short.
00:17They are very busy
00:18I think our rhythm
00:20It should be about as urgent as the Korean War.
00:22That operation codename
00:24Popcorn Week-Long Prelude
00:26About to begin
00:58YoYo Television Series Exclusive
01:02Popcorn's Week-Long Prelude: The Korean War
01:05Start now
01:06I am your program host, Gu Dechao
01:08Introducing today's guests
01:09Korean War director Leung Lok-man
01:12Wu Kangren
01:13Tse Kwan-ho
01:14Liu Zhengqian
01:16Wu Yanzu
01:17Daniel
01:18This time I watched Korean War 94
01:20I watched the video.
01:20As Mr. Gu Tianlu said
01:22It's truly a universe.
01:23That is, the scale of the interior is enormous.
01:25So many characters
01:26That is very distinct.
01:28Even if each one has a very short appearance
01:29Everyone can clearly tell who they are.
01:31When you were filming
01:33The first two episodes
01:34During the Korean War
01:36Has the Korean War 94 already appeared?
01:38In my mind
01:38A large skeleton appeared.
01:40Because at that time we
01:42Whether it's Li Wenbin or Liu Jiehui
01:44These two main characters
01:45We also need to talk to the actors.
01:48What exactly is his personality like?
01:501995
01:51A perfectly planned undercover operation
01:54The Royal Hong Kong Police Force successfully dismantled
01:56gangsters themselves
01:57The head of the Organized Crime and Triad Bureau (OCTB) back then was Li Wenbin.
02:00The boss asked me
02:01If we open the universe
02:02What should our origin be?
02:04I said I had to bring this up.
02:07We should start with this story.
02:08It should have started in 1994.
02:12Briefly tell me the story of the Korean War in 1994.
02:15What is it like?
02:16Police force in 1994
02:18Actually, the name is Royal Hong Kong Police.
02:21Actually, their big boss
02:24It's the royal family, it's the British.
02:26yes
02:26Another aspect of the police force is the underworld.
02:29When the police force was in charge of managing Hong Kong
02:32At night, he might be in charge of the underworld.
02:34Another aspect of the underworld
02:37The underworld is the Jianghu (江湖, a term referring to the world of martial arts and chivalry).
02:38What's it like on the other side of the story, from the perspective of someone from the martial arts world?
02:42We designed a Pan family.
02:45An old family
02:46It can also affect Hong Kong
02:48The forces behind the political, economic, and business systems
02:52The four factions are what we construct
02:54Background of the Korean War Universe
02:58Because I like watching Korean spy movies.
03:01There is a unique situation in both South Korea and North Korea.
03:06Hong Kong has a former colonial government
03:10It includes Hong Kong itself, and the underworld.
03:12And there is a group of very remarkable tyrants.
03:14Business Tycoon
03:16This is all featured in Korean War movies.
03:18This incident was filmed by people from Hong Kong.
03:20So I like it very much
03:23Can each of you briefly describe what you did?
03:26Okay, I'm playing Li Wenbin from 1994.
03:29After that, Han Yi and Han Er
03:31It was played by Brother Jia Hui.
03:32What about Daniel?
03:33The character she plays is named Cai Yuanqi
03:34Zhang Guozhu played this role in the second episode.
03:39What about the Han people?
03:40I am Pan Zhirong, the fifth generation of the Pan family.
03:44Because there were probably more fathers in 1994.
03:47Because I worked next to my father.
03:51Junhao is the most powerful person.
03:53I am the fourth generation head of the Pan family.
03:57Yes, Pan Zhirong was the leader of that group.
04:00Yes, political, economic, business, educational, and cultural circles.
04:06Includes everything
04:06Many people now say it's very powerful.
04:08Obama was reached through two phone calls.
04:10He can come and go from Downing Street.
04:13yes…
04:13That's really amazing!
04:14yes
04:15So before everyone arrives
04:16Now you know how strong your opponent is.
04:20Or is that a fun opponent?
04:21I know, when Kang Shan called me
04:23Let's get back to the character.
04:25Because I at least resigned.
04:28Resigned
04:28I feel very excited
04:30Because you are a Hong Konger from several generations.
04:33right
04:33always together
04:34And such classic music
04:37I found filming together to be a lot of fun.
04:39This is also why I am so moved when I watch movies.
04:42I see one generation leading the next.
04:44Yes, and everyone is very natural.
04:47It's really good
04:48I won't let you down, and you won't let me down either.
04:49Everyone really thought it was a lot of fun.
04:51One of the foreigners
04:52There should be several foreign actors.
04:53One of them is Aidan Gillian
04:55He came down to see me and that's when I realized he was a Little Fingers.
04:58You have so many foreign actors to choose from
05:00Would you choose him?
05:00We need to go through the UK's deputy director first.
05:04First, the deputy director of translation
05:06He told you
05:07Your time is several months to several months
05:09He will screen and filter for you.
05:12For example, if you shoot at this time
05:15Only actors who play this particular actor are acceptable.
05:17Of course I'll be the first one.
05:19First turn
05:20Yes, I asked if I could marry her.
05:23The actor said
05:24I'll just ask.
05:26I won't fail if I just ask. No problem.
05:28Right?
05:30Later, they both agreed to my request.
05:32We are very happy
05:33Hollywood's deputy director's details
05:35It is very rigorous.
05:37You see the gold-dissipating Oskika
05:38There is also an award for deputy director.
05:40I think our Hong Kong Film Awards could consider this.
05:43Cold War 94 could definitely be considered a genre like this.
05:47Actually, you found the right person.
05:49More than half of the success of a work is attributable to its physical attributes.
05:52Find the right person to do it.
05:53Because there are basically more seats in the movie than just the ones in the audience.
05:57Many other main actors
05:58There are other main actors who are not main actors.
06:01Or to put it simply
06:03It's good to have passed by.
06:04he comes out
06:05Because of his own sense of arrogance
06:08That already makes its texture very strong.
06:11I think this applies to the deputy director.
06:14It is also a merit.
06:15Chatting with Daniel
06:16Welcome back
06:17Thanks
06:18Welcome back
06:20The Moments of Youth
06:21Made a lot of financial animated dramas world
06:24Now that I'm older, I'm more mature.
06:26On the contrary, it allows you to play more different roles.
06:28yes
06:29For example, I've seen it before.
06:30You have a film shot in mainland China called Xu Bao
06:33Director Liang
06:34You also play a villain.
06:36To commit robbery
06:38Take photos while watching Hong Kong films
06:39Go to rob
06:41You see Hong Kong films
06:42You don't really enjoy different roles right now.
06:44Even the villains
06:45I think it's because of age.
06:49The roles I can play now
06:51Very different from my past
06:53If you say my Hong Kong 1.0
06:57Things from that period
06:58Those were all roles I played when I was young.
07:01Currently, more experienced deputy directors and head chefs
07:06Previously, the most they might have been inspectors
07:07Salted pen Salted pen
07:10father, husband, and other roles
07:13And my own life experiences
07:17They are almost the same.
07:20That's for sure.
07:21Because you are an actor
07:22You need to rely on your life experience to help you.
07:26It's actually quite interesting.
07:27Because of what I understand
07:30Regardless of the things in this world
07:32Or something related to a person's personality.
07:33It's only at this age that I truly understand.
07:35It became clear again.
07:36So when you're going to act
07:39Reflecting on this matter would make things clearer.
07:41I worked in Hollywood for several years.
07:44I've also invited Steven to chat with him before.
07:46The biggest difference between filming in Hollywood and Hong Kong
07:48He said there would be thunder.
07:50As soon as the thunder rumbled, someone stood there watching the sky.
07:53He said there was no landmine movement for 15 minutes.
07:55Only then can work resume.
07:56If the path is two or three kilometers...
08:00Work must be stopped.
08:01Yes, that is, those
08:03Some people specialize in predicting the outcome of events by observing the numbers in the sky.
08:06He said their systems are very different.
08:09Your return to Hong Kong this time
08:10How do you think you can return to Hong Kong?
08:12Are there differences?
08:13This is an example.
08:14There are too many regulations in the American system.
08:16Many regulations
08:17This will slow down the entire production process.
08:19Very expensive. Very expensive.
08:21Many things
08:21So when I was filming in the United States
08:23Watching others film
08:24For example, this is how I film.
08:26No wonder it's so expensive
08:28No wonder it took so long to film.
08:30These things
08:30So sometimes I get angry.
08:32It is anger
08:33So I was happy as soon as I got back to filming the square scenes.
08:36Very refreshing
08:36Much more refreshing
08:37right…
08:38I once said
08:40You see Hong Kong serving rice
08:41Seeing the lunchbox, you were also moved.
08:44What's your favorite lunchbox?
08:46It should be char siu chicken rice.
08:49Or dried goose goose goose
09:07Let us put our lunchboxes down for others
09:08First, everyone can see the rice and fruit dish.
09:09Yes, the earliest we should eat is rice and fruit snacks.
09:10There are still some healthy meals available.
09:13OK
09:13There are new ones
09:14Healthy Meals
09:14Healthy meals
09:15Now, when it is displayed, you can see it.
09:16On-site
09:16Some people by name
09:19Strike
09:20There will also be some
09:22Bar
09:23I've filmed movies in Taiwan.
09:25I really enjoy the bento boxes I eat in Taiwan.
09:27There are a few side dishes
09:29There are more dishes
09:29Do you prefer Hong Kong style or Taiwanese style?
09:32Spare ribs with fermented black beans…
09:34Black bean spare ribs, what kind of food do you like to eat?
09:36Is there a food restaurant in Hollywood?
09:39yes…
09:40Does it not need rice?
09:41We can eat together anytime.
09:42There are food meals, there are food items.
09:44Food is available anytime.
09:47It has everything, including candy, etc.
09:49So at that time, when I heard my patriotic actor friend say...
09:53I always gain weight when I film a movie.
09:55I don't understand this.
09:56Because I shoot Hong Kong films, I always lose weight during filming.
09:58Because they were German guests
10:00But they always had food during their rest periods.
10:03I often walk around this motorbike with ice cream...
10:06Yes, many people's birthdays are...
10:08Especially respect for actors
10:10Because they earn very little money each day.
10:13So they are... eating.
10:15Yes, eat these things.
10:17Yes, I've also made movies in Taiwan.
10:19You've filmed in Taiwan, Hong Kong, and mainland China.
10:23Filmed in Hong Kong, what do you find special about it?
10:26Rhythm…
10:29soon
10:30You said it's the rhythm of on-site work.
10:32This must be the fastest I've ever seen a lighting technician set up lights.
10:39But every lighting technician really seems to be running.
10:43right…
10:44Running... will make you smell a bit.
10:48But when I looked at it from the side, I thought it was very cute.
10:52We often say it's running.
10:54What props do they need? Running.
10:56All of them were runners.
10:57I might even see…
10:58I remember we had a female lighting technician.
11:01She carried a lamp that weighed an unknown number of kilograms.
11:05direct…
11:05She also had to climb the high platform.
11:06Go straight up to the high platform and carry it with one hand.
11:09Carrying it with one hand, I am...
11:12The headlight assembly is omnipotent.
11:14right…
11:14That's really amazing.
11:15They really are...
11:17And that one…
11:18The formation is really good.
11:20I thought this wouldn't happen.
11:21Because every union
11:24For example, I am a photographer.
11:26Do not touch the light
11:27Don't touch those things
11:28Do not touch the machine
11:29These things are therefore scattered.
11:32It's just those things the union won't let you do.
11:34And then there's running, and then not running.
11:35Because they were afraid you would get hurt and then sue them.
11:38Therefore, you cannot run.
11:39So everyone is slow.
11:41Five minutes
11:42It might take twenty or thirty minutes.
11:44So filming in Hong Kong is really enjoyable.
11:46It can be tidied up again.
11:48yes…
11:49Hollywood didn't tidy up.
11:50Cannot be cleaned
11:51Cleaning up is what you did wrong.
11:54Tidying up is a strength of Hong Kong people
11:56I'll use this term to say, "The pot explodes."
11:58If we get it, we get it.
12:00That didn't happen there.
12:10Kang Ren must have seen a lot before.
12:12A huge pile, you understand?
12:13There are… Hong Kong films
12:15have…
12:16Becoming a part of it today
12:18How do you feel?
12:19The director and the boss called me.
12:23When I... bathe in the glow of the sunset, or drink coffee...
12:26I came to listen to the people three times…
12:28I heard about the Korean War.
12:29When I wanted a prequel
12:32Actually, I...
12:33There is no Taiwan Sports notebook yet.
12:34There is no Taitung notebook yet.
12:36But I already have the answer in my heart.
12:39Actually, I felt in my heart that
12:41Regardless of whether the role is big or small
12:43Regardless of the amount of screen time
12:44I felt I should participate.
12:46Because of what I was like back then…
12:48Two years ago, I really wanted to see more of the world.
12:52How do you all do things?
12:54How do you all film movies?
12:55That original affection for Hong Kong films
12:58It's very concentrated.
12:59Very concentrated
13:00Because we grew up in…
13:02Watching Hong Kong movies
13:02Yes, watch Hong Kong movies
13:03That's because back then our cable TV
13:06It shows Hong Kong films 24 hours a day.
13:08right
13:08From Stephen Chow, Coffee Bro, Qin Huige
13:11I watch everything.
13:13We often see
13:14I can memorize the lines as soon as I see them.
13:16Like the past two days...
13:19Seeing Brother Jiahui arrive
13:21Then it's just some of his retrospective photos.
13:24I can roughly guess...
13:26Very impressive
13:26This movie
13:27Yes, this is the Three Gorges of Wind and Dust.
13:28This is John John Bo
13:30This is a human skin lantern.
13:31Actually, that left a deep impression on me.
13:34So I was able to participate in everyone's work.
13:36I am very honored.
13:37Daniel, now for the dialogue
13:40Do you still need pinyin?
13:41have…
13:41Still those English letters
13:43Still don't know how to read
13:44But in your role this time
13:46There are many languages for…
13:47Things in many institutions and systems
13:50Is it hard work?
13:51Dialogue about making skills
13:52It was also very hard.
13:53Fortunately, we had two or three months.
13:55Previous preparation time
13:57Be prepared.
13:58So during that time I went to…
14:01What does it mean to learn those languages?
14:03And how to say it
14:03How is the sound produced?
14:05Because Cantonese is particularly difficult to learn.
14:08Although you said filming Cantonese dramas is very comfortable
14:10But these words are good, yes…
14:14So you also need to put in a lot of effort.
14:15Yes, there is another person in that position.
14:17What tone of voice should be used to say these words?
14:20It is also very important
14:21Akang people, you are also the original voice.
14:24Your own voice performance, right?
14:26What do you think of the Cantonese dialogue?
14:28His pronunciation... is sometimes turned on.
14:32Sometimes it cannot be opened
14:35I think I was chatting with Ah Qian yesterday.
14:40I said I didn't have any...
14:44But he… I said, what did you say?
14:47Many don't...
14:49I mean I don't have any...
14:51I haven't... with you...
14:52That one didn't have a particularly strong bass.
14:54Yes, as soon as you mispronounce it.
14:56The whole meaning is completely different.
14:59So I... love you the most.
15:00right…
15:01Cantonese is the most difficult.
15:02The most difficult language
15:05We call it a really intense kiss.
15:07You can say a lot with very little dialogue.
15:09But you just need to keep a close eye on it.
15:12Junhao, you are a boss.
15:14yes
15:15The boss of the boss
15:18There is also a lot of English dialogue in it.
15:20There were a few, not many.
15:22There was a period...
15:24So how do we do it?
15:25You yourself are also rough.
15:27It's me, brother.
15:28Your previous stage play training
15:30You also need to read a lot of Shakespeare.
15:31I only read the Chinese translation of Shakespeare's book.
15:36Plus, I myself studied Chinese in high school.
15:39My English level is also limited.
15:41Oh no!
15:42There's a joke about needing to get along with Britain.
15:45That's how he played Xu Xianggao.
15:46Ah Xiao
15:47We also need to be able to keep him under control.
15:48The owner of that Bed Shield Manor
15:51After I learned about this
15:52The boss told me
15:54Do you understand English?
15:56Ask directly if they understand English.
15:57I understand…
15:58This is commendable.
15:59Do you understand what?
16:00Do you understand...
16:01Yes, is that what I meant?
16:03Tell me about this situation.
16:04I'm not talking about whether you understand or not.
16:06You absolutely must find someone to teach me.
16:08Because it may require re-dubbing.
16:11I have no idea
16:12But before I did
16:13I need to at least know what it feels like.
16:16Because of you…
16:17He shouldn't relax too much.
16:19Yes, don't relax so much.
16:20Because…
16:21Because you know about British actors
16:23yes
16:23They used English
16:24Did you know that British actors are best at delivering lines?
16:27Yes, he really kept...
16:29I spoke in English…
16:32I haven't studied pronunciation.
16:33I'm definitely not that good at pronunciation.
16:36You should know what it feels like.
16:38What is the rhythm of the whole person?
16:39What is that thing?
16:41He said that would be fine.
16:42Find a teacher to teach me
16:44This time it was really good
16:44Learn English on the plane
16:46The teacher actually taught a lot.
16:48Learn from Pinyin
16:50That is, basically the students'
16:52But the teacher is very interesting.
16:53He studied in England
16:55He studied in England
16:56He also knows how to act.
16:58I told myself
16:59I said again, "Why do people talk like that?"
17:03Because you know how foreigners sometimes speak
17:05Speaker: The British
17:06I asked him why he could speak.
17:07Going around in circles
17:08Yes, going around in circles
17:09He told me a lot more.
17:11On the contrary, I think
17:12Besides learning English pronunciation
17:14Besides what was said
17:17Beyond some languages
17:18He actually said a lot.
17:19The traditional lifestyle of the British
17:22Who says this might be better?
17:26I learned a lot that time.
17:28I've been filming and learning continuously.
17:29Yes, that's good.
17:31It's quite fun.
17:31The boss even told me to lose weight.
17:34Does it help with weight loss?
17:35They provided me with a nutritionist.
17:36I think it's really good.
17:38Many things were obtained
17:40Learn English
17:42Weight loss
17:43Weight loss
17:44Because he said the pants couldn't be too baggy.
17:48Then lose weight
17:51The character Li Wenbin
17:53He already has a mature version.
17:55What were you thinking at the time?
17:57I read the script first.
18:00Because I think
18:01Regardless of what happened with "Cold War I & II" before...
18:04My understanding is largely based on the current script.
18:07After watching at the same time
18:09Of course, I also watched "Cold War I & II".
18:10That is, Lee Man-bun, made by Ka-fai.
18:12Ultimately… what I captured were some intrinsic qualities.
18:16Regardless of anything external
18:18For example, Brother Ka-fai's impulses
18:22His robust
18:23But he is also a very loyal and affectionate person.
18:25I think this is personality.
18:26From childhood to adulthood, some things never change.
18:29I think this episode is about...
18:30Actually, there's something about him that he wasn't like this before.
18:33This is what happened afterward.
18:34Then why is this happening?
18:36I focus very much on creating these things.
18:39Brother Ka-fai will be doing an interview with you.
18:42They'll praise you until you fly!
18:44He said he watched the video.
18:45Did he tell you?
18:46The music video you made
18:49What aspect of him touched me the most?
18:51What touches him the most
18:52Actually, there is no pressure.
18:54He sped off after paying off my debts.
18:56God-level speedster online
18:57The urine output was also slightly lower.
18:58So I like to approach work in a relaxed manner.
19:04Because I feel that I can't do well when I'm nervous.
19:06But I got nervous after he paid off his debts.
19:09I have no idea
19:09But it's okay, we're done filming...
19:11It's all done filming.
19:12right…
19:13But you did very well.
19:15Thank you, your performance was really good.
19:17I have reason to believe that Li Wenbin was like this before.
19:20But I don't think you're here...
19:22Li Wenbin Imitation Contest
19:27And I can't see one thing.
19:29Why did Li Wenbin speak so loudly later?
19:31And they like to chat and talk with others.
19:35Why do you want to do something?
19:35I didn't have this habit when I was younger.
19:37When I was young... I thought my thinking was simpler.
19:40Li Wenbin in 1994
19:43The world is black and white.
19:44Should he do what he believes is right?
19:46Do it to the end
19:47After arriving, Lee Man-bun, the brother of Ka-fai.
19:50Sometimes I think he's good, sometimes I think he's bad.
19:52In short, he is very good at boxing.
19:54Moreover, every step the company takes in the situation
19:58Why did he learn this?
20:01This is the story... How to protect yourself
20:02How to protect yourself
20:04I don't know what kind of actor you are.
20:06Some were after work, or were they Li Wenbin?
20:09During that time, did your wife notice anything different about you?
20:11Because we filmed for half a year.
20:14My wife also worked elsewhere for a while.
20:19Actually, I don't follow that model.
20:21I don't really believe in that kind of thing.
20:23I believe that work is work, and home is home.
20:25get off work…
20:26But because our filming took too long
20:28We filmed for about six months.
20:31Sometimes actors are not really aware of it.
20:33Some characters or movie quotes
20:37I think he entered my body.
20:39Or in life
20:40That period was quite tough.
20:53Cai Yuanqi in the first two episodes
20:55He didn't appear that many times.
20:57Very mysterious
20:58It has a lot of mystery
20:59Then why did you choose the character Cai Yuanqi?
21:02Very interesting
21:03At first, I thought you and Cai Yuanqi...
21:05Wind and horse are unrelated
21:06But after looking at you, I realized you two look a bit alike.
21:08Yes... like Zhang Guozhu's former father.
21:12right…
21:14So how did you manage to capture this mysterious man, Cai Yuanqi?
21:17First of all…
21:18Because of the last episode
21:19You see him as someone with experience of the whole thing.
21:23By 1994
21:24How would you respond to this person's history?
21:28Recover the history of engineers
21:29Just beginning to learn how to gain experience
21:32right…
21:33Then see his performance
21:36There are several small movements
21:39Take it back and put it in this movie.
21:41When you act
21:42Do you think you are a good person?
21:44Still a bad person
21:45I didn't expect this.
21:46I don't want to think about this.
22:02Pan Junheng is a very capable character.
22:06"The Prince's Departure: Nan Ke Thirteen Lang"
22:08Or perhaps "Ganyuan Mountain"
22:10He was in court some
22:11More open performances
22:12It was during the drug-related incident that "Gan Yuan Shan" was mentioned.
22:14Yes, drug-related major case.
22:15But this time I think you're very shy.
22:17yes…
22:18Was this done intentionally?
22:20You could say it was intentional.
22:21But I still watch that character.
22:23How did he handle the situation?
22:30Pan Junheng
22:31Actually, it's because of him...
22:33He is the master of all of Hong Kong.
22:37So he doesn't need to rush.
22:40There's no need to rush.
22:41And the more…
22:43He is a person in a high position
22:44He needs to be less flamboyant.
22:46Show off how powerful I am.
22:48Because he was already very impressive.
22:50Therefore, the more low-key and refined he is...
22:53I am also in a state that fits the character.
22:58You just said
23:00That line is what I saw in the movie.
23:01One of my lines is...
23:02Hong Kong has always been my domain.
23:05yes…
23:05I think this line of dialogue is very important.
23:09How much confidence do you need to think about this?
23:12How to say this line of dialogue
23:14This line of dialogue is poorly delivered.
23:16They will disperse
23:17yes…
23:18This matter will then dissipate.
23:20The significance of this matter is…
23:22You are the sky, and the sky is you.
23:23The sky is me
23:25This is the serving size.
23:27Yes, this is it…
23:29On the contrary, I think it is...
23:32Don't think your canopy is so amazing.
23:35Actually, the more plainly you speak...
23:37The more energy he has
23:39Don't hold back.
23:40Don't hold back.
23:41Because your dialogue should be very powerful.
23:42right
23:42Don't continue processing.
23:44On the contrary, you feel that the more low-key and reserved you are...
23:47Speak softly and slowly
23:50On the contrary, the more force there is
23:52Director, what do you think of his photography?
23:54How do you feel when he says that?
23:57My screenwriter reminded me
23:58I just finished reading a book
23:59He said that the most powerful person was originally...
24:03It was very quiet.
24:04The people around them were also very quiet.
24:06Look at our wealthy streets.
24:08You see them…
24:10Actually, everyone seems to be speaking very softly.
24:11right…
24:13Meetings are all... I'm terrified of people dying.
24:14Yes… but actually they really are…
24:16I'm quite scared of Gufo's new home.
24:18I'm using this as a reference.
24:21Kangren, I don't know if my research is wrong.
24:23You were not formally trained in drama.
24:26It was read aloud, right?
24:27For example, Ajunhao and Aqian
24:30They all read about this.
24:31Is every character
24:33It takes a lot of time to do.
24:35For example, learning to feel through movies.
24:39For example, filming wealthy young people
24:40Get tanned, and experience it.
24:42For example, wearing it for a long time
24:43You should come to Hong Kong to live soon.
24:45Do you always use this method?
24:47We might need to look at the script.
24:53But this time the environment
24:55I probably just need to eat more.
24:59Don't waste too much sunlight.
25:00Because I am very rich
25:03Make some Japanese yen
25:05Eat about four meals a day
25:09I hope to be clean and pure.
25:11It can be done faster when making a suit.
25:15Actually, not much other preparation was done.
25:18Because I think the Korean War was 94
25:21I just need to improve my Cantonese.
25:23At that time I was carrying a rather...
25:25Later 3
25:26Because I didn't participate.
25:29So-called commercial films in Hong Kong cinema
25:31I've shot quite a few artistic films.
25:34I like it
25:36I enjoy walking the streets of Hong Kong.
25:38But I've never been part of a large film crew.
25:42This time I went to the Korean War
25:44I feel like I've broadened my horizons.
25:45Because I discovered that it's every actor
25:48Everything is ready
25:49Even everyone is on the same path
25:54Right on that line
25:55The difference won't be too great.
25:56And everyone is...
25:58I could feel the pressure on everyone.
26:01For example, when I open the camera...
26:03I saw Ah Xin
26:04He was already very strong by then.
26:05I saw his profile at that time...
26:08View him from the side
26:09Why am I so thick-skinned?
26:12I think it's very thick.
26:13He's not quite the person I remember.
26:16So I knew
26:17Actually, everyone is ready.
26:19I'm even happier to be filming with my good brother.
26:23Very fun
26:24I told you before, it's very suitable.
26:26right…
26:28Your character Pan Ziang
26:29It's very different from your previous roles.
26:31Your expensive movie came out.
26:33The young master of the noble family stood there.
26:35There's another thing I find very interesting.
26:36You always look so innocent.
26:40His actual appearance is...
26:42No, young master is so innocent.
26:44Innocent all day long
26:46That feeling…
26:47being bullied
26:48Whenever Dad is around
26:49She is very thin.
26:51Because Dad is
26:53Dad only needs to speak
26:54Actually, I wouldn't dare look my dad in the eye.
26:56Only Dad is here.
26:57Being a dad...
26:59Tiger boy…
26:59When Tiger Cub
27:01And his…
27:02Here it comes...
27:03They're here...
27:04Han Zhan also starred in police and gangster films.
27:05There are also actions
27:07I just wanted to hold a gun.
27:08Was it really that intense?
27:10Is there a hanging chair for relaxation?
27:12When folding
27:13I didn't know he was so good at the action scenes.
27:15Actually, the training started two months earlier.
27:17Actually, many different types of training have already been arranged.
27:21Actually, I had already thought of that.
27:24He is not one of the actors who performed certain actions in previous films.
27:28He has many moves.
27:30Or it might be more exaggerated.
27:31No need to place those
27:32right…
27:34But I think Han Zhan is a different kind.
27:36It has many types.
27:37It includes hand-to-hand combat and gunfights.
27:40There are also many car parts
27:43Do you know how to ride a motorcycle?
27:44Motorcycles understand, but aren't smart.
27:47At the same time, because they had to chase the car
27:49That is, the car being driven
27:50Those were all personally involved in the battle.
27:52First time driving
27:55These are many kinds
27:56Actually, I think it's quite difficult.
28:00And I think this time the action
28:01A special place
28:03Of course, you need to have strength!
28:04Don't push so hard that you suddenly strip naked.
28:06Want to fly or fly into the sky or into the day
28:08These are all things that can be explained by reality.
28:12Is this motion design more difficult?
28:14We have several mentors…
28:18The part where Uncle Zhi is in charge of the airport
28:21Because of the airport section
28:22We decided on it a long time ago.
28:24Now the audience is not only in Hong Kong
28:27It is often said in various places
28:28Do you film action scenes? What do you film?
28:30What else is new?
28:32You've seen it, right?
28:34We need to think about the location first.
28:36Where exactly did this happen?
28:38It will make the audience feel...
28:40You can do that?
28:41Or you also thought of this?
28:43We must strive to implement it.
28:45The team knew this would be very difficult.
28:47So we did a re-edit immediately.
28:51Then it was handed over to a CG company.
28:52Because I really don't know what the result will be.
28:55But they do need a very long time.
28:58Go back to other airports
29:00The director himself is a former actress.
29:02yes…
29:03I'm going to film a period drama again.
29:04You have a lot to look at.
29:07Thank you to our art team
29:08yes…
29:09I want to thank the boss again. Thank you, boss.
29:11When I remember Anita Mui
29:13We've been told
29:16Say your bus is wrong.
29:19I then said I was sorry.
29:22We really are just doing art.
29:23We are not archaeologists.
29:26Actually, we...
29:27I told the team not to put too much pressure on themselves.
29:29It actually captures the feeling of the 90s.
29:32Bring everyone back
29:34This is unprecedented...
29:36So this is what Hong Kong used to be like.
29:38Those who passed by said, "Yes, I remember."
29:40Yes, Hong Kong used to be like that.
29:42That's the magic of movies.
29:54I have a question for you…
29:56You said you wanted to become a director soon.
30:00Has this been planned all along?
30:02Finished writing
30:02Is the script finished? Yes.
30:04Of course... now we've reached the most difficult stage.
30:07It means writing down funds
30:10I was selfish.
30:12Congratulations on finishing the script!
30:13Start writing down funds
30:14I'm the most convenient
30:15But I don't want you to become a director so soon.
30:18I miss you… especially after watching the Korean War.
30:20I saw Ah Qian…
30:21Ah Qian can do this
30:24It turns out he has many more possibilities.
30:26Do you want to focus on being an actor?
30:28Give more directors as good as Lokman
30:31Go to excavate
30:33I've seen some live performances.
30:35And very busy
30:36And give the good stuff to the people next to you.
30:39I'm too embarrassed to do it
30:41Those...you...
30:44You've thought it through yourself.
30:45Is that right? That happened too.
30:47I am very grateful to the director.
30:49There are also many actors
30:50I worked very hard.
30:51There must be such a good script.
30:53Only with such excellent production can we invest in it.
30:55I thank you for maintaining a standard.
31:00A Hong Kong film
31:02A very good standard
31:04Every aspect of the art direction, research, casting, and styling in the drama
31:12Do not restrict gatekeepers
31:14Everyone thinks it's important
31:16And carefully find a suitable person to come back and do it.
31:19Every line of dialogue in the drama
31:21I can't think of any unnecessary dialogue.
31:24Even simpler than in other airports
31:27The English spoken by the people in the control tower
31:31All of these made me very comfortable.
31:32Our standards used to be like this.
31:34The standards in Hong Kong are different now.
31:38Many standards are similar.
31:40It's alright.
31:42The standards are different.
31:43I think this is a great demonstration.
31:46I have a question
31:48Will there be a Korean War in 1995 after the Korean War in 1994?
31:52That's right
31:53Great!
31:56You got it right.
31:58That's right...
32:00It's already in the editing stage.
32:01Hope it's done soon... How long will it take you to edit?
32:04It'll be quick...
32:0595 hopes for soon
32:07To meet the audience this year
32:08Okay, everyone, please enjoy 1994.
32:12Looking forward to the Korean War in 1995.
32:24One of the most interesting parts of the Korean War 1994
32:27It's his art
32:28So today our report meeting will be filmed on location.
32:31Arriving at Yau Ma Land Scenic Area
32:33Because there's a Hong Kong police and gangster film props exhibition here.
32:37Everyone saw it…
32:41What does Ah Dee do at the police station?
32:42It's all those things.
32:44It's those things again.
32:45It's those things again.
32:45Those things
32:46Those things
32:47Those things
32:47Those things
32:47Those things
32:47Treat yourself as an undercover agent in a play, okay?
32:50Okay, that makes things easier.
32:51Then come with me on the visit.
32:53Okay, undercover, undercover.
32:54I also know the person who visited.
32:55That's it.
32:57Then it's up to you. Okay.
32:58Let's go together.
32:59please…
33:07this…
33:08Is it pepper spray?
33:09I'll still try it.
33:11this…
33:14Okay, well done.
33:20That picture of us from Infernal Affairs, okay?
33:21good…
33:22So, are you Tony Leung or Andy Leung?
33:24It seems like Wei Zai is here.
33:27This is Liu Hua.
33:29You mean you look like Wei Zai here?
33:30Is this guy really that bold, like Liu Hua?
33:32Yes, many relatives and friends have said that.
33:34Are we in Infernal Affairs?
33:36Yes, let's try this place first.
33:37Is that so...?
33:39We should stand up like this.
33:40You should play Liang Hua.
33:42I should play Tony Leung.
33:43My eyes are so big
33:45Why did it become so big?
33:51The person sitting next to me
33:53Art Director Mr. Wong Bing Yiu
33:55Hello Hello
33:56Peta
33:56In fact, Wong Bing-Yiu in the film industry
33:58There's another one who's really amazing...
34:01A very famous screenwriter
34:04But a lifetime passed
34:04Also known as Wong Bing Yiu
34:07I think Dee said, "You wouldn't know who it is."
34:09I really don't have much of an impression.
34:10But I…
34:11Do you know her name is Jiao Shuai?
34:12That...that person is Asu.
34:14It is that word
34:15Everyone knows who it is.
34:17There are also people with the same name.
34:18Have you touched her?
34:20I didn't have the chance to encounter it when I entered the industry.
34:22But her writing style is the same.
34:24Yes, because they are comrades with the same name.
34:26It's rare to encounter
34:28Let's talk about Peta first.
34:29Half a cigarette, Mei Yanfang, head-shaped object
34:33Very powerful
34:33Yes, very impressive.
34:34These films are all her works.
34:37You see something inside.
34:39Many people like to be nostalgic.
34:41Or a film from a specific year
34:43I asked Peta for help.
34:45Are you in this regard?
34:46Especially interested or intelligent
34:49I am also interested.
34:51Of course, other things
34:52I also really enjoy making things.
34:54But I don't know why it's such a coincidence.
34:56Sometimes they would also make them during this era.
34:58Zhengzheng...may last a long time
35:02So we started gradually adding these things.
35:04And people will know as soon as they hear it.
35:05For example, we have collaborated before
35:07We filmed an undercover superstar.
35:09I want to build a view of the Eiffel Tower in Macau.
35:12When people talk about this scenery, they say Peta
35:15Chung-man also said Peta
35:18It is very stubborn.
35:19A light switch, a floor
35:23Usually paired with these views
35:24The little finger only comes over to say
35:26Director, you should try to avoid this.
35:27He tried to avoid this.
35:28He said this could be filmed…
35:30This is true.
35:32He tried his best to tidy it up well.
35:35But in this Korean War series
35:36Director Longman
35:38He also has an art background.
35:40How do you communicate with him?
35:43Director Longman
35:43He has something very good
35:45Those who write scripts
35:47As we just mentioned...
35:48He wouldn't say it's a wealthy family.
35:52Or a large family
35:53He won't.
35:54He wrote a lot of the preceding text.
35:55Why did he…
35:57Hong Kong used to be...
35:59These are called Lao Jin.
36:00yes
36:00The basic history has been written down.
36:02Written
36:04What is the background of the gangs?
36:05It has it all.
36:07This time we entered the Ma Tei Police Station
36:09This exhibition is based on the old police station
36:12There is a theme
36:13Korean War 1994
36:14Police in 1994
36:18What do you need to focus on in this part?
36:20For example, old telephones
36:22A full-coverage machine may be used.
36:25Or some eavesdropping equipment
36:26These things are completely different from what we have now…
36:28People today probably can't imagine it.
36:30that era
36:32How do you use the things that are being used?
36:36These could all be...
36:38I want more of these things.
36:40Make it clearer and more detailed
36:45Their police station…
36:46For example, the police station that's currently filming Infernal Affairs.
36:48There are relatively few
36:49It's rather cold...
36:50Things from that time
36:52Most of them are made of wood
36:53Like these? Yes.
36:54The building was built more than seven years ago.
36:56One thing is that many master's students are used.
36:59There used to be many master's degree holders
37:00To build these buildings
37:02Different from now
37:03Now many are on glass screens
37:04Floor-to-ceiling windows, aluminum
37:06So we caught a master's student.
37:08Master Forest
37:09Our indoor...
37:11From an artistic perspective
37:13I think this matter
37:15More to be presented to the audience
37:17I could practically see the texture of a master's degree.
37:22There might not be that many decorative items.
37:23Because it's still a movie
37:25Sometimes there may be these creative spaces
37:28So we added teak.
37:30Mr. Danny Lee's Omnipotent Film Production
37:33His office is a police station.
37:35It is... that is, the miscellaneous servants' quarters.
37:37That is, miscellaneous rooms
37:37Filming can begin as soon as work starts.
37:39I don't usually film.
37:40The assistant director was sitting in the miscellaneous office.
37:43It's true, it's great.
37:44Look, it's all been announced.
37:46He took so many photos of him on the street
37:49He also
37:50Brother Jiahui, Li Wenbin is also
37:53The policeman will give a gift if he sees it.
37:56He will give gifts
37:59We have arrived here; let our hearts enter and question our hearts.
38:01This episode mentions
38:04Before and after the handover
38:06There must have been many crowns before and after the handover.
38:08Are the things you find now difficult to find?
38:10The director just told me...
38:11some…
38:14Even that criticism
38:16Some criticisms
38:17Those people really stopped.
38:18In researching what we write
38:21So there's a lot of pressure right now.
38:23I saw the props at the scene.
38:26And it really is...
38:27I can't figure out how to get it back.
38:29Rice cookers from that era
38:31That is, 1994
38:32Actually, I'm only a few years old.
38:34But I've seen those photos.
38:36I even remember some of them.
38:39My family has used this appliance.
38:42How did you find it?
38:43Is it true that everything is possible in the legendary Sham Shui Po?
38:46Is it really just Sham Shui Po?
38:48Sometimes we've heard them say...
38:50They sometimes buy things from Hong Kong on eBay.
38:56It's very different now.
38:57I used to only stroll around the streets.
38:58Yes... looking for things everywhere
38:59Do you have a lot of time now?
39:00To find things online
39:02Yes, I was still clueless back then.
39:04I told my assistant to go out for a walk.
39:07Then my assistant told me
39:08Let's go shopping now.
39:10There's nothing here right now, you can browse around.
39:12Then I... no way.
39:14Go and check it out yourself, there really is nothing there.
39:16Finding you is also
39:17Okay then, try to find it online.
39:20But actually, some people are quite right.
39:22Sometimes I feel very uneasy.
39:24What you found online
39:25Most of the time, people find it online.
39:28Yes... almost.
39:29Sometimes they are quite good at explaining things.
39:33There are some lights in the movie inside.
39:38The assistant, for some reason, is...
39:40We keep turning into thieves
39:42Go ahead and look, I don't want those things from the internet.
39:45He really found one...
39:46Hong Kong happened to have one before…
39:50What are those?
39:51He bought a batch of lamps.
39:53But those lights remained unused for a long time.
39:55I put in twenty or thirty yuan.
39:57That is, the whole batch
39:58Whole batch
39:58Complete here
40:0020 or 30 yuan
40:01Then I said how much.
40:03It's not that expensive.
40:04So you bought the whole batch?
40:05That would be very special and unique.
40:07It was very unique, so I was very happy at that moment.
40:08Especially since you have a particular interest in lights…
40:11He is very famous in the industry.
40:12It's a lamp, he's very interested in it.
40:15I was filming back then...
40:16I have to say again, you're incredibly lucky.
40:19Filming Tony Leung's office
40:22Of course it's stylish and beautiful.
40:23Meizhihao is very good
40:24There was a shop at that time
40:26Some furniture lamps are available for rent.
40:28It's beautiful, a lamp was placed there.
40:30The photographer saw it and thought it was beautiful.
40:32The night lights are on.
40:35The props walked over and turned around.
40:36No light bulb
40:38But those beautiful bulbs
40:40Those light bulbs weren't the kind you usually buy.
40:43It's hard to match
40:45The organization has stopped; we're waiting here for the light bulbs.
40:47Cannot wait
40:48Then I heard the prop's mouth say...
40:50Buy the lamp, not the dantian; good props.
40:52Poor thing
40:57Those light bulbs are great.
40:58They were great too.
40:59Yes, because he didn't expect it.
41:00The director's note didn't mention that it would be filmed.
41:03Those light bulbs are expensive, you know that's part of the props.
41:05You will be very dark.
41:07Therefore, Pater was particularly interested in light bulbs.
41:09One of the most profound parts of myself
41:12It's the headquarters, which is quite far away.
41:15If you haven't seen it yet
41:16Lao Yuan is the headquarters of a forest expo organization.
41:20I found the Buddha sculptures the most breathtaking.
41:23Specialty, Taoist gods
41:25Yes… I see the topic.
41:28It is a celestial barrier
41:29Brother, I think that thing...
41:31I just want to take it home and display it as the main character.
41:33That thing costs over 100,000 to 200,000.
41:35Do you want it?
41:36I don't know, it's very beautiful, everything is very detailed.
41:38I really think it is...
41:39After entering the temple, I wanted to pray to the gods first.
41:41One of the props in my movie
41:43There is a scene
41:44It's that area inside Kai Tak Airport...
41:47The panel that displays the aircraft's restrooms.
41:50That piece cannot be sold...
41:52To make it is...
41:54That's...we let out a whoosh.
41:56You wouldn't guess
41:57Actually, that Lijing Hall
41:59It is actually a residential house
42:00Are they residential houses? Yes
42:02Is that the real reality? Yes.
42:06However, our production manager
42:07They were looking for a location; he had that feeling.
42:10Tell me and the director
42:13When you get there, get a feel for it first.
42:16Does it feel like this Lijing Lobby?
42:19That is, put on the helmet first.
42:20But that feeling really exists.
42:23After we finished building in someone else's house
42:27People come and go
42:28Housing estate, lower house
42:32One of them happened to be traveling.
42:34Yes, that luggage
42:35He saw it
42:36Why did I put on my luggage as soon as I came out?
42:37He went to the airport.
42:39Then the director and I looked at the two people.
42:41Carrying two pieces of luggage
42:42This isn't an airport yet.
42:44I can feel it...
42:45It seems that art must always be accomplished.
42:49Have you ever actually tried arguing with the director?
42:52I just heard it was the Eiffel Tower.
42:56The Eiffel Tower is the same as the Paris Tower.
42:58I don't care, just help me build one...
43:00So, would you... impossible, or...?
43:02No, I will find a way no matter what.
43:04Here is the Eiffel Tower for you to see.
43:05Can I say that?
43:07For example, I ask
43:08In the questioning, it was said
43:09In Yugoslavia
43:11For no apparent reason, Wong Kar-wai said that Vitasoy was necessary.
43:15This is really amazing.
43:17I said the same thing.
43:17Look, tell me...
43:18When I was filming "The Head"
43:22The script has been written
43:23It's a telescope, used for porcelain purposes.
43:27For use in porcelain slurry...
43:28When we were filming "The Head"
43:31The director told me
43:32I want to see the kind of opera.
43:34That's how it is.
43:35Last day of filming
43:37We're in Hengdian...
43:42To buy these props, they need to be sent to Shanghai.
43:43We used every means possible to get someone in Shanghai to send it over.
43:47I saw it in an antique shop
43:51Can you help me rent it or something?
43:53At the same time, I have a talent for art.
43:56He was really impressive.
43:58I don't remember him
43:59He really tried to find a way to make it right away.
44:02These are called side mountains.
44:03He really can do it.
44:05Okay, thank you Pat for today.
44:07Thanks to Dee and me
44:08Come up and popcorn when you have time.
44:10Together again...
44:12good…
44:12I feel like I've heard many stories from you all today.
44:14There are many things I wouldn't force to ask even if I were there.
44:16But I have space today.
44:18I can hear you...
44:19Exchange ideas, because you represent young people and ask questions.
44:21I think it's true.
44:21Yes, it really needs to be done…
44:23I hope I can do my best
44:24Continue to carry on your wonderful works
44:27More enthusiasm
44:28Yes, enthusiasm
44:29Remember the passion
44:30Passion has the potential to flourish.
44:32right…
44:33good…