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Young Sherlock S01E02 [Full Movie] [Full Version]Full EP - Full
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00:05Hey, Sherlock! Sherlock, step aside!
00:07Hey, where are you taken?
00:08None of your business!
00:09Yes, it is what?
00:10It's the murder of Professor Thompson!
00:12Now!
00:13Out of my way!
00:36You've got the wrong man.
00:37Place not play games, Mr. Holmes. Professor Thompson's dead.
00:41Where your knife is found in his back, the blood in your shirt and the blood in your face.
00:44I was with Shuarra.
00:46The princess?
00:47Yes.
00:49We...
00:50You what?
00:54I don't remember.
00:58I know all about your mother, Mr. Holmes.
01:00Such afflictions run in the family, you're obviously deranged.
01:04You planted the bomb so you could turn yourself into a hero by saving everyone.
01:08The only problem is, the professor saw you.
01:11That's what I reckon.
01:13Which would give you the motive to kill him.
01:16It's a simple enough conclusion, but unfortunately incorrect.
01:19Talk to the princess.
01:21She'll corroborate my story.
01:31Hey, come, Mr. Holmes.
01:42We're near a strip.
01:45How about dinner first?
01:51We're near a strip.
01:55How about dinner first?
02:08Get ready for dinner.
02:10She's gone now and...
02:11We're just gonna be okay.
02:13We'll see.
02:13Have you had enough?
02:17Are you feeling rough?
02:20Thought you'd start...
02:22When you're feeling warm?
02:24How about dinner today?
02:28I'm waiting
02:31Like you now
02:33I'm waiting
02:34For someone
02:36For something
02:39To take me
02:41To take me over
02:43Please
02:46Because I've forgotten
02:50Now it's over
02:56She'll be forgotten
02:59Now it's disappeared
03:10Now it's disappeared
03:11Get breakfast, Michael
03:12Perhaps you can have a kippah's
03:14Chef here does the most remarkable kedjorie
03:16Thank you, I've already eaten
03:17But I insist it's far too good to pass on
03:19Sit
03:22Sit
03:25In that case
03:27So
03:28How can I help you
03:30My brother
03:31Is not responsible for the crime, sir
03:33He is innocent
03:34Tedious
03:35Used to be such good fun
03:37Can we please talk about anything else other than this
03:40Besides, there's innocent girls to do with it
03:42I can hardly interfere with police procedure now, can I?
03:44Well, your name does carry a certain amount of weight, sir
03:46Why are you not, sir, Mr Holmes?
03:49To assist you
03:50Precisely
03:51Not, are you
03:52So I try to remember your place
03:53You've no idea what's at stake here
03:55He's my brother
03:56Quick, government
03:57Are you not listening?
03:58Stay out of it
03:59Leave it with me
04:01Keeping your brother locked up
04:02Suits my purposes
04:06Mr Holmes has lost his appetite
04:08Very good, sir
04:13Thank you for your time, sir
04:29Good morning, sir
04:31Hmm
04:32You think you're getting it back, don't you?
04:35Scholarship
04:35That would seem appropriate
04:36The scores were phoned and
04:38Well, I was exonerated
04:40All part of your young friend's little show
04:42Don't put a hand on me
04:45Moriarty
04:46Sorry, sir
04:47Let's face it
04:48You've always struggled to fit in here, haven't you?
04:51Perhaps you should find a calling better suited to your standing
04:55I believe I belong here, sir
04:56I believe you'd do yourself a service
04:58If you pack your bags and leave
04:59Your time at Oxford is done, sir
05:03Goodbye
05:03I'll do anything
05:04Damn it, man!
05:05I've had me!
05:11I'll step out of my way
05:15I want you out of your room at once
05:17I want you out of your room at once
05:28What are you all looking at?
05:32You freaking sheep
05:40James!
05:40What?
05:42That was very unkind
05:49This world is unkind
05:53Where will you go now?
05:54I don't know
05:54Will you go see Sherlock?
05:56I don't know
05:58Well, I need to know what he's told the police
06:00Well, I can't help you
06:01What?
06:07What?
06:13What?
06:59Oh, Sherlock.
07:01Can you get me out of here?
07:04Won't be easy.
07:05Not this time.
07:08This is a murder charge.
07:09You know, you don't have to leave me here just to make a point.
07:12I'm not making a point.
07:15It seems as though there are...
07:17Keeping your brother locked up suits my purposes.
07:20Are the forces at work?
07:22What forces?
07:23Not sure yet.
07:24You'll have to bear with me.
07:27I have wife, Father, in Vienna.
07:28Perhaps he can pull some strings.
07:31Does Mother know?
07:33Not yet.
07:35Don't tell her, please.
07:36Of course I won't, Sherlock, but a case like this will hit the newspapers.
07:43The police need to talk to Sue Ann.
07:45The princess?
07:46I was with her.
07:48It's the last thing I remember.
07:53I'll see what I can do.
07:59Oxford has become a theater of death.
08:01Well, that is admittedly unfortunate.
08:05I'm happy to be reporting that the situation is now in hand.
08:07We have the suspect in custody.
08:09The scout?
08:14I'm afraid that it's not true.
08:16He's either mistaken or deluded.
08:18Well, now that's settled.
08:19Perhaps you'd be so kind as to send your father a wire and reassure him all as well.
08:23A man lies dead and your concern is for your trade with my father.
08:27Well, I don't like to wallow in the past, princess.
08:31Always look ahead to the next challenge.
08:37Sorry?
08:39I pray your assurances are not just dust in shadows.
08:43More tea?
08:50Forgive me.
08:52Let me fetch someone.
09:03Edie, if you'd be so kind.
09:05Of course, sir.
09:09My apologies.
09:11Think nothing of it.
09:13Well, I've taken up enough of your time.
09:16Princess.
09:21Take a telegram.
09:23Right away, sir.
09:24To Sir Sidney Bluitt, minister for war.
09:28Dear Sidney,
09:30storm clouds threaten, I fear, our work here is no longer covert.
09:38Blondery in the car.
09:40Move.
09:40Blondery in the car.
09:42Pick up a claim.
09:43Come on.
09:44Move.
09:45Blondery in the car.
09:47Move.
09:48Come on.
09:50Blondery in the car.
09:51Pick up a claim.
09:52Come on.
09:53Look, there's my army, please, prisoner.
09:55Move along.
09:56Off you go.
09:57Move along.
09:57Next.
10:03Head down.
10:04Straight on.
10:06What exactly are we doing?
10:08I am rescuing you.
10:09So, if we can save the phone in gratitude, it'll only embarrass me.
10:20Hold up, ladies.
10:29Please.
10:38Carry on.
10:44Clear and stop's here.
10:46Come on.
10:46Wrap yourself.
10:48You're going down the chute.
10:53Keep covered.
10:55I'll see you at five.
11:07Keep covered.
11:08I'll see you at five.
11:10I'll see you at five.
11:18Excuse me, young lady.
11:22I said, excuse me, young lady.
11:28Excuse me, young lady.
11:44Lock your guns to speed.
11:45Yes, you stop right in front of me.
11:47All around for us.
11:49Running from the problem in planning.
11:51Question needs a wave like a ship.
11:52Like aがり.
11:53We should have gone.
11:54All just that's in the car.
11:55Now that's the world with a little more, little more ordinary gun.
12:01We'll move a little more, little more next to me.
12:04We'll move a little more, little more ordinary gun.
12:07We'll move a little more, little more on the ground and smaller.
12:10Oh, my skin's a face like a humor and security
12:13My bitter hunger and a fall of the blue thing
12:17Tell me, set the girl, I didn't know how to slow
12:20She's setting up with him on the devil's mount
12:23For the little in a hole, there's a whore
12:26And there we go, sweet little more
12:28On the devil's down, we need the Lord
12:37Escaped? What do you mean, escaped?
12:39My understanding was that nobody could escape from Oxford jail
12:42Seems like you had an accomplice, dressed as a washerwoman
12:46When? When did this happen?
12:48An hour ago, our officers are searching the city
12:52Constable, I do not want some trigger-happy marksman
12:55Gunning him down in the bloody street
12:57Pardon me, gentlemen, Detective Fidget, Scotland Yard
13:01Constable Lestrade?
13:02Is this the crime scene?
13:03It is, sir
13:04Sounds like this case has turned into something of a shambles, constable
13:08With all due respect, sir, a lapse in prison security can hardly be considered my responsibility
13:13And who might you be, sir?
13:16I am Sherlock Holmes' brother
13:18Mycroft Holmes
13:19From the Foreign Office
13:20Ah, the Foreign Office and his brother
13:23In one tiny package
13:26I am prepared to help you with your search
13:30On one condition
13:31When he is brought in, no harm will come to him
13:36My brother is innocent, Detective
13:40Well, if he is innocent, Ms. Holmes
13:43Why is he running?
13:55Why here?
13:57So look, it's as good a place as any to hide out
14:00It's dark during daylight hours
14:01You can get yourself a new outfit
14:04But we're not running from here until we sort out this mess
14:06This mess is my mess
14:08Not yours
14:09You can still have a future at Oxford
14:11I think we're well past that point
14:15I suppose
14:16I should
14:18Probably
14:19Rather awkwardly
14:21Say thank you
14:22For what?
14:23For your flamboyantly
14:26Impressive
14:27Extraction
14:28There's no need to thank me
14:30I'm having a lovely time
14:33You ready?
14:34Sorry
14:38Ow!
14:39Jesus, James
14:40What was that for?
14:41You need to learn how to defend yourself
14:44Come on up
14:47Come on up
14:50I'd hate to break this to you
14:52But you're a bit of an embarrassment
14:57Stop hitting me in the nose
14:59You need to learn how to stop me from hitting you in the nose
15:04Very good
15:05Oh, so what happened to you last night?
15:07She came
15:09We drank
15:11I woke up covered in blood and was arrested for murder
15:14So you can't remember anything else?
15:15No, nothing
15:17Okay, how many did you drink?
15:18Two
15:19Two?
15:20One and a half
15:20One and a half drinks
15:21Yes
15:22That's it
15:22Yes
15:23Oh
15:24Are you suggesting she's involved?
15:26I would explain
15:28As to why she came to your room last night
15:31Oh
15:32Sherlock
15:34Oh, I just wanted to thank you
15:36You're so frisky
15:43That's not bad
15:43Well, you deserved it
15:50She did have her back to me
15:52As she poured the drinks
15:54Your companion, James Moriarty
15:56Is quite brilliant
15:57But not as brilliant as you
15:59So she slipped something in your drink?
16:01That would explain why I can't remember anything
16:04Here's to your extraordinary future
16:07Perhaps we do have the right idea
16:08Just the wrong thief
16:16She stole the scrolls to ensure the library was locked down
16:18Giving her time to plant the bomb
16:21All good, all good
16:23To a point
16:23If she was trying to kill the professor
16:25Why would you go to the trouble of building a bomb?
16:27Why would you not just lie from in the back?
16:30And get it over with?
16:31Let's ask her
16:32I would love to see her again
16:36What's the collective known for police?
16:38A plot
16:39A plot of peelers
16:40A plot
16:41Of peelers
16:50I think we should join the plot
17:10The party was not a success
17:14No one expected your Mr. Holmes to enter the picture
17:19What do you intend to do about him?
17:23Already done
17:27He's been arrested for murder
17:29And on the run, I hear
17:31Even more reason for them to think he's guilty
17:36Is he going to be a problem for us?
17:40I can control him
17:44He got to you
17:45Didn't he?
17:49Upon that wall are 26 characters from the Hebrew Bible
17:52The numerical value of Jehovah
17:56Jehovah is both positive and negative
17:59Yin and yang
18:00So we double the 26 and we find 52
18:04That is why we have 52 weeks in a year
18:07And 52 playing cards
18:10What we don't need here is a 53rd
18:15A joker
18:19The first apostle has been eliminated
18:22I don't want to doubt you
18:26You have one week
18:28Move quickly
18:30Find Professor Roberts
18:36For it will be our blood
18:38That is spilled
18:41Princess
18:50Forgive me
19:19Professor Roberts
19:21Professor Roberts
19:21Give me a breath
19:22Good honor
19:22That is
19:23You I am
19:44That is
19:46That is
19:46Father
19:46I thought I'd fall, you know, they're there, you know, they're there.
20:19anything else to tell me no constable good keep your nose clean will do
20:36constable astral yes do you have anything for me
20:44you too here now
20:53yes sir young man worked here as a scout sherlock holmes i need information family address
21:06backgrounds already there sir his family estates in appleton his father's scientific pursuits
21:10taking abroad and his mother's in a local asylum you seem very knowledgeable constable i do like
21:17to do my own research sir i think it's fair to say that i would lay down my life for
21:23the constabulary
21:24i also like to do my own research sir and i think it's fair to say that i would lay
21:29down my life
21:30twice for the constabulary very good young man what else can you give me i hear he is
21:38dangerously smart that's not where my investigation has led me sir i hear that he's not as smart as
21:46he thinks he is a genius is probably a more appropriate term to describe his intellectual
21:52capacity i hear he gets all his best ideas from his associate who we recognize to be the true artist
21:57i think my colleague's research has taken him down a very similitudinous cul-de-sac if you will
22:03the barren land is how our savior might describe this particular cerebral pasture
22:07oh i think that the acclaim is so often erroneously misplaced to cosmetic factor in an equation of two
22:17e pluribus unum sir the moon so often takes the credit for the light that is shone upon it
22:30thank you thank you champs carry on wonderful hat sir thank you constable
22:36sir
22:41waste of time
22:44your constable is very impressive lestrade
22:53you take the room we'll take the stairs
22:55you take the room we'll take the stairs
22:56you take the stairs
23:26well i'll stop you there chaps save you a job nothing up there
23:31i suggest you take a look at the north stairs i'll check this out
23:34okay
23:35okay
23:35good
23:36good
24:08I know about your English children and your nursery games.
24:12Shall I be the nanny and you'll be the little boy?
24:15Are you going to make me come and find you?
24:20That won't be necessary, nanny.
24:24I surrender.
24:25Did you find anything incriminating, officer?
24:28Sadly, my search hasn't been as productive as I would have hoped.
24:32It seems your obsession with me runs very deep.
24:34More curiosity than obsession.
24:39However, shockingly, I am curious as to why I'm being set up for murder.
24:43Are you implying in some way that I am guilty?
24:46Well.
24:49Yes.
24:51Yes, I think I am.
24:53If I were to scream and they came in here, whose side would they take?
24:57An escaped convict masquerading as a policeman or a highly esteemed princess of the Qing dynasty.
25:04And yet you haven't screamed, have you, princess?
25:07Maybe there's a reason you don't want anyone snooping around in here.
25:15Maybe there's something you're trying to hide.
25:45Maybe there's something you're trying to hide.
25:47I'm fine, I'm just doing my exercise list.
25:57Ah, that is a shame.
26:05It won't be long now before they come to save the innocent princess
26:10from the deranged escaped convicts.
26:24Well, that was dramatic. Should have taken your job.
26:44Mr Holmes.
26:45I'm here to visit my mother.
26:47These two gentlemen wish to speak to the director.
26:49My name is Detective Fidget, Scotland Yard.
26:52Constable Lestrade?
26:54I'll send for the director.
26:58If you don't play your cards right, you could end up in a place like this, Lestrade.
27:02No, Trudy, Trudy, please.
27:04Everything under control, Lestrade?
27:05Oh, yes. Thank you. Thank you, Dr. Clark.
27:08All right.
27:08I'll do this now.
27:22Twice in one week.
27:26To what do I owe the pleasure?
27:28You knew it was me.
27:31I know your footsteps.
27:34The echoes in that corridor are my whole world.
27:38Has he been here?
27:43Sherlock.
27:46You said he was with you in Oxford.
27:48What's happened?
27:49Nothing.
27:50I just wondered if you'd been to visit, that's all.
27:53You're lying.
27:56The man with the bird's claw who came after me.
27:59Oh, please, Mother.
28:00Now he's after Sherlock.
28:03He's hunting.
28:04Shh.
28:05Please, Mother.
28:06Don't upset yourself.
28:08Sherlock is fine.
28:10He's settling in, making friends.
28:13Now I know you're lying.
28:17Sherlock never made any friends.
28:20I just wondered if he'd been to visit, that's all.
28:24How to paint a mother's grief.
28:29She was such a pretty little thing.
28:32She was.
28:34She'll never grow old.
28:37No.
28:39She'll always be a child to me.
28:46You have been most helpful, sir.
28:50She hasn't seen him.
28:53The director confirmed your brother, in fact, hasn't been here.
28:55He'll be miles away by now.
28:57He won't run.
28:58No.
28:59He wouldn't do it to our mother.
29:01My brother is innocent, detective.
29:04Mr. Holmes, your brother remains a fugitive.
29:07The chase continues.
29:15Shuan was desperate for me not to see something.
29:17What?
29:18A burnt piece of paper in the grate.
29:26My God, it pains me to see you so defenseless.
29:30Yes, well, I recognize I'm a work in progress.
29:38Something silver, embossed writing.
29:41Can you see the letters?
29:42L and R?
29:45Gothic script.
29:46Mean anything?
29:47There was a number, too, the signing of the Magna Carta.
29:50That's 1215.
29:51That's it?
29:52No, I have seen those letters.
29:57Porter's Lodge.
29:58The photograph's on the wall.
29:59It's not L and R.
30:00It's L and K.
30:02Lord and Kingsley, the Oxford photographers.
30:03Why would she want to destroy a college photograph?
30:06Well,
30:07if you have the number,
30:09you can find the original plate,
30:10you can make yourself a copy.
30:12Lord and Kingsley, they have a shop on the High Street.
30:14If we find out what she burned,
30:16maybe we can find out why.
30:17And so we stand like greyhounds in the slips,
30:22straining upon the start.
30:26Fancy yourself a king.
30:30If the crown fits.
30:38Fancy, Fancy!
30:40Fancy!
30:40Fancy!
30:42Fancy!
30:42Fancy!
30:42Oh, good afternoon, gentlemen.
30:44Good afternoon, sir.
30:45We would like to order a copy of a photograph
30:47I believe you have already taken.
30:49It's number 1215.
30:51Okay.
30:51Let me see.
30:54Okay.
30:56Hmm.
30:58I don't seem to have a plate of that one.
31:02Unfortunately, we don't have enough room to store all the originals.
31:05What was the photograph?
31:06I don't recall.
31:07Would you at least be able to tell us who you made copies for?
31:11Well, ladies and gentlemen, let me check my other ledgers.
31:14I say, is this a Richard Maddox model?
31:16Good heavens, sir.
31:17You certainly know your cameras.
31:19Would I be correct in saying this works on a gelatin dry plate
31:23to produce a shorter exposure?
31:24Yes.
31:25And it builds on the collodion process
31:27to require only two to three seconds of exposure
31:30before producing an image.
31:32Must have been jolly expensive.
31:34Yes.
31:34It was, Robert.
31:37It's only just arrived.
31:39To be honest, I'm still getting to grips with it myself.
31:42But it produces a remarkable image.
31:45I think this is going to pave the way to miniaturization.
31:48Yes, and potentially more adaptable photographic emulsions.
31:52Yes.
31:53A new world beckons.
31:55Well, we shall be back tomorrow to pick up a photograph.
31:58Oh.
32:02You've been most helpful.
32:04Good morning.
32:06Any luck?
32:07Two copies made.
32:08The other one went to the master's lodge at Camden.
32:14So, we just walk up to his door and knock on it?
32:21Sorry to disturb you, sir. Is the master at home?
32:24Not here. There's an engagement in London.
32:27Right.
32:28We're checking all the college premises for this fugitive Sherlock Holmes.
32:32Ah, yes, I heard.
32:33Well, I can assure you he's not in here.
32:37If I don't check for myself, sir, my sergeant, I'll...
32:41I'll never hear the end of it.
32:47Thank you, sir.
32:54Did you know him, sir? The scout, Sherlock Holmes?
32:59Never met him.
33:02They say he was an odd sort.
33:05Excuse me, would you, constable?
33:07I was just about to take the mistress her afternoon tea.
33:10If you wouldn't mind waiting.
33:26Sorry about that, constable.
33:28Would you like me to give you the tour?
33:36Good afternoon, Svodger.
33:38Oh, good afternoon, Your Highness.
33:40I need to speak with Professor Roberts.
33:42I'm afraid he's not in college at present.
33:44I have to hand in an essay.
33:46The tunneling shield perfected by Isambard Kingdom Brunel is the future.
33:51Discuss.
33:52Sounds fascinating.
33:54He's very strict about deadlines.
33:56Would you be so kind as to give this to him?
33:58Of course, Your Highness.
34:00Lad.
34:03Thank you, Svodger.
34:05My pleasure, Your Highness.
34:06Put it with the others, lad.
34:08When are you going up to his country house?
34:11This evening, sir.
34:12Why the secrecy?
34:14Why not give out his address?
34:16You mourn your own business, lad.
34:18Do as you bid.
34:20Do as you bid.
34:27Let go!
34:28Let go, let go!
34:37Let go, let go, let go.
34:43What?
34:45This seo, there's no one, no one.
34:46This is not any fun.
34:46Why not, what do you do?
34:48Let go, let go, let go.
34:49You go, let go.
34:50Let go, let go, let go.
34:59Handling College Tennis Courts, 1870
35:02Why would she not want anyone seeing this?
35:06That's Professor Thompson, your supposed victim
35:09Who are the other three?
35:11You should know, Sherlock, you waited on a hand in the fort
35:14I cleaned 35 places a day, I made 30 beds a day
35:17I might need a moment
35:18Think, man, think
35:19What do you think I'm doing?
35:20I'm not frying an egg or milking a cat
35:22I'm thinking
35:23This professor, in particular, was very tidy
35:26He kept very little in his room
35:28There were some books on his desk
35:30But nothing that helps me remember his name
35:32Excuse me, sir
35:38Professor Roberts
35:39That was his name
35:41Very good, very good
35:42Well, keep going, keep going, come on
35:44I might be a scout, I'm not your scout
35:47I emptied his waste paper basket
35:49There were some letters
35:50One of them from a John
35:52John, John, John, John who?
35:54John Nowell?
35:55John Nowell or John Howell?
35:56John Howell
35:57How did you know?
35:58First, John Howell is an engineer
35:59So Professor Roberts is a professor of engineering
36:03Our work here is done
36:06That's Professor Enright
36:09He's a meteorologist
36:10And that is Professor Malik
36:14Visiting professor from the University of Bombay
36:17The speciality?
36:19Geology
36:20So what links are for?
36:26The gala opening
36:30The science program
36:32Well, there was a guest list by the entrance
36:35Investigate
36:36They were all on the same table
36:37The table nearest the front
36:38Nearest the podium
36:39Nearest the bomb
36:39So this bomb
36:40Was designed to kill them all
36:42That's why she didn't want us seeing this
36:44It's a picture of her targets
36:45A way to identify them
36:47But in the crux of the thing
36:48As wide as you want them dead
36:49In the first place
36:52If I had half the money
36:58I left it
36:59Professor Roberts!
37:00Professor Roberts!
37:08Professor Malik!
37:12Sir!
37:23I need you to give me their home addresses
37:25I can't give out private information
37:27Check their rooms
37:28Do you think I'd be standing here
37:31Talking to your fat arse
37:32If I hadn't already done that?
37:34What's your tone, Moriarty?
37:36You are not listening to me
37:39Bones will be broken
37:40Blood will be spilled here today
37:42There's always drama with you, innit?
37:44Now, on your bike
37:45I'm busy
37:46Well, you've been fierce helpful
37:55One day
37:56I'll remember that
37:58Oh, yeah
38:06It's no use
38:07The man's an empty suit
38:09I couldn't kick anything out of him
38:13Excuse me
38:18Do you really think they're in danger?
38:21Why?
38:22Is there something you'd like to share?
38:33Who is it?
38:34Jacob
38:35Roll through delivery
38:39One moment
38:41Rather late
38:42Aren't you, boy?
38:44Come on
38:44Chop-chop
38:45Read through
38:45Wait a minute
38:48Wait a minute
38:49Wait a minute
38:50Wait a minute
38:51Wait a minute
38:53Wait a minute
38:53Wait a minute
38:55Wait a minute
38:55Wait a minute
38:56Wait a minute
38:58Wait a minute
39:00Wait a minute
39:01Wait a minute
39:02Wait a minute
39:02Wait a minute
39:02Wait a minute
39:04Wait a minute
39:05Wait a minute
39:05Wait a minute
39:06Wait a minute
39:06Wait a minute
39:07Wait a minute
39:07Wait a minute
39:07Wait a minute
39:09Wait a minute
39:10Wait a minute
39:12Wait a minute
39:15Let's go.
39:42Let's go.
39:47Let's go.
39:49Let's go.
39:53Let's go.
39:53Let's go.
40:05Let's go.
40:12Let's go.
40:14Let's go.
40:16Let's go.
40:17Let's go.
40:17Let's go.
40:23Let's go.
40:40Let's go.
40:43Let's go.
40:51Let's go.
41:02Let's go.
41:04Let's go.
41:29Let's go.
41:31Let's go.
41:37Let's go.
41:50Let's go.
41:53Let's go.
42:02Let's go.
42:17Let's go.
42:19Let's go.
42:21Let's go.
42:27Let's go.
42:29Let's go.
42:30Let's go.
42:31Let's go.
42:33Let's go.
42:44Let's go.
42:47Let's go.
42:49Let's go.
42:51Let's go.
42:54Let's go.
42:54Let's go.
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