- 20 hours ago
Young Sherlock S01E02 [Full Movie] [Official Release]Full EP - Full
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Short filmTranscript
00:05Hey, Sherlock! Sherlock, step aside!
00:07Hey, where are you taken?
00:08None of your business!
00:09Yes, it is what?
00:10It's the murder of Professor Thompson!
00:12Now!
00:13Out of my way!
00:36You've got the wrong man.
00:37Place not play games, Mr. Holmes. Professor Thompson's dead.
00:41Where your knife is found in his back, the blood in your shirt and the blood in your face.
00:44I was with Shuarra.
00:46The princess?
00:47Yes.
00:49We...
00:50You what?
00:54I don't remember.
00:58I know all about your mother, Mr. Holmes.
01:00Such afflictions run in the family, you're obviously deranged.
01:04You planted the bomb so you could turn yourself into a hero by saving everyone.
01:08The only problem is, the professor saw you.
01:11That's what I reckon.
01:13Which would give you the motive to kill him.
01:16It's a simple enough conclusion, but unfortunately incorrect.
01:19Talk to the princess.
01:21She'll corroborate my story.
01:31Hey, come, Mr. Holmes.
01:42We're near a strip.
01:45How about dinner first?
01:51We're near a strip.
01:55How about dinner first?
02:06Hey, son.
02:08I'm looking forward.
02:10You're aiming backwards, off to some shore.
02:15Have you had enough?
02:17Are you feeling rough?
02:20Thought your skull hurt when it feels raw.
02:28I'm waiting
02:31Like you now
02:33I'm waiting
02:34For someone
02:36For something
02:39To take me
02:41To take me over
02:43Please
02:46Because I've forgotten
02:50Now it's all over
02:55To be forgotten
02:59Now it's all over
03:10Get breakfast, Michael
03:12Perhaps you can have a kippah's
03:14Shaffir does the most remarkable kheddi
03:15Thank you, I've already eaten
03:17But I insist, it's far too good to pass on
03:19Sit
03:22Sit
03:25In that case
03:27So
03:28How can I help you?
03:30My brother
03:31Is not responsible for the crime, sir
03:33He is innocent
03:34Tedious
03:35Used to be such good fun
03:37Can we please talk about anything else other than this?
03:40Besides, there's innocent girls to do with it
03:42I can hardly interfere with police procedure now, can I?
03:44Well, your name does carry a certain amount of weight, sir
03:46Why or not should Mr. Holmes
03:48To assist you?
03:50Precisely
03:50Not are you
03:52To try to remember your place
03:53You've no idea what's at stake here
03:55He's my brother
03:56Quick, government
03:57Are you not listening?
03:58Stay out of it
03:59Leave it with me
04:01Keeping your brother locked up
04:02Perhaps it's for my purposes
04:06Mr. Holmes has lost his appetite
04:08Very good, sir
04:13Thank you for your time, sir
04:29Good morning, sir
04:31Hmm
04:32You think you're getting it back, don't you?
04:35Scholarship
04:35That would seem appropriate
04:36The scores were phoned and
04:38Well, I was exonerated
04:40All part of your young friend's little show
04:42But don't put a hand on me
04:45Moriarty
04:46Sorry, sir
04:47Let's face it
04:48You've always struggled to fit in here, haven't you?
04:51Perhaps you should find a calling better suited to your standing
04:55I believe I belong here, sir
04:56I believe you'd do yourself a service
04:58If you pack your bags and leave
04:59Your time at Oxford is done, sir
05:03Goodbye
05:03I'll do anything, sir
05:05Dammit, man!
05:05I've had me!
05:11I'll step out of my way
05:15I want you out of your room at once
05:28What are you all looking at?
05:32You freaking sheep
05:40James!
05:40What?
05:42That was very unkind
05:49This world is unkind
05:53Where will you go now?
05:54I don't know
05:54Will you go see Sherlock?
05:56I don't know
05:58Well, I need to know what he's told the police
06:00Well, I can't help you
06:06Good job
06:08I don't know
06:11You're right
06:13I don't know
06:28You don't know
06:31When 어느 throw
07:01Can you get me out of here?
07:04Won't be easy. Not this time.
07:08This is a murder charge.
07:09You know, you don't have to leave me here just to make a point.
07:12I'm not making a point.
07:15It seems as though there are...
07:17Keeping your brother locked up suits my purposes.
07:20Are the forces at work?
07:22What forces?
07:23Not sure yet.
07:24You'll have to bear with me.
07:27I have wife rather in Vienna. Perhaps he can pull some strings.
07:31Does mother know?
07:33Not yet.
07:35Don't tell her, please.
07:36Of course I won't, Sherlock, but...
07:38A case like this...
07:41will hit the newspapers.
07:43The police need to talk to Shu-An.
07:45The princess?
07:46I was with her.
07:48It's the last thing I remember.
07:53I'll see what I can do.
07:59Oxford has become a theater of death.
08:01Well, that is admittedly unfortunate.
08:05I'm happy to be reporting that the situation is now in hand.
08:07We have the suspect in custody.
08:09The scout?
08:11I don't know.
08:12Apparently he's claiming he was with you last night.
08:14I'm afraid that is not true.
08:16He's either mistaken or deluded.
08:18Well, now that's settled.
08:19Perhaps you'd be so kind as to send your father a wire and reassure him all as well.
08:23A man lies dead and your concern is for your trade with my father.
08:27I don't like to wallow in the past, princess.
08:31Always look ahead to the next challenge.
08:37I'm sorry.
08:39I pray your assurances are not just dust in shadows.
08:43More tea?
08:50Forgive me.
08:52Let me fetch someone.
09:03Edie, if you'd be so kind.
09:05Of course, sir.
09:09My apologies.
09:11Think nothing of it.
09:13Well, I've taken up enough of your time.
09:16Princess.
09:21Take a telegram.
09:23Right away, sir.
09:24To Sir Sidney Blewett, Minister for War.
09:28Dear Sidney,
09:30Stormclouds threaten, I fear, our work here is no longer covert.
09:38Laundry in a car.
09:40Move.
09:40Laundry in a car.
09:42Pick up a claim.
09:43Come on.
09:44Move.
09:45Laundry in a car.
09:47Move.
09:48Come on.
09:50Laundry in a car.
09:51Pick up a claim.
09:53Come on.
09:53Look, there's my army, please, prisoner.
09:55Move along.
09:56Off you go.
09:57Move.
09:57Next.
10:03Head down.
10:04Straight on.
10:06What exactly are we doing?
10:08I am rescuing you.
10:10So if we can save the phone in gratitude, it'll only embarrass me.
10:20Hold up, ladies.
10:38Carry on.
10:40Carry on.
10:44Train stops here.
10:45Come on.
10:46Wrap yourself.
10:48You're going down the chute.
10:53Keep cupboard.
10:55I'll see you at five.
11:18Excuse me, young lady.
11:22Excuse me, young lady.
11:31Move at me.
11:43Arrish do!
11:46Arrish do!
11:47Come on, ladler!
11:50Arrish do!
11:51Arrish do!
11:52Arrish do!
11:53Come on, come on, come on, come on, come on.
12:27Come on, come on, come on, come on, come on.
12:37Escaped? What do you mean escaped?
12:39My understanding was that nobody could escape from Oxford Jail.
12:42Seems like you had an accomplice dressed as a washerwoman.
12:46When? When did this happen?
12:48An hour ago. Our officers are searching the city.
12:52Constable, I do not want some trigger-happy marksman gunning him down in the bloody street.
12:57Pardon me, gentlemen. Detective Fidget, Scotland Yard.
13:01Constable Lestrade?
13:02Is this the crime scene?
13:03It is, sir.
13:04Sounds like this case has turned into something of a shambles, Constable.
13:08With all due respect, sir, a lapse in prison security can hardly be considered my responsibility.
13:13And who might you be, sir?
13:16I am Sherlock Holmes' brother, Mycroft Holmes, from the Foreign Office.
13:20Ah, the Foreign Office and his brother.
13:23In one tiny package.
13:26I am prepared to help you with your search on one condition.
13:31When he is brought in, no harm will come to him.
13:36My brother is innocent, Detective.
13:40Well, if he is innocent, Miss Holmes, why is he running?
13:55Why here?
13:57So, look, it's as good a place as any to hide out.
14:00It's dark during daylight hours.
14:01You can get yourself a new outfit.
14:04But we're not running from here until we sort out this mess.
14:07This mess is my mess, not yours.
14:09You can still have a future at Oxford.
14:12I think we're well past that point.
14:15I suppose I should probably rather awkwardly say thank you.
14:22For what?
14:23For your flamboyantly impressive extraction.
14:28Now, there's no need to thank me.
14:30I'm having a lovely time.
14:33You ready?
14:34Sorry.
14:38Ow!
14:39Jesus, James, what was that for?
14:41You need to learn how to defend yourself.
14:44Come on up.
14:47Come on up.
14:50I'd hate to break this to you.
14:52But you're a bit of an embarrassment.
14:57Stop hitting me in the nose!
14:59You need to learn how to stop me from hitting you in the nose.
15:03Oh, very good.
15:05Oh, so what happened to you last night?
15:07She came.
15:09We drank.
15:11I woke up covered in blood and was arrested for murder.
15:14So you can't remember anything else?
15:15No, nothing.
15:17Okay.
15:17How many did you drink?
15:18Two.
15:19Two?
15:20One and a half.
15:20One and a half drinks.
15:21Yes.
15:22That's it.
15:22Yes.
15:23Oh.
15:24Are you suggesting she's involved?
15:26I would explain.
15:28That's the way she came to your room last night.
15:32Oh, Sherlock.
15:34Oh, I just wanted to thank you.
15:36You're so frisky.
15:43That's not bad.
15:44Well, you deserved it.
15:50She did have her back to me, as she poured the drinks.
15:54Your companion, James Moriarty, is quite brilliant, but not as brilliant as you.
15:59So she slipped something in your drink?
16:01That would explain why I can't remember anything.
16:04Here's to your extraordinary future.
16:07Perhaps we do have the right idea.
16:08Just the wrong thief.
16:15She stole the scrolls to ensure the library was locked down, giving her time to plant the bomb.
16:21All good.
16:21All good.
16:23To a point.
16:24If she was trying to kill the professor, why would you go to the trouble of building a bomb?
16:27Why would you not just knife him in the back and get it over with?
16:31Let's ask her.
16:32I would love to see her again.
16:35What's the collective known for a place?
16:38A plot.
16:39A plot of peelers.
16:40A plot of peelers.
16:50I think we should join the plot.
17:10The party was not a success.
17:14No one expected your Mr. Holmes to enter the picture.
17:19What do you intend to do about him?
17:23Already done.
17:27He's been arrested for murder.
17:29And on the run, I hear.
17:32Even more reason for them to think he's guilty.
17:36Is he going to be a problem for us?
17:40I can control him.
17:44He got to you, didn't he?
17:49Upon that wall are 26 characters from the Hebrew Bible.
17:53The numerical value of Jehovah.
17:56Jehovah is both positive and negative.
17:59Ying and yang.
18:01So we double the 26 and we find 52.
18:05That is why we have 52 weeks in a year and 52 playing cards.
18:10What we don't need here is a 53rd.
18:15A joker.
18:19The first apostle has been eliminated.
18:22I don't want to doubt you.
18:26You have one week.
18:29Move quickly.
18:30Find Professor Roberts.
18:36Or it will be our blood that is spilled, princess.
18:49Forgive me.
20:22No, Constable.
20:24Good.
20:25Keep your nose clean.
20:28Will do.
20:36Constable Mastra?
20:37Yes.
20:38Do you have anything for me?
20:44You two.
20:47Here.
20:49Now.
20:54Yes, sir.
20:56Young man worked here as a scout.
20:59Sherlock Holmes.
21:01I need information.
21:03Family address.
21:04Background.
21:06Already there, sir?
21:08His family estate's in Appleton.
21:09His father's scientific pursuits take him aboard.
21:11And his mother's in a local asylum.
21:14You seem very knowledgeable, Constable.
21:16Well, I do like to do my own research, sir.
21:18I think it's fair to say that I would lay down my life for the constabulary.
21:25I also like to do my own research, sir.
21:27And I think it's fair to say that I would lay down my life twice for the constabulary.
21:33Very good, young man.
21:35What else can you give me?
21:36I hear he is dangerously smart.
21:41That's not where my investigation has led me, sir.
21:45I hear that he's not as smart as he thinks he is.
21:48A genius is probably a more appropriate term to describe his intellectual capacity.
21:52I hear he gets all his best ideas from his associate, who we recognize to be the true artist.
21:57I think my colleague's research has taken him down a verisimilitudinous cul-de-sac, if you will.
22:03The barren land is how our saviour might describe this particular cerebral pasture.
22:07Oh, I think that the acclaim is so often erroneously misplaced to a cosmetic factor in an equation of two.
22:17E pluribus unum, sir.
22:20The moon so often takes the credit for the light that is shone upon it.
22:30Thank you, chaps.
22:32Carry on.
22:33Wonderful hat, sir.
22:34Thank you, customer.
22:35Thank you, sir.
22:42Waste of time.
22:45Your constable is very impressive, Lestrade.
22:53You take the room, we'll take the stairs.
23:17Detective Pidgey said we should search these staircases.
23:26Well, I'll stop you there, chaps.
23:28Save for your job.
23:29Nothing up there.
23:31I suggest you take a look at the north stairs.
23:33I'll check this out.
23:34Off you go.
23:36Never.
23:54I'll be right.
23:55I'll be right back here.
23:55I'll be right back here.
23:55Good for you.
23:57Here you go.
24:08I know about your English children and your nursery games.
24:12Shall I be the nanny and you'll be the little boy?
24:15Are you going to make me come and find you?
24:20That won't be necessary, nanny.
24:24I surrender.
24:25Did you find anything incriminating, officer?
24:28Sadly, my search hasn't been as productive as I would have hoped.
24:32It seems your obsession with me runs very deep.
24:35More curiosity than obsession.
24:40However, shockingly, I am curious as to why I'm being set up for murder.
24:43Are you implying in some way that I am guilty?
24:46Well.
24:50Yes.
24:51Yes, I think I am.
24:53If I were to scream and they came in here, whose side would they take?
24:57An escaped convict masquerading as a policeman or a highly esteemed princess of the Qing dynasty.
25:04And yet you haven't screamed, have you, princess?
25:07Maybe there's a reason you don't want anyone snooping around in here.
25:15Maybe there's something you're trying to hide.
25:45Maybe there's something you're trying to hide.
25:47I'm fine, I'm just doing my exercise list.
25:57Ah, that is a shame.
26:05It won't be long now before they come to save the innocent princess
26:10from the deranged escaped convicts.
26:24Well, that was dramatic. Should have taken your job.
26:44Mr Holmes.
26:45I'm here to visit my mother.
26:47These two gentlemen wish to speak to the director.
26:49My name is Detective Fidget, Scotland Yard.
26:52Constable Lestrade?
26:54I'll send for the director.
26:58If you don't play your cards right, you could end up in a place like this, Lestrade.
27:02No, Trudy, Trudy, please.
27:04Everything under control, Lestrade?
27:05Oh, yes. Thank you. Thank you, Dr. Clark.
27:08All right.
27:08I'll do this now.
27:22Twice in one week.
27:26To what do I owe the pleasure?
27:28You knew it was me.
27:31I know your footsteps.
27:34The echoes in that corridor are my whole world.
27:38Has he been here?
27:43Sherlock.
27:46You said he was with you in Oxford.
27:48What's happened?
27:49Nothing.
27:50I just wondered if you'd been to visit, that's all.
27:53You're lying.
27:56The man with the bird's claw who came after me.
27:59Oh, please, Mother.
28:00Now he's after Sherlock.
28:03He's hunting.
28:04Shh.
28:05Please, Mother.
28:06Don't upset yourself.
28:08Sherlock is fine.
28:10He's settling in, making friends.
28:13Now I know you're lying.
28:17Sherlock never made any friends.
28:20I just wondered if he'd been to visit, that's all.
28:24How to paint a mother's grief.
28:29She was such a pretty little thing.
28:32She was.
28:34She'll never grow old.
28:37No.
28:39She'll always be a child to me.
28:46You have been most helpful, sir.
28:50She hasn't seen him.
28:53The director confirmed your brother, in fact, hasn't been here.
28:55He'll be miles away by now.
28:57He won't run.
28:58No.
28:59He wouldn't do it to our mother.
29:01My brother is innocent, detective.
29:04Mr. Holmes, your brother remains a fugitive.
29:07The chase continues.
29:15Shuan was desperate for me not to see something.
29:17What?
29:18A burnt piece of paper in the grate.
29:26My God, it pains me to see you so defenseless.
29:30Yes, well, I recognize I'm a work in progress.
29:38Something silver, embossed writing.
29:41Can you see the letters?
29:42L and R?
29:45Gothic script.
29:46Mean anything?
29:47There was a number, too, the signing of the Magna Carta.
29:50That's 1215.
29:51That's it?
29:52No, I have seen those letters.
29:57Porter's Lodge.
29:58The photograph's on the wall.
29:59It's not L and R.
30:00It's L and K.
30:02Lord and Kingsley, the Oxford photographers.
30:03Why would she want to destroy a college photograph?
30:06Well,
30:07if you have the number,
30:09you can find the original plate,
30:10you can make yourself a copy.
30:12Lord and Kingsley, they have a shop on the High Street.
30:14If we find out what she burned,
30:16maybe we can find out why.
30:17And so we stand like greyhounds in the slips,
30:22straining upon the start.
30:26Fancy yourself a king.
30:30If the crown fits.
30:38Fancy, Fancy!
30:40Fancy!
30:40Fancy!
30:42Fancy!
30:42Fancy!
30:42Fancy!
30:43Good afternoon, gentlemen.
30:44Good afternoon, sir.
30:45We would like to order a copy of a photograph
30:47I believe you have already taken.
30:49It's number 1215.
30:51Okay.
30:51Let me see.
30:54Okay.
30:56Hmm.
30:58I don't seem to have a plate of that one.
31:02Unfortunately, we don't have enough room
31:03to store all the originals.
31:05What was the photograph?
31:06I don't recall.
31:07Would you at least be able to tell us
31:09who you made copies for?
31:11Well, ladies and gentlemen,
31:12let me check my other ledgers.
31:14I say, is this a Richard Maddox model?
31:16Good heavens, sir.
31:17You certainly know your cameras.
31:19Would I be correct in saying
31:21this works on a gelatin dry plate
31:23to produce a shorter exposure?
31:24Yes.
31:25And it builds on the collodion process
31:27to require only two to three seconds of exposure
31:30before producing an image.
31:32It must have been jolly expensive.
31:34Yes.
31:34It was, Robert.
31:37It's only just arrived.
31:39To be honest, I'm still getting to grips with it myself.
31:42But it produces a remarkable image.
31:45I think this is going to pave the way to miniaturization.
31:48Yes, and potentially more adaptable photographic emulsions.
31:52Yes.
31:53A new world beckons.
31:55Well, we shall be back tomorrow to pick up a photograph.
31:58Oh.
32:02You've been most helpful.
32:04Good morning.
32:06Any luck?
32:07Two copies made.
32:08Chuan Barnes won.
32:09The other one went to the master's lodge
32:11at Candlet.
32:14So we just walk up to his door and knock on it?
32:21Sorry to disturb you, sir.
32:23Is the master at home?
32:24Not here.
32:25There's an engagement in London.
32:27Right.
32:28We're checking all the college premises
32:29for this fugitive Sherlock Holmes.
32:32Ah, yes, I heard.
32:33Well, I can assure you he's not in here.
32:37If I don't check for myself, sir, my sergeant, I'll...
32:41I'll never hear the end of it.
32:47Thank you, sir.
32:51Thank you, sir.
32:54Did you know him, sir?
32:56The scout.
32:58Sherlock Holmes.
32:59Never met him.
33:02They say he was an odd sort.
33:05Excuse me, Mr Constable.
33:06I was just about to take the mistress her afternoon tea.
33:10If you wouldn't mind waiting.
33:26Sorry about that, constable.
33:28Would you like me to give you the tour?
33:36Good afternoon, Roger.
33:37Oh, good afternoon, your highness.
33:40I need to speak with Professor Roberts.
33:42I'm afraid he's not in college at present.
33:44I have to hand in an essay.
33:47The tunneling shield perfected by Ismbart Kingdom Brunel
33:50is the future.
33:51Discuss.
33:52Sounds fascinating.
33:54He's very strict about deadlines.
33:56Would you be so kind as to give this to him?
33:58Of course, your highness.
34:00Lad.
34:03Thank you, smudger.
34:04My pleasure, your highness.
34:06Put it with the others, lad.
34:08When are you going up to his country house?
34:11This evening, sir.
34:12Why the secrecy?
34:14Why not give out his address?
34:16You mourned your own business, lad.
34:18Do as you bid.
34:19Bye-bye?
34:22No, we,...
34:25Wha...
34:26Hello, Bob?
34:35I'veagi!
34:42Yeah!
34:43Bye!
34:59Handling college tennis courts, 1870.
35:02Why would she not want anyone seeing this?
35:05That's Professor Thompson, your supposed victim.
35:09Who are the other three?
35:11You should know, Sherlock. You waited on him hand and foot.
35:14I cleaned 30 fireplaces a day. I made 30 beds a day. I might need a moment.
35:18Pink, man. Pink.
35:19What do you think I'm doing? I'm not frying an egg or milking a cat. I'm thinking.
35:23This professor, in particular, was very tidy. He kept very little in his room.
35:28There were some books on his desk, but nothing that helps me remember his name.
35:32Excuse me, sir.
35:38Professor Roberts. That was his name.
35:41Very good. Very good. Well, keep going. Keep going. Come on.
35:44I might be a scout. I'm not your scout.
35:47Now, I emptied his waste paper basket. There were some letters.
35:50One of them from a John...
35:52John, John, John. John who?
35:54John Nowell?
35:55John Nowell or John Howell?
35:56John Howell. How did you know?
35:58First, John Howell is an engineer.
36:00So, Professor Roberts is a professor of engineering.
36:03Our work here is done.
36:06That's Professor Enright.
36:09He's a meteorologist.
36:11And that is Professor Malik, a visiting professor from the University of Bombay.
36:18The speciality?
36:20Geology.
36:21So, what links are four?
36:26The gala opening.
36:30The science building.
36:32Well, there was a guest list by the entrance.
36:35Investigate.
36:36They were all on the same table.
36:37The table nearest the front, nearest the podium, nearest the bomb.
36:39So, this bomb was designed to kill them all.
36:42That's why she didn't want us seeing this.
36:44It's a picture of her targets, a way to identify them.
36:47But in the crux of the thing is, why does she want them dead in the first place?
36:52If I had half the money
36:58I left it
36:59Professor Roberts!
37:01Professor Roberts!
37:08Professor Malik!
37:12Sir!
37:22I need you to give me their home addresses.
37:25I can't give out private information.
37:28Check their rooms.
37:28Do you think I'd be standing here talking to your fat arse if I hadn't already done that?
37:34What's your tone, Moriarty?
37:36You are not listening to me.
37:39Bones will be broken.
37:40Blood will be spilt here today.
37:42There's always drama with you, innit?
37:44Now, on your bike, I'm busy.
37:47Well, you've been fear-selfful.
37:55One day, I'll remember that.
37:58Oh, yeah.
38:06It's no use.
38:08The man's an empty suit.
38:10I couldn't kick anything out of him.
38:13Excuse me.
38:18Do you really think they're in danger?
38:21Why?
38:22Is there something you'd like to share?
38:33Who is it?
38:34Jack off.
38:36Roll through delivery.
38:39One moment.
38:41Rather late, aren't you, boy?
38:44Come on.
38:45Chop, chop.
38:45Read it through.
38:46Wait.
38:47Wait.
38:50Wait.
38:51Wait.
38:52Wait.
38:53Wait.
38:53Wait.
39:20Wait.
39:22Wait.
39:44Choke to death.
39:49Fierly sugars.
39:52Warm carbs.
40:05We are stumbling through the fumes of our murderous wake.
40:13You've got to hand it to him.
40:14Forgive me if I'm not ready to applaud.
40:22I'm a wanted man.
40:24You should go to the police.
40:25She's thrown down this challenge to you, Sherlock.
40:29Not to them.
40:30Why let them have all the fun?
40:33There are two professors out there still alive.
40:37We find them before she does.
40:39We stand like Ray Holmes in the slips straining upon the stand.
40:50The game's afoot.
40:51As I was walking all the lane
40:56I heard to walk all business back in the main
41:01In behind yon of their night
41:06I was their eyes and used a night
41:11And nobody came, said Eloy, sterile
41:15But his horse and his hound and his lady
41:19Pharaoh
41:20His horse and his hound and his lady
41:23His hound is a tailor
41:27Hunting game
41:29His horse they fetched the wild fowl hail
41:34His lady's trade another mate
41:39So we may make our dinner sweet
41:43We may make our dinner sweet
41:48He'll sit on his white house plain
41:53And I'll bike out his bible wing
41:57With money and love
42:00To his golden sparrow
42:02We'll seek an esplanet rose barrow
42:07He can a esplanet rose barrow
42:12Money a one for him likes pain
42:16But nature can wear his game
42:21For his white foes when they are peril
42:26The wind shall go forever narrow
42:31The wind shall go forever narrow
42:38The wind shall go forever
42:39The wind shall go forever
42:40The wind shall go forever
42:42The wind shall go forever
42:43The wind shall go forever
42:43The wind shall go forever
42:43The wind shall go forever
42:43The wind shall go forever
42:44The wind shall go forever
42:45The wind shall go forever
42:45The wind shall go forever
42:46The wind shall go forever
42:46The wind shall go forever
42:47The wind shall go forever
42:48The wind shall go forever
42:56The wind shall go forever
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