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Young Sherlock S01E06 [Full Movie] [Full Series]Full EP - Full
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00:25Go upstairs, find my mother, take her to the gatehouse.
00:29Do not leave her side.
00:40Here, dry yourself off.
00:42You've had quite a shock.
00:45Sorry.
00:47It's for my own protection.
00:49Your protection?
00:49Exhuming your sister's body.
00:51Hardly rational, is it?
00:52No, no, no, no, no, don't.
00:54Don't try to make it out like I'm the dangerous one.
00:56I always feared this day would come.
00:57That I would find out.
00:58You would show signs of your mother's affliction.
01:00Is my sister still alive?
01:02Sherlock, for God's sake.
01:04It's not her in the grave.
01:05It's not her body.
01:06Of course it's her.
01:07No, it's not.
01:08Her arm was broken.
01:09That arm's not broken.
01:10You're misremembering.
01:12It was in a sling.
01:14It was in a sling.
01:15I remember that.
01:16Yes, yes, it was.
01:19Because she had sprained her arm, falling from a tree, trying to climb after you, trying
01:25to keep up after you.
01:28No wonder you've locked it from your memory.
01:30I understand how desperately you want to believe she's alive.
01:33I know about your failed businesses, and how your fortunes change when mother was sent
01:38away.
01:38Explain that.
01:39You know why my business went under?
01:41Because I was here looking after your mother.
01:43She wasn't well, Sherlock, long before Beatrice died.
01:46And after she went away, I buried myself in work, and so my fortunes improved.
01:49There is nothing sinister about it.
01:52Only two people saw the body.
01:54Only you and the groundskeeper.
01:56No, that is simply untrue.
01:57The doctor, he issued a death certificate.
01:59He saw her.
02:00I can't believe we're even having this conversation.
02:01A doctor who didn't even know what Beatrice looked like?
02:04Enough.
02:04I've been more than patient.
02:06Why would you bring a doctor all the way from Oxford?
02:08That was your mother's idea!
02:12She was an old friend of his.
02:14He was an old friend of hers.
02:16She wanted him to be here.
02:18She wanted him to be here.
02:24Listen to me.
02:27Sherlock.
02:29Listen.
02:30It was the worst day of our lives.
02:38Of course you find it confusing.
02:42Do you think that I'm capable of something so heinous?
02:49Imagination can be a curse.
02:51I'm sorry.
02:55You stay away from him!
02:57That's a lie about the doctor.
03:00It's a lie!
03:01How many others are there?
03:03Cordelia, my love, you don't remember.
03:05James told me what they found in that grave.
03:09Yes, Beatrice.
03:11Where is she?
03:12We all just need to calm down.
03:15Oh, do we?
03:21Get me!
03:31Get up!
03:37Hey, son.
03:40I'm looking forward.
03:42You're aiming backwards.
03:44Up to some shore.
03:47Have you had enough?
03:49Are you feeling rough?
03:51Thought you're strong, huh?
03:53Well, if you're strong.
04:00I'm waiting.
04:03I'm waiting.
04:05I'm waiting.
04:06I'm waiting.
04:07I'm waiting.
04:07For so long.
04:09For so bad.
04:11To take me.
04:13To take me over.
04:14To take me.
04:18To take me.
04:26To take me.
04:38Uh, that's, uh, most mysterious.
04:43Most mysterious.
04:45Um, what is, sir?
04:48What, what is what, young man?
04:50What is most mysterious?
04:52Well, no sign of skin discoloration.
04:54No lingering smell that would indicate poisoning.
04:58No sign of a heart attack.
05:01No blood vessels burst, as you'd expect.
05:04And no flesh wounds of any sort.
05:08So the man has been murdered, and you're telling me that we don't know how.
05:12What I'm telling you is that the body is in excellent health.
05:16Yes, apart from the rather unfortunate fact that he is dead.
05:22Hmm.
05:24What is this?
05:25That's the contents of his airway.
05:28Uh, the sort of thing that you would expect in a drowning victim.
05:33Except he didn't drown.
05:34I was there.
05:35I was on dry land.
05:39Would you excuse us for a moment, please, sir?
05:41Yes, certainly, young man.
05:42Thank you so much.
05:46Do you know what he was working on?
05:47Because if you do, now is the time.
05:50Oh, it was, um, something for the government.
05:54Most secretive.
05:55So, he and Professor Malik, they were working together, is that right?
05:59Yes.
05:59Although he never shared any of the details with me.
06:02You neither?
06:04No.
06:05Ah.
06:06Are we getting anywhere?
06:07Not really, Lestrade, no.
06:09Each question leads to more questions, like fighting the Hydra.
06:14Well, Lestrade, what do you have for me?
06:20A wire came for you, sir.
06:24Ah.
06:25I have been summoned.
06:42Who is she?
06:43We don't know.
06:46They would have got a buddy from the hospital or at the poor house.
06:50It's not hard to do.
06:58Do you think she might still be alive?
07:01I don't know.
07:02But it is a possibility.
07:04Yes.
07:05It is a possibility.
07:07Where are you going?
07:10To find her.
07:18And where is Professor Malik now?
07:20I'm afraid I don't know, sir.
07:22And the Chinese assassin?
07:23Whereabouts also unknown, sir?
07:25Mr. Holmes, your handling of this whole thing has been nothing short of appalling.
07:29Yes, well, perhaps if you gentlemen had been a little more forthcoming with me from the start,
07:32I might have been better placed to protect, sir Bucephalus.
07:35Are you insinuating this is our fault?
07:37I can say it more plainly if you prefer.
07:39Holmes, I believe that Hodge was killed owing to a secret government project based out of Oxford,
07:44the details of which you have refused to share with me.
07:47But I suspect whatever he was working on was highly dangerous.
07:51Hodge died working for this government.
07:56I need to know what you know.
08:02How does a man show signs of drowning on dry land?
08:06Don't try to confuse us with riddles, sir.
08:09You were sent to Oxford to assist Sir Bucephalus with the new science building.
08:14Now he's dead.
08:15On your watch.
08:17You are done here, sir.
08:19Your career with Her Majesty's government is at an end.
08:22Sir, if I may, I...
08:31Good day.
08:33Tell me everything that you've uncovered so far.
08:37Well, we think it was the groundskeeper who actually took Beatrice.
08:41Not Nathan.
08:42Yes, Nathan.
08:43Father paid off his debts just after Beatrice disappeared.
08:46My darling, he was always so kind.
08:48Well, father was with us at the picnic the entire time, so he would have needed an accomplice.
08:51And the groundskeeper would have squirreled her off the estate.
08:53So he would have needed to, thank you, take her as far away from here as possible without anyone noticing.
08:57Did he have a cart or a trap?
08:59Yes, he had a cart for his deliverance.
09:03Nathan did deliveries?
09:05Game.
09:05Yes, father used to hunt game on the estate, pheasants and rabbits.
09:09And Beatrice would never eat the rabbits.
09:11She used to give them all names.
09:12So there was lots left over and Nathan would sell it once a week from his cart.
09:16So Nathan renders her unconscious and hides her in the cart.
09:20Underneath the sacks of pheasants and rabbits.
09:22And then it's a standard delivery and he draws no attention to himself.
09:26Do you remember where he'd make these deliveries due?
09:28No, darling, I have no idea.
09:35The game book.
09:37The estate game book.
09:39Everything that was shot and sold has been recorded in there.
09:43Nathan Burford makes a delivery the day after Beatrice supposedly dies.
09:49Isn't that a peculiar day to go about your business as usual?
09:51A brace of pheasants, four rabbits, and a hare.
10:05Delivered to an address in Highgate.
10:07That's the best part of 60 miles from here.
10:09Where no one would know her.
10:12I will get Crowell to saddle some horses and I promise to wire news as soon as I have it.
10:17Oh no, I'm coming with you.
10:21If Beatrice is out there, I'm going to find her.
10:26With or without you?
10:32That's you, Dawn?
10:43Down for one of my feet.
10:45Go on, you little tyrants.
10:46Go play over there.
10:51Who are you, then?
10:52My Croft Holmes.
10:53I was wondering if your good husband might be home.
10:56My good husband.
10:58I only have the one.
11:01Visitor.
11:02Thank you, light of my life.
11:07Excuse me.
11:09A little early, isn't it, Constable, to be on the cider?
11:12I'm drowning my ambition, Mr. Holmes.
11:14Scotland Yard.
11:15That's where I had my sights on.
11:16But after everything that's gone down, Hodge's dead.
11:19She won't have fled.
11:20I'll be lucky to keep my job in Oxford.
11:24Constable, it is a safe bet, is it not, to assume that Professor Malick killed Sir Pucephalus Hodge?
11:29It is.
11:29Well, then, is it also a safe bet to say that if we were to apprehend Professor Malick, we could
11:35also rescue both of our careers?
11:38I'm listening.
11:39When we were at the police station in Oxford, you mentioned Professor Malick having a file.
11:43What of it?
11:44What was in it?
11:44Nothing.
11:45Just his name and his address in Oxford, which we've already searched.
11:48But if he had no criminal record, why bother to create a file for him in the first place?
11:55Answer.
11:56There was something in that file before.
11:59It's since been taken.
12:00So where's the arrest report?
12:01Worth another gander, don't you think?
12:04I'll get my coat.
12:21Hello.
12:25Can I help you?
12:26Oh, yes.
12:28We're looking for a young girl.
12:30We have reason to believe that she was brought here about 12 years ago.
12:34Um, this is her.
12:38I'm afraid I've never seen her.
12:41Now I bid you good day.
12:57I would ask you to stop pestering me.
13:00Her name is Beatrice.
13:02I'm her mother.
13:03My name's Cordelia Holmes.
13:05Until yesterday, I believed that she was dead.
13:09I now have reason to believe that she may have been brought here.
13:13Tell me anything you know.
13:14Anything at all.
13:16I'm asking you.
13:17I'm begging you.
13:18Please help me.
13:22We didn't know her name, so we called her Hannah.
13:26Because she came to us as a blessing.
13:29I couldn't have children of my own, you see, Mrs. Holmes.
13:33And we thought that she was an orphan.
13:37And it was Nathan Berford who brought her here.
13:40He said he was from the orphanage.
13:43It's been an terrible accident.
13:44A fire at the house.
13:45So you're going to stay with Mrs. Tilcott for a while.
13:47Hello, little one.
13:49We tried to give her a good life.
13:51I am sure you did.
13:52I gave her all the love I had.
13:55Gave.
13:57You said gave.
13:59She's not here, is she?
14:02She's gone.
14:04Yes.
14:05She left us when she was 14.
14:08We woke up one morning.
14:10She'd written a note thanking us and saying that she didn't want us looking for her.
14:15And you have no idea where she went?
14:18No.
14:19Mrs. Tilcott, could I see her room?
14:38What was she like?
14:42Bright.
14:44Determined.
14:46Stubborn.
14:50Anything?
14:52Not here.
14:53Coaches on the bed.
14:54Did she call you, mother?
14:56I'm so sorry.
14:57No, no, please.
14:58Please don't apologize.
15:00I can see that this was a...
15:02a happy and loving home.
15:07She loved nature.
15:09We'd get her those on her birthday.
15:10A different one, every year.
15:12You would buy her these?
15:16No need to lie to us now, Mrs. Tilcott.
15:18No, Mrs. Tilcott.
15:19Just anything you can tell us that might help us to find her.
15:24They were sent.
15:28Where did they come from?
15:29Sent from who?
15:31I never learned his name.
15:33Never met him.
15:34He was her benefactor.
15:35That was all I knew.
15:37There was never any return address on the parcels?
15:41None.
15:41Do forgive me.
15:50Steel pin.
15:52Lacquered preventing rust from the moisture inside the thorax.
15:57Specialist equipment.
16:00Only one place in London makes these.
16:09Annual commission.
16:10Beatrice was sent to Butterfly every year on her birthday.
16:13And paid for it by Silas.
16:14No name.
16:15But they gave me an address.
16:16Bedford Row Holborn, please, sir.
16:19Darling.
16:21Apologies.
16:23Manners, surely.
16:29Constable Lestrade.
16:30Constable Lestrade.
16:30Mycroft Holmes.
16:31Leave the door open.
16:38Kishore Malik.
16:42As I said, it's empty.
16:45Someone trying to protect him, you think?
16:51Look at this.
16:53The ink was wet when the document was put into the file.
16:55Well, I can't read it.
16:56It's backwards.
16:57Never leave home without a dressing mirror, Constable.
17:01Like so.
17:04Two names.
17:05Two addresses.
17:07First is undoubtedly Malik's.
17:09Second is harder to read.
17:12Looks like Alvy Gordon.
17:15Shelbourne Hotel.
17:16Bayswater, London.
17:30Well, I suppose she'll know who I am.
17:33She won't remember me after all this time.
17:36And she's been raised by another woman, so...
17:39Now, now, Mrs. Holmes.
17:41You'll never forget your mother.
17:42I certainly won't forget mine.
17:44James, what happened to your mother?
17:46Well, she's long past.
17:48She had the consumption.
17:50I was only a little lad at the time.
17:51Oh, you poor thing.
17:52I'm so sorry.
17:54But there's not a day that goes by that I don't think of her.
17:56And I promise you it'll be the same for your Beatrice.
17:59You are such a kind man.
18:01Well, you bring out the best in me.
18:03And you have such a beautiful smile.
18:07Driver!
18:24Will you kindly stop it?
18:28I wasn't referring to the whistling, James.
18:30Kindly stop what?
18:31Flirting with my mother?
18:32I'm doing no such thing.
18:33I know you.
18:34You can't help yourself.
18:35What I cannot help, Sherlock, is if people find my charm irresistible.
18:43You can't deny your mother's a very beautiful woman.
18:47And I certainly wouldn't kick her out of bed for eating biscuits.
18:52I am serious, James.
18:56Cease and desist.
19:01Please.
19:20This is the address for Alvy Gordon, Esquire.
19:23If your cute little mirror trick is correct.
19:26Good afternoon.
19:28We're looking for an Alvy Gordon.
19:30Yes, of course.
19:31I'm Mr. Gordon.
19:32Perfect.
19:34We're looking for Professor Malik.
19:36Kishore Malik.
19:37I'm sorry, I don't know anyone by that name.
19:39Strange that, sir.
19:41Seeing as this address was listed on his arrest report.
19:48Perhaps this is best discussed in my office.
19:54Now.
19:56What's all this about?
20:01I couldn't possibly trouble you for a glass of water, could I?
20:07Wait here.
20:08Thank you so much.
20:18A receipt from Hatchard's bookshop for a Moody's Guide, latest edition.
20:24I said, what do you think you're doing?
20:26As I said, sir, we're trying to find Professor Malik.
20:28And as I said, I don't know him.
20:31Have you recently purchased a travel guide, sir?
20:34Huh?
20:34I thought I might take a holiday.
20:36This receipt mentions that you paid to have it gift-wrapped.
20:39Traveling with someone, are we?
20:41What exactly is your relationship with the Professor?
20:48We have the arrest report, Mr. Gordon.
20:50Someone tried to suppress it, but recently it came into our possession.
20:54Now, as far as I'm concerned, how a man chooses to live his life is his own affair.
20:59But many in my profession may hold a different view entirely.
21:03Fortunately for you, I'm able to ensure the arrest report remains hidden.
21:07Something as I'm sure you would prefer.
21:10Yes.
21:13Very much so.
21:14So tell me, where is Professor Malik?
21:22Paris.
21:23Well, well, well, Constable Strahd.
21:26Bluff and blackmail all in the same breath.
21:29We'll go fast, Scotland Yard, I'm quite sure.
21:32I won't be able to come with you to Paris.
21:35Well, that is a shame.
21:35Have to get back to work.
21:37Can't leave Mrs. Lestrade with her hands full.
21:39Not to mention the goats.
21:42Fine, Malik.
21:43Yes, if I do.
21:44When you do.
21:45I will be sure to let your superiors know quite how invaluable you were.
21:51Thank you, Mr. Holmes.
21:53Please, call me Mycroft.
22:03Hey, Robin.
22:03Please, go ahead.
22:33Red Street, Chief's side.
22:42Chief's side, please.
23:29Chief's side, please.
24:03Chief's side, please.
24:15Chief's side, please.
24:29Chief's side, please.
24:46Chief's side, please.
24:48Chief's side, please.
24:59Chief's side, please.
25:32You're right.
25:35She's gone.
25:41She's coming.
25:41She's coming.
25:42She's coming.
25:44She's coming.
25:45I can't leave you.
25:46But I can't leave you.
25:48I'm not going to die.
25:50I'm going to die.
25:51You're going to die.
25:55I'm not going to die.
25:59Mom.
26:01You're going to die.
26:04Mom.
26:08Mom.
26:11Mom.
26:14Mom.
26:16Mom.
26:18Mom.
26:20Mom.
26:23Mom.
26:25Mom.
26:29Mom.
26:30Mom.
26:31Mom.
26:32Mom.
26:34Mom.
26:39Mom.
26:40Mom.
26:47Mom.
26:50Mom.
26:51Mom.
26:54Mom.
26:54Mom.
26:54Mom.
26:59Mom.
27:08Mom.
27:11Mom.
27:18Mom.
27:18Stopped me getting expelled from more schools than I would have.
27:21Do you know, I'm realizing, I have absolutely no idea who you are.
27:26I am my mother's son.
27:28Care to do the honor?
27:30Go on.
27:31Live life on the edge.
27:37We'll make a thief over you yet, Mrs. Orbs.
27:55What is this place?
27:57Let's light her up and find out.
28:04Good night.
28:15Some sort of textile company.
28:18Sherlock, look.
28:20This is Beatrice.
28:22I mean, she's older, but about 14.
28:25That's definitely her.
28:26I knew it.
28:27I could feel that she is still alive.
28:35Father's name?
28:37That's definitely his signature.
28:45Important.
28:47Textiles?
28:48I don't understand.
28:49Why would he hide that from us?
28:51We should hurry.
28:52James?
28:53Yes?
28:53Yes.
28:53Silas's travel itinerary.
28:56He's a busy man.
28:57He's from Brussels, Bordeaux, London to Monaco, Amsterdam to Madrid.
29:01There's a name here.
29:03Therese.
29:04Therese.
29:04Therese.
29:05Perhaps a female travel companion.
29:06Well, whoever Therese is, is with her this weekend.
29:11Wow.
29:11So where is Therese?
29:13All of those journeys were made by train.
29:15What are you doing?
29:16Linear interpolation.
29:18Brussels to Bordeaux, London, Monaco, Amsterdam, Madrid.
29:25All of those journeys intersect the same place.
29:29Paris.
29:30Oh, I saw something.
29:32Look.
29:34A guidebook to Paris.
29:36Right.
29:37Well, Therese is not a woman.
29:40Therese is the name of a hotel in Paris, in Rue Saint-Anne.
29:44Gosh, I'm not that clever.
29:49Right.
29:49Time to skedaddle.
29:51Well done, Mother.
29:52When you're ready, Mrs. Hawkes.
29:53Yes.
29:53No, after you.
29:54This way.
29:58Not that way.
30:00This way.
30:01Yes, sir.
30:01Come on.
30:14Good catch-up.
30:14Oh, goodness.
30:17Doesn't that hurt?
30:18Well, I never think to stop and ask them.
30:20They're not policemen.
30:21Police don't wear brown boots.
30:22Well, who are they then?
30:24Well, we could ask them.
30:25Or we could run.
30:27Oi, come on, Luke.
30:28Run.
30:29Run.
30:29Stop.
30:30Oh, yes.
30:31Oh, yes.
30:32I'm running.
30:34Yes, sir.
30:36I'm running.
30:38Sherlock.
30:39Where are we going?
30:42Not sure.
30:46What are we doing?
30:48Thinking.
30:53Step aside, Mother.
31:26This world of yours, Sherlock, it is rather fun, isn't it?
31:32Yes, I suppose it is.
31:39Christ.
31:40Well.
31:41To Paris?
32:07Now, they are in the midst of a revolution.
32:09What a case.
32:10How many revolutions does a country need?
32:12Some parts of the city remain relatively unscathed, but we will have to navigate one or two barricades to get
32:18to where we need to go.
32:18Oh, you are too focused on the obstacles, my friend.
32:24We're not going further.
32:27We're going to the hotel, Tere.
32:28Hey, will you show us the route?
32:30You go to the right side, on the street.
32:33But you have to go to the barricades.
32:35Good luck.
32:45This way, this way
32:46Get down
32:58Through here
33:12English?
33:13Yes, yes, we're English
33:14We do not like the English
33:16How do you feel about the Irish?
33:18We like the Irish
33:23So what do you propose?
33:26I don't shoot you
33:27But I do shoot them
33:29No, we'd quite like if you didn't shoot any of us
33:31If it's all the same to you
33:33We're just looking for my husband
33:34He's on your side
33:36He would lay down his life for the revolution
33:40Ben, get over it
33:42Merci
33:46Merci
33:49Enchanté, madame
33:52Gaines
33:58Here she is, Hotel Therese
34:01Right, let's find a spot and watch the place
34:03Wait for him to show
34:04There's no time to wait
34:05We have to find B
34:11Ah, bonsoir, monsieur
34:13Madame
34:14Je viens rejoindre mon mari, monsieur Silas Holmes
34:18Désolé, madame
34:19Monsieur Holmes n'est pas ici en ce moment
34:21Pourriez-vous avoir l'obligence de me dire où je pourrais le trouver?
34:26Un homme a doi en son jardin secret, madame
34:29Monsieur, je suis fatiguée
34:32Je suis affamée
34:33Et je viens de m'échapper d'un asile
34:37Croyez-moi
34:38Il n'est pas dans votre intérêt
34:40Que je cause un esclandre dans votre hôtel si élégant
34:45Elle est assez fatale avec un visite
34:48Nous cherchons Silas Holmes
34:51Parti à une quinzaine de minutes
34:55Aucune idée
34:56Il n'a pas pris de quel âge
34:58Alors?
34:59Il ne peut pas aller bien loin
35:02Quelle direction?
35:08Quelle direction?
35:10Sébastopol
35:11Uno
35:13D'accord
35:14Qui portait-il?
35:15Ce qui portait
35:16Pou de forme
35:18Cap
35:19L'Opéra?
35:20Mauvaise direction
35:21Donc
35:22Qui est-il dans cette direction
35:24Appuyé pour qu'on en ait 6 mètres sur son podium?
35:33Chuchotez-le
35:33Mais folie bergère
36:03Sous-titrage Société Radio-Canada
36:07Darling, I'm only sorry
36:09You have to be here with your mother
36:10Quite all right
36:13Oh
36:15I've finally found where I belong
36:19Outside the world boroughs
36:21Inside
36:22They dance
36:24Never underestimate the human needs for diversion
36:26Just keep them entertained
36:27And you'll have them in the palm of your hand
36:32Mon Dieu
36:33Le visage d'un ange
36:35Je suis au paradis
36:50The things you could teach me
36:52Whatever you want
36:53For a fee
36:54A fee he can't afford
36:55Now if you wouldn't mind
36:56I'd quite like to find Silas
36:57Mycroft
36:59Silas?
37:00No
37:00Mycroft
37:03Mycroft
37:04Mother
37:05What is Mycroft doing here?
37:13Sherlock
37:14Mon cher frère
37:15You brought Mother to Paris
37:17Have you finally lost your marbles, brother dear?
37:19It wasn't his decision, darling
37:21I'm fed up of people making decisions on my behalf
37:25I must say, it just seemed to be rather agreeing with you
37:27Yes, I do find this life of adventure rather suits me
37:32I just wish I'd discovered it before, darling
37:36I'm sorry, I'm just not used to
37:38Seeing me like this, I know
37:39Neither am I
37:40I'm finding it so liberating
37:46Finished?
37:47Yes
37:48What are you doing here?
37:49Ah
37:51Following him
37:54Malik
37:56More to the point
37:57What are you all doing here?
37:59We've been following him
38:04Father
38:06What's he doing here?
38:08It appears those two gulls know each other
38:12Curiouser and curiouser
38:14No, would anybody care to enlighten me as to what the hell is going on?
38:20We think Beatrice might still be alive
38:23I'm sorry, what did you say?
38:24We think Beatrice might still be alive
38:26Yes, I heard you, Sherlock, but what did you say?
38:28Darling, I know that Bea is alive
38:32And Silas knows where she is
38:34Darling, he's on the move
38:36No time to explain
38:38Sherlock
38:39He's on the move
38:43He's on the move
38:48He's on the move
38:49He's on the move
38:51He's on the move
38:52He's on the move
38:56He's on the move
39:01He's on the move
39:04He's on the move
39:05He's on the move
39:06He's on the move
39:07He's on the move
39:07He's on the move
39:08He's on the move
39:08He's on the move
39:14There's a guard.
39:17Mycroft.
39:17Yes.
39:22Madame, are you going well, Madame?
39:25I was taken from the fatigue, Monsieur.
39:29I'm going to help you, my man.
39:32I would like you to thank you.
39:34I don't want to eat.
39:38I don't want to eat.
39:44Well, it all just vanishes.
39:57This one looks rather young.
40:10I don't want to eat.
40:26I don't want to eat.
40:28I don't want to eat.
40:29This is I, but I'm your wine.
40:32This will be worth your wine.
40:36A moment of silence.
40:37A moment of silence, please.
40:43I trust you enjoyed the festivities upstairs, to which we shall return.
40:47But for now, we must get down to business.
40:51Gentlemen, I know you stand here today with the same question on your minds.
40:55How do you take back control of your city?
40:57How do you take back control of your country?
41:00Impossible, some might say.
41:02As a famous man once said, impossible is a word only found in the dictionary of fools.
41:12What I am offering you here today, gentlemen, what Professor Malik here has developed, will change the face of modern
41:24warfare.
41:32Odorless, colorless, silent, deadly.
41:38This nerve agent is unlike anything the modern world has seen before.
42:02Killing butterflies is hardly our mission, sir.
42:06Indeed, General, quite so.
42:09Bring out the deplorable.
42:21You see, what I have here, in the right concentrations, will work on a barricade, a neighborhood, or even an
42:28entire city.
42:29You no longer need armies to defeat your enemies, General.
42:33You simply need me.
42:34Or, more precisely, you need what I'm selling.
42:38For those of you who wish to place an order, it's only fitting that we should meet at the famous
42:43two corners, where you can contact Mr. Esad Kashkali.
43:16Or, more precisely, let's sit here.
43:19No!
43:22No!
43:25No!
43:36No!
43:38No!
43:47No!
43:48That's it!
43:54Let's go!
43:55No!
43:56No!
43:58No!
44:06No!
44:07Bada!
44:09Bada!
44:11Sherlock?
44:15Go!
44:42Remember me when you're the one who's silver screened
44:46Remember me when you're the one you've always dreamed
44:52Remember me when ever noses start to bleed
44:58Remember me, special needs
45:03Just 19, it suffers dreams
45:06I guess I thought you had the flavor
45:14Just 19, it's me, it's me
45:17Six months off the bad behavior
45:25Remember me when you clench your movie heel
45:29Think of me stuck in my chair to pass four wheels
45:35Remember me through flash photography and screams
45:41Remember me, special dreams
45:46Remember me
45:48Remember me
46:25See you
46:25Have only one see
46:25There life
46:44I'll happen to know
46:45Listen to that
46:45Jerome
46:45Truth
46:45Aren't sorry
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