00:05:36Don't look at them in the eye.
00:05:37Your grandmother was very, very emphatic about one thing.
00:05:42And I'd like to take you on this adventure.
00:06:20He's available 24-7.
00:06:22You must get in contact.
00:06:24And I'll see you in the eye.
00:07:09They're so perfect.
00:07:10And every doll in it.
00:07:40Is yours.
00:08:08And I'll see you, Miss Marmalade.
00:08:11And I'll see you in the eye.
00:08:16I'll see you in the eye.
00:08:32I'll see you in the eye.
00:08:34Just fine.
00:09:02I'll see you in the eye.
00:09:33I'll see you in the eye.
00:10:04I'll see you in the eye.
00:10:33I'll see you in the eye.
00:10:42I'll see you in the eye.
00:11:19I'll see you in the eye.
00:11:25I'll see you in the eye.
00:11:29I'll see you in the eye.
00:11:44I'll see you in the eye.
00:12:16I'll see you in the eye.
00:12:49I'll see you in the eye.
00:13:16I'll see you in the eye.
00:13:37I'll see you in the eye.
00:13:59I'll see you in the eye.
00:14:04I'll see you in the eye.
00:14:34I'll see you in the eye.
00:14:55I'll see you in the eye.
00:15:07I'll see you in the eye.
00:15:09I'll see you in the eye.
00:15:12I'll see you in the eye.
00:15:25You in the eye.
00:16:09I'll see you in the eye.
00:16:42I'll see you in the eye.
00:16:42I'll see you in the eye.
00:16:55I'll see you in the eye.
00:17:04I'll see you in the eye.
00:17:27I'll see you in the eye.
00:17:30I'll see you in the eye.
00:17:32I'll see you in the eye.
00:17:53I'll see you in the eye.
00:17:57I'll see you in the eye.
00:17:59I'll see you in the eye.
00:18:00I'll see you in the eye.
00:18:04Oh, my God.
00:18:38Oh, my God.
00:19:06Oh, my God.
00:19:25Oh, my God.
00:19:32An electrical outage has just struck the metropolitan area with 100,000 left in the dark.
00:19:39Spokeswoman for water and power is blaming a main power generator that went out.
00:19:44If not one thing, it's another.
00:20:16Spokeswoman for water and water and water.
00:20:17Nothing to fear, only an electrical outage.
00:20:23I wonder who will sleep with me tonight.
00:20:58Ismir of Holland, land of windmills. Nice to meet you.
00:21:10How gallant and striking you must look with your beautiful wheat-colored hair blowing in the wayward winds.
00:21:19Those wayward winds.
00:21:24Ring around the rosies, pocket full of rosies.
00:21:33As you and me, I'll call you.
00:21:41Ring around the rosies, pocket full of rosies.
00:21:52ing this place.
00:21:53And who can we now describe a lovely light?
00:22:03Because if you go away or provide a little tea, we're going to give it to you to our letter.
00:22:04Everybody literally says, I'm a soldier.
00:22:04Will he be satisfied with his privilege?
00:22:07Whether he says, I'm not yet to trust him.
00:22:12Om cultura's heart is a genius and a goodest heart loss.
00:22:32Hello Gilbert.
00:22:34Marmalade, do you know how many messages I left you?
00:22:37How many?
00:22:38Ten.
00:22:39Be thankful that you didn't turn out to be number eleven.
00:22:42What do you want?
00:22:44What I always want, to see you.
00:22:49I'm in a phase, Gilbert.
00:22:51Maybe a little respect.
00:22:53When you die, I'll pay my respects.
00:22:56Jeez.
00:22:57Have you joined the dark side?
00:22:59Yes, Gilbert.
00:23:04So why do you love me so much?
00:23:08That smile.
00:23:09You could be sticking a knife in my back, but that smile makes me think.
00:23:13Oh, she didn't mean it.
00:23:17Gilbert, I haven't smiled forever.
00:23:20I can wait.
00:23:21How sweet.
00:23:23It's Thursday.
00:23:24I can drive you.
00:23:26That wouldn't count as conservation day.
00:23:28You'd be spilling gas into the environment.
00:23:31I'm taking the bus like every Thursday.
00:23:33Well, I can ride with you on the bus.
00:23:37Not today, Gilbert.
00:23:39I'm in a phase.
00:23:40You can take the bus ride when you're finished with your homework.
00:23:43Goodbye.
00:23:43No, no, wait.
00:23:45Too late.
00:23:45I hung up already.
00:23:46I knew you didn't.
00:23:48I knew you didn't.
00:24:21I knew you didn't.
00:24:22Excuse me.
00:24:23I'm looking for this address, but there doesn't seem to be a seventy five seventy five plus one quarter forgotten
00:24:29street.
00:24:30It's the forgotten street.
00:24:33In there?
00:24:36You don't like this too much.
00:24:53Kuzmo, what kind of dull picture could reside in a hallway?
00:24:58The homeless kind.
00:25:00That's who.
00:25:04You dropped something there, Dolly.
00:25:06Come on in here.
00:25:06Come on in here.
00:25:07Come on.
00:25:08I'll take a look at that.
00:25:10Now Kuzmo is broken in two ways.
00:25:12Three ways?
00:25:13You ain't accounting for his broken heart.
00:25:18Know all the passcodes to the neighborhood.
00:25:20Don't tell nobody.
00:25:22Now, come on inside and I'll have a look.
00:25:25Come on.
00:25:26How do you know he has a broken heart?
00:25:28Every doll has a broken heart.
00:25:31Don't you know they all want to be human?
00:25:33Now, come on inside here, doll face.
00:25:35Come on.
00:25:36Come on.
00:25:44Let me have a look.
00:25:45Let me have a look.
00:25:49Come.
00:25:49Please be careful.
00:25:52You've done enough damage.
00:25:53There's no damage I can't fix.
00:26:02Do you like the new artwork?
00:26:05Of course I like the artwork.
00:26:06I designed it.
00:26:10You're the doll fixer?
00:26:11What do you think we're doing here?
00:26:12Meeting for my health?
00:26:26Say, I have seen worse.
00:26:30Cosmo, you're gonna live.
00:26:35Tell me, what's your name, doll face?
00:26:37I'm late.
00:26:54But doll face, go down the block.
00:26:57Take a look.
00:26:58Hank's Cafe. Two lattes. Fixing time is one half hour.
00:27:08Shoo, you can't watch me while I do my magic. Go, go. Shoo, shoo. Two lattes.
00:27:13I don't want a latte.
00:27:15Two lattes for me, doll face. And with soy milk.
00:27:19Gotta look out for them cows. Now move along. Move along.
00:27:54I had a hard time holding them still, but I managed.
00:27:56two out of the three fixed okay still got that broken heart though afraid
00:28:03that one's out of my league you never knew he was broken did you know my
00:28:11grandmother Esther look just like her both doll faces
00:28:19thank you so much I could have lost everything I've been homeless like
00:28:24myself don't advise that how much do I owe you all in the contract what contract
00:28:35why side with your grandmother
00:28:39okay does it for me I'll be moseying on my way now I'm gonna pressure my supplies nice
00:28:47seeing you ever hear of the doll hanging himself all wives tales spooky fairy tales and legends
00:29:00why one of grandmother's dolls huh thought it was cast out when he hung himself who hung
00:29:14himself spunk neck the demented doll maker I was doing good curses like this dropped me from the
00:29:27wagon hmm sorry kid I don't normally make house calls it's any worse call me worse another hanging
00:30:06keep the face
00:30:26hey Tanashka you look nice and warm it's your turn
00:30:39you
00:30:40you
00:30:43you
00:30:43you
00:33:07Thank you for seeing me spill the moment I was beside myself.
00:33:11There's nothing I can detect that's out of the ordinary.
00:33:14Although, I am going to recommend that you check yourself into a hospital for complete and comprehensive evaluation.
00:33:21I'm fine.
00:33:24Seeing dolls that hang themselves?
00:33:27Haven't you ever had a nightmare?
00:33:29Was it a nightmare?
00:33:34Tell me what you see.
00:33:48A wildo.
00:33:50Real or not?
00:33:55Will Wildo.
00:33:56This is a patient of mine.
00:33:58I thought it might be helpful for the two of you to meet.
00:34:01Who applies his makeup?
00:34:03You can talk directly to me.
00:34:06Oh, who applies your makeup?
00:34:09I only talk when I'm winded up.
00:34:13Go through the motions.
00:34:24That's it.
00:34:26Wind him.
00:34:27Wind him all the way up.
00:34:29Wind him all the way up.
00:34:44Hurry!
00:34:45Hurry!
00:34:45The syringe at the table!
00:34:46I'm going to let the syringe!
00:34:48Hurry!
00:34:59I'm sorry.
00:35:01It's part of the master manifesto I was reading about.
00:35:05Belonging to the brilliant psychiatrist Lou Borpiliowski dating back to the last century.
00:35:11I just thought the procedure would be beneficial to both of you.
00:35:16Your therapy is deadly.
00:35:17You're associating my condition with the psychomaniac?
00:35:21There are similarities.
00:35:23The only similarity is your twisted thinking to his.
00:35:28You're fired.
00:35:29I wouldn't recommend that.
00:35:33I wouldn't either.
00:35:35Tell the girl.
00:35:38Marmalade!
00:35:40Therapy is still in session!
00:35:55You think if I leave my car out here, anyone's going to steal it?
00:35:58Okay.
00:36:00It's only my whole life belongings.
00:36:11Okay.
00:36:12Where's the scoundrel?
00:36:15Where are the scoundrels?
00:36:18Where are the scoundrels?
00:36:22Ah, I see.
00:36:25Aren't you going to pick it up?
00:36:27I ain't going to touch him, leave my prince and falsely be falsely accused to get life.
00:36:32It's only a doll.
00:36:36Mm-hmm.
00:36:37Ones that hang themselves.
00:36:41But it's what they might do that concerns me more.
00:36:47What else?
00:36:48Those legends, the spooky legends, fairy tales, old wives' tales spoke of cruel atrocities.
00:36:58Do you have a plan?
00:37:00Do have a plan.
00:37:02Find the headmaster.
00:37:08What are you doing?
00:37:09Ah, this has a theoretically indefinite pitch when wrung in the ear of the headmaster.
00:37:30Found the maestro.
00:37:32Come here.
00:37:33Come over here.
00:37:36Take this paper.
00:37:38Hold it up.
00:37:41All right.
00:37:45What's it say?
00:37:50Sputnik Curse Coming.
00:37:55Oh my god.
00:37:56What does it mean?
00:37:57As in the dream state, where time is different than the waking state, so too is time in the
00:38:06world of Dals.
00:38:07For sure in the world of Spunkneck Dals.
00:38:11I think you're scaring me.
00:38:13Hold on.
00:38:14It gets worse.
00:38:17Once, normally, palmless, inanimate, rubber, porcelain, marble-dyed dolls turned wicked when
00:38:29the headmaster, the headmaster, dollmaker, Spunkneck fell to the dark side, stemming from childhood
00:38:34abuse, which he could no longer keep contained.
00:38:36And so is evil desire to spoil little, happy, innocent boys and girls.
00:38:45And so he didn't seem to do it.
00:38:50And so he jinxed his future creations with a dark spell.
00:38:55Doomsday Internal Clocks, so that each and every doll would enact its own horror doomsday.
00:39:03Doll or Margaden?
00:39:04Find another place to sleep.
00:39:07I dare not.
00:39:09And I irritate these dolls from my grandmother.
00:39:12They're like my little brothers and sisters.
00:39:16Made from the dark side.
00:39:21I can't abort them.
00:39:23That's your own peril.
00:39:25We're all innocent inside.
00:39:27Just need to be loved and given the chance.
00:39:30Just like your grandmother.
00:39:33Heart of gold.
00:39:35Tell my wannabe boyfriend that.
00:39:37He don't sound like the one.
00:39:39Let me tell you, there's a time for love and a time for wise resolution.
00:39:46Hey, look at that.
00:39:48My car's still here.
00:39:49Maybe there is hope.
00:39:54Chains, the strongest, weakest link.
00:40:17Chains, the strongest.
00:40:18Chains, the strongest.
00:40:27Chains, the strongest, ktĆ³rego youthful.
00:40:27Chains, the strongest,ļæ½ė ort.
00:40:28Chains, the strongest.
00:40:28Chains, the strongest, fifteen and thirty- Dumbo.
00:40:33Chains, the strongest,900.
00:40:33Chains, the strongest, Diamond and Juliet.
00:40:34Chains, the lowest.
00:40:34Let me tell you which you're so Vietnamese.
00:40:35Let me tell you to be soglass.
00:41:09Transcription by CastingWords
00:41:23CastingWords
00:41:54CastingWords
00:42:39CastingWords
00:42:51CastingWords
00:43:04CastingWords
00:43:12CastingWords
00:43:34CastingWords
00:43:56CastingWords
00:44:11CastingWords
00:44:28CastingWords
00:44:58CastingWords
00:45:09CastingWords
00:45:22CastingWords
00:45:32CastingWords
00:45:50CastingWords
00:45:56CastingWords
00:46:10CastingWords
00:46:25CastingWords
00:46:39CastingWords
00:46:53CastingWords
00:47:08CastingWords
00:47:37CastingWords
00:47:54CastingWords
00:48:06CastingWords
00:48:29CastingWords
00:48:59CastingWords
00:49:10CastingWords
00:49:40CastingWords
00:49:54CastingWords
00:50:19CastingWords
00:50:31CastingWords
00:51:12CastingWords
00:51:26CastingWords
00:51:29CastingWords
00:51:37CastingWords
00:51:54CastingWords
00:52:14CastingWords
00:52:29CastingWords
00:52:52CastingWords
00:53:11CastingWords
00:53:27CastingWords
00:53:37CastingWords
00:53:50CastingWords
00:54:07CastingWords
00:54:25CastingWords
00:54:37CastingWords
00:55:07CastingWords
00:55:27CastingWords
00:55:44CastingWords
00:56:14CastingWords
00:56:23CastingWords
00:56:38CastingWords
00:56:51CastingWords
00:57:20CastingWords
00:57:29CastingWords
00:57:38CastingWords
00:57:55CastingWords
00:58:10CastingWords
00:58:21CastingWords
00:58:33CastingWords
00:58:38CastingWords
00:58:54CastingWords
00:59:06CastingWords
00:59:07CastingWords
00:59:15CastingWords
00:59:31CastingWords
00:59:47CastingWords
00:59:58CastingWords
01:00:18CastingWords
01:00:38CastingWords
01:00:47CastingWords
01:01:03CastingWords
01:01:17CastingWords
01:01:32CastingWords
01:01:45CastingWords
01:02:13CastingWords
01:02:20CastingWords
01:02:35CastingWords
01:02:36CastingWords
01:02:55CastingWords
01:03:08CastingWords
01:03:37CastingWords
01:03:46CastingWords
01:04:00CastingWords
01:04:29CastingWords
01:04:52CastingWords
01:05:22CastingWords
01:05:35CastingWords
01:05:51CastingWords
01:06:21CastingWords
01:06:26CastingWords
01:06:39CastingWords
01:06:53CastingWords
01:07:04CastingWords
01:07:22CastingWords
01:07:40CastingWords
01:08:09CastingWords
01:08:39CastingWords
01:08:54CastingWords
01:09:17CastingWords
01:09:32CastingWords
01:09:41CastingWords
01:10:08CastingWords
01:10:20CastingWords
01:10:50CastingWords
01:11:19CastingWords
01:11:36CastingWords
01:11:56CastingWords
01:12:08CastingWords
01:12:21CastingWords
01:12:34CastingWords
01:12:44CastingWords
01:13:12CastingWords
01:13:18CastingWords
01:13:39CastingWords
01:14:01CastingWords
01:14:48CastingWords
Comments