- 1 hour ago
Mia And The Dragon Princess [Full Movie] [Full Storyline]Full EP - Full
Category
🎥
Short filmTranscript
00:00:28Transcription by CastingWords
00:00:58Transcription by CastingWords
00:01:00Our story starts hundreds of years ago, when the only daughter of an 18th century aristocratic family, who was betrothed
00:01:08to Javanese royalty, renounced everything.
00:01:12Her title, her riches, much to her family's displeasure, she was Marshan de Damayanti, the Princess Pirate.
00:01:46She led a life of confinement to live unchained and unfettered, plundering the South China Sea, where she formed a
00:01:57new family.
00:01:58A loyal crew of women she saved from the shackles of servitude, or title.
00:02:15It was on the high seas she forged a friendship with the notorious pirate, Red Cat Mordor.
00:02:20Together they ruled the Wraiths, becoming each other's only true ally.
00:02:27But their past was never far behind.
00:02:30Victims of their ravage, hell-bent on tracking them down, wanting retribution and blood.
00:02:40When her pursuers eventually closed in, Marshan de Damayanti entrusted her share of the riches to Red, who in turn
00:02:46gave her a wrist device that would lead her back to Red and the treasure.
00:02:51She then headed towards the frozen waters of the Antarctic, so desperate to escape that she went somewhere no one
00:02:58would dare follow.
00:02:59But tragically, her ship was lost to the ice.
00:03:04Lost for hundreds of years.
00:03:07Until now.
00:03:20irus.
00:03:24No Oh wrong.
00:03:49You're in between cotton.
00:03:50I don't know.
00:04:20I don't know.
00:04:50I don't know.
00:04:51We have one of those.
00:04:53One less again.
00:04:58Get Mr. Walsh down here immediately.
00:05:04Hey.
00:05:06Listen.
00:05:13Get out of here.
00:05:16Get the boss.
00:05:18Get Mr. Walsh.
00:05:25Daddy, she's hungry.
00:05:27Catch!
00:05:42She did not pay for that spring roll.
00:05:43It's TJ, Gary.
00:05:46No!
00:05:48No!
00:05:50No!
00:05:51No!
00:05:52No!
00:05:53No!
00:05:54No!
00:05:54No!
00:05:54No!
00:05:56No!
00:05:58No!
00:05:59No!
00:06:03No!
00:06:06No!
00:06:11No!
00:06:16No!
00:06:18No!
00:06:19Urgh!
00:06:44I've got a big meeting with this finance-tosser of Collins.
00:06:50He's in the bar waiting right now, and the timing's terrible.
00:06:54You know, sometimes I think it's a sign.
00:06:58You know, sometimes I think, you want me to lose this bar?
00:07:04Hmm?
00:07:07Fine. I'll do it, can you?
00:07:10Oh, I love the way you unblock a toilet.
00:07:13Yeah.
00:07:31Sorry, sorry.
00:07:41I don't speak. I'm really sorry.
00:07:44Listen, I don't... I'm recording.
00:07:48Do you know a coident?
00:07:49Um, do you know a coident?
00:07:55You're hiding from someone, is it it?
00:07:59It's going to be okay.
00:08:08Excuse me.
00:08:09Did you sit with a woman and run through this way just now?
00:08:12Lady in the medical gown?
00:08:13Yes.
00:08:13Yes, she shoved me.
00:08:14You went that way.
00:08:14Oh, no, no.
00:08:15She just left.
00:08:16You might still be able to catch her.
00:08:17Thank you, thank you.
00:08:19Lady!
00:08:20That was so exciting.
00:08:22I've never known as the police before.
00:08:24Oh, crap.
00:08:26A uniscape killer on a violent rampage?
00:08:31Let's just get me inside.
00:08:33I think that there's food inside.
00:08:35Food?
00:08:36Oh, I call it la perla.
00:08:38Oh, I have an idea.
00:08:41Here, take this.
00:08:43Catch.
00:08:45Wait, wait, no, no, no, no, no, I promise.
00:08:46Come here, wait, wait.
00:08:47Good, good.
00:08:48No, mmm, mmm, good.
00:08:51Oh, no, no, don't, don't, don't.
00:08:58Catch.
00:09:02No, it's not the alien.
00:09:03Come on, the other one.
00:09:04Yeah, yeah, yeah, yeah, yeah, yeah, yeah.
00:09:09What?
00:09:11What?
00:09:12What?
00:09:12What?
00:09:12What's your loss are bringing a hoax guy?
00:09:14You didn't do anything.
00:09:15This kid made post.
00:09:17I think it's it to me.
00:09:19It's okay.
00:09:24Okay.
00:09:25Time to distract Eddie.
00:09:27Eddie!
00:09:29Eddie!
00:09:30Eddie!
00:09:30Eddie!
00:09:32Eddie!
00:09:33Eddie!
00:09:34Eddie!
00:09:36Wait a minute.
00:09:37Let's pass this away.
00:09:37There's lots of blocks darüber.
00:09:39Don't worry about it.
00:09:39Wait a minute.
00:09:39I don't get it.
00:09:40Oh, oh...
00:09:41Oh, careful!
00:09:42Oh, oh my God, engag.
00:09:43Oh my God.
00:09:45Agêmes, come on now.
00:09:45Yeah, my God!
00:09:48Oh my God!
00:09:48intégrating guy!
00:09:49Woah, babe, look at it.
00:09:50Wait, wait, wait, go, babeی!
00:09:50Please let it take the time to apart.
00:09:50No, no, recipe.
00:09:51Let it take that off.
00:09:52No, no, no, no, no, look what do I want!
00:09:54Go, hey, remove my поч cause!
00:09:55I love you!
00:09:55Oh, my God!
00:09:58I can't!
00:09:59Oh, my God!
00:10:02Oh, my God!
00:10:06Oh!
00:10:14Oh!
00:10:14Oh!
00:10:16Oh!
00:10:18Oh!
00:10:20Oh, my God!
00:10:22Oh, my God!
00:10:23Oh, my God!
00:10:23Oh, my God!
00:10:24Oh, my God!
00:10:25Oh, my God!
00:10:26Oh, my God!
00:10:29Oh, my God!
00:10:29Oh, my God!
00:10:36State of that shitting bar, make it yourself, did you?
00:10:39Oh!
00:10:40Oh!
00:10:41Oh!
00:10:42Oh!
00:11:04Oh, my God!
00:11:07Oh, my God!
00:11:07Oh, my God!
00:11:07I like to skips great great great great great great great great great great grandfather hadn't commissioned or something
00:11:18Oh
00:11:36Yeah, can I trouble you for another? Yeah, of course. Hey, how's Sydney going? Oh
00:11:42You know
00:11:43On the day on the right side of the grass and oh, let me keep
00:11:48Very nice fair dues. I hate the usual. Oh, yes, please. I didn't maybe something for discharge of the light
00:11:57brigade
00:11:59Whoa, no worries leave with me
00:12:17I
00:12:17Need to get you unhooked from this taser. This is gonna suck
00:12:31I'm sorry. I'm I think I understood that and I'm really I'm really sorry. I'm so sorry. I'm so sorry
00:12:39I'm sorry
00:12:43Let's get you into something a little less conspicuous
00:12:50It's good
00:12:54Let's see
00:12:55Let's see
00:12:59It's amazing what people use behind the pubs after cube pints honestly
00:13:04Well, these supplies still fit so I'll try these on
00:13:15Okay
00:13:15Okay, let's let's get you some real food, right? Um, what do you fancy? Scampi fries?
00:13:19Beef crisps?
00:13:21Why are you vegetarian? Because that's what we have
00:13:24Order the tea
00:13:26Right
00:13:27Um, you might be a mass murderer and I'm here asking about your dietary requirements. I'm an idiot. Okay, please
00:13:33stay hidden, right? I'll be right back
00:13:38Hey, hey! Ready yourselves for another delightful concoction from London's greatest mixologist
00:13:44I call this one
00:13:48Welcome explorers to the smugglers tavern
00:13:51The pirates private party palace
00:13:54This is the most historically infamous sordid den of villainy and underworld chicanery that ever was in old London town
00:14:02And it's here our walking tour of London should cause for refreshments and use of the facilities
00:14:08Mine's a brandy Alexander if anyone's buying
00:14:09Sorry?
00:14:11No?
00:14:13No?
00:14:15Fair enough
00:14:29Ah, gross banana bone sack
00:14:35We need to talk to Scamp about our deal
00:14:37He's busy
00:14:38Huh?
00:14:39She's getting
00:14:40I just said he's busy
00:14:42Yes
00:14:50Ah 14
00:14:54Mr. Pubal
00:14:54He scrawç•°
00:14:55DNA
00:15:03Rival
00:15:03o
00:15:05I'm not saring
00:15:06Mr. Orch it's often your ass
00:15:08I'm not saring
00:15:09I know it's been in your family for generations, but you need to think about it.
00:15:13I will not change my mind.
00:15:16Fine, but Mr. Walsh won't be happy.
00:15:23Hey, look, I know you're really doing everything you can to help out.
00:15:27Is there anything you can do to just help out a little bit more?
00:15:32Well, if he doesn't pay any of you this month, he might just scrape by.
00:15:36Whatever. What about this month?
00:15:40Hey, don't worry.
00:15:42You can always be a barmaid somewhere else.
00:15:45It's not the only pub in London.
00:16:12Everything's over there.
00:16:15Everything's over there.
00:16:16Everything's over there.
00:16:17Everything's over there.
00:16:17Eddie will be with you shortly.
00:16:21He's in the middle of something.
00:16:24Shit.
00:16:25Here, tell this lovely girl or woman about the dastardly dealings that the smugglers have.
00:16:30You can do two for one cocktails between now and six.
00:16:34Nice.
00:16:36Cocktails.
00:16:39Actually, you can find that our listening general knowledge expert knows a lot more than I do.
00:16:44I hear lots of the legends here are true.
00:16:48I mean, it's the most mysterious place, this.
00:16:52Before the great fire of 1666.
00:16:56Lots of nefarious stuff.
00:16:59And right here, I mean, this bar, it's built right on top of the lost rivers and caves of London.
00:17:08No, I must.
00:17:11And they've rebuilt, both fire.
00:17:13Burning.
00:17:20To reach your destination, you must leave the shore.
00:17:24Ah, yes.
00:17:25The maxim of ferocious pirate, Catherine Morgan, or Red Cat.
00:17:29She was known.
00:17:30Oh, yeah, because she had nine lives.
00:17:39Cat discovered a baby kraken orphaned from its mother.
00:17:43She cared for this crackling, naming her Lucy.
00:17:47A fierce protector of the pirate who raised her.
00:17:52Help!
00:17:54Help!
00:17:54Help!
00:17:55Help!
00:17:56Help!
00:17:58Help!
00:17:58Help!
00:17:59Help!
00:18:01Help!
00:18:11Help!
00:18:11Red Cat spent years trying to find a friend...
00:18:14Eventually, Cat turned up here.
00:18:16Her last hope was that her friend would follow in her footsteps to the infamous smuggler's tavern.
00:18:22Known as a black market for trading pillaged riches.
00:18:26Allegedly, she left a trail of clues should Marshanda return to claim her share.
00:18:32Before Cat herself...
00:18:34...became nothing more than legend.
00:18:41the man being shot by red cat in the painting bears a likeness to skips
00:18:45forefather who owned the tavern at the time leading many to believe skips family
00:18:50were more involved in the sordid deeds of this notorious pirate than we know
00:18:57cool uh i'll take two of those pack bales please i can it's a nice touch
00:19:03i had to open the door
00:19:09do you open the door
00:19:25i hope you enjoy day-long sci-fi sessions with an unwashed flaccid ape man
00:19:29he feeds off self-esteem this one so i'd look out for that yeah hey eddie keep us yours
00:19:33hey check this out see this four over there so she used to date him
00:19:40and it looks like they've dragged new dates to the same place
00:19:47why don't you kick this date into phase two and just
00:19:49shit off to nando you shit off to nando's you pass eddie the water
00:19:58oh hey um they've called down uh delivery's waiting been up there for about two minutes
00:20:03ten minutes
00:20:07stick your apology
00:20:21hey well done another delivery's been nicked this one's on you edward
00:20:24come on don't be like that mia
00:20:28come on don't be like that
00:20:29skip eddie does not hope no no
00:20:31ah
00:20:32ah
00:20:34ah
00:20:35ah
00:20:36ah
00:20:36ah
00:20:37ah
00:20:38ah
00:20:38ah
00:20:38ah
00:20:38ah
00:20:45ah
00:20:51ah
00:20:52ah
00:20:53ah
00:20:59ah
00:21:03ah
00:21:04ah
00:21:06ah
00:21:09ah
00:21:09ah
00:21:11ah
00:21:11ah
00:21:11ah
00:21:11ah
00:21:11ah
00:21:18ah
00:21:21ah
00:21:24ah
00:21:26ah
00:21:26ah
00:21:28ah
00:21:29ah
00:21:29ah
00:21:30ah
00:21:32ah
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00:21:33ah
00:21:34ah
00:21:42ah
00:21:46ah
00:21:47ah
00:21:47ah
00:21:47ah
00:21:48ah
00:21:55ah
00:21:59ah
00:22:01ah
00:22:02ah
00:22:03oh
00:22:04ah
00:22:05ah
00:22:05ah
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00:22:10ah
00:22:10ah
00:22:29No!
00:22:30No!
00:22:30No!
00:22:30No!
00:22:32It's the same crest as the rest of the one next door.
00:22:36Hey, what does this mean?
00:22:39It's not clean!
00:22:42It's not clean!
00:22:44Your vocals sound obliterated.
00:22:46That's not healthy.
00:22:48Sounds like you've been doing eight phantoms a week.
00:22:50That's serious.
00:22:51I can fix this.
00:22:54Skit!
00:22:56Oh, hey, you can't be back here.
00:22:57Yep, just knocking together a cheeky vocal tonic.
00:23:00Eddie, they cut the landline before roughing me up.
00:23:03That's another thing an ALS can pay for.
00:23:07Oh, you?
00:23:09See, if I was fifteen years younger, I'd throw you about like an empty tracksuit!
00:23:14What's this?
00:23:19Gunpowder.
00:23:19And this is why you can't be back here.
00:23:24All right.
00:23:30Hey, you're a polyglot.
00:23:32Maybe you can communicate with her what she's saying.
00:23:34I'll see what I can do.
00:23:36I might get some ice on that.
00:23:38There's no signal down there.
00:23:40I know.
00:23:40Right, I'll go and call the police.
00:23:41Yes.
00:23:49I don't think the police are gonna help her.
00:23:51What is she looking for?
00:23:55Hey, who are those guys?
00:23:59They're just some people who'd want to cash in on mummy's fortune.
00:24:04I can't even afford to keep the lights on.
00:24:08And they can smell the blood in the water.
00:24:11So I'm gonna have to sell.
00:24:16They let my father down.
00:24:19I can help you.
00:24:20I've been saving up.
00:24:22Oh, Mia.
00:24:24No.
00:24:24I can't do that again.
00:24:26Yes, please.
00:24:27Yes, you can.
00:24:28It's fine.
00:24:28You can owe me.
00:24:29I can't.
00:24:31Skip, please. It's fine.
00:24:33Mia?
00:24:34No.
00:24:36It's only a bar.
00:24:38It's our hope.
00:24:41I can't.
00:24:43I can't.
00:24:49It's not up to you.
00:24:51I'm gonna help you.
00:24:54I won't be needing this anytime soon.
00:24:56Thank you so much for traveling the world.
00:24:59Come on, you.
00:25:02Let you go.
00:25:04Go.
00:25:06Okay, let's see how good this translation happens.
00:25:10You're welcome.
00:25:15Language not recognized.
00:25:18See if you can translate.
00:25:20Do your thing.
00:25:25What's this, eh?
00:25:26Who are you?
00:25:27Marshanda Damayanti.
00:25:29Marshanda?
00:25:30Marshanda.
00:25:31I'm Mia.
00:25:32Mia.
00:25:34Mia.
00:25:34Yes, Mia.
00:25:36Marshanda.
00:25:38Sod this shithole.
00:25:40Ladies, to Shampas.
00:25:45The police are on their way.
00:25:50Weishen.
00:25:51Danger.
00:25:52Danger.
00:25:57Hey, Lisa can be here in a little bit.
00:25:58And I don't want my friend to get in trouble.
00:26:00Can she come with you? Just for a short while.
00:26:02I'll come find her and drinks will be on me.
00:26:05I have some bloody day, baby.
00:26:08Tell her that she needs to go and I'll come find her.
00:26:14Go.
00:26:15Should we be safe for that?
00:26:22None of you saw her.
00:26:24Especially you.
00:26:26Don't.
00:26:27Don't.
00:26:27Don't.
00:26:27You're not supposed to go anywhere until the police...
00:26:30Don't.
00:26:30Don't.
00:26:30I will buy you shots.
00:26:32I will get you.
00:26:33You can't stop.
00:26:34You're surprisingly strong.
00:26:37Wait, no.
00:26:37Ora, ora.
00:26:39I don't know.
00:26:39Ora.
00:26:40Come on.
00:26:43Go on in.
00:26:45Weishen.
00:26:46I can't.
00:26:51I can't leave them.
00:26:56Yeah.
00:26:59What are you doing?
00:27:02No.
00:27:03Did you call the police?
00:27:05Yes.
00:27:06Yes, I did.
00:27:07And they are coming to take statements.
00:27:10So everyone needs to stay here.
00:27:14What about the ambulance?
00:27:15Yeah, ambulance too.
00:27:17We can't have the police coming here.
00:27:19Huh?
00:27:20Why not?
00:27:21Shanda, she might be running for something.
00:27:22I think.
00:27:24What?
00:27:24For what?
00:27:26What is she looking for?
00:27:29Look.
00:27:30I don't know.
00:27:32Until I figure that one out,
00:27:34let's maybe not throw her under the bus, right?
00:27:36The thing on her wrist.
00:27:41It's crest.
00:27:41What is it?
00:27:46That crest is ancient.
00:27:47And it's been in that building upstairs long before it was a restaurant.
00:27:53They've been trying to buy me out.
00:27:56And they'll try anything about me.
00:27:59Look.
00:28:00I'm sorry, but the captain's quiet.
00:28:04They've got a bid in for this place.
00:28:06It's three times what the place is worth.
00:28:08Maybe she's involved with her.
00:28:10No.
00:28:11No.
00:28:13She's not with me.
00:28:17And keep her out of sight.
00:28:22No, no, no.
00:28:23We'll just start again.
00:28:25Me and Chloe.
00:28:26Get your muppet hands off of me.
00:28:28No, no.
00:28:28The police said not to leave.
00:28:32Help me out.
00:28:35Mia?
00:28:38Help me out.
00:28:50Hello, Matt.
00:28:51Mr. Walsh.
00:28:52Fancy seeing you here.
00:28:54This is DC Cross.
00:28:56Been a bit of a disturbance in the area.
00:28:58I just wanted to check our lovely neighbors were all right.
00:29:03We'll keep you on the side.
00:29:03Come on, come on, come on.
00:29:04In here, come on.
00:29:05In here, come on.
00:29:06Stay in here, stay in at night.
00:29:07You wanna go, stay in at night.
00:29:08We're gonna keep you on the side.
00:29:28Well, looks like our suspect committed similar acts on your premises.
00:29:35You scared who is this guy?
00:29:37Theodore Walsh.
00:29:39He inherited the restaurant from his father and also acquired his master for this place.
00:29:44Who he did?
00:29:45As you know, Mr. Walsh, my associate believes our suspect is here.
00:29:52My niece.
00:29:56Your niece?
00:30:00We are just concerned.
00:30:09Well, maybe we should just wait for the police, eh?
00:30:12Sort this all out.
00:30:14There we are, the police.
00:30:16You got any ID?
00:30:22Isn't that how you do things here?
00:30:24Come here.
00:30:30Look at my face.
00:30:33This is all the ID you need.
00:30:35Take a good, long look.
00:30:36There we go.
00:30:46So, your niece?
00:30:49Yes.
00:30:50A hospital guard.
00:30:52Violet.
00:30:53Quite the character.
00:30:54Quite the character.
00:30:54Troubled your woman, I have to say.
00:30:56We were in the process of getting her some assistance.
00:30:59Psychiatric assistance.
00:31:00She had an episode.
00:31:02She had an episode.
00:31:03Randomly.
00:31:04Millennials.
00:31:09Your niece.
00:31:15You're her uncle.
00:31:17Yes.
00:31:18And this lot?
00:31:20They're your task force?
00:31:22Uncle.
00:31:23We're also uncle.
00:31:24Also uncle.
00:31:28Big family.
00:31:33More police are on the way.
00:31:35Are they?
00:31:42We were just trying to leave.
00:31:44We have a schedule to keep up.
00:31:48Hey.
00:31:50Don't touch me.
00:31:51Don't touch me.
00:31:53Hey.
00:31:54Hey.
00:31:56Relax.
00:31:58Let's all have some drinks.
00:31:59That's why we're here, right?
00:32:01All we need is the woman.
00:32:04Where is she?
00:32:10She, um...
00:32:11She was here, Mr. Walsh.
00:32:15I, uh...
00:32:16I don't know where she is currently.
00:32:21Whoops.
00:32:22I'll get those up.
00:32:24Let's try again.
00:32:58Well, look who it is.
00:32:59Come on, darling.
00:33:12Why are you hiding in there?
00:33:23Mia.
00:33:25These men are dangerous.
00:33:28Hey!
00:33:29No!
00:33:29Stop!
00:33:30Oh!
00:33:31Gee!
00:33:32Wait.
00:33:33I'm sorry.
00:33:34I'm sorry.
00:33:42Mr. Walsh, I'm not who you're looking for.
00:33:45Mr. Walsh?
00:33:48Mr. Walsh, I think I might have seen them going into the toilets together.
00:33:56She might still be in there.
00:34:04Made a new friend today.
00:34:07Hmm?
00:34:09I wonder what you both talked about.
00:34:44Mia!
00:34:46Mia!
00:35:10Told you she was there, boss.
00:35:11That's her.
00:35:11Oh, yes.
00:35:21I want you all out of my bar.
00:35:27Mia!
00:35:35Ready?
00:35:36Glass?
00:35:47Right now!
00:36:04No!
00:36:05No!
00:36:06No!
00:36:08Do we see if this thing works?
00:36:10Do you want to get the fuck out of here?
00:36:15Get back!
00:36:16Get back!
00:36:17Take those two girls.
00:36:19No!
00:36:21No!
00:36:22No!
00:36:22No!
00:36:23No!
00:36:24No.
00:36:41No!
00:36:42No!
00:36:44No!
00:36:46No!
00:36:47No!
00:36:47No!
00:36:47Ah!
00:36:48Ah!
00:37:08I've been shocked.
00:37:12Oh, this is...
00:37:14This is...
00:37:15This is...
00:37:16This is...
00:37:16This is...
00:37:18Clear.
00:37:20My browser history.
00:37:26It's gonna be.
00:37:29That's life.
00:37:31Sorry.
00:37:33Bring her to me.
00:37:37No witnesses.
00:37:39Kill them all.
00:37:41Kill them all.
00:37:47Get out.
00:38:04Come on.
00:38:06No.
00:38:08Come on.
00:38:37Ah
00:38:39Oh
00:38:39What is that?
00:38:42This really wasn't 100 centuries ago you know that
00:38:45Way out
00:38:46Yes
00:38:46Something better than nothing
00:39:00Let's go
00:39:09It looks like a hatch
00:39:22Eddie!
00:39:26No! No! Eddie!
00:39:39Eddie!
00:40:16Yes
00:40:37Police
00:40:41Oh!
00:40:41Oh!
00:40:49Oh!
00:40:56It's going to be...
00:40:58It's going to be...
00:40:59It's not what they want.
00:41:01It's okay, we'll get...
00:41:02Please help, we'll get everything sorted.
00:41:04We'll get you the help you need.
00:41:05We are...
00:41:07There's a way out.
00:41:08It's a cloud.
00:41:10I'm not leaving you mine.
00:41:14The Orlop River.
00:41:17The Orlop...
00:41:19What do you mean, the Orlop River?
00:41:23Skim, no!
00:41:25Run!
00:41:36Oh, that way!
00:41:41I'm just, yeah.
00:41:41I'm sorry!
00:41:41What?
00:41:44Nope!
00:41:50Oh, no!
00:41:51Oh, no!
00:41:52Why's that?
00:41:52Oh, no!
00:42:04Oh, no!
00:42:07No, thank you, Mr. Walsh.
00:42:10We should leave.
00:42:14Okay.
00:42:20Come on!
00:42:21Game warfare!
00:42:22What are we doing?
00:42:32There has to be a way out.
00:42:34Hey, you sit with me now.
00:42:35Come on, come on.
00:42:37She works, Stephen. Come on.
00:42:38What?
00:42:49Guys, there's another room back here.
00:42:55Come on, let's go!
00:42:58Hurry, hurry, hurry, come on, come on.
00:43:06Come on!
00:43:10Help me!
00:43:24Go!
00:43:25Go!
00:43:26Come on!
00:43:26Come on, let's go!
00:43:28Come on, let's go!
00:43:28Go!
00:43:29C'mon! C'mon!
00:43:47This is what you're doing!
00:43:50I'm Jim Long.
00:43:57C'mon!
00:43:57Put the girls in here with me, Mr. Walsh!
00:44:00Why do they want her?
00:44:02I don't know.
00:44:04How long have you worked here and not had access to this room?
00:44:06I had no idea this was here until a minute ago.
00:44:09Do you think these are access points to fix the pipes?
00:44:11Well, who cares?
00:44:13They block it up.
00:44:15Crowd shooting in.
00:44:16Only in.
00:44:22No!
00:44:44You shot me!
00:44:53C'mon!
00:44:56I need a doctor!
00:45:00Portia, I'm sure I've got a journey.
00:45:02How many muskets?
00:45:04Muskets?
00:45:05God, they're happening. He's updating.
00:45:06Yes, muskets. Very bad.
00:45:11What do they want with her?
00:45:14There's no way to run.
00:45:16You should...
00:45:22All Up River.
00:45:23River.
00:45:26You think this pipe leads to one of the sunken rivers?
00:45:29All Up Rivers, what Skip said.
00:45:30You lot need to get your pour at you straight.
00:45:32There is no All Up River.
00:45:35The nearest sunken river is a tide being or something.
00:45:39Might as well just give it up!
00:45:42All Up.
00:45:43All Up is always part of a ship where the ropes are kept.
00:45:47Skip said All Up River, but...
00:45:49It could be your way out.
00:46:01Look, is there anything we can do to keep your boss happy?
00:46:11Well, they're obviously looking for...what?
00:46:16Something Captain Morgan brought down here.
00:46:19Hundreds of years ago.
00:46:20Red Cap Morgan.
00:46:26What are you talking about Red Cap's treasure?
00:46:30That's just a myth.
00:46:35Tan-Kan!
00:46:38Tan-Kan!
00:46:43What are you talking about?
00:46:43Her phone?
00:46:44Can it translate me this?
00:46:48Language not found.
00:46:50That's not a language in the app.
00:46:53Maybe you could have her say something, and it'll translate that.
00:46:56Can you read this?
00:46:58Read it.
00:47:04Due destination advance.
00:47:07Coast departure urgent.
00:47:09No, no, no, no. I think I get it.
00:47:12It's read some words or written in some coded language.
00:47:16Skips it for the old river and the pipes is all of steel on it.
00:47:20I think Cat, Red Cat must have left that painting for someone
00:47:23and Marciana knows something about it.
00:47:26I bet whatever the arse is threw this pipe
00:47:28and Skip realized it when he saw the hatch.
00:47:32Let's try and find it.
00:47:33Hey, let's try and find it, yeah?
00:47:35Maybe we can give it to you, boss.
00:47:37We can throw things over by some time.
00:47:39We can keep running.
00:47:41Okay?
00:47:42You're safe.
00:47:43We are safe.
00:47:45Right?
00:47:53Come on!
00:47:53Come on!
00:47:54Come on!
00:47:54Come on!
00:47:55Come on!
00:47:56Come on!
00:47:56Come on!
00:47:57Come on!
00:48:02Come on!
00:48:08I'm off that away, right?
00:48:11I really can't do this.
00:48:19save yourselves
00:48:21stop showing us
00:48:30quick
00:48:31stop
00:48:54boss, the room's empty
00:48:56they've disappeared
00:48:57I need
00:48:59well, well, well
00:49:03what have we here
00:49:06now what is the deal
00:49:07with that room
00:49:09well, how would I know
00:49:10I've never been in there
00:49:12and besides
00:49:13it's way too hench to fit
00:49:15through that shit
00:49:15you saying I'm not hench
00:49:17enough
00:49:18it's a fucking hatch
00:49:19what do you want
00:49:20good point
00:49:20what we want is the girl
00:49:23and most specifically
00:49:24something she has
00:49:25a little wrist device
00:49:26and what she can find
00:49:27with it
00:49:27but the chief concern
00:49:29is where they could have
00:49:30gone because they're not
00:49:31in there
00:49:33I think this one
00:49:35may be able to work it out
00:49:36me
00:49:37what makes you think that
00:49:39call it a hunch
00:49:48it's not my hat
00:50:01come on
00:50:07come on
00:50:08get home with it
00:50:10get home with what?
00:50:13where'd they go?
00:50:17there's a secret door
00:50:19in here or something
00:50:22find it
00:50:42keep moving
00:50:44keep moving
00:50:46there's a secret door
00:50:48getting where?
00:50:49getting where?
00:50:50all that way
00:50:50bad guys
00:50:52yeah, right
00:50:55come on
00:50:56don't push me
00:50:58stop
00:50:59stop
00:50:59stop
00:51:01stop
00:51:02stop
00:51:02stop
00:51:02stop
00:51:03get home
00:51:04move
00:51:05go
00:51:06go
00:51:07go
00:51:09No, no, no, no, no!
00:51:39Come on, come on!
00:51:46Well, shit!
00:51:49He's done it!
00:51:51He's found a little escapement.
00:52:01Ruth!
00:52:02Oh, God!
00:52:02Stop pushing me!
00:52:04Go faster, Ruth!
00:52:05I'm stuck!
00:52:06I'm stuck!
00:52:07Oh, my God!
00:52:07Oh, my God!
00:52:20I don't!
00:52:22I don't work!
00:52:23Keep me a dog!
00:52:25No!
00:52:27No, no, no, please.
00:52:29Hey!
00:52:30No, no!
00:52:33What's going on?
00:52:34Why did we stop the wine lights out?
00:52:35Someone talk to me, please.
00:52:36No!
00:52:37My phone!
00:52:39It's gone dead!
00:52:40My phone!
00:52:43Shit!
00:52:45Give me one!
00:52:46No!
00:52:47Oh, I'm gonna die.
00:52:49Oh, God.
00:52:51Give me.
00:52:52Breathe.
00:52:54Ah!
00:52:59I'm gonna...
00:53:00Breathe.
00:53:02Breathe.
00:53:02Breathe.
00:53:19Hey!
00:53:20Take this!
00:53:25It's a penis.
00:53:34she's good
00:53:36the American girl is good
00:53:40hello
00:53:44something's coming
00:53:49something's coming
00:53:59it's crazy cool
00:54:03it's not mine
00:54:05sorry
00:54:06doesn't mean anything
00:54:15you give me a test in the end
00:54:17okay
00:54:2112
00:54:23get closer
00:54:26they definitely
00:54:27this way
00:54:28I'm
00:54:30I'm
00:54:45I'm
00:54:46I'm
00:54:46I'm
00:55:02all this is under the bar under the bar and so far back we are no longer in so
00:55:07here's no shit just keep starting your guns please
00:55:12i heard voices they're coming
00:55:22the way out's that way well let's move yeah if they catch us we're dead someone's been paying attention
00:55:33follow the breeze
00:55:41oh
00:55:42hang on
00:55:45your translation
00:55:49still working what do you mean let's move we can't hang about a second
00:55:55i need to go this way oh no no no we need to get out of here it's too dangerous
00:56:00okay the danger
00:56:03what do we do i'm sticking with her but if you want to go you can go
00:56:13i'm still with you guys it seems safe we're doing hanging about come on it's that way
00:56:20you said follow the breeze the breeze is that way you're following the echo of the breeze
00:56:27what yeah come up the breeze makes sense to me
00:56:34are you
00:56:47oh
00:56:48slow down
00:56:56oh
00:57:08Oh, oh.
00:57:11Oh.
00:57:23Oh, oh.
00:57:26Oh, oh.
00:57:26Oh.
00:57:27Oh.
00:57:29Oh.
00:57:30Oh, oh.
00:57:31Oh.
00:57:42My friend.
00:57:52Try again, Mandarine.
00:57:55My sister, my friend.
00:57:58My friend.
00:57:59Oh my God.
00:58:01She's found her.
00:58:03Found who?
00:58:05Red Cat Morgan.
00:58:08Oh my God.
00:58:12That thing around her neck, that's what Walsh has been looking for.
00:58:17Walsh's father was a respected historian and archaeologist specializing in 18th century piracy.
00:58:24In particular, Red Cat Morgan and her vast riches.
00:58:29On one of his expeditions, he discovered three small bundles of cloth all decorated with a distinct crest.
00:58:36In one, a pendant.
00:58:39In the other two, nothing.
00:58:42It led him to buy the Dragon Princess restaurant, thinking the crest was a sign of where the treasure, or
00:58:49at very least, the other two pendants were kept.
00:58:54That's why the symbol on her wrist matches the one with the Dragon Princess restaurant.
00:58:59He was wrong.
00:59:00It was a red herring, and there was no treasure.
00:59:02There was no more pendants.
00:59:03He got the wrong place.
00:59:07It was an obsession that spread from father to son.
00:59:11All that spurred them on was that single pendant, which they knew was only one of three.
00:59:21Months ago, a geological expedition stumbled across Marshander's ship.
00:59:26Walsh used all his underground connections to get Marshander's body, and what she wore around her wrist.
00:59:32It was only then he learned what his father never knew.
00:59:36The wrist device contains a compass, which locks in on each of the pendants.
00:59:42When all three are brought together and inserted into the wrist device, the compass would guide the wearer to the
00:59:48final treasure.
00:59:50Marshander's pendant guided her to Red Cat.
00:59:53Now it's only Walsh's piece that needs to be added before he can finally get what he wants.
01:00:08I'm younger now.
01:00:11You're safe.
01:00:13Take care of you.
01:00:15Sister.
01:00:34So, you didn't want to go, right?
01:00:36Which way?
01:00:46Oh, no, that feels like the wrong way.
01:00:49You said it was that way.
01:00:55You go, I fight.
01:00:57Good idea she should fight she's great at it would you for me
01:01:28Get them out of bed
01:02:11Stop them
01:02:14Stop them
01:02:16Stop them
01:02:17Stop them
01:02:49I can't come back.
01:02:50Don't kill Lady.
01:02:52I'll be busy.
01:02:53I'm gonna get help.
01:02:54Run!
01:02:55They need her alive.
01:02:56You do better than the others.
01:02:58Get out of here.
01:02:59Go, Breeze.
01:03:00Go, go.
01:03:00All right.
01:03:43Look out!
01:03:47Look out!
01:04:00No!
01:04:04No!
01:04:04No!
01:04:06No!
01:04:07No!
01:04:07No!
01:04:29Oh, my God.
01:04:47We've got them all now, boss.
01:04:49They're not going anywhere.
01:04:52Good.
01:04:53I'll go get Mr. Walsh down here.
01:04:57Let's finish this.
01:05:28You're not going to get away with this.
01:05:33Don't you touch me.
01:05:34I'm going to fade it off of you.
01:05:44Careful.
01:05:46Sorry.
01:05:48What? It's him.
01:05:50I knew I'd find you.
01:05:52Shut up.
01:05:54I thought you were dead.
01:05:55I thought you were dead.
01:05:56We tried to slip a gun off one of them and then these two gave me the old Liam Neeson.
01:06:00Which one of these is loaded?
01:06:01I don't know.
01:06:02Is she going to be alright?
01:06:04She's made up pretty tough stuff.
01:06:05We have to go.
01:06:06We can't get her through that pipe.
01:06:08Not if she's out cold.
01:06:09Worse than that. There's more of them waiting on the other side.
01:06:11We have to go. We need to get out of here. We need to fall in that breeze.
01:06:14That tough guy is up there.
01:06:15Yeah, Will.
01:06:17We have these.
01:06:27They' where'd he go?
01:06:29Left it in the car.
01:06:50Ni hao jaheo, it's going to be okay, we're going to get out.
01:06:55You guys, I found it.
01:06:57All the way out, South Bank, I can see Peter Express, it's this way, oh.
01:07:02If you wouldn't mind leaving a positive TripAdvisor of you, I'd be very grateful.
01:07:06Perhaps best not to mention the hostage situation, or all the dead people.
01:07:17Get them out, there's a police now, buddy.
01:07:19You're not coming.
01:07:20I know, huh.
01:07:23Passcodes, one, two, three, four.
01:07:24No, don't check my messages.
01:07:36What are you doing?
01:07:39I just thought we were really good back there.
01:07:42I didn't know...
01:07:42No, not really.
01:07:44No?
01:07:44Don't ever do that again.
01:07:49Right.
01:07:51Sorry, sorry.
01:07:52You're a strange man.
01:08:08Ah, not so fast, so I'll turn her faces to soup.
01:08:17All clear.
01:08:21Wonderful.
01:08:23You're all here.
01:08:29Where's Eddie?
01:08:31Resting easy with the dock.
01:08:34Helping bestow your little tavern to its former glories.
01:08:40There he is.
01:08:40There he is.
01:08:43There he is.
01:08:44Am I playing with rocks, do you?
01:08:51Look at me.
01:08:57No!
01:08:58Stop, stop, stop, stop!
01:09:01Put your hands down.
01:09:04Put your hands down.
01:09:06Put your hands down.
01:09:09Please.
01:09:12Please.
01:09:13Please don't let...
01:09:14Please make your men hurt him.
01:09:15Please.
01:09:15Please.
01:09:16Honestly, we'll help you.
01:09:20Ah!
01:09:20Jesus!
01:09:21Jesus!
01:09:22They are!
01:09:39Bring me the wrist device.
01:09:51And it still works.
01:09:54We found Red's piece.
01:09:56And of course, Mashaan does.
01:10:15Let's hear.
01:10:17Bring our niece and the barmaid
01:10:20to keep her well-behaved.
01:10:23Keep the rest here as a bit of extra collateral.
01:10:26If you behave, they'll live.
01:10:28If she behaves, you'll live.
01:10:36Jack!
01:10:50Jack!
01:10:50Jack!
01:10:51Jack!
01:10:52Jack!
01:11:10Why?
01:11:13Because I can, and he couldn't.
01:11:16Is that worth murdering my friends?
01:11:19Needs must.
01:11:21And I need her.
01:11:23I need her.
01:11:54I need her.
01:11:55I need her.
01:12:02I need her.
01:12:03I need her.
01:12:03I need her.
01:12:04I need her.
01:12:35I need her.
01:12:47I need her.
01:13:02I need her.
01:13:43I need her.
01:13:51I need her.
01:13:57I need her.
01:14:21I need her.
01:14:38I need her.
01:14:44I need her.
01:15:07I need her.
01:15:10I need her.
01:15:10I need her.
01:15:10I need her.
01:15:10I need her.
01:15:11I need her.
01:15:22I need her.
01:15:44I need her.
01:16:02I need her.
01:16:05I need her.
01:16:33I need her.
01:17:13I need her.
01:17:37I need her.
01:18:10I need her.
01:18:12I need her.
01:18:13I need her.
01:18:14I need her.
01:18:15I need her.
01:18:15I need her.
01:18:15I need her.
01:18:16I need her.
01:18:18I need her.
01:18:23I need her.
01:18:25I need her.
01:18:26I need her.
01:18:27I need her.
01:18:29I need her.
01:18:31I need her.
01:18:35I need her.
01:18:38I need her.
01:18:39I need her.
01:18:40I need her.
01:18:42I need her.
01:18:43I need her.
01:18:43I need her.
01:18:44I need her.
01:18:45I need her.
01:18:46I need her.
01:18:46I need her.
01:18:49I need her.
01:18:50I need her.
01:18:51I need her.
01:18:52I need her.
01:18:53I need her.
01:18:57I need her.
01:18:58I need her.
01:18:59I need her.
01:18:59I need her.
01:19:00I need her.
01:19:01I need her.
01:19:02I need her.
01:19:02I need her.
01:19:03I need her.
01:19:03I need her.
01:19:08I need her.
01:19:09I need her.
01:19:11I need her.
01:19:15I need her.
01:19:25I need her.
01:19:27I need her.
01:19:59I need her.
01:20:02I need her.
01:20:04I need her.
01:20:37I need her.
01:20:38I need her.
01:20:38I need her.
01:20:39I need her.
01:20:41I need her.
01:20:42I need her.
01:20:46I need her.
01:20:46I need her.
01:20:46I need her.
01:20:48I need her.
01:20:54I need her.
01:20:57I need her.
01:20:58I need her.
01:20:58I need her.
01:21:03I need her.
01:21:04I need her.
01:21:05I need her.
01:21:06I need her.
01:21:07I need her.
01:21:07I need her.
01:21:09I need her.
01:21:11I need her.
01:21:14I need her.
01:21:18I need her.
01:21:21I need her.
01:21:23I need her.
01:21:24I need her.
01:21:25I need her.
01:21:29I need her.
01:21:31I need her.
01:21:33I need her.
01:21:34I need her.
01:21:35I need her.
01:21:36I need her.
01:21:37I need her.
01:21:47I need her.
01:21:49I need her.
01:21:50I need her.
01:21:51I need her.
01:21:54I need her.
01:22:23I need her.
01:22:23I need her.
01:22:23I need her.
01:22:24I need her.
01:22:25I need her.
01:22:25I need her.
01:22:25I need her.
01:22:26I need her.
01:22:26I need her.
01:22:27I need her.
01:22:27I need her.
01:22:28I need her.
01:22:50I need her.
01:23:17I need her.
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