- 1 hour ago
Mia And The Dragon Princess [Full Movie] [Free Online HD]Full EP - Full
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Short filmTranscript
00:00:28Transcription by CastingWords
00:00:58Transcription by CastingWords
00:01:00Our story starts hundreds of years ago, when the only daughter of an 18th century aristocratic family, who was betrothed
00:01:08to Javanese royalty, renounced everything.
00:01:12Her title, her riches, much to her family's displeasure, she was Marshan de Damayanti, the Princess Pirate.
00:01:46She led a life of confinement to live unchained and unfettered, plundering the South China Sea, where she formed a
00:01:57new family.
00:01:58A loyal crew of women she saved from the shackles of servitude, or title.
00:02:15It was on the high seas she forged a friendship with the notorious pirate, Red Cat Mordor.
00:02:20Together they ruled the Wraiths, becoming each other's only true ally.
00:02:27But their past was never far behind.
00:02:30Victims of their ravage, hell-bent on tracking them down, wanting retribution and blood.
00:02:40When her pursuers eventually closed in, Marshan de Damayanti entrusted her share of the riches to Red, who in turn
00:02:46gave her a wrist device that would lead her back to Red and the treasure.
00:02:51She then headed towards the frozen waters of the Antarctic, so desperate to escape that she went somewhere no one
00:02:58would dare follow.
00:02:59But tragically, her ship was lost to the ice.
00:03:04Lost for hundreds of years.
00:03:07Until now.
00:03:20Lost for...
00:03:36Lost for Africa
00:03:37Lost for Africa
00:03:40Lost for Africa
00:03:41Lost for Africa
00:03:50I don't know.
00:04:20I don't know.
00:04:50I don't know.
00:04:51We have one of those.
00:04:53One less again.
00:04:58Get Mr. Walsh down here immediately.
00:05:04Hey!
00:05:06Listen.
00:05:13Get out of here!
00:05:16Get the boss!
00:05:18Get Mr. Walsh!
00:05:25Daddy, she's hungry!
00:05:27Catch!
00:05:42She did not pay for that spring roll!
00:05:43It's TJ Gary.
00:05:46No!
00:05:48No!
00:05:50No!
00:05:51No!
00:05:52No!
00:05:53No!
00:05:54No!
00:05:54No!
00:05:55No!
00:05:55No!
00:05:57No!
00:05:58No!
00:06:11No!
00:06:16I don't know.
00:06:44This toilet is blocked again and I've got a big meeting with this finance tosser, Collins.
00:06:50He's in the bar waiting right now and the timing's terrible.
00:06:54You know, sometimes I think it's a sign.
00:06:58You know, sometimes I think, will you want me to lose this bar?
00:07:07Fine. I'll do it, can you?
00:07:10Oh, I love the way you unblock a toilet.
00:07:30Sorry, sorry.
00:07:34What is that?
00:07:41I don't speak. I'm really sorry. Listen, I don't... I'm recording.
00:07:48Um, do you know a coin?
00:07:50I don't...
00:07:55You're hiding for someone, is it it?
00:07:59It's going to be okay.
00:08:08Excuse me.
00:08:08Well, can you sit with a woman and run through this way just now?
00:08:12Lady in the medical gown?
00:08:13Yes.
00:08:13Yeah, she shoved me and went that way.
00:08:14I know, I know.
00:08:15She just left. You might still be able to catch her.
00:08:17Thank you, thank you.
00:08:19Marie!
00:08:20That was so exciting. I've never lost the police before.
00:08:25Oh crap.
00:08:26Are you an escape killer on a violent rampage?
00:08:31Oh, that's just getting inside.
00:08:33I think that there's food inside.
00:08:35Uh, food?
00:08:37I have no idea.
00:08:41Here, take this.
00:08:43Catch.
00:08:45Wait, wait, no, no, no, no, I promise.
00:08:46Wait, wait, wait.
00:08:47Good, good.
00:08:50Mmm, good.
00:08:51Oh no, no, no, don't, don't.
00:08:52Fuck.
00:08:58Catch him.
00:09:02No, it's not the alien.
00:09:03Go on, the other one.
00:09:04Go on, the other one.
00:09:05Help.
00:09:06No.
00:09:10What?
00:09:13You didn't do anything.
00:09:15This kid made post.
00:09:18I think it took it to me.
00:09:19It took it.
00:09:24It took it to me.
00:09:24Okay, time to distract Eddie.
00:09:28Eddie!
00:09:29Eddie!
00:09:30Eddie!
00:09:33Eddie!
00:09:34Eddie!
00:09:36Eddie!
00:09:36Hey, wait a minute.
00:09:37Skip something.
00:09:37There's toilets to block somewhere about it.
00:09:39I want to get in here.
00:09:40I want to get in here.
00:09:40I want to get in here.
00:09:41Oh, careful!
00:09:42Oh my God!
00:09:43Eddie!
00:09:43Oh my God!
00:09:45Oh my God!
00:09:45Oh my God!
00:09:46Oh my God!
00:09:46Oh my God!
00:09:47Eddie, Heinz!
00:09:48He's like getting away!
00:09:51He's so scared!
00:09:52Oh my God!
00:09:54He's so scared.
00:09:56Oh my God!
00:09:59Oh my God!
00:10:01Oh my God!
00:10:02Oh my God!
00:10:04Oh my God!
00:10:06Oh my God!
00:10:08Oh my God!
00:10:14Yeah, he's so scared!
00:10:16Oh my God!
00:10:16Oops!
00:10:17And...
00:10:33SHE SCREAMS
00:10:36Stay to that shitting bar and make it yourself, did you?
00:10:45SHE SCREAMS
00:10:47SHE SCREAMS
00:11:06Yeah, I like it too.
00:11:08Skip's great-great.
00:11:10No, great-great-great-great-great-great-great-grandfather
00:11:13had it commissioned or something.
00:11:17SHE SCREAMS
00:11:18All right, buddy.
00:11:36Can I trouble you for another?
00:11:38Yeah, of course.
00:11:40Hey, how's Sydney going?
00:11:41Oh, you know.
00:11:42Oh, another day on the right side of the grass
00:11:46and, oh, lovely, let me keep the box.
00:11:50Very nice fair-dos.
00:11:51I hate the usual.
00:11:52Oh, yes, please.
00:11:54I think maybe something will discharge the light brigade.
00:11:58Oh.
00:12:00No worries, leave with me.
00:12:17Come on, I need to get you unhooked from this taser.
00:12:20This is gonna suck, but...
00:12:29AHHHHH!
00:12:30You little duck love!
00:12:32I'm sorry.
00:12:32I'm-I think I understood that
00:12:33and I'm really-I'm really sorry.
00:12:35I'm so sorry.
00:12:36I'm so sorry.
00:12:37I'm so sorry.
00:12:39I'm so sorry.
00:12:41Bear with!
00:12:41Breathe!
00:12:43Let's get you into something a little less conspicuous.
00:12:50Looks good.
00:12:54Well, let's see.
00:12:59It's amazing what people are using behind the pubs after cube points, honestly.
00:13:04Well, these supplies still fit, so I'll turn these on.
00:13:15Okay, let's-let's get you some real food, right?
00:13:17Um, what do you fancy?
00:13:18Scalpy fries?
00:13:19Leaf crisps?
00:13:21Why are you vegetarian?
00:13:22Because that's all we have.
00:13:24Order the tea.
00:13:26Right, okay.
00:13:27Um, you might be a mass murderer and I'm here asking about your dietary requirements.
00:13:31I'm an idiot.
00:13:32Okay, please stay hidden, right?
00:13:33I'll be right back.
00:13:37Hey, hey!
00:13:40Ready yourselves for another delightful concoction from London's greatest mixologist.
00:13:44I call this one Succo d'Angelo.
00:13:47Angel Jizz.
00:13:48Welcome, explorers, to the Smuggler's Tavern.
00:13:52The pirate's private party palace.
00:13:54This is the most historically infamous sordid den of villainy and underworld chicanery that ever was in old London town.
00:14:02And is here our walking tour of London should pause for refreshments and use of the facilities.
00:14:08Mine's a brandy Alexander if anyone's buying.
00:14:11No?
00:14:13No?
00:14:15Fair enough.
00:14:23Eh!
00:14:30Ah, fresh banana!
00:14:31Oh, sack of
00:14:32We need to talk to Scave about our deal.
00:14:38He's busy.
00:14:38Huh?
00:14:39She's getting.
00:14:41I just said he's busy.
00:15:03I'm not selling.
00:15:06Mr. Walsh is offering you a break down.
00:15:09I know it's been in your family for generations, but you need to think about it.
00:15:13I will not change my mind.
00:15:16Fine. Mr. Walsh won't be happy.
00:15:23Hey, look, I know you're really doing everything you can to help out.
00:15:27Is there anything you can do to just help out a little bit more?
00:15:32Well, if he doesn't pay any of you this month, he might just scrape by.
00:15:36Whatever.
00:15:37What about this month?
00:15:40Hey, don't worry.
00:15:42You can always be a barmaid somewhere else.
00:15:45It's not the only pub in London.
00:15:50I'll go.
00:15:53I'll go.
00:16:03I'll go.
00:16:18Eddie won't be with you shortly
00:16:22He's missing his cue
00:16:23He's in the middle of something
00:16:24Here, tell this lovely girl
00:16:26Woman
00:16:26Woman about the dastardly dealings of the smugglers to happen
00:16:30They do two for one cocktails between now and six
00:16:34Nice
00:16:36Cocktails
00:16:39Actually, you can find that our listening general knowledge expert knows a lot more than I do
00:16:44I hear lots of the legends here
00:16:46True, I miss the most mysterious place, this
00:16:52Before the great fire of 1666
00:16:56Lots of nefarious stuff
00:16:59And right here, I mean, this, this bar
00:17:01It's built right on top of the lost rivers and caves of London
00:17:08Oh, you're lost
00:17:10And they've rebuilt both fire
00:17:13Apparently
00:17:20To reach your destination, you must leave the shore
00:17:23Ah, yes
00:17:24The maxim of ferocious pirate, Catherine Morgan, or Red Cat
00:17:29She was now
00:17:30Oh, yeah, because she had nine lives
00:17:39Cat discovered a baby kraken orphaned from its mother
00:17:42She cared for this crackling
00:17:44Naming her Lucy
00:17:46A fierce protector of the pirate who raised her
00:18:11Red Cat spent years trying to find a friend
00:18:13Eventually, Cat turned up here
00:18:16Her last hope was that her friend would follow in her footsteps to the infamous smuggler's tavern
00:18:21Known as a black market for trading pillaged riches
00:18:26Allegedly, she left a trail of clues should Marshanda return to claim her share
00:18:31Before Cat herself became nothing more than legend
00:18:40The man being shot by Red Cat in the painting bears a likeness to Skip's forefather who owned the tavern
00:18:47at the time
00:18:47Leading many to believe Skip's family were more involved in the sordid deeds of this notorious pirate than we know
00:18:57Cool, uh, I'll take two of those crackgails, please
00:19:01I can
00:19:02It's a nice touch
00:19:03I had to open the door
00:19:05I can
00:19:09Open the door
00:19:25I hope you enjoy day-long sci-fi sessions with an unwashed flaccid ape man
00:19:29He feeds off self-esteem this one, so I'd look out for that
00:19:46Why don't you kick this date into phase two and just shit off to Nando's?
00:19:50You shit off to Nando's, you pass
00:19:52Eddie, the water
00:19:58Oh, hey, um, they've called down, uh, delivery's waiting, been up there for about ten minutes
00:20:03Ten minutes
00:20:08Stick your apology
00:20:17Hey, well done
00:20:22Another delivery's been nicked
00:20:23This one's on you, Edward
00:20:24Oh, come on, don't be like that
00:20:26Mia
00:20:29Skip, Eddie, there's that hope
00:20:33Run, Mia, run
00:20:39Next
00:20:45Look at this
00:20:46Oh, come on
00:20:58Let's, let's get this
00:21:02Ah, ah
00:21:29Kori, I'll be it.
00:21:43I know that, Chris.
00:21:48Are you all right down there, Skip?
00:21:50I think so.
00:21:53Call an ambulance, Eddie.
00:22:05Hey, don't kill him! Don't!
00:22:11Nyah! Nyah!
00:22:32It's the same Chris as the rest of the next door.
00:22:36Hey, what does this mean?
00:22:39It's a book queen!
00:22:42It's a book queen.
00:22:44Your vocals sound obliterated. That's not healthy.
00:22:48Sounds like you've been doing eight phantoms a week.
00:22:50That's serious. I can fix this.
00:22:54Skip!
00:22:56Oh, hey, you can't be back here.
00:22:57Yep, just knocking together a cheeky vocal tonic.
00:23:00Eddie, they cut the landline before roughing me up.
00:23:03That's another thing an ALS can pay for.
00:23:06Oh, you?
00:23:09See, if I was 15 years younger, I'd throw you about like an empty tracksuit.
00:23:14What's this?
00:23:19Gunpowder.
00:23:19And this is why you can't be back here.
00:23:24All right.
00:23:30Hey, you're a polyglot.
00:23:32Maybe you can communicate with her what she's saying.
00:23:34I'll see what I can do.
00:23:36Might get some ice on that.
00:23:38There's no signal down there.
00:23:40I know.
00:23:40Right, I'll go and call the police.
00:23:49I don't think the police are going to help her.
00:23:51What is she looking for?
00:23:55Hey, who are those guys?
00:23:59They're just some people who'd want to cash in on mummy's fortune.
00:24:04I can't even afford to keep the lights on.
00:24:08And they can smell the blood in the water.
00:24:11So I'm going to have to sell.
00:24:16They let my father down.
00:24:19I can help you.
00:24:20I've been saving up.
00:24:22Oh, Mia.
00:24:24No.
00:24:24I can't do that again.
00:24:26Yes, please.
00:24:27Yes, you can.
00:24:28It's fine.
00:24:28You can owe me.
00:24:29I can't.
00:24:31Skip, please. It's fine.
00:24:33Mia?
00:24:34No.
00:24:36It's only a bar.
00:24:38It's our hope.
00:24:41I can't.
00:24:43I can't.
00:24:49It's not up to you.
00:24:51I'm going to help you.
00:24:54I won't be needing this anytime soon.
00:24:56Thank you so much for traveling the world.
00:24:59Come on, you.
00:25:02Let you go.
00:25:04Go.
00:25:06Okay, let's see how good this translation happens.
00:25:10You're welcome.
00:25:15Language not recognized.
00:25:18See if you can translate.
00:25:20Do your thing.
00:25:25What's this, eh?
00:25:26Who are you?
00:25:27Marshanda Damayanti.
00:25:29Marshanda?
00:25:30Marshanda.
00:25:31I'm Mia.
00:25:32Mia.
00:25:34Mia.
00:25:34Yes, Mia.
00:25:36Marshanda.
00:25:38Sod this shithole.
00:25:40Ladies, to Shampas.
00:25:45The police are on their way.
00:25:50Wei Shen.
00:25:51Danger.
00:25:52Danger.
00:25:57Hey, Lisa can be here in a little bit.
00:25:58And I don't want my friend to get in trouble.
00:26:00Can she come with you? Just for a short while.
00:26:02I'll come find her and drinks will be on me.
00:26:05I have some bloody day, baby.
00:26:08Tell her that she needs to go and I'll come find her.
00:26:14Go.
00:26:15Should we be safe for that?
00:26:22None of you saw her.
00:26:24Especially you.
00:26:26Don't.
00:26:27Don't.
00:26:27You're not supposed to go anywhere.
00:26:29Until the police.
00:26:30Don't.
00:26:30I will buy you shots.
00:26:32I will get you.
00:26:33You can't stop.
00:26:34You're surprisingly strong.
00:26:37Wait, no.
00:26:37Ora, ora.
00:26:39I don't know how to go.
00:26:39Ora.
00:26:40Come on.
00:26:43Go on in.
00:26:45Wait, Shen.
00:26:46I can't.
00:26:51I can't leave them.
00:26:59Wait, what are you doing?
00:27:02What are you doing?
00:27:03Did you call the police?
00:27:05Yes.
00:27:06Yes, I did.
00:27:07And they are coming to take statements.
00:27:10So, everyone needs to stay here.
00:27:14What about the ambulance?
00:27:15Yeah, ambulance too.
00:27:17We can't have the police coming here.
00:27:19Huh?
00:27:20Why not?
00:27:20Well, Shanda, she might be running for something.
00:27:23I think.
00:27:24What?
00:27:24For what?
00:27:26What is she looking for?
00:27:29Look.
00:27:30I don't know.
00:27:32Until I figure that one out,
00:27:34let's maybe not throw her under the bus, right?
00:27:36The thing on her wrist.
00:27:41It's crest.
00:27:41What is it?
00:27:46That crest is ancient.
00:27:47And it's been in that building upstairs long before it was a restaurant.
00:27:53They've been trying to buy me out.
00:27:56And they'll try anything about me.
00:27:59Look.
00:28:00I'm sorry, but I kept this quiet.
00:28:03They've got a bid in for this place.
00:28:06It's three times what the place is worth.
00:28:08Maybe she's involved with her.
00:28:10No.
00:28:11No.
00:28:13She's not with them.
00:28:17Then keep her out of sight.
00:28:20What makes you think this is going well?
00:28:23I don't...
00:28:23No, no, no.
00:28:23It's...
00:28:24We'll just...
00:28:25Me and Chloe.
00:28:26Get your hands off of me.
00:28:28No, no.
00:28:28The police said not to leave.
00:28:32Help me out.
00:28:35Mia?
00:28:38Help me out.
00:28:50Hello, Matt.
00:28:51Mr. Walsh.
00:28:52Fancy seeing you here.
00:28:54This is DC Cross.
00:28:56There's been a bit of a disturbance in the area.
00:28:58I just wanted to check our lovely neighbours were all right.
00:29:03Come on, go under there.
00:29:04In here, go.
00:29:06Stay at the extent of the night.
00:29:07You ought to go stay at night.
00:29:08I'm gonna keep you out of sight.
00:29:29Well.
00:29:31Looks like our suspect committed similar acts on your premises.
00:29:35You're scared.
00:29:36Who is this guy?
00:29:37Theodore Walsh.
00:29:39Theodore Walsh.
00:29:39He inherited the restaurant from his father and also acquired his master for this place.
00:29:44Who we did.
00:29:45As you know, Mr. Walsh.
00:29:46My associate believes our suspect is here.
00:29:52My niece.
00:30:00We are just concerned.
00:30:09Or maybe we should just wait for the police, eh?
00:30:12Sort this all out.
00:30:14There we are.
00:30:15There we are.
00:30:15There we are.
00:30:16Anyway.
00:30:19You got any ID?
00:30:22Isn't that how you do things here?
00:30:25Come here.
00:30:26Come here.
00:30:30Look at my face.
00:30:33This is all the ID you need.
00:30:35Take a good, long look.
00:30:37Every pull.
00:30:38There is.
00:30:46Theodore Walsh.
00:30:50Theodore Walsh.
00:30:52Theodore Walsh.
00:30:55I have to say, we were in the process of getting her some assistance, psychiatric assistance.
00:31:01She had an episode, ran away.
00:31:04Millennials.
00:31:10Your niece.
00:31:15You're her uncle.
00:31:17Yes.
00:31:18And this lot?
00:31:20They're your task force?
00:31:22Uncle.
00:31:23We're also uncle.
00:31:24Also uncle.
00:31:28Big family.
00:31:33More police are on the way.
00:31:35Are they?
00:31:42We were just trying to leave.
00:31:44Hi, we have a schedule to keep up.
00:31:48Hey.
00:31:50Don't touch me.
00:31:56Relax.
00:31:58Let's all have some drinks.
00:31:59That's why we're here, right?
00:32:01All we need is the woman.
00:32:04Where is she?
00:32:10She, um, she was here, Mr. Walsh.
00:32:15I, uh, I, uh, I don't know where she is currently.
00:32:21Whoops.
00:32:22I'll get those up.
00:32:24Okay, those up.
00:32:24Let's try again.
00:32:27Oh, my God.
00:32:58Well, look who it is. Come on, darling.
00:33:12Why are you hiding in there?
00:33:14No.
00:33:24Nia, these men are dangerous.
00:33:28Hey, no! Stop!
00:33:32Wait, I'm sorry. I'm sorry.
00:33:42Mr. Walsh?
00:33:49Mr. Walsh, I think I might have seen them going into the toilets together.
00:33:56She might still be in there.
00:34:04Made a new friend today.
00:34:06Hmm?
00:34:09I wonder what you both talked about.
00:34:36Um...
00:34:44Mia!
00:35:09I thought she was there, boss. That's her.
00:35:11Oh, yes.
00:35:21I want you all out of my bar.
00:35:35Ready?
00:35:36Glass.
00:35:47Right now!
00:36:04Now! Now!
00:36:08Do we see this thing last?
00:36:10Do you want to get the fuck out of here?
00:36:15Get back! Get back!
00:36:17Take closer, girls.
00:36:18One more time.
00:36:20One more time.
00:36:23One more time.
00:36:40One more time.
00:36:42No more time.
00:37:08Auntie Ogun
00:37:10What is this?
00:37:15Sorry.
00:37:19Clear.
00:37:21My browser history.
00:37:27It's gonna be.
00:37:29That's life.
00:37:31Sorry.
00:37:34Bring her to me.
00:37:37No witnesses.
00:37:38Kill them all.
00:38:12No.
00:38:13No.
00:38:29No.
00:38:40What is that?
00:38:43This really was this one to send centuries ago.
00:38:45You know that.
00:38:45Way out.
00:38:46Yes.
00:38:47Something better than nothing.
00:39:00Let's go!
00:39:08It looks like a hatch.
00:39:22Eddie!
00:39:26No!
00:39:27No!
00:39:27Eddie!
00:39:31No!
00:39:33No!
00:39:38Stop!
00:39:40Stop!
00:39:41No!
00:40:16No!
00:40:41No!
00:40:42No!
00:40:56It's going to be...
00:40:59It's not there, what?
00:41:01It's okay, we'll get...
00:41:02We'll get...
00:41:02Please help, we'll get...
00:41:04Everything's done, we'll get you the help you need.
00:41:05We are here.
00:41:06Yes!
00:41:07There's a way out.
00:41:08There's a ground.
00:41:11I'm not, I'm not...
00:41:11I'm not leaving your mind.
00:41:15They are love, River.
00:41:17They are love.
00:41:19What do you mean, the Olaf River?
00:41:23It's going to know.
00:41:25Run!
00:42:02Go see what's in there for me.
00:42:07No thank you, Mr. Walsh.
00:42:09We should leave.
00:42:11We should leave.
00:42:14Okay.
00:42:19Come on!
00:42:21Game warfare!
00:42:22What are we doing?
00:42:32There has to be a way out.
00:42:34Hey, you sit with me now.
00:42:35Come on.
00:42:35Come on.
00:42:37She works here.
00:42:38Come on.
00:42:49Guys, there's another room back here.
00:42:56Come on, let's go!
00:42:58Hurry, hurry, hurry, come on, go.
00:43:05Help me!
00:43:06Watch out the car, let's go!
00:43:09Oh, help me!
00:43:24Go!
00:43:26Go, Betty!
00:43:27Baby! Baby! Come on, baby! Come on!
00:43:47This is what you're doing!
00:43:51I'm Jim Long.
00:43:57Put the girls in here with me, Mr. Walsh!
00:44:00Why do they want her?
00:44:02I don't know.
00:44:04How long have you worked here and not had access to this room?
00:44:06I had no idea this was here until a minute ago.
00:44:08Do you think these are access points to fix the pipes?
00:44:11Well, who cares?
00:44:13They block it up.
00:44:15Tried shooting in.
00:44:16Oh, yeah.
00:44:43You shot me!
00:44:56I need a doctor!
00:45:00Portia, I'm sure I've got a journey.
00:45:02How many muskets?
00:45:04Muskets?
00:45:05God, they're happy. He's updating. Yes, muskets. Very bad.
00:45:08I can't.
00:45:11What do they want with her?
00:45:14There's no way to run.
00:45:16You should...
00:45:22All up river.
00:45:24River.
00:45:26You think this pipe leads to one of the sunken rivers?
00:45:29All up rivers, you should have said.
00:45:30You lot need to get your pour at you straight.
00:45:32There is no all up river.
00:45:34Near a sunken river is a tide being or something.
00:45:39Might as well just give it up.
00:45:42All up.
00:45:43All up is always part of a ship where the ropes are kept.
00:45:47The skips said all up river, but...
00:45:49It could be your way out.
00:46:01Look, is there anything we can do to keep your boss happy?
00:46:11Well, they're obviously looking for what?
00:46:16Something Cap Maldon brought down here.
00:46:19Hundreds of years ago.
00:46:21Red Cap Maldon.
00:46:26What are you talking about Red Cap's treasure?
00:46:30That's just a myth.
00:46:35Can-can.
00:46:38Can-can.
00:46:43Your phone. Can you tell us this?
00:46:48Language not found.
00:46:50It's not language in the app.
00:46:52Uh, maybe you can have her say something,
00:46:54and it'll translate that.
00:46:56Can you read this?
00:46:58Read it.
00:47:04Do destination advance.
00:47:07Coast departure urgent.
00:47:09No, no, no, no.
00:47:10I-I think I get it.
00:47:12It's read some words or written in some coded language.
00:47:16Skips it for the old river,
00:47:17and the pipe sits all up steel on it.
00:47:20I think Cat- Red Cat must have left that painting for someone,
00:47:23and Marciana knows something about it.
00:47:26I bet whatever the arse is threw this pipe,
00:47:29and Skip realized it when he saw the hatch.
00:47:32Let's try and find it.
00:47:34Let's try and find it, yeah?
00:47:35Maybe we can give it to you, boss.
00:47:37We can throw things over by some time,
00:47:39and we can keep running.
00:47:41Okay?
00:47:42You're safe.
00:47:43We are safe.
00:47:45Right?
00:47:53Come on, come on, come on.
00:48:08I've got away, right?
00:48:11I really can't do this.
00:48:19Save yourselves!
00:48:21Stop showing up!
00:48:30Quick!
00:48:32Stop!
00:48:33Stop!
00:48:54Boss, the room's empty. They've disappeared.
00:48:58I need a...
00:49:00Well, well, well.
00:49:03What have we here?
00:49:06Now, what is the deal with that room?
00:49:09Well, how would I know? I've never been in there.
00:49:12And besides, it's way too hench to fit through that shit.
00:49:16You saying I'm not hench enough?
00:49:18It's a fucking hatch. What do you want?
00:49:20Good point. What we want is the girl.
00:49:23More specifically, something she has, a little wrist device,
00:49:26and what she can find with it.
00:49:28But the chief concern is where they could have gone,
00:49:30because they haven't been there.
00:49:33I think this one may be able to work it out.
00:49:37Me? What makes you think that?
00:49:39Call it a hunch.
00:49:48It's not my hat.
00:50:01Come on!
00:50:08Get home with it.
00:50:09Get home with what?
00:50:12Where'd they go?
00:50:17There's a secret door in here or something.
00:50:22Find it.
00:50:43Keep moving.
00:50:45Wait, get over.
00:50:47Get over.
00:50:49Get over.
00:50:50You're on the floor.
00:50:51You're on the bad guy.
00:50:51You're right.
00:50:56Don't push me!
00:50:58Stop!
00:51:00Stop!
00:51:03Move!
00:51:05Go!
00:51:08No!
00:51:09No, no, no, no!
00:51:21I'm sorry.
00:51:22No, no, no, no!
00:51:36No, no, no, no...
00:51:38No, no, no, no, no...
00:51:46Well, shit!
00:51:49He's done it!
00:51:51He's found it!
00:51:51There's probably a little escapement.
00:52:01Oh God, stop pushing me!
00:52:04Go faster!
00:52:05I'm stuck!
00:52:06I'm stuck!
00:52:07Get out!
00:52:08I'm stuck!
00:52:08Help!
00:52:20I hurt!
00:52:22I hurt but, people you don't.
00:52:25No.
00:52:27No, no, no.
00:52:29Hey.
00:52:30No, no.
00:52:33What's going on? Why are we stopping why the lights out?
00:52:35Someone talk to me please.
00:52:36No!
00:52:38What are you doing?
00:52:39It's gone!
00:52:40I'm dead!
00:52:41No!
00:52:43Shit!
00:52:45Give him a arm!
00:52:46No!
00:52:47No, I'm gonna die.
00:52:49No, I'm gonna die.
00:52:51No, I'm gonna die.
00:52:52Breathe.
00:52:52Breathe.
00:52:59I'm just...
00:53:00Breathe.
00:53:02Breathe.
00:53:19Take this!
00:53:25It's a penis.
00:53:29It's a penis.
00:53:35She's good.
00:53:38The American girl is good.
00:53:41Hello?
00:53:44Something's coming.
00:53:49Something's coming.
00:53:54Are we good?
00:53:57I found a way out.
00:53:59It's crazy cool.
00:54:03It's not mine.
00:54:05Sorry.
00:54:06It doesn't mean anything.
00:54:08I don't know.
00:54:15You keep your interest in the enemy.
00:54:22Which way?
00:54:24Pricewater.
00:54:26Get closer.
00:54:27They definitely get this way.
00:54:29Fire.
00:54:30Hayes you love.
00:54:34Beating.
00:54:37Fire.
00:54:54Let's get pious.
00:54:54Go on.cell
00:54:55release. Go
00:54:55on mumble. Go
00:54:56on嘴. Get
00:54:56in there. Go
00:54:56on in there. jeunes
00:54:56killed me. No.
00:54:58Come on,
00:55:02all this is under the bar under the bar and so far back we are no longer in so
00:55:07here's no shit this keeps starting your god's place
00:55:12i heard voices they're coming
00:55:22the way out's that way well let's move yeah
00:55:26if they catch us we're dead someone's been paying attention
00:55:33follow the breeze
00:55:41hang on
00:55:43your translation
00:55:49stop working what are you doing let's move we can't hang about one second
00:55:54one out you know i need to go this way oh no no no we need to get out of
00:55:58here
00:55:59you're dangerous danger
00:56:01what do we do i'm sticking with her but if you want to go you can go
00:56:13i'm still with you guys it seems safe we do hanging about come on it's that way
00:56:20you said follow the breeze the breeze is that way you're following the echo of the breeze
00:56:27it makes sense to me
00:56:47oh
00:56:48oh
00:56:48oh
00:56:49oh
00:56:49oh
00:56:55No!
00:56:56Machando!
00:57:20It's a real life.
00:57:25I can't believe it.
00:57:27I can't believe it.
00:57:31I can't believe it.
00:57:42I can't believe it.
00:57:42What's wrong with it?
00:57:54What do I know?
00:57:56My sister.
00:57:57My friend.
00:57:59My friend.
00:58:01My God, she's found her.
00:58:03Found who?
00:58:05Red Cam Morgan.
00:58:08Oh my God.
00:58:09My friend.
00:58:12That thing around her neck,
00:58:14that's what Walsh has been looking for.
00:58:15Walsh's father was a respected historian and archaeologist specializing in 18th century piracy.
00:58:24In particular, Red Cat Morgan and her vast riches.
00:58:30On one of his expeditions, he discovered three small bundles of cloth all decorated with a distinct crest.
00:58:36In one, a pendant.
00:58:39In the other two, nothing.
00:58:42It led him to buy the Dragon Princess restaurant.
00:58:46Thinking the crest was a sign of where the treasure, or at very least, the other two pendants were kept.
00:58:54That's why the symbol on the wrist matches the one in the Dragon Princess restaurant.
00:58:59He was wrong.
00:59:00It was a red herring and there was no treasure.
00:59:02There was no more pendants.
00:59:04He got the wrong place.
00:59:08It was an obsession that spread from father to son.
00:59:11All that spurred them on was that single pendant, which they knew was only one of three.
00:59:17How did the Wrist Devices go?
00:59:21Months ago, a geological expedition stumbled across Marshander's ship.
00:59:26Walsh used all his underground connections to get Marshander's body, and what she wore around her wrist.
00:59:32It was only then he learned what his father never knew.
00:59:36The Wrist Devices contains a compass, which locks in on each of the pendants.
00:59:42When all three are brought together and inserted into the Wrist Devices, the compass would guide the wearer to the
00:59:48final treasure.
00:59:50Marshander's pendant guided her to Red Cat.
00:59:53Now it's only Walsh's piece that needs to be added before he can finally get what he wants.
01:00:08I'm younger now.
01:00:11You're safe.
01:00:13Take care of you.
01:00:15Sister.
01:00:34Yea, you don't want to go, right?
01:00:36Which way?
01:00:46I wanna go, well, that wasn't, that the wrong way. You said it was that way.
01:00:55you go i fight good idea she should fight shut up she's great at it what do you want from
01:01:01me
01:01:06i can't leave her
01:01:28get them out of bed
01:02:11stop them
01:02:29stop
01:02:30stop
01:02:31stop
01:02:32stop
01:02:39stop
01:02:43stop
01:02:52stop
01:02:54stop
01:02:54stop
01:02:55stop
01:02:57stop
01:02:57stop
01:02:59stop
01:02:59stop
01:03:00go
01:03:00go
01:03:01go
01:03:01go
01:03:01go
01:03:02go
01:03:02go
01:03:02go
01:03:09No!
01:03:43Look out!
01:03:46Look out!
01:03:50Look out!
01:04:00No!
01:04:04No!
01:04:05No!
01:04:06No!
01:04:06No!
01:04:07No!
01:04:07No!
01:04:08No!
01:04:38No!
01:04:47We've got them all now, boss.
01:04:49They're not going anywhere.
01:04:52Good.
01:04:53I'll go get Mr. Walsh down here.
01:04:57Let's finish this.
01:05:28You're not going to get away with this.
01:05:33Don't you try to hurt me.
01:05:35I'm going to get away with you.
01:05:43What?
01:05:44Careful!
01:05:46Sorry.
01:05:48What?
01:05:49It's him!
01:05:50I knew I'd find you.
01:05:52Shut up!
01:05:54I thought you were dead.
01:05:55I thought you were all dead.
01:05:56Yeah, we tried to slip a gun in front of them and then these two gave them the old.
01:05:59Liam Neeson.
01:06:00Which one of these is loaded?
01:06:01I don't know.
01:06:02Well, is she going to be alright?
01:06:04She's made up pretty tough stuff.
01:06:05We have to go.
01:06:06We can't get her through that pipe.
01:06:08No, no.
01:06:08She's our call.
01:06:09Worse than that.
01:06:10There's more of them waiting on the other side.
01:06:11We have to go.
01:06:12We need to get out of here.
01:06:12We need to fill in that breeze.
01:06:14Tough guys up there.
01:06:15Yeah, well, we have these.
01:06:26Where'd he go?
01:06:29Left it in the car.
01:06:38Where'd he go?
01:06:44Left it in the car.
01:06:49Hello?
01:06:50Hello?
01:06:52Hello?
01:06:52Hello?
01:06:52It's going to be okay.
01:06:53We're going to get out.
01:06:54Hey.
01:06:55Hey, you guys.
01:06:56Hey.
01:06:56I found it.
01:06:58A way out.
01:06:59South Bank.
01:06:59I can see Peter Express.
01:07:01It's this way.
01:07:01Oh.
01:07:02If you wouldn't mind leaving a positive trip advisor of you, I'd be very grateful.
01:07:06Perhaps best not to mention the hostage situation.
01:07:10Or you'd be dead people.
01:07:17Get them out.
01:07:18There's a police now, buddy.
01:07:19You're not coming.
01:07:20I know.
01:07:23Passcodes one, two, three, four.
01:07:25Don't check my messages.
01:07:36What are you doing?
01:07:38I'm not.
01:07:39I'm not.
01:07:39I'm not.
01:07:39I'm not.
01:07:39I just thought we were really good back there.
01:07:42I didn't know.
01:07:42No.
01:07:43Not really.
01:07:44No?
01:07:44Don't ever do that again.
01:07:49Right.
01:07:51Sorry.
01:07:52You're a strange man.
01:07:53No.
01:08:08Not so fast, so I'll turn her faces to soup.
01:08:17All clear.
01:08:22Wonderful. You're all here.
01:08:29Where's Eddie?
01:08:31Resting easy with the dock.
01:08:34Helping bestow your little tavern to its former glories.
01:08:39There he is.
01:08:43Might playin' with Broxie.
01:08:51Look at me.
01:08:58Stop, stop, stop, stop!
01:09:01Put your hands down.
01:09:04Put your hands down.
01:09:09Please.
01:09:12Please.
01:09:13Please don't let your men hurt him.
01:09:15Please, please, honestly, we'll help you.
01:09:19Ah, Jesus!
01:09:22Ah!
01:09:27Jesus!
01:09:38Ah!
01:09:38Bring me the wrist device.
01:09:51It still works.
01:09:54We found Red's piece and, of course, my Shanidas.
01:10:15It's here.
01:10:16Bring our niece and the barmaid to keep her well behaved.
01:10:22Keep the rest here as a bit of extra collateral.
01:10:25If you behave, they'll live.
01:10:28If she behaves, you'll live.
01:10:36Jack!
01:10:37Thone Dieses Shaun
01:10:39ha ha ha Ein
01:10:59Tj
01:11:10Why?
01:11:13Because I can, and he couldn't.
01:11:16Is that worth murdering my friends?
01:11:19Needs must.
01:11:20And I need her.
01:11:30I need her.
01:11:32I need her.
01:11:39I need her.
01:11:46I need her.
01:11:48I need her.
01:11:51And I need her.
01:11:58I need her.
01:12:02I need her.
01:12:03Let's go.
01:12:35Coordinates leading to riches.
01:12:39My riches.
01:12:45Aren't you rich enough?
01:12:47No.
01:12:49I want to be double rich.
01:12:55How do you let me know, Dad?
01:12:57Dad.
01:13:00With these scrolls in this particular order.
01:13:05I...
01:13:08You fucker.
01:13:10Do you remember the order they were in?
01:13:14No.
01:13:15That was keeping lying in them.
01:13:18Does anyone remember the order they were in?
01:13:21Fuck.
01:13:23Years we've been working on this.
01:13:28Does it say what order they should be in?
01:13:31I can't read this shit.
01:13:33This is some dead pirate code.
01:13:52Mia, catch!
01:13:58I can't read this.
01:13:58Wait, that's me.
01:13:59The code.
01:14:09It's in silence.
01:14:11I'll help you open that.
01:14:13That's a baby trap.
01:14:16Come on, Mia, come on.
01:14:21Come on, come on.
01:14:22Think, think, think.
01:14:23Come on, Mia, think.
01:14:32Oh, my God.
01:14:56Oh, my God.
01:15:33Hey, I don't suppose the goons holding our first hostage will be a problem for you?
01:15:38Nah.
01:15:40You can't leave!
01:15:44I have money!
01:15:46Asshole!
01:15:49You can't leave me!
01:15:53Wait!
01:15:55No!
01:16:17Welcome to the Smuggler's Tavern!
01:16:20So, head to the toilets, empty those bladders before entering Benny's hatch and crawling
01:16:24through the claustrophobic labyrinth of Sebastian's tunnels.
01:16:27Yarr!
01:16:28Welcome, mateys, to the underground caves of Soho.
01:16:33Waterproofs are available just through here.
01:16:35It is quite claustrophobic, so you have been warned.
01:16:37No refunds.
01:16:38How much do pirates pay for their eurigates?
01:16:42A buccaneer!
01:16:43Ha, ha, ha, ha!
01:16:44Come on, this way!
01:16:47All right, Ralph.
01:16:50Be careful.
01:16:54Don't fuck the place up, Eddie.
01:16:59Ah, she's getting really good at that.
01:17:00I know, it's the most pertinent sentence.
01:17:03Seriously, though.
01:17:04Be careful.
01:17:10Very nice.
01:17:11And I've got pictures on my phone and the clouds, so we've got a plan B.
01:17:15Yo, go to my school!
01:17:19Nice.
01:17:20Amy.
01:17:25Thanks.
01:17:33What?
01:17:34Hey!
01:17:38You don't want to hang with that!
01:17:40Ah!
01:17:40Ah!
01:18:23You don't want to hang with that!
01:18:25You don't want to hang with that!
01:18:27You don't want to hang with that!
01:18:28You don't want to hang with that!
01:18:30You don't want to hang with that!
01:18:32You don't want to hang with that!
01:18:35You don't want to hang with that!
01:18:37You don't want to hang with that!
01:18:44Let's go.
01:19:10Let's go.
01:19:40Let's go.
01:20:11Let's go.
01:20:41Let's go.
01:21:13Let's go.
01:21:42Let's go.
01:22:10Let's go.
01:22:12Let's go.
01:22:43Let's go.
01:23:11Let's go.
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