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20:55What the hell are you doing here?
21:02I work.
21:07You work?
21:10I was sure I had the door closed.
21:14Yes, you had it.
21:16I have a vaktmester.
21:20Hi, dude.
21:23What are you doing here?
21:25Yes, my husband just heard the vaktmester.
21:29Maybe it was inbreed with Camilla Lohan.
21:37Why don't you go and take it off?
21:41Come on.
21:46What are you doing now?
21:48What are you doing now?
21:51Oh, let me go.
21:58Are you doing this?
22:00Do you have coffee?
22:03Yes, thank you.
22:08What kind of medicine do you use?
22:16Heroin.
22:17What's your favorite food?
22:18No, so-pitin.
22:19It's...
22:20I've got a recipe for it.
22:24I've got a recipe for it.
22:26I've got two food in the world.
22:27Because it's also scary.
22:30You're using it?
22:31No, no.
22:32No, no.
22:37What's your favorite food is that you are?
22:41No.
22:42No, no.
22:42No, no.
22:43A day of angst can be one of your own people in your own life.
22:48You must read it, Heidegger. It's nothing for you.
22:51But you don't have angst.
22:53I have angst.
22:54You have angst?
22:55Yes.
22:57You have angst.
23:00Yes.
23:02But this murder has not angst.
23:07No. Why not?
23:10The freedom that keeps us awake.
23:14Valgene.
23:17Morda har ikke noen valg.
23:19And why not?
23:22Because it's a blessing.
23:24Because his life has a desire.
23:28He doesn't feel like it is.
23:31He knows what he should, and that's why he sleeps well.
23:36And what a desire is his life?
23:39Is it not quite open, Martha?
23:43Yes.
23:44The women were...
23:46... promiscuous.
23:50Do you think?
23:52Barbara Swensen was unique from the one to the other.
23:56Lisbeth Barley, who was maybe married now, but before that, so flew her out like a...
24:01...segøyner.
24:03Hmm.
24:03And what was with...
24:06...Kamela Loom?
24:09He was not free for sin, or?
24:15The draftsman's...
24:16...Kamela Loom?
24:17The draftsman's...
24:17...Wat he was given...
24:19...it's the draftsman's...
24:24...of the draftsman's...
24:30Yeah, I've heard it before.
24:35I'm going to do it. I'm going to do it.
24:38And I'm going to do it with Heidegger.
24:42Thank you for coming.
24:46Forresten, do you sell a kirk-gutsmykning?
24:51Do you know what it means when you cut out a pentagram?
24:55So, ytterlig.
24:57So, where did you find it?
25:02In the house of the house.
25:04In the house?
25:06Yes, it could be a mare-kurs.
25:13Hedmigene tegner over the house and the ingangstyrer for to hold the mare bort.
25:18Maren?
25:18Yeah, so my mare-ritt.
25:20Et kvinnelig gjenferd som setter seg på brystet til den som sover og rir vedkommende.
25:27Vedkommende.
25:28Drømmer, onde drømmer.
25:30Hæ?
25:31Fra indogermansk mer.
25:33I met Eksa-Steven dog, in Germanske.
25:38Nei, det betyr død.
25:41Eller mord.
26:02Let me present myself.
26:05I am the one you hope you haven't had.
26:08I am the one who has fallen under the bed where you have fallen.
26:14The one who puts on your breast, puts your breath in your mouth and runs you.
26:21He runs you the whole way to hell.
26:28I am the one you hope you haven't had.
26:32I am the one who...
26:33This one is to us.
26:35He wants to know.
26:37He wants to know.
26:37He wants to know.
26:38What can you do with the sound?
26:43I would have used AI for just to remove the vibrations.
26:48In this case, I would have used AI with adverse audio.
26:53Do you know how crazy it is?
26:54Can you remove it?
26:57100% not.
26:58It's impossible.
26:59It's really good.
26:59Great.
27:00Holm, what have you?
27:02Yeah, so this cassette here, you can buy everything on the internet.
27:05So, it's...
27:07But it's his language expert.
27:09It's his name.
27:11It's his name.
27:13It's his name.
27:25It's his name.
27:26It's his name.
27:27It's his name.
27:27It's his name.
27:28It's his name.
27:29Is it not that you were just that one that hit the door?
27:30On the inside of the door, but he was the same with the man who wasанные.
27:33So it's not so bad.
27:35Yeah?
27:37Did you take this?
27:38Yes.
27:38I got it.
27:40How did this happen to be in the cassette?
27:44A cassette here with the dam who was born in 2000-th century.
27:47If I had been here, I would have been there for the first time I was there.
27:51Don't worry about the weekend.
28:08It's not going to happen either.
28:34It's going to happen.
28:59I don't know.
29:03What can you do here?
29:13There was no one here today. Are you sure?
29:18What do you think about it?
29:19A bike, for example.
29:21I said that I didn't have any customers.
29:27A bike...
29:28Yes, there was a guy on there in full mundur.
29:34But he drove in one time.
29:35I'm just glad he understood that this was wrong.
29:40Don't take it from me.
29:41Yeah.
29:43Kate.
29:45Hey.
29:47I can see it as a finger in the truck.
29:52Give me five.
29:54I'll give you a signal on the bus.
29:56You can't see the truck on the bus.
30:00I'll do it.
30:02He was just in there.
30:04I'm just sitting here.
30:06People will be able to help if they need it.
30:09Harry, I'll do it.
30:11I'll do it.
30:13Oh, fuck.
30:15Beate, ringer du if you find it?
30:16Yeah.
30:36Shock.
30:38Not...
30:39Ah, I've got it.
30:50Yeah, hello.
30:51It's someone who has sparked a corpse here.
30:55He says that Attila is on the way to the hospital to kill the flame.
31:10We need people.
31:12They're all dead in Göteborg.
31:15That's why they're here, you know.
31:17They're all dead.
31:23I want to be so dead.
31:27Nothing to do, no way to go.
31:30I want to be so dead.
31:32You know what you're talking about.
31:37Do you talk to me?
31:39Do you have a hole?
31:40Yes, will you sell me now, yes or no?
31:43Yes, I'll do it.
31:45Do you know what I'm talking about?
31:46I can sell my name on him who sells weapons for the people.
31:54Yes, it's me you've visited in the hospital.
31:57You have to come here.
31:58And you have to take your friends with weapons.
32:02What's that?
32:04Yes, I do.
32:06The whole whole corpse is on the way here,
32:09and no one has told us where we are.
32:10I don't know where we are.
32:12How do you know I don't know where I'm coming?
32:15Yes, but it's the chance I'm going to take.
32:19If you want to name it.
32:20If we die, we take information with us.
32:34Yes, Pole?
32:36Hey, Wolf.
32:37I'm going to drive here so I can help you.
32:39I can take Delta.
32:41I'm going to take you out of my vehicle.
32:43I'm going to take you out of my vehicle.
32:43It's back at the hospital.
32:44It's room 505.
32:45Mottatt.
32:46Mottatt.
32:55.
32:55.
32:55.
32:55No, I don't want to do anything.
32:58No, I don't want to do anything.
33:00Why not?
33:01Because we're not an American film in Norge,
33:03and the police have a boat in the middle of us
33:05and the police will.
33:06This is not a policy.
33:07So it won't be action.
33:09I'm going to go to the police.
33:11Then we'll get to the police.
33:13That's right.
33:17Yes!
33:23Hi.
33:25It was good you came.
33:27I thought you almost didn't have a middag.
33:29Was it fun?
33:30It could have been fun.
33:54You got one chance, baby, baby, baby,
33:56better do it right.
33:58Well, I was driving down.
34:01I'm a one-on-one.
34:05It was late at night,
34:06and I was looking about a gun.
34:09It's not the right hospital.
34:11This is Jacob.
34:12We're going to the hospital.
34:16We're going to the hospital.
34:19We need to go out here, friend.
34:20And he was driving down.
34:26He's driving down.
34:38You're turning on.
34:39I can't hold it for a minute.
34:41Oh, shit!
34:43Oh, shit!
35:36Oh, shit!
36:06Oh, shit!
36:31Oh, shit!
36:33Oh, shit!
37:24Oh, shit!
37:49Oh, shit!
38:00Oh, shit!
38:01Oh, shit!
38:28Oh, shit!
38:28Oh, shit!
38:28Oh, shit!
39:30Oh, shit!
39:33Oh, shit!
39:59Oh, shit!
40:31Oh, shit!
40:32Oh, shit!
40:49Oh, shit!
40:52Oh, shit!
40:59Oh, shit!
41:00Oh, shit!
41:02Oh, shit!
41:04Tell me.
41:34Tell me.
42:04Tell me.
42:34Tell me.
43:04Tell me.
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