- 2 days ago
Vanished S01E01 [Full Movie] [Full Story]Full EP - Full
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Short filmTranscript
00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:49If you find the future
02:50And the future
02:52A economy
02:53A social show
02:53And if you're free
02:54To live
02:58Or
03:13To a national state
04:27Excuse me.
04:28Hi, my name is Alice Munro and I need help.
04:32My boyfriend, Tom Parker, he works for this charity and he's, he's missing.
04:37Can someone help me? Can I speak to someone in charge?
04:41Tom Parker?
04:41Yes, Tom Parker.
04:42One minute, please.
04:49Hi, this is Tom Parker.
04:51Oh.
04:58Alice?
05:00Yeah.
05:01Hi.
05:02I'm Alex Durant.
05:04I've heard so much about you from Tom.
05:06You have?
05:07You know Tom?
05:07Yes, of course.
05:08We used to work together in the field before I became a student.
05:13Metaphorically speaking.
05:15What happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but like, I don't know why he would lie to
05:32me.
05:32It's possible he was trying to call Jordan.
05:36We can route calls through here so you don't have to pay international charges, but I know he's coming here
05:43after vacation, so there's no need for him to call him before.
05:46We encourage our people to take a complete break when they're on holiday, and especially Tom, after what he's been
05:54through.
05:55What do you mean?
05:56Um, how's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but when Tom comes back all happy and healthy, I'd prefer if you kept
06:20me out of it, okay?
06:21Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old, and he lived in one of the camps where
06:39things were already hard, but that night it got even worse.
06:42His mom went into labor alone in the middle of the night, she was very sick, had no one to
06:49help her, so Malik ran for four miles, all the way to where the SOS team was staying, and got
06:55Tom to drive them to the hospital.
06:58The baby was delivered safely, but the mother's condition kept getting worse, so with his mom's sake, Malik dropped out
07:07of school, scavenging for food.
07:11He tried to take care of his family, and then Tom saw what was happening, and Tom being Tom, he
07:19promised Malik that if he went back to school, he would make sure his family was taken care of.
07:26But unfortunately, bandits, bandits, they took women and children, no one knew who had survived, and Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and eventually they found him, the boy alongside his mother and
08:00sisters in a mass burry pit ten clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's, at least I think it was.
08:13But he didn't want to pack it in, we got him a counselor, we tried to give him support, but
08:18something in him had shifted, yeah?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore, he just seemed lost.
08:30Jonas, I don't think he ever really came back from what happened.
08:40Sorry, I, uh, I, uh, you, you didn't know any of this?
08:47Alan, I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets under your skin.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up.
09:11If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there,
09:16I'll make sure to let me know.
09:22Don't worry.
09:24I guess we'll find him.
11:00It could be a person...
11:01O'Reilly?
11:02Where did you find that?
11:04I was looking in Tom's notebook and it's... it was in there.
11:08O'Reilly?
11:10It could be anything or anyone.
11:13Anything else in the notebook?
11:15Not really.
11:16I was just on a post-it note.
11:17Okay.
11:19Leave it with me.
11:20I will look into it.
11:51How do you know it's a boat?
11:53Oh, I don't.
11:54It's a hunch.
11:57Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats
12:07to pretend those women are central to their life.
12:11And then,
12:13they run away to the sea with their buddies.
12:17Et voilĂ .
12:20Aurélie.
12:29Anyone here?
12:31Bonjour.
12:33Hello.
12:34Y'a quelqu'un?
12:35Well, what are we gonna do?
12:39What the heck?
12:41What?
12:41Oh.
12:42Every good journalist carry them.
12:45Oh, my God.
12:46Keep lookout.
13:16I'm out.
13:17I'm out.
13:52Oh my God.
13:57Is it his?
14:06Alice?
14:08Alice?
14:10Alice?
14:13Alice?
14:13Alice?
14:13Alice?
14:15Alice?
14:15Alice?
14:16Alice?
14:17Alice?
14:18Alice?
14:18Alice?
14:18Just kidding.
14:34Alice?
14:35Alice?
14:38There's Uncle Brian. He's in London.
14:42Who are you going to tell me about that?
14:45I was wondering what you'd notice.
14:47He may be useless with cars, but he could talk a dog of a meteor.
14:51A dog of a drug.
15:10I came as soon as I could.
15:12Hi.
15:15Yeah, I spoke to Jordan.
15:18You were right?
15:20Tom did make a call on Thursday morning.
15:24And?
15:25He wanted to be put through to one of his colleagues.
15:32Alice, there's no easy way to say this.
15:35No, um, I met her, actually.
15:40That woman that you're...
15:43Were they...
15:46Are they...
15:47It's really not in my place to speculate.
15:50Come on.
15:57He's not thinking rationally.
16:07So, what happens now?
16:12My God is he will show up somewhere,
16:14or makes contact with someone in the next 48 hours,
16:18and then you both need to decide what happens next.
16:23If I were you, I would go to R.
16:26Go to R.
16:27There's no need to hang around in my safe.
16:30If he turns up, he'll be the first one to know.
16:33Okay?
16:35Okay.
16:37Alice, um, uh, I wish I had better news.
16:40I'm sorry.
16:41No, it's okay.
16:42You've been very kind to me.
16:48Call me tomorrow, yeah?
16:51If you need anything at all.
19:22Yeah, why?
19:24I kind of want you to show me your world.
19:32My...
19:38Yeah, this is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Yeah, why?
19:53I think your job is safe.
19:57What?
19:59Really?
20:00Come here.
20:04Come here.
20:10Yeah.
20:11This was built by the Nepotians.
20:15Oh, was that 9th century?
20:174th century.
20:18A.D.?
20:19B.C.
20:19B.C.?
20:22Did you say the Nepotions?
20:24Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's what I went wrong.
20:29Yeah, sure.
20:30It actually flourished due to trade routes, incense, spices, silks, and of course its gorgeous rock-cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the 6th century, the entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:55As is.
21:00Isn't that interesting to you?
21:03Very.
21:12Ready?
21:14No, just go.
21:18Matchie?
21:21Gano.
21:23L.A.D.?
21:27Gano.
21:29Gano.
21:29Is that right?
21:30Is that right?
21:32I don't know.
21:33He's coming back.
23:51Excuse me.
24:00Excusez-moi.
24:03Excusez-moi.
24:03I need help, please.
24:07Hello.
24:08Hello.
24:11Hello.
24:12Hi, I'm looking for Maurice Giroux.
24:15Is he around here?
24:16Maurice?
24:17Oh, I'm sorry.
24:18He left around an hour ago.
24:20Do you know where I could find him?
24:22Uh, why?
24:24Uh, it's personal.
24:26Do you have an address or a number or something?
24:29Oh, I'm afraid I can't give this address to a stranger, but, uh, how do you know Maurice Giroux?
24:33I don't.
24:33He was the conductor on a train I took recently, and I need to tell...
24:37Yeah, okay.
24:38Yeah, okay.
24:38I'm sorry, I'm...
24:39When was it?
24:39I...
24:40I can't just give out his address, you understand?
24:43Yes, of course.
24:46Okay.
24:47Sorry.
24:54I think she slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal because I'm pregnant with Maurice's
25:00child.
25:01I need to speak to him right now.
25:02Qu'est-ce qu'elle dit?
25:03Oh, ouais.
25:06Elle dit qu'elle est enceinte de Maurice?
25:08Quoi?
25:09Quoi?
25:09Quoi?
25:10Quoi?
25:10Quoi?
25:11Quoi?
25:11Quoi?
25:12Quoi?
25:12Quoi?
25:13Quoi?
25:13Quoi?
25:14Quoi?
25:15Quoi?
25:16Quoi?
25:16I'm sorry.
25:17I'm sorry about my colleagues, sorry.
25:19Of course, I'll give you his address.
25:22Sorry.
25:23Good.
25:24Of course.
25:26Here.
25:26I'm sorry.
25:38I'll give you a shot.
25:39I'm sorry.
25:42I'm sorry.
25:45I'm sorry.
25:47All right.
25:52I'm sorry.
26:05Stop, stop, stop.
26:34Mon bébé, qu'est-ce que tu fais ? Je t'ai perdu, c'est quoi le bordel ?
26:38Viens lĂ , pourquoi tu ne veux pas me parler ? Je te promets que tu n'en viras jamais comme
26:41la mienne.
26:43Alex, 20 minutes. Laisse-moi 20 minutes.
26:4620 minutes ? Comment ça 20 minutes ? Je n'ai pas connu pour deux, toi.
26:49Pour deux, c'est la tétons gay, ça.
26:50Ah, tu es une fou, toi, t'es connu.
26:52Oh, oh, oh, oh.
26:55Get out of my way.
26:57Oh, tu vas si loin ? Tranquille.
27:00Ăa va, oh.
27:02Tu vas te blesser, lĂ , arrĂȘte.
27:04Ăa se voit qu'elle n'a jamais tenu.
27:06Ouais, ça se voit.
27:08C'est comme ça qu'on tient, plutÎt.
27:10Comment on peut avoir confiance ?
27:14Comment on fait maintenant ?
27:19Regarde-moi quand je te parle.
27:23Eh, viens danser Ă la bĂąche Ă ta mĂšre.
27:29Viens, tu vas danser Ă la bĂąche Ă ta mĂšre.
27:30Oh ! Cassez-vous, j'appelle la police !
27:32Oh lĂ lĂ ! Oh !
27:34Vous m'entendez ? Vous ĂȘtes sourds ? Allez, on dĂ©gage !
27:37Oh, t'es une bite Ă la place du cerveau.
27:39Dans ta gueule, je t'ai dit.
27:40Tu pourrais pas aller encore une fois comme ça ?
27:42J'Ă©tais en collune.
27:43Bien encore !
27:44J'appelle ta mĂšre.
27:45Ni screwiens !
27:48Ăa va !
27:50Oui, je t'ai dit ça.
27:59Tu dis...
28:05Il faut pas aller enfin.
28:10Zero mémoire.
28:11Opter !
28:11Il faut pas aller, pas aller lĂ .
28:13Il faut pas allerckerizer.
28:13Cassez.ă»r
28:14!
28:51Hello?
29:11Oh, my God. Oh, my God.
29:16No, no, no, no, no, no, no.
29:19Okay.
29:25Oh, my God.
29:26What the fuck?
29:32Madam?
29:35You're the key.
29:37Madam, madam, hold on.
29:38Wait, wait, wait. Hold on. It's okay. I know.
29:40Oh, my God.
29:47Oh, my God.
29:49Alex! Alex! Alex!
30:44Les insister j'en a crié!
30:46...
30:46T'es une crasse de ouf !
30:53I don't know what the hell is going on.
31:00I don't know what the hell is going on.
31:02I don't know what the hell is going on.
31:44I don't know what the hell is going on.
32:04It's not a matter of policies, it's a matter of marketing.
32:08When did you get so cynical?
32:15Something has happened, I need to see you right away.
32:18Alice, is everything okay? I thought you'd left.
32:21No, no, it's not. I just went to see the conductor, the one from Tom's train.
32:25And when I got there, he was dead. He was dead. He was dead.
32:28Wait, wait, wait. Slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular, he had very dark hair with like a bun.
32:42Where are you?
32:44I'm at the Hotel Peron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you. She's at the Hotel, room 218.
33:14Go there now.
33:36Who wants to go?
33:44And you would have to get through the tram.
34:00what i was right about the conductor what i went to his apartment but when i got there
34:06he was already dead he someone slit his throat who have you spoken to um just one person from
34:13tom's charity coming actually to meet me right now alice which hotel which hotel are you staying at
34:20peron i'm coming now do not speak to anyone you hear me do not speak to anyone
34:43and
34:59and
35:00and
35:14I have a delivery for Alice Monroe.
35:56I have a delivery for Alice.
36:00I have a delivery for Alice.
36:33I have a delivery for Alice.
36:34Are you okay?
36:35Yes.
36:36Okay?
36:37I'm having a panic attack.
36:39Freeze.
36:41Oh my God.
36:42Freeze, freeze.
36:42Slowly.
36:44Oh my God.
36:45You're safe, Alice.
36:48It's Durand.
36:48The works at SOS.
36:51Don't answer.
36:52No, he's been helping me.
36:54I cannot protect you if you do not want to be protected.
36:58Uh...
36:58Does he know which hotel you are staying at?
37:00Yes, but it does.
37:02Who else knows?
37:03I guess Inspector Drax.
37:05No, but...
37:05Okay, so at least one of them is trying to kill you, huh?
37:11I didn't tell you about SOS.
37:14How do you know that's where Tom worked?
37:20How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To...
37:30To know things.
37:32Okay, you better start telling me some truths or I'm gonna call him back.
37:34Don't be so stupid.
37:35Okay, fine.
37:36Don't be so...
37:37Please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47What?
37:48First, we need to go somewhere safe.
37:51First.
37:55Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:23I'm something like a pet noir for your former lover.
38:30The truth is, for the past six months, I've been investigating him.
38:36On the train, I was following him.
38:40Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom.
39:00Yes.
39:06I have reason to believe.
39:09You are so, so far off on this one that Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I'm with her.
39:28The truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh.
39:39I'm freelance.
39:41It suits me better.
39:42Yeah, when did they let you go?
39:47Five years ago.
39:51I'm not going to listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:11If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too, too German.
40:17Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay.
40:20So Drax.
40:22Hmm.
40:23The city is packed with dirty cops.
40:25Maybe he plans to set you up for Jero's murder.
40:28Oh my God.
40:28This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
41:10You have nowhere to go.
41:12The controller Mori Gero, we actively search the suspect number one.
41:16An American named Alice Monroe, the trentaine.
41:20You have the no information concerning this person.
41:23The less information.
41:24Contact us.
41:26The police.
41:27The police.
41:28The police.
41:28The police.
41:31The police.
41:32The police.
41:33The police.
41:33The police.
41:34The police.
41:35The police.
41:38The police.
41:41The police.
41:42The police.
41:55The police.
41:57The police.
41:57The police.
41:59The police.
42:00The police.
42:00The police.
42:02The police.
42:02The police.
42:02The police.
42:04The police.
42:04The police.
42:05The police.
42:06The police.
42:06The police.
42:07The police.
42:07The police.
42:08The police.
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