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Dublin Murders - Series 1- Episode 4 Watch Full Episode For Free
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00:00What's the jury gonna think when they look at you?
00:02Why should anyone love you when you're lower than shit?
00:05I've been thinking we should team up again.
00:07I've got a partner.
00:08You know things about me no one else knows?
00:10Not even some.
00:11I think a lot of you, like, a lot.
00:13I've oyster sauce dripping down my chin,
00:15what you should be thinking as well as the escapers.
00:17Thank you for calling the Garda Line
00:18in regard to our investigation into the murder of Katie Devlin.
00:22Do you know who I thought you were?
00:24Someone sent by that plastic gangster Johnson.
00:26Are you still in touch with Carl Mills and Shane Waters?
00:30What?
00:30Help me, please.
00:33Sam?
00:34Get up and get dressed.
00:35Cassie, don't.
00:36Are we okay?
00:37We're always okay, Cass.
00:40Always.
00:58Hit me.
01:01Hit me.
01:02Hit me.
01:03Hit me.
01:03Shit a lord, he's kneeling me.
01:05Hit me.
01:05Hit me.
01:07Hit me with your rhythm stick.
01:09Hit me slowly.
01:10Hit me quick.
01:11Hit me.
01:12Hit me.
01:13Hit me.
01:14Hit me.
01:16Hit me.
01:18Hit me.
01:19Hit me.
01:25Hit me.
01:26I don't know.
01:55Daddy?
02:30Daddy?
02:31They're dead.
02:33But you've got me, Cassie.
02:36My name is Lexi.
02:37I don't know.
02:44I don't know.
02:48I don't know.
03:20Okay, Maddox. This pretty boy is the target. Vincent Johnston. Owns narcotics, guns, people, launders money. Busy boy in a
03:30grade-A shit. You'll be an undergraduate at Trinity where a sizable amount of his product is bought. You deal
03:36a bit. Instance will be arranged to make sure he notices you. Work your way up the greasy pole and
03:41give his confidence.
03:42What do I get out of this? You get job satisfaction. I want to work murder. I do for you,
03:53you do for me. If I get the job, Bryce. If you stay alive.
04:02Don't you have a time to prep your undercover identity? Who's she going to be?
04:06Her name is Alexandra, but she never calls herself thus. She calls herself Lexi.
04:13I love her.
04:14I love her.
05:01Take her from her pocket.
05:03Student card identifies her as Alexandra Mangan.
05:06Card out there says her friend's called her Lexi.
05:09That's quite remarkable, really.
05:12A similarity.
05:15You don't have a twin?
05:17No, it's just me.
05:19I'm still.
05:20Open?
05:25She's been dead for five or six hours.
05:27I'll be more precise when I've got her liver.
05:29You can get shot of those paramedics.
05:31They're no good to her.
05:32Yeah.
05:33You're sure she's dead?
05:36I mean, perhaps there's the faintest pulse that anyone else would miss,
05:39but you, a professional, you wouldn't miss that.
05:41Is this a joke?
05:42Faintest sign of life.
05:44Why would I pretend she's alive?
05:47How would you explain the, uh, being cold and stiff?
05:50Hmm?
05:51The fact that she is essentially a corpse.
05:53Hypothermia?
05:55She goes into shock from blood loss, the body should stay on.
05:57I don't know, Cooper, you're the expert.
05:58Make something up.
05:59Every single ethical and moral consideration, my kid.
06:01That's one of my operatives.
06:02No, she is not.
06:04All right.
06:05An unknown woman adopting the identity of one of my operatives,
06:09and pretty much her spitting image,
06:10is murdered with a single stab wound to the heart,
06:12exactly the same wound Maddox got.
06:14So shall we assume they're connected?
06:16Shall we assume there's a strong chance
06:18that Johnson's finishing orders from the burner phone shoved up his arse,
06:21and it's better for us if this one here, this one,
06:23is still clinging on?
06:25Buys me some time.
06:26Hmm?
06:27And rattles the cage of the beast, as it were.
06:29Signs of life, Cooper.
06:30Get the paramedics in there fast, and I'll brace him up.
06:32You're doing the paperwork on this one, you hear me?
06:34Yeah.
06:40Holy Mother of God and all the saints, it's a miracle.
06:44Don't take yourself off for a moment.
06:45Let's not confuse on those medics, okay?
06:58What sort of boyfriend are you, O'Neill?
07:00Go with her.
07:00She looks shaky.
07:29I'm in your flat.
07:31I can't wake you up with coffee, like you asked.
07:34Where are you?
07:36Wicklow.
07:37I kill.
07:40I'm a female.
07:41Female.
07:42It's nothing to do with Katie Devlin.
07:45It's on the route for the motorway, but it's a different MO.
07:47Victim's older.
07:49I think it's to do with Johnston.
07:50To do with me.
07:52I think he's killed the wrong woman.
07:55She's got my name, Rob.
07:57Lexi's name, I mean.
07:59She looks just like me.
08:02Wait there, I'm coming.
08:03Forget Cole Mills.
08:03I'm coming to you now.
08:05Sam's here.
08:06I'm all right.
08:06Sam's here at me.
08:08Look, I'd feel a lot better about things if I knew you were jumping on over Cahill Mills.
08:12I'll talk to you later.
08:13I've got to go.
08:32Somewhere at work.
08:33Somewhere at work.
08:59How does Mackie think he's going to get away with pretending she's alive?
09:02You let me worry about that.
09:04You know the house she lives in, right?
09:05White Thorn House.
09:06You know where she lived.
09:07I went to talk to the owner to see if they've been asked about selling the land.
09:10Did you see her?
09:11Of course I didn't.
09:13I didn't see anyone.
09:14White, well, they're all students, so they'll all still be in their pits.
09:16You wake them up, you tell them what's happening.
09:17You tell them she's going for an emergency surgery.
09:19You take statements, search her room.
09:21I want her laptop and I want her phone.
09:22You find out who she is and who she's been talking to and if there's any connection to Johnston.
09:27I just want to get this very clear.
09:29Their friend's murdered and you want me to tell them that she's okay?
09:32Well, not okay.
09:35Hanging on by a thread.
09:36You want to trap some arsehole in the jail cell, that's one thing.
09:39I'm not lying to a bunch of kids.
09:41Detective O'Neil, someone in this village identified this girl.
09:44Which means she and her little chums have all been watched and they've probably still been watched.
09:47So until we've seen Vincent Johnston, she remains in the land of the living.
09:50Those others know she's dead.
09:52The owl fell with the dog who found her.
09:53No, I saw from the doorway.
09:54It didn't come in.
09:54The guardee out there, they called her in debt.
09:56I called her in debt.
09:57Well, you're part of the charm circle now, Sammy boy.
10:01And as for the guardee, I'll just swing my big dick around and they'll do as they're told.
10:05What if I don't do as I'm told, huh?
10:08What if I don't give a fuck about your big swinging dick?
10:11For Christ's sake, son, will you just do it?
10:15Please.
10:16We just need time.
10:25He's with a desk, isn't he?
10:26He's got proper procedures.
10:27What's he doing with you?
10:30All right, I'll go have a meaningful, slightly threatening conversation with the uniforms out there.
10:35We'll wait for forensics and then you and Megan pop in on our boy Johnston, okay?
10:54Johnston, come back.
11:04Police, go home, Mills?
11:05Ordering down the end.
11:11Yeah, I'm just looking at that now.
11:2024-7 looking after your needs.
11:22And when I say you, I don't mean you as a group.
11:28Each and every one of you, individually.
11:30Cole Mills, I'm Detective Robert Riley.
11:33I'm investigating the murder of Catherine Devlin.
11:35I need you to answer some questions.
11:45More coffees.
11:45We'll keep them here.
11:47So long, you take a few minutes.
11:54You better have a bloody good reason for marching up at my place of business.
11:59You've been away a long time with only that little suitcase.
12:03I have a flat in Berlin.
12:05I do a lot of business there.
12:07I only need my laptop and a few bits.
12:10I have everything I need there.
12:11You left very soon after Katie's murder.
12:14I had business to attend to.
12:15You didn't get in touch with your friend Jonathan off for condolences.
12:18We were friends a long time ago.
12:19I would have thought you'd have sent a card at least.
12:21Even if you'd fallen out with Jonathan.
12:23And who said we'd fallen out?
12:25We just grow apart, like people do.
12:28Did you know Catherine Devlin?
12:30No.
12:31Well, you knew her mother, Margaret.
12:34By sight.
12:35Well, a bit more than just sight.
12:36I mean, it's her testimony and her testimony alone that places you and Jonathan and Shane
12:42Waters at the cinema the night of Peter Savage and Jamie Rowan's disappearances.
12:46Well, by sight would do it, wouldn't it?
12:47I knew her by sight.
12:48She saw us.
12:49It's not that hard.
12:50Were you at the cinema that night?
12:52Yes.
12:53Now, why are you asking me about this?
12:54I thought this was about Katie Devlin.
12:56Well, this is about Noc Noree.
12:59And your involvement with the events of 1985.
13:02I wasn't involved.
13:04Oh, you were questioned three times.
13:06You and Shane and Jonathan, three times.
13:08That's because those detectives wanted to look busy like they were doing something.
13:15Where would I find Shane?
13:17No idea.
13:19Hospital, prison.
13:21Most likely, he's lying dead somewhere with a needle hanging out of his dick.
13:24No, he isn't any of those.
13:26I've checked.
13:27And I've gone through all unidentified street deaths, too.
13:31I'm like that.
13:32Thorough.
13:34I haven't seen him since I left that shite hole.
13:37Are we done here?
13:38Keep yourself fit.
13:42You get a track suit.
13:45What?
13:46Your laptop, Mr. Mills.
13:47That you take everywhere with you.
13:48If I was to get a warrant and seize it as evidence, what would I find on it?
13:52Well, firstly, evidence of what?
13:54And secondly, work.
13:55You'd find my work.
13:57What about pornography?
14:00Do you have pornography on your laptop, Mr. Mills?
14:06Yes, and...
14:07What sort?
14:10Ordinary.
14:10The usual.
14:12What most men look at when they're cracking one out at the end of a long day, you know?
14:16Let's pretend I don't.
14:17What sort?
14:20Pig-shaved dykes fisting arrogant Brits until they scream.
14:25Oh, niche.
14:28Shaved.
14:29So they look like children.
14:30Do you have obscene images of children on your laptop, Mr. Mills?
14:33Under-age girls.
14:35Jailbait.
14:38Get the fuck out of my arms.
14:41Please don't use bad language, Mr. Mills.
14:43It belittles us both.
14:44I know you don't have a single thing of me.
14:45If you did, you'd have a warrant.
14:47But you've got nothing.
14:48I'll be following my lawyer about this.
14:50Well, I hope your lawyers advise you to stay in the country.
14:54Going back to Berlin looks like you've got something to hide.
15:14He goes anywhere other than his home address.
15:16Call me.
15:17Will do, Detective.
15:22Someone else saw the same man I did.
15:24The one in the tracksuit.
15:25Who?
15:26Somebody from Knockin' Reel?
15:27Well, I can't tell you that I can't, Mr. Donnelly.
15:29We've just got some more faces for you to look at.
15:31Throwing them that wider.
15:32You forget to put the bins out.
15:34Oh, for Detective Riley.
15:35He said he wanted to see everything we found.
15:36It's not what we're looking for.
15:38Hey, how many are there?
15:40The faces that men have got to look at.
15:43I'm not going to lie to you.
15:44There's hundreds of the Twisted Facts.
15:46So you'd better get a rig on.
15:47Come on.
16:29Come on.
16:30I'm going to get into the struggle, okay?
16:32I'm going to get out of here.
16:38Come here.
17:17I want to see him on my own.
17:21Fair enough.
17:45I can't see him on my own.
18:05What do you want?
18:07Come to gloat?
18:16You know what the worst thing is?
18:19I actually liked you.
18:24I really liked you.
18:30You slow little bitch.
19:19It's nothing to do with him.
19:23I'm sorry.
19:24I'm sorry.
19:39I'm sorry.
19:42I'm sorry.
19:50I'm sorry. I don't recognize the man I saw.
19:55You all right there, Damien?
19:58It's just...
20:01looking at them.
20:05With knowing what they do.
20:09Damien, this is our main line of inquiry into whom I murdered Katie.
20:12I wouldn't be asking you to do this if it wasn't so important.
20:33Let him have a break.
20:34No proper one. Fresh air. No size.
20:36Tattoo about football or something.
20:38Football?
20:39Films, whatever he likes. I don't care.
20:40Take his mind off it in the first face you show him when he's back.
20:43Is this?
20:47Riley. Mark.
20:48Yes, sir.
20:51Had a complaint about you.
20:53Carl Mills lawyers.
20:54I expect you to.
20:56I'm professional. Intimidatory.
20:57This is my don't piss me off face.
21:01Carl Mills likes underage girls.
21:04Where's this come from?
21:06The tip.
21:07They don't want to be identified, but...
21:08Jamie Rowan, 13.
21:10Katie Devlin, 13.
21:12Margaret Devlin, 14.
21:13When she claimed to have seen the boys at the cinema.
21:15And we assumed that just because she married Jonathan Devlin
21:18that he'd influenced her, but...
21:20Could be Mel.
21:22Timon Cameron's known the family a long time.
21:24I'm going to talk to her about Margaret Devlin.
21:26Oh, I love this bit.
21:28You know when you get the smell of them in your nostrils?
21:30When the hunt is on, it makes that blood rage.
21:36You've spoken to Maddox, you know what's going on.
21:39A dead woman's been using her undercover identity.
21:42What a cock-up.
21:44I wouldn't expect anything better from that streak of piss, Mackie.
21:47He is not going to screw up this investigation.
21:50Maddox will be back with us before this afternoon.
21:52Work!
21:57Time of death between 1 and 1.30 a.m.
22:00The weapon is a blade about eight inches long and an ancient depth.
22:03The wound is similar to the one sustained by Maddox,
22:06but when Maddox got lucky, when the blade snagged on her ribs
22:09and missed the aortic artery, this blade did not snap.
22:12Mike, aortic artery severed.
22:15There's no match to DNA taken from Maddox.
22:18Blood type, oresis negative, tox screen negative.
22:21No alcohol, no drugs, no fillings, no sign of orthodontistry.
22:24Some staining from wine, coffee, cigarettes.
22:26No criminal record, fingerprints came up at nothing.
22:29No surgical intervention, so no medical history,
22:32but there is a kicker.
22:37He has to know.
22:41Fuck my bits.
22:42Could we cover her up?
22:44What the hell are you doing here, O'Neal?
22:46He was at the scene.
22:47No, he's working my case, not yours.
22:48My case and your case might be connected.
22:50No, this is down to that bastard psycho.
22:53No, it's not.
22:53We're still trying to make a connection to Johnston.
22:56You're wasting your time.
22:56I told you it's not him.
23:00What did our housemates say?
23:01They're beside themselves.
23:03They want to see her.
23:04Well, they can.
23:05May I continue?
23:06What was she?
23:08Student, English faculty at Trinity.
23:10Oh, God.
23:12Oh, dear me.
23:14You've really been caught out, haven't you?
23:16Aren't you supposed to keep alerts open?
23:18Yeah, I do.
23:18Well, then how did this happen?
23:19How did she sneak right in under your nose?
23:22I'll say this nice and slow because we all know you still work your computer with a foot pedal.
23:28But university registrations are closed systems.
23:31Tuition had all been paid for.
23:32This could happen easily.
23:34There she is, our Jane Doe, farting about Dublin.
23:36She bumps into an old tutor or some other student in pneumatics back then and it's all,
23:40My God, Lexi, you're back. I can't believe it.
23:43I heard your parents put you in rehab in Arizona.
23:45Someone sharp, smart.
23:47They could put together a whole new identity just by nodding and smiling while people tell you who you are.
23:53Are you all on ketamine? Am I the only one seeing this?
23:57This is not some straightforward identity theft from some random Jane Doe.
24:03Look at them, will you? For Christ's sake, with your actual eyes. They could be twins.
24:08Going a bit red in the face there, Brian. Careful you don't have a stroke.
24:11Don't you, Brian, me, you arsehole.
24:13I knew two are quite finished banging a little box on the table. I would like to continue.
24:18Right so to kick her.
24:20There's a fetus. She was three months pregnant.
24:33Thanks for coming over, Father.
24:36I appreciate it.
24:48I need to speak to Father Anthony Cassandra.
24:51You go to your bedroom and have a little read of your book.
24:57How's the child coping?
24:58Not very well. She worries me.
25:16They're talking about us.
25:19I know.
25:20I reckon they just want to get us out of the way.
25:23So they can sit there and they nip with it all on show.
25:26Their big old bums and their cabbagey frunty bits.
25:29Shh, Lexi.
25:36You're here.
25:36I've got to go.
25:38I'm alive.
25:38I think I'll be right back.
25:43I think that's right.
25:49It's okay.
25:49I've got the door.
25:49You've got to go.
25:50I've got your phone.
25:51Now, let me see.
25:51You want to look.
25:52You want me to look right back.
25:52Here.
25:53Here.
25:59I have to go.
26:00You're not pregnant.
26:02Get a grip, get a grip.
26:04Get a grip.
26:23Change of plan.
26:25I've been doing some research.
26:27I want you to be Lexi for a few hours.
26:30So our housemates come to see her.
27:16Can you stop that, Rafe?
27:42Thank you, Detective O'Neill.
27:43I can take it from here.
27:46She's still with us.
27:48But she's critical.
27:50The next few days will be crucial.
27:58Is she gonna make it?
28:01Well, with his life, as my mom used to say, we really need to find our family.
28:08She doesn't have one.
28:11We're her family.
28:13She must have people.
28:14You're her friends.
28:14She must have talked about her people.
28:18I don't know how you talk to your friends, detective.
28:21I don't feel comfortable pushing mine on subjects that they find distressing.
28:28We are people.
28:29We are people.
28:30I don't know.
28:55We'll go.
28:58Alright.
28:58nearly killed a boy.
29:00All the people had his exclusive boarding skill
29:02and nearly killed him.
29:04He was hushed up, fuck knows how much it cost his parents.
29:07And he was shipped off to some
29:08even more exclusive school, prison, really,
29:11but with Latin and Greek.
29:13He inherits white-thorn house
29:14from an uncle, and he makes
29:16those three and our girl Lexi joint owners
29:18with him.
29:20All five of them own that house.
29:23So now you agree with me?
29:25It's nothing to do with Johnson.
29:28Can Lexi die now?
29:33Don't even think about it.
29:35I think.
29:37I think Lexi should get better
29:40and go back home
29:41to her friends. Take a while, of course,
29:42an injury like that. You'll have plenty of time to prep.
29:45I'm working a murder case, Frank.
29:47Katie Devlin, remember?
29:48Good old desk on me, Cass.
29:50All normal and ordinary and safe.
29:52So desk, it makes me sad.
29:54I'm not undercover anymore. Yeah, of course you are.
29:56With your boyfriend,
29:58your little routines,
29:59the dinner's out and dinner's in,
30:01going to films, trips to the pub
30:03and walks by the seaside,
30:04your pretend little life.
30:06God, you really have been watching me,
30:08haven't you?
30:09Undercover to the last.
30:11It's a good disguise, but
30:13Rob Riley's your weak point, Cass.
30:15How does poor Sammy boy not see it?
30:20Come work with me again.
30:23You know you're only happy being someone else.
30:26Lexi's your creation.
30:29Don't you want to know who killed her?
30:33I have to go
30:35cook in tiger and curry for my boyfriend tonight,
30:38from scratch.
30:39Then I'm going to throw him on the bed.
30:42Enjoy your microwave burger
30:44and your lonely wank.
31:06Detective Riley.
31:07I was looking for Miss Cameron.
31:09She's not here.
31:10I mean, that's obvious, isn't it?
31:16Sorry.
31:18How are you doing, Rosalind?
31:21Terrible.
31:23Really terrible.
31:27Why didn't Katie tell me she'd been followed?
31:31Why didn't she tell me about this man?
31:34I could have done something.
31:37Why did she keep it to herself?
31:40She probably didn't want to worry you,
31:42frighten you.
31:47Why are you here?
31:49I don't mean here, right now,
31:52but here.
31:53In Ireland.
31:56My dad's family were from Donegal.
31:59He died and I
32:01felt the pull, I suppose.
32:04Like me,
32:06I like being here because
32:07this is where I feel close to Katie.
32:10This is where she is.
32:19Radalind, you have to stop doing this.
32:23Simone doesn't mind.
32:25And I help her.
32:28Come on.
32:43I don't think it's appropriate for you to seek out my daughters without my permission.
32:47Rosalind is 18, which makes an adult.
32:49She doesn't need your permission for anything.
32:51Jessica does.
32:53Yes, but I wasn't actually looking for either of them.
32:55I wanted to ask if anyone here had ever seen this man hanging around.
33:00Your old friend, Cahill Mills.
33:02He landed back in Dublin this morning.
33:04He's not my old friend,
33:05so it's got nothing to do with me.
33:06Are you sure?
33:07Because if you wanted to take a moment to think about and amend any previous statements,
33:12including your statements from 1985,
33:13now would be the time.
33:17Stay away from my daughters.
33:33Cahill Mills.
33:35How's it going?
33:39Oh, my goodness.
33:46I want to take a moment to come here.
33:48Oh, my God.
34:21What the fuck are you calling me for?
34:25How did you get my mum?
34:29What, you mad before?
34:32No, no.
34:35I'll write Jesus Christ the whole way.
34:40Addy?
34:42Who was that?
34:44Are your mother and Jessica packed and ready?
34:47Nearly.
34:49Are you staying with us?
34:51I'm dropping you off. I'm coming back.
34:54So I have to look after them both on my own.
34:58In a static caravan with a tiny cooker and no proper bathroom.
35:02Rosalind, just go and finish packing, yeah?
35:05Just tell me why we're going. I don't understand.
35:08And who was that on the phone?
35:12Do as you were told.
35:29I didn't know him.
35:32Was he sure about it?
35:33Yeah, he didn't know any of them.
35:35I want to send him home. He's a mess.
35:37Fine.
35:39But he comes back tomorrow.
35:40Then show him that photo again, but we'll get something done with the hair.
35:42Make it look like it's scraped back.
35:48Well, you said yourself he's a mess.
35:50Give him a night off and look at it again tomorrow.
35:53You're the boss?
36:13Jane Baker.
36:17Perverse.
36:23Oh, my God.
36:27Oh, my God.
36:33Oh, my God.
36:34Oh, my God.
36:56You can't know for certain that it wasn't Johnston.
36:59Yes, I can't.
37:00He says it wasn't me, and you believe him?
37:02He didn't say it, and I just know for certain.
37:06We just get pizza. It'll be easier.
37:08I'm half right through now. Might as well carry on.
37:15They'll find out who she is.
37:17No, they won't.
37:18She doesn't exist. I made her up, and here she is.
37:26You know, one time I was home for my cousin's birthday.
37:30I was in the pub with everyone, and this couple come over.
37:32They're American.
37:33And they come to me.
37:34Oh, my God.
37:35You're the image of our friend.
37:36The image.
37:37So, uh, they get to show me photos, and, yeah.
37:41I'm the image of our friend, Trey, the firefighter in Boston.
37:45Me doppelganger.
37:46This couple take a photo of me, doing a thumbs up for Trey, and we all have a glass of
37:50whiskey.
37:51Wish each other a rising road, and go on our way.
37:55See, what I'm saying is, everyone's someone.
37:59This girl is someone.
38:01She hasn't just appeared.
38:02Why not?
38:04People disappear all the time, so why can't the opposite be true?
38:06Why can't people just appear?
38:09She's someone, Cassie.
38:10I mean, she smoked.
38:12She drank.
38:12She was pregnant.
38:15She existed, and they'll find out who she was.
38:19You didn't make her up.
38:22There's always something in your family, isn't there?
38:26Birthdays, weddings, christenings, first communions.
38:30Every weekend, there's something to celebrate.
38:33There's allowance.
38:35How do you keep track of it all?
38:36I don't.
38:37It's my mam.
38:38Mam keeps track of it all.
38:40And what do you want to do when she dies?
38:50Maddox, yeah.
38:51We have an Alanna Shoury, badly beaten, and your name has come up.
38:58I've drank too much to drive.
39:00Can you take me to the hospital?
39:13Alanna Shoury.
39:14Yes.
39:18Yes.
39:23Jesus Christ, Alana.
39:26It was his family.
39:29Cain's family.
39:30As I grasped them.
39:33They found me, so you have to move me.
39:36What a rest. Press charges.
39:38Are you fucking mental?
39:41Do you want me to get killed?
39:44I'm not saying a word against them.
39:48But you have to find me somewhere else to live.
39:50I can't go home, so get me somewhere else.
39:52Of course.
39:53Or do you ever think, trust me.
39:55We'll find somewhere else for you as soon as we can.
39:57No.
39:58Not as soon as you can.
40:00Now.
40:02Now.
40:07Or I'll tell.
40:09I will.
40:12I'll tell how you let Detective Riley say that I was lower than shit.
40:16So that I'd grasp.
40:20I know you heard him.
40:22I know you let him say that to me.
40:25So I don't trust you.
40:28I don't trust you until I'm in my new place.
40:32So you get me.
40:35Now.
40:42I'll make some calls.
40:47I'll make some calls.
40:57Okay.
40:59Great.
41:01Cheers.
41:05Okay.
41:06Emergency accommodation in a few days, and she'll be here until then.
41:08You let him do that.
41:11Rob.
41:13To her.
41:14My mom was killed.
41:15We got a result.
41:17You let a privately educated, privileged Englishman.
41:21Telling an Irish girl like that with nothing.
41:23With no privileges, she was shit.
41:25I don't fucking care if his granny was born in some shadow of the West.
41:28He's still English.
41:29Telling her that she's shit.
41:32You can't see what's wrong with her.
41:34Always the politics.
41:36The politics in the dirty past.
41:38Grow up.
41:43You got money on you?
41:44Yeah, why?
41:44Get a cow home.
41:59The reason I know that girl's murder had nothing to do with Johnson is because I used to fuck him
42:03for a year.
42:04His girlfriend is a piece of wild posh.
42:06Do anything.
42:07You get to really know him, man, when he's inside you.
42:10You get to know his tell.
42:12Quite enjoyed it, if I'm honest.
42:13Anyway, sleep tight.
42:38Lexi did it.
42:52Lexi placed her hair off, Rob.
42:55Just two teeth.
42:58Our witness.
43:00Dang Christ, the baby's okay.
43:03We'll relocate her.
43:05Yeah.
43:06We'd better.
43:17It's been such a shit day.
43:19What about that girl calling herself Lexi?
43:21Are you safe?
43:22Safe as I'm ever going to be.
43:24I've stepped away from it all.
43:25Frank's mess.
43:26He can clear it up.
43:27It's such a shit day.
43:32I told Sam about me and Johnston.
43:37Cass.
43:37Yeah.
43:39Why would you do that?
43:40To shock him.
43:42To see his little fanboy face crease up.
43:45Because I was angry.
43:48Because today's been really, really shit.
43:58He's driving, not going home.
44:00On our way.
44:01Carl Mills is on the move.
44:03We'll see where he's going.
44:12There's a junction coming up.
44:13He's going straight ahead.
44:15Take the junction.
44:16We've got him from here.
44:17Good work, Phelan.
44:19Anytime, detective.
44:20No worries.
44:23Exploiting his man crush?
44:25Yeah, fine.
44:25I'm exploiting his man crush.
44:27So what?
44:38Carl Mills is going to knock Noreen.
44:41That's where he's going.
45:11What has he been saying?
45:12About what?
45:13About fucking nights.
45:16Told him we were at the cinema.
45:18All right, Sandra.
45:20Not that anyone's going to believe a word out of her slack mouth.
45:22My daughter was murdered, Carl.
45:24My baby was suffocated to death.
45:29Shane.
45:30Have you seen him?
45:31No.
45:32Tim, paying all that bullshit all over the place.
45:35You know that?
45:35Yeah?
45:36Tim, he's off his tits.
45:38He's been following me around.
45:39It's going on about raising darkness.
45:41I've been paying this shit to go away.
45:43I've been dealing with this.
45:43You haven't.
45:44Now I've got some prick detective on my case.
45:48Come on.
45:51My daughter was killed.
45:54My daughter!
45:55My baby is dead!
46:00It's blood pissing out of my nose.
46:02He broke my nose, you bastard.
46:05Did you think that we were going to live normal lives?
46:07Did you really think that, Carl?
46:10That there'd never be a reckoning?
46:11You're as bad as Shane.
46:13You're as bad as him.
46:14He gets in touch with you, you tell me, yeah?
46:17Because I'll end him.
46:19I'll leave his bones in a ditch.
46:20I'll think nothing of it.
46:23I got out of this place.
46:24I am not getting dragged back.
46:27I will?
46:51I'm not getting dragged.
46:54You're as bad as Shane.
46:54Mike?
46:54We have to find Shane Waters. He's the key to 1985.
46:58He knows what happened to Jamie and Peter.
47:00We find that out. We find out who killed Katie.
47:02He might know what happened to you.
47:08What are you gonna do about Sam?
47:11Nothing.
47:13It's not like I can explain it, anyway.
47:16But not to him.
47:17He's not a freak like you.
47:20You understand, but he wouldn't.
47:24That...
47:25It was never really weed and all of that was Lexi.
47:29She was always the bold girl.
47:32The sort of thing she did.
47:35What was that?
47:39Dunno.
47:40Why are you here for a second?
47:53No.
47:53Oh, my God.
48:33Hit me with your rhythm stick.
48:36Hit me.
48:37Hit me.
48:38Hit the door to hear me.
48:40Hit me.
48:41Hit me.
48:41Hit me.
48:42Hit me with your rhythm stick.
48:44Hit me slowly.
48:46Hit me quick.
48:47Hit me.
48:48Hit me.
48:49Hey.
48:49There's a deer.
48:50There's a deer.
48:51Shoot.
49:20There's the deer.
49:26Eat room.
49:28Oh.
49:41There's a deer.יסhip
49:44grazer. Come on
49:47up. Shady
49:48Tomar. Follow me
49:49головist. I'll
49:50Mommy? Daddy?
50:26Mommy? Daddy? They're dead. But you've got me. You've always got me.
50:54Oh, bollocks. Sorry, mate.
51:15It was nothing. Whatever it was, it can't fit that hard.
51:20Oh, my God. Cass?
51:23No, I'm OK. I'm all right. I'm all right.
51:34OK.
51:49I'm all right.
51:58OK.
53:08Good morning, Cathy.
53:09Hey, morning.
53:10Good night.
53:17Guess who's back on hotline duty.
53:19Damien Dandy cried off.
53:21His mum's having a bad day.
53:23Got to stay home with her.
53:25Where's Riley in, O'Neil?
53:26Riley's in the basement doing something weird, a bag of rubbish.
53:29O'Neil.
53:36You should be looking for Adam.
53:40Ask Adam what he did in the woods.
53:41Look at her.
53:55Hey.
53:59Anything?
54:04What?
54:08Rob, it's just me.
54:10I knew you'd think it was something.
54:15What's happening here?
54:16You were crying, Cass.
54:18Crying girls make me hard.
54:20That's it.
54:21That's all.
54:24If it makes you feel any better, you can tell yourself Lexi did it.
54:36Fuck you.
54:39Fuck you.
54:45Fuck you.
54:51Fuck you.
55:01Fuck you.
55:05Fuck you.
55:07Fuck you.
55:08Fuck you.
55:09Fuck you.
55:10Fuck you.
55:10Fuck you.
55:14Oh, my God, it's all right.
55:22Oh, my God.
55:34Oh, my God.
55:39Lexi did it.
55:41There is no Lexi!
55:44There is no Lexi!
55:46There is just you!
55:48There's just you!
55:50I know! I know! I know!
56:30I'll do it. I'll be Lexi for you.
56:43What's the nature of the bond between you and Colin Mills?
56:45What's the secret?
56:47There isn't one.
56:48I should've been able to say what happened.
56:50Maddox, you just say the word and I'll get you out.
56:54Operation Mirror is born.
56:56Welcome to the world, blessed warped child.
56:59You found us.
57:00I'm gonna get the truth, Margaret.
57:02I'm gonna get it all.
57:03Peter! Where are you?
57:05It's probably the first thing you thought.
57:07The first thing you saw, the key to it all.
57:12Where are we gonna die?
57:15Why can't you remember?
57:16Where are we gonna die?
57:19Rosa!
57:19Rosa!
57:20Rosa!
57:21Rosa!
57:23Rosa!
57:35Rosa!
57:36Rosa!
57:41Rosa!
57:42Rosa!
57:42Rosa!
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