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Bergerac.2025.S01E03.540p.x265.AAC [Full Movie] [Must See]Full EP - Full
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00:04Jesus, no.
00:05She's gone! Someone's taken Lily!
00:08Kate was killed while attempting
00:09to stop an abduction. Have you shown them the letters?
00:12It says no. This has nothing
00:13to do with the damn letters. You think
00:15it was one of the star? I want them gone.
00:17All of them. John Blakely's alibi was
00:19locked. But later, when I was pitching John as a
00:21suspect to the team, you didn't mention you'd just filed an
00:23alibi for him. Maybe we could talk
00:25about you coming home.
00:28I'd like that, Dad. What do you make
00:29her happy? We love her.
00:31Where I come unstuck is the quarter of a million
00:33pounds you tried to extort from the family.
00:35There was no ransom. Doesn't make sense.
00:37I don't think they killed Kate.
00:45I've been
00:45asked by the Wakefield family to make a
00:47statement. Words
00:49cannot convey the relief we feel
00:51having dear Lily back.
00:54And to know that major
00:55progress has been made into the investigation
00:58into our beloved Kate's murder.
01:01As you can imagine, this has been a very difficult time
01:04for the family. Firstly, we'd like
01:06to thank everyone who has sent messages
01:08of condolence and support.
01:10We really have been overwhelmed.
01:13but most importantly, we'd like to thank the police
01:16and in particular, DCI Bergerac.
01:19There it is.
01:22It was his tenacity and diligence that brought
01:26Lily home and led to this
01:28arrest.
01:31Nonetheless, we are
01:32still grieving. And so
01:34as I'm sure you'll understand, we would
01:36ask for privacy at this time.
01:42Returning to our top story.
01:55있게 kız
02:08you
02:08Help
02:08you
02:10help
02:10you
02:11Don't
02:12help
02:12you
02:13help
02:13you
02:13help
02:37That has to be some kind of record.
02:39Kate's only been dead, what, 60 hours?
02:41Well, I mean, killing someone and getting away with it,
02:43it's almost impossible today, you know?
02:45CCTV everywhere, there's mobile phone tracking,
02:48there's unbelievably sophisticated forensics now.
02:50Yeah, but from what you told me,
02:51none of those are how you found the murderers.
02:53No, no.
02:55Yeah, it was more instinctive.
02:59I think that's why I'm second-guessing it now,
03:01because there are holes in the theory.
03:04Well, do you mean their alibi?
03:06No, it's definitely holes in their alibi.
03:08No, I mean holes in the police's theory
03:10about them killing Kate.
03:12No, I'm confused.
03:14It was your theory.
03:15But now you think that somebody else killed Kate
03:18who may or may not have also been attempting
03:20to take the baby.
03:23Maybe we shouldn't be discussing the case.
03:28Sometimes when we are discussing the case,
03:30we're not discussing the case.
03:35Why did you go back to work?
03:36Because I was ready.
03:47Because what grief was defining me,
03:51because I was a mess,
03:52because I needed to prove something to myself.
03:57To Kim.
03:59When did you last have a drink?
04:01About 58 hours ago.
04:03How's that going?
04:04How's it going?
04:05It's torture.
04:07You don't look like someone who's being tortured.
04:13Where is Kim in her process of grief, do you think?
04:16Have you tried talking to her?
04:20It's pending.
04:25Say they did it, Mia and Tomáš.
04:29Walk me through what happens next.
04:31Well, we put together a case and we take it to court.
04:35The team investigating the murder,
04:37my job is to find the ransom money
04:39and tie up the abduction charge.
04:41Well, that feels less consuming.
04:44So,
04:46more time to think.
04:49Sorry, you think my doubts aren't actually doubts?
04:54That I'm artificially
04:57prolonging
04:57the case?
05:01If you have found who did it,
05:03then
05:04the end is in sight.
05:06With no support.
05:07A conversation about your dead wife pending
05:09and not even three full days
05:12into sobriety.
05:13I...
05:14I just want you to think
05:16about what that would mean.
05:23So, the magistrate has denied bail
05:25for me and Tomáš
05:26because they're such obvious flight risks.
05:28Where are we with the timeline?
05:29Although Night Kate was killed,
05:31Mia says they were at home all evening.
05:33We can trace them through
05:34till receipts and CCTV
05:36up until 1603
05:39and then we lose them.
05:40So, we need to keep looking.
05:42Or we should consider
05:43other possibilities.
05:44No, we're not there yet.
05:46Here's a question.
05:47They don't have a car.
05:48How did they get to the house
05:49the night they took the baby?
05:50The bus, Mia said.
05:51Okay.
05:52Let's pull CCTV
05:53from all buses
05:54whose routes go towards
05:55the Wakefield house
05:56an hour before Kate was killed
05:57and away an hour after.
06:00Contact the minicab companies.
06:02Circulate me and Tomáš's picture.
06:04Half a lager top
06:05for the first person
06:06that puts them at
06:06or near the house
06:08the night she was killed.
06:22I set you up beautifully there.
06:24You did?
06:25Yeah.
06:25I said we should consider
06:26other possibilities
06:27and then I looked at you
06:29so you could stand up
06:31and rip down Mia and Tomáš's photo
06:32and say what you said yesterday.
06:34It would have been brilliant.
06:35Yeah, that was just me
06:36thinking out loud.
06:37Oh, no, don't go back
06:37on this now.
06:39I didn't sleep a wink last night.
06:41Look, it's them.
06:43Yeah, you know how I know
06:45because the alternative
06:48is that shit.
06:51Well, you won't want
06:52to see this then.
07:02One of the letters
07:03we intercepted
07:04going into the Wakefields' house
07:06sent a day before Kate was killed.
07:09Elaine, Wei, Gans, Elaine.
07:12It's German.
07:15Alone, alas, all alone.
07:18It's from an opera,
07:19Elektra,
07:20by Richard Strauss.
07:22Thank you, Google.
07:24Has Barney seen it?
07:25He said,
07:26well, families get sent weird shit.
07:30He's right.
07:32Yeah, but they're usually
07:33straight up abusive,
07:34not cryptic like this.
07:37I just check it against
07:38me and Tomáš's handwriting.
07:40I'll have to find
07:41his ransom money.
07:49Listen, can I just
07:51grab a copy of that?
07:54I'm heading over
07:55to the Wakefields
07:55to ID Tomáš.
07:58May as well
07:59run it past them.
08:24I'm heading over to the
08:31Go on, I can't see you.
09:07It's hard to...
09:08He had a scar around his mouth and...
09:15Which one of these is Tomas?
09:16I can't tell you that.
09:19No, of course.
09:21I know that it's one of them, I'm just not sure exactly which.
09:26No worries, thank you anyway.
09:28About my money, Inspector.
09:32Mia and Tomas didn't have it with them when I arrested them.
09:35And it wasn't at their property, so we're assuming it's with an accomplice.
09:38Well, whoever made that phone call, I said this, didn't I?
09:41He didn't have an accent, so even with whatever he used to change his voice, he was English.
09:47But look, at some point the money will enter into circulation,
09:50and when that happens it gets flagged in our system and we can move in.
09:52But you haven't actually charged Mia and Tomas with Kate's murder yet?
09:56My colleague Barney Crozier is leading the murder investigation.
09:59They're putting a case together, I expect I'll have some news pretty soon.
10:03Just something I wanted to ask you about.
10:07This was sent to you the day before Kate's murder.
10:13Alone, alas, all alone.
10:18That's a quote, right?
10:21Yeah, it's from Electra by Strauss.
10:24Any idea why someone would send you a message like this?
10:26No, none at all.
10:28You sure?
10:29You've no idea what it's leading to?
10:31No.
10:32Which one would assume is the whole point of a threatening letter.
10:36I didn't say it was threatening.
10:41Thanks for your time.
10:53I barely know Arthur Wakefield.
10:55Not my circle at all.
10:57Construction.
10:58Cement.
10:59Dust.
11:01Labourers.
11:02Okay, so who does?
11:03Who can I talk to?
11:05Don't you all go to the same club and light cigars with 50 pound notes?
11:10You know, dress up a poor person as a fox and chase them through a forest.
11:13Oh, you mean the Jersey Club.
11:15Yes, that's exactly what we do.
11:18Wednesdays after bingo.
11:19Okay, and Arthur's a member there too, yeah?
11:22Right, thank you.
11:29How's Kim?
11:30You can ask yourself.
11:31She'll be back for lunch later.
11:33I've insisted she has her lunch here now.
11:35Do you know what she usually has?
11:36A sandwich out of a machine.
11:38She told me that.
11:40She said those words.
11:42I need to check this club out.
11:43I need to speak to someone who knows Arthur.
11:45You're not looking like that, you won't.
11:47I'm wearing a suit.
11:49If one can call it that.
11:50What?
11:56You could go.
11:57What?
11:57What?
11:57You speak the language.
11:58You understand the customs.
12:00Look, I just need some background on Arthur.
12:03Yesterday, I was trying to steal your daughter.
12:05Now, suddenly, I'm going undercover.
12:08Besides, I thought you had your killers.
12:10No, there's been a development.
12:13Could have been a development.
12:16But Kim said the plan was for her to spend some nights at home now.
12:20No, no, that's still the plan.
12:21It's just the question of when.
12:25I'll talk to her.
12:26It's fine.
12:30So, the club.
12:35Quid pro quo.
12:38I sniff out some dirt.
12:40Help crack the case.
12:42Burnish your somewhat tarnished reputation.
12:44And this afternoon, you and I will be given a private tour of St. Bernadette's.
12:50No.
12:50We disgusted.
12:51I disgusted.
12:53You had an attack of the vapors.
12:56I'm sure they wouldn't mind.
12:57They love to throw open the doors for old girls.
13:01But equally, you could press your nose up against the window of the Jersey Club like some Dickensian waif.
13:34I'm sorry about Kate.
13:36What?
13:37Oh.
13:38Yes.
13:39Bad news.
13:40Whoever did kill her will get away with it.
13:43Rightio.
13:44Don't do that.
13:45Please.
13:46Please.
13:48Please don't walk away from me.
13:50Just one minute.
13:51I need to talk to you about Bergerac.
13:56Thirty seconds.
13:59Okay.
14:03You see, he's not interested in accuracy.
14:05He doesn't want to find who did it.
14:07He just wants to find someone.
14:11He...
14:11He falsified evidence against me.
14:14He ruined my life.
14:17You could see for yourself.
14:19John Blakeney.
14:20There's a Wikipedia page about me.
14:22They won't let me edit it.
14:24Sorry.
14:24This is coming out wrong.
14:26How about we sit down and I tell you what he did.
14:31Because he's corrupt.
14:32No, please.
14:34He's ruthless.
14:36Please, listen to me.
14:38He will lie to you.
14:41He will lie to you!
15:05Right.
15:07Keep it nice and informal.
15:09Just a quick catch up.
15:11Bit of gossip.
15:12And then when the moment is right,
15:14you lead the talk towards Arthur Wakefield.
15:17There used to be a little terrace there that caught the sun.
15:21It's been absorbed by the car park.
15:24Which would suggest they're increasing their membership.
15:29You're not the only detective in the family, you know.
15:34How must things change?
15:52Good Lord, it's Charlie Hungerford.
15:55Nigel?
15:56I can barely see you through the haze of Tupigou and Viagra.
16:00Well, you'll join us, won't you?
16:02Well, why not?
16:03Must be six o'clock somewhere.
16:07I can't believe it.
16:08You don't look a day over 35.
16:10You really must do something about those cataracts, darling.
16:13We were so sorry to hear about Rachel.
16:18We soldier on, don't we?
16:21Your health.
16:25Well, what's the gossip?
16:53And remember Bobby Guthrie?
16:56liver transplant
16:57hardly surprising
16:59anything under 12% is breakfast wine
17:02well I remember
17:03I'd like to pay my condolences to Arthur Wakefield
17:06oh god yes
17:07ghastly business
17:08is he in the spa?
17:10I saw his car outside
17:14actually that's mine
17:16now
17:17how on earth did you get him to park with it?
17:20or is he currently still in the boat?
17:23people change
17:27or in your case
17:29they don't
17:34will you excuse me boys
17:36little ghastly
17:48oh I see
17:49Bergerac
17:51the son-in-law
17:53dear me Charlie
17:54it's Richard Nash
17:55isn't it?
17:56I'm really sorry about this
17:57I know it's a little unconventional
17:59it's just really important
17:59I speak to someone about Arthur Wakefield
18:01well I can't help you
18:02wait in the car James
18:03no I think I should
18:04I've got this
18:05I've got this
18:06as Kim would say
18:07hence the new school
18:11forgive the subterfuge Dickie
18:13but this is important
18:14what happened to Arthur's daughter-in-law
18:17it's possible
18:18he was the target
18:20I know
18:21I know
18:22and in his own home
18:23but the police don't have a clue
18:25this isn't their world
18:27so can you think of anyone
18:29who'd want to hurt Arthur?
18:31I'm sure he's put some noses out of joint over the years
18:35could any of them be behind this?
18:39a light Cirrusel
18:41it was an engineering company
18:43that Arthur bought back in 2009
18:46look it up
18:47but you won't see his name anywhere near it
18:49well what happened?
18:50was there an issue with the sale?
18:51no Charlie
18:52that's all you're getting
18:56and it wasn't from me
18:59understood
19:01bless you Dickie
19:06ah here we are
19:07allied Cirrusel
19:09sold in 2009
19:11to a company called Loctex
19:14researchers at allied
19:15develop a breakthrough
19:16non-lithium battery
19:18the Cirrusel battery
19:19which is now used globally
19:21upwards of
19:2210 million sold last year alone
19:25and they were bought by
19:26who?
19:27by Loctex?
19:27what does it say about that?
19:29nothing
19:30nothing that's all there is
19:31ah go back to the first company
19:32allied Cirrusel
19:33who owned that?
19:34here we are
19:35Jonathan Robson
19:38oh
19:38he invented this magic battery
19:40but died
19:422010
19:44jumped off the roof of his old office building
19:46leaving a wife Linda
19:48and a daughter Ellie age 10
19:52give me a favor
19:53while you got the phone out
19:55look up the plot of Electra
19:58I don't mean to
20:00Electra is a character
20:01in Greek mythology
20:03condemned to a life of poverty
20:05after her father
20:07King Agamemnon
20:08is murdered
20:09and so wreaks revenge
20:11on his killers
20:13and that is the benefit
20:15of a world-class education
20:16except Bernadette's
20:21great for club quizzes
20:33hey hey
20:34dad great
20:36I need some money
20:39no listen
20:40it's pointless carrying my toothbrush
20:42and stuff with me
20:42every time I go back home
20:43so wouldn't it just keeps him here
20:46yeah
20:47yeah
20:49um
20:51yeah about that
20:54you know those people
20:55that we arrested
20:56mhm
20:58I don't think they did it
21:00so
21:01so the case
21:02goes on
21:03just means that I won't be at home
21:05much
21:09right
21:09I'm really sorry
21:10I know that staying here isn't perfect
21:12it's not that
21:13it's just
21:15we were going to talk weren't we
21:17yeah we will
21:20you keep saying that
21:21I don't keep saying it
21:22I've said it
21:23once
21:26it's for you too dad
21:29the conversation
21:30you needed to
21:31you got me all worked out
21:32haven't you
21:37no
21:38sorry
21:38you're right
21:42in the meantime
21:44let's do lunch
21:45tomorrow
21:47how does that sound
21:48yeah sure
21:50that'll be nice
21:53um
21:54I should probably
21:55yeah
21:57no
21:57go for it
22:04I gotta call you about tomorrow
22:11bye love
22:12bye dad
22:33oh god what is that face
22:34hate that face
22:40on the night of Kate's murder
22:41yeah
22:42Tomos said he took in a package for a neighbour
22:44so I
22:45checked it out
22:46and um
22:48yeah
22:48it tallies up with the time code from the courier
22:51you are shitting me
22:52did you see me
22:55over Tomos' shoulder
22:57asleep on the sofa
22:58well that's back to a square fucking one
23:01we're obviously still charging for the abduction
23:04oh whoop-dee-doo
23:05that's not even my case
23:08speaking of which
23:09where is golden balls
23:15hey
23:16it wasn't me
23:17it wasn't me
23:17and Tomos
23:18they've got a solid alibi
23:19you were right
23:20but your absence is getting commented on
23:22Barney wants a team meeting to discuss new leads
23:24I'll have to raise the letter again
23:25uh
23:26give me half an hour on that
23:27I've got some traction
23:28um
23:30listen
23:30do the Wakefields know about me and Tomos yet
23:32no
23:32I was going to head over after the meet with Barney
23:34don't tell them just yet
23:37Arthur's hiding something
23:38knowing that me and Tomos are in the clear for murder
23:40might make him clamor even more
23:42Arthur's hiding what?
23:44does the name Ellie Robson
23:47mean anything to you?
23:51or Jonathan Robson
23:53ring a distant bell
23:57no?
23:58what about Allied Cirrusel?
23:59it's Jonathan Robson's company
24:00it's bought by another company called Locktex
24:03the weird thing is
24:05they didn't exist before or after this transaction
24:09they appeared out of nowhere
24:10bought Allied Cirrusel
24:11and then disappeared
24:14like Brigadoon
24:15then one of Jonathan Robson's innovations
24:17the Cirrusel battery
24:19starts the feature in your marketing
24:22what's that phrase you use?
24:25power need not corrupt
24:29I bought Locktex
24:32and with it
24:33the catalogue of patents
24:35innovations
24:36plans
24:37back of the beer mad ideas
24:38oh and the
24:39the debt that came with their purchase
24:42of Allied Cirrusel
24:44the thing is
24:45a couple of years later
24:46Jonathan Robson committed suicide
24:49correlation doesn't imply causation
24:51inspector
24:53Jonathan Robson was clearly a brilliant man
24:55he was also a very troubled man
24:58but his intellectual property was paid for
25:00some might say handsomely
25:02though some might not
25:05which brings us back
25:06to this
25:07I believe this came from
25:10Ellie Robson
25:12Jonathan Robson's daughter
25:13hence the references
25:14to a murdered father
25:16and an avenging daughter
25:17it is a bit oblique though
25:19isn't it
25:19coming out of the blue
25:20I can't imagine it would make much sense
25:21it feels to me
25:22more like
25:23a
25:25theme
25:27so
25:28how many have there been?
25:31two or three a year
25:32for the last five years
25:33that's all
25:34that's all
25:35do you still have them?
25:35no we do not
25:36I threw them out
25:39Ellie Robson is a fantasist
25:40she's trying to make sense
25:41of her father's death
25:42now if I'd thought for one minute
25:44that she was involved in Kate's death
25:46I'd have told you
25:46it is not up to you to decide
25:48what is or what isn't relevant
25:50or who is or who isn't
25:51a credible suspect
25:53you have your suspects
25:54they're literally in bloody custody
25:55we haven't been able to charge them yet
25:57and until we do
25:58we have to pursue other leads
25:59so this is important
26:01rightly or wrongly
26:02she believes that you ruined her father
26:04and that is a motive
26:07what to kill Kate?
26:08oh come on
26:09to hurt
26:09you
26:16so what are you gonna do?
26:18what am I gonna do?
26:19she's a suspect
26:20I have to look into it
26:21but moving forward
26:22let's just assume
26:23everything is relevant
26:26clear?
26:38I only wanted them to know
26:39about the letters
26:40now they do
26:42I wanted them to know
26:43because if it was Ellie Robson
26:45then you're the target
26:47meaning there's every chance
26:49you'll come back
26:49to finish the job
26:51Ellie Robson
26:51didn't kill Kate
26:52we know who killed Kate
26:55and in the meantime
26:56a question here
26:57a question there
26:58that's all it takes
26:59and as far as Bergerac
27:01is concerned
27:02this isn't even
27:03about Kate anymore
27:04he's never gonna give up
27:12what is it?
27:17there was a man here earlier
27:22yeah
27:23Kara showed me the letter
27:24I said
27:25grieving families
27:26get sent weird shit
27:27and you're right
27:27but
27:28it turns out
27:29there's this whole other story
27:31with this Robson guy
27:31whose daughter has been
27:33basically
27:33she's been harassing Arthur
27:34for years
27:34where I get confused is
27:36what does this have to do
27:37with the ransom money?
27:38no it doesn't
27:38but I was literally
27:39in the room with Arthur
27:40so I just thought
27:40I'd check it out
27:41and all this
27:42you did this just because
27:43you were literally
27:43in the room with your laptop
27:45and your printer?
27:45well no
27:46I wanted to give you
27:46something tangible
27:47I didn't want to repeat
27:48what happened with John Blakely
27:51you know
27:51when I foolishly went after him
27:53not knowing he had an alibi
27:54even though his alibi
27:55had actually come through
27:56to this team
27:59yeah
27:59no
27:59that's
28:00no
28:01good
28:02always good to be sure
28:04I buy this
28:04I think she could be
28:05a real person of interest
28:06great
28:06to the murder inquiry
28:08which is why I will go
28:09and have a chat with her
28:09give me a minute
28:10and I'll come with you
28:10that's alright
28:10I'll take Cara
28:11you got ID on the Robson girl
28:12oh look at that
28:14it's all in here
28:14this is great stuff
28:15thank you Jim
28:17Cara
28:18with me
28:33how did she do that
28:49thank you so much for being here
28:51very nearly the time we agreed
28:55see
28:56see
28:56they're not the midwitch cuckoos after all
29:00Mrs. Hungerford
29:02so lovely to meet you
29:03Rose Parsons
29:04head of English
29:05thank you so much for arranging this
29:07in such short notice
29:08this is my son-in-law James
29:10can I just say
29:11how sorry we were
29:13to hear about Rachel
29:14some of her teachers
29:15are still on the faculty here
29:17and I know they all thought
29:18the world of her
29:18so did we
29:20now once I finished
29:21showing you around
29:22I was hoping you might
29:23linger a moment
29:24someone mentioned
29:25that Rachel was in
29:26a production the school did
29:27of Romeo and Juliet
29:28that's right
29:29she played the nurse
29:30well
29:31I had a bit of a trawl
29:32through the archive
29:33and you'll never guess
29:34what I found
29:35an actual video
29:36of the production
29:38I had a quick look
29:39she has the audience
29:40in fits
29:42I thought we could watch it
29:43or at least as much
29:44as you have time for
29:45honestly
29:45she's absolutely glorious
29:48goodness
29:48that sounds
29:50fun
29:52what do you think James
29:53yeah
29:56yeah
29:57wonderful
29:57shall we
29:58yes
29:59I hear Kim
30:00is very musical
30:01remind me to show you
30:03the new recording
30:03actually it's
30:04sorry
30:04I've
30:06I've left something
30:07in the car
30:29you cover the back
30:30she might be expecting a visit
30:32okay
30:56it's Ellie Robson
30:57yes
30:58detective inspector
30:59Barney Crozier
31:00do you mind if I come in
31:00of course
31:01of course
31:08of course
31:25right
31:26Miss Robson
31:40oh
31:40oh
31:40oh
31:40oh
31:40oh
31:40oh
31:41oh
31:41oh
31:44oh
32:08Look, even I would struggle to see my dead daughter happy and healthy and glorious technicolor,
32:13but we're here for Kim.
32:14And so we go back in there and we smile and we gaze and all at all the world-class
32:19facilities
32:19and then we say, oh no, moustache, and we go home and scream into a pillow.
32:24I am doing my best.
32:26I am trying to give Kim stability and solidity.
32:32That's why I'm back at work.
32:33But just sometimes it's just a lot.
32:42Today was fun.
32:44I enjoyed being useful.
32:48I could forget you just for a minute.
32:52So I see the attraction.
32:56But it's a mirage.
32:59You understand that, don't you?
33:04DC Malloy to all ranks.
33:06Urgent assistance required.
33:10Suspect, Ellie Robson.
33:11Female 25, Madoff, heading towards the A11.
33:16She had the home advantage.
33:18Suspect vehicle heading northwest on Valley de Saint-Pierre, taking a left-left into Sandy Brook.
33:25DCI Bergerac on Rue de Monde.
33:41DCI Bergerac on Rue de Monde.
33:53Could she be heading to the Wakefields?
33:55No, opposite direction.
33:56She could be heading to the port.
33:58She might be trying to get off the island.
33:59I know where she's going.
34:01All units head to Marshall House on Valley de Saint-Pierre.
34:08I know where she's going.
34:08Help me out here.
34:09The detective in charge of investigating your daughter-in-law's murder.
34:14You want us to what, expose him, undermine him?
34:18Right, the murderers are already in custody, so there's sudden interest in my business,
34:22of which, by the way, there is nothing amiss, okay? Nothing.
34:25It's irrelevant. It's a fishing expedition.
34:27Yes, but look at the optics, Arthur.
34:31Bergerac is popular. He's admired. Where is him? You know what he did.
34:35Yeah, but what if he didn't?
34:37What if what he said was true?
34:41And Bergerac really did try to falsify that evidence.
34:44What if we're talking a whole career of corruption and criminality?
34:51Or when there's, um, there's one other thing to consider.
34:56Remember, I'm on the board of directors of your fucking newspaper.
35:02I think that covers everything.
35:15I'm gonna need paramedics and the fire service. She's gonna jump.
35:18Wait, what? How do you know?
35:19I found her.
35:37Ellie?
35:44Ellie?
35:47Ellie?
35:50My name is Jim.
35:52I'm a police officer.
35:57This is where your dad died, isn't it?
36:02Look, I know who he is.
36:04I know what you think Arthur Wakefield did to him.
36:07I didn't kill Kate.
36:08Then we don't have a problem.
36:09I just sent the letters.
36:10Yeah, well, the letters aren't that big a deal.
36:14I wanted to do more.
36:16Well, yeah, I'm sure, but you didn't.
36:18I wanted to set dogs on him.
36:20That would have been too much.
36:22This rage.
36:24It's all I am.
36:26Top to bottom.
36:28Everything stopped when my dad died.
36:31I may as well have jumped up with him.
36:34I can't.
36:42Why don't you tell me what happened?
36:46Arthur knew about the battery.
36:50He'd seen the plans somehow, but he paid my dad a pittance.
36:58Do you know how much money Arthur made of dad's battery?
37:02How much?
37:03Ten million.
37:05The shame my dad felt for getting tricked like that.
37:11And he watched us struggle.
37:14And it tore him apart.
37:17Obviously, he...
37:19My mum tried getting lawyers, but they said Arthur had it all sewn up tight.
37:26So, yeah.
37:27Ten years later, I sent him these pathetic little letters.
37:34I know a bit about how you feel.
37:39You lose someone you love.
37:41It's a line through your life.
37:45Everything's before or it's after.
37:47They're different worlds.
37:51And I know a bit about the shame that the dad felt, too.
37:58In fact, I say I'm something of an expert there, but look, he wouldn't want this.
38:01Just as I wouldn't want this for my daughter.
38:07The waste of his life, the waste of yours.
38:11That is when Arthur Wakefield really wins.
38:19Aren't you cold?
38:23I'm absolutely freezing.
38:35He is winning, though, Arthur Wakefield.
38:38Look at him.
38:39There's nothing, but...
38:41Let's see what we can do about that.
38:44Well, let's see what we can do about that.
39:12I should be here.
39:17Gillian, God, I'm so sorry about Kate.
39:20Did you get the flowers we sent?
39:22No idea.
39:27Oh, sorry, this is John.
39:29He's here to help us with...
39:32Sorry for your loss, Mr Wakefield.
39:36Thanks.
39:37And who's this?
39:38It's my daughter, Lily.
39:39Oh, hi, Lily. You're beautiful.
39:42Yeah, she's a monster.
39:45Actually, Dad, do you mind just taking her for a minute?
39:47Yeah.
39:48I'll take her.
39:49No, no, no, please don't worry.
39:50She might be sick on you.
39:52You wouldn't do that to me, would you, Lily?
39:55Well, if you're sure.
39:57Okay.
39:59Here we go.
40:01You let go!
40:03Oh!
40:04Oh!
40:07Mmm.
40:11She's here.
40:18Gentlemen, I hear you have a story for me.
40:23Time now is 8.19 p.m.
40:26Also present is Miss Robson's solicitor, Mr Pat Davis.
40:30Miss Robson, you understand why we're speaking with you?
40:34Because I sent the letters to Arthur Wakefield.
40:37All of them.
40:38So you're admitting to harassment?
40:40No.
40:41No.
40:42I'm admitting to sending some letters with opera quotes in them.
40:46Though some early ones had lines from the Discworld novels.
40:51Okay.
40:52Let's talk about intent.
40:54When you're sent...
40:55For the purposes of the recording, DC Malloy has just entered the room
40:58and handed me a file and a mobile phone.
41:03Intent's irrelevant.
41:04How can intent be irrelevant?
41:05Because, correct me if I'm wrong, but having bad thoughts about someone isn't illegal.
41:10With intent.
41:10Sorry, Ellie.
41:11These photographs were on your phone.
41:12They're of the Wakefield house.
41:14They include images of the exterior, the main entrance, interior rooms,
41:20hand-drawn floor plans of all floors.
41:22Where did you get these, Ellie?
41:23Did you take them?
41:23Hang on.
41:24Where did you get these images, Ellie?
41:25Did you take them?
41:26Kate sent them to me.
41:30Why would Kate Wakefield send you these?
41:33I met her about seven months ago at a charity event.
41:37I hadn't planned on telling her about my dad, how Arthur defrauded him out of all that money.
41:42It just came out.
41:45She couldn't believe it.
41:47She said she wanted to help me.
41:50Help you to what?
41:51If there was any proof that Arthur had committed fraud, she said it would be on his laptop.
41:57She had this plan.
42:00The family were going to be at some opera thing.
42:03The baby was with the nanny.
42:04There was no CCTV.
42:07So I was supposed to sneak in the house, grab the laptop and get out.
42:12Were you inclined to make use of the information that she sent you?
42:17I was inclined.
42:20I'd love to be the sort of person that can just do that, but I'm not.
42:29The time is 8.21pm.
42:31The interview is suspended.
42:37What is it?
42:38The photographs Ellie says that Kate sent her.
42:41There's no record of them on Kate's phone.
42:43Plus, the number Ellie has saved as Kate Wakefield is not Kate's official number.
42:47So how do we know Kate sent them?
42:49Go back through the exchanges.
42:50The stuff she references, the things about the Wakefields, the house.
42:54It's stuff only Kate would know.
42:56Okay, so Kate's got a second phone.
42:57Yeah.
42:58Now, look at this.
42:58The last text that Kate sent to Ellie.
43:01Well, if you won't expose Arthur, I will.
43:05So the allied Saracel stuff, Kate was going to take it to the press.
43:08Say she was and say Arthur found out.
43:11What do you think you do to stop her?
43:28What's happening?
43:29You need to see this.
43:32Me and Tomas Alves have been charged with the abduction of Lily Wakefield.
43:37However, evidence has come to light that excludes them from the investigation into the murder of Kate Wakefield.
43:43But we have several other lines of inquiry that we are currently pursuing, and we would like to assure the
43:48public, and in particular the Wakefield family, that whoever killed Kate will be brought to justice.
43:57Here we will.
43:58Ok, good people.
44:00Facing them.
44:24If you
44:30You
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