- 7 hours ago
In Other Words, I Love You [Full Movie] [Trending Drama]Full EP - Full
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🎥
Short filmTranscript
00:00:02I've always described the world in words people moments places all through
00:00:10metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:18almost there you excited for your first day she calls this a fresh start I call it terrifying
00:00:31you've got this just for yourself that's kind of the problem
00:01:04okay morning class and you're not seated because I don't have a seat ah a new
00:01:16transfer Alice Keaton right let's see there's a spot next to Charles seriously
00:01:27a charity case sitting next to Charles quiet Charles I've always had words for
00:01:38everything but in that moment I forgot them all
00:01:53Charles move your things I'd rather not she'll be a distraction from what
00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive
00:02:05influence on you she was top of her class at a previous school with all due
00:02:11respect sir her previous school was American I highly doubt that that's
00:02:19enough she can sit here it's fine
00:02:24back to Goldie thank you you got it I'm Sherry Vaughn Alice Keaton it's very important that we look at
00:02:33what he's talking about their experience of the time
00:02:39wait you sat next to Charles she didn't you totally shut her down oh knew it don't take it
00:02:46personally he's impossible can everyone stop acting like the goal is getting into his pants
00:02:51what he's hot everyone kind of is I I've seen Connor he's not my type you're joking I don't find
00:03:01bullies attractive hey be careful we're talking about the king of Ashford the what his family
00:03:08basically own the school and the town maybe even the country yeah everyone's tried to get close no
00:03:15one can get past his ego you're not the first to get nice okay first of all I wasn't iced
00:03:21it's more
00:03:21like a mutual decision and second I think he's arrogant cold thinks he's untouchable but if you
00:03:29really look at Charles he just seems isolated like he's making honestly I just think he's lonely and
00:03:36kind of pathetic what no go on you were saying I'm lonely and pathetic next time read the room
00:03:59before opening your mouth American we're not Kansas anymore Alice hey how was your first day I good
00:04:25anything exciting happen not really super uneventful really how's your new job yeah all right get this
00:04:34they said we can stay in the servants wing seriously hmm apparently the young master won't mind the
00:04:40company the young master this is your boss's house yeah that's not credible I mean I wouldn't call it a
00:04:50house it's a museum with better landscaping wait here I'll talk to the butler wow rich people you've topped
00:05:10yourself again Stephen King first edition breaking and entering now how American of you
00:05:52you can get up now I I'm trying wait are you serious well you said you were trying what is
00:06:04wrong with
00:06:04you funny I was about to ask you the same thing what are you doing in my house you wait
00:06:13your house my
00:06:15house my library and now apparently my unwanted guest ah master Charles must be miss Alice and daughter
00:06:26she said she said you'd be moving in today she what there there's been some kind of misunderstanding you
00:06:32see I'm not actually moving in that's up yeah I'm not staying here like at all that's a shame you
00:06:40must
00:06:40seem quite pleased with the arrangement well I just don't think it's appropriate well you're sure then
00:06:46absolutely not come on Alice you must stay it'll be fun my dear classmate I'm dead like mentally socially
00:07:04and actually dead just trying to figure out how exactly my life went off the rails get it together
00:07:18Alice Keaton you've been through hell actually no this is hell good morning
00:07:46Alice Keaton what thing doesn't know that stops been closed for months she's going to be late
00:07:59okay how long is this thing gonna take maybe I'll just walk five miles to school
00:08:07okay if I sprint maybe I'll make it before first period or die of exhaustion on the way
00:08:20what what are you doing here didn't you already leave
00:08:26wait did you come back for me relax I forgot my textbook don't flatter yourself wait
00:08:39since you're already here maybe you could be a decent person and give me a ride
00:08:48no seriously your car is huge yeah and I'm not a fan of sharing says the guy who forced me
00:08:58to live in
00:08:59his house unbelievable
00:09:13Ashford Institute please thank you
00:09:20who needs an entitled brat anyway sir you called the cab why not just give miss Keaton a lift
00:09:32why not just give miss Keaton a lift and have the whole school go crazy she's new everybody's
00:09:38already talking so you're worried about her you're overthinking I just don't like drama
00:09:51asshole hey morning class back to Golding remind me what he's saying through Lord of the Flies
00:10:04Mr Kenwood care to share what you found so amusing
00:10:08not particularly oh I insist you seem very entertained by Golding
00:10:14I'm not entertained by Golding sir on the contrary I think his ending is weak
00:10:22wait wait do I actually read it quiet
00:10:28that's an interesting take explain
00:10:32he had the set up for something brutal something honest in the end he backed out he could have left
00:10:39the boys on the island force them to confront the collapse of all morality let them choose survival
00:10:45or death but instead he gave them a rescue boat slapped a happily ever after on a book about savagery
00:10:56it's a waste don't you think I'm delightfully surprised Charles didn't think you had such strong
00:11:02literary opinions I'm always a model student sir let's not get ahead of ourselves
00:11:09so a critique of Golding's mercy anyone disagree
00:11:29I think Golding knew exactly what he was doing by ending the book that way it's not mercy it's irony
00:11:35how so
00:11:38the rescue isn't a happy ending you don't just walk back into society and forget you're a monster
00:11:44Golding didn't save them he left us with the discomfort of pretending they could be saved
00:11:48that's an interesting take Miss Keeter you still think it's a harsh critique
00:11:53in some ways but not harsh enough yes it's a critique of toxic masculinity but still Golding
00:12:02sympathize with them and the civilized world toxic violent he didn't call that out nearly as much
00:12:07so yeah I don't think Golding pushed far enough but I think it's unfair to call it a happy ending
00:12:16thank you Miss Keeter well said anyone else
00:12:23both opinions are valid okay that's kind of epic Golding faced major backlash when he first published
00:12:30the book good literature will always divide what's happening to me
00:12:43okay what is going on why is everyone staring at me well you're new and apparently had a thing
00:12:49with Charles oh what now you two are in the middle of this epic feud as your teen in years
00:12:56we're not
00:12:56even fighting well according to everyone you confessed your love on day one got rejected
00:13:01begged to sit next to him got rejected again and today in class you broke down crying about not
00:13:08believing in happy endings and stormed out in tears you were there Sherry that is not what happened
00:13:17doesn't matter people believe what they want to believe and they want Charles to be flawless
00:13:23untouchable wow is massage any like a rich kid thing or is a British specialty honestly both but
00:13:31seriously Alice some people already see you as a threat okay loaded it's like the new girls in for a
00:13:46rough
00:13:47first semester hello hello is somebody out there
00:14:08oh come on fine
00:14:24fine
00:14:38seriously
00:14:42oh shit
00:14:48what the hell
00:14:51Anne I thought you were having dinner with Alice
00:14:52she hasn't come home her phone is off maybe you've seen her this evening
00:15:00yikes looks like the new girls in for a rough first semester
00:15:09shit
00:15:14Alice
00:15:15Alice
00:15:16Mr Pelton Charles Kenwood here I was wondering if I could get the timetable for Alice Keaton
00:15:21she hasn't come home she hasn't come home I'll have it sent over check the common room in the library
00:15:26I'll take the rest
00:15:30Alice
00:15:44come on Alice close your eyes and jump it's fine you're fine
00:16:00you're fine
00:16:02Alice
00:16:03bad
00:16:07both
00:16:08have a hun's
00:16:15a hun's
00:16:19me
00:16:23se
00:16:24as you
00:16:25as you
00:16:25Dios
00:16:25you
00:16:26What are you doing here?
00:16:29Can you get off me first?
00:16:41You're welcome.
00:16:42I didn't say thank you.
00:16:44I figured saving your life might earn me basic manners.
00:16:47Someone just dumped swamp water on me.
00:16:50Excuse me if I'm not feeling very polite.
00:16:52You smell like a biology experiment.
00:16:54Wow.
00:16:55You should try falling out of a window into someone's arms and getting insulted for it.
00:16:59I wouldn't recommend it. You're heavier than you look.
00:17:04I hope you pull your shoulder.
00:17:11Are you okay?
00:17:12No.
00:17:14But I will be.
00:17:16Someone did this on purpose.
00:17:18What do you think, golden boy?
00:17:21Don't worry, I can handle it.
00:17:22You shouldn't have to.
00:17:26I'm...
00:17:27Sorry.
00:17:34Sorry.
00:17:40Did you just apologize to me?
00:17:42Don't get used to it.
00:17:43I wouldn't dream of it.
00:17:47Alice?
00:17:48Over here.
00:17:49Oh my god.
00:17:52You okay?
00:17:55Why are you drenched?
00:17:57Yeah.
00:17:57I just...
00:17:58took a weird shower.
00:18:00Top exploded.
00:18:03Come on.
00:18:04Let's get you home.
00:18:14I just cheated, right?
00:18:17I heard she staged the whole thing for attention.
00:18:43I know how this place works.
00:18:45If you don't do anything about it, it's only going to get worse.
00:18:50I'll look into it.
00:18:52Charles.
00:18:55Good on you.
00:18:56Not many here would speak up.
00:19:02I can't believe someone actually locked you in.
00:19:04That's insane.
00:19:05Hey!
00:19:05Where the hell was the school when this was happening?
00:19:08Busy protecting their golden boys and trust friends.
00:19:11Well, for what it's worth,
00:19:12I heard Charles looked pretty freaked out when he ran out last night.
00:19:17Please, he just didn't want a lawsuit.
00:19:36Being a scholarship student has its perks, like saving a fortune on tuition, and getting
00:19:42into schools that normally wouldn't even let you pass the gates.
00:19:46Hey!
00:19:47We miss you in Paris!
00:19:49Though there are enough Americans to remind us of you.
00:19:52But sometimes, being here means staying behind.
00:19:55And watching Ashford Elites go on a two-week enrichment program you can never afford.
00:20:02Have fun.
00:20:03Bring me something overpriced and unnecessary.
00:20:10The trip cost 20 grand in pounds, which translates to Mom's salary for half a year.
00:20:17So yeah, I didn't go.
00:20:40What are you doing here? Do you not believe in shirts?
00:20:43Do you not believe in dignity?
00:20:45It's comfortable.
00:20:46You look like a rejected Ewok.
00:20:48This, this is not even your kitchen.
00:20:50And this is not even your house.
00:20:52And yet, you're here, dressed like this.
00:20:55Just don't look, go away.
00:20:57Hard not to, when you're walking around dressed like that.
00:21:00What do you guys call it?
00:21:03Buzzkill?
00:21:05Cockblock.
00:21:06You're insufferable.
00:21:07You're the one cosplaying at breakfast.
00:21:09You know what? I don't get it.
00:21:11Why didn't you go on that tour?
00:21:12I thought rich people live for that kind of thing.
00:21:14Why do you think?
00:21:21Where would I go?
00:21:22I could practically recite the itinerary in my sleep.
00:21:26Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.
00:21:32Or Titian, if you want to sound extra pretentious.
00:21:36Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
00:21:42Next stop, Napoli.
00:21:44Marvel at Pompeii.
00:21:45Pretend you're shocked, ancient people had plumbing.
00:21:48The final stop, Harry.
00:21:51The ultimate city of romance.
00:21:53And, naturally, Woody Allen's favourite city outside of New York.
00:22:01That's word for word.
00:22:03I told you. I've done this tour so many times, I could run it.
00:22:07Okay, but still, it's Europe. Most people would kill for that chance.
00:22:11Most people haven't had their phones stolen in Paris.
00:22:14Twice.
00:22:16Also, I hate the accommodations.
00:22:18Aren't they all five star hotels?
00:22:20Standard rooms in five star hotels. No thank you.
00:22:25Wow. Some were born in Rome, huh?
00:22:27That's unfortunate. It's a very chaotic city.
00:22:30One word of advice? Shut up.
00:22:32That's two words.
00:22:35You're weird.
00:22:36You're loud.
00:22:37You're annoying.
00:22:37You're in my kitchen.
00:22:38You have three other kitchens.
00:22:40And I prefer this one.
00:22:42Just for today.
00:22:43Come back when you've got a shirt on.
00:22:45Come back with normal clothes on.
00:22:46You don't have to come.
00:22:47Don't tell me what I have to do.
00:22:49What?
00:22:57You're now ready for this chick.
00:22:58After Charles, roads are flooded.
00:22:59Staff won't make it tonight.
00:23:00Will you be alright sorting dinner?
00:23:05I've got it sorted.
00:23:18Jesus what are you doing relax I'm here to make a deal what deal you nearly gave me a heart
00:23:27attack
00:23:30you'll survive I'm not selling my body I'm not selling my body
00:23:44wow I am deeply offended that thought disgusts me then what are you doing the staff's off tonight
00:23:52I'm buying dinner did you seriously think I'd spend a hundred pounds on no I'm Jesus wait you think I'm
00:24:05not worth 100 pounds I'm not spending 100 pounds to snort you back up you know what dinners canceled
00:24:15are you sure about that I present to you meatball spaghetti stir-fried veggies and french fries
00:24:23you're welcome interesting combo well I know we're not in Italy or France but this will do it's good
00:24:38was that a compliment although I am obliged to inform you meatball spaghetti isn't Italian
00:24:45it's American and french fries likely born in South America you should read more put it down I paid
00:24:55for it you really just have to win every argument don't you to be fair you make it very easy
00:25:00it's
00:25:02only easy because it cost 200 pounds you know if you'd ask for more I probably would have given it
00:25:07to you I'll make sure hey Alice it's fine you're fine
00:25:41it's my dad he needs help he just had a stroke okay miss hurricane constant traffic shut down get to
00:25:47you as soon as we can
00:25:48please he's not well I understand can you confirm your address
00:25:53dad yes I'm right here all right my daughter please stay with me dad please
00:26:13dad please please don't leave me
00:26:16and
00:26:26uh
00:26:27I
00:26:28I
00:26:28I
00:26:32I
00:26:33and
00:26:47you what are you doing here
00:26:54you were crying
00:26:56loudly
00:26:58kind of hard to ignore
00:27:01sorry for the night
00:27:04wait no snarky come back
00:27:06not tonight i'm too tired
00:27:08if you're here to argue knock yourself out
00:27:13you were calling for your dad
00:27:14right
00:27:17hurricane hit new york
00:27:19power went down traffic froze
00:27:22dad had a stroke
00:27:24but he couldn't get help in time
00:27:28i sat there with a candle
00:27:31while he laid there
00:27:35peaceful
00:27:37like he was asleep
00:27:39but he wasn't
00:27:44so that's why you and your mom moved here
00:27:47this used to be our hometown
00:27:50after dad left
00:27:52we had nowhere else to go
00:27:59what are you doing
00:28:04come on
00:28:21wait i thought the power was out
00:28:23it is we have our own generator
00:28:26wow rich people houses her
00:28:29just for tonight
00:28:31i'll allow it
00:28:33allow what
00:28:34you can call this place your house
00:28:36so enjoy it
00:28:37stephen king's first edition
00:28:39alan gisberg's handwritten letters
00:28:41jane austen's notes
00:28:43all yours
00:28:48this
00:28:49is your home
00:28:51alice keaton
00:28:57careful
00:28:59almost sounded sweet
00:29:01don't push it
00:29:02okay then
00:29:05i have one request
00:29:11what is it
00:29:19are you ever going to make a move
00:29:21wait
00:29:21give me a second
00:29:22i'm thinking
00:29:24you had one wish
00:29:25anything in the world
00:29:27and in the middle of a thunderstorm
00:29:29inside a literal mansion
00:29:31you chose chess
00:29:34yeah
00:29:34got a problem
00:29:35it's just so cool
00:29:37like spies or genius villains in movies
00:29:40it's literally a board game
00:29:42says the guy who owns a custom set
00:29:45wait
00:29:46does the knight go diagonally
00:29:48for the tenth time
00:29:49it moves in an l shape
00:29:52one
00:29:52two
00:29:54then turn
00:29:56there
00:29:58happy
00:29:58ecstatic
00:30:01no
00:30:02that's suicide
00:30:03or a brilliant long-term sacrifice
00:30:05you are playing checkers at a chessboard
00:30:07still beating you in sarcasm
00:30:09you literally haven't won any past arguments
00:30:11golding disagrees
00:30:12it's going to be a long night
00:30:14oh my
00:30:15no
00:30:16why what's wrong with that
00:30:17you can't do that
00:30:18no no oh my god
00:30:21you had to shop a trip when about it all wrong
00:30:24glad to pull you in close
00:30:26besides we're locked on your phone
00:30:28now you're sour
00:30:29cause i'm moving on
00:30:31oh yeah
00:30:32showing up at my door
00:30:36holding your heart there inside your hands
00:30:40maybe he's not so awful after all
00:30:50um who are you
00:30:57what are you doing here
00:30:58well your parents said you were still at home
00:31:00thank god you skipped that boring grand tour
00:31:03who needs italy and france again right
00:31:05when did you get back
00:31:07last night
00:31:08from zurich
00:31:09you didn't answer my messages
00:31:12i missed you
00:31:13anyway
00:31:14thought i'd come surprise you
00:31:16apparently
00:31:17i'm transferring to ashford
00:31:19your parents were so thrilled
00:31:21they didn't tell me about this
00:31:22i wanted to deliver the happy news myself
00:31:24they said it'd be lovely for us to reconnect
00:31:27you know considering the engagement and all
00:31:32engagement
00:31:34oh did no one tell you
00:31:36he's promised
00:31:37old money stuff very retro
00:31:40i didn't agree to that
00:31:41you didn't have to
00:31:42it's never up to us
00:31:45where did you find this little toy
00:31:48serena
00:31:48i didn't hear you you know
00:31:50oh an american
00:31:53how refreshing
00:31:58goodbye
00:31:59wait
00:32:00wait
00:32:15where are you going
00:32:16you still owe me breakfast
00:32:19you only paid for dinner
00:32:21i had homework
00:32:22goodbye
00:32:26your little toy has quite the temper
00:32:28serena can you please just stop
00:32:30what
00:32:30teasing the help
00:32:38that's her
00:32:39that's the one from kenwood's house
00:32:41was she like
00:32:42the maid or something
00:32:59oh my god
00:33:00what's wrong with people
00:33:01they're saying you live with charles
00:33:04oh and serena
00:33:05what about her
00:33:06apparently she told everyone you were caught sneaking into his room
00:33:10of course she did
00:33:23careful alice
00:33:25you're starting to look desperate
00:33:27i don't know what's happening
00:33:29oh my god
00:33:38that's my god
00:33:39i don't know how to do that
00:33:40thank you
00:33:42thank you
00:33:42come to the music room
00:33:43urgent
00:33:44uh
00:33:44i just remembered
00:33:45i need to check something
00:33:46you guys go ahead
00:33:47yeah
00:33:48ok
00:33:54Hello! Is someone there? Seriously! This is getting old!
00:34:12Wait... Music room? What?
00:34:16James? Is anybody in here earlier? Just Miss Serena. Said she was waiting for you.
00:34:23Sir? Sir, it's raining!
00:34:37Come on, Alice. You're fine. You're not that girl again.
00:34:48Wait, can you remind me one more time?
00:34:52Rooks move in straight lines. Bishops move diagonally. And knights...
00:34:58A weird one.
00:35:04Rooks.
00:35:06Straight lines.
00:35:08Bishops.
00:35:10Diagonally.
00:35:11Hello?
00:35:40Rooks move in straight lines.
00:35:42Serena took my phone. I didn't know. I'm sorry.
00:35:45I'm... okay.
00:35:48You're gonna catch a cold.
00:35:49You're freezing.
00:35:50You didn't have to come.
00:35:53Don't tell me what I have to do.
00:35:56Give me hope that feels like hope...
00:36:19That wasn't a mistake. If that's what you're about to say.
00:36:24I... wasn't going to.
00:36:37Really bad at this, you know.
00:36:40What? Kissing?
00:36:41Hiding feelings.
00:36:43I... I...
00:36:45I...
00:36:55I...
00:36:56I...
00:36:59I...
00:37:13I...
00:37:14I...
00:37:15I...
00:37:15I...
00:37:16That's basically consent to everything.
00:37:24Dangerous words, Keaton. I might hold you to that.
00:37:36You'll be working in pairs on your comparative essays. The list is on the board.
00:37:421, 2, 3, 4
00:37:45Are you okay?
00:37:49Fly me to outer space
00:37:53That's where I'll see your face
00:37:57And have you with me
00:38:03It may seem dark
00:38:07But you always like my
00:38:10You're distracting
00:38:18You're welcome
00:38:22They're either enemies or secretly married
00:38:27Honestly, both
00:38:40Baby, you saved me
00:38:42Until I'm brand new
00:38:44Everything's so different now
00:38:49So the night goes in an L shape, right?
00:38:52Why is that the only one you remember?
00:38:55Because it's weird
00:38:56And I like weird
00:39:05Check
00:39:11You're cheating
00:39:13I'm winning
00:39:14There's a difference
00:39:16You are very distracting
00:39:18And you like it
00:39:20I would be the four young day
00:39:23I'll be the new dark and slays
00:39:28Hold you in my arms
00:39:30Charles
00:39:32We need to talk
00:39:40I expected poor judgement
00:39:42But this in my house?
00:39:44It isn't what it looks like
00:39:46It isn't what it looks like
00:39:48Kissing a servant's daughter in the family library
00:39:51Enlighten me then, Charles
00:39:52We came back tonight
00:39:53After speaking with Serena
00:39:55Imagine our surprise walking in on this
00:39:59She isn't just
00:40:00You have no right to barge in
00:40:03On my property
00:40:07I care about her
00:40:08I'm not ashamed
00:40:10That's enough
00:40:14Why do you care?
00:40:15We're protecting our son's future
00:40:17And our name
00:40:19You think this protects me?
00:40:21We think
00:40:22She does not belong in your world
00:40:28Then maybe I don't either
00:40:31You're ready to give up everything
00:40:33For a girl you barely know
00:40:38Yes
00:40:39Then
00:40:40Are you sure
00:40:42She's ready?
00:40:48I'm asking you
00:40:50Do you think she's ready
00:40:51To lose everything
00:40:53Regardless of how little that is
00:40:55Just to be with you?
00:40:56What are you talking about?
00:40:58You left us no choice son
00:40:59You shouldn't disobey your father
00:41:04Pelton
00:41:05It's Frederick Kenwood
00:41:07Ah
00:41:08Mr. Kenwood
00:41:09How can I help?
00:41:10If a scholarship student
00:41:11Were to violate our behavioural code
00:41:14In a public setting
00:41:15With photographic evidence
00:41:17Would that warrant a review?
00:41:20Yes sir
00:41:23So
00:41:24Answer me again
00:41:27Do you think she's ready
00:41:28To lose everything
00:41:29Just to be with you?
00:41:41Charles
00:41:42What happened?
00:41:43Did your parents say something?
00:41:44Are they mad?
00:41:44Is everything okay?
00:41:46Pack your things
00:41:49You can't stay here anymore
00:41:51What?
00:41:53My parents fired your mother
00:41:55She's leaving
00:41:56So are you
00:41:57Wait
00:41:57What?
00:41:58Why?
00:41:59Is it because of us?
00:42:00We can fix this
00:42:01I'll get a job
00:42:02Anything
00:42:02Stop it
00:42:02You don't get it
00:42:05If I don't walk away from this
00:42:06They'll cut me off
00:42:08Okay?
00:42:08No card
00:42:10No trust
00:42:11No support
00:42:13Nothing
00:42:13Then
00:42:15Then we'll figure it out
00:42:16We don't need all that
00:42:18We can
00:42:18Do you really think
00:42:20I'm going to live like that?
00:42:24So that's what this was?
00:42:26Just
00:42:27Fun
00:42:27Until it got inconvenient
00:42:30What did they promise you?
00:42:34Nothing
00:42:38Nothing
00:42:38They just reminded me
00:42:39Of what's
00:42:40Real
00:42:44Charles
00:42:44I'm not stupid
00:42:46You don't just turn into a cold stranger
00:42:48Because of one conversation
00:42:49What did they threaten you with?
00:42:56What did they threaten you with?
00:42:58This is the difference between me and you
00:43:00What?
00:43:01You think you know me
00:43:03Or what I have
00:43:04You don't
00:43:05Alice
00:43:07You're still lying
00:43:08I'm not
00:43:09Alice
00:43:09Look around you
00:43:11This mansion
00:43:12You thought was a museum
00:43:13It's
00:43:14My
00:43:15House
00:43:16My
00:43:17World
00:43:18I was bored into this
00:43:19I am not choosing
00:43:20Between this
00:43:24And something I picked up
00:43:26For a moment
00:43:27Of fun
00:43:30Don't do this Charles
00:43:31You don't mean it
00:43:33No
00:43:33It was fine
00:43:35But you
00:43:37You don't compare to what I own
00:43:41I'll survive the loss
00:43:44Right
00:43:47I should have known
00:43:50Guys like you don't end up with girls like me
00:43:55You play with them then you throw them away
00:43:59Go to sleep Alice
00:44:01Go to sleep Alice
00:44:01Go to sleep Alice
00:44:27The pleats head
00:44:30But I find this the place to test myself
00:44:42Oops
00:45:00Oh sorry, didn't see that
00:45:02Then again, nobody does
00:45:04Move, please
00:45:07Try begging
00:45:14You know what, keep it
00:45:20Poor thing
00:45:22So dramatic
00:45:24Don't
00:45:25Excuse me
00:45:27I warned you
00:45:28Walk away, Serena
00:45:50Last week's group assignments were mostly forgettable
00:45:54But one pair surprised me
00:45:56In a good way
00:45:58Charles Kenwood
00:45:59And Alice Keaton
00:46:01Would you mind giving us her short summary?
00:46:04She loves the sound of her own voice
00:46:05Better have it
00:46:14Our essay explored what happens when two fundamentally different voices meet
00:46:19Like logic and chaos or silence and noise
00:46:23Different worlds, different rules
00:46:28At first glance, they clash
00:46:30But what makes the story interesting is what happens next
00:46:34Confusion, curiosity
00:46:36But in the end, some stories aren't about staying
00:46:40And yes, there is no such thing as a happy ending
00:46:52And yes, there is no such thing as a happy ending
00:46:56Is she still talking about the essay
00:47:01Miss Keaton
00:47:03Dramatic as always
00:47:05All right
00:47:06Thank you, Alice
00:47:07That was
00:47:08Laid
00:47:11Are you okay?
00:47:12A reminder
00:47:13That good literature
00:47:15Always stirs something
00:47:19Hello?
00:47:20Hi, this is Alice Keaton
00:47:21This is Whitmore Press
00:47:22We've been following your work
00:47:23We'd like to offer you a long-term publishing contract
00:47:26Name your price
00:47:27We'll make it work
00:47:28Sorry, what?
00:47:33That's...
00:47:34Kind of insane
00:47:35Who's behind this?
00:47:37Your sponsor wishes to remain anonymous
00:47:40Can...
00:47:40Can I meet them?
00:47:44I want to
00:47:45Please
00:47:46Or at least tell me a name
00:47:51Sorry, they wish to stay in office
00:47:53So they're only interested in whether it's not a person
00:47:55I'd really like to meet them
00:47:57I'm sorry, Miss Keaton
00:47:58Name was very good
00:47:59I think the most generous offer we've ever given a new writer
00:48:01I see
00:48:03Congratulations again
00:48:09You got the interview?
00:48:11It's just an interview
00:48:11I haven't gotten it yet
00:48:12Still, Alice Keaton at Oxford
00:48:15That's iconic
00:48:25You okay?
00:48:27Yeah
00:48:28I'm so excited
00:48:42It's done, Mr. Kenwood
00:48:43Miss Keaton signed the contract
00:48:47Good
00:48:48It's a generous deal
00:48:49You sure you don't want her to know?
00:48:52No
00:48:53No
00:48:54No, it's better if I stay out of her life
00:48:56I will be there for you, babe
00:49:01I'll be there in your darkest days
00:49:05Congratulations, Alice Keaton
00:49:07Go live the life you were always meant to
00:49:15Your engagement announcement should align perfectly with the Foundation Gala
00:49:20And the Browns already offered to host the London reception
00:49:25It's all coming together beautifully
00:49:31I've lost my appetite
00:49:36I'll go check on him
00:49:42What's your problem, Charles?
00:49:48Disengagement
00:49:49It's not happening
00:49:50It's not up to you
00:49:51You know that
00:49:52Serena, we're not doing this
00:49:55You've changed
00:49:59Or maybe I finally just stopped pretending
00:50:28Tars
00:50:30You're the sponsor
00:50:32You've been funding Alice Keaton this whole time
00:50:37So?
00:50:38You lied to everyone
00:50:39Including her
00:50:41I protected her
00:50:44You loved her
00:50:46Still do
00:50:49Let it go, Serena
00:50:52There's no point
00:51:02I need a favour
00:51:03Find out when the Oxford interview is
00:51:07And make sure Alice Keaton won't show up
00:51:14Anything? No?
00:51:16She's not answering
00:51:18The interview's almost over
00:51:19Well, she won't just not show up
00:51:22Something's wrong
00:51:24Where's Alice?
00:51:26When was the last time you heard from her?
00:51:28Last night
00:51:28She said she was prepping all evening
00:51:34James, track someone for me
00:51:38Wait, where are you going?
00:51:40Wait, where are you going?
00:51:47Chill, okay?
00:51:48It won't hurt you
00:51:50Yeah, we're just supposed to keep you away from the interview
00:51:53That's it
00:52:01Shit, come back!
00:52:30I remember how men
00:52:33I remember how men
00:52:35Didn't need a second guess
00:52:40Hey, hey, hey, Alice, Alice?
00:52:43Alice, stay with me, stay with me, stay with me, Alice, Alice!
00:52:53You're awake?
00:52:55Where, where am I?
00:52:57A local clinic. Passer-by brought you in.
00:53:01Passer-by?
00:53:02He found you on the side of the road.
00:53:04He had to leave. He didn't leave a name.
00:53:08Oh.
00:53:10The interview! What time is it?
00:53:12Easy. It's okay.
00:53:14Someone already contacted the university.
00:53:16Anne sent in your writing samples.
00:53:18They've rescheduled your interview for tomorrow.
00:53:20Wait, what? Who?
00:53:21No idea, but it's all taken care of.
00:53:27What did you say?
00:53:29Nothing.
00:53:30I just...
00:53:31I had a dream.
00:53:40Yeah.
00:53:43Did you...
00:53:44I got him!
00:53:48Oh, I knew it!
00:53:50Too bad Charles isn't here to watch you crush it.
00:53:54He's not here.
00:53:55Oh, you didn't know?
00:53:58Know what?
00:53:59He left.
00:54:01A few days ago, yeah, everyone doesn't really know where he went.
00:54:04Honestly, Asher's been quieter without him.
00:54:06It's probably for the best.
00:54:08Come on.
00:54:09I couldn't stay.
00:54:11I couldn't wait.
00:54:13I thought that you should know where I would have.
00:54:16And hang around.
00:54:18The summer I met Charles Kenwood was loud.
00:54:22Chaotic.
00:54:24Unexpected.
00:54:27And with his absence...
00:54:29Come on!
00:54:31It ended quietly.
00:54:32You didn't have your eyes on me.
00:54:35Like summers always do.
00:54:38Did you feel it from across the room?
00:54:43Did you feel a little enchanted?
00:54:49And joining us today,
00:54:51the decade's most unexpected literary phenomenon,
00:54:54Alice Keaton.
00:54:55Thank you for having me.
00:54:56Now, your words moved millions.
00:54:59They say your stories feel real,
00:55:03especially the ones about love.
00:55:05Which brings us to the most obvious question.
00:55:07How's your dating life like these days?
00:55:10No comment.
00:55:11A little bird told me that the past four years
00:55:14has been just writing and working,
00:55:16not even a single date.
00:55:18Let me guess, a bird named Sherry.
00:55:19She caught me.
00:55:20Still no comment.
00:55:22All right, all right.
00:55:23No matter what you say,
00:55:24you write love like someone who's lived it.
00:55:29If you're so real...
00:55:30Because once, I did.
00:55:31That's why today we hear Sherry's story
00:55:33behind Alice Keaton's love.
00:55:36And no one ever quite matched the light after that.
00:55:38And let's give it up for Alice Keaton one more time.
00:55:52Congratulations, Alice.
00:55:53The numbers just came in.
00:55:55You broke your own record.
00:55:58That's...
00:55:59incredible.
00:56:00We're thinking celebration,
00:56:01press,
00:56:02photos,
00:56:03maybe tonight.
00:56:04Actually,
00:56:05there's something I'd rather do.
00:56:08I'd like to meet with the person
00:56:09who believed in me first.
00:56:11My sponsor.
00:56:14You're sure?
00:56:15Yeah.
00:56:16Just once.
00:56:17Tonight, 7pm.
00:56:29Good evening.
00:56:34Good evening.
00:56:38May I sit?
00:56:43Hey, Mr. Nonchalant.
00:56:48Hi.
00:56:49Hi.
00:56:52You look well.
00:56:56And you look like you just stepped out of a GQ cover.
00:56:59You always did.
00:57:01You were expecting someone else.
00:57:05I was...
00:57:06hoping.
00:57:08But I guess I always knew.
00:57:10I didn't come here to confuse you.
00:57:13Or to reopen anything.
00:57:16I just wanted to say congratulations.
00:57:20Oh.
00:57:24Didn't know you're still reading.
00:57:26You were rich enough not to do so.
00:57:29Always.
00:57:31Either way,
00:57:32your sponsorship started my career.
00:57:34So...
00:57:35No.
00:57:36No.
00:57:37You earned everything.
00:57:41Every word.
00:57:43Every page.
00:57:45Every reader.
00:57:47That's what I came to say.
00:57:53It was good to see you again.
00:57:54I hope.
00:57:55Charles.
00:57:57Can you just...
00:58:00wait a little longer?
00:58:07I think I knew it was you.
00:58:10There was one email.
00:58:13You said something.
00:58:15It felt familiar.
00:58:16Really?
00:58:17Kind of had that...
00:58:18rich asshole with a conscience energy.
00:58:21Very on brand.
00:58:23I should have anonymized my grammar.
00:58:25Too late.
00:58:25Your semicolon usage gave you away.
00:58:28Still the only girl I know who flirts through punctuation.
00:58:31Still the only guy I know who uses wilds unironically.
00:58:37You've changed.
00:58:40But...
00:58:41not really.
00:58:43You haven't changed.
00:58:46But...
00:58:46maybe you've grown into who you really were.
00:58:51Anyway...
00:58:52I wanted to say...
00:58:54thank you.
00:58:57And...
00:58:58thanks for being here tonight.
00:59:00You didn't have to come.
00:59:02Don't tell me what I have to do.
00:59:07You didn't have to come.
00:59:09Don't tell me what I have to do.
00:59:31If you could go back,
00:59:33if you had the chance to do it all again,
00:59:35would you do anything differently?
00:59:42No.
00:59:47No.
00:59:52I see.
00:59:56I know my answer now.
00:59:57I didn't have the power back then.
01:00:00Not enough to protect you.
01:00:02I couldn't watch you get crushed because of me.
01:00:05Because of my name.
01:00:07My family.
01:00:10I didn't want to be the reason you lost everything.
01:00:13So you just disappeared.
01:00:14Without a word.
01:00:18If you had the chance to see the world.
01:00:21Without me weighing you down.
01:00:23If you still chose me after that.
01:00:29You keep saying you wanted to give me a choice.
01:00:32But you made a choice for me.
01:00:36I didn't think I was the smart choice.
01:00:37Did it ever cross your mind that maybe...
01:00:41I would have chosen you anyway.
01:00:48I didn't think I was the smart choice.
01:00:51You weren't.
01:00:54But I never claimed to be that smart.
01:01:05This is me.
01:01:06Right.
01:01:14I'm still mad at you, you know.
01:01:18I'm still in love with you, you know.
01:01:28Do you want to come in for a bit?
01:01:32You're asking your ex, who you haven't seen in four years,
01:01:36to come into your hotel at approximately 11 p.m.
01:01:41You were right.
01:01:43You never were that smart.
01:01:45You don't have to come.
01:01:47Don't tell me what I have to do.
01:02:03Stop quoting yourself.
01:02:04I recycle.
01:02:05It saves energy.
01:02:08This feels wildly irresponsible.
01:02:10You sound like a disclaimer.
01:02:12You're the one who once called romance a distraction.
01:02:14I said that?
01:02:15Yeah.
01:02:16Before calling Wuthering Heights overrated.
01:02:18Still is.
01:02:20You're lucky you're a good kisser.
01:02:25That is cute to me.
01:02:27Don't you dare quote poetry.
01:02:29I wasn't going to.
01:02:30I forgot all of it the day you left.
01:02:33Then shut up.
01:02:35And prove it.
01:02:41I still can't believe this is happening.
01:02:43I told you that you're the worst enemies or secretly married.
01:02:47And I told you they're both.
01:02:52It's more than a night to night.
01:03:15I vow to always tell you the truth.
01:03:18Except for when you ask how you're cooking was.
01:03:21Then I lie.
01:03:23Respectfully.
01:03:25I vow to keep choosing you.
01:03:28Loudly.
01:03:30Quietly.
01:03:31Always.
01:03:33Even when you forget to do the laundry.
01:03:37Is he actually good at this?
01:03:39I mean, he did beat her at sarcasm.
01:03:45I vow to argue with you at least twice a week.
01:03:47Especially over Shakespeare.
01:03:50I vow to write you into every story.
01:03:53Even when I say I didn't.
01:03:55You will always be part of my life.
01:03:58If she quotes Austen in this toast, I'm out.
01:04:01No you're not.
01:04:01You're going to cry harder.
01:04:25I can't believe you picked Paris.
01:04:27I can't believe you picked Paris.
01:04:29I think it's a good day honeymoon destination.
01:04:31Guard your phone.
01:04:33Relax.
01:04:34Just don't dress like a walking inheritance and you'll be fine.
01:04:39You are not wearing that on our honeymoon.
01:04:43please Alice go change don't tell me what I have to do no no no no that is not an
01:04:54invitation to
01:04:55do not take off these clothes you look much better about them to the ones who loved in silence in
01:05:08chaos and chapters you will find your way home
01:05:15sometimes
01:05:16I don't want to die
01:05:20oh
01:05:21oh
01:05:21oh
01:05:32oh
01:05:33oh
01:05:38okay
01:05:46something to us to make sure that we can gain what's been passed through these books
01:05:51help us develop
01:05:53learn
01:05:54and grow
01:05:55thank you
01:05:57thank you
01:05:58thank you
01:05:59thank you
01:05:59thank you
01:06:00thank you
01:06:01thank you
01:06:02wow that's fantastic
01:06:03thank you
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