- 7 hours ago
The Hunting Party - Season 2 - Episode 11: Dylan Miles
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00:05You
00:06Previously on the hunting party called the pit home to the most dangerous and violent criminals in history
00:10All of whom the world believes are dead or at least it was until the blast hit
00:17I didn't serve and I haven't been in the field. That was the first time I've ever drawn my weapon.
00:21You were impressive
00:23Are you gonna ask me out or what? No?
00:27maybe
00:28Do you really think Lazarus attacked Cyrus's convoy? I do
00:33Still don't have proof. Well, we need to find some
00:45You know what else I love about this city? The boulder? Yeah, what? Uh, the cops on bicycles. How intimidating
00:51is that?
00:51All right, pull over. Ching, ching, ching, ching
00:55What do they do when they arrest somebody? All right in the basket
00:58You always tell the rookie cops. They're the ones with playing cards in their spokes. Oh
01:07Well, thank you folks hope you have a wonderful evening
01:10Say goodbye, Marvin. Goodbye, Marvin! You've been great!
01:24Great crowd tonight, kid. Break a leg or a string
01:29All right, all right. Please welcome to the stage our next performer, a debut in fact. Put your hands together
01:36for Dylan Miles and Lil' Barney
01:50Hello? This is, uh, this is Barney. I'm Dylan. So, um, Barney, what did you do last weekend?
02:00I met a girl. Didn't go very well.
02:04Oh, no. What happened, Barney? She said I was too stiff
02:15What, um, why, I mean
02:20Why did she think you were too stiff? Because I made of wood, dummy
02:28Bring Marvin back out, yeah? Oh, yeah!
02:32Whoo-hoo!
02:38Looks like Saan, like Saan
02:43Get off the stage, little guyEh,
02:51eh, eh, eh, eh
03:14Somebody should teach that guy a lesson.
03:20I was thinking the same thing.
03:38I was thinking the same thing.
03:53I was thinking the same thing.
04:25It would be interesting eating Thai, maybe Italian, something like that.
04:28I was thinking the same thing.
04:50Hey, we have nothing.
04:52Then we get something.
04:54Hey, she's way too smart to leave a paper trail.
04:56Well, anything she does have, flash drives, hard copies, whatever, it'll be stashed at her
05:01place, which only one of us has access to.
05:07So what are you going to do?
05:09You're going to invite yourself over and search her place while she burns another lasagna?
05:13Shane, this is way too risky, no?
05:16Why does dinner need to be at her place?
05:19If Shane invites her out somewhere, you two can go in, have a look around when he keeps
05:25her occupied?
05:27I mean, I can text her right now.
05:30I'll advise on her the whole time.
05:32I can text you guys when we're leaving, make sure you've got plenty of time to get out.
05:39All right, fine.
05:42All right.
05:43Done.
05:48Go for Hazani.
05:51Okay.
05:53Yeah.
05:54Hey, you sure?
05:56Get you back there.
05:58Of course.
05:59That was Peck.
06:01You got work.
06:06What do we got?
06:08A puppet maker was shot in his workshop near Rapid City, South Dakota.
06:12What's that?
06:12Did you say puppet maker?
06:13I sure did.
06:15We don't have crime scene photos yet, but that's our victim, Nicholas Fletcher.
06:19He's currently in a medically induced coma, but fingerprints at the scene match pit inmate
06:23H71.
06:24Ah, Dylan Miles.
06:26You want to take it from here?
06:28Yeah.
06:29Believe it or not, our fugitive killer here, Mr. Miles, was actually an aspiring comedian.
06:33Of course.
06:34Because murder is hilarious.
06:36As a kid, he was diagnosed with delayed language development and selective mutism.
06:40He was completely nonverbal until nearly 10 years old.
06:44I must have been tough on the playground.
06:46The real breakthrough happened when he started communicating through one of his sister's dolls.
06:50A common form of projective play.
06:52As he matured, he developed the capacity to communicate for himself, but he still felt more comfortable speaking through his
06:56proxies.
06:57But when did he go from talking dolls to murder?
07:01June 5th, 2015.
07:03Dylan would perform at small comedy clubs all over the Midwest.
07:06All of his victims were people who heckled him during the show.
07:09He'd wait for a month or even up to a year before an acting revenge.
07:14I can really see the anger.
07:16And the humiliation.
07:17All he wanted was to connect with people through his act.
07:20Which is why when he got teased or heckled, he would return the humiliation he felt on the victims tenfold.
07:26Which is why a lot of the crime scenes happened in a public place.
07:30He wanted his victims to be seen.
07:31He wanted them to be remembered in their final moments of indignity.
07:35It says here he killed seven victims over a two-year period.
07:38Is there any chance Dylan knew this dollmaker guy from back in the day?
07:41We're looking into it.
07:42Get going to the crime scene.
07:43We'll send you what we find.
07:59Hello?
08:02We're closed.
08:23This one was closed.
08:26That is for Spoon Bomb.
08:28We found these little crowd sain of indignity.
08:36How about a night scene.
08:37He's only close to the town in the night.
08:40How about a night scene.
08:42How about a night lay?
08:44How about a night Cheng 하지.
08:44Guy!
08:52Excuse me?
08:55Who are you?
09:04I'm a big fan of your work.
09:33I'm a big fan of your work.
09:44If I could take you up in paradise, up above.
09:47If you would tell me I'm the only one that you love.
09:51Life could be a dream.
09:52I know what you're doing.
09:53Hello, hello again.
09:56Where's Barney?
09:57These are not mine.
09:59Where's Barney?
10:00If you would let me know.
10:05I'm a big fan of your work.
10:06I'm a big fan of your work.
10:06Life could be a dream, sweetheart.
10:10Now, every time I look at you, something is on my mind.
10:18If you do what I want you to,
10:23we'd come on.
10:46I know what you're doing.
10:47I know what you're doing!
10:53Where's Barney?
10:55Where's Barney?
11:03Check in this file, sir.
11:06Every time I look at you, something is on my mind.
11:13If you do what I want you to, baby, we'd come on.
11:18Peter.
11:19It's nice to meet you.
11:21What does a guy have to do to get a drink around here?
11:24You're funny.
11:26No, I'm not.
11:27I'm hilarious.
11:30Life could be a dream, sweetheart.
11:32I think we've had a breakthrough, Dylan.
11:36Yo, he's really good at that.
11:38I couldn't even see his mouth move.
11:41That's what ventriloquism is.
11:43Dude's doing group therapy with himself.
11:47As far as pit treatments go, that feels pretty normal.
11:51I mean, look, the dolls are weird, but we've seen womb therapy.
11:55Yeah, well, according to his file,
11:56typical therapies fail to yield any results,
11:58and Dylan refused to speak to the pit doctors,
12:00so eventually they leaned into his comfort zone.
12:02There's a precedent.
12:03It's a variation of Gestalt Therapy's empty chair technique.
12:06I heard of that.
12:08Basically, the patient has a conversation with an empty chair,
12:12which is supposed to represent the person he has a conflict with,
12:15giving them a chance to talk out their repressed emotions.
12:19Yeah, you're right.
12:20So Dylan, with the dummies,
12:21it allowed him to feel in control of every conversation,
12:23allowing him to externalize his inner world.
12:26Because he can play patient and therapist.
12:28He even went so far as to name the dummies.
12:30According to this,
12:31Peter and Debbie had fully developed personalities.
12:34So while Dylan's playing therapy with the dummies,
12:37the doctors have a unique insight into his core trauma,
12:39which was the public shame of being teased.
12:42I can't really remember the first time he teased me.
12:44I was six or eight.
12:46What do you remember?
12:48Anger.
12:49He shouldn't have treated you that way,
12:51but he got what he deserved.
12:53I punched him in the stomach,
12:54watched him gasp for air.
12:56It was hilarious.
12:59Hey, Dylan, want to hear a joke?
13:01Sure, Peter, I'd love to.
13:02What's the difference between a Lamborghini and a dead body?
13:06I don't know.
13:07What?
13:08I've never had a Lamborghini in my garage.
13:15All right, that's enough of that.
13:17We get the point.
13:19Well, at least he's not smashing the dummies, you know?
13:22Well, speaking of,
13:23it says here these dolls were handmade by Nicholas Fletcher.
13:29Wait, the guy who Dylan just put in a coma?
13:32He was special ordered by Pitt doctors.
13:35You think Dylan knew that?
13:39That's right.
13:40Nicholas Fletcher signs a head stick on every figure he ever made.
13:43I've been his assistant for five years now.
13:46I can't believe this happened to him.
13:49The guy is a legend.
13:51Nicholas Fletcher is the preeminent figure maker in the United States.
13:56You ever heard of Slappy Sammy?
14:02Jeff Miller uses him in his act.
14:04And Nicholas made him.
14:06So if you're in this world, you've definitely heard of Nicholas.
14:09Oh, yeah.
14:23Whoa.
14:25I thought this guy liked dolls.
14:27Victim's blood.
14:30This is definitely not what I expected.
14:34Pre-Pitt Dylan, he would beat his victims to death,
14:36but then leave their homes relatively unpatched.
14:39Now he's shooting an old man without laying a hand on him
14:41and trashing the whole shop.
14:43It's like his early days at the pit
14:44when he was smashing all those puppets.
14:47Why come all the way here to do that, though?
14:51None of these look like Debbie or Peter.
14:56Okay, you're Dylan.
14:58You leave the pit and you lose your ventriloquist dummies in the blast,
15:01so you look up the guy that made them.
15:03You come here to repair or replace them.
15:05But you don't find what you're looking for.
15:09So you go nuts and you trash the place.
15:13So where does Dylan go from here?
15:17I think Dylan came here to find another Peter and Debbie.
15:21And I don't think he's going to stop looking until he does.
15:24Give me a sec.
15:33Hi.
15:34I'm so sorry to bother you.
15:36I need to see Nicholas' sales records, names, numbers,
15:40anyone who might have bought a dummy from him.
15:42I told the cops already.
15:44Nicholas' ledger, it's gone.
15:47What about computer records?
15:49No.
15:50Nicholas is old school.
15:52He only keeps handwritten records.
15:54I'm sorry.
15:57Hey, guys.
15:59Looks like Dylan stole Fletcher's sales ledger.
16:02He's looking for another Debbie and Peter.
16:03That means anyone who's ever bought either of them is in danger.
16:09Hey, Morales, I need you to scrub the internet,
16:11look for anyone who's posted about or with a Peter and Debbie dummy.
16:14On it.
16:15Keep us posted, okay?
16:15Okay, get you something when I have it.
16:27What the hell is that?
17:03I don't know.
17:28Got another one. Gary, Indiana.
17:30Me too. Galveston, Texas.
17:32But none of them are Peter or Debbie's.
17:34All right, get me addresses. I'll send the black and whites to keep a lookout.
17:36I had no idea so many people had talking dolls.
17:40Figures.
17:40What does?
17:41No, the community prefers the term figures over dolls.
17:47Oh, crud.
17:48What is it?
17:49A woman named Jane Hines was just found shot dead in her home 20 minutes from Fletcher's shop.
17:53Is it our guy?
17:53He was carrying a wooden figure.
17:56Yeah, that'll do it.
17:57All right, get this to Bex.
17:58I'll call the locals and give them a heads up that the team's on the way.
18:17Jane didn't have any enemies.
18:20Everyone loved my sister.
18:22I'm sure they did, ma'am.
18:24Yes, they have.
18:26You all must be the feds. We heard you were coming.
18:28Yeah, your sergeant already briefed us. We'll take you from here.
18:32I'm sorry for your loss, ma'am.
18:36Oh, my God.
18:38Why don't you give me a minute?
18:39Sure.
18:40Yeah.
18:44It's Kari, right?
18:46Yes.
18:47Do you mind if I ask you a couple questions?
18:49Of course.
18:50But I don't know anything.
18:54You might know more than you think.
18:58This might sound odd, but did your sister own any dolls made by a man named Nicholas Fletcher?
19:05A doll?
19:06No.
19:08Jane really wasn't the doll type.
19:14What is it?
19:17Well, that name, Nicholas Fletcher, I've heard it before.
19:28It's Lazarus.
19:29He says she leaves for D.C. tomorrow, but she's down for dinner tonight if we make it back in
19:33time.
19:35Sounds like she's taking the bait.
19:37Nice work.
19:37Hey.
19:39So, turns out Jane didn't own a dummy.
19:42She was the inspiration for one.
19:44What?
19:44According to the sister, she met Nicholas at a county fair, and he asked if she would model for one
19:48of the dummies.
19:49Debbie the dummy is based on Jane.
19:52I don't know why, but it makes all of this a lot creepier.
19:55So, maybe Dylan shows up looking to meet the real-life version of his doll.
19:58He freaks her out, things go bad, and he kills her.
20:00I mean, if a guy's showing up at my front doorstep saying he lived in a missile silo for eight
20:04years playing with a doll version of me, yeah, I think he might be nuts.
20:07Yeah, sure, but if Jane rejected him or called him crazy, why didn't he beat her?
20:12Like he did all the other victims who humiliated him.
20:15No, you're right.
20:15Shooting her in the head is perfunctory, not rage-driven.
20:18But even if Dylan just came here looking for answers,
20:21how did he even know about this woman?
20:24I spoke to Ronnie, Nicholas Fletcher's assistant.
20:26Apparently, what makes every Nicholas Fletcher dummy so special is the fact that they're all based off of real people.
20:32That ledger wasn't just a bill of sales.
20:34It had a record of every real person whose likeness he used.
20:37And now Dylan has that, too.
20:39Okay, so if Jane is the basis for the Debbie dummy, then we need to figure out who the inspiration
20:42for Peter is.
20:43That's where he's going next.
21:01I asked Nicholas Fletcher very nicely to make me another Peter doll.
21:06Oh, huh.
21:07Yes.
21:08And he still refused.
21:10Are you going to let me go when you're done?
21:12Are you doing, Walter?
21:13Please, talk to me.
21:20It's scars now.
21:23What happened?
21:26Rock climbing.
21:29Hmm.
21:30Interesting.
21:30I hear it's very dangerous.
21:43Please, stay still.
21:45Peter needs to look just like you.
21:53Hey, you got something?
21:55Yeah, speaking of Fletcher's assistant got me thinking, so I checked into Jane's finances.
21:59Smart.
22:01And?
22:01And in Jane's big statement, I found a $500 money order that Fletcher sent to her back in 2015.
22:07So we can now then go?
22:08Already did.
22:09Here are all the money orders that Nicholas Fletcher ever sent, and here are who they sent them to.
22:14Morales, can you enlarge four in second row from the bottom?
22:18Kind of looks like the Peter doll, right?
22:22Keith Jones.
22:23Looks like he's a Nebraska native, lives just over the Wyoming state line in Scotts Bluff.
22:26I'll tell the team.
22:28Then get your gun.
22:30You too, Ben.
22:31We're way closer than Bex and the team.
22:33I'll tell them we got this.
22:57Ben.
22:59Ben.
23:02Ben.
23:03Ben.
23:13Ben.
23:21Oh, my God.
23:45Looks like Dylan took off.
23:48Gun!
24:06Rex hit.
24:07Which way?
24:08He went out the back.
24:10You're gonna be okay.
24:11Just hang in there, John.
24:12We're gonna get you to a hospital.
24:16You got this.
24:28Dylan's in the wind.
24:29He had a car stashed out back.
24:30I lost him.
24:31How is he?
24:32He needs a hospital.
24:33Let me get him outside.
24:37We passed the hospital in Bluffside just a few miles back.
24:40Stay here.
24:41Secure the scene.
24:41Tell Bex and the guys what happened.
24:43We need to find Dylan.
24:48Okay.
24:49One sec.
24:51Yo!
24:51Can you guys see me okay?
24:53Yeah, we got you, Ben.
24:53What's up?
24:54What happened?
24:55Dylan ambushed us.
24:56Keith was dead before we got here, and Peck got shot.
24:59What?
24:59Is he okay?
24:59Where'd he get hit?
25:00Bullet clipped him in the side.
25:01He was bleeding a lot.
25:02Okay.
25:03Why aren't you with him?
25:04Morales is taking him to the hospital.
25:05She asked me to stay behind and walk you through the crime scene.
25:07Love that woman.
25:08All right.
25:08Give it to us.
25:10You seen all this?
25:11Uh-huh.
25:13Whoa, what's that?
25:14Uh, what?
25:15No, back.
25:15The box on the table.
25:17Yeah.
25:17Looks like a doll-making kit.
25:20Eyeballs, paint.
25:22Dylan stole it from Nicholas Fletcher's shop.
25:25He's remaking the dummies.
25:27He lost Peter and Debbie in the blast,
25:29so now he's visiting the inspirations that they were based on
25:31in order to remake them.
25:32I mean, look at the kit.
25:33You don't lug that around unless you're using it.
25:36There were some unfinished blank-faced dummies at the workshop.
25:39That's why he went there.
25:40So now he's got the dummy, the dummy-making kit.
25:41He's remade Peter and Debbie.
25:43Okay, he's got his dolls, so where does he go next?
25:46Oh.
25:46And why smash up the place?
25:48I mean, look at that TV.
25:49Looks like he's used it as a punching bag.
25:51What are those videos on the ground?
25:54Seems like a mixed bag of comedy shows.
25:57Solo performances, bootleg specials, how-to comedian videos.
26:02Wait, no, back it up.
26:03That open DVD, what is that?
26:07Live with a Jeff Miller and Mr. Bonkers.
26:10A killer good time.
26:12You don't think Jeff modeled Mr. Bonkers after Dylan, do you?
26:16That's exactly what I think.
26:18Hi, everybody.
26:19I'm Jeff, and this is my friend Mr. Bonkers.
26:22Come on out, Mr. Bonkers.
26:23Say hi.
26:24I don't wanna.
26:25Why not?
26:26What's there to be afraid of?
26:28It's just so humiliating.
26:31What?
26:32Nobody's gonna laugh at you.
26:33I know.
26:35That's the trouble.
26:36No one laughs.
26:40But if I can't kill them with comedy, I'll hammer home the humor.
26:52That's a bit violent, isn't it?
26:54And?
26:55Well, you can't just go around killing people.
26:57Why not?
26:58How do you think I got these nifty striped pajamas?
27:05I'm guessing Dylan wasn't too flattered about this.
27:08Nope, it's the ultimate form of heckling.
27:10If anything could trigger Dylan's rage, it'd be this.
27:13As he gets out of the pit, finds out that another comic got famous using him as the punchline.
27:21He's going after Jeff next.
27:30Well, here we are.
27:31Beautiful house.
27:34All that touring money.
27:35Must be nice.
27:37You know, the first time I ever saw the special, I was hiding out in a shelter right after the
27:41blast.
27:42They had a goodwill with all these 99-cent DVDs.
27:46Oh my God, it's a solid story.
27:49Why are we sitting on our asses?
27:51Be nice.
27:52Dylan needs to find a process of everything.
27:54Find his voice.
27:55I think he's changing his lines.
27:57I'm not.
27:57You're making the right decision.
27:59It's been a long time coming.
28:00This guy's going to get what he deserves.
28:03What do you think, Dr. Debbie?
28:05It's like I always say, Dylan.
28:07You need to make your own decisions.
28:09He's a hack.
28:17I want to hurt him.
28:18Then I think it's important that you hurt him.
28:20I want him to feel exactly how I felt the first time I saw that video.
28:26Hey, Peter.
28:28Knock, knock.
28:29Who's there?
28:31I'm a...
28:32I'm a who?
28:37I'm a go kill Jeff.
28:39I'm a go kill Jeff.
29:10Knock knock
29:14You
29:15No
29:17That's not how the joke goes
29:18You shouldn't be here
29:19I'm calling the cops
29:20I saw your act, Jeff
29:24I gotta say, I didn't laugh
29:36Where else?
29:37Hey
29:37Bex
29:37How's Peck?
29:39He's still in surgery
29:41He lost a lot of blood
29:43I should have cleared the whole house before
29:45Hey, hey, hey, stop
29:46Morales, none of this is your fault, okay?
29:48And it was your quick thinking in getting him to the hospital
29:51That is the reason he's alive
29:53Yeah
29:55Yeah, okay
29:58Look, I know that you and Peck are close, okay?
30:02When he comes out of surgery
30:03It's gonna be your face that he wants to see
30:07Get this guy, Bex
30:11On it
30:20It was a joke
30:25I thought you were dead
30:27Please
30:28Just take the dummy
30:32Let me go
30:37Stay still, please
30:42I'll do anything you want
30:45Anything
30:51Jeff?
30:53Meet dead Jeff
31:00What do you think?
31:03You're insane
31:05I don't think he likes us
31:08Me neither
31:11Me neither
31:11And I don't care
31:14Me neither
31:19Hey, guys
31:20Police just got to the scene
31:21Dillon and Jeff
31:22Dillon and Jeff are both gone
31:23With this clear evidence of a struggle
31:24Is there a body?
31:26No
31:26And from the looks of it
31:28This just became an abduction case
31:41Come on
31:42Get up
31:46Please
31:47Please
31:47Please
31:49Please
31:54I sent you the security footage from Jeff's house
31:56This is from 30 minutes ago
31:58He's keeping Jeff alive?
32:01Well, he took him alive
32:03Don't think the plan is to keep him that way
32:04The question is
32:05What is he gonna do with him?
32:06Okay, so Dillon's ultimate trigger is humiliation
32:08It makes sense that he's going after Jeff
32:11With Keith and Jane, their kills were pragmatic
32:12He needed to remake his dummies
32:14But Jeff is who he really wants
32:17Jeff?
32:18I didn't know you were coming in tonight
32:20Hey, are you okay?
32:24You don't have to do this
32:26Okay, well, if this is about humiliation
32:28Like his other kills
32:29Then I would say he's planning something public
32:32For that, he'll need an audience
32:48Hello, folks
32:48It's good to be back
32:50We're going to start the show a little early tonight
33:02I want to introduce you to someone
33:06This is dead Jeff
33:12Hey, Jeff
33:13Looks like you had a rough night
33:14You should see the other guy
33:23All right, Ben
33:24What do you got?
33:25There are 12 dedicated comedy clubs
33:27In the greater Denver area
33:28And another 18 venues promoting open mics tonight
33:30We don't have time to check them all
33:31Oh, wait
33:32They both performed at a place in Boulder
33:34Called the Colorado Comedy Club
33:35Back in 2015
33:36And it looks like a few years ago
33:38Jeff Miller bought it
33:44You know, Jeff
33:45I don't think that was heaven
33:47Go to hell
33:54How many of you recognize my friend here?
33:58Who knows who dead Jeff is based on?
34:00Jeff Miller
34:01You got it
34:03This is dead Jeff Miller
34:05Oh, you're hilarious
34:10But, you know, really
34:11I should rename you not dead yet, Jeff
34:13But what do you think?
34:15Should I kill him?
34:20I'm serious
34:22Who here thinks I should kill Jeff?
34:28Um, I don't
34:30Does that count?
34:34No
34:36Come on
34:36Jeff the dud Miller
34:38Got famous off an act that wasn't his
34:40He stole it
34:41Did you all know that?
34:43Mr. Bonkers?
34:45Please
34:48I say we kill him
34:54Should I do it?
34:56Woo!
34:59Yeah?
35:01No!
35:02No, don't do it!
35:29No, don't do it!
35:33Hey, watch your background. It's full of friendlies in there.
35:36Copy that. It'll circle around to the front.
35:43All right.
35:47That was just the warm-up. Buckle up, everyone.
35:58I'm calling the cops!
35:59This isn't funny!
36:00Oh, I disagree. I think it's hilarious.
36:07FBI! Drop your weapon!
36:08I'm going out! Get out! Here's exit!
36:10Keep your head low! Stay calm! Keep your head down!
36:12Keep moving! You're all right! Just keep moving!
36:14Get out! Everybody out!
36:17It's over, Dylan. You made your point, okay?
36:20Let him go.
36:21My point? He's a hack!
36:23Got famous using me as a prop!
36:25And you wanted to humiliate him in return, right?
36:27Well, well done. You did that.
36:28Just one more step.
36:30And I pop his head like a cherry.
36:32You're not gonna do that.
36:34Think about it, Dylan.
36:36What's worse than dying?
36:37Let him live with this.
36:39He's the idiot who got humiliated on his own stage by his own dummy.
36:42He will never recover from that.
36:48You want to humiliate him forever?
36:52Don't kill him. Let him live.
36:56Dylan, put the gun down.
36:59You're right.
37:03My job is done.
37:05Hey, Jeff.
37:06What's red and full of holes?
37:09Me.
37:14No! Don't send me back!
37:16I got him.
37:17Shane, get the gun.
37:18Copy.
37:20You okay?
37:22All right.
37:23Yeah.
37:24You sure?
37:25Thank you. Bye.
37:26Hey, Ben. We're gonna need an ambulance.
37:28Copy.
37:29Contact and dispatch.
37:30ETA.
37:31Ten minutes.
37:35Easy there.
37:39Those are some pretty heavy painkillers.
37:42These pills are good.
37:46Let's get you to bed before they wear off.
37:49That sounds nice.
37:53Have I told you how beautiful you are?
37:56Okay there, Castanova.
37:58You can tell me that when you're sober?
38:00Mm-hmm.
38:01Shane just sat down to dinner with Lazarus.
38:03Got it.
38:04Find anything on Noah Cyrus and the convoy?
38:06Less than in there.
38:25Nigel!
38:26a customer.
38:56Searched everything. This place is clean.
38:59Yeah, because she's too smart to leave anything around for us to find.
39:08Oh, getting shot hurts.
39:10I don't know what you expected. Here, let me help you.
39:20Hey, what happened here?
39:24You've been out shooting a rifle or something?
39:31But I thought that you said you didn't shoot.
39:36Secret stuff.
39:38What do you mean?
39:40We don't talk about missions.
39:42We don't talk about missions.
39:44How far can we go?
39:49Till it's night to live.
40:14Tango down.
40:15All clear.
40:17I'm in position.
40:21Reach! Reach!
40:34Target eliminated.
40:36We can visit.
40:37You can stay.авно.
40:51What happened
40:52here? Time to
40:53goods. Yeah, I'm
40:56with barbaric idolatry. Coming in there.
40:56вами is a Important
40:57Heart. I'm talking about
40:58the wicked soul. I'm talking about
40:58the wicked soul. I'm talking about
40:59What happened here?
41:03The entire force was
41:03sandstorms. How far can we
41:04look I'm using? The 1800s mark?
41:04not get it back to the dead soul. Never Âue hoof
41:04you in the house.
41:33Transcription by CastingWords
41:39CastingWords
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