- 7 hours ago
How To Get To Heaven From Belfast S01E05 [Full Movie] [Latest Version]Full EP - Full
Category
🎥
Short filmTranscript
00:28Transcription by CastingWords
00:45CastingWords
01:05CastingWords
01:15my god she's done it she's done it my name's marco you did very well you're a very clever girl
01:27so don't hurt me she thinks she's stupid that's not true
01:31he won't come now he's never coming now who won't come god
01:42you don't think you're clever he is a gangorev to a vacant term she said i said i knew you
01:47were
01:47watching i'd like to keep working with this one the other child nothing i can do for the other child
02:04so
02:13so
02:23Here we go.
03:14Here we go.
03:39Here we go.
04:03Here we go.
04:14Here we go.
04:20Here we go.
04:38Here we go.
04:51Here we go.
05:12Here we go.
05:35Here we go.
05:37Here we go.
05:37Here we go.
06:06Here we go.
06:16Here we go.
06:37Here we go.
06:46Here we go.
06:47Here we go.
06:48Here we go.
07:01Here we go.
07:03Here we go.
07:04Here we go.
07:06Here we go.
07:09Hey, Saoirse, it's me, eh, Liam. Excuse the voice note, I didn't want to call in case you were working
07:15at me. I sent that too soon. I never know if I should delete and start again when that happens
07:20or if that looks a bit.
07:24Sorry, I did it again there. I think maybe I just have really big fingers. Anyway, look, so I spoke
07:32to Margot. She didn't know anything about Jodie for it or so she says, but she did tell me something
07:36which was a bit...
07:38I don't believe this. Me again. Anyway, I spoke to Margot. She told me when she was pregnant she was
07:44reading this book. The author was a psychiatrist she admired. Greta Gankale.
07:49So she, Margot that is, she decided she'd name her child after her. But here's the thing.
07:56Jesus Christ. Sorry, here's the thing. This woman should only publish one book and it was written more than a
08:02decade after Greta was born. So that can't be right, can it? I'm not really sure what it means, but...
08:07How the fuck have you done that again? Maybe just give me a call back, Saoirse.
08:13Ladies and gentlemen, we'll shortly be starting our descent into Dublin Airport. Please fasten your seatbelts and place your seat...
08:21Excuse me.
08:27Right, let's do this. Ready?
08:30No.
08:31Great.
08:35Why would we scatter her in the sea? She hated getting her hair wet.
08:40I would, you know what she hated. You never saw her. You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark. She loved it. There was her happy place.
08:50I'm gonna have to ask you all to take it down a notch for me, girls. I can deal with
08:53this if you wanna let the pilot know what's going on.
08:55Well, sure. I'll open the door to the cockpit now. Who the hell trained you, Linda? Al Qaeda?
09:00You always gave her bad advice to seatbelt now. Well, you were always ripping the back out of me. Get
09:04back down!
09:04Well! Curran for her was the worst decision you ever made. It only exacerbated your avoidant personality and gave you
09:11an excuse to never put yourself out there and live your own life for fear of rejection!
09:29We're not drunk. Not really. We were acting. It was an act!
09:33Girl, if you are gonna subject us to any kind of breathalyzer type scenario, I should say I've had a
09:38few proseccoes.
09:39That woman was trying to kill us. She's a psychopath!
09:40She locked us in a boat. A big boat. She blew it up. She blew that big boat off!
09:44If it wasn't for Dara's banana, we'd all be standing here dead now.
09:47Impersonating a member of cabin crew staff. She did not know what she was doing during that safety demonstration.
09:52Where's the real Linda? That's what I wanna know. You have to help us.
09:57On you go.
09:59Okay, then. Well, thanks for listening, lads.
10:09Shit! Look!
10:14Okay, we have to go now.
10:16Without our bags? No chance.
10:18I brought a Max Mara bikini that cost me 300 quid.
10:21Well, I'm sorry, Robin. That is actually immoral.
10:22Absolutely cracker looking only is what it is.
10:29Okay. Okay.
10:35Right. Come on.
10:48Hello.
10:50Good night, lads.
10:53Thank you, Draper.
10:54I'm gonna give you a hug.
10:54Come on, let's go.
10:55Come on, let's go.
10:56I'm gonna give you a hug.
11:02Come on, let's go.
11:04Come on, let's go.
11:05Come on, let's go.
11:06Come on, let's go.
11:19This person who called this woman, she said,
11:23That Greta knew your father?
11:25That she knew something about his disappearance, yes.
11:29But the caller, they didn't identify themselves?
11:31No, and that was the only time they contacted me.
11:34What day did you receive this call?
11:35The night of this month.
11:41Did they, Greta died?
11:43I've since learned as much, yes.
11:46That was strange.
11:50So did your wife ever mention my father?
11:52Or talk about having any dealings with a journalist?
11:55No, never.
11:56Would have been a long time ago.
11:57She didn't mention anything.
12:00Well, she would have been a teenager when he went missing.
12:05Around the same age as your daughter, perhaps.
12:07My daughter?
12:08Yes.
12:09What do you know about my daughter?
12:11Well, I tried your house.
12:13You went in, but she was, and I briefly...
12:16You leave my daughter out of this.
12:17Sorry?
12:18I mean, whatever this is, you leave my daughter out.
12:20No, I didn't even speak to her.
12:21Her mother has just died.
12:22My wife has just died.
12:24I didn't...
12:24I didn't mean...
12:24And you come in here with this insane story?
12:29It's not a story, Inspector O'Neill.
12:32It's a fact.
12:34Someone did call me.
12:36And someone gave me your wife's name.
12:47I don't have time for this.
12:55I understand.
12:58I apologise, sir.
13:00It's not the right time.
13:02Perhaps.
13:04I can wait.
13:16Yeah?
13:20Anything I can help with?
13:22No.
13:25No, it's...
13:27It's fine.
13:46Maybe it's time we talk to the guards.
13:48Maybe we should just tell them everything.
13:50Yeah, but you see, we can't tell them everything, can we, darling?
13:52Because there's some bits we need to keep to ourselves.
13:54Like some quite big criminal-y type bit.
13:56Oh, that name guy.
13:57He might help.
13:58But my phone's fucked.
13:59Oh, shit, my tea.
14:01Oh, Robin's works.
14:03For fuck's sake, Jim.
14:04I don't remember his number.
14:05Why's Jim ringing me?
14:06I don't know, Robin, maybe because he's your husband and the father of your children.
14:09Hiya, love.
14:10How's things?
14:12Great, yeah.
14:13All under control here.
14:14Ryan, Sweden, darling.
14:17How is Portugal?
14:18Hey, baby, let the free birds fly.
14:21Yeah, a lot of Irish here.
14:23One second, though.
14:24What in the name of...
14:25I've got to go deal with this.
14:26Ryan!
14:27We need to focus, girls, okay?
14:29What do we actually know?
14:30What are the facts, okay?
14:31So we know that this thing belongs to Jodie.
14:33We know that Jodie and Greta grew up together.
14:35We know that they were connected.
14:37What was the name of that town again?
14:40Come on, Tashban.
14:41Tashban, that's right.
14:42Why are you talking about Narnia?
14:43What?
14:44Tashban, it's from the Chronicle of Narnia.
14:46Yeah, Jack's reading it.
14:48I forgot how messed up it is.
14:49That lion is a fucking nurse.
14:51I, I, I, I've got to go, love, okay?
14:54Right, bye, bye, bye, bye, bye.
14:55Yeah, love you, bye.
14:57Fuck.
15:00Jesus Christ.
15:02What was it?
15:03He was right.
15:04What are you talking about, yeah?
15:06They couldn't have come from Tashban.
15:08Because Tashban doesn't actually exist, girls.
15:12Every single thing she told us was a fucking lie.
15:28And with that, it's goodbye, Jodie.
15:31Perfect.
15:32A passport pick is everyone on their best day.
15:35It looks great like this, by the way, babes.
15:37If I do say so myself.
15:39The truth is, you don't have to do that much.
15:41What's that thing they say about lying?
15:45A good lie stays close to the truth.
15:48Like with your name.
15:49I always think it's best to go for something that sounds similar.
15:53That way, when someone calls you, or you have to sign something, it's less of a leap, like psychologically.
15:59So I'm thinking.
16:01Gráinne!
16:02Gráinne?
16:03I think it's such a babes.
16:04I honestly do.
16:06Gráinne.
16:07It's like an echo of the person you once wear.
16:10I like that.
16:12Like a ghost of yourself.
16:14That's actually quite profound.
16:16That's me, babes.
16:17Now, the surname we have less, freedomless.
16:20We have to work off a list that's been cleared.
16:22What?
16:23I must have left it upstairs.
16:25Let me run and grab it.
16:28Gotta take the hardware with me.
16:30I'm afraid, babes.
16:31It's not that I don't trust you.
16:34It's just better safe than sorry type thing.
16:37And I've been stung before.
16:39People are like, I just want to talk to my mother, or sister, or son, or springer fucking spaniel.
16:47Just once.
16:48Just to hear their voice.
16:50Like, I get it, babes.
16:52But now you've thrown the whole operation, and I'm starting to decide with whoever it is that once you did.
16:59You're on the other side of things now, I guess.
17:02What's that?
17:03Well, earlier you said that you were evaporated, too.
17:08Oh, right.
17:09Yeah.
17:11But I was so young.
17:13How young?
17:15Thirteen.
17:18Yeah, my parents.
17:20They were both.
17:22God, I still haven't found a better way of putting this.
17:27Like, they were kind of murdered, babes.
17:31I'm so sorry.
17:33You don't need to know all the details.
17:35Trust me, it will kill the crack.
17:38Overnight, my environment became, well, not the safest.
17:43And Booker heard what happened.
17:46And she decided to help me.
17:50Booker saved me.
17:53I owe her everything.
17:56I guess that's why I'm here.
17:58Doing what I do.
18:01That's something else we have in common.
18:05What is it?
18:07Well, you were young, too.
18:09When that Marco woman stepped up, I mean.
18:16You know about that?
18:17You know what happened with my mother.
18:19We know everything, babes.
18:42We know everything, babes.
18:50I like to see you, babes.
18:52I like to see you.
18:53I like to see you, babes.
18:58I like to see you.
18:59Cheers, Robb.
19:00You go kick the shit out of the Skull & Packers.
19:02What about that?
19:03We're working tonight.
19:04Oh, yeah.
19:05Don't say it like that.
19:09That's a licensed Art Lyme.
19:10It's all St. Patrick'samed.
19:10Oh, that's it.
19:28For fuck's sake, I'm not even wearing green.
19:31It's supposed to bring you bad luck.
19:34Think of it already.
19:40Run!
20:13Run!
20:28Run!
20:34She's grand!
20:37Why does she do that?
20:40Come on, come on, come on.
20:41Oh!
20:59Thanks.
21:00Sure you think we want one?
21:01I'm grand.
21:02That's not very Irish, are you?
21:04That's quite offensive.
21:05He's now crack.
21:07Don't say crack.
21:08Sorry.
21:09Great man, St. Patrick.
21:11Single-handedly drove the English out of Ireland, you know.
21:14No, wait.
21:15Not the English.
21:16Snakes.
21:17Jim, that's two mates.
21:18Wait, you know, Donald.
21:19You're quite upbeat for a fellow with a missing dad.
21:22He went missing when I was a baby.
21:24Settled into it.
21:28Mmm.
21:29Would you like a straw?
21:31Do you think I could last one?
21:32No.
21:36So, why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:42Okay, well, I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:53I called at Owen's house yesterday.
21:55I walked there.
21:56I, uh, I saw him lead you out.
21:58Saw you get in your car and drive away.
22:00You didn't see me.
22:01Neither did he.
22:03But, anyway.
22:05When I reached the door, there's no answer.
22:08For some reason, he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18All right, fine.
22:19In the meantime, let me show you this.
22:22So, these are my father's old notebooks.
22:26I've, uh, been trying to decode them.
22:29Decode?
22:29Yeah.
22:30He interviewed paramilitary members, intelligence agents.
22:32When you said he was a journalist, he was an actual journalist.
22:35So, a few times, he talks about what I thought was something like sad girl or mournful woman.
22:41But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:48You don't know there are probably a hundred skills in Ireland with that name.
22:51Yes.
22:52But then there's this.
22:55What does it mean?
22:57No idea.
22:58It feels religious.
23:00It's my instinct.
23:01Anyway.
23:04I, uh, went to Greta's old school for a look.
23:07And there's this whole area of the grounds that's just sort of abandoned now.
23:11And there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well, when I spoke to her friends, they mentioned it, and Greta, well, she'd have still been there the
23:32year that my father disappeared.
23:35Did you say you spoke to her friends?
23:39Hey, Saoirse.
23:41So, uh, I just had a chat with Andrew.
23:44You remember, Andrew?
23:45English lad.
23:46He, uh, spoke to you about the fact that his father disappeared, about how he thinks Greta was involved.
23:50Now, here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:57I want you to tell me what the hell is going on here.
23:59Fuck it.
23:59I'm coming to Belfast.
24:01See you at the studio.
24:27If this is how it ends, if I die today, I'm coming to Belfast.
24:35I don't want my conscience to be clear.
24:38You're not dying, Saoirse.
24:41My head is banging.
24:42I might have some painkillers in my bum bag.
24:45Okay.
24:45At some point, we need to address the fact that you've started wearing a bum bag.
24:50Now, these are mums.
24:51They're prescription only.
24:53They are really strong.
24:55Class.
24:55We need backup.
24:56I'm calling Jim.
24:57What's Jim going to do to that male bitch?
24:59I'll have Jim for breakfast.
25:01How's it going?
25:02You've reached Jim's phone.
25:03Where the hell is he?
25:04I'll just drop to the beep.
25:06He's gone out.
25:07Who the hell does he think he is?
25:10Wait, you're tracking Jim.
25:11Obviously.
25:11I haven't trusted him since the whole affair thing.
25:14There was no fucking affair thing.
25:17Shit, she's tracking us.
25:21She's tagged us somehow.
25:23It could be on her clothes and her hair.
25:26You know what that means.
25:27On her hair?
25:29She's on her way here.
25:42Robin, stay beside that door.
25:44I don't want a priest walking in here and seeing my fandango.
25:47What's your fandango doing out?
25:48Can everybody just keep their fandangos under wraps, please?
25:55Shh.
25:56Listen.
26:13Grab a weapon, quick.
26:22Come on.
26:28We're ready for a fucking exorcism, maybe?
26:34Who is she, girls?
26:36Is she playing at night?
26:46Moving on to seat 32A.
26:49Let's have cast on set in five minutes, please.
27:06It's a blast of rain.
27:08It's a blast of rain.
27:10It's a bit like an eating mass.
27:11It's terrible.
27:12It's so obvious.
27:13Excuse me.
27:14Yeah, I'm going to have to see the brain.
27:15Excuse me.
27:16Scene 32A.
27:18Crucial, people.
27:19Crucial.
27:22Crucial.
27:22me. The cop, I remember. I'm looking for Saoirse. I bet. Why would I know where she is? Well,
27:29because you work together and also aren't you engaged? Well, I'm sure you've seen a lot more
27:34of her than me recently. What? You think I don't know what's going on? There's nothing going on.
27:42Look, I don't mind. You don't mind? I'd just like to be involved. Involved? I think you'll find I
27:50have a lot to offer in that department. Okay. Well, you genuinely don't know what you're
27:54talking about and I'm kind of afraid to ask. Oh, come off here. It explains why she's been AWOL for
28:00days. What does? She's storylining season five and you're helping with research. Oh, no. Pushing me out
28:09again. So much for TV being collaborative. Listen, boss, um, why are you in the wrong uniform? No,
28:14he's a guard. We're shooting those scenes next week. That's all location. Costume. Yeah. This
28:18TG is in the wrong unit. No, he's not. I'm not an actor. I'm a real person. Oh, and actors
28:22aren't real people? He's an actual guard. Okay. He's helping Saoirse's storyline season five.
28:26Really? We're going to have to swap out scene 15. This friend's not stopping anytime soon. Oh,
28:30no. Could you just have her call me? Mm. Seb, darling, my car's here. Taking that
28:34god-awful tele-interview. Love you, darling. What's 15 again? Exterior school. Burying of the body.
28:41Okay. Okay, fine. Hey, eh, sorry. Do you have a script? Can we get a move on, people?
28:56What is she playing at? She knows we're in here. Sanctuary law. She is obeying our right
29:05to claim sanctuary. So long as we're in here, she won't touch us. So why the fuck would we
29:09leave?
29:28Hello. I just want the box. You've been swept up on something you deserve no part of.
29:37I don't want to hurt you. She tried to kill us. The boat? That was a warning. If I really
29:43wanted you dead, you would be. I just want the box. Why? What's in it? What's all this
29:52got to do with Greta? Knowing that will infect you like a disease. A fatal one. All you have
30:00to do is come out here and hand me the box. Do that, and I promise you will never see
30:12me
30:13again. After a while, you'll begin to question if any of this actually even happened. If I ever
30:23actually existed, what will it be? Let me do it.
30:56What are you doing? All right.
30:58Oh, God.
31:02Oh, God.
31:04Oh, God.
31:28Why didn't you come inside?
31:30I don't do business in God's house.
31:35I don't trust him.
31:37I see.
31:45Well, we don't make deals with the devil.
32:00That's so cute.
32:02We charge a shop number.
32:05You gotta get the balance right with this stuff.
32:07It's more time consuming, but every stitch young can't be brand new.
32:12I'll sort the basics, because they haven't told me where you're going yet.
32:16So, I don't know what conditions we're dealing with.
32:19Will you travel with me?
32:21They'll send the midwife.
32:22The what?
32:23She delivers you to your new life.
32:26When?
32:28Soon.
32:28Too soon.
32:29It was my understanding that when I'm settled to my daughter, she could join me.
32:33Oh, come on, babes.
32:35I get that there's a lot to do.
32:37Well, that's one way to put it.
32:38I thought if I could get a sense of...
32:39I mean, it's a timeframe.
32:39You're giving me cause for concern here, babes.
32:43You're concerning me.
32:44And concerned...
32:45You don't need to be.
32:46A timeframe.
32:47Just roughly.
32:47This is a very delicate procedure.
32:50I get that.
32:51With no guarantees.
32:53But if everything goes to plan...
32:54With no guarantees!
32:57She's my daughter, and she thinks I'm dead.
33:03What is in her best interests?
33:12You'll be okay.
33:15Will I?
33:16Some people are built to survive.
33:22That's what Bicker told me when my parents tried.
33:26She said...
33:27She knew I was deafening because I cleaned it all up.
33:32Most adults couldn't have managed that, she said.
33:37Cleaned what up?
33:38The mess, babes.
33:40There was such a terrible mess.
33:44They were stabbed, you see.
33:47Thirteen times between them.
33:50Oh, my God.
33:53It's fine, honestly.
33:56They wouldn't have known anything about it.
33:59What do you mean?
34:02They were fast asleep.
34:09Thirteen times?
34:10Thirteen times?
34:11I'll win for every miserable year.
34:16Well, I don't look so shocked.
34:19You recognised it in me.
34:21I saw it in you two.
34:23Before I'd read a word.
34:26It takes one to know one, doesn't it, babes?
34:33You'll be okay.
34:35You'll survive.
34:38People like us always do.
34:46She shouldn't have called us at night.
34:48Yeah, all right, love.
34:49You okay?
34:58Exactly what part of the plan were you unclear on, Dara?
35:00I'm telling you, it was chilling.
35:02I was standing there, looking her right in the eyes, and it was like she had no soul.
35:07It was like you're in the presence of evil.
35:10Actual evil.
35:10How might someone like that react to you, bashing her face in, I wonder?
35:14She was never going to let us walk away, Robin.
35:16She was lying.
35:18What's this cue for, exactly?
35:20No idea, but I'm thinking if we're hiding behind lots of people, she'll have to kill them first.
35:25Jesus, Robin.
35:26Even I think that's dark, Robin, and I'm morally quite sketchy, like I work on television.
35:30Oh, speaking of which, Seb's been trying to get you.
35:34He wants to know how many scripts to give Liam now that he's a consultant.
35:37What the fuck is he asking for scripts?
35:39I'll need them if he's a consultant.
35:40He's not a consultant, Dara.
35:43What is going on here?
35:45I'll go easy on those.
35:47Tickets.
35:48For what?
35:49The Late Late Show.
35:50Oh, my God, the Late Late Show.
35:53I love Patrick Hilty.
35:55I love Patrick Hilty.
35:58Oh, yeah.
36:00I mean, I suppose he's good at what he does.
36:02I just don't get what all the fuss is.
36:05Fine, I love Patrick Hilty.
36:07Jesus.
36:09She can't kill us on live TV.
36:13Okay, can you guys move us out, please?
36:16We don't have tickets because these are the competition numbers.
36:19What are you talking about?
36:21She'll be on your list.
36:22Jesus, I emailed about this yesterday.
36:24What list are you working from?
36:27Who put you in the door?
36:28Cara.
36:29Ah, typical.
36:30Aye.
36:31Well, tell me that you at least held some house seats back.
36:34Yeah, of course.
36:35Always.
36:35Right.
36:35So, shall we?
36:37Mmm.
36:39Ticket.
36:40Seen a lot of 30 Rock.
36:42But you've yet to watch one episode of my show.
36:46Show's not funny.
36:47How would you know?
36:49We're just down there.
36:50Sorry.
36:50Thanks.
36:51Thank you very much.
36:52Yeah, we're just down.
36:52We should be right there.
36:56Well, thank you.
37:00We should be okay.
37:02We're going live in three.
37:40Hello, good evening.
37:41Welcome to the Late Late Show.
37:43Thank you for our band, folks.
37:46Look at Jonathan there.
37:47Hey, would you ever turn that bollocks off?
37:52And happy St. Patrick's Day.
37:59Also on the show tonight, he went viral this week
38:03when he rescued a blind sheep stuck in the mud
38:06halfway up the Wicklow Mountains
38:08and carried it down on his back to safety.
38:11His name is Sean O'Kelly.
38:14Good man yourself, Sean.
38:16What a strange show.
38:20She plays Detective Emma Fierce
38:22and the smash hit multi-award-winning television series Murder Code.
38:26Let's have a huge welcome for the one and only Marnie Mullins.
38:33You are shitting me.
38:36Isn't that those three Belfast digits we questioned?
38:40God, I think you're right.
38:41Are you sure?
38:42Sure, I'm sure.
38:44I'd recognise you're on anywhere.
38:45This thing's still alive, right?
38:47Oh, God, yeah.
38:48You cannot whack it.
38:50Now, the show has such a huge following.
38:53Shall we all love a bit of Murder Code?
38:57When you first read the scripts,
38:58did you know it was going to be such a massive hit?
39:00Do you know what, Paddy?
39:01Here we go.
39:02No.
39:03I actually struggled to see what the big deal was,
39:06but then I realised it was the audience's attachment to my character, Emma.
39:12My character, Emma.
39:14That was the big pull.
39:15So I made a few suggestions.
39:17The tag wars.
39:17To make her relatable,
39:19and the scripts were definitely elevated after that.
39:24I mean, we did a lot of work on them.
39:25We.
39:26And after all that,
39:27I think we knew we'd made something truly special.
39:30Well, special is right.
39:31I mean, what was it,
39:32something like 10 million viewers tuned in
39:35to see you catch the elusive career killer in your own home?
39:41Actually, actually,
39:43a lot of that scene was improvised.
39:46That is it.
39:48That is it.
39:53Oh, my God.
39:56That's our writer, Saoirse Shaw.
40:00Surprise.
40:01Saoirse Shaw, writer of Murder Code.
40:05Ladies and gentlemen, let's get her down here.
40:17Look.
40:18Look, Mummy's on TV.
40:20She really is.
40:21Oh, lads, will you stop?
40:22Your room's in Portugal.
40:24Oh, my God.
40:26Oh, my God.
40:27Oh, my God.
40:30Oh, my God.
40:31Oh, my God.
40:32Paddy.
40:33Paddy.
40:33Paddy, Katie.
40:34P.K.
40:34Paddy.
40:35Mr. Paddy.
40:35You take a breath.
40:36Yes.
40:38Jesus.
40:39Jesus.
40:40So, tell us this.
40:42Where do you get your inspiration?
40:44All these complicated plots and twists and turns.
40:48I guess lots of things inspire me.
40:52Books.
40:53Yeah, look, Seb, just calm down.
40:55I'm just loading up now.
40:56Give me a second.
40:58Yeah, got it.
41:01Films, news stories, history.
41:06Oh, what the fuck is she doing?
41:09How many of those bloody pills did she take?
41:12Oh, for God's sake.
41:13Yeah, sort of a matter of things that happen in real life.
41:17Even.
41:18Let's talk about that.
41:20Talk about it.
41:21Give us an example.
41:22Well.
41:24Oh, maybe I shouldn't say that.
41:26Go on, I don't be a tease.
41:31When we were young, my friends and I, we did this pretty terrible thing.
41:37But only because we were trying to protect someone.
41:43Go on.
41:44Oh, I get in trouble here.
41:45Sure, isn't that what live TV is for?
41:47Yeah.
41:50I think this is a bad idea, Patrick Hilty.
41:54Tell us.
41:56Tell us.
41:57Tell us.
41:58Tell us.
42:00Tell us.
42:01Tell us.
42:02Tell us.
42:03Tell us.
42:04Tell us.
42:04Tell us.
42:05Tell us.
42:06Well, turns out the person we were trying to protect, she was lying.
42:13So now we've done this terrible thing, but we don't even, we don't even know why.
42:18If this were murder code, and you were Emma, I mean, what would you do?
42:25Well, I suppose, well, I suppose Emma would realize that she's overlooked something small,
42:34small, something that she initially thought was insignificant, but it turns out that it was the key to unlocking the
42:46case.
42:48The key to unlocking the box.
42:51Locking the box.
42:52She had it all alone.
42:55I had it all alone.
42:56She already knew the answer.
42:58I already know the answer.
43:00Of course you do.
43:02You've seen it.
43:04Where have you seen it?
43:05I don't know.
43:07Think.
43:13I don't remember.
43:15I can't remember.
43:16Picture.
43:17Picture.
43:17Picture.
43:18A painting.
43:19A painting.
43:20Picture of a painting.
43:28I've got it.
43:29Penny, it was actually a pretty challenging shoot.
43:32I assume.
43:33I had these sort of panic attacks, but I had someone talk.
43:35I really must get her some media training.
43:37Back at five.
43:38Don't go anywhere now.
43:39Roll it there.
43:43Oh, please.
43:45Big panic at work.
43:46Right, hello.
43:47Let's go.
43:48We've got to get you.
43:48Let's go.
43:49I saw Patrick.
43:50Hey, we all saw Patrick.
43:52Keep going.
43:53Keep going.
43:53What is he like?
43:54What is he like?
43:55What is he like?
43:55Let's go.
43:56Come on.
43:58Jesus.
43:59Seriously, those things could kill a horse.
44:01You're such a liability.
44:03I think I solved it.
44:05We solved it.
44:07Me and Patrick, Katie.
44:09I love Patrick, Katie.
44:16We already saw the answer.
44:19We had it right in front of us.
44:22What?
44:24The symbol in Portugal.
44:26Did you take a picture?
44:29Wait.
44:37Was there a number on it?
44:38Yes.
44:39Yes, there was a number.
44:40It's a date.
44:41I'll call it out.
44:42Um, two, five, zero, one, nine, seven.
45:04Oh, my God.
45:20What happened to her?
45:35What the hell is going on here, girls?
45:38It's actually quite difficult to know where to start.
45:41Charles Sampson.
45:42Start there.
45:43What do you know about Charles Sampson?
45:45What the hell is going on here?
45:46Watch out!
45:52Holy shit.
45:54Step out of the car!
46:24What do you want?
46:33What do you want?
46:57You keep going, Dad tell you to stop.
46:59What do you want?
47:29What do you want?
48:00What do you want?
48:01What do you want?
48:02What do you want?
48:03What do you want?
48:04What do you want?
48:34What do you want?
49:04What do you want?
49:43What do you want?
49:46What do you want?
49:47What do you want?
Comments