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The Gilded Age S03E01 [Full Movie] [New Drama]Full EP - Full
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00:28İzlediğiniz için teşekkür ederim.
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03:25Agnes'in çok ziyaret edilebilir.
03:26Buna göstergesine sahip olan mysingiro geliştirilebilir.
03:31Yardım, bu kününün müdeyebilmesi için katılır.
03:35Bu kününün müdeyorsanız, bu künün müdeyorsanız,
03:39bu şirketin bir insan için sadece de bir şey.
03:41Bu kününün müdeyorsanız, bu kününün müdeyorsanız,
03:43Ve bu kününün müdeyorsanız,
03:48ve bu kününün müdeyorsanız,
03:50bu kününün müdeyorsanız,
03:54İzlediğiniz için teşekkür ederim.
03:55Bu ne?
03:57Bu ne?
04:12Bu ne?
04:13Bu ne?
04:13Bu ne?
04:14Bu ne?
04:14Bu ne?
04:15Bu ne?
04:15Bu ne?
04:15Bu ne?
04:17Bu ne?
04:18Bu ne?
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04:20Ve bizimastaizm jeuneur.
04:33Bu ne?
04:36Bu ne?
04:38Bu ne?
04:40Bu ne?
04:41Bu ne diley隨 occasionally?
04:41T Destey Alright!�ValeWaldim?
04:42643DC Öde ona ''
04:43Lup även her
04:44temperance meeting' Ciğer Canan'cubil!
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17:32abone olmalı.
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17:50abone olmalı.
17:52abone olmalı.
17:54abone olmalı.
17:56abone olmalı.
17:57abone olmalı.
18:01abone olmalı.
18:02abone olmalı.
18:37abone olmalı.
18:39abone olmalı.
18:49abone olmalı.
18:55abone olmalı.
18:57abone olmalı.
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19:00abone olmalı.
19:02abone olmalı.
19:04abone olmalı.
19:08or Vonla özenenceki below bir şey.abe
19:10güven jobbarlar varımala sorunu bekleyip ediyoruz.
19:16A divorce?
19:18Me?
19:20Is there someone else I should be divorcing?
19:24Oh, what a fool you must think of.
19:26What a fool I've been.
19:27You've tried, I know.
19:29But we don't care about the same things.
19:32Or even the same people.
19:34The fact is, we don't want the same life.
19:40You'll divorce me, of course.
19:42Why? It's what you want, I don't.
19:44That's how it's done. A gentleman doesn't divorce his wife.
19:47Maybe, but he can treat her badly, can't he?
19:51You'll be protected.
19:52Nothing will be done that is not as you would have it.
19:54That's not true, is it? Because I don't want to be divorced.
19:57Evora, the only accepted cause for divorce is adultery,
20:00and I can't very well accuse you.
20:01No, because I have been faithful.
20:03And I have not. Which I freely admit, so you must bring the charge.
20:06Well, I won't. I don't want to ruin my life.
20:09Why should I?
20:11Things are not as they used to be.
20:13Among our people, things are very much as they used to be.
20:15So you want us to go to war?
20:17You march in here and tell me my life is over and I'm supposed to agree?
20:21I don't mean to be unreasonable.
20:22Then stop being unreasonable.
20:24And the answer is no, I won't do it.
20:27You'll be unhappy as well as me.
20:29And so will your enamorata, I suppose.
20:32Who is she? May I know?
20:34Elsa Lipton, Carter Lipton's widow.
20:36Oh, I knew it would be someone shady.
20:38There's no need to be unpleasant.
20:39It's the truth.
20:40With her history, it would just be one more battle scar when it would ruin me.
20:44You exaggerate.
20:45Really?
20:46Do you think I would be welcome in the circles where I am welcome now, as a divorced woman?
20:55I never thought I would be glad to have no children.
21:01I'm going up.
21:04How strange.
21:05When I bedecked myself in these gigas, I was looking forward to your coming home.
21:10Little did I know.
21:20I'm so sorry Oscar didn't come down to dinner again.
21:24I hope he's not ill.
21:26I think he's just tired.
21:27He had a tray in his room.
21:29Yes, it must have been exhausting ruining me.
21:32Badness.
21:33He paid a high price.
21:35He's lost his place at the bank.
21:37He's given up his rooms and his valet.
21:40I'm afraid he's just given up.
21:42He never comes out of his room.
21:43Do you mind him living here?
21:45Should I ask him to move out?
21:47How can he?
21:48He has no money.
21:49Well, I know what that's like.
21:50Anyway, I don't want him to.
21:52But he does need to find a plan.
21:56Marian, may I ask you something?
21:57Of course.
21:58It might be helpful for Oscar to see more of young Mr. Russell.
22:03He must have plenty of money to play with, but he works away.
22:06I don't think Mr. Russell gives him much money, but he certainly does work hard.
22:10Better and better.
22:10Would you invite him to dinner, say, Tuesday night?
22:13You do remember he's in business with John, trying to sell the clock.
22:16Which will only render the evening more interesting.
22:19Hmm, I'm not sure I agree.
22:23Invite him.
22:46Oh, wow.
22:48That was magnificent.
22:50Thank you for including us.
22:51Of course.
22:52My son was keen to see me.
22:54Yes, I could hear the whispers all the way through the second act.
22:58You cannot contain young love.
23:01If you'll excuse me.
23:02Of course.
23:05If you want to marry me and I want to marry you, we're already engaged.
23:08So why not just tell her?
23:10I can't while father's away.
23:12And you have to ask him first.
23:14I want it settled before her duke gets back to New York.
23:16What?
23:17How did you know about that?
23:19I read it.
23:20It's on paper.
23:21She's not going to win.
23:22Not against my father.
23:24I promise.
23:25His mother seems to think they're in love.
23:28She would not be wrong.
23:29Don't tell Bertha that.
23:31I assume she was not aware that Billy Carlton would be here.
23:35We never said we were meeting you.
23:37She finds out the truth, I'll pay.
23:40She can't keep Gladys locked up forever.
23:42Not forever, no.
23:43Just for long enough.
23:45Why?
23:46What's mother done now?
23:47She started to leak the details of the duke's next stay.
23:50An outing here, a dinner there.
23:52Soon, if it doesn't come off, it'll look as if Gladys has failed to land him.
23:56I thought the newspaper articles were planted against her wishes.
24:00Less dignified ones, maybe.
24:01But she plays a long game, your mother.
24:04I don't dislike her.
24:06Not at all.
24:06But she's sure this is for Gladys' good.
24:09And she won't let her daughter wreck her own future.
24:12Let us pray your father gets back in time.
24:23Jack, you need more light.
24:25It's very late for that.
24:27Mr. Larry needs him for the presentation.
24:29This clock, it'll never live and apparently it'll never die.
24:33Oh, Mrs. Van Ryn gave you the menu for the dinner on Tuesday.
24:38Oh, but Mrs. Forte's given me quite a different one.
24:41Oh, this can't go wrong.
24:42We all need to know who we're working for now.
24:45That's your job, Mr. Bannister.
24:47You have to get it settled.
24:49I wonder who will win in the end, Mrs. Forte and Mrs. Van Ryn?
24:52Miss Ada has the money now.
24:54But does that mean she'll have the final say?
24:55Mrs. Van Ryn won't give that up.
24:57She always speaks quite loudly.
25:01Will you go to the presentations?
25:02I'm sure Miss Ada will let you.
25:04Probably.
25:05She's soft enough.
25:07Find out the date.
25:11It's Mr. Oscar for Jack.
25:13Again?
25:13Jack was just up there.
25:15You'll want another glass of whiskey.
25:16What does he do all day?
25:17Just lie around and drink?
25:19It is not for us to comment.
25:23If you'll excuse me, I'll go up.
25:25Are you quite well?
25:26My mother was right.
25:27I must have called a chill on my way to the train.
25:29I'll make you hot lemon and honey.
25:31Oh, thank you.
25:32Good night.
25:59I don't understand.
26:01Which bit is not clear?
26:02None of it is clear.
26:04I suppose Charles has been unhappy.
26:07Unhappy?
26:08What is this babble?
26:10You have a nice house.
26:12You have money.
26:12People come to your dinners.
26:14You're invited everywhere.
26:15What more is there?
26:16Some people want more.
26:18I know I do.
26:19Take a ride around Five Points or Hell's Kitchen
26:21and tell me you're not satisfied with your life.
26:24But what about this Mrs. Lipton?
26:26These things can be managed
26:28without the horses skidding off the road.
26:30Really, Agnes, you sound like Madame de Pompadour.
26:33But she would have known how to sort this out.
26:36What do you propose?
26:37He wants me to establish residency in Newport.
26:39I've told him no.
26:41He wants you to sit quietly in Newport, waiting to be ruined.
26:45We're trying to be helpful, Agnes.
26:46I'm ruined already, to be honest.
26:48Or I will be when the rumors start.
26:50But why do you have to do anything?
26:52He has no grounds.
26:54He needs me to divorce him.
26:55That's what the law states.
26:57And if it comes to it,
26:59Newport is better.
27:01It can be settled in private there.
27:03In New York, the press is allowed into the court.
27:05Oh, let's hope it doesn't come to that.
27:09Try to save the marriage, if you can.
27:11There's no logic in this at all.
27:13You haven't done anything wrong.
27:14Society is not known for its logic.
27:18Especially where women are concerned.
27:20We'll still ask you.
27:22Aunt Agnes, you'll ask Aurora to your dinners, won't you?
27:26Well, if the divorce goes through,
27:28she may not want to come in a group.
27:30She may be happier alone.
27:38Well, I've told him no.
27:40So now we just have to see what happens.
27:43I hope my intentions are clear.
27:45Sure.
27:46You intend to buy our mines cheap,
27:48make a pile of money,
27:49and go back to New York to spend it.
27:50And you represent?
27:52Arizona Central Mining Company.
27:53What, Mr. Russell, wants to share?
27:54Your businesses are underfunded.
27:56Your transport belongs to the last century.
27:58There's hardly a mine owned by any of you
28:00that hasn't gone bust in the past 20 years.
28:02And you think you can change that?
28:04Why do you need all of them?
28:05What's your mine?
28:07Mahazuma.
28:07Here's the thing, Mr. Russell.
28:09They may not be much to you,
28:10but these mines are all we have.
28:12We won't give them up easy,
28:13and we don't want to waste your time.
28:15You need to find a way
28:16to make us all rich alongside you.
28:17Not as rich as you, maybe,
28:19but rich.
28:20Come up with that?
28:21We'll reconvene.
28:28They know who you are.
28:30They also know you're their only chance.
28:32Indeed.
28:33A cable for Mr. Russell.
28:40I must go home.
28:41Why?
28:42What's happened?
28:43There's a run on the Metropolitan National Bank.
28:45They've accused the president of stealing funds.
28:46What?
28:47We've only just survived the failure
28:49of the Marine National,
28:50and John Eno taking millions
28:52from the Second National.
28:53What's going on?
28:53I know George Saney.
28:54He's an honest man.
28:56And I'll lose a fortune
28:57if that bank goes down.
28:58What about the negotiations?
28:59You want your cut, don't you?
29:01Clay will stay here.
29:02Pay them.
29:03Make sure I keep the lion's share
29:05and all the power.
29:06When you succeed,
29:07bring the contracts and outside.
29:08Well, suppose we don't succeed.
29:09Then you won't get your money.
29:11And Clay will be out of a job.
29:12You don't mean that.
29:14Mr. Russell is a one-man band.
29:17The rest of us are disposable.
29:19Now find me a coach to get me to Yuma.
29:21I can get a train for that.
29:23Shall we get something to eat?
29:25Could they manage a steak?
29:27You won't like it, but...
29:29All right.
29:29Barkeep!
29:30Two steaks and more beer.
29:38He's enjoying himself.
29:48Are we the first?
29:49Oh!
29:50I made Marion take a bath.
29:52She's been in the cold
29:53and I don't want her coming down with something.
29:56Very sensible.
29:58How are you getting on?
30:00Have you managed to find any new prospects?
30:03I must confess it is quite hard
30:05to create the right impression.
30:07Meaning what, exactly?
30:11Well, I'm up against all these fellows
30:12with money and position.
30:14You have position,
30:16even if you don't have money.
30:17But that's the thing,
30:18without money, you just don't count.
30:20Well, then you must find a way to make some.
30:23It's not quite as easy as all that.
30:25I'm sure, but it can be done.
30:27They say Mr. Gould started with scarcely a dollar to his name.
30:35So you won't give me an allowance?
30:40Oscar, I will house you and feed you and even clothe you.
30:44You are safe from real poverty, which is the curse of millions,
30:49but the rest you must do for yourself.
30:51You might be inspired by young Mr. Russell.
31:01More wine, no?
31:03Thank you, Bannister.
31:06This is so kind of you, Mrs. Forte.
31:09We want to hear about all your new projects that Marion talks about.
31:13And how your father supports you.
31:16He does where he can, yes.
31:19How nice it must be to feel that everyone is on your side.
31:22We'd all be on your side if you tried to find a job.
31:25What draws you to a new idea?
31:27Like our footman's clock.
31:29Yes.
31:29Well, that's easy.
31:31Mr. Trotter is a genius.
31:32His clock is unique in the market,
31:34and I have meetings planned over the coming weeks,
31:36which is exciting.
31:37You won't mind if John has some time off for that, will you, Anteta?
31:40No, of course not.
31:41Oh, no, I'm going to go alone at this stage.
31:43I don't want to overwhelm them.
31:45Oh.
31:46Well, we look forward to hearing how it all comes out.
31:49And I hope you'll all be glad to hear I have a new position, too.
31:53What?
31:54Where?
31:55The female normal and high school.
31:58That sounds like a mistranslation.
32:00Why can't you keep teaching watercolors to nicely brought up young ladies?
32:04That was bad enough.
32:05Honestly, Aunt Agnes, you chastised me for working and Oscar for not working, which is it?
32:09Well, you are a lady.
32:10Oscar is not.
32:12Well, it's only three times a week.
32:14Agnes, the normal school is special.
32:16It educates young women of every race, class, and religion.
32:20We should be very proud of Marion.
32:22But won't she need a bodyguard?
32:24You'd be surprised at what we all have in common.
32:26Such as?
32:27Suffrage, for one.
32:28A group of women have organized to support ASA.
32:30ASA?
32:31What's that?
32:32The American Woman Suffrage Association.
32:37Am I?
32:37You astound me.
32:38It is a cause that interests me.
32:40Really?
32:40Why?
32:41Am I not allowed to have my causes?
32:43You have so many.
32:44I should think suffering more important than suffrage.
32:47Oh.
32:47I apologize for having principles.
32:49Does this mean you approve of Marion's new position?
32:53No.
32:54Oh.
32:55By the way, Jack, Mr. Weston wrote today.
32:59He's definitely interested.
33:01That's good, sir.
33:02I'm glad for this Mr. Weston, whoever he may be.
33:05But can we revert to traditional ways and allow the footman to bring round more sauce?
33:10Of course not.
33:15That sounds rather awkward.
33:17It was unusual.
33:18I can say that.
33:20It's wrong you're not at the meeting's check.
33:22He doesn't know how it works.
33:24Not really.
33:25He'll have the drawings.
33:26But isn't that enough?
33:28You keep saying Mr. Larry is your partner.
33:30So let him act like a partner and show you some respect.
33:34Mrs. Van Ryan and Mrs. Forte were at it again tonight.
33:36Oh, you must get things settled.
33:39You think it'll go away, but it won't.
33:41I know.
33:42Miss Scott's not coming down so we can start supper.
33:44She's no better then?
33:45I'm afraid not.
33:46She looks worse.
33:52How was your evening?
33:54I enjoyed it.
33:55But they'll never make a worker out of Oscar Van Ryan.
33:58That was a lucky escape for me.
34:00Did Mother say anything more about when Father was coming home?
34:03No.
34:03She's so taken with getting ready for her wretched Duke.
34:06Doesn't it worry?
34:08I'll be safe once Father's back.
34:10He won't let her force me.
34:11I promise.
34:12She can be awfully persuasive when she wants to be.
34:15Mrs. Fish says that she...
34:16Mrs. Fish loves the drama.
34:18She's longing to see Father and the Duke tussle it out in Union Square.
34:22You don't think you should elope with Billy?
34:24To some state where it would be legal?
34:28Would you elope with Marion?
34:32You may be keeping it secret, but I can tell.
34:35You love her.
34:38It's different for us.
34:40Marion and I just have to wait, but you're running out of time.
34:45Will you plead my case with Mother?
34:46I'll try, but don't hold out much hope.
34:49When Mother's made her mind up, it takes an act of Congress to change it.
34:57Are you headed for the bathroom?
34:59No, no, no.
35:00You go.
35:01I'm in no hurry.
35:02Although this seems like an early bedtime for you.
35:04Well, that's my new life.
35:06Early bed and queuing for the bathroom.
35:11Oscar.
35:15I'm sad if you don't like Mr. Russell.
35:18He's nice enough.
35:20The fact is, we're not cut from the same cloth.
35:23I was born to be rich.
35:25I was not born to make a fortune.
35:27It's a different gift.
35:30I need another way.
35:32Well, we know of one other way, which you've tried twice now, without success.
35:38Ouch.
35:39Don't remind me.
35:40Will you have another go?
35:42I have less to offer these days, penniless as I am.
35:45Something will turn up.
35:46And besides, Aunt Ada won't let you starve.
35:48No, I won't starve, but you'd like me to work for every mouthful.
35:52Are you going to Miss Scott?
35:54Yes, miss.
35:55I'll take that.
36:03Oh, you shouldn't have done that.
36:04Bridget was on her way up, but I wanted to see how you are.
36:08Ugh, I've been better.
36:09I just can't seem to shake it.
36:11Thank you.
36:11Aunt Agnes was asking after you.
36:14Perhaps you should see a doctor.
36:16Oh, no.
36:16It's such an expansive.
36:18It's just a cold.
36:20Promise me you'll sleep when I go.
36:22They have asked for another chapter that I haven't written yet.
36:24Then they'll just have to wait.
36:29Oh, wait.
36:30How was your dinner?
36:33Aunt Ada hoped that Larry would inspire Oscar to throw himself into the world of work,
36:38which only shows how little she knows him.
36:40I thought you might have announced your engagement to young Mr. Russell.
36:45There's plenty of time for that.
36:47So you're not in a hurry, then?
36:49I've made two mistakes.
36:51The first, because I was blind.
36:53The second, because I thought I could settle for something less than perfect.
36:55I was wrong both times.
36:57I don't want to be wrong again.
36:58I like Mr. Russell.
37:01So do I.
37:04Very, very much.
37:08But I felt the same for Mr. Rakes.
37:10He is not Mr. Rakes.
37:12He's honorable, for one thing.
37:14And kind-hearted.
37:15And he's always been my friend.
37:20But there's no rush.
37:23Now finish that and get some sleep.
37:34Mrs. Russell is serving coffee for her committee in the drawing room.
37:37She thought you'd like some syrup.
37:38Thank you.
37:39I'm sure we both would.
37:41You mean Mr. Trotter is to have a cup of coffee, too?
37:44I'm sure that's what Mrs. Russell intended.
37:48I don't need any coffee.
37:49Of course you'll have coffee.
37:50Thank you, James.
37:55You'd think we were at the Court of Friends, Joseph of Austria.
37:58I suppose it takes some getting used to for him.
38:00You'll have your own footman before I'm finished with you.
38:03And your own house on 61st Street.
38:06I won't fight you on that.
38:08Now, can you make one drawing concentrating on the new element?
38:13I did that here.
38:16Oh.
38:17Yes.
38:19I didn't see it.
38:21And so, this bit here is the same as that?
38:25You sure you don't want me to be there?
38:28In case they ask any technical questions?
38:30I think I can manage.
38:36Thank you, Mr. Bevan.
38:42We should be pleased.
38:44We're in good shape for next season.
38:46And we're already established as one of the key opera houses in the world.
38:53I agree.
38:54Well done, Alice.
38:55It's something to celebrate.
38:57I'm rather hoping that Mrs. Russell and I will soon have another cause for celebration.
39:03What's this?
39:04I was saying you and I may soon be drinking a toast for a different reason.
39:10I'm sorry.
39:10I don't follow you.
39:11Well, from what Billy said.
39:13You mean your son, Billy?
39:15He was talking the other night when he got back from the opera.
39:18Talking about what?
39:19Gladys.
39:20He'd seen her there with Mrs. Fish.
39:22But I don't want you to misunderstand.
39:24We're all devoted to Gladys.
39:26We couldn't like her more.
39:28What's this?
39:28They met with you?
39:29The young were milling about.
39:30Larry brought Gladys to sit with me.
39:32And the others came in and out of the box.
39:34You know how it is.
39:35I don't know anything of the sort.
39:38Mrs. Gardner.
39:39Are you leaving?
39:42I'll suffer for that.
39:44But Billy was so short.
39:45What about the Duke of Buckingham?
39:47I know there was talk.
39:49But I thought that was gossip and Billy had been accepted.
39:52We were just waiting for him to speak to Mr. Russell.
39:55In this house, nothing is accepted that isn't proposed by Mrs. Russell.
40:10Hello, Adelheid.
40:11Your meeting's done then?
40:13Yes.
40:14And do you have a date set for the manufacture of the great clock?
40:18We're still looking for investors.
40:23Mr. Larry's playing with you like a doll, Jack.
40:26He won't help you to make your clock.
40:28I don't agree.
40:30Of course he needs to...
40:31Why'd you have to make a fool of Mr. Bevan?
40:33What's he done to you?
40:35I didn't make a fool of him.
40:37He offered me a cup of coffee.
40:39Mr. Larry offered you coffee.
40:40And you should have refused and not made Mr. Bevan wait on a junior footman
40:44from a smaller house across the street.
40:49In America, you don't have to live like your parents lived.
40:53Maybe I'm on my way to that.
40:59You're getting above yourself, Jack.
41:02Mr. Larry may invite you for dinner and the night, for all I care.
41:06But you're not in favor downstairs.
41:24Good.
41:25We can talk on our own.
41:27What about?
41:28Thank you, Andrew.
41:31Mrs. Carlton was here this morning.
41:33She thinks we're about to announce Gladys' engagement to her son.
41:36She told you about the opera?
41:37She didn't know why it should be a secret.
41:39Nor do I, unless it's because it's not happening.
41:43Let her live her own life, Mother.
41:45If I had been given what I've planned for Gladys, I would have finished up Queen of the World.
41:50Do you think Father would agree?
41:52When I've explained things to him?
41:54I'm not so sure.
41:56You were wrong to involve Mrs. Fish in your schemes.
41:58She'll spread it all over New York and Newport.
42:00I don't think so.
42:01She likes Gladys.
42:02She likes gossip.
42:03You're young.
42:04And you're foolish.
42:06I don't hold it against you since the two go together.
42:08But I'm neither.
42:09And I see that your sister can live a powerful, interesting life.
42:12Do you know what it means to be the Duchess of Buckingham?
42:14She can influence politics, shape events, set fashions in clothing and art or anything else.
42:20But to do this, she has to be sensible now and avoid stupid choices.
42:23A stupid choice like Billy Carlton?
42:26Do you not think it enough that Gladys just wants to be happy?
42:31Happiness as a byproduct of a well-ordered life may last.
42:34As a goal, it is invariably doomed to failure.
42:47Miss Scott?
42:50Oh, Mrs. Van Ryn, you should have come all the way up here.
42:54I can still climb the stairs.
42:56I can know better and it's clearly much more than a cold.
42:58Indeed.
42:59I shall call the doctor.
43:00Oh, please don't.
43:03I'm just a little tired.
43:04I think I caught a little cold on top of that.
43:13Try and sleep.
43:19Can we send for the doctor now?
43:21I'll write to Dr. Lewis at once.
43:22Dr. Lewis?
43:23Oh, he knows her.
43:24And he won't want to get on the wrong side of me.
43:33You must be glad how it's going.
43:35I'm glad.
43:36You don't look very glad.
43:38It was something Adelheid said.
43:40What do we have to thank her for now?
43:41It was when I was leaving.
43:43She said I'm getting above my station.
43:46She thinks I made a fool of myself.
43:48Have you said this to Mr. Larry?
43:50No.
43:51Do you think I should?
43:51I do not.
43:52Not one syllable of it.
43:54This is your chance, Jack.
43:55And there's no room for doubt.
43:57I don't doubt the clock.
43:59It's good.
44:00And someone will see that one day.
44:01I just wonder about my own part in it.
44:04When Mr. Larry was here and I was holding a dish for him to serve himself, it did make me
44:09think.
44:09It should only make you think of the road ahead.
44:12We believe in you.
44:13And Miss Marion, Mrs. Forte, and even Mrs. Van Ryn.
44:17Everyone's ready to celebrate.
44:18Except Miss Armstrong.
44:20Maybe.
44:21But everyone else.
44:30Dr. Lewis.
44:32How very good of you, doctor.
44:34Thank you.
44:34My pleasure.
44:35Marion, would you escort him upstairs?
44:37Of course.
44:37Thank you.
44:42It might be wise to write to Miss Scott's parents, Mama.
44:45Marion seems to think she's really ill.
44:47Of course.
44:48Her father runs a pharmacy.
44:50I wish we'd written before now.
44:52What is it, Bannister?
44:54Should Mrs. Bower continue to hold dinner, Mom?
44:56Yes, we should wait for Miss Marion and Dr. Lewis to come back down.
44:59I agree.
45:00Otherwise, we might have to ask him to join us.
45:04Well, that was very quick.
45:06Have you discovered what is wrong with her?
45:08Dr. Lewis is refusing to treat her because she is colored.
45:12You said in your note she was your secretary.
45:15Miss Scott is my secretary.
45:16And she is colored.
45:17But you have met her before.
45:18I must have forgotten.
45:20I'm afraid I do not take colored patience.
45:22Good evening to you.
45:24Oh.
45:25Isn't that against the Hippocratic oath?
45:27When he's here already?
45:29What are we to do now?
45:30Send for her parents.
45:32And quickly.
45:32I'll write a letter and have John deliver it tonight.
45:35I hope Dr. Lewis regrets his choice when he realizes what it will cost him.
45:40John, take this to Brooklyn right away to Mr. and Mrs. Scott.
45:43I'll find you can.
45:46Mrs. Van Ryn must have known the doctor wouldn't treat her.
45:48She thinks rules don't apply to her.
45:50You can't ask people to change their ways at a moment's notice.
45:53They should have sent for her parents before now.
45:59You married father for love.
46:00You chose your husband.
46:02Why can't I?
46:02Because I was nothing special.
46:04You're George Russell's daughter.
46:05You need someone worthy of that.
46:06I'm not like you, mother.
46:07I don't want to be at the head of society.
46:09But you already are.
46:10And that is why you cannot be ruled by infatuation.
46:12What I feel for Billy is real.
46:14Billy will never achieve anything of note.
46:16And he will grow to resent you for his own shortcomings.
46:18He's from a good family.
46:19Three years ago, you would have begged to be invited into their drawing.
46:22We've overtaken them now.
46:23My sweet girl can't...
46:24I'm not a girl.
46:26Not anymore.
46:26When will you see that?
46:27You're a girl if I say.
46:29And I pray that's why you have no judgment.
46:31Please, God, you'll grow out of it.
46:33Well, you have no values.
46:34Will you grow out of that?
46:36Why?
46:37Do you think I should stand aside and watch you marry some worthless non-entity?
46:41Don't you know a bad marriage is a prison?
46:44I couldn't agree more.
46:46Good night.
46:48Gladys.
46:52Gladys.
47:19Gladys.
47:25Gladys.
47:28Gladys.
47:32Gladys.
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