00:00Thank you so much for having me.
00:34Thank you so much for having me.
01:11Thank you so much for having me.
06:41It's all about the truth and the truth is about it.
06:44Can you tell me about the character of the role of the character?
06:49Do you have any character of the character?
06:53I tried to go to that side, but then I realized that while I was writing and writing it,
07:02I realized that when we see a trans person in today's date,
07:13they are conditioned, they are conditioned.
07:17They are conditioned by one way.
07:19They are internal, they are personal, and they are outside.
07:23They are conditioned by one way.
07:24They are conditioned by one way.
07:36They are conditioned by one way.
07:38They are conditioned by one way.
07:38But our story is not conditioned by one way.
07:42Our story is a child who doesn't know what it is.
07:47And they are deeply explored by one way.
07:50They are conditioned by one way.
07:52His father has not conditioned by one way.
07:56He knows that he is a girl who is in a house.
08:00He is conditioned by one way.
08:00And when he starts his journey, he explores us.
08:04That's why, purposely, knowingly,
08:08I stayed away from interacting with any person from the community.
08:12Because they are conditioned by one way.
08:16And our story is conditioned by one way.
08:19His life has conditioned by one way.
08:22So I stayed away from that.
08:36I think it's a personal choice.
08:39It's a very personal choice.
08:40It's a very personal choice.
08:41It's a very personal choice.
08:41It's a very personal choice.
08:48My process is saying that
08:51I am living here,
08:57I have a life.
08:59What do I have done?
09:00What do I do?
09:01I work on one way,
09:03one way,
09:04one way I work on one way.
09:09I work on one way.
09:10I think
09:11I don't want that life.
09:14I think
09:14I like to explore my own
09:17and explore my own.
09:20I think that's what an artist strives for.
09:23So I think that's what an artist strives for.
09:25As an actor,
09:26as a writer,
09:28as a creator,
09:29I think that's what I attract.
09:33And I also
09:34I think
09:35there are many stories
09:36that are already in Kitty.
09:40When they come out,
09:41you will understand
09:42how exciting and different they are
09:45from each and everything that I have done in the past.
09:47I think that's what keeps me alive.
09:50It keeps me alive.
09:51It keeps me alive.
09:52It keeps me alive.
09:53It keeps me alive.
09:54What is the story of this film?
09:56What is the story of this film?
10:01How is the story?
10:04How is the story of this film?
10:05The story of this film is not the story that you do.
10:12preach not to do it, first of all, this is a kind of mirror, like this,
10:17so you will see yourself in your thoughts, in your thoughts, in your thoughts.
10:23The second thing is that I have said that I have now, not only in Bhaarit, but also in Bhaarit,
10:29there are also very few things that I have seen in Bhaarit, which I have seen in Bhaarit,
10:32where I have seen this story as a neutral point of view.
10:36We have seen this story as a maker, a story, a story, a conditioning, a perception, a point of view,
10:48we have seen this story as a story, and we have seen this story as a story.
10:54There is also a story that is a story that is a point of view,
11:00how it is, or how it is.
11:01Or how it is, how it is, or how it is, or how it is.
11:05Or how it is, how it is, how it is.
11:06So, it is not a story or you are trying to explain it to yourself.
11:12It is a story that is very similar to everyone's story.
11:20It is about fitting into the society, finding your own space in the society.
11:34I think Indian audience is always much more mature.
11:37This is a very wrong idea to say that we are an audience.
11:42We are different, we are different.
11:44We are different.
11:45We are different.
11:46I think Indian audience is always mature.
11:52We are different.
11:53We are different.
11:53I think we have to label them on the same page.
11:56We have to label them.
11:58They will not be able to see them.
12:00They will not be able to see them.
12:04We have to see them without any prejudice.
12:11They haven't seen them before.
12:13They have not seen these films.
12:15and the audience is constantly working.
12:20In reality, the audience and cinema are very good.
12:24Do you think that the industry will shift the narrative of the industry
12:28or the niche space?
12:34Yes, definitely.
12:37Definitely when the digital platform is good,
12:43I think we can reach that point.
12:49Because our theaters are not coming here,
12:51we can reach that point to the audience,
12:54which may not go to the theater.
12:56I think that's a benefit.
13:00I don't think there is a niche audience,
13:05there is a better film in every language.
13:09And every language of the person is looking at the excitement,
13:15and the acceptance of the audience is looking at it.
13:17I don't want to talk about language,
13:19we are talking about Indian languages.
13:21Across the globe,
13:22there is a film in any audience today available at a click of it,
13:26and they are looking at it,
13:27they understand it,
13:29and I think it's not that it's a niche audience.
13:33It's a niche audience.
13:34It's a niche audience.
13:35It's a niche audience.
13:36If you make a good story,
13:38it's a niche audience.
13:42Breaking stereotypes?
13:45You have asked me,
13:48you have said,
13:50that you have done a stereotype,
13:51or break-in?
14:01I am here to work as an actor and as a creator.
14:11I am here to work as an actor and as a creator.
14:21I am not.
14:21There are some things that will add some to me,
14:25and that I may add some value and that I have been excited for myself.
14:29If I am giving myself a certain percentage of things,
14:34if I am going to give myself a thing and a true story,
14:37if I am going to work to my life in a terrible story,
14:39then we give a very huge amount to my life in my life.
14:41So, that part of my life should not regretful or worthwhile.
14:47It's just enough for me.
14:48Are you an actor, writer, producer?
14:52How difficult to manage it for me?
14:55No, it's not difficult for me because my 80% work is done.
15:01I think she's better.
15:02I don't think she's my better.
15:04She's my everything, I think.
15:08Half is not the word.
15:09I think she's my better whole.
15:11I'll try to say that.
15:14She gives me all my work.
15:17She leaves me for my creativity.
15:20Production is in her hands.
15:23Management is in her hands.
15:25And I think she's very good at it.
15:28And she's a hands-on producer and a hands-on creator.
15:32She understands monies.
15:33She knows money and creative.
15:35And she knows exactly exactly where it is going to be, where it is going to be.
15:40And the creativity and the output of my career is the most important thing.
15:45And she's very good with people's management.
15:47which I am very poor,
15:49and I leave my work.
15:52I leave my work so I can easily
15:53do it.
15:54The toughest scene was what was going on?
15:58The film was very difficult for me,
16:00because we have written one scene
16:01that we have written a script
16:05that we have been writing about
16:17and if I want to see it,
16:18I think that
16:21when the first time
16:23the KJD
16:24keeps coming from the door,
16:26and in the open,
16:28and in the open,
16:28and in the open,
16:31I think that was the most difficult
16:33for me,
16:34because myself
16:36took over 18 years
16:39to come from the door,
16:41in the mental space
16:44was the most difficult for me.
16:47because it should be genuine.
16:49It should not rehearse.
16:51It should not be able to create.
16:54I can't do acting
16:55that I am coming back.
16:56It has to be very organic.
16:58It needs to be felt.
17:00So, the freedom,
17:04the first time of the sunrise,
17:06the first time of the open sea,
17:07the first time of the open sea,
17:09I think that the moment,
17:11and it's a musical moment,
17:12there are no dialogues,
17:13it's a magical moment of the film.
17:15And I think that was the most difficult.
17:17And I think,
17:18because I said,
17:19that I have told you,
17:20that I have been closed for 15-20 days,
17:21and we have been closed for 15-20 days,
17:22and we have not left out.
17:24And we have shot it.
17:26So, I think,
17:38as an artist,
17:51I think,
17:52as an artist,
17:53you can try to invent,
17:55and then try to invent,
17:56and reinvent,
17:56and then try to invent,
17:57and then try to invent.
18:00After a point,
18:05they want to invent, reinvent,
18:07and experiment.
18:07because that is the only thing that you strive to do.
18:11Also,
18:11for me,
18:12it's about learning.
18:13I want to constantly learn something.
18:15And I think,
18:16it makes me restless.
18:17Like,
18:20I wanted to write,
18:22I want to direct,
18:22I want to create.
18:25Apart from acting,
18:26because I think,
18:27I think,
18:29it adds a lot of things.
18:30And I think,
18:31that hunger is what is now,
18:34the next phase of my life,
18:35will be,
18:36that I will satisfy that hunger.
18:38I will learn new technologies.
18:41So,
18:42I am very interested in it.
18:43I am very interested in it.
18:46I am very interested in it.
18:47And I think,
18:49these all things add a lot of things to me.
18:52Like I said,
18:52I am very interested in it.
18:53My life is my one.
18:54And I am very interested in it.
18:57And I think,
18:58that is what keeps me going.
19:00You have seen the AI.
19:01And you are saying,
19:02actors,
19:04actors,
19:04actors,
19:04actors,
19:05they will work with AI.
19:06So,
19:06what do you think,
19:08AI,
19:10reverse the role of AI?
19:12No.
19:13I think,
19:15human experience,
19:17that has never been replaced.
19:20AI is a technique,
19:22AI is,
19:23again,
19:24it is artificial intelligence.
19:27And I think,
19:27artificial will always remain artificial.
19:30And human intelligence will always be human intelligence.
19:32Because artificial intelligence is human intelligence.
19:36And human experience,
19:38we can never replace it.
19:39AI will never be able to do it.
19:40Definitely,
19:41AI will always enhance that human experience.
19:44I think,
19:45what can we learn about it?
19:46In other words,
19:47it's changing,
19:49people are changing,
19:50technology is changing,
19:51audience is changing,
19:51the world is changing.
19:53We have to keep going along with it.
19:54We cannot come with it.
19:55We cannot come with it.
19:56The life I have lived in 1990,
19:59I will not live today.
20:00We have seen that transformation from landline to mobile,
20:04from internet.
20:06But we have to go along with it.
20:08I am a fool.
20:12I have to go along with it.
20:14And make the best of it.
20:15I think that is the next phase of our generation,
20:18that now we need to learn AI and go along with it.
20:20So be it.
20:47TV has come full circle.
20:49Where it started,
20:51the TV has gone through.
20:52And I think it's good.
20:55Now,
20:55the time of the evolution of TV is evolving.
20:59I think we are in a transformative phase of television also right now.
21:03When the TV started,
21:05when you will see it,
21:06when you will see it,
21:07it was limited series.
21:09There were 50 episodes,
21:1152 episodes,
21:1310 episodes,
21:1312 episodes,
21:14a week in one episode.
21:15And if it was 4 weeks,
21:16then there were many episodes.
21:20They used to make the films.
21:23It was the time.
21:24At that time,
21:25from business point of view,
21:26there was ownership,
21:27IP rights, ownership,
21:28all the producers had to be.
21:30They were writing stories,
21:32they were casting stories,
21:34they were giving their content and giving the other versions.
21:38We have come full circle now.
21:41Today, we are talking about episodes coming, audiences want to watch limited stories, finite series, and they want to finish
21:51the story.
21:52They want to say the story, start to end, listen to the whole story.
21:55This is the release of the year of the year. I think that is where television is today.
22:02And I think this will only make it evolve.
22:03We will talk better in a better way. I think it's time that even the platforms understand.
22:12And I think they are also trying to adapt to this format.
22:16Because now every platform flies digitally.
22:19And they also want that we can cater to the maximum audience.
22:24I think it's such a beautiful phase for new creators.
22:28It's a beautiful phase for creators like me.
22:32Where we can tell our stories.
22:34Television, I think right now,
22:37in our transformative phase,
22:39it feels a little time to adjust.
22:41But I think it is good only.
22:43It is going to be very, very good moving on from here.
23:09I think that summarizes the whole film and what the film wants to say.
23:14That we all are prisoners.
23:16prisoners of society.
23:18And we all are trying to break free from it.
23:21And that is what the film says.
23:22And last thing,
23:24what do you think about the film?
23:37How do you think about the film?
23:39It is beautiful.
23:56How do you think about the film?
24:06And today,
24:08I was trying to take part of it.
24:09But with universal appeal, we will try to say it with a universal appeal.
24:14The plans of our future are the same.
24:17There is a very interesting phase that we are in right now.
24:21Soon I will announce a lot of things.
24:23Because that phase is now that we are going to take the floor.
24:28So there is a whole lineup for the next three to four years,
24:32which is ready, which is rolling right now.
24:35And as soon as we finish this phase of KGD release,
24:41we move on to the next phase and very, very exciting stories,
24:44very exciting period ahead for us.
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