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The Crown S02E04 [Full Movie] [Recommended]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47Walk
00:04:20Mummy said something interesting the other day.
00:04:23No.
00:04:26She said that the first ten years of marriage were just an overture.
00:04:32That there's often a crisis at ten years, but then you work it out and settle in.
00:04:40And it's only then that it really gets into its stride.
00:04:48You suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have a big anniversary party this year.
00:05:05To celebrate hitting our stride.
00:05:13All right.
00:05:21Yes?
00:05:23All right.
00:05:28So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37It took forever to get there.
00:05:39Mummy was a nightmare.
00:05:40Oh, she.
00:05:41Mercifully.
00:05:42They sent a helicopter to bring us back.
00:05:44Oh.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
00:05:58What?
00:06:01To whom?
00:06:03Billy Wallace.
00:06:06Goodness.
00:06:07Congratulations.
00:06:10Oh.
00:06:11Christ.
00:06:14So if I were to accept, it would be a yes from you?
00:06:23Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party for our tenth wedding anniversary.
00:06:33And you and Billy could use the occasion to announce your engagement, if you wanted.
00:06:40That's a nice idea.
00:06:43Well, that's settled then.
00:06:46My pleasure.
00:06:47Good night, Margaret.
00:08:33I'm not sure how I feel about a Russian satellite circling the Earth, just above our heads.
00:08:41What's he doing up there?
00:08:43Nationally, it's providing information about the density of the Earth's upper atmosphere.
00:08:48Of course, its darker purpose is to demonstrate to everyone the extent of Russian military power
00:08:54and technical capacity.
00:08:57The same rocket that launched this satellite is capable of firing a nuclear warhead into
00:09:01enemy territory with pinpoint accuracy.
00:09:05Imagine the effect this will have on the Americans.
00:09:08Great crisis of self-doubt, if I'm not very much mistaken.
00:09:11We must seize this opportunity to help the Americans and work together in a joint effort
00:09:18to meet the Russian threat.
00:09:19That is the way to repair Anglo-American relations, which, as you know, have deteriorated terribly
00:09:27due to the Suez crisis.
00:09:31Right.
00:09:32You know, after the war, they said that I...
00:09:34I'm absolutely determined to restore the special relationship that exists between our two countries.
00:09:39We're bound by so much more than just language and shared history.
00:09:45It's a kind of marriage, as in any marriage.
00:09:49There'll be ups and downs, but one must work to get things back on track.
00:09:54Rather in the same way that a doctor examines a patient...
00:09:58They say that listening is important.
00:10:00But this is really quite a simple...
00:10:01In any marriage.
00:10:03First try.
00:10:04Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19Well, how are we going to do this?
00:10:21I think the driver should drop me first, then take you onto the station.
00:10:25Or I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:33How long do you need with him?
00:10:37A day.
00:10:40Maybe two.
00:10:42It's the last time, I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:49I'm determined to mend it.
00:10:51It's time, now that you're Prime Minister.
00:10:54Yes, it is.
00:11:11So, what is my Jaw?
00:11:12Is that the face of the river?
00:11:12No, I need to do so.
00:11:12No, no.
00:11:13Move.
00:11:13OK.
00:11:17No, no.
00:11:18No, no.
00:11:19All right.
00:11:25It's too late.
00:11:25You guys need to walk out of the river.
00:11:25I need to walk out of the river to the river.
00:11:25I'm not ticking off the river.
00:11:26I'm not going away.
00:11:27I can't wait.
00:11:27It's so late.
00:11:29It's so late.
00:11:30You guys need to walk out of the river.
00:11:30I'm not going to walk out of the river.
00:11:31with a one two three flash oh quite magnificent thank you why does it always have to be Cecil
00:11:39Beaton taking my official Berkley portrait what's wrong with Cecil when it came out last year
00:11:45everyone said how pretty you look no they said how much I look like you well quite yeah Cecil
00:11:53there's just one thing fairy tales yes but he does it so well and to me your royal highness
00:12:01little less chin and what do you think I asked my new lady-in-waiting here today your majesty to
00:12:11offer her opinion having at least one foot in the real world I think birthday portraits should
00:12:19evolve and mature with age like the subject show change in the character complexity reality
00:12:30no one wants complexity and reality from us do sit down people have enough of that in their own lives
00:12:40they want us to help them escape indeed your majesty imagine this if you will
00:12:47a young woman a commonplace creature she sits in her drab little scullery so much work to do so much
00:12:55washing up how she longs for comfort for hope and again one two three and flash
00:13:05she wants to believe her life has some meaning beyond chores she opens a magazine
00:13:11and she sees her royal highness's photograph for one glorious transforming moment she becomes a
00:13:21princess too she is lifted out of her miserable pitiful reality into a fantasy
00:13:32later she will step out of her house in a new neckerchief perhaps for which she has saved oh she
00:13:41will hold her head up high
00:13:43she is renewed and all thanks to you your royal highness and to the ideal which you represent
00:13:54and now with a one two three and flash quite marvelous
00:13:59ding dong the bells are ringing ding dong the bells are ringing for you and I
00:14:21in the twenty or so years we've known the hapless misshapen crane that is billy wallace
00:14:26has any woman ever looked at him as an object of desire I mean even remotely
00:14:32certainly not then how can one begin to explain that
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00:15:12I
00:15:14engagement. Something about an injury, rather a serious injury.
00:15:33Where is he?
00:15:41Your royal highness, the princess Margaret.
00:15:44Out on my way.
00:15:45Oh, shit. You must keep the leg up, sir.
00:15:48Billy?
00:15:49It's all right, Simpson.
00:16:01What's going on? It's our announcement this evening.
00:16:05Unforeseen cirques, I'm afraid. Rather a dust up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that. I had to do something for the pain.
00:16:15What happened?
00:16:17Wait till you hear. You'll laugh till you spit.
00:16:20Your friend Tennant rather took offense at something I did.
00:16:23You came to blaze with Colin.
00:16:25I believe the word duel was mentioned.
00:16:28A duel?
00:16:30Tennant issued the challenge. A little childish in this day and age, if you ask me,
00:16:35but a duel is a duel, so I stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:42No!
00:16:47If I'm completely honest, a little drink had been taken during the night.
00:16:52But we faced the dawn with clear heads and strong hearts.
00:16:58Now Tennant wanted to motor up to Glen to get his father's old pistols.
00:17:02It would have been quite ridiculous, much too far away.
00:17:05So Blamford offered his.
00:17:07That was a bloody stupid mistake.
00:17:09A duel is not just a test of marksmanship.
00:17:12It's a test of character.
00:17:15It's a test of character.
00:17:16Ten paces.
00:17:19One.
00:17:20Two.
00:17:22Three.
00:17:23Four.
00:17:25Five.
00:17:27Six.
00:17:29Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:37Fucker shot me in the leg.
00:17:39Bloody awful thing.
00:17:40Anyway, I survived with a small flesh wound.
00:17:46Why was he angry with you?
00:17:49It's the strangest thing, but ever since word got out about our engagement,
00:17:52I've found myself quite the center of attention.
00:17:56It's as though every good-looking girl on earth has taken the news as a personal challenge.
00:18:01I'm not used to the idea of being a bow, much less a catch.
00:18:06Seems to have gone to my head, rather.
00:18:10Had a bit of a fumble at Blenheim.
00:18:12It was rather a beauty.
00:18:14It was in pictures, you know.
00:18:15An actress.
00:18:17Anyway, Tennant got wind of it.
00:18:19It's gone very cross.
00:18:27Yes, with reason.
00:18:32A pathetic, weak, contemptible fool.
00:18:39I never even wanted to marry you.
00:18:42You were only ever an act of charity or desperation.
00:18:48And now you insult me.
00:18:50You.
00:18:51People like you don't get to insult people like me.
00:18:53You get to be eternally grateful.
00:18:58And you've quite the way with women.
00:19:01Take a look with this face.
00:19:04A picture of disappointment and disgust.
00:19:09This is the look that every woman you ever know will come to share.
00:19:14This is what the next 40 years of your life will look like.
00:19:16That's irefully a Your
00:19:45Margaret.
00:19:46Princess Margaret will not be announcing the engagement this evening.
00:19:51Our Royal Highnesses should explain everything later.
00:19:53Yes, I'm sure she will. Thank you, Michael.
00:20:19All right, all right, settle down.
00:20:21So on my recent tour of the Pacific,
00:20:24I was introduced to a man who said to me,
00:20:27my wife is a doctor of philosophy and much more important than I am.
00:20:34To which I could only reply,
00:20:36ah, yes, sir, we have that trouble in our family, too.
00:20:43You know, when I imagined our marriage in the early days,
00:20:46I imagined two people welded together
00:20:49into some sort of combined existence.
00:20:53Ten years.
00:20:55Ten years has taught me
00:20:57the secret of a successful marriage
00:21:00is actually to have different interests.
00:21:03Well, different interests, but not entirely different.
00:21:13It's a funny business.
00:21:16One sees the whole of the other person.
00:21:18You see even that part of them that they don't see themselves,
00:21:21and presumably,
00:21:23they see that hidden part of you.
00:21:27One ends up knowing more about one's partner
00:21:31than they know about themselves.
00:21:33And it can be pretty tough
00:21:36to keep quiet about it.
00:21:37So you have to...
00:21:38You have to come to an accommodation,
00:21:41an arrangement,
00:21:42a...
00:21:43a deal,
00:21:45if you like,
00:21:46to take the rough with the smooth.
00:21:52But the extraordinary thing is,
00:21:56down there in the rough,
00:21:58in the long reeds of difficulty and pain,
00:22:04that is where you find the treasure.
00:22:10So I would like to propose a toast
00:22:14in the name of love,
00:22:18in the name of our beloved country,
00:22:21in the name of steadfastness,
00:22:23in the name of another ten marvellous years.
00:22:31I give you...
00:22:33mon petit chou.
00:22:40Lilibet.
00:22:44Elizabeth.
00:22:45Elizabeth.
00:22:48The Queen.
00:22:54The Queen
00:22:54The Queen.
00:22:55The Queen .
00:24:56Oh, where is my angel's eyes?
00:25:08Oh, where is my angel's eyes?
00:25:37Oh, where is my angel's eyes?
00:25:45Oh, where is my angel's eyes?
00:26:14Blackheart, I want only you.
00:26:21I've tried again with Harold.
00:26:25Tried and tried.
00:26:27I know, I know, I know, I just can't, I can't have it touch me, be near me.
00:26:36His weakness repels me.
00:26:40His love disgusts me.
00:27:03Good morning.
00:27:05Oh, darling, what a mess.
00:27:09Oh, darling, what a mess.
00:27:09It is the most beautiful day.
00:27:16I bought something to cheer you up.
00:27:20It's Cecil's magnificent work.
00:27:23He's quite outdone himself this time.
00:27:27And I can tell you which one I would choose as the official birthday portrait.
00:27:32And Cecil immediately agreed.
00:27:35But of course, it's for you to decide.
00:28:05And I can tell you which one I would choose.
00:28:07But of course, the first time I would choose you.
00:28:12and with regards to billy wallace don't mention that name i've had him on the telephone to me
00:28:18all morning quite distraught then his mother then his grand i'm never speaking to him again
00:28:24then we will find you someone else
00:28:29i don't want you to find me anyone morris landsgrave of hess he's a distant cousin
00:28:36now his mother was a catholic but their lands are still intact and he gives a very good show of
00:28:43himself on the polo field no one someone suggested prince christian of hanover a descendant of queen
00:28:50victoria served in the luftwaffe but we won't hold that against him i do know what the official
00:28:57duties of lady-in-waiting are accompanying me on foreign trips dealing with my meal
00:29:04i suppose it might also include helping me climb over the wall to escape
00:29:09i just can't bear it anymore i'm having some people to dinner tonight
00:29:16not normal people yes they're all normal but in their own way they're all quite exceptional too
00:29:24you can go impossibly not deferential
00:29:29that's fine as long as they still meet the main requirements
00:29:34which are
00:29:36but none of them breeds horses owns lend or knows my mother
00:30:10i'd like you to say
00:30:12hello to our guest of honour, Her Royal Highness, the Princess Margaret.
00:30:19Hello.
00:30:22Are you ready, ma'am? Here come the introductions. Here we have Dudley on the piano.
00:30:31And this here is Shilpa.
00:30:37Oh, God, Jane.
00:30:40Oh, God, Jane, I can always ask Shilpa, do you know that our designer's crap?
00:30:51Oh, God, you said it was just a piece you'd run with me, so it wasn't what the hell was.
00:30:56But I've really had to do that for fun, but this is tonight.
00:30:59I feel it's been read the outside of the discussion.
00:31:02Leave the voting cup of beer, thank you.
00:31:11You're feeling a little left out.
00:31:15You're thinking to yourself,
00:31:18these dabblers and freaks all seem to know one another very well.
00:31:28Then you'd be absolutely right.
00:31:32Now, be honest.
00:31:35Can you remember any of the names?
00:31:41No, not really.
00:31:42Can't remember me either.
00:31:45Not we've met.
00:31:46We have.
00:31:48Where have we met?
00:31:50Perhaps it'll come to you.
00:31:52Now, where to begin?
00:31:55Huh.
00:31:56Far corner.
00:31:58The irresistible so-and-so with the mustard-colored pearly neck.
00:32:01Irresistible.
00:32:02Oh, come on.
00:32:03A nine, surely.
00:32:05Seven.
00:32:07It's called Jeremy.
00:32:08He's heir to a chocolate fortune, married to the blonde beauty opposite.
00:32:13Oh, she's an eight.
00:32:15Isn't she?
00:32:17Yes, they dazzle in public, those do.
00:32:20They don't disappoint in private, either.
00:32:23More of that another time, I think.
00:32:25Who's next?
00:32:26Ah, yes.
00:32:27Our flushed and fleshy friend in Paisley.
00:32:30His name's Ken Russell, makes documentaries for the BBC.
00:32:33Travels everywhere on a bus.
00:32:38You've probably never been on a bus, have you?
00:32:43You know.
00:32:45Pity.
00:32:46You really do meet the best people.
00:32:51Tell me about the woman with the, uh, extraordinary eyes.
00:32:57Brown is Frankenstein.
00:33:00She played opposite Boris Karloff of that movie, you know, actress.
00:33:05No one can quite make out why she left a rather brilliant film producer for a dreary politician.
00:33:13No, his name's John Perfumo.
00:33:15Far-king dull.
00:33:17It's true.
00:33:18It's true.
00:33:19But the older gentleman beside her.
00:33:23Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, I
00:33:23know who that one is, that's Don Benjamin, poet.
00:33:26Um, books from boots and country lanes, free speech, free passes.
00:33:33Class distinction.
00:33:36Distinction.
00:33:39Democracy.
00:33:40Democracy and...
00:33:42...prober dreams.
00:33:45It does so.
00:33:50Is it really true he has two wives?
00:33:54I hope so.
00:33:56Better if he has three.
00:33:59We don't want anyone conventional around here.
00:34:10Now, tell me about you.
00:34:12Oh God, you don't remember?
00:34:14No.
00:34:15I'm a photographer.
00:34:18Oh, the wedding photographer.
00:34:20That was a favour.
00:34:21It's not my normal line of work.
00:34:23What is?
00:34:26This.
00:34:31What? These are yours?
00:34:34Yes.
00:34:36Portraits?
00:34:37I don't like that word.
00:34:39It's so stuffy and traditional.
00:34:41Oh, sorry.
00:34:43What are they then?
00:34:45People. Faces.
00:34:47They're the most interesting subject that I've found so far.
00:34:52If you can think of anything more interesting, do let me know.
00:34:57Oh, I like them.
00:35:00As if there's no camera at all.
00:35:03Caught them off guard.
00:35:05It's all luck, really.
00:35:07Made the ugliness beautiful.
00:35:09I despise posturing and pretentiousness and humbug.
00:35:14Don't you?
00:35:17Is that why you took up photography?
00:35:21Maybe.
00:35:23Maybe it's just a good way to get behind closed doors.
00:35:26Somebody's door in particular?
00:35:28Just doors, generally.
00:35:29The facade is only useful as a markup or something one has to get behind or beyond.
00:35:34The surface is so dreary, I don't think.
00:35:36What people want to show themselves, the idealised versions have no interest to me.
00:35:41What people hide...
00:35:44That interests me.
00:35:49But you get so close.
00:35:53Isn't it rather an intrusion?
00:35:55It's very much an intrusion, yes.
00:35:57That's exactly what photography is.
00:36:00I use a small light hair, nothing fancy.
00:36:03A natural light, which means that I can prowl around.
00:36:06All the while, I'm getting closer and closer.
00:36:09And in the end, it's kind of like...
00:36:11It's an intrusion.
00:36:17Intimacy.
00:36:38How would you feel about taking my photograph?
00:36:41Well, I'd consider it.
00:36:43On one condition.
00:36:46Go on.
00:36:48When you come to my slum studio, leave the titles and princess outside.
00:36:53Happy to.
00:36:54And for the duration of the session, you'd do everything I saw.
00:37:00Don't look like that.
00:37:03You're dying to, isn't it?
00:37:07Dying to what?
00:37:09Be a supplicant.
00:37:13I can tell.
00:37:19It was the first room I'd ever been to where nobody got up, bowed, curtsied.
00:37:25Some just carried on having conversations if I wasn't there at all.
00:37:29Those that did talk to me did with such indifference or nonchalance it verged on.
00:37:37Impertinent.
00:37:38There was this one in particular.
00:37:41Tony.
00:37:42Anthony, surely?
00:37:43Tony.
00:37:43No.
00:37:44He insisted.
00:37:45Tony.
00:37:46Armstrong Jones.
00:37:47Mrs. Photographer.
00:37:50Like Cecil?
00:37:50No, nothing like Cecil.
00:37:52Couldn't be less like Cecil.
00:37:54Well, maybe a bit like Cecil.
00:37:56He's obviously queer.
00:37:58Interestingly, Elizabeth denies it.
00:38:00Elizabeth who?
00:38:02Cavendish.
00:38:03I called him when I got home last night and interrogated her.
00:38:05What are the five most important things I need to know about that man?
00:38:09Why five?
00:38:10I don't know.
00:38:11It felt like the right number.
00:38:12Why not three?
00:38:14It's more interesting than three.
00:38:17So what did she say?
00:38:19One.
00:38:20It is Welsh.
00:38:21Is that interesting?
00:38:22No.
00:38:23Not particularly.
00:38:25Well, he had polio as a child.
00:38:27He has a passion for inventing things.
00:38:30And he would never dream of being anything as straightforward as simply queer.
00:38:35What on earth does that mean?
00:38:37Not altogether, sure.
00:38:40But I'm also not even curious to find out.
00:38:43What was number five?
00:38:45You can go.
00:38:46No, that was five.
00:38:47No, Margaret.
00:38:48That was four.
00:38:49Well, all right.
00:38:50Five is...
00:38:52I liked him.
00:38:54Yes.
00:38:55I can tell that.
00:38:57There's a contempt in him.
00:39:00What for?
00:39:03For me.
00:39:05For us.
00:39:08For everything we represent.
00:39:14I actually think you'd like him.
00:39:17That's what's so dangerous about him.
00:39:21Upstairs!
00:39:48You guys.
00:40:01Right.
00:40:06Wait there.
00:40:12Back in a minute.
00:40:23Or take it to the ceiling.
00:40:27Toad.
00:40:28Toad.
00:40:28I don't know.
00:41:04I don't know.
00:41:34I don't know.
00:42:00I don't know.
00:42:49I don't know.
00:42:52I don't know.
00:42:53I don't know.
00:42:53I don't like that.
00:42:54It's lovely, eh?
00:42:55Pretend.
00:42:57Too lovely?
00:43:01For my taste, yes.
00:43:03Oh, I see.
00:43:04You prefer me to be un-lovely.
00:43:08I prefer you to be yourself, although I realize it's asking the impossible.
00:43:12Why?
00:43:15Because I'm uncooperative.
00:43:17Because you have no idea who you are.
00:43:19Because you have no idea who you are.
00:43:20Up to the window?
00:43:21Sir, I know perfectly well.
00:43:22No.
00:43:23Not the faintest idea.
00:43:26Window.
00:43:39I don't know who you are either.
00:43:43We don't know who you are either.
00:43:56like this.
00:44:04Ah.
00:44:08Jesus.
00:44:10I'm sorry, but...
00:44:14Cecil is a disgrace.
00:44:19Well, he's been good to the family.
00:44:22Why would you care about the family?
00:44:26Have they been good to you?
00:44:31Well, they're my family.
00:44:34Yes.
00:44:41But they're business with Peter Townsend.
00:44:47Cruel.
00:44:54Was he really as dreary as he seemed?
00:45:01He was decent and old-fashioned.
00:45:08Easy qualities to mock.
00:45:17Easy to miss, too.
00:45:43Uh, they were dead.
00:45:45So.
00:46:02Do you miss him?
00:46:14Sometimes.
00:46:19Got it.
00:46:20Right.
00:46:21Back to my place for a drink.
00:46:24Your place?
00:46:26Where's that?
00:46:27Well, get dressed and I'll show you.
00:46:50So, this is...
00:46:53Home.
00:46:57It's marvelous.
00:47:04Whiskey or cinzana?
00:47:08Whiskey, please.
00:47:18Who's she?
00:47:22A friend.
00:47:25What kind of friend?
00:47:27A friend.
00:47:30This one?
00:47:32Couldn't you cheer her up a little?
00:47:34That's Sarah McMillan, the Prime Minister's daughter.
00:47:37Or is she?
00:47:39Word is, it's not.
00:47:42This is Bob Boothby's love child.
00:47:44No.
00:47:46Thirty years they say the affair's been going on, right under the PM's nose. Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:56Quite right.
00:47:59Ghastly business.
00:48:02Makes being happy so very difficult.
00:48:10Oh, what's this?
00:48:13Oh, it's something I'm working on. A design.
00:48:16It's fragile. Get off.
00:48:20Sorry.
00:48:24Yeah, come on, have a look at this. This might amuse you.
00:48:36What, people have signed their names?
00:48:38Other nicknames, yes.
00:48:41Who's Tigger?
00:48:43Cleo Lane.
00:48:47Snitch.
00:48:48Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:01And keep a diamond to the purpose.
00:49:05Go on.
00:49:06I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl?
00:49:20All right.
00:49:39Rhymes with peril.
00:49:46Put it back.
00:49:52Right.
00:49:55Shall we look at the photograph?
00:49:57Yes.
00:50:07What shall I do?
00:50:09All right.
00:50:18We'll find it so.
00:50:24In the moment, I have to go on the conveyed.
00:50:26You've had to wait, because the man's on the bench.
00:50:27I can do it.
00:50:32It depends.
00:50:32What the things are happening?
00:50:32I can do it.
00:50:34I can do it.
00:50:54All right.
00:51:15First, the chemicals.
00:51:30You knew when we first knit,
00:51:34I was sure you were queer.
00:51:44Why?
00:51:47Just the way you talk to women.
00:51:49Understood women.
00:52:03Then you put it into the water.
00:52:10Here?
00:52:11Mm-hmm.
00:52:15Not to mention your tidy little hips.
00:52:18All vanity and fastidiousness.
00:52:21I'm not vain.
00:52:25You're insufferably vain.
00:52:30But now I see you're not queer.
00:52:34Then you're pushing us to fix her.
00:52:44This hill routine is hard to practice and well oiled.
00:52:50Woman after woman has been here before me.
00:52:55Beautiful women.
00:52:58Then?
00:52:58Mm-hmm.
00:53:00Yeah.
00:53:07Will you hang her up?
00:53:21What do you think?
00:53:27Margaret I've never seen before.
00:53:31No one's ever seen before.
00:53:35No.
00:53:38Because in this photo you're not a princess anymore.
00:53:46There's someone I would like you to send her to.
00:53:50Can I give you an address?
00:53:54Sure.
00:53:57Then I must go.
00:54:03You, um, you won't stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:20You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:26Good.
00:54:26Then he can follow us.
00:54:29Good.
00:54:29Good.
00:54:29Good.
00:54:29Good.
00:54:31Good.
00:54:32Good.
00:54:37Good.
00:54:40Good.
00:54:42Good.
00:54:52Good.
00:55:04Good.
00:55:07Good.
00:55:10Good.
00:55:11Good.
00:55:11Good.
00:55:11Good.
00:55:11Good.
00:55:12Good.
00:55:12Good.
00:55:12Good.
00:55:22Thank you so much.
00:55:30God, I thought that would never end.
00:55:32You made it to go on, rather.
00:55:34On and on and on and on.
00:56:07Definitely not queer.
00:56:13Keep it.
00:56:34My love must be a kind of blind love.
00:56:42I can't see anyone but you.
00:56:50I can't see anyone but you.
00:57:15I can't see anyone but you.
00:57:16I can't see anyone but you.
00:57:16I don't know if it's cloudy or dry.
00:57:21I don't know if you're dead.
00:57:41The moon is far from behind
00:57:46But I can't see a thing in the sky
00:57:55I only have eyes for you
00:58:15I don't know if we're in a garden
00:58:34I'm on the throne of the moon
00:58:49You are here
00:58:51Tonight
00:58:53Tonight
00:58:53Tonight
00:58:57Maybe millions of people
00:59:01Don't go by
00:59:03But they can't disappear from you
00:59:20And I only have eyes for you
00:59:33Oh, gracious
00:59:48Oh, la la
00:59:52Oh, la
00:59:55Oh, la
01:00:24There you are
01:00:25Finally
01:00:36How is that?
01:00:38What is it?
01:00:56It appears she's naked
01:00:59Yes
01:01:01Yes
01:01:01Oh, la
01:01:13Oh, la
01:01:17Oh, la
01:01:18Oh, la
01:01:21Oh, la
01:01:31Oh, la
01:01:41Oh, la
01:01:57Oh, la
01:02:00Oh, la
01:02:01Oh, la
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