- 7 weeks ago
The Crown S02E04 [Full Movie] [Full Story]Full EP - Full
Category
🎥
Short filmTranscript
00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47I say
00:03:49It's a very early
00:03:58I've got an army of children
00:03:59I like
00:03:59I say
00:04:04These guys
00:04:05I think
00:04:05I think
00:04:06It's a huge
00:04:06This is...
00:04:07This is very hard
00:04:09I'm thinking
00:04:09To go
00:04:20Mummy said something interesting the other day.
00:04:23No.
00:04:26She said that the first ten years of marriage were just an overture.
00:04:32That there's often a crisis at ten years, but then you work it out and settle in.
00:04:40And it's only then that it really gets into its stride.
00:04:47Do you suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have a big anniversary party this year to celebrate hitting our stride.
00:05:21Yes?
00:05:23All right.
00:05:24All right.
00:05:28So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37It took forever to get there.
00:05:39Mummy was a nightmare.
00:05:40Oh, shit.
00:05:41Mercifully, they sent a helicopter to bring us back.
00:05:44Oh.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
00:05:58What?
00:06:01To whom?
00:06:03Billy Wallace.
00:06:06Goodness.
00:06:07Congratulations.
00:06:10Oh.
00:06:11Christ.
00:06:14So if I were to accept, it would be a yes from you?
00:06:23Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party for our tenth wedding anniversary.
00:06:33And you and Billy could use the occasion to announce your engagement, if you wanted.
00:06:40That's a nice idea.
00:06:42Well, that's settled then.
00:06:46My pleasure.
00:06:48Good night, Margaret.
00:06:48Couldn't start.
00:06:49We're going apart.
00:07:00We're going apart.
00:07:10Well, my pleasure is to start with you.
00:07:11Oh, Lord.
00:07:18Be blessed, Aran.
00:09:52Get things back on track.
00:09:57They say that listening is important in any marriage.
00:10:03Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19How are we going to do this?
00:10:21I think the driver should drop me first, then take you on to the station.
00:10:25Well, I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:34How long do you need with him?
00:10:37A day.
00:10:40Maybe two.
00:10:42It's the last time, I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:48I'm determined to mend it.
00:10:51It's time, now that you're Prime Minister.
00:10:54You've done it.
00:10:54Yes, it is.
00:10:56Yes, it is.
00:10:57What?
00:11:13You've done it.
00:11:14You've done it.
00:11:17It's the last time.
00:11:17It's the last time.
00:11:18You have to do it.
00:11:18They're all out.
00:11:19I'm sorry.
00:11:19You're not good.
00:11:19You're right.
00:11:20I'll be right back.
00:11:20You're right.
00:11:20I'm sorry.
00:11:22I'll be right back.
00:11:22I'm sorry.
00:11:31with a one two three flash oh quite magnificent thank you why does it always have to be cecil
00:11:39beaten taking my official berkeley portrait what's wrong with cecil when it came out last
00:11:44year everyone said how pretty you look no they said how much i look like you well quite yes this
00:11:52is just
00:11:53one thing fairy tales yes but he does it so well and to me your royal highness little less chin
00:12:02and
00:12:06what do you think i asked my new lady in waiting here today your majesty to offer her opinion
00:12:14having at least one foot in the real world i think birthday portraits should evolve and mature with
00:12:20age like the subject show change in the character complexity reality
00:12:30no one wants complexity and reality from us do sit down
00:12:37people have enough of that in their own lives they want us to help them escape indeed your majesty
00:12:45imagine this if you will a young woman a commonplace creature she sits in her drab little scullery so
00:12:54much work to do so much washing up how she longs for comfort for hope and again one two three
00:13:03and flash
00:13:05she wants to believe her life has some meaning beyond chores she opens a magazine
00:13:12and she sees her royal highness's photograph for one glorious transforming moment
00:13:19she becomes a princess too she is lifted out of her miserable pitiful reality into a fantasy
00:13:32later she will step out of her house in a a new neckerchief perhaps for which she has saved
00:13:41though she will hold her head up high she is renewed and all thanks to you your royal highness
00:13:49and to the ideal which you represent and now with a one two three and flash quite marvelous
00:14:21in the 20 or so years we've known the hapless misshapen crane that is billy wallace has any woman ever
00:14:27looked at him as an object of desire i mean even remotely certainly not then how can one begin to
00:14:35explain that
00:15:06so
00:15:06ma'am lord blamford just telephoned to apologize and say that mr wallace may be indisposed this evening
00:15:11they can't be indisposed we're announcing our engagement something about an injury rather a serious injury
00:15:19so
00:15:33where is he
00:15:34where is he
00:15:49what's going on
00:15:50it's all right simpson
00:16:01what's going on
00:16:02it's our announcement this evening
00:16:05unforeseen cirques i'm afraid
00:16:07rather a dust up in the early hours
00:16:10are you drunk
00:16:12don't be like that
00:16:13i had to do something for the pain
00:16:15what happened
00:16:16wait till you hear
00:16:17you'll laugh till you spit
00:16:19your friend tenant rather took offense at something i did
00:16:23you came to blaze with colin
00:16:24i believe the word
00:16:26duel was mentioned
00:16:28a duel
00:16:30tenant issued the challenge
00:16:32a little childish in this day and age if you ask me
00:16:35but a duel is a duel so i stepped up to the mark
00:16:40that's what a gentleman does
00:16:41no
00:16:47if i'm completely honest a little drink had been taken during the night
00:16:52but we faced the dawn with clear heads and strong hearts
00:16:56yes
00:16:58now tenant wanted to motor up to glenn
00:17:00to get his father's old pistols
00:17:02would have been quite ridiculous much too far away
00:17:04so blamford offered his
00:17:06it was a bloody stupid mistake
00:17:09a duel is not just a test of marksmanship
00:17:13it's a test of character
00:17:14ten paces
00:17:17one
00:17:19two
00:17:21three
00:17:23four
00:17:25five
00:17:27six
00:17:28seven
00:17:30eight
00:17:31nine
00:17:33ten
00:17:37nine
00:17:38fucker shot me in the leg
00:17:39bloody awful thing
00:17:40anyway
00:17:41i survived with a small flesh wound
00:17:46why was he angry with you
00:17:49it's the strangest thing
00:17:50but ever since word got out about our engagement
00:17:53i've found myself quite the center of attention
00:17:56it's as though every good looking girl on earth
00:17:58has taken the news as a personal challenge
00:18:01i'm not used to the idea of being a bear
00:18:04no
00:18:04much less a catch
00:18:06seems to have
00:18:08gone to my head rather
00:18:10had a bit of a fumble at blenheim
00:18:12it was rather a beauty
00:18:14it was in pictures you know
00:18:15an actress
00:18:17anyway
00:18:18tenant got wind of it
00:18:19got very cross
00:18:28yes with reason
00:18:32a pathetic
00:18:35weak
00:18:36contemptible fool
00:18:39i never even wanted to marry you
00:18:42you were only ever an act of charity
00:18:44or desperation
00:18:48and now you insult me
00:18:49you
00:18:51people like you don't get to insult people like me
00:18:53you get to be eternally grateful
00:18:58and you've quite the way with women
00:19:02take a look with this face
00:19:04a picture of disappointment and disgust
00:19:09this is the look that every woman you ever know will come to share
00:19:14this is what the next forty years of your life will look like
00:19:25margaret
00:19:27margaret
00:19:28margaret
00:19:31margaret
00:19:44i've been asked to tell you that princess margaret will not be announcing engagement this evening
00:19:51our royal highnesses should explain everything later
00:19:53yes i'm sure she will thank you michael
00:19:55thank you
00:19:55all right all right settle down
00:20:21so on my recent tour of the pacific
00:20:24i was introduced to a man who said to me
00:20:27my wife is a doctor of philosophy and much more important than i am
00:20:34to which i could only reply
00:20:36ah yes sir we have that trouble in our family too
00:20:43you know when i imagined our marriage in the early days
00:20:46i imagined two people
00:20:48welded together into some sort of combined existence
00:20:53ten years
00:20:54ten years
00:20:56ten years has taught me
00:20:57the secret
00:20:58of a successful marriage
00:21:00is actually to have different interests
00:21:03well
00:21:03different interests
00:21:05not
00:21:05not
00:21:06entirely different
00:21:13so it's a funny business
00:21:16one sees the whole of the other person
00:21:18you see even that part of them that they don't see themselves
00:21:20and and presumably
00:21:23they see that hidden part of you
00:21:27one ends up knowing more about one's partner
00:21:31than they know about themselves
00:21:33and it can be pretty tough
00:21:36to keep quiet about it
00:21:37so you have to
00:21:38you have to come to an accommodation
00:21:41an arrangement
00:21:42a
00:21:43a deal
00:21:45if you like to take the rough with the smooth
00:21:52the extraordinary thing is
00:21:55down there in the rough
00:21:58in the long reeds of difficulty and pain
00:22:04that is where you find the treasure
00:22:09so i would like to propose a toast
00:22:14in the name of love
00:22:18in the name of our beloved country
00:22:21in the name of steadfastness
00:22:24in the name of another ten
00:22:26marvellous years
00:22:31i give you
00:22:34mon petit choux
00:22:41Lilibet
00:22:44Elizabeth
00:22:48the queen
00:22:49the queen
00:22:55the queen
00:22:55the queen
00:22:55the queen
00:23:54Oh, God, you will not be people
00:24:02Oh, the laughs and the jokes on me, on me, but I've got to learn.
00:24:23The facts are normally clear, gotta find who's now not the worst.
00:24:46Am I my angel's eyes?
00:24:55Oh, where is my angel's eyes?
00:25:12Fuse me while I disappear.
00:25:24Super angels.
00:25:38Angels.
00:25:58And I will do everything we can to strengthen and repair the long-term care of the world.
00:26:09The current bonds which have bound together the...
00:26:15Blackheart.
00:26:16I can't.
00:26:18I want only you.
00:26:22I've tried again with Harold.
00:26:25Tried and tried.
00:26:27I know.
00:26:29I know.
00:26:30I know.
00:26:30I just can't.
00:26:32I can't have it touch me.
00:26:34Be near me.
00:26:36His weakness repels me.
00:26:40His love disgusts me.
00:26:44I know that you're certainly from Jack and I.
00:26:49I will.
00:26:50I can't.
00:26:55I can't.
00:26:56...
00:27:00I can't.
00:27:03Good morning.
00:27:06What a mess.
00:27:07it is the most beautiful day I bought something to cheer you up Cecil's
00:27:21magnificent work he's quite outdone himself this time I can tell you which
00:27:28one I would choose is the official birthday portrait and Cecil immediately
00:27:33agreed but of course it's for you to decide
00:28:12and with regards to Billy Wallace don't mention that name I've had him on the telephone to me
00:28:18all morning quite distraught then his mother then his grand I'm never speaking to him again
00:28:24then we will find you someone else
00:28:29I don't want you to find me anyone Moritz Landsgrave of Hesse he's a distant cousin now his mother was
00:28:38a Catholic but their lands are still intact and he gives a very good show of himself on the polo
00:28:44field
00:28:44no one someone suggested Prince Christian of Hanover a descendant of Queen Victoria
00:28:52served in the Luftwaffe but we won't hold that against him
00:28:56I do know what the official duties of the lady-in-waiting are
00:28:59accompanying me on foreign trips dealing with my meal
00:29:02do you suppose it might also include helping me climb over the wall to escape
00:29:09just can't bear it anymore I'm having some people to dinner tonight
00:29:16normal people yes they're all normal but in their own way they're all quite exceptional too
00:29:24you can go and possibly not deferential
00:29:29that's fine as long as they still meet the main requirements
00:29:33which are that none of them breeds horses owns lend or knows my mother
00:30:10I'd like you to say hello to our guest of honor her royal highness the princess Margaret
00:30:22are you ready ma'am here come the introductions here we have Dudley on the piano
00:30:31and this here is Shilpa
00:30:36oh god
00:30:37oh god
00:30:40oh god
00:30:41oh god
00:30:41oh god
00:30:57oh god
00:30:58oh god
00:30:58oh god
00:30:59yeah
00:31:11you're feeling a little left eye
00:31:15you're thinking to yourself
00:31:18these dabblers and Freaks all seem to know one another very well
00:31:28then you'd be absolutely right
00:31:32now be honest
00:31:35can you remember
00:31:36any of the names
00:31:41you're not really
00:31:42can't remember me either
00:31:44you know what we've met
00:31:45we have
00:31:48where have we met
00:31:50perhaps it'll come to you
00:31:52now where to begin
00:31:56far corner
00:31:57the irresistible so and so
00:31:59with the mustard coloured pearly neck
00:32:01irresistible
00:32:02oh come on
00:32:03a nine surely
00:32:05seven
00:32:07he's called Jeremy
00:32:08he's heir to a chocolate fortune
00:32:09married to the blonde beauty opposite
00:32:13oh she's an eight
00:32:15isn't she
00:32:17yes they dazzle in public those two
00:32:20we don't disappoint you're private either
00:32:22more of that another time i think
00:32:24who's next
00:32:26ah yes
00:32:27our flushed and fleshy friend in paisley
00:32:29his name's ken russell
00:32:31makes documentaries for bbc
00:32:33travels everywhere on a bus
00:32:38you've probably
00:32:40never been on a bus
00:32:41have you
00:32:43you know
00:32:45pity
00:32:46you really do meet the best people
00:32:51tell me about the woman with the
00:32:54extraordinary eyes
00:32:58brownish frankenstein
00:33:00she played opposite boris carloff
00:33:02of that movie
00:33:03you know
00:33:03actress
00:33:05no one can quite make out
00:33:06why she left a rather brilliant film producer for a dreary politician
00:33:11no
00:33:13his name's john perfumo
00:33:16fucking dull
00:33:17it's true
00:33:18it's true
00:33:18but
00:33:20the older gentleman
00:33:21beside him
00:33:23oh no no no i know who that one is
00:33:24that's john bitcham
00:33:25the poet
00:33:26um
00:33:29books from boots and country lanes
00:33:31free speech free passes
00:33:33class distinction
00:33:35yeah
00:33:36distinction
00:33:39democracy
00:33:40democracy
00:33:41and
00:33:41proper dreams
00:33:43and
00:33:45just so
00:33:50is it really true he has two wives
00:33:54i hope so
00:33:56better if he has three
00:33:59we don't want anyone conventional around here
00:34:10now
00:34:10tell me about you
00:34:11oh god you don't remember
00:34:13no
00:34:15i'm a photographer
00:34:18oh the wedding photographer
00:34:20ah that was a favourite
00:34:21it's not my normal line of work
00:34:23what is
00:34:26this
00:34:31what is yours
00:34:34yes
00:34:36portraits
00:34:36i don't like that word
00:34:39it's so stuffy
00:34:40and traditional
00:34:41oh sorry
00:34:43what are they then
00:34:45people
00:34:46faces
00:34:47they're the most interesting subject that i've found so far
00:34:52if you can think of anything more interesting do let me know
00:34:57oh i like them
00:35:00as if there's no camera at all
00:35:03i caught them off guard
00:35:04uh it's all luck really
00:35:06you made the ugliness beautiful
00:35:08i despise posturing and pretentiousness and humbug
00:35:14don't you
00:35:17is that why you took up photography
00:35:20maybe
00:35:23maybe
00:35:23maybe it's just a good way to get behind closed doors
00:35:26somebody's door in particular
00:35:27just doors generally
00:35:29the facade is only useful as a
00:35:31markup or someone who has to get behind or beyond
00:35:33the surface is so dreary i don't think
00:35:36what people want to show themselves the idealised version of no interest to me
00:35:41what people hide
00:35:44that interests me
00:35:49but you get too close
00:35:52isn't it rather an intrusion
00:35:55it's very much an intrusion yes
00:35:57that's exactly what photography is
00:36:00i use a small light i have nothing fancy and natural light which means that i can prowl around
00:36:07all the while i'm getting closer and closer and in the end it's kind of like
00:36:10what's uh intrusion
00:36:17intimacy
00:36:38how would you feel about taking my photograph
00:36:40well i'd consider it
00:36:43on one condition
00:36:46go on
00:36:47when you come to my slum studio
00:36:49leave the titles and princess outside
00:36:53happy to
00:36:54and for the duration of the session
00:36:56you do everything i say
00:37:00don't look like that
00:37:03you're dying to
00:37:04dying to what
00:37:09be a supplicant
00:37:13i can tell
00:37:14it was the first room i've ever been to where nobody got up
00:37:22bowed
00:37:24curtsied
00:37:25sanders carried on having conversations with i wasn't there at all
00:37:29those that did talk to me did with such
00:37:32indifference or
00:37:34nonchalance it verged on
00:37:37impertinence
00:37:37there was this one
00:37:39in particular
00:37:41tony
00:37:42anthony shawley
00:37:43no
00:37:44he insisted
00:37:45tony
00:37:45armstrong jones
00:37:47this is
00:37:48photographer
00:37:49mike sissor
00:37:50no nothing like sissor
00:37:52couldn't be less like sissor
00:37:54well maybe a bit like sissor
00:37:56he's obviously queer
00:37:57interestingly
00:37:58elizabeth denies it
00:38:00elizabeth who
00:38:01cavendish
00:38:02i called him when i got home last night
00:38:05interrogated her
00:38:05what are the five most important things
00:38:07i need to know about that man
00:38:09why five
00:38:10i don't know it felt like the right number
00:38:12why not three
00:38:14it's more interesting than three
00:38:17so what did she say
00:38:19one
00:38:20it is welsh
00:38:21is that interesting
00:38:22no not particularly
00:38:24well he had polio as a child
00:38:27he has a passion for inventing things
00:38:30and he would never dream of being anything as straightforward as simply queer
00:38:34what on earth does that mean
00:38:36not altogether shawley
00:38:39but
00:38:41i'm also not even curious to find out
00:38:43what was number five
00:38:45can you go
00:38:46no that was five
00:38:47no margaret that was four
00:38:48it was all right
00:38:49five was
00:38:52i liked him
00:38:54yes
00:38:55i can tell that
00:38:58there's a contempt in him
00:39:00what for
00:39:04for me
00:39:06for us
00:39:08for everything we represent
00:39:14i actually think you'd like it
00:39:17that's what's so dangerous about him
00:39:21upstairs
00:39:21upstairs
00:39:21and
00:39:23i
00:39:24i
00:39:34i
00:39:36i
00:39:38i
00:39:49i
00:39:50i
00:39:51i
00:39:51i
00:39:51i
00:39:51i
00:40:02i
00:40:02i
00:40:07i
00:40:07i
00:40:07i
00:40:07i
00:40:07i
00:40:13i
00:40:13i
00:40:13i
00:43:04You prefer me to be un-lovely.
00:43:08I prefer you to be yourself, although I realize it's asking me impossible.
00:43:13Why?
00:43:15Because I'm un-cooperative.
00:43:16Because you have no idea who you are.
00:43:19Look to the window?
00:43:21So I know perfectly well.
00:43:22No, not the faintest idea.
00:43:26Window.
00:43:39We don't know who you are, either.
00:43:43We don't know who you are, either.
00:43:56Like this.
00:43:58Like this.
00:44:08Jesus.
00:44:10I'm sorry, but, uh...
00:44:14And Cecil is a disgrace.
00:44:19Well, he's been good to the family.
00:44:22Why would you care about the family?
00:44:26Have they been good to you?
00:44:30Well, they're my family.
00:44:34Yes.
00:44:41But their business with Peter Townsend.
00:44:47cruel.
00:44:47And cruel.
00:44:54Was he really as dreary as he seemed?
00:45:01He was decent and old-fashioned.
00:45:08Easy qualities to mock.
00:45:17Easy to miss, too.
00:45:28Easy to miss theля Section.
00:45:31Moving on further.
00:45:32Too soon.
00:45:34I can't stop smoking.
00:45:39I heard.
00:45:40Record?
00:45:46Screw the Johnny.思考?
00:46:02Do nothing.
00:46:14What's up guys?
00:46:19Got it. Right, back to my place for a drink.
00:46:25Your place? Where's that?
00:46:27Well get dressed and I'll show you.
00:46:49So, this is home.
00:46:56It's marvellous.
00:47:04Whiskey or cinzana?
00:47:07Whiskey, please.
00:47:18Who's she?
00:47:22A friend.
00:47:24What kind of friend?
00:47:27A friend.
00:47:30And this one?
00:47:32Couldn't you cheer her up a little?
00:47:34That's Sarah McMillan, the Prime Minister's daughter.
00:47:37Or is she?
00:47:39Word is, it's not.
00:47:41This is Bob Boothby's love child.
00:47:43No.
00:47:46Thirty years they say the fair's been going on.
00:47:48Right under the PM's nose.
00:47:49Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:57Quite right.
00:47:59Ghastly business.
00:48:02Makes being happy so very difficult.
00:48:10Oh, what's this?
00:48:13Oh, it's something I'm working on.
00:48:15A design.
00:48:16It's fragile, get off.
00:48:21Sorry.
00:48:24Yeah, come on have a look at this.
00:48:26This might amuse you.
00:48:36What, people have signed their names?
00:48:38Oh, their nicknames, yes.
00:48:41Who's Tigger?
00:48:43Cleo Lear.
00:48:47Snitch.
00:48:48Derek Bogart.
00:48:53Oh look, you already have a princess.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:01I keep a diamond to the purpose.
00:49:05Go on.
00:49:07I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl?
00:49:20All right.
00:49:39Rhymes with peril.
00:49:46Put it back.
00:49:53Right.
00:49:54Shall we look at the photograph?
00:49:57Yes.
00:50:27I'm not sure if you want to show up.
00:50:54All right.
00:51:14First, the chemicals.
00:51:30You knew when we first knit, I was sure you were queer.
00:51:44Why?
00:51:46Just the way you talk to women.
00:51:49Understood women.
00:52:03Then you put it into the water.
00:52:10Here.
00:52:15Not to mention your tidy little hips.
00:52:18All vanity and fastidiousness.
00:52:21I'm not vain.
00:52:24You're insufferably vain.
00:52:29But now I see you're not queer.
00:52:35Then you're pushing us the fixer.
00:52:44This hill routine is hard to practice and well oiled.
00:52:50Woman after woman has been here before me.
00:52:55Beautiful women.
00:53:00Yeah.
00:53:07Will you hang her up?
00:53:21What do you think?
00:53:27Margaret, I've never seen before.
00:53:31No one's ever seen before.
00:53:35No.
00:53:38Because in this photo, you're not a princess anymore.
00:53:46There's someone I would like you to send it to.
00:53:50Can I give you an address?
00:53:54Sure.
00:53:57Then I must go.
00:54:04You, um...
00:54:06You want to stay a little longer?
00:54:08No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18Alright.
00:54:20You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:26Good.
00:54:26Then he can follow us.
00:54:41We are so proud to become a guest in this Istana Idah.
00:54:46We are most honored to have been guest in your majesty beautiful home.
00:54:51Huh.
00:54:52We've also got a lot of the beautiful Istana Idah.
00:55:04Hold tight.
00:55:05Hold tight.
00:55:22Thank you so much.
00:55:30God, I thought that would never end.
00:55:32Yes, it did go on rather.
00:55:33On and on and on and on.
00:56:07Definitely not queer.
00:56:13Keep it.
00:56:34My love must be a kind of blind love.
00:56:42I can't see anyone but you.
00:56:50I can't see anyone but you.
00:57:15I can't see anyone but you.
00:57:16I can't see anyone but you.
00:57:16I don't know if it's cloudy or dry.
00:57:22I only have eyes.
00:57:28I can't see anyone but you.
00:58:16I don't know if we're in a car.
00:58:46I don't know if we're in a car.
00:58:53I don't know if we're in a car.
00:59:20I don't know if we're in a car.
00:59:25I don't know if we're in a car.
00:59:33I don't know if we're in a car.
01:00:08I don't know.
01:00:23There you are.
01:00:25Finally.
01:00:36I don't know if we're in a car.
01:00:56I don't know if we're in a car.
01:01:03I don't know if we're in a car.
01:01:33I don't know if we're in a car.
01:02:03I don't know if we're in a car.
01:02:09I don't know if we're in a car.
01:02:12I don't know if we're in a car.
Comments