- 8 hours ago
Penelope (1966) Part One (ENG) HD [Full Movie] [Vertical Drama]Full EP - Full
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00:13Penelope
00:30The purpose of a honeybee
00:32Picture a girl your mind could never dismiss
00:41This is Penelope
00:46Penelope
00:49The day the angel makers planned her
00:53She set the universe above us
00:56There is no way to understand her
01:00In fact the only one who does is
01:05Penelope
01:08Penelope
01:12Penelope
01:15Penelope
01:18Picture a girl whose life is as crazy as a mad magician
01:24Picture a girl whose heart is elusive as her bed is free
01:31Picture a girl whose young conception of bliss
01:35This, this is Penelope
01:44Penelope
01:45Penelope
01:47Penelope
02:04Penelope
02:21with vaults literally blasted out of the solid granite of manhattan island yes gentlemen as my
02:29old scottish grandfather might have said your money is safer with us than if we were guarded
02:35by the loch ness monster herself now if you'll follow me into the executive suite
02:44oh i hope you don't mind
02:49miss serena what a sweet name thank you i think names have a great influence on the character don't
02:58use well how's that a lady named miss serena ought to be called serena are you well i try to
03:06be that's
03:07good because this is a sticker now don't move and don't put your foot on that alarm button i shall
03:14be forced to blast you dear me hand me those nice new stacks of 500 dollar bills
03:28what are those bills with dear grover cleveland's picture on them thousand dollar bills
03:35oh let me have a handful of those too
03:43oh one more thing which way is the lady's room
03:52thank you dearie you've been very helpful
04:16three cheers for what no rock rock rock someone phone mr elcock who did it point him out
04:25thank you to the street quick stand back everybody
04:28stand back everybody
04:32oh
04:33oh
04:34oh
04:39oh
04:40oh
04:40oh
04:42oh
04:45oh
04:48oh
04:52oh
04:53oh
04:57oh
04:58oh
05:01oh
05:02Calm down, Riddler.
05:26Come on, release me.
05:28Let's see what he does.
05:29Hey, what's this, Mr. Amcord?
05:31All right, lady, come out with your hands up.
05:34A gun!
05:35That horrible old lady's got a gun.
05:37A person isn't safe anyplace in this rotten city.
05:42You first.
05:42I'm not even married.
05:44I couldn't find a button.
05:45He's hurt.
05:45Yes, I promise.
06:06Mr. Relcott.
06:08Mr. Relcott.
06:09They've trapped her in the ladies' room.
06:21All right, little old lady.
06:23Are you coming out or are we coming in?
06:41Nothing.
06:42Do you have a dime?
06:46In deference to your years, madam, I urge you not to do anything foolish.
06:51Nothing yet.
06:52I don't get it.
06:54I think I'm beginning to.
06:55Someone washed the coat.
07:01That dame in a yellow suit.
07:03Where is she?
07:04Let's go.
07:05Come on, man.
07:06Get down.
07:17Bring Darth Goodman, please.
07:18Come on, man.
07:24What?
07:31What?
07:35What?
07:36What?
07:39What?
07:40What?
08:24How are you?
08:30What seems to be the trouble?
08:32Sick up at the city federal bank.
08:35Imagine.
08:36Five bandits with machine guns and tear gas.
08:39No.
08:39Got away with over 130,000 bucks.
08:43As much as that.
08:45Good gracious.
08:50Mr. Alcott, congratulations.
08:52You've just broken the world's record.
08:54Robbed the same day you opened.
08:56Throw this nut out.
08:58He's not a nut.
08:59He's a police lieutenant.
09:01He doesn't sound like much of a police lieutenant.
09:03And you don't look like much of a bank resident.
09:05You've got a good bony leg, did you notice?
09:08I lost my trouser defending my bank.
09:10Something that wouldn't have been necessary had the police been on the job.
09:13No, no, Mr. Alcott.
09:14You've got it backwards.
09:16First there is a bank job.
09:18Then there is a police job.
09:20Would you mind lowering your voice?
09:21It's bad for business to come to the side.
09:24You should have thought of that before you left all those $500 and $1,000 bills laying around.
09:29There's a promotional idea for the opening.
09:31Bank notes of that denomination aren't readily negotiable.
09:33We have all the serial numbers.
09:35I guess it would be kind of tough trying to break a $1,000 bill with an automat.
09:38Yeah, but it fit good.
09:39Can you imagine?
09:41A thousand bucks worth of nickels.
09:43I think it's a funny image.
09:45You find grand loss near amusing.
09:46You're tense.
09:48You're much too tense.
09:49Very bad for the digestion.
09:51Relax.
09:52The insurance company, let them be tense.
09:54They have to make good your losses.
09:55I'm concerned with our loss of prestige.
09:57A thing like this could cause the public to lose confidence.
09:59Well, now, I can't imagine why.
10:01If I were a police lieutenant, I think I'd be out looking for $60,000 carried by a redhead in
10:05a yellow suit.
10:05The odds are like 40 to 1 that the redhead is no longer modeling that particular number.
10:10Here you are, Mr. Elkhart, right here on film.
10:11Everything had happened between 2 and 3.
10:13The robbery took place at 2.47.
10:15We always film the first few days when Eubanks' operation helps eliminate the bugs.
10:18Well, talk about dumb luck.
10:20Rothschild, get these down to the lab.
10:22We're going to the movies tonight.
10:26Get me Mrs. Elkhart.
10:28If she's not at home, maybe you can catch her at the doctor's.
10:31Mrs. Elkhart is here, Dr. Mannix.
10:35Send her in.
10:41Good afternoon, Gregory.
10:42Good evening.
10:44Oh, Gregory, I'm terribly sorry.
10:46I just couldn't help it.
10:47Things kept happening.
10:55Oh, that feels good.
10:57I've had such a day.
10:59Good day, I hope.
11:01No more escapism, no attempt to run away from reality.
11:05A little running, yes.
11:06A little escaping, too.
11:08Well, you look so beautiful this afternoon, I'll try to forgive it.
11:13Gregory, you've never said anything like that before.
11:16In the spring, a young man's fancy.
11:20Penelope, I am not in love with you, nor are you in love with me.
11:24Although at this stage of your analysis, you may think so.
11:27Oh, I don't think I'm in love with you.
11:30Oh, you don't think you're in love with me?
11:33No.
11:35Never entered my mind.
11:38Why?
11:39Are you disappointed?
11:42Not in the least.
11:44I can't relieve.
11:46That's good.
11:48So, you had an interesting day, huh?
11:51You want to talk about it?
11:52Well, let's see.
11:54This morning I went shopping,
11:56and then I went to the Museum of Modern Art.
11:59They have a marvelous new exhibit there.
12:01And then I had lunch at the, uh, plaza,
12:04palm court,
12:06eggs benedict,
12:07and then, uh,
12:09a few minutes before three o'clock,
12:11I stuck up my husband's bank.
12:28Are you asleep?
12:30No, I...
12:31You're not associating.
12:32You realize that.
12:34How do you mean?
12:36I mean, you said you went shopping,
12:37you went to the museum,
12:38you had lunch,
12:40and then you said something entirely irrelevant.
12:43Gregory,
12:44it's you who's not associating.
12:46All I said was,
12:47I stuck up my husband's bank.
12:48He said it again,
12:49but you couldn't possibly.
12:50How do you know?
12:51Because I've been your analyst for three years.
12:53I know what you're capable of,
12:54and I know what you're not capable of.
12:55Would you like to bet?
12:57My reputation in psychiatry
12:58against anything you care to put up.
13:00Will this be enough?
13:03What's that?
13:05Well,
13:06I think it's called the loot.
13:08The loot.
13:09The loot?
13:11The loot?
13:11Penelope,
13:12would you...
13:19So,
13:20you think you robbed a bank,
13:21huh?
13:22Hmm.
13:22I've been saying that.
13:24Then I went over to Bergdorf
13:25and bought this new outfit.
13:26Do you like it?
13:28Penelope,
13:28do you expect me to believe
13:30that you robbed your husband's bank
13:32and went blithely off to Bergdorf
13:34and spent the loot
13:35on dresses and mints?
13:36Of course not.
13:38Well,
13:38thank goodness.
13:39Well,
13:39I wouldn't spend stolen money.
13:41I have a charge account.
13:42You still insist you robbed a bank.
13:44Now,
13:44how could you?
13:45Gregory,
13:46it's very simple.
13:47Please,
13:47I don't want to hear it.
13:48I don't want to hear it.
13:49I don't want to hear it.
13:51Oh,
13:51of course.
13:52That would make you an accessory
13:53after the fact.
13:55Gregory,
13:55I'm sorry.
13:56Don't be upset.
13:57We'll just forget
13:58I ever mentioned it.
13:59We're not going to forget
14:00about anything.
14:03How much did you get?
14:05Well,
14:05a man on the street
14:06said it was $130,000.
14:08That's horrible.
14:09Yeah,
14:10but I just counted it.
14:11It's only a little over $60,000,
14:12so it's only half as horrible.
14:14Penelope,
14:14nobody can just walk into a bank
14:15and pick up $60,000
14:17by asking for it.
14:18Well,
14:18of course you can.
14:19You have a gun.
14:21You don't own a gun.
14:22Oh,
14:23Gregory,
14:23you're always so positive.
14:25What do you think this is?
14:27Oh,
14:28I'm sorry.
14:29I didn't know it was loaded.
14:30I bought it in the five and dime.
14:34Penelope,
14:35this is very bad
14:37for your therapy.
14:38I'm sorry,
14:39Gregory.
14:44Somewhere in your analysis,
14:46I have obviously
14:49passed up a vital clue.
14:52Now,
14:52I want you to tell me again
14:56from the beginning
14:57about the first time
14:58that you took something.
15:01You mean stole something,
15:02don't you?
15:04Gregory,
15:04we might as well face it.
15:05I'm a kleptomaniac.
15:07I refuse to accept
15:08that word clinically.
15:10Now,
15:12what was the first time?
15:16Well,
15:18the very first time
15:20was my last week in college.
15:23I was all dressed up
15:24for the senior prom
15:25when Professor Klopp came by.
15:27Professor Klopp taught
15:28Anthropology 404,
15:30and he said he'd like
15:31to show me some pictures
15:32of the Okokos tribe
15:33in his laboratory.
15:36He said the Okokos
15:38had some very strange customs.
15:41Well,
15:42they certainly did,
15:43but no stranger
15:44than Professor Klopp.
15:45don't fight.
15:47Oh!
15:49Oh!
15:57Oh!
15:59Oh!
16:05Oh!
16:07Sorry.
16:10Oh!
16:10Oh, my God!
16:21Oh!
16:58I didn't notice it at first, but there was something in my hand.
17:02Somehow, sometime during our session in Primitive Anthropology,
17:06I had grabbed hold of Professor Klopp's watch file, diamond studded.
17:10I could have sent it back, of course, but I decided I'd just keep it,
17:14in memory of the strange customs of the Okoko's tribe.
17:17So, that's the way I began my life of crime.
17:21Practically by accident.
17:26When was the next incident?
17:29Well, there were some odds and ends when I first came to New York.
17:33But then, after I met James, I never stole anything.
17:38Until?
17:39Until when?
17:41Until my wedding day.
17:50I'll never forget how handsome James looked that day.
17:55I was terribly in love with him.
17:58But so, it seems, was my matron of honor, Mildred Halliday.
18:01She wasn't exactly my choice, but her father was on the board of the bank.
18:08At the reception, James suddenly disappeared.
18:18When I came to think about it, I couldn't seem to locate Mildred either.
18:22I wasn't suspicious, really.
18:24But I began to wonder if it wasn't just possible.
18:27It was.
18:30In situations like this, I always think of clever things to say.
18:34Well, time to cut the cake.
18:36Hello, Penelope.
18:37Jimmy and I were just discussing the wedding.
18:40Yes.
18:41I heard you.
18:42Well, everybody always kisses the bride, but no one thinks of the groom.
18:47Except you.
18:48Well, it's my generous nature.
18:50Oh, Jim, Jim, look.
18:52You're all over lipstick.
18:55Oh, don't be jealous, love.
18:58Jimmy and I have known each other for ages.
19:00Tom.
19:03Tom.
19:06I thought briefly about stabbing her in the back.
19:09But I was afraid the cake knife wasn't sharp enough.
19:12Would you care for an explanation?
19:14No.
19:15You don't have to.
19:17How was it?
19:22I could take it or leave it.
19:25Have you got all of her lipstick on?
19:27No, I have.
19:28Why?
19:29Why?
19:40In those days, you'd never suspect James was a banker.
19:45Ready, everybody.
19:46Ready.
19:46Here they come.
19:48All right, Penelope.
19:49Let's see you hit a future bride.
19:54I can still see Mildred looking up at me.
19:57She was wearing her emerald earrings and necklace.
19:59Plus, a very superior expression.
20:03It was time to toss the wedding bouquet.
20:06I decided I'd let Mildred have it.
20:08Oh, darling, I'm terribly sorry.
20:15Are you all right?
20:16Oh, that's good, darling.
20:19Ta.
20:22Goodbye, my darling.
20:24Bye.
20:24And, and, and, darling, darling,
20:25please don't forget to live happily ever after, please.
20:29I will. Bye.
20:30Goodbye, Jim.
20:31Goodbye, Dad.
20:32Bye, now.
20:32Come on, my boy.
20:33Bye.
20:35My, my ears.
20:37My ears.
20:38And when we returned home ten days later,
20:41the necklace and earrings were still in the potted palm jar.
20:44And you never returned them.
20:46No.
20:47Why should I?
20:49Penelope, if you keep answering my questions with questions,
20:53how am I going to help you?
20:54I'm sorry, Gregory.
20:55I'll try to do better.
20:56All right.
20:58Now, I want you to think very carefully before you answer this.
21:01Each time you stole something,
21:03do you remember how you felt afterwards?
21:06Guilty?
21:08Upset?
21:09Depressed?
21:11Disturbed?
21:13Cheerful.
21:15How can you feel cheerful?
21:17Gregory, that's why I'm here.
21:19To try to find out why stealing makes me cheerful.
21:22You couldn't.
21:23You couldn't possibly feel cheerful.
21:25Gregory, you're accusing me of dishonesty,
21:27which is one fault that I do not have.
21:29Kleptomania, yes.
21:31Dishonesty, no.
21:32You are not a kleptomaniac.
21:33A kleptomaniac steals out of compulsion,
21:35but you steal because you enjoy it.
21:45You're angry with me.
21:47You bet I am.
21:48And we'd better end this session right here.
21:50Why?
21:51Because I...
21:52Because I find I cannot...
21:54I cannot maintain a proper attitude of detachment.
21:57And besides,
21:59your time is up.
22:04Yes?
22:05Mr. Elcott is calling Mrs. Elcott.
22:09Oh.
22:10I wonder what could be so urgent.
22:12It may have something to do with his wife sticking up his bank.
22:15Yes, James?
22:17Oh?
22:18He won't be home for dinner.
22:20Why not, darling?
22:23No.
22:25For heaven's sakes.
22:28What?
22:29You have?
22:31When?
22:32Oh, James, can I come?
22:34Oh, thank you, darling.
22:36Yes, yes, yes.
22:37I promise I won't be late.
22:39Gregory, guess what?
22:40They have movies of the robbery.
22:41Oh.
22:41And James is going to let me see them with the police.
22:44I'm on film.
22:45Isn't that exciting?
22:46It's just like an actress having a screen test.
22:49Except if you get this part,
22:50you're going to play it in jail.
22:51Gregory, I'd better run.
22:53I've got a thousand things to do for us.
22:55Bye.
23:03Bye.
23:03Gregory, when do I see you again?
23:05With good behavior, in about 20 years.
23:08Tomorrow, same time.
23:09Same time.
23:14Assuming you're still at large.
23:29Dr. Knobloch, I think it's time we resume my analysis.
23:36You see, I've fallen in love with this bank robber.
24:19May I help you?
24:21Oh, oui, madame.
24:22I have here a suit to donate to your charity.
24:25Oh, thank you.
24:26To whom shall we make out the receipt?
24:28Bye.
24:29It's tax deductible, you know.
24:32Wait a minute.
24:35Wait a minute.
24:37It's gorgeous.
24:38I'll take it.
24:39You are too late.
24:41Stay.
24:41Oh, please.
24:42What are you doing?
24:44Come there.
24:45Ladies, ladies.
24:46Such a big commotion.
24:47Over what?
24:49Some yellow rag?
24:51The color's all wrong for your sallow complexion.
24:54And yellow?
24:56On a woman of your years?
24:59How much were you going to pay for this, lady?
25:02Well, $20.
25:03That seems fair.
25:04$21.
25:05It's damaged goods.
25:07Look.
25:08In that case, I'm not interested in any price.
25:11Then neither am I.
25:14Here.
25:17Here's $7.
25:20More than it's worth.
25:22But then, I'm such a soft touch.
25:39Set up a love of my life.
25:41Did you know what we have here?
25:44It couldn't be.
25:46But it couldn't be anything else.
25:48Nobody.
25:49Nobody that seems like Yvonne Sheen.
25:52This bar is original for $7.
25:55You're a genius.
25:56In love with an angel.
25:58A rich angel.
26:04In the shop, we'll get $500 for this.
26:09And a good hanger, $6.
26:23Please, help the poor.
26:26Please, friends, open your hearts.
26:29Please, not in poverty.
26:32Lord, love's a cheerful giver.
26:40Please, friends, open your hearts.
26:43Help others.
26:52Pardon, monsieur.
26:54It is more blessed to give than to take, no?
26:57So we've been taught, yes.
26:59Too bad it is not the other way around.
27:01Yes.
27:27Hey, wait a minute.
27:29I forgot mine.
27:30I forgot mine.
27:57We're coming up on our first good look
27:58at the suspect right here.
28:00It's about time.
28:04Now what?
28:06Oh, it's my wife.
28:07Hey, darling.
28:09Lieutenant Bixby.
28:11How do you do?
28:12I'm Sergeant Rothschild.
28:14Hello.
28:15Am I missing anything?
28:18Not from where I'm standing.
28:19Uh, Sergeant, as long as you're rewinding that,
28:22why don't you start from the top of Mrs. Elcott's?
28:25Oh, that's very kind.
28:27Drag a jacket.
28:39Your shoes.
28:40Where are your shoes, darling?
28:42Oh, wouldn't you know it?
28:43I left them in the taxi.
28:50Last week it was in the elevator.
28:51I got sent out an all-points bulletin.
28:53I hope you have more luck with my wife's shoes
28:55than you're having with my bank robbery.
28:56Your bank.
28:57My rob.
29:00Oh, this is so exciting.
29:06James, that's you.
29:11Oh, James.
29:12You look so handsome.
29:16When do we get to see the girl?
29:18Right now.
29:20There she is.
29:26Out of the way.
29:27I can't see her.
29:29Well, maybe there's more.
29:33Turn around.
29:34Turn around.
29:35Yes, turn around.
29:37Slow down, Phil.
29:45Oh, just go on.
29:48Run that part backwards.
29:51Oh.
29:57Oh, I like that.
30:06Well, that's it.
30:07Suspect, young, white, female,
30:09five foot three, red hair, yellow suit.
30:12Did I forget anything?
30:14Yeah, one viewed from behind.
30:15She has a very attractive wiggle.
30:18Excuse me, Mrs. Alcott.
30:19Not at all.
30:21Not much help, was it?
30:23No.
30:24What a shame.
30:25Everyone else's face was so clear.
30:27You were very good, James.
30:30And Miss Serena was just fabulous.
30:32Yeah, considering she kept her mouth open all the time.
30:37Incidentally, your cameras are very strategically located.
30:40We weren't expecting to photograph the lady's washroom.
30:48Yeah, Bixby.
30:50Oh, very good.
30:53Our first break in a case.
30:55So soon?
30:57I may have underestimated you.
30:59Good work, officer.
31:01We set up a roadblock in Times Square.
31:09Lieutenant!
31:10How dear of you!
31:12Oh, James!
31:13Wasn't that sweet of him?
31:15Adorable.
31:16Lieutenant Bixby?
31:19Are you already gay?
31:21Oh.
31:23I'm Major Higgins.
31:24I'm very busy.
31:26Well, that's a fine way for a lieutenant to talk to a major.
31:29Uh, lieutenant.
31:30I was wondering if you could tell me if this is real.
31:35Excuse me, man.
31:44Major, where'd you get this?
31:46A young lady put it in my tambourine about five o'clock.
31:50Could you describe her?
31:51Her clothes, her coloring, her height, her figure?
31:54Uh, Mrs. Elcott, would you stand up, please?
31:56Oh, of course.
32:00Yes, yes.
32:02She was just about this young lady's height.
32:06And figure.
32:10Only...
32:10Only what?
32:13Only...
32:14With blonde hair.
32:16Anything else?
32:17Yes.
32:18She spoke with a French accent.
32:21And...
32:23She had a mole on her cheek.
32:25Excuse me.
32:26Right here.
32:31Can you remember anything she said?
32:33Yes, I believe her...
32:35Them to take were...
32:38Cheerful?
32:39Cheerful, yes, yes.
32:40That's the exact word.
32:41Cheerful.
32:44Isn't her money good?
32:46Well, not for you, Major.
32:48This bill was stolen this afternoon from Mr. Elcott's bank.
32:53Well, I...
32:56But I was just hoping.
32:59Oh, well.
33:02Major, wait!
33:04Lieutenant Bixby, this is unfair!
33:07It doesn't have to be fair.
33:08It's the law.
33:09What law?
33:09I never heard of any such law.
33:12I mean, why can't he keep it?
33:13After all, he didn't steal it.
33:15Somebody gave it to him.
33:16It wasn't hers to give, darling.
33:18But he needs it.
33:20Isn't there anything you can do?
33:22I'm afraid not.
33:26Well, then, James, you do something.
33:29Well, like what?
33:31Well, write Major Higgins a check.
33:34For what, darling?
33:35For $1,000.
33:37That's what you're taking from him.
33:40Higgin?
33:40Well, of course.
33:41And besides, you'll be breaking even.
33:45How do you figure that out, darling?
33:47Well, Major Higgins gave you back your $1,000.
33:50You give him back his $1,000.
33:52Simple.
33:55Am I hearing right?
33:56I can't believe this.
33:58James!
33:59If you don't give Major Higgins a check,
34:02I'll never speak to you again.
34:04Oh, please, folks.
34:06Please.
34:07We're meant to ease people's troubles,
34:09not to cause them.
34:10I'm sorry.
34:12Please, James.
34:28Oh, thank you, darling.
34:35What time, London?
34:37A thousand.
34:39A thousand.
34:42Wait till the word of this reaches Red Cross,
34:45YMCA, and Hadassah.
34:54And do you know what?
34:56James still doesn't understand
34:58that he broke even on the deal.
35:01Maybe he was just being stubborn.
35:03No, he's just confused.
35:06For a banker, I think that's pretty strange.
35:15Is all this milk good for you?
35:19It's not for me.
35:21It's for my ulcer.
35:23You know, Lieutenant Bixby was so nice
35:26about getting back my shoes.
35:28Why do you suppose I took this?
35:33Gregory!
35:34Go down the wrong pipe?
35:39Penelope.
35:41Penelope.
35:43Penelope, did you...
35:45Did you ever think of going to another psychiatrist?
35:48No.
35:49That would be disloyal.
35:52I'm not helping you at all.
35:54Of course you are.
35:57Gregory, I'm sorry.
35:58I'll send the wallet back.
35:59It's not only this.
36:02Oh, don't be discouraged.
36:03Just because I stuck up a bank.
36:05Your husband's bank?
36:07Yes.
36:08James' bank.
36:09Why his bank?
36:10Why not somebody else's bank?
36:12Why are you writing left-handed?
36:16I'm being an accessory after the fact.
36:23Would you mind licking this for me?
36:27I'm too dry.
36:30I'm too dry.
36:32Whatever made you marry a man like that in the first place?
36:36Oh, James wasn't a man like that in the first place.
36:39Oh, no.
36:41The first time I met James
36:43was at a Greenwich Village cellar
36:45known as the Plush Pig.
36:47I've been working there a couple of months.
36:49It was my first real job in New York.
36:50Someone who knows who I am
36:57But when you are far away
37:02My world is clouded
37:05The sun is grey
37:13You can make me touch the sky
37:18Give me wings
37:21Give me wings
37:21And help me fly
37:24But without you
37:26Night and day
37:28My world is clouded
37:32The sun is grey
37:37You hang the moon
37:41Scatter stars
37:43Throughout the sky
37:47All of the good things within me
37:53All of the good things within me
37:54Must first be seen through your eyes
38:01There is only one thing wrong
38:06The sun is grey
38:12The sun is grey
38:33The sun is grey
38:38The sun is grey
38:39The sun is grey
38:41The sun is grey
38:42The sun is grey
38:42The sun is grey
38:43The sun is grey
38:45The sun is grey
38:48The sun is grey
38:49The sun is grey
38:51The sun is grey
38:52The sun is grey
38:54The sun is grey
38:56The sun is grey
38:57The sun is grey
38:57The sun is grey
38:57The sun is grey
38:58The sun is grey
38:58The sun is grey
38:58The sun is grey
38:58The sun is grey
38:58The sun is grey
38:59The sun is grey
39:00The sun is grey
39:14Hi.
39:17Miss Penelope Gordon?
39:19If you sit down, you won't have to scratch over.
39:22I don't want you to drink, but it's only water.
39:25Would you excuse me while I take out my eyes?
39:34I'm James Elcott, City Federal Bank.
39:40Contacts.
39:41Oh, now I can see you much better.
39:47Well, I never shook hands with a bank before.
39:51How is it I haven't heard from you, Miss Gordon?
39:54Well, it's probably because we've only just met.
39:56I've written you nine times in the last two months.
39:59Oh, you really love folk songs.
40:01Do you?
40:02Not exactly.
40:03No, this is business.
40:04City Federal has accepted trusteeship of a modest estate left to you by your mother's cousin.
40:09Are you sure you've got the right Penelope Gordon?
40:11Absolutely.
40:13The income from the estate won't be much, but there are papers to sign.
40:16You're certain you never received any of my letters?
40:19I know what happened.
40:21You see, I never opened my mail.
40:23Oh, who does it for you?
40:25Nobody.
40:26What happens to it?
40:28Well, usually I stick it away in a drawer someplace, and then I always forget it.
40:33Or it gets lost.
40:35And don't you lose a lot of friends that way?
40:37Oh, no.
40:38Just the opposite.
40:40You see, if you write me a letter and I answer it, then you have to answer my third and
40:44answer
40:45to my second, and then I have to write you a third and you have to send us to each
40:47other.
40:48We haven't got time to be friends.
40:52I never thought of it like that.
40:55Well, anyway, I could still look for your letters at home.
40:58Would that help?
40:59We ought to discuss them, yes.
41:03Oh, dear.
41:05What is it?
41:06Drop my contact lens.
41:07I'm always losing.
41:08Oh, don't get your pants dirty.
41:10That's all right.
41:11Do you think we could get together sometime tomorrow?
41:16Oh, sure.
41:18How about dinner?
41:18I'm going to have some friends in.
41:20Oh, that's wonderful.
41:24Oh, these contacts are so tiny.
41:26We're never going to find them.
41:28Well, does it matter?
41:29You said yourself things you can see better without them.
41:32Oh, much better.
41:33I think this optometrist I was dating gave me the wrong prescription.
41:38May I ask something?
41:40Why do you wear them?
41:42Well, he said they make my eyes look luminous.
41:46I think they're luminous already.
41:49I think they're quite beautiful.
41:53Oh.
41:54Well, then I don't need to wear the contacts, do I?
42:00I'm glad you came to see me.
42:04So am I.
42:05I'm looking forward to tomorrow night.
42:08So am I.
42:16And now I'd like to get up, please.
42:19Pardon?
42:20You're kneeling on my hair.
42:22Oh, I'm terrible.
42:23Oh, watch out for me.
42:26I.
42:29Oh, dear.
42:31I'm terribly sorry.
42:32All right.
42:33Quite all right.
42:34There's nothing to concern, sir.
42:38Oh, dear.
42:41Oh, you found my contact lens.
43:01Miss Penelope Gordon.
43:03Is this the bank?
43:05Yes.
43:06Shall I come up?
43:07No.
43:08But you're welcome down here.
43:12Got it.
43:27Hi.
43:28Hi.
43:28I hope I'm not overdressed for the village.
43:31No, I wouldn't say so.
43:33Come on in and meet everybody.
43:35Everybody meet James Alcott.
43:50You dress funny for a banker.
43:53I could go home and change.
43:54Oh, no.
43:55I think it's sweet.
43:56You dress for us and we dress for you.
43:59Penelope Herr.
44:00You know these things make me nervous.
44:02Don't panic, Sebastian.
44:03Help is on the way.
44:04I'll just be a second.
44:05I'm going to hold you to that.
44:07I know you.
44:09Are you a bank at City Federal?
44:11That bank on my mattress.
44:13Well, that's nice, too.
44:14Last night, a plush paper.
44:17You walked out on my big numbers.
44:18An unintentional slight.
44:20Talk's cheap.
44:21Want to hear it now?
44:23Right here without your band?
44:24I'll fake it for you.
44:26I've got to rescue my friend from Boom Boom.
44:28I shall rescue the beardless one.
44:29Please finish my breath.
44:31And it's your birthday.
44:34How about a fast arrangement of green sleeves?
44:36Just a minute, Boom Boom.
44:37He's mad.
44:37Oh, come on.
44:38You're watching me.
44:46I bet you fit in any place.
44:49I like your friends.
44:50They came with the least.
44:52Did that come with the least, too?
44:54No.
44:55I used to date this welder.
44:57He must have been an awful driver.
45:00No.
45:00I have this other boyfriend who owns a junkyard.
45:03You've got a lot of boyfriends.
45:04Why all this shopping around?
45:06Well, you don't try everything.
45:08Out of the mouths of babes.
45:28Let everybody go.
45:31Well, yeah.
45:47Three weeks later, we got married.
45:50All in a rush.
45:51Like if we didn't, we'd die.
45:53And if your husband were still the same romantic Greenwich Village James, would you be stealing now?
46:00Oh, James hasn't got time for romance.
46:02He's too busy banking.
46:04So you steal.
46:07You're much too calm about it.
46:09Well, why shouldn't I be calm?
46:11After all, there's nothing to connect me with the robbery.
46:14Except the yellow suit.
46:17You realize the police are combing the city for it.
46:20So I read.
46:21I took care of it.
46:23You burned it?
46:24No.
46:25I gave it away to a thrift shop.
46:27Thrift shop?
46:28Do you realize the chance you're taking?
46:30I don't know.
46:32Maybe I'll go buy it back.
46:34Buy it?
46:34No, no, Penny.
46:36Look, are you trying to get caught?
46:39You never should have gone there in the first place.
46:41Well, what else could I do?
46:42Throw it away?
46:43It would have been a lot safer.
46:45Gregory, it was a Givenchy suit.
46:48So?
46:49Well, you can't just throw a Givenchy down a manhole.
46:52It's sacrilege.
46:53And besides, James paid $1,100 for that suit.
46:57And I wouldn't like to see him waste his money.
47:19Hi, Lieutenant Bixby.
47:22Sergeant Rothschild.
47:23What a nice surprise.
47:25Mrs. Elkhart.
47:26Do you shop here?
47:27Yes, I often drop by.
47:29They have fascinating things.
47:31They did yesterday.
47:32They had the yellow suit.
47:33Not really.
47:36How did they get it?
47:37Well, they got it the same way that Major Higgins got his $1,000 bill.
47:40It was donated by a blonde girl with a phony French accent.
47:43And we traced it here.
47:45Well, how clever of you.
47:46Not so clever.
47:47The lady back there read about it in the paper and called us.
47:50Well, we were clever enough to pick up the phone.
47:54Well, that's that.
47:55You've got it.
47:56Not yet.
47:57Somebody bought it.
47:58Paid seven bucks.
47:59Seven bucks?
48:00But that...
48:01What?
48:01Too cheap?
48:02Well, that's hard to say.
48:04I'd have to see her first.
48:06Well, why don't you come along while we pick it up?
48:08Do you want to get to ride in a police car?
48:09Yeah.
48:10With a siren and everything.
48:12I'm going to be like, oh, I'm going to be like, oh, I'm going to be like, oh, I'm going
48:15to be like, oh, I'm going to be like, oh, I'm going to be like, oh, I'm going to be
48:17like, oh, I'm going to be like, oh, I'm going to be like, oh, I'm going to be like, oh,
48:17I'm going to be like, oh, I'm going to be like, oh, I'm going to be like, oh, I'm going
48:17to be like, oh, I'm going to be like, oh, I'm going to be like, oh, I'm going to be
48:18like, oh, I'm going to be like, oh, I'm going to be like, oh, I'm going to be like, oh,
48:18I'm going to be like, oh, I'm going to be like, oh, I'm going to be like, oh, I'm going
48:18to be like, oh, I'm going to be
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