00:00:09Grandi
00:00:32Valeria Dobicci, Sergio Rubini, and others, and also Giuliano Calandra.
00:00:51Scenarists Gianfranco Clerici and Andre Bardini.
00:01:02Operator Mario Bulpiani.
00:01:06Composer Antonio Secchi.
00:01:25Regisseur Andrea Bardini.
00:01:31События и персонажи этого фильма вымышлены.
00:01:36Всякое сходство с реальными событиями и людьми чисто случайно.
00:01:42Субтитры создавал DimaTorzok
00:01:47Субтитры создавал DimaTorzok
00:01:51Субтитры создавал DimaTorzok
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00:02:03Субтитры создавал DimaTorzok
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00:02:20Субтитры создавал DimaTorzok
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00:02:26Субтитры создавал DimaTorzok
00:02:27Субтитры создавал DimaTorzok
00:02:32Субтитры создавал DimaTorzok
00:02:35Субтитры создавал DimaTorzok
00:02:45Привет!
00:02:46Привет!
00:02:47Привет!
00:02:56Что? Что-нибудь не так?
00:03:00Да нет, нет, всё в порядке
00:03:04Оставила тебе ужин
00:03:06Всё разогрело
00:03:07Сейчас, сейчас иду
00:03:45Субтитры создавал DimaTorzok
00:03:46И вот это
00:04:01Пожалуйста
00:04:06Что?
00:04:07Новую рукопись тебе дали
00:04:09отредактировать?
00:04:11И я слышала, что
00:04:13Бемберг
00:04:13будет опять выступать
00:04:14по телевидению
00:04:15он настоящий роксгенне
00:04:17What are you doing with him?
00:04:23I saw him yesterday.
00:04:26He's going to write romances?
00:04:34Where is the signora in the jacket?
00:04:39I saw him.
00:04:46He passed away.
00:04:50He passed away.
00:05:02He passed away.
00:05:22Bemberg, do you want to be more precise, please?
00:05:25I said that in a society show, there is only a form.
00:05:29You know, the tendency is the mimesi.
00:05:31You look at Arbasino and Orietta Berti.
00:05:34I'm going to be curious.
00:05:35Your famous cattiveria is a calculation.
00:05:37It's better the cattiveria of the noia of Dallas.
00:05:40It's a question of the state of the conduct of the state.
00:05:43And then it's also a question of the calcio-scommence.
00:05:45And who did it?
00:05:46I don't see you working with someone like Bemberg.
00:05:49But Arbasino doesn't come to heaven, I'm sordo.
00:05:51And love?
00:05:53Love?
00:05:54Yes, love.
00:05:56A deprimente process of reproduction biological.
00:06:00Bemberg, she said that the mode is distorted in the brodo of the postmodernism.
00:06:04Berselprust...
00:06:05Cosa è uno strano profumo?
00:06:08La ringrazio e molti auguri.
00:06:37Berselprat...
00:07:06It's all full of congruence.
00:07:13It's all full of congruence.
00:07:53It's all full of congruence.
00:08:05It's all full of congruence.
00:09:03It's all full of congruence.
00:09:14It's all full of congruence.
00:09:31What's your name?
00:09:40It's all full of congruence.
00:10:17What's your name?
00:10:19What's your name?
00:10:52What's your name?
00:11:02What's your name?
00:11:17What's your name?
00:11:41What's your name?
00:11:46What's your name?
00:11:54What's your name?
00:12:01What's your name?
00:12:02What's your name?
00:12:04What's your name?
00:12:09What's your name?
00:12:13What's your name?
00:12:17What's your name?
00:12:22What's your name?
00:12:26What's your name?
00:12:27What's your name?
00:12:30What's your name?
00:12:31What's your name?
00:12:34What's your name?
00:12:35What's your name?
00:12:39What's your name?
00:12:40What's your name?
00:12:58What's your name?
00:13:00What's your name?
00:13:07What's your name?
00:13:13What's your name?
00:13:14Who is she?
00:13:18I don't know.
00:13:20I've seen her twice.
00:13:24It's a little absurd story.
00:13:30But she's so beautiful.
00:13:32And she's like all the other.
00:13:34She's so weird.
00:13:35What do you think?
00:13:38What do you think?
00:13:39Hey!
00:13:40I'm sorry, I'm not sleeping.
00:13:43I'm sorry.
00:13:47I'm sorry.
00:13:49I'm sorry.
00:13:50You're not sleeping.
00:13:52You're not sleeping.
00:13:53I'm sorry.
00:13:58You're not sleeping.
00:14:02Ah, yes.
00:14:03You're the friend of Stefan.
00:14:08I'm sorry.
00:14:10I'm sorry.
00:14:12I'm sorry.
00:14:13You were in the evening.
00:14:15Yeah, we'll see you next time.
00:14:18I'm sorry.
00:14:19Okay.
00:14:20Let's go.
00:14:53I'm a writer, Emileo.
00:14:55I'm a writer, Emileo.
00:14:56Emileo, we were already introduced to each other.
00:14:59Well, since I didn't know.
00:15:01Emileo.
00:15:02Writer.
00:15:03Writer.
00:15:04Writer.
00:15:04I wrote a solo roman, 10 years ago.
00:15:08Great success in critics.
00:15:11All 70 of them are sold.
00:15:13I'm a writer, writer.
00:15:17I'm a writer, writer.
00:15:20I see journalists, scientists,
00:15:24who are the part of Rambo,
00:15:25who are the ones.
00:15:28Rambo, and they give me so much trouble.
00:15:33They are taking the trip to the trip.
00:15:36I'm a writer and those who are on all the two glasses,
00:15:38I'm a writer.
00:15:38Excuse me, do you always turn the cigarette from the side of the filter?
00:15:41Do you want to drink the cigarette with the filter?
00:15:44Only when I'm nervous.
00:15:45It's only when I'm nervous.
00:15:47I feel like if you have six boots on top and a tyrolese in your head.
00:15:56So you really don't remember?
00:16:00What do you remember?
00:16:03The bar of the theater.
00:16:04The bar of the theater.
00:16:06You fought with someone.
00:16:09I looked at the camera.
00:16:11I looked at you.
00:16:13And then on top, among all these costumes.
00:16:18There must be a success with a lot of readers.
00:16:22There must be something very overwhelming.
00:16:25Yes, exactly right.
00:16:26Something that I can't forget.
00:16:32I can't remember.
00:16:33I can't remember.
00:16:34What happened?
00:16:36What happened?
00:16:37What happened?
00:16:39The bar.
00:16:39The bar.
00:16:39The bar.
00:16:40The bar.
00:16:47It's like we were always looking around.
00:16:55Yes.
00:16:56What a beautiful thing.
00:16:57It was wonderful.
00:16:59Everything was natural.
00:17:03You were more fun when you had seven clothes
00:17:05and a tiroler's hair in the head.
00:17:07No, you can do it so hard.
00:17:10You can do it much easier.
00:17:12If you wear a tiroler's shirt or a tiroler's shirt.
00:17:14You're not so cool.
00:17:16Maybe you're right.
00:17:18Maybe.
00:17:21And here we go.
00:17:24Well, what do you say?
00:17:26Well, what do you say?
00:17:28Well.
00:17:30Come on.
00:17:32More beautiful.
00:17:36The hand on the side.
00:17:40You're crazy.
00:17:41You're crazy.
00:17:42All of you just go down.
00:17:51You know what in this moment?
00:17:54You are identical to Mother.
00:17:56You are identical to Mother.
00:17:59Absolutely.
00:18:00Like two gallons of water.
00:18:01This dress.
00:18:04Remember the holiday of Palazzo Farnese?
00:18:06It was a holiday in Palazzo Farnese in 1958.
00:18:10And I thought it would be a little bit better.
00:18:15A five-minute break.
00:18:22You already understood, what I like to do, right?
00:18:29Beautiful, right?
00:18:31Yes.
00:18:31Dai, provalo.
00:18:35No, pamiri.
00:18:52Pronti per girare?
00:18:55Ettore.
00:18:56Tak, prigatovelis. Ettore.
00:18:59Uno. Due.
00:19:00Motore. Partito.
00:19:03Vai col carrello.
00:19:04Adesso girati, Giulia.
00:19:06Davai, davai. Poverci, Giulia.
00:19:08Ma non è morbido. Stop.
00:19:10Benissimo.
00:19:11Chi mi prende il gatto?
00:19:13Vengo qui.
00:19:13Sei stupendo.
00:19:17Allora, buongiorno.
00:19:23Buongiorno.
00:19:24È andata bene?
00:19:24E con la Giulia si va sempre sul sicuro.
00:19:30Emiliio!
00:19:31E con Giulia sempre tutto va bene.
00:19:33Emiliio!
00:19:35Come tu nasce?
00:19:36No, come tu telefono?
00:19:39Non è un telefono.
00:19:40È un bravissimo personale.
00:19:41È un bravissimo personale.
00:19:41No, non è un ucciso.
00:19:43Ciao!
00:19:43Ah, tu stupendo?
00:19:45Non è un bravissimo personale.
00:19:47Non è un bravissimo personale.
00:19:48Non è un bravissimo personale.
00:19:52E con la Giulia?
00:19:53È un bravissimo personale.
00:19:57Non è un bravissimo personale.
00:19:57In due.
00:20:15Non è un bravissimo personale.
00:20:19Non è un bravissimo personale.
00:20:21Non è un bravissimo personale.
00:20:24Come on.
00:20:26Come on.
00:20:28I'm so hungry.
00:20:30I'll tell you something and then they won't go anymore.
00:20:34These ugly conversations.
00:20:39This is my home.
00:20:42I'm a friend of the artist who lived during the funeral.
00:20:45Do you like it?
00:20:47Hold on a second.
00:20:54Hold on a second.
00:21:10Hold on a second.
00:21:13I showed you something.
00:21:14Do not look.
00:21:15Do not look.
00:21:17Do not look.
00:21:22I have a new name.
00:21:24How are you?
00:21:25How are you?
00:21:27Well, I'm happy.
00:21:29I'm happy.
00:21:32But I'm so tired.
00:21:34First of all, I'm always good.
00:21:36Maybe because in this city...
00:21:38I always need to be in good mood.
00:21:41But when I first came to Rima,
00:21:45it seemed possible.
00:21:46Or I gave you everything that you expected.
00:21:49How are you?
00:21:54I don't understand why I came to tell you about these things.
00:21:57I don't understand why I tell you all this.
00:22:00Is it sad?
00:22:01No, on the other hand.
00:22:02It's nice that you tell me about yourself.
00:22:05We don't know so much each other.
00:22:12I think you're not supposed to talk anymore.
00:22:15I don't want to talk anymore.
00:22:17You don't want to listen to me, I know.
00:22:19I don't want to stay here.
00:22:20Are we going?
00:22:21Let's go somewhere else.
00:22:22I don't want to stay here.
00:22:26Now...
00:22:26Julia!
00:22:30Julia, where are you?
00:22:32Julia, where are you?
00:22:33Julia!
00:22:39Julia!
00:22:59Julia!
00:23:04Julia!
00:23:06Julia!
00:23:15Julia!
00:23:15Julia!
00:23:19Julia!
00:23:20Julia!
00:23:22Julia!
00:23:24Julia!
00:23:27Julia!
00:23:27Julia!
00:23:36Julia!
00:23:36Is it not to go there?
00:23:38No, of course!
00:23:43Oh, I'm sorry for you, Ma.
00:23:45Yes, you're right. I'm not in the form. I'm sorry.
00:23:52You saw Julia again? Yes. Why do you ask?
00:23:58Because I won't play too much.
00:24:02You understand? It's like in the restaurant. He ate and left.
00:24:07And you, I think, are not in her taste.
00:24:09You think?
00:24:10You understand? If she's finished, it's finished. And it's quickly.
00:24:17I'm sorry.
00:24:21I'm sorry.
00:24:26I'm sorry.
00:24:28I'm sorry.
00:24:28I'm sorry.
00:24:30I'm sorry.
00:24:36I'm sorry.
00:24:37We're right.
00:24:38How much time did we go?
00:24:40I told you, I've got no.
00:24:44I only had a drink.
00:24:45Why didn't you talk to me with your speech?
00:24:48I thought I'd love it?
00:24:50How much time did we go?
00:24:52How much time did we go to eat?
00:24:53I haven't eaten with the drink.
00:24:54If we have money, we can have an alien.
00:25:11Hello, hello!
00:25:14Hello!
00:25:16Hello!
00:25:18Oh, my God!
00:25:43Place!
00:25:43You're a mess.
00:25:44Come on!
00:25:45It's a mess...
00:25:50I'm sure!
00:25:52I swear!
00:25:54I would have to do it!
00:25:55I swear to God, you're my honor!
00:25:55That's not my fault!
00:25:55Let's do it!
00:26:06Yes, sir.
00:26:08Come on.
00:26:09Come on.
00:26:11Come on.
00:26:13Come on.
00:26:18Let's go.
00:26:45Let's go!
00:26:48Let's go!
00:26:48Now it's enough!
00:26:50This game makes me afraid!
00:26:52All right, enough!
00:26:53I'm afraid of these games!
00:26:57Let's go!
00:27:23Let's go!
00:27:33Let's go!
00:27:39Let's go!
00:27:41Let's go!
00:27:47Let's go!
00:27:50Let's go!
00:27:52Let's go!
00:27:52Let's go!
00:27:53Let's go!
00:27:54Let's go!
00:27:57Let's go!
00:28:03Let's go!
00:28:25Let's go!
00:28:28Let's go!
00:28:42Let's go!
00:28:53Let's go!
00:28:56Let's go!
00:28:58Let's go!
00:29:00Let's go!
00:29:01Let's go!
00:29:07Let's go!
00:29:08Let's go!
00:29:09I don't have anything to do.
00:29:13Well, if you want, I can leave.
00:29:52I don't want to hear you anymore.
00:29:54I don't want to hear you anymore.
00:29:55Let me go!
00:29:55I have to leave it there.
00:29:56It hurts.
00:29:57It hurts, let me let you in safe place.
00:30:00It hurts, let me stay.
00:30:01Why do you all this?
00:30:05It is funny!
00:30:08What do you want to say?
00:30:09What do you want to say?
00:30:12What do you want to say?
00:30:13What do you want to say?
00:30:14That I was always different like that
00:30:16I was always different
00:30:20But...
00:30:21I think I found myself
00:30:23What do you need?
00:30:26Everything
00:30:27You won't be able to live my life
00:30:29I'm not going to be able to live for you
00:30:30I don't support you anymore
00:30:34You don't need to take a break
00:30:38You want to live in this house
00:30:43You are trapped in this house
00:30:54You are a chair
00:30:55You are not going to stay in a chair
00:30:59Good night
00:31:00Good night
00:31:01Good night
00:31:01You remain in the room
00:31:01Good day
00:31:09You're a piece of shit.
00:31:11You're a piece of shit.
00:31:13You're a piece of shit.
00:31:29All this?
00:31:31All this.
00:31:35It's better than what I wrote.
00:31:39It depends on the point of view.
00:31:56It depends on the point of view.
00:31:58It depends on the point of view.
00:32:01It depends on the point of view.
00:32:26It depends on the point of view.
00:32:27It depends on the view.
00:32:29It depends on the view.
00:32:54The view is correct.
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