- 8 hours ago
Shockproof (1949) Full Movie ｜ Cornel Wilde, Patricia Knight [Full Movie] [Trending Drama]Full EP - Full
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Short filmTranscript
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00:02:56SIT DOWN
00:03:00NOW THEN
00:03:01YOU UNDERSTAND
00:03:02YOU'RE NOT
00:03:02PERMITTED TO DRIVE A CAR
00:03:03YOU'RE NOT
00:03:03PERMITTED TO DRINK
00:03:04ALCOHOLIC BEVERAGE
00:03:05YOU MAY NOT
00:03:06BORROW MONEY
00:03:07YOU MAY NOT
00:03:07CARRY A WEAPON
00:03:08YOU MAY PURCHASES
00:03:10CLOTHES AND FOOD
00:03:10BUT NEVER ON CREDIT
00:03:11ALL PURCHASES
00:03:12MUST BE FOR CASH
00:03:13DID YOU READ THIS?
00:03:14I'VE GOT IT MEMORIZED
00:03:16OUR OBJECTIVE
00:03:17IS THE REHABILITATION
00:03:18OF THE CRIMINAL
00:03:19WE'LL HELP YOU
00:03:20IN EVERY WAY WE CAN
00:03:20BUT IT'S UP TO YOU
00:03:21I'LL GET YOU A JOB
00:03:22AND A PLACE TO LIVE
00:03:23YOU CANNOT LEAVE THAT JOB
00:03:25YOU CANNOT CHANGE
00:03:26CAN I CHANGE MY EMPLOYMENT
00:03:27OR MY PLACE OF RESIDENCE
00:03:28WITHOUT FIRST
00:03:28OBTAINING THE PERMISSION
00:03:29OF THE BUREAU OF PAROLES
00:03:31YOU HAVE GOT IT MEMORIZED
00:03:34YOU MAY NOT ENTER
00:03:34INTO ANY CONTRACT
00:03:35WITHOUT THE CONSENT
00:03:36OF YOUR PAROLE OFFICER
00:03:37THAT'S ME
00:03:38YOU MAY NOT MARRY
00:03:40AND YOU'VE GOT TO CHANGE
00:03:41YOUR BRAND OF MAN
00:03:43WHO PICKS THEM FOR ME?
00:03:44YOU?
00:03:45DON'T WORRY
00:03:46YOU WON'T HAVE ANY TROUBLE
00:03:46FINDING NEW FRIENDS
00:03:48BUT BE SURE THEY'RE
00:03:49FRIENDS THIS TIME
00:03:51ON SOME OF THESE MATTERS
00:03:52WHEN CONDITIONS
00:03:52JUSTIFY IT
00:03:53AN EXCEPTION CAN BE MADE
00:03:54BY SPECIAL PERMISSION
00:03:55OF THE CHIEF PAROLE OFFICER
00:03:56HOWEVER NO EXCEPTION
00:03:57CAN BE MADE TO THE RULE
00:03:58OF NOT CARRYING A DEADLY WEAPON
00:04:00OR TO THE RULE
00:04:01OF NOT MARRYING
00:04:01THESE ARE BEYOND
00:04:02OUR POWER TO SANCTION
00:04:03YOU'VE GOT IT
00:04:04ALL MEMORIZED TOO
00:04:05HAVEN'T YOU?
00:04:06OH I SAY IT AT LEAST
00:04:07ONCE A DAY
00:04:08YOU CAN SAVE IT
00:04:09I KNOW IT ALL
00:04:10I CAN'T HELP THAT
00:04:12YOU'RE ON LIFE PAROLE
00:04:14OH HELLO SAM
00:04:16THIS IS UH
00:04:17JENNY MARSH
00:04:19I THINK MR. BROOKS
00:04:20OUR CHIEF PAROLE OFFICER
00:04:21HOW DO YOU DO
00:04:23GLAD TO BE OUT EH?
00:04:26YES SIR
00:04:31NOW THEN YOU'RE ON LIFE PAROLE
00:04:33THAT MEANS YOU REPORT TO ME
00:04:34EVERY DAY
00:04:35EVERY DAY?
00:04:36THAT'S IT
00:04:37LATER IT WILL BE
00:04:38TWICE A WEEK
00:04:38THEN ONCE A WEEK
00:04:39HOW LONG DOES THAT GO ON?
00:04:40WELL IF YOU BEHAVE
00:04:41YOU CAN GET YOUR LEAST
00:04:42IN A COUPLE OF YEARS
00:04:46REMEMBER HIM?
00:04:49IF I TRY HARD ENOUGH?
00:04:50WELL TRY HARD TO FORGET
00:04:52HE'S DEAD
00:04:54I MEAN DEAD AS FAR AS
00:04:55YOU'RE CONCERNED
00:04:56HE'S GOT A BAD REPUTATION
00:04:59OH
00:05:02YES SIR
00:05:02NOW LISTEN
00:05:03THIS IS IMPORTANT IN YOUR CASE
00:05:05YOU MAY NOT ASSOCIATE WITH
00:05:07OR CORRESPOND WITH
00:05:07OR MAKE ANY CONTACT WITH
00:05:09ANY INDIVIDUAL OF
00:05:10KNOWN BAD REPUTATION
00:05:11OR ANY PRESENT A FORMER INMATE
00:05:13OF A PENAL INSTITUTION
00:05:13I KNOW ALL ABOUT HER
00:05:15YOU DON'T HAVE TO TELL ME
00:05:16HE'S NEVER LANDED IN THE PEN
00:05:17BUT HE'S COME CLOSE A DOZEN TIMES
00:05:19NOW I'M TELLING YOU
00:05:20HE'S THE WRONG SORT FOR YOU
00:05:21MY ORDERS ARE TO STAY AWAY
00:05:23DISOBEYING MY ORDERS
00:05:24MEANS YOU BREAK PAROLE
00:05:25BREAKING PAROLEMEN
00:05:26YOU GO BACK TO JAIL
00:05:27IS THAT CLEAR?
00:05:29YES SIR
00:05:33NOW YOU SEE
00:05:34I'M THE TEACHER
00:05:35YOU'RE THE PUPL
00:05:36SURE
00:05:37I'M THE ONE WHO GETS SPANKED
00:05:39NOT IN THE MODERN EDUCATIONAL SYSTEM
00:05:41THEY DON'T SPANK KIDS ANYMORE
00:05:43THEY JUST SEND THEM TO JAIL
00:05:45NOW LOOK
00:05:46TAKE A LITTLE ADVICE
00:05:47I THINK YOU'D BE BETTER OFF
00:05:49DROPPING THIS BITTERNESS
00:05:49AND FORGETTING THE PAST
00:05:51YOU'LL GET OVER IT
00:05:52IF YOU GET THE BREAKS
00:05:53AND I'M HERE TO SEE THAT YOU GET THEM
00:05:55YOU GOT CIGARETES?
00:05:58DO I HAVE TO CHANGE MY BRAND OF CIGARETES TOO?
00:06:01ALL RIGHT LET'S GO
00:06:02GO?
00:06:03YEAH I'LL GET YOU A PLACE TO LIVE NOT FAR FROM YOU
00:06:14RADIO DOESN'T WORK
00:06:15BUT IT CAN BE FIXED
00:06:17THE ROOM HAS MORNING SUN
00:06:19YOU LIKE IT?
00:06:20SIX DOLLARS A WEEK
00:06:21YEAH SHE LIKES IT
00:06:23I PAY THE FIRST WEEK'S RENT IN ADVANCE
00:06:25YOU PAY ME BACK OUT OF YOUR FIRST WEEK'S SALARY
00:06:28BATHROOM'S DOWN THE HALL
00:06:29TWO DOORS TO THE RIGHT
00:06:33FIRST WEEK'S SALARY?
00:06:34FROM WHAT?
00:06:35OH
00:06:35NOW YOU'VE GOT A JOB
00:06:37OH
00:06:38REPORT THERE IN THE MORNING
00:06:40YOU GET $21 A WEEK
00:06:41ASK FOR MR. LOGAN
00:06:42HE EXPECTS YOU
00:06:43THAT LANDLADY
00:06:44MS. TERENCE?
00:06:45YES
00:06:45DOES SHE KNOW ABOUT ME?
00:06:47DON'T WORRY
00:06:48SHE WON'T SPY ON YOU
00:06:49UH
00:06:50YOU GOT MONEY FOR LUNCH AND DINNER?
00:06:51YES SIR
00:06:53OKAY
00:06:53I'LL DROP BY THE OFFICE
00:06:54AND SEE HOW YOU'RE GETTING ON
00:07:00WELL
00:07:01LOTS OF LIFE CHANGING
00:07:02TAKE IT EASY
00:07:13JUST A MOMENT
00:07:15YOU CAN'T SEE JENNY MARSH
00:07:17I DON'T THINK I KNOW YOU
00:07:18I'M JENNY MARSH'S PAROLE OFFICER
00:07:20IF SHE SEES YOU
00:07:21SHE BREAKS PAROLE
00:07:22I SEE
00:07:23SO THAT'S THE WAY IT IS
00:07:24THAT'S THE WAY IT IS
00:07:25NOW GET GOING
00:07:26HARRY
00:07:27JENNY
00:07:28HOW DID YOU LEARN THIS ADDRESS?
00:07:29WHAT RIGHT OF YOU TO QUESTION ME?
00:07:31I MEANT WHAT I SAID
00:07:31ABOUT NOT SEEING HIM
00:07:32IT'S A VIOLATION OF YOUR PAROLE
00:07:34NOW RUN ALONG WESSEN
00:07:35AND STAY AWAY
00:07:35YOU CAN'T TELL ME WHAT TO DO
00:07:36I CAN DO WHAT I LIKE
00:07:37AND GO WHERE I LIKE
00:07:38AND SEE ANY WOMAN I HAPPEN TO LIKE
00:07:40YOU HAVE NO AUTHORITY OVER ME
00:07:43I HAVE AUTHORITY OVER YOU
00:07:45TELL HIM TO GO
00:07:48PLEASE HARRY
00:07:49GO
00:07:51ALL RIGHT JENNY
00:08:07HOW DID HE KNOW WHERE TO FIND YOU?
00:08:09I DON'T KNOW
00:08:11WELL WHAT AM I SUPPOSED TO DO?
00:08:12HIDE?
00:08:13YOU BETTER WATCH YOUR STEP
00:08:13MISS MARSH
00:08:15ALL RIGHT
00:08:17I'LL STAY AWAY FROM HIM
00:08:18BUT YOU'VE GOT TO HELP ME
00:08:20CAN YOU GET ME A ROOM IN A JOB
00:08:22WHERE HE CAN'T FIND ME?
00:08:23MAYBE
00:08:24REPORT IN THE MORNING
00:08:37COULDN'T MONTY HAVE MET US
00:08:38SOMEWHERE ELSE?
00:08:39BUT HE NEVER LEAVES HERE
00:08:41HE LIVES HERE
00:08:41EATS HERE
00:08:42SLEEPS HERE
00:08:42BUT HARRY
00:08:44I'M NOT SUPPOSED TO GO
00:08:45INTO A PLACE LIKE THIS
00:08:46I WISH HE COULD HAVE MET US OUTSIDE
00:08:48IT WON'T TAKE LONG
00:08:49COME ON
00:08:59A PLACE LIKE THIS
00:09:02THEN'RE
00:09:02JENN
00:09:03IS
00:09:06FIGHT
00:09:06OF EVERYTHING THANKS
00:09:08MONTY I FEEL
00:09:09FINE WHAT'S THIS
00:09:10EMERGENCY CALL ABOUT? YOU KNOW JENNY'S
00:09:12ON PAROLE YEAH I KNOW FOR HOW
00:09:15LONG JENNY?
00:09:15THE BOOK LIFE PAROLE
00:09:17She wants to be...
00:09:30The state legislature.
00:09:31What?
00:09:32Yeah.
00:09:32They're talking about running him for assemblyman in the 84th district.
00:09:36They can run him for president, as far as I'm concerned.
00:09:38Look, what are the possibilities of a transfer for Jenny?
00:09:42Tough.
00:09:44Too difficult for you, Marty.
00:09:46Unless the price isn't right.
00:09:48Well, sit down.
00:09:57If the parole board in San Francisco lands her a job in a room,
00:10:01Los Angeles gives her the green light.
00:10:03Sounds simple.
00:10:04It isn't.
00:10:06First, I got to plant a family up there.
00:10:08They asked for her to be transferred.
00:10:10$5,000 for the whole show.
00:10:13Okay. When?
00:10:15As of now, you have cousins in San Francisco.
00:10:18First cousins.
00:10:20Called, uh...
00:10:21Harris.
00:10:25Yeah?
00:10:25Can you come in for a minute, Griff?
00:10:27Be right in.
00:10:38Griff, uh...
00:10:39How's Jenny Marsh coming along?
00:10:40Jenny Marsh?
00:10:41Okay.
00:10:42What's she doing?
00:10:43Oh, she's going after a job on her own.
00:10:44Bookkeeping job.
00:10:45Fomy bought it a few hours ago.
00:10:47That girl's going places.
00:10:48She sure is.
00:10:51Right back to prison.
00:10:52Today.
00:10:53What do you mean?
00:10:54What happened?
00:10:55She was picked up in a bookie raid.
00:10:58A bookkeeping job.
00:10:59Joe Wilson was picked up, too.
00:11:01Joe Wilson?
00:11:02Another one of your pupils.
00:11:04Where are they now?
00:11:06Next door.
00:11:11Mr. Ratt, don't let him send me back.
00:11:13You're out of luck, Joe.
00:11:14You mean 20 years?
00:11:15I can't take it.
00:11:16Give me another chance.
00:11:17Please.
00:11:18I promise this time.
00:11:19You've been paroled twice.
00:11:20This is your third violation.
00:11:22When I'm through covering up for you.
00:11:26Take him to headquarters.
00:11:2720 years.
00:11:3020 years.
00:11:3120 years.
00:11:32Go on.
00:11:38Come on!
00:12:06You're Wilson's stuff.
00:12:07Mm-hmm.
00:12:08They've taken him to the hospital.
00:12:10But he won't live.
00:12:12All right.
00:12:14What did the girl have to say?
00:12:15I don't know. I haven't talked to her yet.
00:12:17She's still in there. Sprained her ankle.
00:12:19Excuse me.
00:12:32What have you got to say for yourself?
00:12:34Look, I feel it's all my fault. That's why I came along.
00:12:36Now, you're a fool, Wesson.
00:12:36You know those places rated for parole violators?
00:12:39Why'd you take her there?
00:12:40Did you get hurt?
00:12:41I sprained my ankle.
00:12:42Officer.
00:12:43Yes, sir.
00:12:44Take her down to Dr. Daniels.
00:12:45You wait here.
00:12:46Dr. Daniels?
00:12:46You heard me.
00:12:49This way, miss.
00:13:00Hello.
00:13:01Give me Dr. Daniels, please.
00:13:05Hello, Doc.
00:13:06This is Griff Marrett.
00:13:08I'm sending a girl named Jenny Marsh down to your office.
00:13:12Yeah, she's got a sprained ankle.
00:13:15See what you can find out, will you?
00:13:16How old is she, Griff?
00:13:19What does she look like?
00:13:23Blonde.
00:13:25Delicate features.
00:13:28Brown eyes.
00:13:31I see.
00:13:32Well, she just saw a man jump off the balcony.
00:13:35Pretty shaky and upset.
00:13:38Well, it'll be easy to work on.
00:13:39Okay.
00:13:55Okay for sound?
00:13:57Echo.
00:13:58Okay for sound?
00:13:59Yeah, okay.
00:14:00Here.
00:14:01Now, play it cagey, Doc.
00:14:02This one's smart.
00:14:02What are you trying to prove?
00:14:04I'm not sure yet.
00:14:05Maybe that the girl is character.
00:14:06They all have when they're caught.
00:14:07Never should have been parole.
00:14:08Shh.
00:14:09Over here.
00:14:10Can you make it?
00:14:11I think so.
00:14:13Make it easy.
00:14:14It's her ankle, Doc.
00:14:17I'll be right outside.
00:14:19Take off your stocking.
00:14:23Oh, soul.
00:14:29I feel sick.
00:14:30Really hate that bed?
00:14:35I just saw a man jump off the balcony.
00:14:38What did he do that for?
00:14:39Well, they were sending him back for good.
00:14:45I guess if I had the nerve, I'd do the same thing.
00:14:48No, you wouldn't.
00:14:51You wouldn't.
00:14:53Well, you know, you remind me of my daughter.
00:14:56You even look like her.
00:14:57Why?
00:14:58Because we're both female.
00:15:00That's about the only resemblance between her and me.
00:15:02Is your mother still living?
00:15:04Your mother?
00:15:05Yes.
00:15:06How long were you in prison?
00:15:08Five years.
00:15:10Five years.
00:15:12Must have broken her heart.
00:15:14She's still in the hospital, in the alcoholic ward.
00:15:17And your father?
00:15:18He was no good.
00:15:19I guess like father, like daughter.
00:15:21It's heredity.
00:15:22It's environment.
00:15:23It's a joke.
00:15:25There were nine of us.
00:15:26I was the oldest.
00:15:28Blew their noses for him.
00:15:29Scrubbed him.
00:15:30Doctored him.
00:15:30Everybody living in the one room.
00:15:33A swill pile.
00:15:33That's what it was.
00:15:35Where'd you get hurt?
00:15:36In a raid on a bookie joint.
00:15:39I broke parole.
00:15:40That means I'm going back.
00:15:42Don't you think you were pretty silly to go to a bookie joint when you were out on parole?
00:15:46I went with a friend who had business there.
00:15:48Fine friend.
00:15:49Got you in a big jam.
00:15:51He's the one who didn't forget me when they sent me to prison.
00:15:55Love him?
00:15:56He waited five years for me.
00:15:59For me.
00:16:00A man with a college education.
00:16:02Nice manners.
00:16:03Money.
00:16:04Everything I never had in a man before.
00:16:06Put that in your test tube, Doc.
00:16:08And what do you see?
00:16:09What does he do?
00:16:10Gambles.
00:16:11In a refined sort of way.
00:16:16Feels better now.
00:16:17It'll be all right in a day or two.
00:16:20Officer.
00:16:21Yes, Doc.
00:16:22You can take her back now.
00:16:23Okay.
00:16:24Oh, Doc.
00:16:25I...
00:16:25I just bought this outfit.
00:16:27If your daughter wears a size 12, she can have it.
00:16:30I guess I won't be needing it anymore.
00:16:36My feeling is that she's sensitive, confused and angry.
00:16:40But Griff's right.
00:16:41I don't think Jenny Marsh is an habitual criminal.
00:16:44Well, then you think she's straightened that okay, Doc.
00:16:46I mean, if somebody gave her a break.
00:16:47I think so, Griff.
00:16:49You do?
00:16:50Yes.
00:16:50I'm sure of it.
00:16:52Well, I still don't trust her.
00:16:53But go ahead.
00:16:54She's your case.
00:16:55Oh, thanks, Sam.
00:16:56You'll see.
00:16:57I'm right about it.
00:16:57Oh, I don't say she's a hardened criminal.
00:16:59What is a criminal, Sam?
00:17:01Yeah, I've often wondered.
00:17:02I see him every day, but I still don't know.
00:17:05A criminal is somebody who commits a crime.
00:17:07Griff, she's in your office.
00:17:08And Griff, throw a scare into her.
00:17:10Okay.
00:17:12Thanks, Doc.
00:17:23This will help you know the score.
00:17:2820 years later, a lifer.
00:17:31She looks 60.
00:17:32She's 40.
00:17:36Same girl, 10 years later.
00:17:37There's another one.
00:17:39I've seen enough.
00:17:41All right, you're sending me back.
00:17:42But you don't have to torture me first.
00:17:44Send me back and shut up!
00:17:50Ask Washington to come in.
00:18:00Take it easy.
00:18:06Feel better?
00:18:14Sit down.
00:18:18Maybe you've got something smart to say.
00:18:20Whatever you may think of me, Morata.
00:18:22Let's not go into that.
00:18:24Well, as I said before, it's all my fault.
00:18:27Would be unjust to make Jenny suffer from my thoughtlessness.
00:18:30Now, look here, Werson.
00:18:31I know you think you're pretty smart.
00:18:33Smarter than a dumb parole officer.
00:18:34Well, maybe you are.
00:18:36But you're up against an organization that's too big for you.
00:18:38You can't beat the whole parole set up.
00:18:39I don't intend to try.
00:18:41All right.
00:18:43If you care about Jenny as much as you seem to,
00:18:45you'll cooperate from now on,
00:18:46or it's going to be just too bad.
00:18:47What am I expected to do?
00:18:48Leave her alone.
00:18:51Has it occurred to you that you're making the conditions unnecessarily difficult?
00:18:55Jenny cares for me.
00:18:57You're setting up a situation full of hazards and temptations.
00:19:00I'm aware of that.
00:19:01But I think the hazards will be greater if she sees you.
00:19:03You'll invite her to break rules,
00:19:05because you look on rules as things that vended for suckers.
00:19:07You think the guy who gets away with things is smart.
00:19:09What if I do stay away?
00:19:11She'll start seeing me again when she's free.
00:19:13She'll be as badly off as ever, by your standards.
00:19:17Well, I'm counting on her forgetting you.
00:19:20I'm counting on her meeting some normal, decent people.
00:19:23I'm counting on her getting over a feeling of gratitude to you, of loyalty.
00:19:27You mean of love, don't you?
00:19:29She didn't get over it in five years.
00:19:31Then you can wait another couple of years.
00:19:33I'll do everything I can to get her released sooner.
00:19:36I'll give you three minutes to say goodbye.
00:19:38Then you go and you don't see her till I say so.
00:19:40Agreed?
00:19:43Have we any choice?
00:19:46Agreed?
00:19:47Okay.
00:19:49I'll be back in three minutes.
00:19:55How's your ankle, darling?
00:19:56That's all right.
00:19:58When I was leaving the doctor's office, I noticed the dictograph key was up.
00:20:00She's really...
00:20:04Darling, I'll see you tomorrow night.
00:20:06About seven.
00:20:24Hello, Jenny.
00:20:26Why, hello.
00:20:27Almost missed you.
00:20:28Where are you going?
00:20:28Oh, just to get a bite of dinner.
00:20:31Oh, great.
00:20:31Get in.
00:20:32Well, I...
00:20:33Oh, come on, get in.
00:20:34It's better than eating alone, isn't it?
00:20:36Of course.
00:20:37Thanks.
00:20:42When I laid out that six dollars for your rent,
00:20:44I thought you'd blown all your money on that first outfit.
00:20:48I didn't know you had a private gold mine.
00:20:51Like it?
00:20:52Yeah.
00:20:53I bought it today.
00:20:54Yeah, it's...
00:20:56Well...
00:20:57Harry's money?
00:20:59Yes.
00:21:00Well, I...
00:21:01I suppose there's no reason why you shouldn't use what's left of it as long as you have it.
00:21:05I looked to see if there was a rule against it, but there wasn't.
00:21:11Oh, look, if you'll just drop me at a restaurant, I'll...
00:21:13Oh, you're eating with me.
00:21:15Do you often take parolees to dinner?
00:21:17Mm-hmm.
00:21:19Are you married?
00:21:21I'm Italian, over 21.
00:21:23What do you expect?
00:21:24Well, how does Mrs. Murat feel about this sort of homework?
00:21:27She encourages it.
00:21:28You're kidding.
00:21:35Hello, Fred.
00:21:36Get in.
00:21:38You're right on time.
00:21:39Yep.
00:21:40And Jenny, this is Fred Bauer, Jenny Marsh.
00:21:42How do you do, Miss Marsh?
00:21:43How do you do?
00:21:43You didn't mention a chaperone.
00:21:45I'm not a chaperone.
00:21:46I'm a dishwasher.
00:21:47A dishwasher?
00:21:48Oh.
00:21:49At what restaurant?
00:21:50No, we're not eating in the restaurant.
00:21:52We're going to my house.
00:21:54Does Mrs. Murat expect this?
00:21:56Sure.
00:21:58I see.
00:22:07Hi.
00:22:07Hi.
00:22:08I brought Barry along for dinner, okay?
00:22:10Okay.
00:22:10Get in.
00:22:18This is Tommy.
00:22:20Cut out to Tommy, can't you, Griff?
00:22:21Oh, sorry.
00:22:22This is Mr. Thomas Murat and his friend Barry.
00:22:25This is Marsh, Mr. Barr.
00:22:26How do you do?
00:22:27Hello.
00:22:27Hi.
00:22:28Your son?
00:22:30Kid brother.
00:22:31Say, Griff, I told Barry you handle that killer in my car dozer, and he said no.
00:22:36You did, didn't you?
00:22:37Wasn't he that killer and you beat him up?
00:22:39Uh-huh.
00:22:40See?
00:22:41They give him all the killers.
00:22:42We're playing low-high next Saturday, semifinals.
00:22:45Can you come, Griff?
00:22:45Hey, why don't you sit back?
00:22:46You smell like a horse.
00:22:47Please, there's a lady present.
00:22:49Will you come, Sardi Grif?
00:22:51Sure.
00:22:51Who's gonna win?
00:22:52Oh, we'll annihilate him.
00:23:12Come on.
00:23:15Hi, Mom.
00:23:16Hi.
00:23:16Hi.
00:23:17Griff is bringing a lady and a man.
00:23:19Yes, Tommy.
00:23:19Yes, Tommy, I know.
00:23:23Come on.
00:23:25Ah, buonasera, Mamma Mia.
00:23:27Buonasera.
00:23:28Brought a couple of friends home for dinner.
00:23:30Jenny Marsh and Fred Bauer.
00:23:32I don't see Mrs. Marsh.
00:23:33You will have to take my hand, please.
00:23:35Yeah, ma'am.
00:23:35Oh, I'm sorry.
00:23:36How do you do, Mrs. Murat?
00:23:37How do you do, Mrs. Marsh?
00:23:39Hey, Barry, watch this.
00:23:40Blonde or brunette, Mom?
00:23:41Oh, brunette?
00:23:43Hey, you're wrong, Mom.
00:23:45She's never missed before.
00:23:46She can come with a voice and a handshake.
00:23:48She's blonde, Mom, and how?
00:23:50Oh, one mistake doesn't count.
00:23:52Won't you come in, Mrs. Marsh?
00:23:54I don't want to spoil your record, Mrs. Murat.
00:23:56I think I should tell you I'm really a brunette.
00:23:58Oh.
00:24:00Oh, bleach.
00:24:01Uh-huh.
00:24:02Well, why do you know?
00:24:04Well, how's it done?
00:24:06Well, what do they use?
00:24:08It's a long story.
00:24:09Gosh, it looks good.
00:24:11Doesn't it?
00:24:11Sure does.
00:24:12Go get cleaned up, boys.
00:24:14Change your shade, Tommy.
00:24:15Yeah, and hurry up.
00:24:16I'm starving.
00:24:18Hey, let me have your coat.
00:24:19Oh, thank you.
00:24:21Come on, Fred.
00:24:22You and I have work to do.
00:24:23Griff is our cook these days.
00:24:25Griff?
00:24:25Yes.
00:24:26Our part-time helper left.
00:24:28Oh, would you rather stay here?
00:24:30I'm going to the kitchen.
00:24:32Oh, I'd like to help.
00:24:34You have a nice big house here.
00:24:36It's an old house.
00:24:38Tommy was born here.
00:24:40How many of you are there living here?
00:24:42Just Griff and Tommy and me.
00:24:46No.
00:24:47No?
00:24:47Is somebody missing?
00:24:49My husband died last year.
00:24:52I miss him.
00:24:53I'm alone all day now.
00:25:07What do I do?
00:25:11If you bring me the radishes from the refrigerator, I'll fix them.
00:25:14All right.
00:25:14Then you can set the table, if you don't mind.
00:25:16Yes, sure.
00:25:35Mrs. Murat is wonderful, isn't she?
00:25:38Yes, she's terrific.
00:25:39Griff Murat has done a lot for me.
00:25:41Are you an old friend?
00:25:44I'd like you to know something, Jenny.
00:25:46Yes?
00:25:47I'm not exactly a friend of the family.
00:25:49Oh.
00:25:51I'm one of his parolees.
00:25:54Yes.
00:25:55I appreciate what he's doing, bringing me here, meeting his friends like you and his family.
00:26:00But I don't like pretending to be something I'm not.
00:26:03So I thought I'd tell you.
00:26:23What's the matter?
00:26:23I'm leaving.
00:26:25Why?
00:26:26I don't have to take this.
00:26:27I wondered what it was all about.
00:26:28Well, now I know.
00:26:29It's part of the treatment.
00:26:30To be kind to jailbird system.
00:26:32Show them a bit of home life.
00:26:34Sweet influences for sick souls.
00:26:36Well, I don't need your pity or your mother's or anybody's.
00:26:38My mother doesn't know about you or about Barr.
00:26:42And she doesn't care.
00:26:43Anybody I bring home is okay.
00:26:45And that story about being married, what was that for?
00:26:48Afraid I might make a pass at you?
00:26:49I always say that.
00:26:50To the female parolees.
00:26:52Sure.
00:26:52If I'm asked, why not?
00:26:53You didn't have to.
00:26:54Believe me, it wasn't necessary.
00:26:56I didn't think it was.
00:26:57It's a regular procedure of the office.
00:26:58Regulation 86B.
00:27:00Then they'd better fix the regulation.
00:27:02Makes a liar out of you.
00:27:04And a liar's a bad example for the weak characters you deal with.
00:27:09Jenny, please try to get that chip off your shoulder.
00:27:11Come on, let's stop kidding each other.
00:27:13I want to talk straight to you.
00:27:16You're different, Jenny.
00:27:19You have a promising life ahead of you, if you'll...
00:27:21I know.
00:27:22If I keep away from Harry Wesson.
00:27:24Well, why can't you?
00:27:26It isn't complicated.
00:27:28How would you feel if somebody'd waited five years just for you?
00:27:31Are you sure he did?
00:27:32Yes.
00:27:33He's the only man who was ever really kind to me.
00:27:36He was.
00:27:37Patient and kind.
00:27:39Taught me what fork to use.
00:27:41How to dress correctly.
00:27:42How to speak correctly.
00:27:44Everything but how to think correctly.
00:27:47You'd do a great deal for Harry Wesson, wouldn't you?
00:27:50Yes.
00:27:51I'd do anything for him.
00:27:52You did.
00:27:53You even killed for him.
00:27:56That's right.
00:27:58I did.
00:28:03Thank you, sir.
00:28:06Oh, Griff.
00:28:07Yeah?
00:28:07What about Jenny Marsh?
00:28:09What about her?
00:28:10You've been trying to land her a job for more than a week.
00:28:12I checked.
00:28:13Four employers turned her down flat as soon as they learned she was a violator.
00:28:16Yeah, well, she's got a job.
00:28:18No kidding.
00:28:18I had to find her one where Harry Wesson couldn't get to her.
00:28:21I found it.
00:28:22She lives where she works.
00:28:23Eats there, sleeps there.
00:28:24She gets a hundred a month, one day off a week.
00:28:26She reports to me every day.
00:28:28What's the job?
00:28:29Taking care of a blind woman.
00:28:31Oh.
00:28:34Take it easy.
00:28:40Hi.
00:28:41Home already?
00:28:42Have a good workout?
00:28:43Yeah.
00:28:44Where's everybody?
00:28:45Mom went to bed.
00:28:46She's tired.
00:28:47Jenny's somewhere.
00:28:48Oh.
00:28:49Okay, maestro.
00:28:58Oh, hello.
00:29:01Hello.
00:29:02I thought this was your night at the Y.
00:29:04Well, I was there.
00:29:05Uh, phoning somebody?
00:29:07I phoned to see what time a movie went on.
00:29:08Your mother said she wouldn't need me.
00:29:10Oh.
00:29:11Why?
00:29:12Did you think I was calling Harry Wesson?
00:29:13I didn't think you were.
00:29:15I was just...
00:29:15Is that why you got me this job here, so you could spy on me?
00:29:17I'm not spying on you, Jenny.
00:29:19It's my job to check on you.
00:29:20You're making it more than that because of Harry.
00:29:22That's not true.
00:29:23Isn't it?
00:29:25Okay, I admit that.
00:29:26Because he loves me and wants to be with me.
00:29:28What's wrong with that?
00:29:29He doesn't love anybody but himself.
00:29:30He's done everything for me.
00:29:31He gives you things with money he never earned.
00:29:33Without denying himself anything.
00:29:35You don't know what love is.
00:29:37And you, teacher, do you know?
00:29:40Well, not from experience, but...
00:29:43Well, I've imagined it differently.
00:29:46When you fall in love, really in love, I think you'd know it for sure.
00:29:50A man would feel for the first time how wonderful life could be when he has someone to share it
00:29:55with.
00:29:56And he'd want to give her the good things of life, not just the trimmings.
00:30:00Friends, home, children.
00:30:02And you'd think of her before himself in everything.
00:30:05Her welfare, her future, her happiness.
00:30:08And if she loved him, he'd be rich.
00:30:13Most men don't think like that.
00:30:15You only know Harry Wesson.
00:30:18I'm sorry, Tanya.
00:30:20I don't want to hurt you.
00:30:25I know that, Griff.
00:30:28Hey, what time does that movie go on?
00:30:308.24.
00:30:32Well, we'd better hurry.
00:30:35Griff, can I come too?
00:30:40Come on.
00:30:55Come on.
00:31:21I still don't get it.
00:31:22The guy was clear across the border.
00:31:25They'd never have caught him.
00:31:26So why'd he come back and give himself up?
00:31:28Something about human nature, Tommy.
00:31:30Happens all the time.
00:31:31Men show up and confess to crimes they committed 5, 10, 20 years ago.
00:31:35No kidding?
00:31:36Sure.
00:31:36All of a sudden they get a conscience.
00:31:38Starts to get them down and a kind of corrosion sets in.
00:31:42Anybody want some ice cream or anything?
00:31:44Ice cream?
00:31:45Silly question.
00:31:49Ice cream, Jenny?
00:31:50Yes, Griff.
00:31:51Sure.
00:32:09I'll run over to the library and change the book.
00:32:12Don't hurry.
00:32:14It's nice here.
00:32:20I can't take it much longer, Harry.
00:32:22We can't live like this.
00:32:23I know I can't.
00:32:24That's foolish.
00:32:32Please, Harry.
00:32:33It's driving me crazy.
00:32:34They're so good to me, so kind.
00:32:36I've got to get out of there.
00:32:37What's bothering you?
00:32:38What happened?
00:32:39Griff Morant's falling for me.
00:32:42No kidding.
00:32:43I've been around long enough to know the signs.
00:32:46It's no joke.
00:32:47I don't find it a bit funny.
00:32:49I suppose it had to happen living in that house together for two months.
00:32:52He even held my hand in the movies the other night.
00:32:54I parole officer acting like a...
00:32:56It's good.
00:32:56It's great.
00:32:57Encourage him.
00:32:58It'll make things easy until that transfer comes through.
00:33:00Encourage?
00:33:01I don't understand.
00:33:02Look.
00:33:03Put him in love with you, baby.
00:33:05We'll be able to handle him.
00:33:06Okay?
00:33:07Well, I...
00:33:17And this is by Ralph Waldo Emerson.
00:33:19Give all to love.
00:33:21Give all to love.
00:33:22Obey thy heart.
00:33:24Friends, kindred.
00:33:25Hey, Mom.
00:33:27Jenny.
00:33:28I wrote her a poem for school.
00:33:29Oh, could I read it to you?
00:33:31Sure.
00:33:36Little Purple Violets by Thomas Morant.
00:33:39Little Purple Violets blowing in the breeze.
00:33:42Your beautiful fragrance puts me at ease.
00:33:45Whether in a glade or in a bayou,
00:33:47their beauty and fragrance reminds me of you.
00:33:50That's beautiful, Tommy.
00:33:52It's fine.
00:33:53Jenny, I dedicated it to you.
00:33:56Oh, thank you, Tommy.
00:33:57I love it.
00:33:57Won't your girlfriend, what's her name, Mary, be jealous?
00:34:01Oh, she's just a kid.
00:34:03I see.
00:34:03Well, you better practice your piano, Tommy.
00:34:05But I like to hear Jenny read.
00:34:07Oh, you like to hear Jenny read.
00:34:08You like to help her wash dishes.
00:34:10You like to help her shout.
00:34:11And I like to hear you play the piano, Tommy.
00:34:14Do you?
00:34:14Uh-huh.
00:34:18I think he's falling in love with you, Jenny.
00:34:20I'm flattered.
00:34:22And so is Griff.
00:34:24Sometimes blindness is not a handicap.
00:34:26I know.
00:34:28And I think you know it, too, Jenny.
00:34:31But I don't think Griff knows.
00:34:34He's only a man.
00:34:36But it isn't possible.
00:34:39You know what's in your heart, Jenny.
00:34:42Do what you think is right.
00:34:49Give all to love.
00:34:51Obey thy heart.
00:35:04Griff?
00:35:05Yeah.
00:35:07Sorry I'm late.
00:35:08It's all right.
00:35:09Your dinner's ready.
00:35:14Well, where are Mom and Tommy?
00:35:15They went to the concert.
00:35:17Oh, that's right.
00:35:18I forgot.
00:35:19Anything wrong, Griff?
00:35:21Oh, if it's my hairdo, you're right.
00:35:23It's different.
00:35:24Do you like it?
00:35:25Yeah, I like it.
00:35:27Better eat your dinner.
00:35:29Shall I sit with you or are you?
00:35:30Yeah, would you?
00:35:31I hate to eat alone.
00:35:33I could have waited and had dinner with you.
00:35:35I wish I had.
00:35:38Do you, Jenny?
00:35:39Mm-hmm.
00:35:41Do you like the music?
00:35:42Yeah, fine.
00:35:44Nice music for dancing.
00:35:45I used to love to dance.
00:35:47Funny, I haven't thought about it much lately.
00:35:50Do you like dancing, Griff?
00:35:52Yeah, but I'm afraid I'm not very good at it.
00:35:56What's the matter?
00:35:58Jenny, do you have relatives in San Francisco?
00:36:01What?
00:36:02Cousins called Harris.
00:36:06Why?
00:36:07Now, this came into the office a couple of days ago, a request for a transfer to San Francisco.
00:36:12Oh.
00:36:13What do you think?
00:36:15Well, I...
00:36:16I don't know.
00:36:18I...
00:36:19Maybe I don't want to go.
00:36:22I don't think I want to be transferred.
00:36:29Why?
00:36:31Because I like my job.
00:36:32I'm glad you do.
00:36:34Because this is a phony.
00:36:36What do you mean?
00:36:37It was arranged by Harry Wesson.
00:36:39Did you know about it?
00:36:43Well, a long time ago, he did say something about trying to arrange a transfer, but I didn't know that
00:36:48he still...
00:36:48You meant what you said, Jenny, that you wouldn't have wanted to go?
00:36:51That's right, Griff.
00:36:52I don't want to go.
00:36:54You do believe me, don't you?
00:36:56Okay, Jenny.
00:36:58I believe you.
00:37:00Thanks, Griff.
00:37:00I...
00:37:02Good night.
00:37:05Good night.
00:37:41Good night.
00:38:00Hey, hey.
00:38:04Take it easy.
00:38:07Easy does it.
00:38:08Griff!
00:38:09What happened?
00:38:10It's okay, Tommy.
00:38:11She's just having a nightmare.
00:38:12You better tell Mama it's all right.
00:38:13She'll be frightened.
00:38:14Hurry up.
00:38:18It's okay.
00:38:19You're all right now.
00:38:22Feel better?
00:38:26It was awful.
00:38:28Yeah, it must have been.
00:38:29I dreamed about you.
00:38:31Oh, is that bad?
00:38:33This was.
00:38:35We were walking in a forest, and you kept getting caught in terrible steel traps.
00:38:40Oh, fine.
00:38:41And I kept warning you and warning you, but you wouldn't listen.
00:38:44Well, I hope you finally convinced me.
00:38:47Then you wouldn't let me go back.
00:38:49Back where?
00:38:50To prison.
00:38:52No, sir.
00:38:52Not a chance.
00:38:56I'm sorry I woke up the whole house.
00:38:58Well, everybody's entitled to a little nightmare down then.
00:39:01You're sweet, Griff.
00:39:05One glass of milk?
00:39:06No, I'm fine now.
00:39:07I hope I'll be able to get back to sleep.
00:39:09Oh, sure.
00:39:09You're asleep.
00:39:11You're a sweetheart, Griff.
00:39:23I love you, Jenny.
00:39:25I know I'm no great prize.
00:39:27I don't make much money, although I have hopes.
00:39:30I'm just an everyday guy.
00:39:31I don't care much about nightclubs.
00:39:33I'm not a very good dancer.
00:39:35I guess I like mostly what you might call simple things.
00:39:39I can't offer you the expensive gowns, expensive times that Harry Wesson can.
00:39:47But I do love you, Jenny.
00:39:55Will you marry me, Jenny?
00:39:58Oh, no, Griff.
00:39:59You don't know what you're saying.
00:40:01Oh, it's no good.
00:40:02It couldn't work.
00:40:03Is it still Harry Wesson?
00:40:04No, it's not that.
00:40:05It's just you don't know me, Griff.
00:40:08You deserve better than me.
00:40:09I know what I want.
00:40:11You know something?
00:40:13You're the first man who ever asked me to marry him.
00:40:16I know we can't get married right away anyhow until...
00:40:19But you could say yes now, couldn't you?
00:40:24Okay, Jenny.
00:40:25You think about it, but you know how I feel.
00:40:40Yes, sir?
00:40:41You have a ticket for me.
00:40:42Harry Wesson for Havana, flight 6-615.
00:40:44Just a moment, please.
00:40:48Harry.
00:40:49Jenny.
00:40:49I must speak to you.
00:40:50I'm so glad I caught you.
00:40:51Mr. Wesson.
00:40:52Excuse me, Morse.
00:40:53Yes, sir.
00:40:53Your ticket, sir.
00:40:54Flight 6-15.
00:40:55The limousine will leave in six minutes.
00:41:02Please don't go, Harry.
00:41:04Can't be helped.
00:41:05Then take me with you.
00:41:06What?
00:41:06I must get out of that house.
00:41:08I can't stay there.
00:41:09It's only for six weeks.
00:41:10You'll be all right.
00:41:11This is the wrong time for you to be going away for six weeks.
00:41:14Why?
00:41:14What happened?
00:41:16Griff proposed.
00:41:17He what?
00:41:18Last night.
00:41:19He wants me to marry him.
00:41:21I never dreamed he'd go that far.
00:41:24Parole's aren't allowed to marry.
00:41:26If you marry him, it means he's the one who made you break the rules.
00:41:29He didn't mean that.
00:41:30He just wants me to say yes now, and then after I'm off parole.
00:41:33If you can get him to marry you now and keep it secret, honey, it's sensational.
00:41:38What are you talking about?
00:41:39Look, he's got a blind mother and a little brother who worships him, and he needs that
00:41:45job because he's got political ambitions.
00:41:48Don't you see, Jenny?
00:41:49Once you're married to him, you can do anything, and he won't dare give you away.
00:41:54I can't do that, Harry.
00:41:56The minute that marriage license is in your pocket, Griff Morat is where he belongs, right
00:42:00behind the apron.
00:42:01I can't, Harry.
00:42:02I can't.
00:42:03I can't.
00:42:05Marty, you'll know where I am.
00:42:07The minute you're married, get out of their house and wire me.
00:42:10Right, darling.
00:42:11But, Harry.
00:42:29ORGAN PLAYS
00:42:55Good afternoon, Bureau of Paroles.
00:43:05Hello? My Emma.
00:43:09When?
00:43:09She just packed a few things and left.
00:43:12Oh, she told me, Griff, about you and herself.
00:43:15She said she couldn't live here with you and it wasn't fair to marry you, so...
00:43:20You got any idea where she went? Did she say anything to Indy?
00:43:22No, she just left, that's all.
00:43:25Oh, but Griff, there was something.
00:43:28I don't know what it is.
00:43:30It's something printed, I think.
00:43:33It seems to be a leaflet of some sort.
00:43:36It was on her bed.
00:43:53I have the list of passengers of Flight 615.
00:43:56There's Mr. Harry Duffy, Mr. Alan Waterman, J.J. Jennings...
00:44:01Jennings, a man or woman?
00:44:03That was a man.
00:44:05Mr. Harry Wesson.
00:44:06Harry Wesson?
00:44:07Yeah.
00:44:08Thought you were looking for a lady.
00:44:09Yeah, that's right. Go on, please. Any other woman?
00:44:11Well, the only other woman is, uh, Miss Mary Wilson.
00:44:16What does she look like?
00:44:18I remember her.
00:44:19She was very nervous, sort of worried.
00:44:21Yeah, what does she look like?
00:44:23Well, she had gray hair, was about 65 years old, short and stout.
00:44:26Attention, please.
00:44:28Passengers on Flight 66 for Seattle.
00:44:32Flight 56 is leaving from Gate 3.
00:44:35Flight 56 for Seattle is leaving from Gate 3.
00:44:48Jenny.
00:44:49Griff.
00:44:55Why are you running away from me?
00:44:56Because I don't know what else to do.
00:44:57Now, that's no answer.
00:44:58I'm just no good for you, Griff.
00:44:59Don't say that.
00:45:00Look, it's just something I've done.
00:45:01Oh, no, no.
00:45:01I can't explain it to you.
00:45:03But being in your house, being with you, I...
00:45:05You're gonna marry me now, today.
00:45:06Oh, no, no.
00:45:07Why?
00:45:07Don't you want to marry me?
00:45:08You do love me, Jenny, don't you?
00:45:10I thought I didn't.
00:45:10I was ready to leave, but...
00:45:11Oh, darling, it can't be.
00:45:13No, we'll manage.
00:45:13It'll be all right.
00:45:14We'll have to keep it a secret till you get your release.
00:45:16But it'll work out.
00:45:17But we'll be begging the parole.
00:45:18No, just bending it a little.
00:45:19It'll ruin you if they find out.
00:45:20Your job, your career.
00:45:21Nobody needs to know.
00:45:22We'll just tell Mom, maybe.
00:45:23That's all.
00:45:24But you do love me.
00:45:24Oh, yes, yes, yes.
00:45:26We can get a plane ride here from Las Vegas and get married.
00:45:28Parolees can't leave the state, but you'll be in the custody of a parole officer,
00:45:31so that makes it all right.
00:45:32Oh, Griff.
00:45:33Oh, Griff.
00:45:34For you two to stay apart would have been wrong.
00:45:38But we must trust nobody with this secret.
00:45:41Griffin has much to lose if it is discovered.
00:45:44His whole career.
00:45:47Hope Jenny has more to lose.
00:45:49Her whole life.
00:45:51We must all be very careful.
00:45:54Oh.
00:45:58God bless you.
00:45:59God bless you.
00:46:43Hello.
00:46:44Hello?
00:46:45Jenny?
00:46:48Yes, I'm home.
00:46:49Just got in.
00:46:51Why didn't I hear from you?
00:46:53Well, I...
00:46:54I couldn't.
00:46:55I...
00:46:56Couldn't you get him to take the lead?
00:46:58I thought you had him hooked when I left.
00:47:01What happened?
00:47:04Oh, you aren't alone. Just answer yes or no. Can you meet me?
00:47:09Well, yes, but...
00:47:11Good.
00:47:12Five o'clock, the library.
00:47:16Fine. See you.
00:47:27Good.
00:47:48Harry.
00:47:49You shouldn't have come here.
00:47:51You kept me waiting there for an hour.
00:47:53For what reason?
00:47:55Mrs. Morat isn't feeling well.
00:47:57Oh.
00:47:58But I... I...
00:47:59Yes?
00:48:00I did want to see you.
00:48:01Really?
00:48:02Because I have something to tell you, but I...
00:48:04Relax. Who are you afraid of?
00:48:06Please, Harry.
00:48:08Griff is coming home. He'll be here any minute.
00:48:11Oh.
00:48:11He must go, Harry.
00:48:13Jenny?
00:48:15Who's there?
00:48:18Is it Griff?
00:48:20Who came in?
00:48:22It's all right, Mom.
00:48:24It's just a friend of mine.
00:48:25Who's just a friend?
00:48:26Griff.
00:48:28Yes, Mom?
00:48:29Something's wrong, Griff.
00:48:32Mom.
00:48:34Go to your room.
00:48:36Please.
00:48:37Yes, Griff.
00:48:47Griff!
00:48:48You've had this coming for a long time.
00:48:52Griff, don't!
00:48:54What?
00:49:11How?
00:49:12Oh, Griff.
00:49:14Hey, hey, it's all right, it's all right.
00:49:18now look i'm the one who got the poke in the mouth oh griff i'm afraid i'm afraid oh don't
00:49:25worry honey he won't bother you again never again good afternoon bureau paroles mr morat
00:49:40hello hello mr morat yeah this is harry wesson i have something to tell you about your wife
00:49:47hello hello
00:49:54hello
00:49:56hello
00:50:01hello
00:50:03hello
00:50:03hello
00:50:34hello
00:50:36hello this is griffin morat send an ambulance right away to 3039 wilshire apartment uh 203
00:50:45now somebody shot harry wesson but he's still breathing hurry it up please
00:50:51yes
00:50:53yes
00:50:53yes
00:50:53yes
00:50:53yes
00:50:53yes
00:50:53yes
00:50:53yes
00:50:54yes
00:51:21Hello?
00:51:22Griffin Ratt again.
00:51:24I think I know who did it.
00:51:26Jenny Marsh, a parolee.
00:51:30I'll bring her in.
00:51:54Griffin.
00:51:55Yeah?
00:51:55Please come here.
00:51:56Where's Jenny?
00:52:02Jenny told me that.
00:52:03I know.
00:52:04She told me the whole thing.
00:52:05She told me what happened.
00:52:06She wanted to turn herself into the police, but I made a way for you.
00:52:10Jenny shot that man because she loved him.
00:52:11She's a liar.
00:52:12I saw a letter she wrote in.
00:52:13They used me, she in West End.
00:52:14She never loved me.
00:52:15No, no, no.
00:52:17Griff.
00:52:18Griff.
00:52:18I heard what you said, but it isn't true.
00:52:20You're a liar and you cheat.
00:52:21You're no good.
00:52:22I made a fool of myself over you.
00:52:23You would never again.
00:52:24Griff, please.
00:52:25Come on.
00:52:32Griff, you must listen.
00:52:33I don't care what happens to me, but I want you to know the truth.
00:52:36I went to Harry's apartment.
00:52:39I wanted to tell him about us.
00:52:43Oh, Jenny, come here.
00:52:45I can't stay, Harry.
00:52:46Mrs. Morat's waiting down the street.
00:52:48I had to speak to you.
00:52:50Oh, I'm sorry about what happened.
00:52:52I hope he didn't hurt you.
00:52:53But he did nothing to what I'll do to him.
00:52:56Nobody pushes me around.
00:52:57Nobody.
00:52:58Harry, you've always been very generous and very kind.
00:53:02And I know you'll understand.
00:53:03Why didn't you get in touch with me during the whole six weeks?
00:53:06Well, it was pretty difficult.
00:53:07Why'd you refuse to accept that transfer to San Francisco?
00:53:10I didn't refuse it.
00:53:11They found out it was a false transfer.
00:53:12Who told them?
00:53:13You?
00:53:14No.
00:53:17Harry, I've come to tell you something.
00:53:19You've fallen for him?
00:53:22Yes.
00:53:24All the way.
00:53:25So that's why you didn't get in touch with me.
00:53:27You just stayed here playing kissing games.
00:53:30But you couldn't get him to marry you.
00:53:32The day you left, Harry, I ran away.
00:53:33I don't really think I knew why then.
00:53:35I was just mixed up and I had to get away.
00:53:38But I know now.
00:53:41You're my friend, Harry, and I'm grateful to you.
00:53:44But I'm in love with Griff.
00:53:45In love?
00:53:49You're not in love with that fool.
00:53:51I've been happier than I ever was in my whole life.
00:53:54I didn't know I could be so happy.
00:53:56Oh, I know you'll understand.
00:53:57You've always been so sympathetic.
00:53:59I can't.
00:53:59I can't.
00:54:02Hello?
00:54:04Yes, Monty.
00:54:07What's the date?
00:54:10Thanks, Monty.
00:54:12That's all I need.
00:54:16so i've come to ask you if you'll leave me alone harry and let me try it all along i've
00:54:22had a
00:54:22hunch there was something wrong not hearing from you the way you acted at the airline office
00:54:27his house with him acting like he owned you like a husband and you didn't tell me yourself
00:54:34now i have to get marty to check the marriage license bureaus it's in the record baby in the
00:54:39record you married him the same day i left you've been in love with him all the time i guess
00:54:43i have
00:54:43been do you think i'm gonna stand still while you make a fool of yourself over that rover boy and
00:54:47then
00:54:47take you back when you come running to me again i won't be coming back harry you're so right baby
00:54:52because you're not walking out on me not for griff marath not for him not for that fool i'm sorry
00:54:58harry i didn't want it this way but that's it you think i give up this easily you think i'm
00:55:06gonna
00:55:06have people laughing at me i'll ruin him if it's the last thing i do you will not i'm just
00:55:11starting
00:55:11to see you as you really are you've always had to be the big shot the powerful one handing out
00:55:16favors
00:55:16that's why you like doing things for me you did all right i didn't know any better then you think
00:55:20you can do better with griff moran griff is decent and he's smart and he'll get places the right way
00:55:25and he showed you up every time that's why you hate him not because of me shut up jenny you
00:55:30shut up
00:55:31i'm thinking clearer these days you owe me five years harry i shot a man to save your life and
00:55:37i
00:55:37went to prison for it i didn't have sense enough then to think it was wrong that you let me
00:55:41go
00:55:42but now i consider it a debt we're even i'm through harry i'm no longer asking you to say goodbye
00:55:49i'm just saying it oh well before you say it i want you to listen to a little speech i've
00:55:57got for
00:55:57griff moran what do you mean you and i had a deal baby you were to marry him so you
00:56:03could be with me
00:56:05remember well i'm going to tell him about that he'll never believe you won't he
00:56:14i love you darling please harry harry please i'm sorry for what i said please harry you can't
00:56:20can't i watch me harry i don't blame you but excuse me while i push on to dump the office
00:56:24wall
00:56:24information give me the number of the parole division harry no no you'll break his heart
00:56:28that's the idea you catch on quick jenny harry please i'll come back to you i will just don't do
00:56:33that
00:56:33yes 2230 thank you stop that put down that phone stop being melodramatic mr marat please i said put
00:56:49down that phone would you like to speak to him yourself i'll tell him you're here hello mr marat
00:56:56this is harry wesson i have something to tell you about your wife
00:57:07that's what happened that's the truth griff
00:57:13i have no reason to lie to you now maybe i'm no good but i do love you
00:57:30why did you do that where are we going griff please why did you turn around where are you
00:57:33going they're expecting me to bring you in if i can make it to san diego and the mexican border
00:57:37before the alarm goes out i can get you across before we're missed no griff you must if you
00:57:42try to be a life sentence you haven't got a chance jenny they'll never believe you but you can't do
00:57:45this griff it means you're throwing away your job your whole career you win oh griff
00:57:50others have gotten away with it we'll be all right
00:58:03it's only 15 miles to the border but we're running out of gas
00:58:06can't we make it afraid we'll have to take a chance and stop
00:58:18fill her up please hurry yes who arrived in this country today announces that she will marry the
00:58:22american industrialist two hamburgers to go out please went on in done it yeah everything right
00:58:27harry wesson a gambler was shot this morning he named his assailant a woman called jenny marsh
00:58:34although he's still alive doctors say he has little chance to recover
00:58:38this woman who was a paroled murderess was being taken to the police by her parole officer
00:58:43when both disappeared the police believe she murdered the parole officer and is using his car
00:58:49the license number of the parole officer's car is 1-n-8-8-8-1
00:58:54hey pop one four hamburgers eight eight coming right up one now for the sports roundup
00:59:00jesse hernandez will take on art palma at new york's madison square garden
00:59:05the winner will be the logical challenger for the welterweight crown
00:59:14come on hurry up we're waiting to start
00:59:23okay
00:59:43i'm still going to try for the border
00:59:44but griff the alarm's out they'll be looking for us
00:59:47not in this car they're not going to question a honeymoon couple too closely
01:00:17i'll take a look around
01:00:20mighty nice day for it
01:00:25stolen car the crooks left the bride and groom standing at the curb
01:00:28nice way to begin a honeymoon eh
01:00:30i see this is a good one
01:00:31california license number 63w 348
01:00:50hey that won't do you any good anybody can tell from your face
01:01:18griff we'll never get out of this
01:01:19yes we will hold tight
01:01:40we've got to get rid of this car
01:01:41but then what the bus
01:01:43the bus
01:01:56is
01:02:07not in this car
01:02:22so
01:02:28Yeah, put a slug right through him.
01:02:30Some beautiful blonde, huh?
01:02:41You'd like to change the color of your hair.
01:03:00Jenny, let me in.
01:03:07Hey, looks fine.
01:03:10We've got to get out of here.
01:03:11That landlady's been asking too many questions.
01:03:13Well, maybe she's just curious.
01:03:15Well, we can't take any chances.
01:03:18Maybe I can pawn this.
01:03:20Pawn? Oh, great.
01:03:22Get enough money for a bus fare to someplace else.
01:03:29Get a nail file?
01:03:32Thanks.
01:03:34No, Griff!
01:03:35I know what I'm doing!
01:03:37The back is almost scratched up.
01:03:40Yeah, well, it had something on it I didn't like, anyway.
01:03:43Where'd you get this watch?
01:03:44It was given to me.
01:03:46I don't handle any hot goods.
01:03:47Look, I didn't steal it.
01:03:48Okay, okay. Don't get excited.
01:03:52Wait a minute.
01:03:53I want to see what the gold weighs.
01:04:05Hello, operator.
01:04:06Get me in the police.
01:04:13Hello, Sarge.
01:04:14This is Sam Green.
01:04:16There's a guy in here trying to pawn a watch.
01:04:18I'm not sure, but I think it's the guy in the paper.
01:04:21You know, the lovers.
01:04:23Well, hurry it up.
01:04:24I'm no hero.
01:04:26Okay, I'll try to stall him.
01:04:39How much do you want for this?
01:04:40Well, it must have cost 200 bucks.
01:04:42I ought to get 100.
01:04:43You're crazy.
01:04:43I might give you 25.
01:04:45Oh, give me the watch.
01:04:45Take it easy.
01:04:46Take it easy.
01:04:47I might go a little higher.
01:04:50Where'd you say you got this?
01:04:51I told you it was given to me.
01:04:53What was on the back that you scratched off?
01:04:55I'm selling you the watch as is.
01:04:57Got anything else you want to sell?
01:04:59No.
01:04:59How about the ring?
01:05:00No.
01:05:01How much?
01:05:02How much do you want?
01:05:03Look, give me 50 bucks and let's stop all this.
01:05:07Hmm, 35 is more like it.
01:05:08I don't want to sell it.
01:05:09Give me the watch.
01:05:10Get your hands up.
01:05:11Get your hands up.
01:05:12What is this?
01:05:12I recognize you the minute you came in.
01:05:15Don't try anything funny.
01:05:16The police are on their way over.
01:05:17Look, mister, you're wrong.
01:05:18I don't know what you're talking about.
01:05:20Look, you keep the watch.
01:05:21I found it.
01:05:22Just let me out of here.
01:05:23Don't move.
01:05:24Stay where you are.
01:05:25I'm warning you.
01:05:26You're this guy.
01:05:26I'm a rat.
01:05:27The guy with the murderers.
01:05:28Oh, no.
01:05:29It's a basketball trophy.
01:05:31Get out of the way.
01:05:32How much do I want for this?
01:05:33Get out of the way.
01:05:34You fool.
01:05:35Stop him.
01:05:36Stop him.
01:05:47Yeah, like I said, they can give you the book for carrying a heater.
01:05:50But a knife, even a woodcarver carries a knife.
01:05:54Get it, Jack?
01:05:56Woodcarver.
01:06:00Ain't answered me yet.
01:06:05What racket you two in?
01:06:08Badger game?
01:06:10With a smart-looking tomato like her, it'd be a cinch.
01:06:14But what's the matter?
01:06:15It's so hot, you're scared to talk?
01:06:17I ain't exactly cold myself.
01:06:20A little slug baby?
01:06:22Oh, thanks.
01:06:23I, uh, borrowed this on my last job.
01:06:2720-year-old whiskey.
01:06:30I only go for the best.
01:06:39What's tomorrow morning?
01:06:41Gang number four.
01:06:42Me?
01:06:42Buddy Smith.
01:06:44Address?
01:06:45Uh, 12-5-6-Amelita.
01:06:47Social security number?
01:06:49What's your social security number?
01:06:51Ain't you got a card?
01:06:52I, uh, I forgot it.
01:06:54I didn't bring it.
01:06:55Sorry, bud.
01:06:56Next.
01:06:57Name.
01:07:03Oh, Griff, I'm so glad you're back.
01:07:05There's nothing in this paper, either.
01:07:06We haven't been in for days.
01:07:08Do it.
01:07:09Oh, Griff!
01:07:11I never knew you could be so hungry.
01:07:13I guess these aren't from the Waldorf, but...
01:07:15Mmm!
01:07:16And they're wonderful.
01:07:18Where'd you get them?
01:07:20Car is going down the road.
01:07:21I hope they didn't cost much.
01:07:22We'll need money for dinner tonight.
01:07:24How much have we left, darling?
01:07:27Griff, we spent all our money yesterday.
01:07:30You had only enough for bus fare this morning.
01:07:33How did you get these?
01:07:35I borrowed them.
01:07:38All right, I stole them.
01:07:39What are we supposed to do, starve?
01:07:40I stole them because there's no other way.
01:07:42So eat them.
01:07:43You haven't had anything all day, Jenny.
01:07:44Eat!
01:07:46Oh, please don't cry, Jenny.
01:07:47We have...
01:07:48I'm not crying.
01:07:48It's just for you to have to steal.
01:07:51For you.
01:07:51How much is all this stuff worth?
01:07:53It costs you more than it's worth.
01:07:56Jenny, there's a policeman watching us.
01:08:00Let's go.
01:08:02I've had enough.
01:08:03Hey, you.
01:08:04Wait a minute.
01:08:06Come here.
01:08:08I've been watching you.
01:08:09What's the idea of littering up the park with your garbage?
01:08:11You raised in a pig pen or something?
01:08:13Coming in here and throwing his trash all around?
01:08:15I ought to run you in.
01:08:16Now clean up that mess.
01:08:18What do you think this thing is for?
01:08:19Decorations?
01:08:20Now tidy up everything so it's ship shape.
01:08:22Or say, help me, I'll write you both a ticket.
01:08:34This is my wife.
01:08:37I'll do.
01:08:38There's an empty house right next to where I live.
01:08:40Manager said you could have it.
01:08:41Fine.
01:08:47Keep the rain off you.
01:08:48It'll be fine.
01:08:50Oh, Lori, my wife.
01:08:52Hey, Mr. and Mrs. Parker.
01:08:54Wasn't that the name?
01:08:55Yeah, that's right.
01:08:55Hi.
01:08:56How do you do?
01:08:56Where you folks say you come from?
01:08:58Colorado.
01:09:00Well, we just came down from Montana.
01:09:03Originally from Colorado.
01:09:04Oh.
01:09:05Be back in a few minutes.
01:09:06Show your way to water.
01:09:08We're going in.
01:09:13What's the matter with you, Jenny?
01:09:15I told you it's Colorado.
01:09:16Colorado.
01:09:16The last place you said it was Montana.
01:09:18Just before we got off the bus, I told you Colorado.
01:09:20I couldn't remember.
01:09:21Well, I have to remember everything.
01:09:22Fake names, fake social security numbers.
01:09:24Remember to leave before they get wise to me.
01:09:26You don't even remember the name of a state.
01:09:29I'm sorry, Griff.
01:09:31I made a mistake.
01:09:32Well, we can't afford mistakes.
01:09:33You know how much it depends on it.
01:09:35Now, that guy probably suspects something's phony.
01:09:37It's no good, is it, Griff?
01:09:39If you just use your heads.
01:09:41Yes.
01:09:42Heads instead of hearts.
01:09:50Forgive me, Jenny.
01:09:51I didn't mean it.
01:09:53Griff, why do we quarrel like this?
01:09:55Sometimes I started.
01:09:56Sometimes you.
01:09:57We're not getting on with each other.
01:09:59Or with other people.
01:10:01What's happening to us, Griff?
01:10:03Nothing, honey.
01:10:04We're under strain.
01:10:04I'm sorry I was irritable.
01:10:07I don't know what's the matter with me.
01:10:09I'm just tired, I guess.
01:10:11That's not it.
01:10:12We're both jumpy and cross and all mixed up.
01:10:14We're not ourselves.
01:10:16We haven't had a happy moment since...
01:10:17Four weeks of this life would do it to anybody.
01:10:19We're living like pigs.
01:10:21Other people have been happy in a house like this.
01:10:24And doing work like this.
01:10:26Then we'll be happy, too.
01:10:27We will.
01:10:28I get 40 bucks a week on this job.
01:10:30They won't catch up with that phony social security number for seven or eight weeks.
01:10:34By that time, we'll have some money to get a long way from here.
01:10:37Hey, Parker.
01:10:38That's for you, Mr. Parker.
01:10:40Come on.
01:10:40The boss wants me to show you where you work.
01:10:42They're coming.
01:10:49Come on.
01:11:06Hey, it's about time.
01:11:09How do you like working here after two weeks?
01:11:12It's okay.
01:11:13You ever been in California?
01:11:16No.
01:11:17My wife's brother lives there.
01:11:18He owns his own house.
01:11:20You know how he got the money to pay for the house?
01:11:22He turned in a crook and got a reward.
01:11:27Maybe I'll live in California pretty soon.
01:11:31I hear it's a pretty nice place.
01:11:34Your wife ever been in California?
01:11:36No.
01:11:37My wife wants to live there.
01:11:39I told her.
01:11:40Get a crook, turn him in, get a big reward.
01:11:43We buy a house, live in California, too.
01:11:45She wants to be waitress and drive in a restaurant.
01:11:48Waitress.
01:11:50Your wife got ambition like that?
01:11:52No.
01:12:19Hello, dearie.
01:12:21Hello.
01:12:25Oh, dearie.
01:12:26I told her I'd gross enough to put the things on top of the head every time.
01:12:45Thanks, dearie, for picking up the paper for me.
01:12:47First delivery we've had in a week.
01:12:49Joe said he was going to give that paper boy a piece of his mind.
01:12:53Looks like everybody got a paper on time today.
01:12:55They can thank Joe for that.
01:12:57You ought to subscribe.
01:13:00Oh, thanks, honey.
01:13:01Just put them on top here.
01:13:03Here, that's it.
01:13:04The paper, too.
01:13:05Paper?
01:13:05Yeah, sure.
01:13:06Joe always reads it after dinner.
01:13:08Would you mind opening the door for me?
01:13:09It isn't locked.
01:13:10Oh, thanks, honey.
01:13:37Oh, darling.
01:13:38I'm sorry I'm late, honey.
01:13:40I came through town.
01:13:42Griff.
01:13:42I got something for you, June.
01:13:44A little present for my girl.
01:13:46A present.
01:13:46Go on, open it.
01:13:48It's an awful little present, but...
01:13:54Griff.
01:13:57Hey, hey.
01:13:58You know, it isn't that bad, is it?
01:14:02You know what they say.
01:14:03It's not the gift.
01:14:04It's the thought that counts.
01:14:06Yes, Griff.
01:14:07That really counts.
01:14:10Go back ahead.
01:14:10Don't let me stop you.
01:14:11I'm just paying you back the eggs I borrowed.
01:14:14Oh, it's no hot water again.
01:14:16I'm just going to wash my hair and...
01:14:18Well, it's dyed, isn't it?
01:14:20Oh, yes.
01:14:21You see, I thought...
01:14:22I can always tell dyed hair.
01:14:24I noticed the first day you got here.
01:14:25I bet you used to bleach it.
01:14:27Now it's dyed back to its natural color, huh?
01:14:29Yes.
01:14:30Oh.
01:14:32That's Joe.
01:14:33He's home.
01:14:34Wait till he sees there's no hot water.
01:14:35He'll yell like a bull.
01:14:37Fixing to go someplace, Terry?
01:14:38Oh, no.
01:14:39Yeah, what is it?
01:14:40There's no hot water.
01:14:42What'd I tell you?
01:14:42Yelling like a bull.
01:14:44That heat, it's all corroded.
01:14:46Once corroded...
01:14:47Lori!
01:14:48Oh, my God, I'm hungry.
01:14:49Come on, I'm hungry.
01:14:57Tell me if this isn't...
01:14:58Corrosion.
01:14:59What?
01:15:00That's what I'll...
01:15:06Oh, my God.
01:15:23What's wrong?
01:15:25We're going back, Griff.
01:15:28We're going to give ourselves up.
01:15:29Don't talk that way.
01:15:30Those people, they got you upset.
01:15:32That frowsy Dane with all the snooping.
01:15:34Sorry you have to put up with them.
01:15:36A lot of things.
01:15:37We'll get out of here.
01:15:38We'll go someplace else.
01:15:39We'd only have to run away again.
01:15:41No, we'll run so far this time
01:15:42they'll stop looking for us.
01:15:44Maybe they'll stop looking for us.
01:15:45But we'll never stop running.
01:15:47We're getting out of here.
01:15:49Griff, it's too late.
01:15:56He's already called the police.
01:15:57Police?
01:15:58Yeah.
01:15:58He knows?
01:15:59Yes.
01:15:59That's why she came over here, to make sure.
01:16:01How did they find out?
01:16:02The newspaper.
01:16:03Pictures of us again.
01:16:04You saw it?
01:16:05Yes.
01:16:05Well, then why didn't you...
01:16:06Come on.
01:16:08Let's hurry.
01:16:08It isn't too late yet.
01:16:09It is, Griff, for me.
01:16:15Jenny, please.
01:16:16You're all that matters to me.
01:16:17You can't go back.
01:16:18I've got to.
01:16:19It's no good this way.
01:16:20What kind of life is this for you?
01:16:21We haven't got a chance, Jenny.
01:16:23Yes, we have.
01:16:24A little chance, maybe.
01:16:25But at least a chance.
01:16:26There's no happiness this way, darling.
01:16:28We're breaking the rules.
01:16:30That's not for you, Griff.
01:16:32And it's not for me, either, anymore.
01:16:34Oh, it's better, Griff.
01:16:36Please.
01:16:37It's better.
01:16:42Yes.
01:16:45Let's go now, right away.
01:16:46We don't want to be caught.
01:16:48We don't want to give ourselves up.
01:16:50Wait.
01:16:53My present.
01:17:14Will you answer me, Joe?
01:17:16Did you not tell him?
01:17:17Yes, I told him.
01:17:19So what did you tell him, exactly?
01:17:20I told him if he didn't get us a new heater,
01:17:23I was quitting the company.
01:17:25Yeah, and he said.
01:17:26You take it from there, Flory.
01:17:28I'm tired.
01:17:30Tired.
01:17:34Hey, Flory.
01:17:36Yeah?
01:17:36There's a picture of a dame here in the paper.
01:17:38Looks like that girl next door.
01:17:41Nah.
01:17:43In the papers, they all look alike.
01:17:45She's a nice kid.
01:17:47Being married, they sure are crazy about each other.
01:17:50Come on, Joe.
01:17:51Eat this mess.
01:18:00Come on.
01:18:06The police are here, Mr. Wesson.
01:18:10Well, here they are, Wesson.
01:18:15All you have to do is identify her.
01:18:17She gave herself up.
01:18:27Well, just tell us if she shot you.
01:18:31It was an accident.
01:18:34An accident?
01:18:35Well, that isn't what you said in the report.
01:18:37It was an accident, I tell you.
01:18:44Well, I guess there's nothing more for us to do.
01:18:48Come on, Mike.
01:18:50What about jumping parole?
01:18:51She was with her parole officer, wasn't she?
01:18:53For two months?
01:18:54Yeah, for two months.
01:19:00Thanks, Harry.
01:19:01I'm a good enough gambler to know when I've lost.
01:19:04But it took a bullet to convince me.
01:19:08Ness, do me a favor.
01:19:09Yes, Mr. Wesson.
01:19:11Throw these people out of here.
01:19:37¶¶
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