- 8 hours ago
Shockproof (1949) Full Movie ｜ Cornel Wilde, Patricia Knight [Full Movie] [Full Series]Full EP - Full
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Short filmTranscript
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00:02:56SIT DOWN
00:03:00NOW THEN
00:03:01YOU UNDERSTAND
00:03:02YOU'RE NOT
00:03:02PERMITTED TO
00:03:02DRIVE A CAR
00:03:03YOU'RE NOT
00:03:03PERMITTED TO DRINK
00:03:04ALCOHOLIC BEVERAGES
00:03:05YOU MAY NOT
00:03:06BORROW MONEY
00:03:07YOU MAY NOT
00:03:07CARRY A WEAPON
00:03:08YOU MAY PURCHASE
00:03:10CLOTHES AND FOOD
00:03:10BUT NEVER ON CREDIT
00:03:11ALL PURCHASES
00:03:12MUST BE FOR CASH
00:03:20YOU CAN
00:03:21BUT IT'S UP TO YOU
00:03:21I'LL GET YOU A JOB
00:03:22AND A PLACE TO LIVE
00:03:23YOU CANNOT LEAVE
00:03:24THAT JOB
00:03:25YOU CANNOT CHANGE
00:03:26MY EMPLOYMENT
00:03:27OR MY PLACE OF RESIDENCE
00:03:28WITHOUT FIRST
00:03:28OBTAINING THE PERMISSION
00:03:29OF THE BUREAU OF PAROLES
00:03:31YOU HAVE GOT IT
00:03:32MEMORIZED
00:03:34YOU MAY NOT ENTER
00:03:34INTO ANY CONTRACT
00:03:35WITHOUT THE CONSENT
00:03:36OF YOUR PAROLE OFFICER
00:03:37THAT'S ME
00:03:38YOU MAY NOT MARRY
00:03:40AND YOU'VE GOT TO
00:03:41CHANGE YOUR BRAND
00:03:42OF MAN
00:03:43WHO PICKS THEM FOR ME
00:03:44YOU
00:03:45DON'T WORRY
00:03:46YOU WON'T HAVE ANY TROUBLE
00:03:46FINDING NEW FRIENDS
00:03:48I'LL BE SURE THEY'RE
00:03:49FRIENDS THIS TIME
00:03:51ON SOME OF THESE MATTERS
00:03:52WHEN CONDITIONS
00:03:52JUSTIFY IT
00:03:53AN EXCEPTION CAN BE MADE
00:03:54BY SPECIAL PERMISSION
00:03:55OF THE CHIEF PAROLE OFFICER
00:03:56HOWEVER NO EXCEPTION
00:03:57CAN BE MADE TO THE RULE
00:03:58OF NOT CARRYING A DEADLY WEAPON
00:04:00OR TO THE RULE
00:04:01OF NOT MARRYING
00:04:01THESE ARE BEYOND
00:04:02OUR POWER TO SANCTION
00:04:03YOU'VE GOT IT ALL MEMORIZED
00:04:05TOO
00:04:05HAVEN'T YOU
00:04:06SAY IT AT LEAST
00:04:07ONCE A DAY
00:04:08YOU CAN SAVE IT
00:04:09I KNOW IT ALL
00:04:10I CAN'T HELP THAT
00:04:12I
00:04:12YOU'RE ON LIFE PAROLE
00:04:14OH HELLO SAM
00:04:16THIS IS
00:04:16UH
00:04:17JENNY MARSH
00:04:19I THINK MR. BROOKS
00:04:20OUR CHIEF PAROLE OFFICER
00:04:21HOW DO YOU DO
00:04:23GLAD TO BE OUT
00:04:24EH
00:04:26YES SIR
00:04:31NOW THEN YOU'RE ON LIFE PAROLE
00:04:33THAT MEANS YOU REPORT TO ME
00:04:34EVERY DAY
00:04:35EVERY DAY
00:04:36THAT'S IT
00:04:37LATER IT'LL BE TWICE A WEEK
00:04:38THEN ONCE A WEEK
00:04:39HOW LONG DOES THAT GO ON
00:04:40WELL IF YOU BEHAVE
00:04:41YOU CAN GET YOU AT LEAST
00:04:42IN A COUPLE OF YEARS
00:04:46REMEMBER HIM
00:04:49IF I TRY HARD ENOUGH
00:04:50WELL TRY HARD TO FORGET
00:04:52HE'S DEAD
00:04:54I MEAN DEAD AS FAR AS YOU'RE CONCERN
00:04:56HE'S GOT A BAD REPUTATION
00:04:59OH
00:05:02YES SIR
00:05:02NOW LISTEN
00:05:03THIS IS IMPORTANT IN YOUR CASE
00:05:05YOU MAY NOT ASSOCIATE WITH
00:05:07OR CORRESPOND WITH
00:05:07OR MAKE ANY CONTACT WITH
00:05:09ANY INDIVIDUAL OF KNOWN BAD REPUTATION
00:05:11OR ANY PRESENT OR FORMER INMATE
00:05:13OF A PENAL INSTITUTION
00:05:13I KNOW ALL ABOUT HER
00:05:15YOU DON'T HAVE TO TELL ME
00:05:16HE'S NEVER LANDED IN THE PEN
00:05:17BUT HE'S COME CLOSE A DOZEN TIMES
00:05:19NOW I'M TELLING YOU
00:05:20HE'S THE WRONG SORT FOR YOU
00:05:21MY ORDERS ARE TO STAY AWAY
00:05:23DISOBEYING MY ORDERS MEANS YOU BREAK PAROLE
00:05:25BREAKING PAROLEMANS YOU GO BACK TO JAIL
00:05:27IS THAT CLEAR?
00:05:29YES SIR
00:05:33NOW YOU SEE
00:05:34I'M THE TEACHER
00:05:35YOU'RE THE PUPUL
00:05:36SURE
00:05:37I'M THE ONE WHO GETS SPANKED
00:05:39NOT IN THE MODERN EDUCATIONAL SYSTEM
00:05:40THEY DON'T SPANK KIDS ANYMORE
00:05:43THEY JUST SEND THEM TO JAIL
00:05:45NOW LOOK TAKE A LITTLE ADVICE
00:05:47I THINK YOU'D BE BETTER OFF DROPPING THIS BITTERNESS
00:05:49AND FORGETTING THE PAST
00:05:51YOU'LL GET OVER IT IF YOU GET THE BREAKS
00:05:53AND I'M HERE TO SEE THAT YOU GET THEM
00:05:55YOU GOT CIGARETTS?
00:05:58DO I HAVE TO CHANGE MY BRAND OF CIGARETTS TOO?
00:06:01ALL RIGHT LET'S GO
00:06:02GO?
00:06:03I'LL GET YOU A PLACE TO LIVE NOT FAR FROM YOU
00:06:14RADIO DOESN'T WORK
00:06:15BUT IT CAN BE FIXED
00:06:17THE ROOM HAS MORNING SUN
00:06:19YOU LIKE IT?
00:06:20SIX DOLLARS A WEEK
00:06:21YEAH SHE LIKES IT
00:06:23I PAY THE FIRST WEEK'S RENT IN ADVANCE
00:06:25YOU PAY ME BACK OUT OF YOUR FIRST WEEK'S SALARY
00:06:28BATHROOM'S DOWN THE HALL
00:06:29TWO DOORS TO THE RIGHT
00:06:33FIRST WEEK'S SALARY FROM WHAT?
00:06:35OH NOW YOU'VE GOT A JOB
00:06:37OH
00:06:38REPORT THERE IN THE MORNING
00:06:40YOU GET $21 A WEEK
00:06:41ASK FOR MR. LOGAN
00:06:42HE EXPECTS YOU
00:06:43THAT LANDLADY
00:06:44MS. TERRENCE?
00:06:45YES
00:06:45DOES SHE KNOW ABOUT ME?
00:06:47DON'T WORRY
00:06:48SHE WON'T SPY ON YOU
00:06:49UH YOU GOT MONEY FOR LUNCH AND DINNER?
00:06:51YES SIR
00:06:53OKAY I'LL DROP BY THE OFFICE
00:06:54AND SEE HOW YOU'RE GETTING ON
00:07:00WELL
00:07:01LOTS OF LUCK CHENNY
00:07:02TAKE IT EASY
00:07:13JUST A MOMENT
00:07:15YOU CAN'T SEE JENNY MARSH
00:07:17I DON'T THINK I KNOW YOU
00:07:18I'M JENNY MARSH'S PAROLE OFFICER
00:07:20IF SHE SEES YOU SHE BREAKS PAROLE
00:07:22I SEE
00:07:23SO THAT'S THE WAY IT IS
00:07:24THAT'S THE WAY IT IS
00:07:25NOW GET GOING
00:07:26HARRY
00:07:27JENNY
00:07:28HOW DID YOU LEARN THIS ADDRESS?
00:07:30WHAT RIGHT OF YOU TO QUESTION ME?
00:07:31I MEANT WHAT I SAID ABOUT NOT SEEING HIM
00:07:32IT'S A VIOLATION OF YOUR PAROLE
00:07:34NOW RUN ALONG WESSEN AND STAY AWAY
00:07:35YOU CAN'T TELL ME WHAT TO DO
00:07:36I CAN DO WHAT I LIKE AND GO WHERE I LIKE
00:07:38AND SEE ANY WOMAN I HAPPEN TO LIKE
00:07:40YOU HAVE NO AUTHORITY OVER ME
00:07:43I HAVE AUTHORITY OVER YOU
00:07:45TELL HIM TO GO
00:07:48PLEASE HARRY
00:07:49GO
00:07:51ALL RIGHT JENNY
00:08:08HOW DID HE KNOW WHERE TO FIND YOU?
00:08:09I DON'T KNOW
00:08:11WELL WHAT AM I SUPPOSED TO DO?
00:08:12HIDE?
00:08:13YOU BETTER WATCH YOUR STEP MISS MARSH
00:08:15ALL RIGHT
00:08:17I'LL STAY AWAY FROM HIM
00:08:18BUT YOU'VE GOT TO HELP ME
00:08:21CAN YOU GET ME A ROOM AND A JOB
00:08:22WHERE HE CAN'T FIND ME?
00:08:23MAYBE
00:08:24REPORT IN THE MORNING
00:08:33LASTER IS MOVING UP
00:08:37COULD MONTY HAVE MET US SOMEWHERE ELSE?
00:08:39BUT HE NEVER LEAVES HERE
00:08:41HE LIVES HERE EATS HERE SLEEPS HERE
00:08:42WORKS HERE
00:08:43BUT HARRY I'M NOT SUPPOSED TO GO INTO A PLACE LIKE THIS
00:08:46I WISH HE COULD HAVE MET US OUTSIDE
00:08:48IT WON'T TAKE LONG
00:08:49COME ON
00:08:49COME ON NOW
00:08:50HE'S A PARTICULAR
00:08:50SAY DON'T GET FIRED
00:08:52YOU GOT FIRED
00:08:53YOU GOT FIRED
00:08:54THREE MINUTES BEFORE
00:08:56COMES TIME ON BELVIDIA
00:08:57YOU GOT FIRED
00:09:02YOU GOT FIRED
00:09:03YOU GOT FIRED
00:09:03YOU GOT FIRED
00:09:07YOU GOT FIRED
00:09:07THANKS MONTY
00:09:08I FEEL FINE
00:09:09WHAT'S THIS EMERGENCY CALL ABOUT?
00:09:12YOU KNOW JENNY'S ON PAROLE
00:09:13YEAH I KNOW
00:09:14FOR HOW LONG JENNY?
00:09:15THE BOOK
00:09:16LIFE PAROLE
00:09:17SHE WANTS TO BE
00:09:30A STATE LEGISLATURE
00:09:31WHAT?
00:09:32YEAH
00:09:32THEY'RE TALKING ABOUT
00:09:33RUNNING HIM FOR ASSEMBLYMAN
00:09:34IN THE 84TH DISTRICT
00:09:36THEY CAN RUN HIM FOR PRESIDENT
00:09:37AS FAR AS I'M CONCERNED
00:09:37LOOK
00:09:38WHAT ARE THE POSSIBILITIES OF A TRANSFER
00:09:40FOR JENNY?
00:09:42TOUGH
00:09:44TOO DIFFICULT
00:09:45TOO DIFFICULT FOR YOU MARTY
00:09:46UNLESS THE PRICE ISN'T RIGHT
00:09:47WELL
00:09:49SIT DOWN
00:09:57IF THE PAROLE BOARD IN SAN FRANCISCO LANDS HER A JOB IN A ROOM
00:10:01LOS ANGELES GIVES HER THE GREEN LIGHT
00:10:03SOUNDS SIMPLE
00:10:04IT ISN'T
00:10:05FIRST I GOT TO PLANT A FAMILY UP THERE
00:10:08THEY ASKED FOR HER TO BE TRANSFERRED
00:10:105,000 FOR THE WHOLE SHOW
00:10:14OKAY
00:10:14WHEN?
00:10:15AS OF NOW YOU HAVE COUSINS IN SAN FRANCISCO
00:10:18FIRST COUSINS
00:10:19CALLED UH
00:10:21HARRIS
00:10:24YEAH
00:10:25CAN YOU COME IN FOR A MINUTE GRIF
00:10:26BE RIGHT IN
00:10:37GRIF
00:10:38UH
00:10:39HOW'S JENNY MARSH COMING ALONG
00:10:40JENNY MARSH OKAY
00:10:42WHAT'S SHE DOING
00:10:42OH SHE'S GOING AFTER A JOB ON HER OWN
00:10:44BOOK KEEPING JOB
00:10:45FOUND ME ABOUT IT A FEW HOURS AGO
00:10:47THAT GIRL'S GOING PLACES
00:10:48SHE SURE IS
00:10:51RIGHT BACK TO PRISON
00:10:52TODAY
00:10:53WHAT DO YOU MEAN
00:10:54WHAT HAPPENED
00:10:55SHE WAS PICKED UP IN A BOOKIE RAID
00:10:57A BOOK KEEPING JOB
00:10:59JOE WILSON WAS PICKED UP TOO
00:11:01JOE WILSON
00:11:02ANOTHER ONE OF YOUR PUPILS
00:11:04WHERE ARE THEY NOW
00:11:05NEXT DOOR
00:11:11MR. RATT
00:11:12DON'T LET HIM SEND ME BACK
00:11:13YOU'RE OUT OF LUCK JOE
00:11:14YOU MEAN 20 YEARS
00:11:15I CAN'T TAKE IT
00:11:16GIVE ME ANOTHER CHANCE
00:11:17PLEASE
00:11:18I PROMISE THIS TIME
00:11:19YOU PURROW TWICE
00:11:20THIS IS YOUR THIRD VIOLATION
00:11:22WHEN I'M THROUGH COVERING UP FOR YOU
00:11:24TAKE HIM TO HEADQUARTERS
00:11:2820 YEARS
00:11:2920 YEARS
00:11:3120 YEARS
00:11:45GET OUT
00:12:05YOU'RE WILSON'S STUFF
00:12:07THEY'VE TAKEN HIM TO THE HOSPITAL
00:12:09But he won't live.
00:12:12All right.
00:12:14What did the girl have to say?
00:12:15I don't know. I haven't talked to her yet.
00:12:17She's still in there. Sprained her ankle.
00:12:19Excuse me.
00:12:32What have you got to say for yourself?
00:12:34Look, I feel it's all my fault. That's why I came along.
00:12:36You're a fool, Weston. You know those places rated for parole violators?
00:12:38Why did you take her there?
00:12:40Did you get hurt?
00:12:41I sprained my ankle.
00:12:42Officer.
00:12:43Yes, sir.
00:12:44Take her down to Dr. Daniels. You wait here.
00:12:46Dr. Daniels?
00:12:46You heard me.
00:12:49This way, miss.
00:13:00Hello.
00:13:01Give me Dr. Daniels, please.
00:13:06Hello, Doc.
00:13:06This is Griff Marriott.
00:13:08I'm sending a girl named Jenny Marsh down to your office.
00:13:12Yeah, she's got a sprained ankle.
00:13:15See what you can find out, will you?
00:13:16How old is she, Griff?
00:13:20What does she look like?
00:13:23Blonde.
00:13:26Delicate features.
00:13:28Brown eyes.
00:13:31I see.
00:13:32Well, she just saw a man jump off the balcony.
00:13:35Pretty shaky and upset.
00:13:38Well, it'll be easy to work on.
00:13:40Okay.
00:13:55Okay for sound?
00:13:57Echo.
00:13:58Okay for sound?
00:13:59Yeah, okay.
00:14:00Here.
00:14:01Play it cagey, Doc.
00:14:02This one's smart.
00:14:02What are you trying to prove?
00:14:03I'm not sure yet.
00:14:05Maybe that the girl is character.
00:14:06They all have when they're caught.
00:14:07Never should have been parole.
00:14:08Shh.
00:14:09Over here.
00:14:10Can you make it?
00:14:11I think so.
00:14:13Make it easy.
00:14:14It's her ankle, Doc.
00:14:17I'll be right outside.
00:14:19Take off your stocking.
00:14:23Oh, so.
00:14:28Hmm?
00:14:29I feel sick.
00:14:30Really hate that bed?
00:14:35I just saw a man jump off the balcony.
00:14:38What did you do that for?
00:14:40They were sending him back.
00:14:42For good.
00:14:45Guess if I had the nerve, I'd do the same thing.
00:14:48No, you wouldn't.
00:14:51You wouldn't.
00:14:53Well, you know, you remind me of my daughter.
00:14:56You even look like her.
00:14:58Why?
00:14:58Because we're both female.
00:15:00That's about the only resemblance between her and me.
00:15:02Is your mother still living?
00:15:04Your mother?
00:15:05Yes.
00:15:06How long were you in prison?
00:15:08Five years.
00:15:10Five years?
00:15:12Must have broken her heart.
00:15:14She's still in the hospital.
00:15:15In the alcoholic ward.
00:15:17And your father?
00:15:17Well, he was no good.
00:15:19I guess like father, like daughter.
00:15:21It's heredity.
00:15:22It's environment.
00:15:23It's a joke.
00:15:25There were nine of us.
00:15:26I was the oldest.
00:15:28Blew their noses for him.
00:15:29Scrubbed him.
00:15:30Doctored him.
00:15:30Everybody living in the one room.
00:15:33A swill pile.
00:15:33That's what it was.
00:15:34Where did you get hurt?
00:15:37In a raid on a bookie joint.
00:15:39I broke parole.
00:15:40That means I'm going back.
00:15:42Don't you think you were pretty silly to go to a bookie joint when you were out on parole?
00:15:46I went with a friend who had business there.
00:15:48Fine friend.
00:15:49Got you in a big jam.
00:15:51He's the one who didn't forget me when they sent me to prison.
00:15:55Love him?
00:15:56He waited five years for me.
00:15:59For me.
00:16:00A man with a college education.
00:16:02Nice manners.
00:16:03Money.
00:16:04Everything I never had in a man before.
00:16:06Put that in your test tube, Doc.
00:16:08And what do you see?
00:16:09What does he do?
00:16:10Gambles.
00:16:11In a refined sort of way.
00:16:16It feels better now.
00:16:17It'll be all right in a day or two.
00:16:20Officer.
00:16:21Yes, Doc?
00:16:22You can take her back now.
00:16:23Okay.
00:16:24Oh, Doc, I...
00:16:25I just bought this outfit.
00:16:27If your daughter wears a size 12, she can have it.
00:16:30I guess I won't be needing it anymore.
00:16:36My feeling is that she's sensitive, confused, and angry.
00:16:40But Griff's right.
00:16:41I don't think Jenny Marsh is an habitual criminal.
00:16:44Well, then you think she's straightened that okay, Doc.
00:16:46I mean, if somebody gave her a break.
00:16:47I think so, Griff.
00:16:49You do?
00:16:50Yes.
00:16:50I'm sure of it.
00:16:52Well, I still don't trust her, but go ahead.
00:16:54She's your case.
00:16:55Oh, thanks, Sam.
00:16:56You'll see.
00:16:57I'm right about it.
00:16:57Oh, I don't say she's a hardened criminal.
00:16:59What is a criminal, Sam?
00:17:01I've often wondered.
00:17:02I see him every day, but I still don't know.
00:17:05A criminal is somebody who commits a crime.
00:17:07Griff, she's in your office.
00:17:08And Griff, throw a scare into her.
00:17:10Okay.
00:17:12Thanks, Doc.
00:17:23This will help you know the score.
00:17:2820 years later, a lifer.
00:17:30She looks 60.
00:17:32She's 40.
00:17:36Same girl, 10 years later.
00:17:37There's another one.
00:17:39I've seen enough.
00:17:41All right, you're sending me back.
00:17:42But you don't have to torture me first.
00:17:44Send me back and shut up!
00:17:50Ask Washington to come in.
00:17:59Take it easy.
00:18:06Feel better?
00:18:14Sit down.
00:18:18Maybe you've got something smart to say.
00:18:20Whatever you may think of me, Morata.
00:18:22Let's not go into that.
00:18:24Well, as I said before, it's all my fault.
00:18:27Would be unjust to make Jenny suffer from my thoughtlessness.
00:18:30Now, look here, Werson.
00:18:31I know you think you're pretty smart.
00:18:33Smarter than a dumb parole officer.
00:18:34Well, maybe you are.
00:18:36But you're up against an organization that's too big for you.
00:18:38You can't beat the whole parole set up.
00:18:39I don't intend to try.
00:18:41All right.
00:18:43If you care about Jenny as much as you seem to,
00:18:45you'll cooperate from now on,
00:18:46or it's going to be just too bad.
00:18:47What am I expected to do?
00:18:48Leave her alone.
00:18:51Has it occurred to you that you're making the conditions unnecessarily difficult?
00:18:55Jenny cares for me.
00:18:57You're setting up a situation full of hazards and temptations.
00:19:00I'm aware of that.
00:19:01But I think the hazards will be greater if she sees you.
00:19:03You'll invite her to break rules,
00:19:05because you look on rules as things invented for suckers.
00:19:07You think the guy who gets away with things is smart.
00:19:09What if I do stay away?
00:19:11She'll start seeing me again when she's free.
00:19:13She'll be as badly off as ever, by your standards.
00:19:17Well, I'm counting on her forgetting you.
00:19:20I'm counting on her meeting some normal, decent people.
00:19:23I'm counting on her getting over a feeling of gratitude to you, of loyalty.
00:19:27You mean of love, don't you?
00:19:29She didn't get over it in five years.
00:19:31Then you can wait another couple of years.
00:19:33I'll do everything I can to get her released sooner.
00:19:36I'll give you three minutes to say goodbye.
00:19:38Then you go and you don't see her till I say so.
00:19:40Agreed?
00:19:43Have we any choice?
00:19:46Agreed?
00:19:47Okay.
00:19:49I'll be back in three minutes.
00:19:55Close your ankle, darling.
00:19:56That's all right.
00:19:58When I was leaving the doctor's office, I noticed the dictograph key was up.
00:20:00She's really...
00:20:04Darling, I'll see you tomorrow night.
00:20:06About seven.
00:20:24Hello, Jenny.
00:20:26Why, hello.
00:20:27Almost missed you.
00:20:28Where are you going?
00:20:28Oh, just to get a bite of dinner.
00:20:31Oh, great.
00:20:31Get in.
00:20:32Well, I...
00:20:33Oh, come on, get in.
00:20:34It's better than eating alone, isn't it?
00:20:36Of course.
00:20:37Thanks.
00:20:42When I laid out that six dollars for your rent,
00:20:44I thought you'd blown all your money on that first outfit.
00:20:48I didn't know you had a private gold mine.
00:20:51Like it?
00:20:52Yeah.
00:20:53I bought it today.
00:20:54Yeah, it's...
00:20:56Well...
00:20:57Harry's money?
00:20:59Yes.
00:21:00Well, I...
00:21:01I suppose there's no reason why you shouldn't use what's left of it as long as you have it.
00:21:05I looked to see if there was a rule against it, but there wasn't.
00:21:11Oh, look, if you'll just drop me at a restaurant, I'll...
00:21:13Oh, you're eating with me.
00:21:15Do you often take parolees to dinner?
00:21:17Mm-hmm.
00:21:19Are you married?
00:21:21I'm Italian over 21.
00:21:23What do you expect?
00:21:24Well, how does Mrs. Morat feel about this sort of homework?
00:21:27She encourages it.
00:21:28You're kidding.
00:21:35Hello, Fred.
00:21:36Get in.
00:21:38You're out on time.
00:21:39Yep.
00:21:40And Jenny, this is Fred Bauer.
00:21:41Jenny Marsh.
00:21:42How do you do, Miss Marsh?
00:21:43How do you do?
00:21:43You didn't mention a chaperone.
00:21:45I'm not a chaperone.
00:21:46I'm a dishwasher.
00:21:47A dishwasher?
00:21:48Oh, at what restaurant?
00:21:50No, we're not eating in the restaurant.
00:21:52We're going to my house.
00:21:54Does Mrs. Morat expect this?
00:21:56Sure.
00:21:58I see.
00:22:07Hi.
00:22:08Hi.
00:22:08I brought Barry along for dinner, okay?
00:22:10Okay, get in.
00:22:18This is Tommy.
00:22:20Cut out to Tommy, can't you, Griff?
00:22:21Oh, sorry.
00:22:22This is Mr. Thomas Morat and his friend Barry.
00:22:25This is Marsh, Mr. Barr.
00:22:26How do you do?
00:22:27Hello.
00:22:27Hi.
00:22:28Your son?
00:22:30Kid brother.
00:22:31Say, Griff, I told Barry you handle that killer in my car dozer, and he said no.
00:22:36You did, didn't you?
00:22:37Wasn't he that killer and you beat him up?
00:22:39Uh-huh.
00:22:40See?
00:22:41They give him all the killers.
00:22:42We're playing low-high next Saturday, semifinals.
00:22:45Can you come, Griff?
00:22:45Hey, why don't you sit back?
00:22:46You smell like a horse.
00:22:48Please.
00:22:48There's a lady present.
00:22:49Will you come, Saturday, Griff?
00:22:51Sure.
00:22:51Who's going to win?
00:22:52Oh, we'll annihilate him.
00:23:12Come on.
00:23:15Hi, Mom.
00:23:16Hi.
00:23:16Hi.
00:23:17Griff is bringing a lady and a man.
00:23:19Yes, Tommy.
00:23:19Yes, Tommy, I know.
00:23:25Ah, buonasera, Mamma Mia.
00:23:27Buonasera.
00:23:28Brought a couple of friends home for dinner.
00:23:30Jenny Marsh and Fred Bauer.
00:23:32I don't see Mrs. Marsh.
00:23:33You will have to take my hand, please.
00:23:35Yeah, ma'am.
00:23:35Oh, I'm sorry.
00:23:36How do you do, Mrs. Murat?
00:23:37How do you do, Mrs. Marsh?
00:23:39Hey, Barry, watch this.
00:23:40Blonde or brunette, Mom?
00:23:41Oh, brunette?
00:23:43Hey, you're wrong, Mom.
00:23:45She's never missed before.
00:23:46She can talk with a voice and a handshake.
00:23:48She's blonde, Mom.
00:23:50And how.
00:23:50Oh, one mistake doesn't count.
00:23:52Won't you come in, Mrs. Marsh?
00:23:54I don't want to spoil your record, Mrs. Murat.
00:23:56I think I should tell you I'm really a brunette.
00:23:58Oh.
00:24:00Oh, bleach.
00:24:01Uh-huh.
00:24:02Well, why do you know?
00:24:04Well, how's it done?
00:24:06Well, what do they use?
00:24:08It's a long story.
00:24:09Gosh, it looks good.
00:24:11Doesn't it?
00:24:11Sure does.
00:24:12Go get cleaned up, boys.
00:24:14Change your shade, Tommy.
00:24:15Yeah, and hurry up.
00:24:16I'm starving.
00:24:18Hey, let me have your coat.
00:24:21Come on, Fred.
00:24:22You and I have work to do.
00:24:23Griff is our cook these days.
00:24:25Griff?
00:24:25Yes.
00:24:26Our part-time helper left.
00:24:28Oh, would you rather stay here?
00:24:30I'm going to the kitchen.
00:24:32Oh, I'd like to help.
00:24:34You have a nice big house here.
00:24:36It's an old house.
00:24:38Tommy was born here.
00:24:40How many of you are there living here?
00:24:42Just Griff and Tommy and me.
00:24:46No.
00:24:47No?
00:24:48Is somebody missing?
00:24:49My husband died last year.
00:24:52I miss him.
00:24:53I'm alone all day now.
00:25:07What do I do?
00:25:11If you bring me the radishes from the refrigerator, I'll fix them.
00:25:14All right.
00:25:14Then you can set the table, if you don't mind.
00:25:16Yes, sure.
00:25:35Mrs. Murat is wonderful, isn't she?
00:25:38Yes, she's terrific.
00:25:39Griff Murat has done a lot for me.
00:25:41Are you an old friend?
00:25:44I'd like you to know something, Jenny.
00:25:45Yes?
00:25:47I'm not exactly a friend of the family.
00:25:49Oh.
00:25:51I'm one of his parolees.
00:25:54Yes.
00:25:55I appreciate what he's doing, bringing me here, meeting his friends like you and his family.
00:26:00But I don't like pretending to be something I'm not, so I thought I'd tell you.
00:26:23What's the matter?
00:26:23I'm leaving.
00:26:25Why?
00:26:26I don't have to take this.
00:26:27I wondered what it was all about.
00:26:28Well, now I know.
00:26:29It's part of the treatment.
00:26:30To be kind to jailbird system.
00:26:32Show them a bit of home life.
00:26:34Sweet influences for sick souls.
00:26:36Well, I don't need your pity or your mother's or anybody's.
00:26:38My mother doesn't know about you or about Barr.
00:26:42And she doesn't care.
00:26:43Anybody I bring home is okay.
00:26:45And that story about being married, what was that for?
00:26:48Afraid I might make a pass at you?
00:26:49I always say that.
00:26:50To the female parolees.
00:26:52Sure.
00:26:52If I'm asked, why not?
00:26:53You didn't have to.
00:26:54Believe me, it wasn't necessary.
00:26:56I didn't think it was.
00:26:57It's the regular procedure of the office.
00:26:58Regulation 86B.
00:27:00Then they'd better fix the regulation.
00:27:02Makes a liar out of you.
00:27:04And a liar's a bad example for the weak characters you deal with.
00:27:09Jenny, please try to get that chip off your shoulder.
00:27:11Come on, let's stop kidding each other.
00:27:13I want to talk straight to you.
00:27:16You're different, Jenny.
00:27:19You have a promising life ahead of you, if you'll...
00:27:21I know.
00:27:22If I keep away from Harry Wesson.
00:27:24Well, why can't you?
00:27:26It isn't complicated.
00:27:28How would you feel if somebody'd waited five years just for you?
00:27:31Are you sure he did?
00:27:32Yes.
00:27:33He's the only man who was ever really kind to me.
00:27:36He was.
00:27:37Patient and kind.
00:27:39Taught me what fork to use.
00:27:41How to dress correctly.
00:27:42How to speak correctly.
00:27:44Everything but how to think correctly.
00:27:47You'd do a great deal for Harry Wesson, wouldn't you?
00:27:50Yes.
00:27:51I'd do anything for him.
00:27:52You did.
00:27:53You even killed for him.
00:27:57That's right.
00:27:58I did.
00:28:03Thank you, Sam.
00:28:06Oh, Griff.
00:28:07Yeah?
00:28:07What about Jenny Marsh?
00:28:09What about her?
00:28:10You've been trying to land her a job for more than a week.
00:28:12I checked.
00:28:14Four employers turned her down flat as soon as they learned she was a violator.
00:28:16Yeah, well, she's got a job.
00:28:18No kidding.
00:28:18I had to find her one where Harry Wesson couldn't get to her.
00:28:21I found it.
00:28:22She lives where she works.
00:28:23Eats there, sleeps there.
00:28:24She gets a hundred a month, one day off a week.
00:28:26She reports to me every day.
00:28:28What's the job?
00:28:29Taking care of a blind woman.
00:28:31Oh.
00:28:33Take it easy.
00:28:40Hi.
00:28:41Home already?
00:28:42Have a good workout?
00:28:43Yeah.
00:28:44Where's everybody?
00:28:45Mom went to bed.
00:28:46She's tired.
00:28:47Jenny's somewhere.
00:28:48Oh.
00:28:50Okay, maestro.
00:28:58Oh, hello.
00:29:01Hello.
00:29:02I thought this was your night at the Y.
00:29:04Well, I was there.
00:29:05Uh, phoning somebody?
00:29:07I phoned to see what time a movie went on.
00:29:08Your mother said she wouldn't need me.
00:29:10Oh.
00:29:11Why?
00:29:12Did you think I was calling Harry Wesson?
00:29:13I didn't think you were.
00:29:15Is that why you got me this job here, so you could spy on me?
00:29:17I'm not spying on you, Jenny.
00:29:19It's my job to check on you.
00:29:20You're making it more than that because of Harry.
00:29:22That's not true.
00:29:23Isn't it?
00:29:25Okay, I admit that.
00:29:26Because he loves me and wants to be with me.
00:29:28What's wrong with that?
00:29:29He doesn't love anybody but himself.
00:29:30He's done everything for me.
00:29:31He gives you things with money he never earned.
00:29:33Without denying himself anything.
00:29:35You don't know what love is.
00:29:37And you, teacher, do you know?
00:29:40Well, not from experience, but...
00:29:44Well, I've imagined it differently.
00:29:46When you fall in love, really in love,
00:29:48I think you'd know it for sure.
00:29:50A man would feel for the first time
00:29:52how wonderful life could be
00:29:54when he has someone to share it with.
00:29:56And he'd want to give her the good things of life,
00:29:58not just the trimmings.
00:30:00Friends, home, children.
00:30:02And you'd think of her before himself in everything.
00:30:05Her welfare, her future, her happiness.
00:30:08And if she loved him, he'd be rich.
00:30:13Most men don't think like that.
00:30:15You only know Harry Wesson.
00:30:18I'm sorry, Tanya.
00:30:20I don't want to hurt you.
00:30:25I know that, Griff.
00:30:28Hey, what time does that movie go on?
00:30:308.24.
00:30:33Well, we'd better hurry.
00:30:36Griff, can I come, too?
00:30:40Come on.
00:30:57Wow.
00:31:01Wow.
00:31:21I still don't get it.
00:31:22The guy was clear across the border.
00:31:24They'd never have caught him.
00:31:26So why'd he come back and give himself up?
00:31:28Something about human nature, Tommy, happens all the time.
00:31:31Men show up and confess to crimes they committed five, ten, twenty years ago.
00:31:35No kidding?
00:31:36Sure, all of a sudden they get a conscience.
00:31:38It starts to get them down, and a kind of corrosion sets in.
00:31:42Anybody want some ice cream or anything?
00:31:44Ice cream?
00:31:45Silly question.
00:31:49Ice cream, Jenny?
00:31:50Yes, Greg.
00:31:51Sure.
00:32:10I'll run over to the library and change the book.
00:32:13Don't hurry.
00:32:14It's nice here.
00:32:20I can't take it much longer, Harry.
00:32:22We can't live like this.
00:32:23I know I can't.
00:32:24That's foolish.
00:32:32Please, Harry.
00:32:33It's driving me crazy.
00:32:34They're so good to me, so kind.
00:32:36I've got to get out of there.
00:32:37What's bothering you?
00:32:38What happened?
00:32:39Griff Morat's falling for me.
00:32:42No kidding?
00:32:43I've been around long enough to know the signs.
00:32:46It's no joke.
00:32:47I don't find it a bit funny.
00:32:49I suppose it had to happen, living in that house together for two months.
00:32:51He even held my hand in the movies the other night.
00:32:54I parole officer acting like a...
00:32:55It's good.
00:32:56It's great.
00:32:57Encourage him.
00:32:58It'll make things easy until that transfer comes through.
00:33:00Encourage?
00:33:01I don't understand.
00:33:02Look.
00:33:03Put him in love with you, baby.
00:33:05We'll be able to handle him.
00:33:06Okay?
00:33:07Well, I...
00:33:17And this is by Ralph Waldo Emerson.
00:33:19Give all to love.
00:33:21Give all to love.
00:33:22Obey thy heart.
00:33:24Friends, kindred.
00:33:25Hey, Mom.
00:33:26Jenny.
00:33:28I wrote a poem for school.
00:33:29Could I read it to you?
00:33:31Sure.
00:33:36Little Purple Violets by Thomas Morat.
00:33:39Little purple violets blowing in the breeze.
00:33:42Your beautiful fragrance puts me at ease.
00:33:45Whether in a glade or in a bayou, their beauty and fragrance reminds me of you.
00:33:50That's fine, Tommy.
00:33:52That's fine.
00:33:53Jenny, I dedicated it to you.
00:33:56Oh, thank you, Tommy.
00:33:57I love it.
00:33:57Won't your girlfriend...
00:33:58What's her name, Mary?
00:33:59Be jealous?
00:34:01Oh, she's just a kid.
00:34:03I see.
00:34:03Well, you better practice your piano, Tommy.
00:34:05But I like to hear Jenny read.
00:34:07Oh, you like to hear Jenny read.
00:34:08You like to help her wash dishes.
00:34:10You like to help her shout.
00:34:11And I like to hear you play the piano, Tommy.
00:34:14Do you?
00:34:14Uh-huh.
00:34:18I think he's falling in love with you, Jenny.
00:34:20I'm flattered.
00:34:22And so is Griff.
00:34:24Sometimes blindness is not a handicap.
00:34:26I know.
00:34:28And I think you know it, too, Jenny.
00:34:31But I don't think Griff knows.
00:34:34He's only a man.
00:34:37But it isn't possible.
00:34:39You know what's in your heart, Jenny.
00:34:42Do what you think is right.
00:34:49Give all to love.
00:34:51Obey thy heart.
00:35:04Griff?
00:35:05Yeah?
00:35:07Sorry I'm late.
00:35:08It's all right.
00:35:09Your dinner's ready.
00:35:14Oh, where are Mom and Tommy?
00:35:15They went to the concert.
00:35:17Oh, that's right.
00:35:18I forgot.
00:35:19Anything wrong, Griff?
00:35:21Oh, if it's my hairdo, you're right.
00:35:22It's different.
00:35:24Do you like it?
00:35:25Yeah, I like it.
00:35:27Better eat your dinner.
00:35:29Shall I sit with you or will you?
00:35:30Yeah, would you?
00:35:31I hate to eat alone.
00:35:33I could have waited and had dinner with you.
00:35:35I wish I had.
00:35:38Do you, Jenny?
00:35:39Mm-hmm.
00:35:41Do you like the music?
00:35:42Yeah, fine.
00:35:44Nice music for dancing.
00:35:45I used to love to dance.
00:35:47Funny, I haven't thought about it much lately.
00:35:50Do you like dancing, Griff?
00:35:52Yeah, but I'm afraid I'm not very good at it.
00:35:56What's the matter?
00:35:59Jenny, do you have relatives in San Francisco?
00:36:00What?
00:36:02Cousin's called Harris.
00:36:06Why?
00:36:07Now, this came into the office a couple of days ago,
00:36:09a request for a transfer to San Francisco.
00:36:12Oh.
00:36:13What do you think?
00:36:15Well, I...
00:36:16I don't know.
00:36:18I...
00:36:18Maybe I don't want to go.
00:36:22I don't think I want to be transferred.
00:36:29Why?
00:36:31Because I like my job.
00:36:33I'm glad you do.
00:36:34Because this is a phony.
00:36:36What do you mean?
00:36:37It was arranged by Harry Wesson.
00:36:39Did you know about it?
00:36:43Well, a long time ago,
00:36:44he did say something about trying to arrange a transfer,
00:36:47but I didn't know that he still...
00:36:48You meant what you said, Jenny?
00:36:49That you wouldn't have wanted to go?
00:36:51That's right, Griff.
00:36:52I don't want to go.
00:36:54You do believe me, don't you?
00:36:56Okay, Jenny.
00:36:58I believe you.
00:36:59Thanks, Griff.
00:37:01I...
00:37:03Good night.
00:37:11I don't want to go.
00:37:18I don't want to go.
00:37:19I don't want to go.
00:37:20I don't want to go.
00:37:21I don't want to go.
00:37:22I don't want to go.
00:37:22I don't want to go.
00:37:24I don't want to go.
00:37:25I don't want to go.
00:37:25I don't want to go.
00:37:29I don't want to go.
00:37:56Grim, Grim, I've got Grim.
00:37:58Grim, hey, hey, hey, take it easy, easy does it.
00:38:08Grim, what happened?
00:38:10It's okay, Tom, she's just having a nightmare.
00:38:13You better tell Mom it's all right, she'll be frightened, hurry up.
00:38:18It's okay, you're all right now.
00:38:22Feel better?
00:38:26It was awful.
00:38:27Yeah, it must have been.
00:38:29I dreamed about you.
00:38:31Oh, is that bad?
00:38:33This was.
00:38:35We were walking in a forest and you kept getting caught in terrible steel traps.
00:38:40Oh, fine.
00:38:41And I kept warning you and warning you, but you wouldn't listen.
00:38:44Well, I hope you finally convinced me.
00:38:47Then you wouldn't let me go back?
00:38:49Back where?
00:38:50To prison.
00:38:51No, sir, not a chance.
00:38:56I'm sorry I woke up the whole house.
00:38:58Well, everybody's entitled to a little nightmare down then.
00:39:02You're sweet, Grim.
00:39:08You're sweet, Grim.
00:39:30Want a glass of milk?
00:39:31I'm a good guy.
00:39:31I don't care much about nightclubs.
00:39:33I'm not a very good dancer.
00:39:35I guess I like mostly what you might call simple things.
00:39:39I can't offer you the expensive gowns, expensive times that Harry Wesson can.
00:39:48But I do love you, Jenny.
00:39:55Will you marry me, Jenny?
00:39:58Oh, no, Griff.
00:39:59You don't know what you're saying.
00:40:01Oh, it's no good.
00:40:02It couldn't work.
00:40:03Is it still Harry Wesson?
00:40:04No, it's not that.
00:40:05It's just you don't know me, Griff.
00:40:08You deserve better than me.
00:40:09I know what I want.
00:40:11You know something.
00:40:13You're the first man who ever asked me to marry him.
00:40:16I know we can't get married right away anyhow until...
00:40:19But you could say yes now, couldn't you?
00:40:24Okay, Jenny.
00:40:25You think about it, but you know how I feel.
00:40:40Yes, sir?
00:40:41You have a ticket for me.
00:40:42Harry Wesson for Havana, flight 6...
00:40:44615.
00:40:44Just a moment, please.
00:40:48Harry.
00:40:49Jenny.
00:40:49I must speak to you.
00:40:50I'm so glad I caught you.
00:40:51Mr. Wesson.
00:40:52Excuse me, Morse.
00:40:53Yes, sir.
00:40:53Your ticket, sir.
00:40:54Flight 615.
00:40:55The limousine will leave in six minutes.
00:41:02Please don't go, Harry.
00:41:04Can't be helped.
00:41:05Then take me with you.
00:41:06What?
00:41:06I must get out of that house.
00:41:08I can't stay there.
00:41:09It's only for six weeks.
00:41:10You'll be all right.
00:41:11This is the wrong time for you to be going away for six weeks.
00:41:14Why?
00:41:14What happened?
00:41:16Griff proposed.
00:41:17He what?
00:41:18Last night.
00:41:19He wants me to marry him.
00:41:21I never dreamed he'd go that far.
00:41:24Parole's aren't allowed to marry.
00:41:26If you marry him, it means he's the one who made you break the rules.
00:41:29He didn't mean that.
00:41:30He just wants me to say yes now, and then after I'm off parole.
00:41:33If you can get him to marry you now and keep it secret, honey, it's sensational.
00:41:38What are you talking about?
00:41:39Look.
00:41:40He's got a blind mother and a little brother who worships him.
00:41:44And he needs that job because he's got political ambitions.
00:41:48Don't you see, Jenny?
00:41:49Once you're married to him, you can do anything, and he won't dare give you away.
00:41:54I can't do that, Harry.
00:41:56The minute that marriage license is in your pocket, Griff Morat is where he belongs, right
00:42:00behind the apron.
00:42:01I can't, Harry.
00:42:02I can't.
00:42:03I can't.
00:42:05Marty, you'll know where I am.
00:42:07The minute you're married, get out of that house and wire me.
00:42:10Bye, darling.
00:42:11But, Harry.
00:42:26The minute you're married, get out of that house and wire me, get out of that house and wire me,
00:42:28get out of that house and wire me, get out of that house and wire me, get out of that
00:42:34house and wire me, get out of that house and wire me, get out of that house and wire me,
00:42:34get out of that house and wire me, get out of that house and wire me, get out of that
00:42:34house and wire me, get out of that house and wire me, get out of that house and wire me,
00:42:34get out of that house and wire me, get out of that house and wire me, get out of that
00:42:34house and wire me, get out of that house and wire me, get out of that house and wire me,
00:42:34get out of that house and wire me, get out of that house and wire me, get out of that
00:42:35house and wire me, get out of that house and wire me, get out of that house and wire me,
00:42:39get out of that house and wire me, get out of that house and wire me
00:42:55Good afternoon, Bureau of Paroles.
00:43:05Hello?
00:43:06Where am I?
00:43:09When?
00:43:09She just packed a few things and left.
00:43:12Oh, she told me, Griff, about you and herself.
00:43:15She said she couldn't live here with you and it wasn't fair to marry you, so...
00:43:20You got any idea where she went? Did she say anything to Indy?
00:43:22No, she just left, that's all.
00:43:25Oh, but Griff, there was something.
00:43:28I don't know what it is.
00:43:30It's something printed, I think.
00:43:34It seems to be a leaflet of some sort.
00:43:36It was on her bed.
00:43:53I have the list of passengers of Flight 615.
00:43:56There's Mr. Harry Duffy, Mr. Alan Waterman, J.J. Jennings...
00:44:01Jennings, a man or woman?
00:44:03That was a man.
00:44:05Mr. Harry Wesson...
00:44:06Harry Wesson?
00:44:07Yeah, I thought you were looking for a lady.
00:44:09Yeah, that's right. Go on, please. Any other woman?
00:44:11Well, the only other woman is, uh, Miss Mary Wilson.
00:44:16What does she look like?
00:44:18I remember her.
00:44:19She was very nervous, sort of worried.
00:44:21And what does she look like?
00:44:23Well, she had gray hair, was about 65 years old, short and stout.
00:44:27Attention, please.
00:44:28Passengers on Flight 66 for Seattle.
00:44:32Flight 56 is leaving from Gate 3.
00:44:35Flight 56 for Seattle is leaving from Gate 3.
00:44:48Jenny.
00:44:49Griff.
00:44:55Why are you running away from me?
00:44:56Because I don't know what else to do.
00:44:57Now, that's no answer.
00:44:58I'm just no good for you, Griff.
00:44:59Don't say that.
00:45:00Look, it's just something I've done.
00:45:01Oh, no, no.
00:45:01I can't explain it to you.
00:45:03But being in your house, being with you, I...
00:45:05You're gonna marry me now, today.
00:45:06Oh, no, no.
00:45:07Why?
00:45:07Don't you want to marry me?
00:45:08You do love me, Jenny, don't you?
00:45:10I thought I didn't.
00:45:10I was ready to leave, but...
00:45:12Oh, darling, it can't be.
00:45:13No, we'll manage.
00:45:13It'll be all right.
00:45:14We'll have to keep it a secret till you get your release.
00:45:16But it'll work out.
00:45:17But we'll be begging the parole.
00:45:18No, just bending it a little.
00:45:19It'll ruin you if they find out your job, your career.
00:45:21Nobody needs to know.
00:45:22We'll just tell Mom, maybe.
00:45:23That's all.
00:45:24But you do love me.
00:45:25Oh, yes, yes, yes.
00:45:26We can get a plane ride here from Las Vegas and get married.
00:45:28Paroles can't leave the state, but you'll be in the custody of a parole officer, so that
00:45:31makes it all right.
00:45:32Oh, Griff.
00:45:34Griff.
00:45:34For you two to stay apart would have been wrong.
00:45:38But we must trust nobody with this secret.
00:45:41Griffin has much to lose if it is discovered.
00:45:44But his whole career, I hope Jenny has more to lose her whole life.
00:45:51We must all be very careful.
00:45:54Tio ti benedica, filia ria.
00:45:58God bless you.
00:46:21God bless you.
00:46:23God bless you.
00:46:28God bless you.
00:46:43God bless you.
00:46:44Hello?
00:46:45Jenny?
00:46:47Yes, I'm home.
00:46:49Just got in.
00:46:51Why didn't I hear from you?
00:46:53Well, I couldn't.
00:46:56Couldn't you get him to take the leap?
00:46:58I thought you had him hooked when I left.
00:47:02What happened?
00:47:04Oh, you aren't alone.
00:47:05Just answer yes or no.
00:47:06Can you meet me?
00:47:10Well, yes, but...
00:47:11Good.
00:47:12Five o'clock, the library.
00:47:15Fine.
00:47:16See you.
00:47:49Harry, you shouldn't have come here.
00:47:51You kept me waiting there for an hour.
00:47:53For what reason?
00:47:55Mrs. Morat isn't feeling well.
00:47:57Oh.
00:47:58But I...
00:47:59Yes?
00:48:00I did want to see you.
00:48:01Really?
00:48:02Because I have something to tell you, but I...
00:48:04Relax.
00:48:05Who are you afraid of?
00:48:06Please, Harry.
00:48:08Griff is coming home.
00:48:10He'll be here any minute.
00:48:11Oh.
00:48:11You must go, Harry.
00:48:13Jenny?
00:48:15Who's there?
00:48:18Is it Griff?
00:48:20Who came in?
00:48:22It's all right, Mom.
00:48:23It's just a friend of mine.
00:48:25Who's just a friend?
00:48:26Griff.
00:48:28Yes, Mom?
00:48:29Something's wrong, Griff.
00:48:32Mom.
00:48:34Go to your room.
00:48:36Please.
00:48:37Yes, Griff.
00:48:48You've had this coming for a long time.
00:48:52Griff, don't.
00:48:53You've had this coming for a long time.
00:48:55You've had this coming for a long time.
00:49:06You've had this coming for a long time.
00:49:11Wow.
00:49:12Oh, Griff.
00:49:14Hey, hey.
00:49:15It's all right.
00:49:16It's all right.
00:49:18Now, look.
00:49:18I'm the one who got the poke in the mouth.
00:49:21Oh, Griff.
00:49:22I'm afraid.
00:49:24I'm afraid.
00:49:25Oh, don't worry, honey.
00:49:26He won't bother you again.
00:49:28Never again.
00:49:31Good afternoon.
00:49:32Bureau of Paroles.
00:49:34Mr. Morat?
00:49:40Hello.
00:49:41Hello, Mr. Morat.
00:49:42Yeah?
00:49:43This is Harry Wesson.
00:49:44I have something to tell you about your wife.
00:49:48Hello?
00:49:50Hello?
00:49:52Hello?
00:49:55Hello?
00:50:00Hello?
00:50:02Hello?
00:50:36This is Griff Morat.
00:50:38Send an ambulance right-of-way to 3039 Wilshire.
00:50:41Apartment 203.
00:50:45Now, somebody shot Harry Wesson, but he's still breathing.
00:50:47Hurry it up, please.
00:50:48Let's go.
00:50:50Let's go.
00:50:53Let's go.
00:51:05Let's go.
00:51:07Let's go.
00:51:09Let's go.
00:51:10Let's go.
00:51:11Let's go.
00:51:13Let's go.
00:51:13Let's go.
00:51:14Let's go.
00:51:15Let's go.
00:51:16Let's go.
00:51:17Let's go.
00:51:17Let's go.
00:51:18Let's go.
00:51:21Hello?
00:51:22Griffin Ratt again.
00:51:24I think I know who did it.
00:51:26Jenny Marsh, a parolee.
00:51:29I'll bring her in.
00:52:16I'll bring her in.
00:52:18Griff, I heard what you said, but it isn't true.
00:52:20You're a liar and you cheat. You're no good.
00:52:22I made a fool of myself over you and never again...
00:52:24Griff, please.
00:52:25Come on.
00:52:26Griff, you must listen.
00:52:33I don't care what happens to me, but I want you to know the truth.
00:52:36I went to Harry's apartment.
00:52:39I wanted to tell him about us.
00:52:43Oh, Jenny, come in.
00:52:45I can't stay, Harry.
00:52:46Mrs. Morat's waiting down the street.
00:52:48I had to speak to you.
00:52:50Oh, I'm sorry about what happened.
00:52:52I hope he didn't hurt you.
00:52:53What he did is nothing to what I'll do to him.
00:52:56Nobody pushes me around. Nobody.
00:52:58Harry, you've always been very generous and very kind.
00:53:02And I know you'll understand.
00:53:03Why didn't you get in touch with me during the whole six weeks?
00:53:06Well, it was pretty difficult.
00:53:07Why'd you refuse to accept that transfer to San Francisco?
00:53:10I didn't refuse it.
00:53:11They found out it was a false transfer.
00:53:12Who told them? You?
00:53:14No.
00:53:17Harry, I've come to tell you something.
00:53:19You've fallen for him.
00:53:22Yes.
00:53:24All the way.
00:53:25So that's why you didn't get in touch with me.
00:53:27You just stayed here playing kissing games.
00:53:30But you couldn't get him to marry you.
00:53:32The day you left, Harry, I ran away.
00:53:33I don't really think I knew why then.
00:53:35I was just mixed up and I had to get away.
00:53:38But I know now.
00:53:41You're my friend, Harry, and I'm grateful to you.
00:53:44But I'm in love with Griff.
00:53:45In love.
00:53:49You're not in love with that fool.
00:53:51I've been happier than I ever was in my whole life.
00:53:54I didn't know I could be so happy.
00:53:56Oh, I know you'll understand.
00:53:57You've always been so sympathetic and...
00:54:02Hello?
00:54:04Yes, Molly.
00:54:07What's the date?
00:54:10Thanks, Molly.
00:54:12That's all I need.
00:54:16So I've come to ask you if you'll leave me alone, Harry, and let me try...
00:54:21All along I've had a hunch there was something wrong, not hearing from you.
00:54:25The way you acted at the airline office, his house,
00:54:28with him acting like he owned you, like a husband.
00:54:31And you didn't tell me yourself.
00:54:34No, I have to get Marty to check the marriage license bureaus.
00:54:36It's in the record, baby.
00:54:38In the record.
00:54:40You married him the same day I left.
00:54:41You've been in love with him all the time.
00:54:43I guess I have been.
00:54:44Do you think I'm going to stand still while you make a fool of yourself over that rover boy
00:54:47and then take you back when you come running to me again?
00:54:49I won't be coming back, Harry.
00:54:50You're so right, baby.
00:54:52Because you're not walking out on me.
00:54:55Not for Griff Morath.
00:54:56Not for him.
00:54:56Not for that fool.
00:54:57I'm sorry, Harry.
00:54:58I didn't want it this way.
00:54:59But that's it.
00:55:02You think I give up this easily?
00:55:05You think I'm going to have people laughing at me?
00:55:07I'll ruin him if it's the last thing I do.
00:55:09You will not.
00:55:11I'm just starting to see you as you really are.
00:55:13You've always had to be the big shot, the powerful one, handing out favors.
00:55:17That's why you like doing things for me.
00:55:18You did all right.
00:55:19I didn't know any better then.
00:55:20You think you can do better with Griff Morant?
00:55:22Griff is decent and he's smart.
00:55:23And he'll get places the right way.
00:55:26And he's showed you up every time.
00:55:27That's why you hate him.
00:55:29Not because of me.
00:55:29Shut up, Jenny.
00:55:30You shut up.
00:55:31I'm thinking clearer these days.
00:55:33You owe me five years, Harry.
00:55:35I shot a man to save your life and I went to prison for it.
00:55:38I didn't have sense enough then to think it was wrong that you let me go.
00:55:42But now I consider it a debt.
00:55:45We're even.
00:55:46I'm through, Harry.
00:55:47I'm no longer asking you to say goodbye.
00:55:50I'm just saying it.
00:55:52Oh?
00:55:54Well, before you say it, I want you to listen to a little speech I've got for Griff Morant.
00:55:58What do you mean?
00:55:59You and I had a deal, baby.
00:56:02You were to marry him so you could be with me.
00:56:05Remember?
00:56:06Well, I'm going to tell him about that.
00:56:07He'll never believe you.
00:56:09Won't he?
00:56:14I love you, darling.
00:56:16Please, Harry.
00:56:17Harry, please.
00:56:18I'm sorry for what I said.
00:56:19Please, Harry, you can't.
00:56:20Can't I?
00:56:20Watch me.
00:56:21Harry, I don't blame you, but...
00:56:22Excuse me while I push Humpty Dumpty off his wall.
00:56:24Information?
00:56:25Give me the number at the parole division.
00:56:26Harry, no.
00:56:27No, you'll break his heart.
00:56:28That's the idea.
00:56:29You catch on quick, Jimmy.
00:56:30Harry, please.
00:56:31I'll come back to you.
00:56:32I will.
00:56:32Just don't do that to him.
00:56:342230?
00:56:41Stop that.
00:56:43Put down that phone.
00:56:45Stop being melodramatic.
00:56:47Mr. Morant, please.
00:56:48I said put down that phone.
00:56:51Would you like to speak to him yourself?
00:56:54I'll tell him you're here.
00:56:55Hello, Mr. Morant.
00:56:57This is Harry Wesson.
00:56:58I have something to tell you about your wife.
00:57:10I have something to tell you about your wife.
00:57:17Maybe I'm no good, but I do love you.
00:57:30Why did you do that?
00:57:31Where are we going?
00:57:32Griff, please.
00:57:32Why did you turn around?
00:57:33Where are you going?
00:57:34They're expecting me to bring you in.
00:57:35If I can make it to San Diego and the Mexican border before the alarm goes out, I can get
00:57:39you across before we're missed.
00:57:40No, Griff, you must.
00:57:41If you're trying to be a life sentence, you haven't got a chance, Jenny.
00:57:44They'll never believe you.
00:57:44But you can't do this, Griff.
00:57:46It means you're throwing away your job, your whole career.
00:57:47I'm going to turn you in.
00:57:49Oh, Griff.
00:57:50The others have gotten away with it.
00:57:52We'll be all right.
00:58:03It's only 15 miles to the border, but we're running out of gas.
00:58:06Can't we make it?
00:58:08I'm afraid we'll have to take a chance and stop.
00:58:18Fill her up, please.
00:58:19Hurry.
00:58:19Who arrived in this country today, announces that she will marry the American industrialist.
00:58:23Two hamburgers to go out, please.
00:58:25One on in, gentlemen?
00:58:26Yeah, everything rushes.
00:58:27Let me write out.
00:58:27Harry Wesson, a gambler, was shot this morning.
00:58:30He named his assailant a woman called Jenny Marsh.
00:58:34Although he's still alive, doctors say he has little chance to recover.
00:58:38This woman, who was a paroled murderess, was being taken to the police by her parole officer when both disappeared.
00:58:45The police believe she murdered the parole officer and is using his car.
00:58:49The license number of the parole officer's car is 1-N-88-81.
00:58:54Hey, Pop.
00:58:551-N-88-81.
00:58:57Coming right up.
00:58:581-N-88-81.
00:58:59Now for the sports roundup.
00:59:01Jesse Hernandez will take on Art Palma at New York's Madison Square Garden.
00:59:06The winner will be the logical challenger for the welterweight crown, Tony Edwards.
00:59:14Come on, hurry up.
00:59:15We're waiting to start.
00:59:16Okay.
00:59:17Okay.
00:59:43I'm still going to try for the border.
00:59:45But, Griff, the alarm's out.
00:59:46They'll be looking for us.
00:59:47Not in this car.
00:59:48They're not going to question a honeymoon couple too closely.
01:00:17I'll take a look around.
01:00:20Mighty nice day for it.
01:00:25Stolen car.
01:00:26The crooks left the bride and groom standing at the curb.
01:00:28Nice way to begin a honeymoon, eh?
01:00:30I see.
01:00:31This is a good one.
01:00:32California license number 63W348.
01:00:48Hey!
01:00:50That won't do you any good.
01:00:52Anybody can tell from your face.
01:01:18Griff, we'll never get out of this.
01:01:19Yes, we will.
01:01:20Hold tight.
01:01:40We've got to get rid of this car.
01:01:41But then what?
01:01:43The bus.
01:01:45The bus.
01:01:52The bus.
01:02:03The bus.
01:02:07The bus.
01:02:08The bus.
01:02:28Yeah, put a slug right through them.
01:02:30Some beautiful blonde, eh?
01:02:41You're about to change the color of your hair.
01:02:44Good morning, Eddie.
01:03:00Jenny, let me in.
01:03:07hey looks fine we gotta get out of here that landlady's been asking too many questions
01:03:13well maybe she's just curious well we can't take any chances
01:03:18maybe i can pawn this pawn oh great get enough money for bus fare to someplace else
01:03:29you got a nail file thanks no griff i know what i'm doing
01:03:37the back is all scratched up yeah well it had something on it i didn't like anyway
01:03:42where'd you get this watch was given to me i don't handle any hot goods look i didn't steal it
01:03:48okay
01:03:49okay don't get excited wait a minute i want to see what the gold weighs
01:04:05hello operator get me the police
01:04:13hello sarge this is sam green there's a guy in here trying to pawn a watch
01:04:18i'm not sure but i think it's the guy in the paper
01:04:21you know the lovers
01:04:23well hurry it up i'm no hero
01:04:26okay i'll try to stall him
01:04:39how much you want for this
01:04:40well it must have cost 200 bucks i ought to get 100
01:04:42you're crazy i might give you 25
01:04:44oh give me the watch
01:04:45take it easy take it easy i might go a little higher
01:04:50where'd you say you got this
01:04:51i told you it was given to me
01:04:53what was on the back that you scratched off
01:04:55i'm selling you the watch as is
01:04:57got anything else you want to sell
01:04:58no
01:04:59how about the ring
01:05:00no how much
01:05:02how much do you want
01:05:03look give me 50 bucks and let's stop all this
01:05:07mmm 35 is more like it
01:05:08i don't want to sell it give me the watch
01:05:10get your hands up get your hands up
01:05:12and what is this
01:05:12i recognize you the minute you came in
01:05:15don't try anything funny
01:05:16the police are on their way over
01:05:17look mister you're wrong
01:05:18i don't know what you're talking about
01:05:20look you keep the watch i found it
01:05:21just let me out of here
01:05:23don't move
01:05:24stay where you are
01:05:25i'm warning you
01:05:26you're this guy i'm a rat
01:05:27the guy with the murderers
01:05:28oh no
01:05:29it's a basketball trophy
01:05:31get out of the way
01:05:32how much i want for this
01:05:33get out
01:05:46yeah like i said
01:05:48they can give you the book for carrying a heater
01:05:50but a knife
01:05:52even a woodcarver carries a knife
01:05:54get it jack
01:05:56woodcarver
01:06:00ain't answered me yet
01:06:05what racket you two in
01:06:07the badger game
01:06:10with a smart looking tomato like her
01:06:12it'd be a cinch
01:06:14but what's the matter
01:06:15it's so hot you're scared to talk
01:06:17i ain't exactly cold myself
01:06:20a little slug baby
01:06:22oh thanks
01:06:23i uh
01:06:24borrowed this on my last job
01:06:27twenty year old whiskey
01:06:30i only go for the best
01:06:39what's tomorrow morning
01:06:40gang number four
01:06:41me
01:06:42buddy smith
01:06:43address
01:06:44uh
01:06:45twelve five six amelita
01:06:47social security number
01:06:49what's your social security number
01:06:51ain't you got a card
01:06:52i uh
01:06:53i forgot it
01:06:54i didn't bring
01:06:55sorry bud
01:06:55next
01:06:57name
01:07:03oh riff i'm so glad you're back
01:07:05there's nothing in this paper either
01:07:06we haven't been in for days
01:07:07good
01:07:09oh riff
01:07:11i never knew you could be so hungry
01:07:12i guess these aren't from the waldorf but
01:07:15mmm
01:07:16and they're wonderful
01:07:17where'd you get them
01:07:19car is going down the road
01:07:21i hope they didn't cost much
01:07:22we need money for dinner tonight
01:07:24how much have we left darling
01:07:26griff
01:07:28we spent all our money yesterday
01:07:30you had only enough for bus fare this morning
01:07:33how did you get these
01:07:35i borrowed them
01:07:37all right i stole them
01:07:39what are we supposed to do
01:07:40starve
01:07:40i stole them because there's no other way
01:07:42so eat them
01:07:42you haven't had anything all day jenny
01:07:44eat
01:07:46oh please don't cry jenny
01:07:47we have
01:07:48i'm not crying
01:07:48it's just
01:07:49for you to have to steal
01:07:50for you
01:07:51how much is all this stuff worth
01:07:53it cost you more than it's worth
01:07:56jenny
01:07:57there's a policeman watching us
01:08:00let's go
01:08:02i've had enough
01:08:02hey you
01:08:04wait a minute
01:08:06come here
01:08:08i've been watching you
01:08:09what's the idea of littering up the park with your garbage
01:08:11you raised in a pig pen or something
01:08:12coming in here and throwing this trash all around
01:08:15i ought to run you in
01:08:16now clean up that mess
01:08:18what do you think this thing is for
01:08:19decorations
01:08:20now tidy up everything so it's ship shape
01:08:22or say help me
01:08:23i'll write you both a ticket
01:08:34this is my wife
01:08:37i'll do
01:08:38there's empty house right next to where i live
01:08:40manager said you could have it
01:08:41fine
01:08:47keep the rain off you
01:08:48it'll be fine
01:08:50oh
01:08:50glory my wife
01:08:51hey
01:08:52mr and mrs
01:08:54parker wasn't that the name
01:08:55yeah that's right
01:08:55hi
01:08:55how do you know
01:08:56where you folks say you come from
01:08:58colorado
01:08:59montana
01:09:00well we uh
01:09:01just came down from montana
01:09:03originally from colorado
01:09:04oh
01:09:05be back in a few minutes
01:09:06show your way to water
01:09:08go on in
01:09:13what's the matter with you jenny
01:09:14i told you it's colorado
01:09:16colorado
01:09:16the last place you said it was montana
01:09:18just before we got off the bus
01:09:19i told you colorado
01:09:20i couldn't remember
01:09:21well i have to remember everything
01:09:22fake names fake social security numbers
01:09:24remember to leave before they get wise to me
01:09:26you don't even remember the name of a state
01:09:29i'm sorry griff
01:09:30i made a mistake
01:09:32well we can't afford mistakes
01:09:33you know how much depends on it
01:09:34now that guy probably suspects something's phony
01:09:36it's no good is it griff
01:09:38if you just use your head
01:09:41yes
01:09:42heads instead of hearts
01:09:50forgive me jenny i didn't mean it
01:09:53griff why do we quarrel like this
01:09:55sometimes i started
01:09:56sometimes you
01:09:57we're not getting on with each other
01:09:59or with other people
01:10:01what's happening to us griff
01:10:03nothing honey
01:10:03we're under strain
01:10:04i'm sorry i was irritable
01:10:06i don't know what's the matter with me
01:10:08i'm just tired i guess
01:10:11that's not it
01:10:11we're both jumpy and cross and all mixed up
01:10:14we're not ourselves
01:10:16we haven't had a happy moment since
01:10:17four weeks of this life would do it to anybody
01:10:19we're living like pigs
01:10:21other people have been happy in a house like this
01:10:23and doing work like this
01:10:26then we'll be happy too
01:10:27we will
01:10:28i get forty bucks a week on this job
01:10:30they won't catch up with that phony social security number
01:10:32for seven or eight weeks
01:10:33by that time we'll have some money to get a long way from here
01:10:36hey parker
01:10:38that's for you mr parker
01:10:40come on the boss wants me to show you where you work
01:10:42they're coming
01:11:05yeah it's about time
01:11:09how you like working here after two weeks
01:11:12it's okay
01:11:13you ever been in california
01:11:16no
01:11:17my wife's brother lives there
01:11:18he owns his own house
01:11:20you know how he got the money to pay for the house
01:11:22he turned in a crook
01:11:24and got a reward
01:11:27maybe i'll live in california pretty soon
01:11:31i hear it's a pretty nice place
01:11:34your wife ever been in california
01:11:36no
01:11:37my wife wants to live there
01:11:39i told her
01:11:40get a crook
01:11:41turn him in
01:11:41get a big reward
01:11:42and buy a house
01:11:43live in california too
01:11:45she wants to be waitress
01:11:46and drive in a restaurant
01:11:48waitress
01:11:49your wife got ambition like that
01:11:51no
01:11:53no
01:12:03no
01:12:04no
01:12:07no
01:12:20no
01:12:22no
01:12:22no
01:12:25no
01:12:26no
01:12:29no
01:12:45thanks dearie for picking up the paper for me
01:12:47first delivery we've had in a week
01:12:49joe said he was going to give that paper boy a piece of his mind
01:12:53looks like everybody got a paper on time today
01:12:55they can thank joe for that
01:12:57you ought to subscribe
01:13:00oh thanks honey
01:13:01just put them on top here
01:13:03here that's it
01:13:04the paper too
01:13:05paper
01:13:05yeah sure
01:13:06joe always reads it after dinner
01:13:07would you mind opening the door for me
01:13:09it isn't locked
01:13:10oh thanks honey
01:13:36oh darling
01:13:38oh i'm sorry i'm late honey
01:13:40i came through town
01:13:42griff
01:13:42got something for you june
01:13:43a little present for my girl
01:13:45present
01:13:46go on open it
01:13:48it's an awful little present but
01:13:54griff
01:13:57hey hey
01:13:59i know it isn't that bad is it
01:14:02you know what they say
01:14:03it's
01:14:03it's not the gift
01:14:04it's the thought that counts
01:14:05yes griff
01:14:06that really counts
01:14:10don't let me stop you
01:14:11i'm just paying you back the eggs i borrowed
01:14:14oh
01:14:14snow hot water again
01:14:15i'm just going to wash my hair
01:14:17and
01:14:18well it's dyed isn't it
01:14:20oh uh
01:14:21yes you see i
01:14:22i can always tell dyed hair
01:14:23i noticed the first day you got here
01:14:25i bet you used to bleach it
01:14:27now it's dyed back to its natural color huh
01:14:29yes
01:14:30oh
01:14:32that's joe he's home
01:14:33wait till he sees the snow hot water
01:14:35he'll yell like a ball
01:14:36fixing to go someplace dearie
01:14:38oh no
01:14:38yeah what is it
01:14:40there's no hot water
01:14:41what'd i tell you
01:14:42yelling like a ball
01:14:43that heat it's all corroded
01:14:46once corrosion
01:14:47boy
01:14:48come on i'm hungry
01:14:57tell me if there's any
01:14:58corrosion
01:14:59what
01:15:23what's wrong
01:15:25we're going back griff
01:15:28we're going to give ourselves up
01:15:29don't talk that way
01:15:30those people that got you upset
01:15:32that frowsy dain with all the snooping
01:15:34sorry you have to put up with them
01:15:36a lot of things
01:15:37we'll get out of here
01:15:38we'll go someplace else
01:15:39we'd only have to run away again
01:15:41no we'll run so far
01:15:42there's time they'll stop looking for us
01:15:43maybe they'll stop looking for us
01:15:45but we'll never stop running
01:15:47we're getting out of here
01:15:49griff
01:15:50it's too late
01:15:55he's already called the police
01:15:57police
01:15:57he knows
01:15:58yes
01:15:59that's why she came over here
01:16:00to make sure
01:16:01how did they find out
01:16:02the newspaper
01:16:03pictures of us again
01:16:04you saw it
01:16:05yes
01:16:05well then why didn't you
01:16:06come on
01:16:07let's hurry it isn't too late yet
01:16:09it is grief
01:16:10for me
01:16:15jenny please
01:16:16you're all that matters to me
01:16:17you can't go back
01:16:18i've got to
01:16:19it's no good this way
01:16:20what kind of life is this for you
01:16:21we haven't got a chance jenny
01:16:23yes we have
01:16:24a little chance maybe
01:16:25but at least a chance
01:16:26there's no happiness this way darling
01:16:28we're breaking the rules
01:16:30that's not for you griff
01:16:32and it's not for me either anymore
01:16:34oh it's better griff
01:16:36please
01:16:37it's better
01:16:42yes
01:16:45let's go now right away
01:16:46we don't want to be caught
01:16:47we don't want to give ourselves
01:16:50we don't want to be caught
01:16:51we don't want to be caught
01:16:52my prison
01:17:14can you answer me joe
01:17:15did you not tell him
01:17:17yes i told him
01:17:18so what did you tell him exactly
01:17:20i told him
01:17:21if you didn't get us a new heater
01:17:23i was quitting the company
01:17:24yeah and he said
01:17:26you take it from there flory
01:17:28i'm tired
01:17:30tired
01:17:34hey flory
01:17:35yeah
01:17:36there's a picture of a dame here in the paper
01:17:38looks like that girl next door
01:17:41nah
01:17:43in the papers they all look alike
01:17:45she's a nice kid
01:17:47they're being married
01:17:48they sure are crazy about each other
01:17:50come on joe
01:17:51eat this mess
01:18:06the police are here mr wesson
01:18:10well here they are wesson
01:18:15all you have to do is identify her
01:18:16she gave herself up
01:18:27well just tell us if she shot you
01:18:31it was an accident
01:18:34an accident
01:18:35well that isn't what you said in the report
01:18:37it was an accident i tell you
01:18:44well
01:18:45i guess there's nothing more for us to do
01:18:48come on mike
01:18:50what about jumping parole
01:18:51she was with her parole officer wasn't she
01:18:53for two months
01:18:54yeah for two months
01:19:00thanks harry
01:19:01i'm a good enough gambler to know when i've lost
01:19:04but it took a bullet to convince me
01:19:08ness do me a favor
01:19:09yes mr wesson
01:19:11throw these people out of here
01:19:25is
01:19:25he
01:19:25we
01:19:26i
01:19:30you
01:19:31i
01:19:31i
01:19:33i
01:19:34i
01:19:37we
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