00:00Previously on Somewhere Between.
00:04Somebody who might be the man who shot Haskell Lebray
00:07just brought my husband a photograph that he lied about and then shredded.
00:10Looks like he was going to put a stop to whatever he was being blackmailed for.
00:13One thing led to another.
00:20Stay out of this.
00:22Don't ask questions.
00:23Next time I drop you.
00:35This was taken the day it happened in Spanish Harbor ten years ago.
00:38Look at the tattoos.
00:39It's fresh ink by Simon Spencer.
00:41How could you possibly know who inked them?
00:42It's Susanna's father.
00:45And this picture was taken down the street from his shop.
00:47I'm leaving.
00:48I'm taking Serena with me.
00:49Whatever you're messed up in is putting our daughter in danger.
00:52I'm texting the address.
00:54In a mechanical room under a broken skylight, there's a glove drenched in the guy's DNA.
01:14There's a advantage.
01:18I'm emporious.
01:21I'm removing this jacket.
01:21I'm documenting thepero cursed look.
01:22This woman also has a golden sign.
01:22I was gonna have aati-
01:22I'm continuing on when she gets slightly escrowed.
01:22She wants to take care of me and others with a single brother?
01:23Not a sister.ей
01:23Believe
01:23me, Jefie! Oof!
01:29It was a
01:38I thought they got a warning.
01:39Apparently it wasn't loud enough.
01:54Serena, where did you put your time capsule, baby?
01:58I don't know.
01:59I don't know.
01:59I don't know.
01:59I don't know.
02:02Why did one of those sunburnt frat boys shoot Haskell the Bray?
02:07Blackmail the DA.
02:08Drown a little girl.
02:09But those three things have less to do with each other.
02:12In half an hour we'll be in Spanish Harbor and we'll know something.
02:15Oh no, no, no, no.
02:16Simon is not the guy you wake up at 2 in the morning and say,
02:20Hey, let's talk about the day your precious daughter was murdered.
02:24Tattoo Parlor opens at 10am.
02:27Till then, motel.
02:35When I woke up today, I didn't think I'd be breaking up with my husband
02:40and running away in the middle of the night.
02:44This is gonna destroy her.
02:47This is a call from father unit to daughter unit.
02:50This is a call from father unit.
03:12Well, counselor, I was just about to finish off a box of cheap wine and cyber stock my ex-husband,
03:16so this better be good.
03:17What?
03:18She took her.
03:19Who?
03:20Took who?
03:21My wife isn't well.
03:23I shouldn't have asked you to look the other way when she pulled a gun into Bray.
03:26She's taking Serena.
03:27She's denying contact.
03:29Where is she now?
03:32With Nico Jackson?
03:34Oh, boy.
03:36If something horrible happened to Serena, I'd never forgive myself.
03:40Are we talking Amber Alert?
03:42I can't risk setting Laura off again, though, if she has Serena.
03:48I'll do a be on the lookout, then.
03:50No noise.
03:50I just...
03:52I want them back.
03:52Well, I don't know.
03:55Okay, man.
03:56Mm-hmm.
04:43I'm six?
04:45Yep.
05:01Hey.
05:06Forgot this?
05:10Thank you, officer.
05:11That's decent of you.
05:15If I'm testing it out, I can still return it.
05:19It's good.
05:25Good night, officer.
05:28Yeah, you too.
05:38Gideon, let's go in the car.
05:42What's going on?
05:43Why didn't you want the policeman to see us?
05:45The story I'm doing is about the police partly,
05:47and they don't want me to tell it,
05:49so we have to be careful.
05:51Or they'll shoot you?
05:52No.
05:53No.
05:54They'll just, um, stop me from telling the story.
05:57Give me the phones.
05:58No motel.
06:01Too many eyes on us.
06:02No credit cards, no phones.
06:04Seven cars gotta go.
06:10Where are we gonna stay?
06:12I know a place.
06:14My brother's old clubhouse.
06:16Hold on.
06:18Got a ping on the little girl's phone.
06:21Cardero exit off the 101.
06:23We're in.
06:36What is this place?
06:37Oh.
06:41You know, it's the location.
06:43Here, take the princess.
06:45Okay.
06:46All right.
06:49Three trees from the door.
06:51Three trees from the door.
06:57It went to World War II bunker.
07:00Dad used it as a dark room before he got his cam store.
07:03Then when I got my own place, Danny wanted one too,
07:05so, uh, moved in here.
07:07Yeah.
07:10Oh.
07:12Danny's collections.
07:15He used to say he had two brothers.
07:17Me and the forest.
07:26That's Ruby.
07:27I can't believe.
07:28Can't believe what?
07:29Someone so sweet could do something so terrible.
07:33You think I'd put my brother on death row for the thrill of it?
07:36No, of course not.
07:37But one of the men in that picture you found at Jesse's house is a killer,
07:40and maybe he killed Susanna.
07:42The evidence would not support that.
07:45You want the official $10 hop-on, hop-off murder tour
07:48of the Jackson Brother Clubhouse?
07:50Ladies and gentlemen, director gazed to the very spot
07:53the cops found the blade, drenched in Susanna Spencer's blood
07:57the night Mr. Jackson confessed to the murder.
08:00And here, behind his childhood chalkboard,
08:03is where Mr. Jackson kept his secret collection
08:06of much caressed photographs of Janice Kim and Karina Markovich.
08:11And for the Jackson DNA found on personal items belonging to Janice and Karina,
08:15you'll have to visit the Marin County evidence lock-up.
08:19What happened that night?
08:20The night Susanna died.
08:21The person who killed Serena was in Spanish Harbor.
08:24Maybe you saw something that will help us figure out who he is.
08:27I was in Saw for Springs most of the day with Cupcake,
08:30running down a hot car ring.
08:32I went home early because I had plans.
08:34What plans?
08:39I was gonna propose to the girl I wanted to marry since I was seven years old.
08:43You don't have to say anymore.
08:44Her house was through the woods, not far from here.
08:47Danny lit the house on fire before I took the body.
08:50Man, when I saw those flames, I went running
08:53because there ain't a lot of houses out here.
08:58I did, I did, and I, I, I killed her.
09:01I, I'm sorry, Nico.
09:04I don't know if there's, if there's some connection,
09:12if it has something to do with Serena.
09:15I don't know what it is.
09:17I don't.
09:18Marjorie says nothing is a coincidence.
09:23Everything is connected.
09:29I'm so sorry, I can't help you.
09:40You can, but I'm scared
10:02North.
10:15Mrs. Jackson, good morning.
10:18Do you have any news about Danny?
10:20I'm close to something, but I need to see Nico,
10:22and I can't find him. Do you know where he is?
10:23What did you find out? Are you going to reopen the case?
10:26It's very sensitive right now.
10:27I need you to find out where Nico is.
10:30Oh, I'm right now.
10:31You know, he may be in trouble.
10:32Mrs. Jackson, he'll be scared to talk to me,
10:33but I can help if I can see him.
10:37My son isn't scared to talk to anybody.
10:39And he's never needed help, not from you or anyone else.
10:43Mrs. Jackson, he...
10:43You think because I'm poor and desperate that I'm stupid.
10:48Well, there's one thing desperate people know when they see it,
10:51and that's desperation.
10:54You want me to find Nico?
10:56Get your phone out, call your office,
10:59tell them to reopen Danny's case with the speaker on
11:02so I know who you're talking to.
11:06I don't want to be late for work, so...
11:08if you'll excuse me.
11:23I still don't know where Nico went.
11:25He took the Cordero exit off the 101.
11:27Not much up that road except the town where you grew up,
11:30with Nico.
11:31Any idea where you might go to hide out around there?
11:34Please.
11:34We're not going to hurt your boy.
11:36We're just saving him from himself.
11:38So don't make me remind you
11:39why it would not be a good idea for you to hold out.
11:53Mom?
11:55Right here, Angel.
11:56Making us some sandwiches.
11:57Look at all this cool stuff.
11:59Mom, where are we?
12:01It's my summer palace.
12:03You like it?
12:05Yeah.
12:06Except that smells like feet.
12:09It's where I used to come to get away from my parents when I was your age.
12:12They never get away from my parents.
12:14Well, today is a good day to be with one of them
12:16because I have to go incognito for the story I'm doing.
12:20So when we go into town, we get to be in disguises.
12:23Like Halloween.
12:24Can I be the headless horseman?
12:26Well, the point is not to attract attention.
12:30So it's kind of a resort town.
12:33I was thinking we'll be a star on vacation.
12:37Hmm?
12:38Can we go swimming?
12:39We have time, okay?
12:41One burner phone for you, one for me.
12:44Next stop, tattoo parlor.
12:46Can I get a tattoo?
12:48And no spells?
12:49Predictable.
12:51Here.
12:54They were standing right here.
12:58Did Marjorie work at the shop?
13:00She had a tea shop in the back of the Susanna died.
13:03And, uh, her and Simon fell apart.
13:06She moved to the city.
13:07Item of fire.
13:09No.
13:09Oh, no, no, no.
13:11Look at this.
13:15Everything's still in there.
13:17Records, too, probably.
13:20Susanna used to live upstairs during junior high.
13:22But I could always find where they hid the key.
13:24TMI, Jackson.
13:28Watch your step.
13:29Thanks.
13:33We'll just be here a little while, okay?
13:42Two thousand seven.
13:44Two thousand seven.
13:46Turn around slowly.
13:50Hey.
13:51Simon.
13:53Nico.
13:53Hey.
13:54What the hell?
13:55Please, put the gun down.
13:57My daughter's here.
13:59It's loaded and ready.
14:00I keep it around for break-ins.
14:02I'm sorry, Simon.
14:03It's just, you know, the place felt like home still.
14:06And I thought there was nobody here.
14:09This is Laura.
14:11She's a reporter.
14:12She's trying to track in a guy that came in here ten years ago.
14:14He shot a man in San Francisco the night before last.
14:17What makes you think he came in here?
14:19Oh.
14:23He's one of the men in this picture with your fresh tattoos.
14:27Oh.
14:29Hey, whoa, whoa.
14:30Take it easy.
14:31Is that real?
14:33Put it down, please.
14:35Listen, I understand.
14:36I know you're upset.
14:37There's a killer on the loose,
14:38and we need the names of the men who are here
14:41on the 4th of July of 2007.
14:43That's all.
14:43And why should I help you?
14:45When the next body shows up,
14:47and you know you could have done something
14:48and didn't.
14:51All right, then.
14:542007 is right over here.
14:58What the hell?
15:00It goes up to the week of June 25th.
15:02The week of July 2nd is missing.
15:05What was her break-in?
15:07Around the time Susanna died,
15:09someone broke in through the tea house.
15:11We thought it was just vandalism
15:13because nothing was missing.
15:15Except for the names of the people who are here.
15:17July the 4th, 2007.
15:21Why did you bring me, Nico?
15:23Why did you come in here
15:24with a picture of my girl
15:26and dig all this stuff up again?
15:27Please, let us know if you know anyone in this picture,
15:31and we'll go.
15:35Looks like the bad luck club.
15:39Everyone knows him.
15:41He died yesterday.
15:43And then there's my baby.
15:47Those are the Tanner boys, Blake and Jason.
15:50Their family owned a bait shop down in Bodega Bay.
15:54Blake blew his brains out.
15:56Jason set fire to the family home.
15:58What?
15:59Where's Jason now?
16:00They sent him away.
16:01I don't know where.
16:02Who's the fourth one?
16:04I have no idea.
16:08I must be mistaken,
16:09because for a second I thought you said no to me.
16:11Look, you've got to come in, man.
16:13It's dangerous out there more than you know.
16:15What does that mean?
16:16You're playing with fire, that's all.
16:17Find me Jason Tanner,
16:19or I'm going to get up on the stage at the next reunion.
16:22I'm going to tell the Tijuana story.
16:24Look, man, you do whatever you want,
16:25but I will not be part of you landing in prison.
16:33Next brilliant plan?
16:34We sit here and wait,
16:36take in the beautiful scenery.
16:38I give them 90 seconds.
17:00I don't care how much you beg me,
17:01I'm not taking you back.
17:03Jason burned his house down in March 2012.
17:05He's found Magdalene competent to stand trial
17:07and diverted to the secure wing of a psychiatric facility.
17:11He's there now.
17:13Could he be getting in and out?
17:15Nico, whatever you're after, please don't go there.
17:19Cupcake?
17:20Give me the name of the hospital.
17:25It's a fancy place in Cotari.
17:29Remark Grove.
17:32Call you later.
17:33It's gone too far now.
17:35Oh, we left too far in the dust three days ago.
17:37I won't do it.
17:38You won't do what?
17:40Fate can destroy my marriage.
17:42Fate can make me sleep with a stinking hole in the ground
17:44and ruin my shoes and drag my daughter halfway across the state.
17:48But my mother's at Fremont Grove,
17:49and fate cannot make me visit my mother.
17:55You can't just walk into a hospital with flowers
17:58and say, hey, hi, I'm here to visit one of your violent patients.
18:01I've talked my way into scary places.
18:03I will talk my way into this one.
18:04Your mother being in there is a gift.
18:06Just like the picture on top of the piano at Jessie's house.
18:09Or us drowning in the bay together at the same time.
18:11It's a gift.
18:12Visiting her again.
18:13And she can...
18:13Nothing with my mother is a gift.
18:15There's always a bill.
18:16No.
18:18I get the insane soul-crushing mother thing.
18:20I get...
18:20Oh, yeah, you get it?
18:21Really.
18:22You get it.
18:22You get the glass splinters in the rug.
18:24After party time at the least for breakfast,
18:26the interchangeable men leeching off the money my dad worked himself to death for.
18:31And her name?
18:33Hmm.
18:34Esperanza.
18:36She was born hope.
18:37But that wasn't fabulous enough.
18:40Your mom and free mom for drinking?
18:42Started that way.
18:43She's been there for six months.
18:45And now it's for the attention.
18:46Around-the-clock doctors and nurses fussing over her psyche.
18:49She can afford it.
18:50So why not?
18:50She loves everyone to think she's suffering.
18:54But I don't have to suffer.
18:56Not anymore.
18:58And I won't.
19:00Incoming.
19:01Serena, come here.
19:02Come here, come here, come here.
19:04Your mom's gonna take you down the street to wash your face, okay?
19:06Your face is clean.
19:07Yeah, well, mine's not, so we're gonna go.
19:09What are you gonna do?
19:09Go.
19:45Hey!
19:46Time to go!
19:47Open it up, Andrew.
19:49Everyone at the top.
19:51Come on!
19:53All emergency services.
19:54How may a director call?
19:56These people are going to be very happy.
19:58I promise.
19:59I promise.
20:00I promise.
20:03I promise.
20:03I promise.
20:05I promise.
20:06I promise.
20:08I promise.
20:10I promise.
20:11I promise.
20:11I promise.
20:12I promise.
20:13I promise.
20:13I promise.
20:13I promise.
20:14I promise.
20:14I promise.
20:14I promise.
20:14I promise.
20:14I promise.
20:14I promise.
20:16I promise.
20:16I promise.
20:22I promise.
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