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Boeing Boeing (1965) Part One (ENG) HD [Full Movie] [Hot 2026]Full EP - Full
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00:08This is Paris, and that is the 1.30 plane to New York.
00:13It will land in America, 4,000 miles away, at 5.30 this afternoon, in four hours' time by the
00:21clock.
00:22It's wonderful, isn't it? Of course, it takes more than four hours.
00:26But you see, the jet is so fast, it races the sun.
00:31This is what has happened since the big jets came.
00:35Time has been annihilated.
00:38Constantly, the great airliners take off.
00:43And land.
00:53And for each aircraft, you have, naturally, air hostesses.
00:59These delectable creatures, selected for their beauty and charm, are in a state of perpetual migration.
01:07For days, they fly the great air routes of the world.
01:10And then, they like to come down.
01:13And whenever possible, they like to come down in Paris, and all regret leaving.
01:19One wishes that one could get to know all of them.
01:22Some of us, indeed, have tried.
01:25And that is our story.
01:54One wishes that one could get to know all of them.
02:11One wishes that one could get to know all of them.
02:12One wishes that one could get to know all of them.
02:12One wishes that one could get to know all of them.
02:13One wishes that one could get to know all of them.
02:14One wishes that one could get to know all of them.
02:14One wishes that one could get to know all of them.
02:15One wishes that one could get to know all of them.
02:15One wishes that one could get to know all of them.
02:15One wishes that one could get to know all of them.
02:16One wishes that one could get to know all of them.
02:16One wishes that one could get to know all of them.
02:20One wishes that one could get to know all of them.
02:32Let's have it.
03:09you better hurry my love bernard darling do you think i've got time for a few more kidneys
03:14of course you do you hurry bertha i adore kidneys for breakfast don't you uh not particularly i
03:20just barely get a vitamin pill down bertha you call me sir yes another brace of kidneys
03:25another please and some more of that smelly stuff you pour over him no thank you and it's not smelly
03:33stuff it's the natural juice of the organs very good for the complexion i don't want to know what
03:39it is miss i don't like the look of it myself but then i'm not here to reform the world
03:45we can do
03:46without your editorial comments just bring the kidneys well don't blame me if it makes you sick
03:51you don't have to eat them do you heaven forbid then what are you arguing about and hurry miss
03:56vicky has to catch a plane i only have two hands honestly but she means well not for me i
04:05mean
04:05very well just broil the kidneys they are already broiled i know her appetite i anticipate
04:12then bring them there is no need to shout it's not easy you know
04:22she's really becoming impossible bernard if it goes on much longer we just have to get rid of her
04:26but i don't know why you say that i don't think she likes me but of course she likes you
04:31she loves you it's um just the food that you eat that no thank you that upsets her
04:40my love it's getting late i don't know when i'm with you time just whistles by
04:45oh sweet of you to say so no it's true is it the same for you of course my love
04:50does it drag when i'm away terribly never end
04:53excuse me
05:00anything else yes yes you can bring me some coffee and some more strawberries for miss vicky
05:06no honestly darling this will be enough fine there's good news bertha
05:12you see she doesn't but she does like you no no she's put me into my food but she does
05:17like
05:18you doesn't oh when i first get home she's friendly enough but when it's time to go she's decidedly
05:22hostile even anti-british well i'll bet you it's because she's sad you're leaving that's why
05:27because i'm your fiance but of course
05:32it's uh 8 42
05:35i just have to put my hat in your jacket
05:36yes very good uh tell me my love uh when do you get back
05:42well let me see it's monday today we arrive in the canaries at 1708
05:46layover for a night and get to accra at 1620
05:49we return by way of lisbon
05:54and uh what time are you back in paris
05:56thursday evening then off again on sunday
05:59well what time uh thursday evening my love
06:021845
06:04excellent
06:05why do you always have to check everything on the timetable
06:08to avoid confusion
06:09what confusion
06:10my love i'm a busy man
06:12i want to arrange my business so i'm finished by the time you get back
06:15so that we can be together from thursday to sunday
06:18you are a genius and because you're such a dare i'm going to give you a surprise right
06:21now surprise oh i tell you that woman's gonna drive me up the wall
06:25all right bertha you want to put the coffee down on the table then you can listen from the
06:30kitchen okay there are thousands of french housekeepers
06:32well i have a work permit miss and the reason i have it is because i was discharged from the
06:38united
06:38states army in paris france honorably honorably you had a choice you bet your life i had
06:45i was chauffeur to the commanding general
06:48really
06:49eisenhart
06:51pershing
06:51oh uh excuse me do you mind getting the bags please
06:56yes sir
06:56thank you
06:58uh now my love now you were saying uh uh surprise yes you had a surprise
07:03we're getting a brand new aeroplane
07:04oh surprise
07:05i think they're transferring me to it
07:06yes huh that's wonderful
07:07it's the new vc10
07:09it's got four magnificent engines
07:10that develop 20 000 pounds of thrust each
07:13marvelous marvelous
07:14especially for us
07:15it is
07:1620 000 pounds of thrust does something for us
07:19of course
07:19makes the plane much much faster
07:21we'll be together more often and much longer
07:2520 000 pounds of thrust
07:29you don't seem very pleased by my surprise
07:31oh but i am oh yes yes yes i am i'm i'm nuts about the idea
07:35uh but i don't want to get too excited i mean you're not transferring tomorrow anything
07:39are you
07:40not tomorrow but soon very soon
07:43oh that's wonderful
07:44oh here we go yes exactly on time
07:48you think you were a pilot the way everything's timed to the minute
07:51well everything has to be get the door
07:52but why
07:53well i'm a foreign correspondent we wouldn't want to miss one little minute of the time we have together because
07:56i have to work now would we
07:58i'll see you see of course i have to be here for you
07:59i'll see you see you see of course i am now bratha you will look after mr bannon while i'm
08:01gone
08:01wouldn't you i'll do my best but it's not easy you know that's enough birth and we're falling behind schedule
08:07I'll talk to you later.
08:09That'll be a thrill.
08:13Come along, Vicki.
08:15Goodbye.
08:16Be good.
08:31Oh, come on.
09:00Come on.
09:03Lisa!
09:06Mr. Bernard Lawrence, telephone, please.
09:15Hello, Bernard Lawrence here.
09:17Monsieur Lawrence, I have a telegram for you.
09:20Read it.
09:22Transferred Paris.
09:24Arriving this AM.
09:26Hotel space impossible.
09:28You can put me up.
09:30Signed, Robert Reed.
09:31Pierre, I never got the message.
09:34You never delivered the telegram.
09:36Understand?
09:38I don't understand, but I understand.
09:42Okay.
09:44Lisa!
09:45Lisa!
09:47Exactly on time.
09:49I have to check out.
09:51Just five minutes, and then we'll be all cozy in our little Paris home.
09:55Wunderbar.
09:56Mm-hmm.
09:57Hurry up.
09:58Hurry.
09:59Hurry up.
10:02Hurry up.
10:04Hurry up.
10:07Hurry up.
10:10Hurry up.
10:20I still don't believe it.
10:42Oh, what's the matter, Bertha?
10:46Did we frighten you?
10:47This job keeps me too tired to get frightened.
10:50It's not easy, you know.
10:52Well, none of us get things easily.
10:57Uh, what do we have for lunch, Bertha?
10:59Well, I, I thought of souffle with some mushrooms.
11:02Oh, souffle.
11:03Souffle is for people mit our teeth.
11:06What we need is good, solid food.
11:10Knackwurst, sauerkraut, and heavy black bread.
11:12Have you any idea how long it took me to dream up that souffle?
11:16You don't get those things by rubbing two sticks together, you know.
11:19It often tastes like it.
11:20Well, now, girls...
11:21Hey, you have got the knackwurst, haven't you?
11:22Yes, but it's old.
11:24You haven't been here for three days.
11:26Three whole days.
11:28And nights.
11:30I'm gonna start the souffle.
11:32Mm.
11:33Oh, just a moment.
11:35I have to see that for myself.
11:39Oh, brother.
11:46There's nothing wrong with this.
11:48You're right.
11:49Of course I am.
11:50If you can stand the smell, we'll have this.
11:55What's that?
11:58Um...
11:59Kidneys.
12:00Kidneys?
12:04Bernhard?
12:05Yeah?
12:06Who was here for breakfast?
12:07Uh, uh, breakfast?
12:08Yes.
12:09Here?
12:10That it's kidneys.
12:11Kidneys?
12:12You don't need kidneys.
12:13Me?
12:13Kidneys?
12:14I hate kidneys.
12:14Oh, kidneys!
12:15Uh, that was, um, Robert Reed from Consolidated Press.
12:19He was here.
12:19Oh, he was here for breakfast?
12:20Yes.
12:21Uh-huh.
12:21Oh, I thought you and he didn't get along.
12:23Well, uh, professionally, you know.
12:25But, uh, you know how it is with rival newspaper men.
12:27Always bickering, always fighting.
12:28Oh, I thought he's in Berlin.
12:29Uh, well, he was in Berlin, but then they transferred him now to Paris.
12:33Yes.
12:33That's it.
12:34And, uh, why are you asking me all these questions?
12:38Don't you trust me?
12:39Oh, I'm sorry, Liebling.
12:41No, no, no, no.
12:42You must think I'm terribly suspicious.
12:45Well, yeah.
12:47Yeah.
12:48Oh, I'll tell you what I'm going to do.
12:50What, Liebling?
12:51I'm going to take a bath and make myself all fresh and powdery for you.
12:56Oh, my Liebling.
13:00Miss Gleis.
13:01Miss Gleis.
13:01Miss Gleis.
13:02Uh, what does that mean?
13:03See you later.
13:04See you later, yes.
13:10Well, let's see.
13:16It's positively unnatural.
13:19What?
13:20Well, God didn't make us all the same way, that's all.
13:23Well, what are you muttering about?
13:25I have to do her laundry every time she gets here.
13:29Will you leave me alone?
13:30How can she get so dirty in only three days?
13:33It's not easy for me around here.
13:35You keep saying that.
13:36You get paid well enough, don't you?
13:38Yeah, but not enough.
13:39And I've been meaning to talk to you about that.
13:41Why don't you sit down?
13:43Last week, I worked 89 hours.
13:46I had my shoes resold twice.
13:4822 francs.
13:50Shh, shh, shh.
13:50Gotta do the laundry.
13:52I gotta remember who eats what.
13:54Who wears which lingerie.
13:56Who's going?
13:57Who's coming?
13:57You don't need a housekeeper around here.
13:59You need a UNIVAC machine.
14:01Look.
14:01Liebling!
14:02Yeah, yeah.
14:03I have a surprise for you.
14:05Yes?
14:05You can throw away my old schedule.
14:07The old schedule?
14:08Well, how will I count the minutes until we're back together again?
14:10On the new schedule.
14:11Wha...
14:12What new schedule?
14:13I'm going to be transferred to the new intercontinental jet.
14:16It's a super Boeing with a cruising speed of Mach 0.88.
14:20Mach 0.88.
14:22Terrific.
14:22Four Rolls Royce jets, each one with 21,000 pounds of thrust.
14:27I'll be home much more often.
14:29That'll bend this schedule.
14:34Well, when is... when is this going to happen?
14:36As soon as the new plane is delivered.
14:39Isn't it wonderful?
14:40Isn't it wonderful?
14:41Yes, it's wonderful.
14:44Bis gleich.
14:45Bis gleich.
14:55Mach 843, 21,000 pounds of thrust.
15:00Hello?
15:01Vicky!
15:02Where are you?
15:03At the airport?
15:05They delivered the VC-10.
15:06They sent a car out to the runway and took me off my plane so I can go on the
15:09new one.
15:10Me.
15:10Isn't that marvelous?
15:11Well, marvelous.
15:12I'm coming right home.
15:14They'll call me when the flight's ready.
15:15Well, but don't come home.
15:16No, no.
15:17Don't come home.
15:17You stay there.
15:18I'll come out to the airport.
15:20Liebling!
15:25Who were you shouting at?
15:28Bertha.
15:29Did you call me, sir?
15:30No, I thought of you.
15:33Oh, I've got to go to the airport, do a story.
15:35Yes.
15:36The British Embassy, you know.
15:38And would you tell Fraulein Lisa for me that I'm out at the...
15:40That's Fraulein Lisa.
15:41Oh, of course it is.
15:42Who else would it be?
15:43Hi.
15:44I've got to go out to the airport, the British Ambassador.
15:46Oh, you just said that.
15:47Oh.
15:47Are you all right?
15:48You look pale.
15:49No, I'm here.
15:50Better get him a glass of schnapps.
15:51No, no, no.
15:52I'm fine, fine, fine.
15:53He's just excited, miss.
15:55He's beginning to realize what these new schedules are gonna do for him.
15:59Well, that's it.
16:00That's obviously what excited me.
16:01Bertha, you're brilliant.
16:02Yeah, I know.
16:03If it's the office, I don't see why it's brilliant.
16:06Well, it's brilliant because Bertha thought of it.
16:08I mean, there was this obvious fact staring me right in the face,
16:10and I didn't even see it, but Bertha did.
16:12Why, it's brilliant by comparison.
16:15I'm leaving.
16:17You'll be back soon?
16:18As soon as I can, you know the newspaper business.
16:21Harry!
16:21Happy Desai.
16:25He's just like a big kid, isn't he?
16:28Yeah.
16:29Dead end kid.
16:33Axley!
17:03Have you seen Vicky?
17:05She said to tell you she'd gone up to the coffee bar.
17:34Where's Vicky?
17:36Yes, of course.
17:37Yes.
17:38She came up and asked me to tell you.
17:49She's gone downstairs.
17:50Take a taxi.
17:51Go home.
17:51Taxi.
17:51Taxi.
17:51Taxi.
17:51Taxi.
17:51Taxi.
17:51Taxi.
17:52Taxi.
17:56Taxi.
17:58I'll make it hard.
17:59That gentleman you were speaking to, wasn't that Bernard Lawrence?
18:02Yes.
18:02You know him?
18:03Yes.
18:04He's an old friend.
18:05A remarkable man.
18:06An enormous amount of energy.
18:08I see you know him pretty well yourself.
18:11Well, thank you.
18:33Mickey!
18:35Mickey!
18:36Mickey!
18:38Wow, wow, wait.
18:40Eric!
18:48Bernard, what are you doing here?
18:50Your phone went out of order.
18:51Isn't it wonderful about the BC-10?
18:53Wonderful.
18:53Come on, we can be home in 20 minutes.
18:54No, no, no, I came here to be with you.
18:56Well, that was very sweet of you, darling,
18:57but now we can really be together.
18:58Well, no, we can't.
18:59You see, I have to cover a story.
19:01Yes, I'm covering a story about a new airplane.
19:04Famous foreign correspondent covering a story about a new airplane.
19:07Well, you see, I knew you were going to be here alone,
19:09and in order to be able to do that,
19:10I have to cover the story about a new airplane.
19:12So, you see, we've got to stay here.
19:13I'm very disappointed.
19:15Oh, don't be.
19:16Next time we'll be together twice as long.
19:17Come on.
19:19Eins, zwei, drei, vier.
19:22Eins, zwei, drei, vier.
19:25Eins, zwei, drei, vier.
19:29Eins, zwei, drei, vier.
19:32Eins, zwei, drei, vier.
19:35Eins, zwei, un, halv.
19:38Die dritte Übung, hängen auf der Hüften legen.
19:41Der Oberkörper im Preise drehen, den linken Fuß aufstrecken.
19:45Hochheben, jetzt der rechte Fuß.
19:48Das wird Ihnen schöne Hüften geben.
19:50Nicht müde werden, Sie müssen arbeiten.
19:53Sie müssen verstehen, dass man am Ordenweg arbeiten muss.
19:56Ja.
19:57Oder Sie werden keinen Erfolg haben.
19:58Äh, just tell the driver to honk the horn.
20:01Eins, zwei, drei, vier.
20:03Nicht müde werden.
20:04Bertha.
20:07Bertha.
20:07Bertha.
20:08Ja.
20:09Canceled the knackwurst.
20:10They delivered the new superboy, and I'm going to be on it.
20:14Wunderbar.
20:14I have to go back to the airport.
20:18We're going to miss you.
20:28Now, to be absolutely certain, you leave Accra tomorrow, right?
20:33Right.
20:34And you're back in Paris at 1845 Thursday evening, right?
20:38No, Wednesday midnight.
20:39This is the VC-10.
20:40It cuts hours.
20:41Oh.
20:42Orange juice, please.
20:43Très bien, madame.
20:44Vodka martinis.
20:44C'est bon, monsieur.
20:47I wish you wouldn't do that.
20:48Makes me feel as though you're always squeezing me in.
20:50Well, my love, I have to arrange my schedule.
20:52You wouldn't want me to be busy on an assignment when you get back, now, would you?
20:55Eh?
20:56Speaking of assignments, the new planes in the hangar, I don't see how you can cover this
21:00story from a bar.
21:01That statement, young lady, is a knife in the back of every newspaper man in the world.
21:05Oh, no.
21:06Oh, yeah, it's me, Robert.
21:07Hi, Bernard.
21:08Hi.
21:08We were talking about you this morning.
21:10Oh, we were?
21:11Well, no, no.
21:12Bertha and I were, yeah.
21:13We were saying how wonderful you were doing in Berlin.
21:15Are you going back?
21:16Oh, no, I've been reassigned to Paris.
21:17Didn't you get my Wyatt?
21:18No.
21:18No.
21:19Oh.
21:21Anything interesting happening in Paris?
21:23Nothing, just routine stuff.
21:24I've been hibernating.
21:26Uh-huh.
21:27Like a bear.
21:28And I take it this is Mama Bear?
21:30Uh, Miss Vicky Hawkins, British United, Robert Reed, Consolidated Press.
21:36Nice to meet you.
21:36Won't you sit down?
21:37Won't I be intruding?
21:38No.
21:38Oh, thank you.
21:39I will.
21:43Comfortable?
21:46Oh, uh, s'il vous plaît, uh, donnez-moi un vodka martini très sec.
21:51Très sec, monsieur.
21:52Oui.
21:55Tell me, have you, uh, known Bernard Long?
21:58He doesn't know.
22:00He doesn't know what?
22:01That I'm your fiancé.
22:03You are?
22:03Oh, yes, of course.
22:04You are my fiancé.
22:04This is my fiancé.
22:06Delighted.
22:07I'm so lucky to have a man like Bernard all to myself, don't you think?
22:10Oh, absolutely.
22:12What's that?
22:15Well, that's our new VC-10 I was telling you about.
22:17We're starting it today because of Lufthansa's super Boeing.
22:20Lufthansa?
22:21Today?
22:22I don't see how you can write a story about airplanes when you don't know anything about
22:26what you're writing.
22:27Oh, that never stopped a good newspaper, man.
22:31Très sec, monsieur.
22:32Merci beaucoup.
22:33You know you're the first friend of Bernard's I've ever met.
22:35He's so secretive.
22:37Yes, I know.
22:38He's even concealed you from me.
22:39Do you know that I've never ever known where he's lived in Paris?
22:41We have a marvelous apartment.
22:43It's a slum.
22:43Is it big?
22:44Enormous.
22:44Very small.
22:45You've got to put me up for a couple of days, Bernard.
22:47I mean, every decent hotel in Paris is loaded.
22:49You know, what with the tourists and everything?
22:50Oh, stay at the YMCA.
22:52Nonsense.
22:52You can come to our place.
22:53You can keep Bernard company while I'm away.
22:55He gets very lonely.
22:56I accept.
22:57Will the crew of British United Flight number 237 please check with operations?
23:05Oh, oh.
23:05Oh, please don't get home.
23:06You see, now where would we have been if we'd gone back to the apartment?
23:09Where indeed?
23:10You're right as always.
23:11He's a genius, you know.
23:12I heard.
23:14Bye-bye.
23:14No, you stay here with your friend.
23:16I'll come back and say goodbye if we're going straight out.
23:18For the crew of British United Flight number 237 please check with operations.
23:24Do you know how lucky you are?
23:26I guarantee you I do.
23:28If I could only find a girl like that.
23:30You're going to the YMCA.
23:32I'll find one there.
23:34You're not going to look in my apartment.
23:36But this is your fiancé.
23:37This is different.
23:37Robert, the last time I saw you was in Casablanca.
23:41I lost a story, two flamenco dances, and a case of whiskey.
23:45I suppose that was different too.
23:46Did you see Bernhardt?
23:48Yeah.
23:53What are you doing?
23:55You don't have to laugh it up.
23:56He'll bring you another one.
23:57There he is.
23:59Oh, I'm so in my sleeping eye.
24:01It's not my watch.
24:02I'm so happy I found you.
24:04Oh, and you must be the friend from breakfast.
24:06Yes.
24:07Uh, yes.
24:08Uh, breakfast?
24:09Oh, you are not Mr. Reed from Berlin who had the English breakfast with Bernhardt this morning?
24:15Uh, oh, oh, the English breakfast.
24:17Yes, of course.
24:18And those English kippers are just marvelous.
24:21Kidneys.
24:21I mean kidneys.
24:23I always confuse kippers and kidneys.
24:25But I'm not Mr. Reed.
24:25You can call me Robert.
24:27I'm Lisa.
24:28Uh, Lisa?
24:29Yeah, but you seem not to know me.
24:31Uh, well, should I?
24:33Well, that's Bernhardt's friend.
24:35Of course he knows you.
24:36He knows all about you.
24:37He knows I'm your fiancé?
24:40Oh, yes, fiancé.
24:42Certainly.
24:43He does nothing but talk about you.
24:44He's completely obsessed with you.
24:47What, what, what are you doing here?
24:49Operations phone.
24:50I've just been promoted to the new superjet.
24:52Congratulations.
24:53We're going out immediately.
24:55Uh, well, that's why I'm here.
24:56You know, I waited for you here.
24:57I knew you were coming back to the airport.
24:59He anticipates everything.
25:01He really is a genius.
25:04Well, I'm off.
25:06Don't get up.
25:10Well, darling, I have to go back to Frankfurt and London, Montreal and back to Paris.
25:15Uh, uh, and when do you plan to be back in Paris?
25:17Day after tomorrow.
25:18Day after tomorrow.
25:19At what hour?
25:20Uh, 2100.
25:212100, huh?
25:21He hates confusion so much.
25:24Don't you, Liebling?
25:24Yes, I do.
25:25He's just a slave to my schedule.
25:28Mm, mm.
25:29Oh, excuse us.
25:31Excuse me.
25:45You know, you're pretty lucky, and you're getting luckier every minute.
25:50Well, you know how it is with these girls, flying around the world,
25:53Karachi, cartoon, Caracas.
25:54I know, I know.
25:56And I know that tone of voice from the past, so leave it alone.
26:00I wouldn't touch it for the world, not even the slightest push.
26:03Take off in 15 minutes. Don't get up.
26:05Again, don't you.
26:07See you at midnight, darling.
26:09Midnight.
26:10Midnight?
26:11When I'm flying, I go to the galley and look out of the porthole at the moon
26:15at exactly midnight, and Bernard looks up out of his bed at the same time.
26:19So, you see, we're together, even when we're both alone,
26:22because we're both looking at the very same moon.
26:26That's cute.
26:28Vicky's very imaginative.
26:30It's delightful.
26:31Excuse us.
26:32Would you excuse me?
26:33Should I leave?
26:34Oh, no.
26:34No.
26:46On course, you'll play.
26:49Goodbye.
26:50Goodbye.
26:51Cheerio.
26:52Mm-hmm.
26:52Goodbye.
27:03I can't wait to see your apartment.
27:06You never will.
27:07Oh, why not?
27:08We can double date you and Vicky and me and Lufthansa.
27:11You're going to a hotel.
27:13Then I'll miss Lufthansa, and so will you when I tell her about Vicky.
27:16You wouldn't.
27:18I would if you forced me to go to a hotel.
27:22Yeah, all right.
27:2656th Avenue de Lorraine.
27:28Seed berth of my housekeeper.
27:30I've got to go back to the office.
27:32I don't know when he finds time to work at all.
27:35Problem, monsieur?
27:36Oh!
27:37Nothing.
27:38It was just...
27:40That's outrageous.
27:41I wouldn't pay it if I were you.
27:42You're right.
27:43I won't.
27:47Hang on, big mouth.
28:04Bertha?
28:05Monsieur?
28:06Je suis son ami de monsieur Lorenz.
28:10What?
28:11Je suis son ami de monsieur Lorenz.
28:15I'm an American.
28:16Oh, I'm Mr. Lorenz's houseguest for a couple of days.
28:21He a guest, too?
28:23Oh, no.
28:23He's a cab driver.
28:25Oh.
28:26Did you bring your family with you?
28:28Oh, no.
28:29I'm a bachelor.
28:30So is Mr. Lorenz.
28:31Yes, I know.
28:32I'm Robert Reed.
28:34Oh, the breakfast one.
28:37Everyone seems to be preoccupied with my breakfast.
28:40Mr. Lorenz didn't say anything about you coming to stay.
28:44Oh, well, you know how he is forgetful.
28:46Mr. Lorenz can't afford to forget anything.
28:49Uh-huh.
28:50What room did he say you could stay in?
28:52Did he say what room?
28:54He wouldn't tell you.
28:55I mean, I think he left it up to you.
28:57Oh.
28:59Well, this is the guest room, and this is the bathroom.
29:03Yeah.
29:03And this is, uh, uh, well, and this is his bedroom, and this is the spare room.
29:09It's kind of like a dormitory here.
29:11You don't know the half of it.
29:13Oh.
29:14Uh, may I sit down?
29:15Oh, certainly.
29:16Thank you very much.
29:18It's all right.
29:18You're, uh, you're a guest around here, you say.
29:23Uh, I kind of get the idea that you're not happy about it.
29:27Well, it's another mouth to feed, and it's another soul to keep track of.
29:31But I'm not very strong, you know.
29:33I took this job because my doctor said I should avoid excitement.
29:38Um, are you used to a varied diet?
29:42I have the broadest tastes.
29:44Oh, another one.
29:46I, uh, I kind of think I know what you must go through.
29:49Uh, no, you don't.
29:51But it's, uh, nice to find a young man with some consideration.
29:56So you go in the guest room and rest up,
29:58and I'll go out in the kitchen and get you a nice cold drink.
30:01And, uh, Mr. Reed.
30:03Yes.
30:03Um, you forgot something.
30:06I'm sorry.
30:08Uh, merci.
30:09Uh, ça va.
30:22Oh, God.
30:40Dear, when the story comes in off the wire,
30:42I want you to translate it for me in the next ten minutes.
30:44What's the hurry, Mr. Lawrence?
30:46Why not seppelisje les aperitifs?
30:48Are you going to cut out the usual dialogue,
30:50or do I get someone else, huh?
30:51If you choose,
30:53you do not engage me primarily for my linguistic service,
30:56as we both know.
30:58By the way,
31:00I have for you a lovely thing from the Paris.
31:02Uh, some other time, Pierre.
31:04What's going on in the office, huh?
31:05Oh, uh, you're up for a promotion.
31:08What?
31:09They intend to put you in charge of the New York office.
31:11New York?
31:12Oh, no.
31:13Are you sure?
31:13To get into the personnel files was not easy.
31:17It cost me 100 francs.
31:19Yeah, my money.
31:20But I don't want to be promoted out of Paris.
31:22Of course not.
31:23Did Adam want to leave the garden abedon?
31:26Translate, will you?
31:27As you wish, as you wish, as you wish.
31:54I don't believe we've met.
31:56Yeah, not Bernard?
31:59How dare you?
32:02Oh, well, I was just sitting here minding my own business.
32:04But what are you doing in my apartment?
32:08Your apartment?
32:09My name's Bernard.
32:11Well?
32:12Oh, well, I'm terribly sorry.
32:14I didn't mean to take advantage of you.
32:16It's just that I was expecting Bernard.
32:18You were expecting Bernard to kiss you?
32:21No, no, of course not.
32:22No, no.
32:23I, I, well, this was so delicious.
32:25I just hope you'll forgive me.
32:28I'm Bernard's guest.
32:29My name is Robert Reed.
32:30And I am Jacqueline Grilleux.
32:32How do you do?
32:33Please sit down.
32:36You seem not to know me.
32:38Has not Bernard told you about me?
32:40Oh, oh, yes.
32:41Oh, absolutely.
32:42Of course.
32:43He talks about nothing else.
32:45That's all he talks about is Jacqueline this and Jacqueline that.
32:48Here are Jacqueline, there are Jacqueline everywhere.
32:50You are his fiancée.
32:51Yes.
32:52I thought you would be.
32:53And you are an old friend.
32:55I never know.
32:56He's so secretive.
32:58Yes, and I can't imagine why, Miss Grilleux.
33:00Oh, because you and Bernard are old friends.
33:02You may call me Jacqueline.
33:04Oh, well, thank you.
33:05And you must call me Robert.
33:07How do you do?
33:08Glad to know you.
33:10Sit down.
33:12Sit down again.
33:13Yes.
33:14You know, he's terribly jealous.
33:17You won't say anything to him about my kissing you.
33:19Oh, no, I forgot about it already.
33:21You have?
33:22Well, it was so sudden without warning.
33:24If there had been a warning, there would not have been any kiss.
33:28Exactly.
33:29Without anticipation, a kiss is nothing.
33:30Actually, you know, I could easily forget not to remember a kiss that meant nothing.
33:36But a kiss that meant something, that I could remember to forget.
33:40There is something fuzzy about that logic.
33:43No, not at all.
33:44An honest, meaningful kiss would ensure my complete silence and absolute discretion.
33:51You want me to kiss you again?
33:53As a bribe?
33:55No, as a kiss.
33:56A little kiss.
33:58But I could not.
33:59I would never forgive myself.
34:01But it's just to help you and Bernard.
34:04I don't understand that.
34:06Well, you're his fiancée and I'm his dearest friend.
34:08We must protect him from any misunderstanding.
34:11Newspapermen, they're in heat all the time.
34:14Ah, Berta.
34:16Are we having my souffle tonight for dinner?
34:18Right now, that's the plan.
34:20Ah, thank you.
34:21Let me take this.
34:22Where are you going, Jacqueline?
34:23To my room, to wait for Bernard.
34:27Please.
34:29I, uh, I thought I would be a gentleman and open the door for her.
34:37Oh.
34:51Don't ask.
34:52Oh, I was just going to ask if you were through with what you were doing.
34:56And you're going to hang around here.
34:58Fine.
34:59Well, then, uh, I might as well just go and lie down a while.
35:03I get tired during the day, you know.
35:06A little nap never hurts.
35:08But thanks, Bertha.
35:11Uh, I'll just lie down.
35:14And I'll, I'll wake myself up.
35:32Jacqueline.
35:37Jacqueline.
35:37Jacqueline, can you hear me?
35:38Go away.
35:40but what's one little kiss I just want one little kiss I can expect and I
35:47promise I'll say nothing to Bernhard
35:48oh all right get ready
35:58well
36:06Robert Jacqueline Bertha what's going on here Jacqueline you're early why are you yelling am I yelling
36:15well of course I'm yelling I've got every right to yell I wanted to explain a Robert Jacqueline already explained
36:21oh she did huh oh well then everything is
36:23fine then why don't we all have a drink yes good yeah did birth unpack your bags yes I'm wonderful
36:28oh what are we
36:29gonna have for dinner don't you worry I'll go see what we're gonna have dinner where's Bertha I'm here
36:33oh good good good yeah it's a funny life being a maid around here oh there you are are you
36:43all right
36:44you some fine fine just a little hyperactive uh excuse me
36:52somehow I never get to answer the phone around here
36:55well it uh it might be somebody who only speaks French
36:59but I speak French
37:01it might be the butcher he only speaks German
37:06hello
37:08it's the butcher
37:10well I'm going to get ready for my bath
37:12it wasn't the butcher it was the Lothansa from Frankfurt
37:19what did she say
37:21hello Liebling
37:22oh you
37:24there's something I want to tell you
37:26yes what is it
37:27and forget it'll come to me
37:33hello
37:34it's herrigandrum
37:35Fraulein D cup
37:36give me a phone
37:40hello
37:41what
37:42what no it's laryngitis
37:43oh yes it came on very quickly
37:45mm-hmm
37:46but that's very sweet of you to say my Liebling
37:48well of course I can say it
37:51right now
37:54uh
37:55ich liebe dich
37:56two
37:57mm-hmm
37:58no no
37:59don't call me from Montreal
38:00it's too expensive
38:01yes but you have a good trip
38:03auf Wiedersehen
38:03bye
38:05you'll need this
38:10yes what is it
38:13nothing
38:13nothing
38:14you
38:18what's that the telephone again
38:19yes
38:20why are you whispering
38:22am I whispering
38:23it's laryngitis
38:23I'm not whispering
38:24no
38:25it was not for me
38:26no no no
38:27no are you expecting a phone call
38:28they might call from the airport
38:30they are changing schedules
38:32because of our new fast plane
38:34the ultra caravel
38:35oh
38:36and uh
38:37and they want you to be one of the hostesses on it right
38:40how did you know
38:41hmm
38:42well it was obvious
38:44but they haven't changed your schedule yet
38:45no
38:45except we are going one hour later tomorrow morning
38:48one hour later
38:48eleven thirty instead of ten thirty
38:51hmm
38:51good
38:52why do you say good
38:54oh did I say good
38:55uh-huh
38:55yeah you did
38:56I heard it
38:57I said good because it's gonna give us an extra hour in the morning
39:00oh you are so sweet
39:02mwah
39:02yes yes
39:03who was it then
39:04who was who
39:05on the telephone
39:06it was not another woman
39:08was it
39:09another woman
39:10are you kidding
39:11you marvelous little french pussycat
39:13another woman indeed
39:17another woman
39:19well
39:20who was it
39:21it was a
39:23a wrong number
39:24some lunatic was on the phone
39:26what is this
39:28hmm
39:29what's what
39:29this letter
39:30it has an english stamp on it
39:33vodka fingers
39:36it's addressed to someone named
39:38victoria
39:39hawkins
39:40that's hawkins
39:41that's enough
39:42huh
39:42well it's obviously not me
39:45no he's not victoria hawkins
39:47obviously
39:48well what is he doing here
39:50well
39:51well you know how they are down at the post office
39:53no
39:54how are they
39:55i just remembered
39:57well what
39:57what i wanted to tell you
39:59yes
39:59what is it
39:59huh
40:00uh
40:01dinner's almost ready
40:02all right
40:03thank you bertha
40:04now tell me something
40:06what is this
40:06uh
40:07it's a letter
40:08i can see that
40:10but it's addressed to a miss victoria hawkins
40:13do you know her
40:14never heard of her
40:15she sounds like some kind of a foreigner
40:17it's a foreigner
40:18well what is he doing here
40:19i
40:19uh
40:20uh
40:22oh
40:22that old idiot downstairs
40:24you know
40:25the consular
40:26he said
40:27that i took this letter
40:28it belonged to somebody else
40:29that's on the block
40:30that's my mistake
40:31you see there's always a logical explanation for everything
40:33yeah
40:34my mistake
40:35Caroline
40:35uh
40:36mademoiselle
40:37uh
40:38that's all right bertha
40:40uh
40:40we're only human
40:42yeah
40:42some of us anyway
40:45sweet person
40:47i'm sorry darling
40:48you must think i am terribly suspicious
40:51well
40:51you are a little bit
40:53i will be out soon
40:54all fresh and powdery for you
40:58fresh and powdery
41:12what are you doing
41:14changing over
41:15you don't want air france
41:17wearing lufthansa's underwear
41:18do you
41:18don't do
41:19she get lost in us
41:24i'm tired
41:25now why should you be tired
41:28i suppose you think
41:29i've got nothing on my mind
41:30but women right
41:31why not with a layout like this
41:33what else would you have
41:33on your mind
41:34remember the time
41:35you covered that suez thing
41:36yeah
41:36you had these four dames
41:37an israeli machine gunner
41:39the arabian masseuse
41:40wait a minute
41:40they weren't all stacked up
41:42over the field
41:43waiting to come in
41:44well
41:44i admit that today
41:45is a bit unusual
41:47unusual
41:47well bernard
41:48i don't like to pry
41:49but you are engaged
41:50to all these girls right
41:51yes
41:52and uh
41:54they all have the idea
41:55of getting married
41:56right
41:57of course they do
41:58i mean
41:58how else do you think
41:59polygamy works
42:00but isn't that a little risky
42:02plus the fact
42:03it's against the law
42:04you know
42:05three wives
42:05i mean
42:06just a minute
42:06wait a minute
42:07who said anything about wives
42:08they're fiancés
42:10and that's the way
42:11they're going to stay
42:11that way
42:12i have all the advantages
42:13of married life
42:14without any of its inconveniences
42:16do you understand
42:17and besides
42:19fiancés are a lot friendlier
42:20than wives
42:21you're kidding
42:22now
42:23three is the perfect number
42:25less would be monotonous
42:26more would be
42:27terribly tiring
42:29three is just ideal
42:31but it's immoral
42:33immoral
42:34all three think
42:35they're the only one
42:36now if they don't think
42:37it's immoral
42:37why should i
42:38i tell you
42:38it's the only way
42:39to live
42:39yeah but isn't it
42:40just a little complicated
42:40no
42:41all you need
42:41is a timetable
42:42i'll bet you do
42:43no not what you think
42:44an airline's timetable
42:46oh to get away
42:46in a hurry
42:47come here
42:48i'll show you
42:50here's a timetable
42:51for all the major airlines
42:52in the whole world
42:53all in one volume
42:54one volume
42:55you understand now
42:56don't you
42:57yes
42:58you really don't do you
42:59no
43:01let me see
43:01let me put it this way
43:03each one of my fiancés
43:04has been recruited
43:05from the different air personnel
43:06each is an airline hostess
43:08and very beautiful
43:09thank you
43:09they've been tried
43:10and tested
43:11uh you know
43:12the entrance exam
43:13to these major airlines
43:14is very difficult
43:15they have to be
43:15healthy
43:16good at cooking
43:17witty
43:18friendly
43:19friendly
43:19i understand it
43:20from your point of view
43:21but what do the girls
43:23get out of it
43:23what do they get out
43:24they get security
43:25out of it
43:26i mean flying around
43:27like that
43:27it's good for them
43:28to know that there's
43:28someone down below
43:29that they can come home to
43:30there's not enough
43:31people down below
43:32to go around
43:33huh
43:33well they happen
43:34to be in love with me
43:34that's nice
43:36well
43:37i take my hat off to you
43:38but i must admit
43:39i don't think it's gonna last
43:40get out
43:41uh-uh
43:42sit up
43:43yeah please
43:44all right
43:46get out
43:47look at this
43:49Lisa will be arriving
43:51in montreg all this evening
43:52Jacqueline who leaves
43:53tomorrow morning
43:53will be arriving in Tokyo
43:55and Vicky
43:55by this time
43:56will be between
43:57Lisbon and home
43:58so you see
43:58my fiancés
43:59wheel around the earth
44:01one towards the sun
44:03one towards the moon
44:04and they all eventually
44:05in turn
44:06come back to me
44:06it's geometrical
44:08it's poetic
44:09sort of like
44:10one up
44:11one down
44:11one pending
44:12huh
44:12mm-hmm
44:14yeah you might say that
44:16well old friend
44:17now that you know everything
44:19you understand
44:20why it's important
44:20that you find your own place
44:22because your presence here
44:23makes it highly complicated
44:24you know
44:25now that i realize
44:26how remarkably
44:28uncomplicated
44:29you've made everything
44:30i just wouldn't trust myself
44:32staying anywhere else
44:33oh i never thought
44:34you'd stoop to blackmail
44:36oh don't call it that
44:38get away
44:38no say admiration
44:39envy maybe
44:40and something else
44:42a deep-seated curiosity
44:44because now that i've heard
44:45i can't wait to see
44:47your geometrical poetry
44:48come unglued at the scene
44:50look
44:50nothing's gonna happen
44:52unless you make it happen
44:53you breathe one word
44:54you open your mouth
44:55wait a minute
44:56i will protect this setup
44:58as though it were my very own
44:59yeah but that's what i'm afraid of
45:00bernard
45:01we've had our differences
45:03over the years
45:03but i do recognize genius
45:05when i see it
45:06thank you
45:08you can trust me
45:11you call for a translator
45:12monsieur reed
45:13i am pierre
45:14ah your fame precedes you pierre
45:16oh i'm known in berlin
45:17oh in the newspaper paternity
45:19you have the reputation of a man with simple taste
45:21money
45:22do you know bernard lawrence of international press
45:25i seem to have heard the name
45:27you could never by chance have worked for international
45:30i don't even know the address
45:32i see
45:33what is uh monsieur lawrence's present status with international press
45:36uh employment wise
45:38uh thank you
45:39it is quite possible that monsieur lawrence will soon be transferred to new york
45:44are you sure
45:45the information costs me 200 francs
45:51where does he get his fiancés
45:53pardon
45:54oh come on pierre
45:55what's the source of supply
45:56i mean there must be some kind of a pool
45:58or a specific restaurant
46:00or a certain someone with the right contacts
46:03i do not know monsieur
46:05and it would be very expensive to find out
46:07find out
46:08i will begin immediately
46:11you don't intend to interfere with monsieur lawrence's arrangements
46:15certainly not
46:16i like it the way it is
46:17along with the maid
46:18and the apartment
46:20ah against the day that monsieur lawrence may be transferred to new york
46:23exactly
46:24it would be too expensive for him to take everything with him
46:26you are a friend monsieur
46:28is there anything i can do for you here
46:31uh the translating
46:32no not at all
46:33thank you
46:34i have to be going
46:34just get the information
46:37at once sir
46:38may i use the telephone
46:39certainly go right ahead
46:52monsieur lawrence
46:54he's just leaving
46:55i am going to follow him
46:58don't excite yourself
47:00goodbye
47:01goodbye
47:03ok
47:24all right
47:30and
47:37Oh, hi, Bertha.
47:39Well, Mr. Reed.
47:40I see Air France has flown. Who's up next?
47:42I mean, what lady?
47:44I know what you mean.
47:46British United.
47:47It's due in after midnight.
47:49After midnight, huh?
47:51Poor Bertha.
47:52You've put in a pretty big day.
47:55I'm curious, Bertha.
47:56Do you get here around dawn?
47:58I sleep here.
47:59You too?
48:00I mean, you do?
48:02Where?
48:03In the back.
48:04You wouldn't believe what it's like.
48:07Yes, I would.
48:09You know, Bertha, Mr. Lawrence means well,
48:11but he's so involved with all his work and everything,
48:13and I feel a little guilty.
48:14I hope I'm not too much of an inconvenience for you.
48:16Oh, well, I...
48:17I mean, I know what you go through
48:19with all of the confusion and the changing,
48:21and I remember what you told me.
48:23You're not very strong.
48:24No, underneath I'm very delicate.
48:27And you have a very spiritual face, Bertha.
48:30I don't know how I keep up.
48:33Because you're loyal.
48:35Because of finer feelings.
48:38And no matter what, honor.
48:40And I'm not a complainer.
48:42Of course you're not.
48:43Anyone can see that.
48:45Bertha, why don't you sit down?
48:46I hate to sit when a lady is standing.
48:49Well, be here, sir?
48:50Why, of course.
48:51We're in France.
48:52E pluribus unum.
48:55Sit down, Bertha.
48:56Have a cigarette with me.
48:57Oh, I'd rather have a drink.
48:59Oh.
49:00All right, I'll catch you one.
49:04Now, Mr. Lawrence, as smart as he is,
49:06doesn't realize what he has here.
49:08Now, take me.
49:09I came to Paris to find an apartment just such as this.
49:12With a housekeeper.
49:14At the highest salary.
49:15Who would make some elegant meals.
49:18Well planned in advance.
49:19With no changing menus.
49:21No constant adjustments.
49:24And tolerant.
49:26And she must understand that a man,
49:28a bachelor such as myself,
49:29is after all a man.
49:32And possibly a discreet relationship.
49:36One discreet relationship.
49:39With possibly a countess.
49:41Or an older woman of quality.
49:43Quality instead of quantity.
49:45Huh, Mr. Reed?
49:46That's the idea.
49:48And I just thought, Bertha,
49:49possibly you could help me find such a woman.
49:52A countess?
49:53A housekeeper.
49:56Who could that be?
49:57No one's scheduled at this time.
49:58Probably the police.
49:59I've been expecting them for months.
50:01Well, I don't understand it because...
50:03Oh, Lisa!
50:04Surprise!
50:05Nice to see you.
50:06Uh, Lisa, that's strange.
50:09We didn't expect you back until tomorrow.
50:11Let me take that for you.
50:13He talks just like my bell nut.
50:15He always has to know the minute I touch down.
50:18But do I have to eat?
50:19Well, I'll get out the knockwurst.
50:21She'll get some knockwurst out.
50:22That's funny.
50:23We thought you would be in Montreal.
50:25Oh, that's a surprise.
50:26They turned right around and flew back.
50:28We set a two-way record.
50:30Won't Bernard be delighted?
50:32Hysterical.
50:32Hysterical.
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