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Bergerac.2025.S01E03.540p.x265.AAC [Full Movie] [English Subs]Full EP - Full
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00:04Jesus, no.
00:05She's gone! Someone's taken Lily!
00:08Kate was killed while attempting
00:09to stop an abduction. Have you shown them the letters?
00:12It says no. This has nothing
00:13to do with the damn letters. You think
00:15it was one of the star? I want them gone.
00:17All of them. John Blakely's alibi was
00:19locked. But later, when I was pitching John as a
00:21suspect to the team, you didn't mention you'd just filed an
00:23alibi for him. Maybe we could talk
00:25about you coming home.
00:28I'd like that, Dad. What do you make
00:29her happy? We love her.
00:31Where I come unstuck is the quarter of a million
00:33pounds you tried to extort from the family.
00:35There was no ransom. Doesn't make sense.
00:37I don't think they killed Kate.
00:45I've been
00:45asked by the Wakefield family to make a
00:47statement. Words
00:49cannot convey the relief we feel
00:51having dear Lily back.
00:54And to know that major
00:55progress has been made into the investigation
00:58into our beloved Kate's murder.
01:01As you can imagine, this has been a very difficult time
01:04for the family. Firstly, we'd like
01:06to thank everyone who has sent messages
01:08of condolence and support.
01:10We really have been overwhelmed.
01:13but most importantly, we'd like to thank the police
01:16and in particular, DCI Bergerac.
01:19There it is.
01:22It was his tenacity and diligence that brought
01:26Lily home and led to this
01:28arrest.
01:31Nonetheless, we are
01:32still grieving. And so
01:34as I'm sure you'll understand, we would
01:36ask for privacy at this time.
01:42Returning to our top story.
01:54Bye-bye.
01:56Bye-bye.
01:59Bye-bye.
02:09Bye-bye.
02:37That has to be some kind of record.
02:39Kate's only been dead, what, 60 hours?
02:41Well, I mean, killing someone and getting away with it,
02:43it's almost impossible today, you know?
02:45CCTV everywhere.
02:46There's mobile phone tracking.
02:48There's unbelievably sophisticated forensics now.
02:50Yeah, but from what you told me,
02:51none of those are how you found the murderers.
02:53No, no.
02:55Yeah, it was more instinctive.
02:59I think that's why I'm second-guessing it now,
03:01because there are holes in the theory.
03:04Well, you mean their alibi?
03:06It's definitely holes in their alibi.
03:08I mean holes in the police's theory about them.
03:10Killing Kate.
03:12I'm confused.
03:13It was your theory.
03:15But now you think that somebody else killed Kate,
03:18who may or may not have also been attempting to take the baby.
03:23Maybe we shouldn't be discussing the case.
03:28Sometimes when we are discussing the case,
03:30we're not discussing the case.
03:35Why did you go back to work?
03:38Because I was ready.
03:47Because what grief was defining me.
03:51Because I was a mess.
03:52Because I needed to prove something to myself.
03:57To Kim.
03:59When did you last have a drink?
04:01About 58 hours ago.
04:03How's that going?
04:04How's it going?
04:05It's torture.
04:07You don't look like someone who's being tortured.
04:13Where is Kim in her process of grief, do you think?
04:16Have you tried talking to her?
04:20It's pending.
04:25Say they did it.
04:27Mia and Tomas.
04:29Walk me through what happens next.
04:31Well, we put together a case and we take it to court.
04:35Oh, sorry, the team investigating the murder too.
04:37My job is to find the ransom money and tie up the abduction charge.
04:41Well, that feels less consuming.
04:44So, more time to think.
04:49Sorry, you think my doubts aren't actually doubts?
04:54That I'm artificially prolonging the case?
05:01If you have found who did it, then the end is in sight.
05:06With no support.
05:07A conversation about your dead wife pending and not even three full days into sobriety.
05:14I just want you to think about what that would mean.
05:23So, the Magistrate has denied bail for me and Tomas because they're such obvious flight risks.
05:28Where are we with the timeline?
05:29On the night Kate was killed, Mia says they were at home all evening.
05:33We can trace them through two receipts and CCTV up until 1603 and then we lose them.
05:40So, we need to keep looking.
05:42Or we should consider other possibilities.
05:44No, we're not there yet.
05:46Here's a question.
05:47They don't have a car.
05:48How did they get to the house the night they took the baby?
05:50The bus, Mia said.
05:51Okay, let's pull CCTV from all buses whose routes go towards the Wakefield house an hour before Kate was killed
05:57and away an hour after.
05:59Contact the minicab companies.
06:02Circulate me and Tomas' picture.
06:04Half a lager top for the first person that puts them at or near the house the night she was
06:08killed.
06:22I set you up beautifully there.
06:24You did?
06:24Yeah.
06:25I said we should consider other possibilities.
06:28And then I looked at you so you could stand up, rip down Mia and Tomas' photo and say what
06:33you said yesterday.
06:34It would have been brilliant.
06:35Yeah, that was just me thinking out loud.
06:37Oh no, don't go back on this now.
06:39I didn't sleep a wink last night.
06:41Look, it's them.
06:43Yeah, you know how I know because the alternative is that shit.
06:51Well, you won't want to see this then.
07:02One of the letters we intercepted going into the Wakefield house sent a day before Kate was killed.
07:08Elaine, Wei, Gans, Elaine.
07:12It's German.
07:15Alone, alas, all alone.
07:18It's from an opera, Elektra, by Richard Strauss.
07:22Thank you, Google.
07:24Has Barney seen it?
07:25He said, well, families get sent weird shit.
07:30He's right.
07:32Yeah, but they're usually straight up abusive, not cryptic like this.
07:37All right, just check it again.
07:38It's me and Tomas' handwriting.
07:40I'll have to find his ransom money.
07:49Listen, can I just grab a copy of that?
07:54I'm heading over to the Wakefields to ID Tomas.
07:58May as well run it past them.
08:25I'm heavy, no writer or sister, in the 2005 world and my family's
08:28got stoppedMe as an insider者 as a result than he was not telling us about.
08:29Same gun starts to take it back.
08:29So long run pel violets and zooms,
08:31Go on, I can't see you.
09:06Uh, it's hard to, he had a scar around his mouth, and, um, which one of these is Tomas?
09:16I can't tell you that.
09:19No, of course.
09:21I know that it's one of them, I'm just not sure exactly which.
09:26No worries.
09:27Thank you, anyway.
09:28About my money, Inspector.
09:32Uh, Mia and Tomas didn't have it with them when I arrested them, and it wasn't at their
09:36property, so we're assuming it's with an accomplice.
09:38Well, whoever made that phone call, um, I said this, didn't I?
09:41He didn't have an accent, so even with whatever he used to change his voice, he was English.
09:47But look, at some point, the money will enter into circulation, and when that happens, it
09:51gets flagged in our system, and we can move in.
09:52But you haven't actually charged Mia and Tomas with Kate's murder yet?
09:56My colleague, Bonnie Crozier, is leading the murder investigation.
09:59They're putting a case together, I expect I'll have some news pretty soon.
10:03Uh, just, something I-I wanted to ask you about.
10:06Um, this was sent to you the day before Kate's murder.
10:13Alone, alas, all alone.
10:18That's a-a quote, right?
10:21Yeah, it's from, uh, Electra by Strauss.
10:24Any idea why someone would send you a message like this?
10:26No, none at all.
10:28You sure?
10:29You've no idea what it's leading to?
10:31No.
10:32Which one would assume is the whole point of a threatening letter.
10:36I didn't say it was threatening.
10:41Thanks for your time.
10:53I barely know Arthur Wakefield.
10:55Not my circle at all.
10:57Construction.
10:58Cement.
10:59Dust.
11:01Laborers.
11:02Okay, so who does?
11:03Who can I talk to?
11:05Don't you all go to the same club and light cigars with 50-pound notes?
11:10You know, dress up a poor person as a fox and chase them through a forest.
11:13Oh, you mean the Jersey Club.
11:15Yes, that's exactly what we do.
11:18Wednesdays after bingo.
11:19Okay, and Arthur's a member there too, yeah?
11:22Great, thank you.
11:28How, uh, how's Kim?
11:30You can ask yourself.
11:31She'll be back for lunch later.
11:33I've insisted she has her lunch here now.
11:35Do you know what she usually has?
11:36A sandwich out of a machine.
11:38She told me that she said those words.
11:42Well, I need to check this club out.
11:43I need to speak to someone who knows Arthur.
11:45Not looking like that, you won't.
11:47I'm wearing a suit.
11:49If one can call it that.
11:50What?
11:56You could go.
11:57What?
11:57What?
11:57You speak the language.
11:58You understand the customs.
12:00Look, I just need some background on Arthur.
12:03Yesterday, I was trying to steal your daughter.
12:05Now, suddenly, I'm going undercover.
12:08Besides, I thought you had your killers.
12:10No, there's been a development.
12:12Well, could have been a development.
12:16But Kim said the plan was for her to spend some nights at home now.
12:20No, no, that's still the plan.
12:21It's just a question of when.
12:25I'll talk to her.
12:26Yeah, it's fine.
12:30So, the club.
12:35Quid pro quo.
12:38I sniff out some dirt.
12:40Help crack the case.
12:42Burnish your somewhat tarnished reputation.
12:44And this afternoon, you and I will be given a private tour of St. Bernadette's.
12:50No.
12:50We discussed it.
12:51I discussed it.
12:53You had an attack of the vapors.
12:56I'm sure they wouldn't mind.
12:57They love to throw open the doors for old girls.
13:01But equally, you could press your nose up against the window of the Jersey Club like some Dickensian waif.
13:34I'm sorry about Kate.
13:36What?
13:37Oh.
13:38Yes.
13:39Bad news.
13:40Whoever did kill her will get away with it.
13:43Right, yeah.
13:44Don't do that.
13:45Please, please.
13:48Please don't walk away from me.
13:50Just one minute.
13:51I need to talk to you about Bergerac.
13:5630 seconds.
13:59Okay.
14:03You see, he's not interested in accuracy.
14:05He doesn't want to find who did it.
14:07He just wants to find someone.
14:11He falsified evidence against me.
14:14He ruined my life.
14:16Look, you could see for yourself.
14:19You could see for yourself.
14:19John Blakeney.
14:20There's a Wikipedia page about me.
14:22They won't let me edit it.
14:24Sorry.
14:25This is coming out wrong.
14:26How about we sit down and I tell you what he did.
14:31Because he's corrupt.
14:33No, please.
14:34He's ruthless.
14:36Please, listen to me.
14:38He will lie to you.
14:41He will lie to you.
15:04Right.
15:07keep it nice and informal just a quick catch-up bit of gossip and then when the moment is right
15:13you lead the talk towards arthur wayfield
15:17there used to be a little terrace there that caught the sun
15:21it's been absorbed by the car park which would suggest they're increasing their membership
15:29you're not the only detective in the family you know
15:34why must things change
15:51oh good lord it's charlie hungerville
15:54nigel i can barely see you through the haze of tupi goo and viagra
16:00well you'll join us won't you well why not must be six o'clock somewhere
16:05thank you can't believe it you don't look a day over 35
16:10you really must do something about those cataracts darling
16:13we were so sorry to hear about rachel
16:18we soldier on don't we your health
16:23well what's the gossip
16:27what's the gossip
16:53and remember bobby guthrie liver transplant
16:57hardly surprising anything under 12 is breakfast wide
17:01well i remember i'd like to pay my condolences to arthur wakefield
17:06oh god yes ghastly business
17:08is he in the spa i saw his car outside
17:14actually that's mine now
17:17how on earth did you get him to park with it
17:20or is he currently still in the boat
17:23people change
17:24or in your case
17:29they don't
17:34will you excuse me boys
17:36little girls
17:48oh i see bergerac
17:51the son-in-law
17:53dear me charlie
17:54it's richard nash
17:55isn't it
17:56i'm really sorry about this
17:57i know it's a little unconventional
17:59it's just really important i speak to someone about arthur wakefield
18:01well i can't help you
18:02wait in the car james
18:03no i think i should
18:04i've got this as kim would say
18:07hence the new school
18:11forgive the subterfuge dicky but this is important
18:15what happened to arthur's daughter-in-law it's possible
18:18he was the target
18:20i know
18:22and in his own home
18:24but the police don't have a clue
18:25this isn't their world
18:27so can you think of anyone who'd want to hurt arthur
18:31i'm sure he's put some noses out of joint over the years
18:35could any of them be behind this
18:39a light cirrusel
18:41it was an engineering company that arthur bought back in 2009
18:46look it up but you won't see his name anywhere near it
18:49well what happened was there an issue with the sale
18:51no charlie that's all you're getting
18:56and it wasn't from me
18:58understood
19:01bless you dicky
19:06oh here we are
19:07allied cirrusel
19:09sold in 2009 to a company called loctex
19:13researchers at allied develop a breakthrough non-lithium battery
19:18the cirrusel battery which is now used globally
19:21upwards of 10 million sold last year alone
19:25and they were bought by who by loctex
19:27what does it say about that
19:29nothing
19:30nothing that's all there is
19:31uh go back to the first company
19:32allied cirrusel
19:33who owned them
19:34here we are
19:35jonathan robson
19:38oh
19:38he invented this magic battery
19:40but died
19:422010
19:44jumped off the roof of this old office building
19:46leaving a wife linda
19:48and her daughter ellie age 10
19:52give me a favor while you've got the phone out
19:55look up the plot of elektra
19:58i don't mean to
20:00elektra is a character in greek mythology
20:03condemned to a life of poverty
20:05after her father king agamemnon is murdered
20:09and so weeks revenge on his killers
20:13and that is the benefit of a world-class education
20:16except bernard eggs
20:21great for pub quizzes then
20:33hey hey
20:34dad great
20:36i need some money
20:39no listen
20:40it's pointless carrying my toothbrush and stuff with me
20:42every time i go back home
20:43so wouldn't i just keep some here
20:46yeah
20:48yeah
20:50um
20:51um
20:51yeah about that
20:54you know those uh people that we arrested
20:56mm-hmm
20:57um
20:58i don't think they did it
21:00so
21:01uh so the case
21:02goes on
21:03it just means that i won't be at home
21:05much
21:09great
21:09i'm really sorry
21:10i i know that staying here isn't perfect
21:12it's not that
21:13it's just
21:15we were gonna talk weren't we
21:17and yeah we will
21:20you keep saying that
21:21i don't keep saying it
21:22i've said it
21:23once
21:26it's for you too dad
21:29the conversation you
21:30needed to
21:31you got me all worked out
21:32haven't you
21:37no i'm sorry you're right
21:42in the meantime
21:44let's do lunch
21:45tomorrow
21:46how does that sound
21:47yeah sure
21:49that'd be nice
21:53um
21:54i should probably
21:55yeah
21:57no
21:57go for it
22:04i gotta call you about tomorrow
22:11bye love
22:12bye dad
22:33oh god what is that face
22:34i hate that face
22:39on the night of kate's murder
22:41yeah
22:41tomo said he took in a package for a neighbor
22:44so i
22:45checked it out
22:46and um
22:48yeah
22:48it tallies up with the time code from the courier
22:51you are shitting me
22:52did you see me
22:55over tom's shoulder
22:57asleep on the sofa
22:58on us back to a square
23:00fucking one
23:02we're obviously still charging for the abduction
23:04oh what do you do
23:05that's not even my case
23:08speaking of which
23:09where is golden balls
23:15hey
23:16it wasn't me
23:17it wasn't me and tomos
23:18they've got a solid alibi
23:19you were right
23:20but your absence is getting commented on
23:22barney wants a team meeting to discuss new leads
23:24i'll have to raise the letter again
23:25uh
23:26give me half an hour on that
23:27i've got some traction
23:28um
23:30listen
23:30do the wakefields know about me and tomos yet
23:32no
23:32i was gonna head over after the meet with barney
23:35don't tell them just yet
23:37arthur's hiding something
23:38knowing that me and tomos are in the clear for murder
23:40might make him clamor even more
23:42arthur's hiding what
23:44does the name ellie robson
23:46mean anything to you
23:51or jonathan
23:52robson
23:53ring a distant bell
23:56no
23:57what about allied cirrusel
23:59it's jonathan robson's company
24:00it's bought by another company called loctex
24:03the weird thing is
24:05they didn't exist before or after this transaction
24:09they appeared out of nowhere
24:10bought allied cirrusel
24:11and then disappeared
24:14like brickadoon
24:15then one of jonathan robson's innovations
24:17the cirrusel battery
24:19starts the feature in your marketing
24:21what's that phrase you use
24:24power need not corrupt
24:29i bought loctex
24:32and with it
24:33the catalogue of patents
24:35innovations
24:36plans
24:37back of the beer mad ideas
24:38oh and the uh
24:40the debt that came with their purchase
24:42of allied cirrusel
24:44the thing is
24:45a couple of years later
24:46jonathan robson committed suicide
24:49correlation doesn't imply causation inspector
24:53jonathan robson was
24:54clearly a brilliant man
24:55he was also a very troubled man
24:58but his intellectual property was paid for
25:00some might say handsomely
25:02though some might not
25:05which brings us back
25:06to this
25:07i believe this came from
25:10ellie robson
25:12jonathan robson's daughter
25:13hence the references to a murdered father
25:16and an avenging daughter
25:17it is a bit oblique though
25:19isn't it
25:19coming out of the blue i can't imagine it would make much sense it feels to me more like
25:23uh
25:25theme
25:27so
25:29how many have there been
25:31two or three a year for the last five years that's all
25:34that's all
25:35do you still have them
25:35no we do not
25:37no we do not
25:37threw them out
25:39ellie robson is a fantasist she's trying to make sense of her father's death
25:42now if i'd thought for one minute
25:44that she was involved in kate's death i'd have told you
25:46it is not up to you to decide
25:48what is or what isn't relevant or who is or who isn't a credible suspect
25:52you have your suspects they're literally in bloody custody
25:55we haven't been able to charge them yet
25:57and until we do we have to pursue other leads
25:59so this is important
26:01rightly or wrongly
26:02she believes that you ruined her father
26:04and that is a motive
26:07what to kill kate
26:08oh come on
26:09to hurt you
26:16so what are you gonna do
26:17what am i gonna do
26:19she's a suspect
26:20i have to look into it
26:21but moving forward
26:22let's just assume
26:23everything is relevant
26:26clear
26:38i only wanted them to know about the letters
26:40now they do
26:41i wanted them to know
26:43because if it was ellie robson
26:45then you're the target
26:47meaning there's every chance
26:49you'll come back to finish the job
26:51ellie robson didn't kill kate
26:52we know who killed kate
26:55and in the meantime
26:56a question here a question there
26:58that's all it takes
26:59and as far as bergerac is concerned
27:02this isn't even about kate anymore
27:04he's never gonna give up
27:12what is it
27:17there was a man here earlier
27:48yeah
27:51you know when i foolishly went after him
27:53not knowing he had an alibi
27:54even though his alibi had actually come through to this team
27:59yeah uh no that's
28:00no uh good
28:02always good to be sure
28:03i buy this
28:04i think she could be a real person of interest
28:06great
28:06to the murder inquiry
28:08which is why i will go and have a chat with her
28:09give me a minute and i'll come with you
28:10that's all right
28:10i'll take kara
28:11you got id on the robson girl
28:12oh look at that
28:13it's all in here
28:14this is great stuff
28:15thank you jim
28:17come around
28:17with me
28:33how did she do that
28:49thank you so much for being here
28:51very nearly the time we agreed
28:55see they're not the midwitch cuckoos after all
29:00mrs hungerford
29:02so lovely to meet you
29:03rose parsons head of english
29:05thank you so much for arranging this
29:07at such short notice
29:08this is my son-in-law james
29:10can i just say
29:11how sorry we were to hear about rachel
29:14some of her teachers are still on the faculty here
29:17and i know they all thought the world of her
29:18so did we
29:20now once i've finished showing you around
29:22i was hoping you might linger a moment
29:24someone mentioned that rachel was in a production the school did
29:27of romeo and juliet
29:28that's right
29:29she played the nurse
29:30well i had a bit of a trawl through the archive and you'll never guess what i found
29:35an actual video of the production
29:38i had a quick look
29:39she has the audience in fits
29:42i thought we could watch it
29:43or at least as much as you have time for
29:45honestly
29:45she's absolutely glorious
29:47oh goodness
29:48that sounds fun
29:52what do you think james
29:53yeah
29:56yeah
29:57wonderful
29:57shall we
29:58yes
29:59i hear kim is very musical
30:01remind me to show you the new recording
30:03actually
30:04sorry
30:04i've um
30:06i've left something in the car
30:29you cover the back she might be expecting a visit
30:32okay
30:34okay
30:56it's ellie robson
30:57yes
30:58detective inspector barney crozier do you mind if i come in
31:00of course
31:01of course
31:02yes
31:03yes
31:14yes
31:15yes
31:17yes
31:18yes
31:18yes
31:25yes
31:26yes
31:27yes
31:27yes
31:33yes
31:34yes
31:37yes
31:39yes
31:39yes
31:41yes
31:41yes
31:42yes
31:45yes
31:47yes
31:49yes
31:49yes
32:08Look, even I would struggle to see my dead daughter happy and healthy and glorious technicolor, but we're here for
32:13Kim.
32:14And so we go back in there, and we smile, and we gaze and all at all the world-class
32:19facilities, and then we say, oh no, mustache, and we go home and scream into a pillow.
32:24I am doing my best. I am trying to give Kim stability and solidity. That's why I'm back at work.
32:33But just sometimes it's just a lot.
32:42Today was fun. I enjoyed being useful. I could forget just for a minute. So I see the attraction. But
32:56it's a mirage. You understand that, don't you?
33:04DC Malloy to all ranks. Urgent assistance required.
33:10Suspect, Ellie Rebson, female 25, Madoff, heading towards the A-11.
33:16She had the home advantage.
33:18Suspect vehicle heading northwest on Valley de Saint-Pierre, taking a left-left into Sandy Brook.
33:25DCI Bergerac on Brudemont.
33:39Oh, shit. Where did she go?
33:41DC Malloy to all ranks. Suspects, current location unknown. Please be on lookout for female 25 in a gray Nissan
33:48Micra.
33:491-3-2-2-8-5.
33:51What direction was she headed when you lost her? Could she be headed to the Wakefields?
33:55No, opposite direction. She could be heading to the port.
33:58She might be trying to get off the island.
33:59I know where she's going.
34:01All units head to Marshall House on Valplaison.
34:07Just help me out here.
34:10The detective in charge of investigating your daughter-in-law's murder.
34:14You want us to what? Expose him? Undermine him?
34:18Right. The murderer's already in custody, so there's sudden interest in my business.
34:22Of which, by the way, there is nothing amiss. Okay? Nothing.
34:25It's irrelevant. It's a fishing expedition.
34:27Yes, but look at the optics, Arthur.
34:31Bergerac is popular. He's admired. Where is him? You know what he did.
34:35Yeah, but what if he didn't?
34:37What if what he said was true?
34:41And Bergerac really did try to falsify that evidence.
34:45What if we're talking a whole career of corruption and criminality?
34:51Oh, and there's one other thing to consider.
34:54Remember, remember, I'm on the board of directors of your fucking newspaper.
35:02I think that covers everything.
35:15We're going to need paramedics and a fire service. She's got a job.
35:18Wait, what? How do you know?
35:19I found her.
35:38Ellie?
35:43Ellie?
35:46Ellie?
35:50My name is Jim. I'm a police officer.
35:57This is where your dad died, isn't it? I know who he is.
36:05I know what you think. Arthur Wakefield's dick to him.
36:07I didn't kill Kate.
36:08Then we don't have a problem.
36:09I just sent the letters.
36:11Yeah, well, the letters aren't that big a deal.
36:14I wanted to do more.
36:16Well, yeah, I'm sure, but you didn't.
36:18I wanted to set dogs on him.
36:20That would have been too much.
36:22This rage.
36:24It's all I am, top to bottom.
36:27Everything stopped when my dad died.
36:31I may as well have jumped off with him.
36:34I can't.
36:42Why don't you tell me what happened?
36:46Arthur knew about the battery.
36:50He'd seen the plans somehow, but he paid my dad a pittance.
36:58Do you know how much money Arthur made of dad's battery?
37:02How much?
37:03Ten million.
37:05And the shame my dad felt for getting tricked like that.
37:11And he watched us struggle.
37:14And it tore him apart.
37:17Obviously, he...
37:19My mum tried getting lawyers, but they said Arthur had it all sewn up tight.
37:26So, yeah, ten years later, I sent him these pathetic little letters.
37:34I know a bit about how you feel.
37:39You lose someone you love.
37:41It's a line through your life.
37:45Everything's before or it's after.
37:47They're different worlds.
37:51And I know a bit about the shame that the dad felt, too.
37:58In fact, I say I'm something of an expert there.
38:00But look, he wouldn't want this, just as I wouldn't want this for my daughter.
38:07The waste of his life.
38:09The waste of yours.
38:10That is when Arthur Wakefield really wins.
38:20Aren't you cold?
38:23No, I'm absolutely freezing.
38:35He is winning, though, Arthur Wakefield.
38:38Look at him.
38:41Well, let's see what we can do about that.
38:42Mm-hmm.
38:44Mm-hmm.
38:46Mm-hmm.
38:50Mm-hmm.
38:58Mm-hmm.
39:13She'll be here.
39:17Gillian, God, I'm so sorry about Kate.
39:20Did you get the flowers we sent?
39:22No idea.
39:26Oh, um, sorry, this is John.
39:28He's here to help us with, um...
39:32I'm sorry for your loss, Mr Wakefield.
39:36Thanks.
39:37And who's this?
39:38It's my daughter, Lily.
39:40Oh, hi, Lily. You're beautiful.
39:42Yeah, she's a monster.
39:45Actually, Dad, do you mind just taking her for a minute?
39:47Yeah.
39:48I'll take her.
39:49No, no, no, please don't worry.
39:50She might be sick on you.
39:52You wouldn't do that to me, would you, Lily?
39:55Well, if you're sure.
39:57Okay.
39:58And then...
40:01You let go!
40:07Mm.
40:10She's here.
40:17Gentlemen, I hear you have a story for me.
40:23Time now is 8.19 p.m.
40:26Also present is Miss Robson's solicitor, Mr Pat Davis.
40:30Miss Robson, you understand why we're speaking with you?
40:34Because I sent the letters to Arthur Wakefield, all of them.
40:38So you're admitting to harassment?
40:40No.
40:41I'm admitting to sending some letters with opera quotes in them, though some early ones had lines from the Discworld
40:50novels.
40:52Okay, let's talk about intent.
40:54When you're sent...
40:55For the purposes of the recording, D.C. Malloy has just entered the room and handed me a file and
41:00a mobile phone.
41:03Intent's irrelevant.
41:03How can intent be irrelevant?
41:05Because, correct me if I'm wrong, but having bad thoughts about someone isn't illegal.
41:10With intent is quite...
41:10Sorry, Ellie, these photographs were on your phone.
41:12They're of the Wakefield house.
41:14They include images of the exterior, the main entrance, interior rooms, hand-drawn floor plans of all floors.
41:22Where did you get these, Ellie?
41:23Did you take them?
41:23Hang on.
41:24Where did you get these images, Ellie?
41:25Did you take them?
41:26Kate sent them to me.
41:30Why would Kate Wakefield send you these?
41:33I met her about seven months ago at a charity event.
41:37I hadn't planned on telling her about my dad, how Arthur defrauded him out of all that money.
41:42It just came out.
41:45She couldn't believe it.
41:47She said she wanted to help me.
41:50Help you do what?
41:51If there was any proof that Arthur had committed fraud, she said it would be on his laptop.
41:57She had this plan.
42:00The family were going to be at some opera thing.
42:03The baby was with the nanny.
42:04There was no CCTV.
42:06So I was supposed to sneak in the house, grab the laptop and get out.
42:12Were you inclined to make use of the information that she sent you?
42:17I was inclined.
42:20I'd love to be the sort of person that can just do that.
42:23But I'm not.
42:29The time is 8.21 p.m.
42:31The interview is suspended.
42:37What is it?
42:38The photographs Ellie says that Kate sent her.
42:41There's no record of them on Kate's phone.
42:43Plus, the number Ellie has saved as Kate Wakefield is not Kate's official number.
42:47So how do we know Kate sent them?
42:49Go back through the exchanges.
42:50The stuff she references, the things about the Wakefields, the house.
42:54It's stuff only Kate would know.
42:56Okay, so Kate's got a second phone.
42:57Yeah, now, look at this.
42:58The last text that Kate sent to Ellie.
43:01Well, if you won't expose Arthur, I will.
43:05So the Allied Cerrocell stuff, Kate was going to take it to the press.
43:08Yeah, say she was and say Arthur found out.
43:11What do you think you do to stop her?
43:28What's happening?
43:29You need to see this.
43:32Mia and Tomas Alves have been charged with the abduction of Lily Wakefield.
43:37However, evidence has come to light that excludes them from the investigation into the murder of Kate Wakefield.
43:43But we have several other lines of inquiry that we are currently pursuing.
43:47And we would like to assure the public, and in particular the Wakefield family,
43:52that whoever killed Kate will be brought to justice.
44:33We'll see you next time.
44:36We'll see you next time.
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