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A.Taste.For.Murder.S01E03.540p.X265.AAC [Full Movie] [Vertical Drama]Full EP - Full
Transcript
00:00The End
00:00The End
00:01The End
00:02The End
00:02The End
00:08The End
00:09The End
00:10The End
00:14The End
00:18Hello?
00:20Is someone there?
00:33The End
00:33You're digging your nails in
00:34Sorry
01:11Look beneath the tiger's eyes
01:13We found it
01:35I'll connect
01:35I know
01:37Okay
01:42I left
01:43I found it
01:43I'm feeling
01:43I should'veinto
01:43oxalis
01:44Night
01:45ja
01:45a
01:45a
01:50Cristo
01:52it
01:53n
01:58so
01:59I need
03:02Allora, two VIP tickets to our gala dinner for our brilliant Lady Detectives.
03:07Thank you very much.
03:10Ladies and gentlemen, may I have your attention, please?
03:13We have a winner for our Heistbreaker Challenge!
03:30It's a long way to go for an old film.
03:32Not just any film.
03:34Roman Holiday.
03:35This was his idea?
03:37Daniela's?
03:39Yes, but I swear, it's a film festival.
03:41Why would I make up something like that?
03:43It's a good question.
03:45I promised Gran I wouldn't lie again.
03:47What about me?
03:50I feel like I can say anything to you, to be honest.
03:53You're never really listening.
03:56I've told you that's going to change.
03:59Then I won't lie to you either.
04:02Deal?
04:03Deal.
04:05Anyway, why have you come to Naples?
04:07You never said.
04:08I've got a debrief on that murder case.
04:11Hopefully the last one.
04:14Then maybe we can spend some time together.
04:16I thought that's why we were here.
04:18Er, you wish there was dead not longer, though.
04:22I just wish that she wasn't.
04:26I wish that too, sweetheart.
04:42There it is.
04:44The pride of British policing.
04:47Don't know about that.
04:48Martin Laxman.
04:49British consulate.
04:50Joe Mottram.
04:52Oh, I know who you are.
04:53The commissioner here has been waxing lyrical.
04:56Look, I'd love to stand you with a drink.
05:00Inspector Sarencino's just offered.
05:01We can do that another time.
05:03Mine's on the Foreign Office.
05:06Some bright spark will be suggesting a transfer next.
05:09You mark my words.
05:10I'm just here on holiday.
05:12Don't worry, I'll let you get back to your towel and your airport novels.
05:16Actually, Joe, I wonder if I might beg a small favour.
05:20It's Camilla, my niece.
05:22She's helping organise a murder mystery weekend.
05:25Senior in-laws' neck of the woods.
05:27On the island?
05:28That's right.
05:30Dan Wright just phoned in sick.
05:31And it occurred to me that you might go in her place.
05:35Me?
05:36The hero of the hour?
05:38I didn't write anything.
05:40Not that we're disappointed.
05:41A genuine Met Police detective.
05:43I don't think disappointed would be the word.
05:45And there'd be a cash fee in it for you.
05:52What is it you like about her?
05:54She reminds me of my mum.
05:57And the clothes, of course.
05:59You like fashion?
06:00Yeah, I used to think I wanted a career in it, but not anymore.
06:03What would you do then?
06:05Uh, I don't know.
06:07But definitely work for myself.
06:10What about you?
06:11What about me?
06:13Well, are you gonna go to college?
06:15That's not for the likes of me.
06:16That's such BS.
06:19My mum.
06:21She's sick.
06:23You know, she wouldn't want you to miss out.
06:25Sure, but I can't afford it.
06:27You could work, save up, go later.
06:30Easy to say when you don't have to.
06:33Sorry.
06:35Hey, there's a party tonight.
06:38I said I'd spend time with my gran.
06:42Come on, it's starting.
06:50I love this one.
07:02At least you'll get a decent meal.
07:04Won't be a patch on here.
07:06This evening, we're closed.
07:11Luca, wanna come to a fancy dinner?
07:13Uh, sorry.
07:14I haven't eaten.
07:17Ciao.
07:17Huh, what about Daria?
07:19You could take her.
07:20Take me where?
07:21It's a murder mystery, see?
07:23Ah, you love her, then.
07:24I'm sure Daria's got better things to do with the night off.
07:27Not really.
07:27My mum is with my sister tonight.
07:29Well, anyway, um, I don't have a suit.
07:32I'll find you one.
07:33Hmm, okay.
07:34Let's settle then.
07:37See you.
07:38See you later.
07:39Yeah.
07:49Wow, Elena.
07:51You look amazing.
07:53Are you still not talking to me?
07:56That rather depends.
07:58I hope you know what you're doing.
08:02She deserves some fun.
08:04They both do.
08:05She's an attractive woman, Janelle.
08:07So?
08:08So, he's a man.
08:14Well, that hadn't occurred to you.
08:20One day, his heart will mend.
08:24We need to get used to the idea.
08:39And is this your wife, Inspector?
08:42No, no, just a family friend.
08:44Just the two gentlemen together.
08:51Lovely.
08:52Sorry, I just...
08:53You're tripping.
08:54No, Santi.
08:55That's enough, Santi.
08:57He's like a mother, not a boyfriend.
08:59And this is Mr. Miller and Mr. Murray, Inspector.
09:03Two of our most avid fans.
09:05So avid.
09:05In fact, they turned up a day early.
09:07Andrea was kind enough to invite us in for a cocktail.
09:10I'm raising a crime story of my own.
09:13I want to run some ideas by you.
09:15There will be time after, dear.
09:17What's wrong with now?
09:18The next challenge is about to start.
09:20And this is Camilla, Mr. Laxman's niece, who publishes the book that inspired our event.
09:27Oh, thank God policemen are more reliable than writers.
09:31Might I have a word, Andrea?
09:33I need to speak to Joe, in private.
09:35Oh, I shouldn't leave Daria.
09:37No, no, it's okay.
09:38Santino will take care of me.
09:40By all means.
09:41Quick.
09:49I know.
09:50Not exactly for Knox.
09:58Hey.
10:03Scorsese.
10:05Any good?
10:06It's Santinos.
10:08He's obsessed.
10:21You okay?
10:23I'm type two.
10:24My levels are all over the place.
10:27Maybe take your tie off.
10:28Never.
10:28This is my way of sticking two fingers up to the disease.
10:34Is that a good idea?
10:35I receive enough lectures from Santino.
10:39His poor mother was also diabetic.
10:52Ain't you going to count it?
10:55You cheat an officer of the law?
10:56I would cheat anyone.
10:58My finances are in a worse state than my health.
11:01I thought you'd be making a mint from all this murder mystery stuff.
11:03Renting this place out.
11:05It just about covers the upkeep.
11:09Am I legal beings?
11:10The whole story story is in here.
11:14I'm a policeman, not a lawyer.
11:16Don't worry.
11:17I only brought you in here to avoid talking to Camilla.
11:22Am I interrupting?
11:24I was just leaving.
11:34You greedy little shit, Andrea.
11:37How dare you?
11:39Do you realize how disrespectful this is?
11:41We were going to book elsewhere and we came here as a favor to you.
11:48I've hardly spoken to Angelica.
11:51You and me both?
11:53Elena said she's very spirited.
11:56Headstrong, you mean.
11:58Opinionated.
12:00Do you have kids?
12:02No.
12:04Forget I asked.
12:05No, no.
12:06It's okay.
12:07I don't mind.
12:08It's a blessing, really.
12:10Divorce is easier when no children are involved.
12:13I can imagine.
12:16I've been nursing my sister through cancer.
12:19I'm sorry?
12:20You realize how precious life is?
12:23How short.
12:25Too short to spend it with someone.
12:28You don't love.
12:30I'm sorry.
12:32You don't need lectures from me about love.
12:37Did you know, Sophia?
12:39No, but Elena has told me so much.
12:42Stupid game.
12:43Leave me alone.
12:44We can see the rest of the villa tomorrow.
12:46It's only out of bounds for tonight.
12:47I'm going for a swim.
12:49You don't have a costume or a towel.
12:51God's sake.
12:55See if you can find another bottle of Prosecco.
12:59Do you think you should intervene?
13:01I think a dip might sober him up.
13:09Maybe we should bunk off and go for a swim.
13:12Policemen are supposed to be reliable.
13:14I'm off to you two.
13:18Top up.
13:36Have you seen Andrea?
13:38Uh, no, not for about an hour or so.
13:41We really can't start without her.
13:43Well, then go and look.
13:44It's a lovely dress, dear.
13:45It's beautiful.
13:47Ah, thank you.
13:48Oh, I just hope it's not too hot.
13:52Hang on.
13:54Save some for me.
13:59Someone else is running late.
14:14This is wonderful.
14:16Just hope it's up to your standards.
14:18I'm sure it's delicious.
14:19Someone help me!
14:30Please stay here, everyone.
14:32I'm sure everything's fine.
14:41Please, come on.
14:46Get out of your arms.
14:47Please don't...
14:48Please don't let me be.
14:49Please don't let me be.
14:52No.
14:54Sentino.
14:56Sentino.
14:57Piano, piano.
14:58Piano.
14:59No.
15:00I'm sure.
15:04Come on.
15:34What are you doing here?
15:35The part is boring without you.
15:37I told you I can't.
15:39Then come to the beach.
15:40Well, I made a promise.
15:43So, leave a little.
15:45Okay, wait here.
15:59I'm so sorry.
16:01You don't have to apologize.
16:03Have a fun night, how is it?
16:04I was having a wonderful time until...
16:09I've arranged a lift back for you.
16:11Are you not coming?
16:12I need to stay.
16:14Yes, of course.
16:15I will see you tomorrow.
16:17Yeah.
16:17Okay.
16:20Ciao.
16:21Ciao.
16:24Let's go.
16:26Let's go.
16:27Oh, no.
16:50What is it?
16:52Sound, I think.
16:55Can we get this glass to the lab?
16:58Yes, of course.
17:04There's blood here.
17:06No glass.
17:08And then glass there with no blood.
17:14It's like three separate incidents.
17:23I don't know you smoked.
17:25Everyone's box.
17:37Can I have some?
17:39It's strong.
17:41Everyone smokes Daniella.
17:44You for sure?
17:46See?
17:47I'm not so angelic.
17:56There you go.
17:58It is strong.
18:12What's that?
18:14Extraterrestrials.
18:16It's my alarm thing, bud.
18:19I have to go back.
18:21Please stay.
18:22No, I promise.
18:23I'll be back.
18:24Five more minutes.
18:26Hey!
18:26Daniella, stop.
18:27Let go.
18:28Get off.
18:30Oh, yeah.
18:33Are you okay?
18:36Yes.
18:37Yes.
19:04You waiting up for me?
19:10We've been arguing again.
19:38Oh, man.
19:42Go on
19:43Go
19:44Have you got me?
19:46Go, yeah
19:46Go
19:47I've got the light
19:49Gary
19:49Okay
19:50Focus
19:52Are you alright?
19:55Yep
19:56Oh yeah
19:57I thought it might help
20:07I don't need help
20:09There's a thousand there
20:10If you need any more
20:11Just ask me
20:12Are you trying to insult me?
20:16We're family, Gennaro
20:19You're insulting me
20:23Thank you
20:26Second time, Lucky
20:27Let's go
20:43Let's take this
20:45Fuck you
20:54I'm one of them
20:56I'm one of them
22:05I'm starting to think you're a jinx.
22:08You're not the only one.
22:09A trail of bodies wherever you go.
22:16You wanted to talk to me?
22:18I need to interview you.
22:20I told Gianni everything I know.
22:21As a potential witness?
22:23A witness to what exactly?
22:25An argument between the dead man and another guest.
22:40Take your hands off of me.
22:42This is a diplomatic incident.
22:44Madam, please.
22:51Thank God you are here.
22:53She just had to surrender her passport.
22:56I'm sure it's just a formality.
22:57They are saying that she is a suspect.
23:00She just needs to account for her movements.
23:01That's just it.
23:03She can't.
23:05Joe.
23:07Excuse me.
23:09Just tell us what you know and most likely we will let you go.
23:15Or we could apply to the prosecutor to detain you for up to 96 hours.
23:21Camilla.
23:22We have witnesses who have heard a heated exchange between the deceased and you at 7.35pm in the same
23:29location his body was later discovered.
23:31No one recalls seeing Andrea alive after your argument.
23:34And no one saw you either.
23:36Not until you came back for dinner.
23:38An hour later at 8.35pm.
23:41You went to change.
23:43Didn't you?
23:46You were wearing red when I met you.
23:48But orange when we sat down for dinner.
23:51The question is, why?
23:57So the victim had a nosebleed?
23:58She says his stomach when they were arguing wouldn't stop.
24:01She tried to help him.
24:02Got blood on her dress.
24:04Andrea told her to leave him alone and then she left.
24:06Oh, she stabbed him in a fury, panicked and fled and thought better of him.
24:11What were they arguing over anyway?
24:13Andrea and Boystaff are the hire of the villa at twice the agreed price.
24:17Why didn't she tell us all this when he first tried to question her?
24:20She did admit she threw a glass at him.
24:22But she says that shattered harmlessly.
24:24But then later found a piece stuck in his neck.
24:26Didn't know what to think.
24:27So the boyfriend thinks she's guilty?
24:28Camilla says he's got it in for her.
24:30Andrea asked her to give Santino a job.
24:32She refused.
24:33She said he barely read the book in his life.
24:35He's a movie obsessive apparently.
24:37And you believe her?
24:37She's still a suspect.
24:39Until we can prove he was still alive after she left.
24:43Post-mortem is in, boss.
24:47That's the tox report and crimes in forensics.
24:51The glass in his neck, the wound superficial, not enough to kill him.
24:55I saw what it did.
24:56Heart attack.
24:57Brought on by loss of blood, they think.
24:59From a nosebleed?
25:00It was an additional bleeding from the head wound, consistent with a fall.
25:03He felt faint after the nosebleed, dropped the decanter, fell, hit his head, got the
25:08shard in his neck.
25:08It is possible.
25:10His insulin levels were sky high, according to this.
25:12Must have been really unwell.
25:15Warfarin.
25:16Isn't that rat poison?
25:18Blood thin there.
25:19Diabetic's thicker.
25:20That could explain why he bled out.
25:22Any mention of lithium?
25:24Not in a system, no.
25:25It says here that the brandy in the decanter was heavily contaminated with it.
25:29Did he drink from it?
25:30Yeah, we both did.
25:31Let's talk more over lunch.
25:32I'm hungry.
25:33I know a great little restaurant.
25:48Who's that with Joe and his friend?
25:52Some big fish with the state police in Naples.
25:56He thinks our son-in-law, it's God's anointed.
26:00He almost seems ready to name him chief of police.
26:06Wouldn't it be wonderful if Joe was?
26:09Would it be?
26:11We'd see a lot more of Angelica.
26:13That would be wonderful.
26:17I don't even know if such a thing is even possible.
26:20A transfer.
26:22Everything's possible.
26:24Elena, you're playing the fire.
26:30His doctor says he was managing diabetes as well as could be expected.
26:34She's adamant he's not the type to overdose deliberately or by mistake.
26:38Maybe a third party injected him.
26:40What is the evidence for that?
26:41Andrea wasn't prescribed Warfarin.
26:43Which suggests someone else may have poisoned him with it.
26:46So why not with insulin as well?
26:48It's fast acting if injected into muscle.
26:52The victim goes into diabetic shock followed by a coma.
26:55He can't kill if left untreated.
26:58Yeah, but how do you inject someone without them noticing?
27:01You fiddle with a prescription.
27:02Just like in that movie.
27:05I'm so sorry.
27:07I should have my own business.
27:09What film?
27:10The husband poisons the wife with her insulin shots.
27:15I can't remember the name of it.
27:16Have you watched it recently?
27:18Last year sometime.
27:19It's that Italian-American director.
27:22Scorsese.
27:23Scorsese.
27:25Santino.
27:27I think it's time we brought him in.
27:38This is my hard drive.
27:40So what?
27:41And that's just a coincidence, is it?
27:43All of these movies are.
27:45I watch them all the time.
27:46When?
27:47When am I supposed to have done this horrible thing to Andrea?
27:50Calm down, sir, please.
27:52We just have a few questions.
27:53I was taking photos.
27:55All night.
27:56You can ask anyone.
27:57Trust me.
27:57We will.
28:02Why?
28:04Why would I kill him?
28:06The one person I had left to me.
28:10Without them, I have nothing.
28:11No partner.
28:12No money.
28:14Nowhere to live.
28:15You can't stay here.
28:16There's a court case.
28:20Someone else is claiming ownership.
28:34We found this in your internet search history.
28:40We found this in your internet search history.
28:52You were giving him your dead mother's insulin instead of his.
29:11That's her prescription, isn't it?
29:14It's twice the strength of Andrea's.
29:16I lost her a few months ago.
29:20The last thing I wanted was to lose him to.
29:26And what did you want?
29:28Just to make him a little bit sicker.
29:33Just a little more dependent on me.
29:38Andrea was always saying that we should break up
29:41because the villa might not be his for much longer.
29:45He said that I should plan for life without him.
29:50You know, get a job with Camilla, maybe go to London.
29:54I don't know.
30:03How do you explain this?
30:08Yes.
30:09I gave it to him as well.
30:13Without his knowledge to reduce the risk of him getting a fetal blood clot.
30:18Or to increase the risk of him bleeding out from a tiny scratch.
30:48He confessed.
30:50Hey, but to what?
30:52Messing with Andrea's injections.
30:54Yeah, but that's some weird Munchausen by proxy kind of shit.
30:58Also known as attempted murder.
31:01We can't prove he was directly responsible for the fatal bleed.
31:05His prints are on the decanter.
31:07His prints are all over every bit of the house.
31:09He lived there.
31:10And what about Maltin?
31:11He's left himself penniless, homeless.
31:14Maybe he lashed out in anger.
31:16Went to check on Andrea, caught him pouring yet another brandy,
31:19lost his temper, tried to grab the decanter from him.
31:21Except he was taking photos all night.
31:23We only have his word for that.
31:25You've impounded his camera.
31:27It won't be hard to prove either way.
31:29Anything else?
31:30There is, actually.
31:32The lithium.
31:32He wasn't poisoned with that.
31:34Exactly.
31:34And I'm trying to work out why not.
31:37It was found in what was left of the decanter,
31:39and both Andrea and I drank from it.
31:41But neither of us had detectable levels in our blood.
31:46Every detail matters, right?
32:03Still here?
32:04Oh, yes.
32:06We've all been asked to stay on.
32:08I shouldn't say too much longer.
32:09I hope not.
32:10I packed for two days.
32:12There are shops on the island.
32:13We're out-of-work actors, Inspector.
32:15We can't afford to pay those prices.
32:17I'm under strict instructions from Oscar to find a laundrette.
32:21Good luck.
32:36It's very late.
32:37Sorry.
32:38Um, I lost track of time.
32:40No.
32:41No, no.
32:41It's okay.
32:45Oh, they're a happy-looking bunch.
32:49The father had the villa built as a holiday home,
32:52and then he got himself jailed for smuggling guns and tobacco.
32:55How very Italian.
32:58And the government auctioned it off.
33:01Hmm.
33:02Who's that cheery chap?
33:05This is Franz Muller.
33:07His family manufactured plastic in Germany,
33:10but he made radical art.
33:12Used the island as a bolt hole when Hitler came to power.
33:15And what about during the war?
33:18Well, poor Franz had to scarper when the Allies retook the island.
33:21So he sold the villa?
33:23That's what's disputed.
33:25A local family, the Carlottis,
33:27they say he offloaded it to them in a tearing hurry.
33:30Well, don't they have the deeds?
33:32Lost.
33:33And when they tried to sell it to a hotel developer,
33:35the Muller family blocked it.
33:37It's been grinding through the courts ever since.
33:40Oh, they should just give it to the family of the smuggler who built it.
33:46Well...
33:47What is it with this place and smuggling?
33:49Oh, no.
33:50The Italians, they despise the state.
33:53They like nothing better than to cheat it.
33:56And, of course, all the secret caves and coves.
34:02Well, why are you interested in all this?
34:08Um...
34:09I've been taken on as a consultant.
34:12And they're paying me this time.
34:14They're actually employing you?
34:16It's only for the summer.
34:19I thought it might help keep me...
34:22You know.
34:25Why do you think I keep so busy?
34:31Good night.
34:32Good night, Helena.
34:51I thought we'd go fishing.
34:55Fishing?
35:01It's not always five o'clock in the morning.
35:04The fish don't know that.
35:08It's my way of saying thank you.
35:11I will pay you back.
35:13No chance.
35:15I'm always happy to help.
35:19Although I'm sure you won't need it.
35:24Money.
35:26Slips through my fingers.
35:30There must be ways to make more of it.
35:32You think I haven't tried?
35:34You've got a name.
35:36You shouldn't use it.
35:37To do what?
35:38Write cookbooks.
35:42Why not?
35:44You sound like Sophia.
35:52Forget it.
35:53Why?
35:54Because I've mentioned her name.
35:57You can't just change subject every time it comes up.
36:01It's part of grieving.
36:03Of healing.
36:04To talk about the one you lost.
36:07With those who love them too.
36:13I can't.
36:14Then learn it.
36:17I just...
36:21I can't.
36:29I think we should go back up.
36:31The fishing gods are not smiling on us.
36:35Huh?
36:41Joe!
36:42Joe!
36:43You've got that big bull.
36:46Joe, pull.
36:50Never seen one like this before.
36:52It's a parrotfish.
36:54Just asking to get caught.
36:56Yeah.
36:56Being colourful.
36:58Obviously has its advantages.
37:00It can attract a mate or protect your nest from a predator.
37:04Detective the nest.
37:06Yes.
37:07It's called distraction display.
37:09To lure the focus away from something you don't want to be noticed.
37:14It's quite common in nature.
37:17And among humans.
37:22So, ten minutes and it's done.
37:41Grazie.
37:48Worth it.
37:51Best bloody breakfast ever.
37:58Come and look at this.
38:01There's Camilla in the background.
38:03Take a note of the time.
38:04Now, this one.
38:05That's Andrea.
38:07And his nose is bleeding.
38:09At 7.46pm.
38:11He was still alive when Camilla left to get changed.
38:13Maybe it's time to give Miss Laxman back her passport.
38:15Time codes can be edited.
38:17But not the sequence the photo's appearing.
38:22You didn't tell me it took a date.
38:25I didn't.
38:27That's not relevant.
38:28What is, is that this photo was taken shortly after we arrived at 7.20pm.
38:33So?
38:33So between then and dinner, Santino took a further 232 photographs.
38:38Or roughly one every 18 seconds.
38:41Seems like a lot.
38:42The longest gap is less than a minute.
38:44Whoever, or whatever, caused Andrea to hit his head and suffer a fatal bleed.
38:48It wasn't Santino.
38:50So you're saying he couldn't have been present when his boyfriend died?
38:52Exactly.
38:53Or someone else might.
38:55Who's that?
38:56Oscar Miller.
39:00He likes his photo being taken.
39:01It's called a distraction display.
39:03He made sure to introduce himself to me.
39:05And I would see him going swimming.
39:06Announced his return in the most dramatic fashion.
39:08Dripping wet.
39:09So he was trying to distract you?
39:10To get noticed.
39:11And all my focus away from his true intentions.
39:14Which was?
39:16You got a wetsuit.
39:39Then it was built by a smuggler.
39:41He'd want secret access to the beach.
39:43That explains the sound on the scrapbook.
39:46And why Oscar needed a long dread.
39:49Dirty work looking for deeds in the cellar.
40:12This must be it.
40:16Entrance to the smuggler is used.
40:18It should lead to the cellar.
40:24If he comes back, this is our game.
40:26Needs to be ready.
40:32Dirty work.
40:33No way.
40:34Let's go.
41:06Stop what are you doing?
41:09Don't move.
41:11Drop that.
41:13Turn around.
41:18Oscar Miller.
41:20You're under arrest.
41:30Poor old Andrea.
41:33Little did he know when he invited you in, he was showing you where to find the key to his
41:36study.
41:38And how best to poison him.
41:40There's no point denying it was you that put the lithium in the brandy decanter.
41:44It's on your prescription.
41:48Lithium carbonate.
41:50Must be difficult, being bipolar.
41:51My colleague here drank from that decanter.
41:56Luckily for him, you hadn't got to it yet.
41:58And luckily for you, it allowed us to work out that you must have contaminated it sometime between him down
42:03in the brandy and Andrea's body being found.
42:06Lithium doesn't kill you.
42:07The plan was to make him ill.
42:09Send him to hospital.
42:11Get him out of the way so you could search the cellars in peace.
42:14But it all went wrong, didn't it?
42:16Which is why you had to go back.
42:18Did Andrea catch you?
42:19Putting it in the decanter?
42:21That's how it got broken.
42:24We've spoken to Max, Oscar.
42:26He says you've inherited a case full of papers when your grandfather died.
42:30Peter Miller?
42:31Or do I mean Muller?
42:33Max says there was a letter alluding to the secret passageway.
42:36And the deeds hidden in the cellar.
42:38He became obsessed with finding them.
42:40Restoring the villa to your family.
42:43We found this among your saints.
42:46The kindest explanation is you tried to help when Andrea collapsed.
42:50Undered his tie.
42:51Loosened his collar.
42:54You were worried your DNA might be found on it.
42:56Did you keep it as a trophy?
43:04There's only a tiny push.
43:14Well then which of them is guilty?
43:16Uh, of murder, neither.
43:19Involuntary manslaughter, maybe.
43:21Not even Santino.
43:23They both tried to poison him to make him sick.
43:25But using separate methods and with different motives.
43:28But Oscar admits that they got into a scuffle.
43:30He pushed him.
43:31Andrea's injuries weren't consistent with the use of force.
43:34What, not even the glass in his neck?
43:37Well, that wound was superficial.
43:39It's much more likely that he fell on it.
43:41But what about all that blood?
43:43That was the warfarin in his system.
43:46It prevented clotting.
43:47He bled out.
43:48And then he's already weakened state.
43:50He had a heart attack.
43:51Oh, that poor man.
43:52Well, I thought that was our table.
43:56Oh, sorry, Joe.
44:00Last minute walk-in.
44:01One of our regulars.
44:03Uh, not a problem.
44:05We'll find somewhere else.
44:07Yeah.
44:07Yeah.
44:08Uh, did you ask Gennaro if he has any time to say hello to Camilla?
44:11I fly home tomorrow, I'm afraid.
44:14I can only apologize.
44:17My husband says he'd rather feed people than write cookbooks.
44:22I'm so sorry.
44:33Texting your dealer?
44:35I'm waiting for Angelica.
44:38Uh, it was a joke.
44:42Where you taking her?
44:43Is there a place we all go to?
44:45To drink?
44:46We light the fire.
44:48Play music.
44:50All right, we'll take good care of her, yeah?
44:53Yes.
44:56Night.
44:57Night.
45:03Oh, why you?
45:07How are you?
45:08Very good.
45:09You good?
45:10What's that guy?
45:12Father of a girl, I'm saying.
45:13American?
45:15She's from London.
45:17You know what they say about English girls, huh?
45:20Do you have her?
45:22Of course I have her.
45:24Here.
45:29What you doing?
45:30Come on, I'm pretty bad.
45:33Relax.
45:34Be good.
45:35I'll see you soon, yeah?
45:36See you.
45:42Joe.
45:43Joe.
45:45Joe.
45:45Who's that?
45:46Just a guy wanting to know the time.
45:50Shall we go?
45:51Should we go?
45:52Wait.
45:53Wait.
46:12Please.
46:14Ready?
46:15Yeah.
46:20Hold up.
46:24Hold up.
46:27Hello, lad.
46:28Hey!
46:29Beezo!
46:32Oh, boy.
46:33Oh, boy.
46:54Marine archaeologists.
46:57Scientists, you said.
46:58What were they looking for?
47:00Shipwrecked.
47:00Thought they'd found it.
47:01Dived down to look.
47:02Help!
47:03Dead when he surfaced.
47:04Johnny!
47:05I need to ask you something.
47:07Are you dealing drugs?
47:09No.
47:10So, my dad says you went to prison.
47:13Yeah.
47:14What would you say to somebody you worried about and not that?
47:17You're drowning.
47:19It's suspicious.
47:20I thought this was being investigated as an accident.
47:23Don't recognize those guys.
47:25Quite possibly.
47:26Yeah, boy.
47:27Come on.
47:30Dad!
47:32Hey, hey!
47:33I was so scared.
47:35His name is Di Biasi.
47:38He's a boss.
47:39Do you know what I call Di Biasi?
47:41My son-in-law meant no disrespect.
47:45What's going on, Gennaro?
47:48Leave it to.
47:50What's going on, Gennaro?
47:53What's going on, Gennaro?
48:02What's going on, Gennaro?
48:06What's going on, Gennaro?
48:12What's going on?
48:12What's going on, Gennaro?
48:14What's going on, Gennaro?
48:16What's going on, Gennaro?
48:16What's going on?
48:17What's going on, Gennaro?
48:18What's going on?
48:18What's going on?
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