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Watch These Sacred Vows Season 1 Episode 3 online in HD on Dailymotion (2026).
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00:28Transcription by CastingWords
00:50Jerry.
02:38There you are.
02:40All the supplies needed for your fun little day trip.
02:43Karen, have you put on factor?
02:44Yeah, cool, cool.
02:46Well, but hey, why do we have to go to this idiotic water park?
02:49It's Niamh's hen, love, and you're both far too young to go to a hen.
02:53Yeah, but why can't we just, like, chill by the pool?
02:55Well, unsupervised, because your dad's playing golf.
02:58And, you know, even if he wasn't, Elodie did not come all the way from France just to chill
03:02by the pool, you know, in deafening silence.
03:05She could well be doing that at home.
03:07You know, she needs to hear words.
03:10I mean, there'll be kids your age at the water park.
03:12You know, you'll meet people, learn to say things with your mouths as opposed to with those phones.
03:17Yeah, well, I'm afraid this place is for literal babies.
03:20Choo-choo, ladies.
03:21The train is leaving the station.
03:23Ah, here is your chauffeur.
03:26Oh, Karen, Karen, please, for the last time before you go, will you please, please, please
03:31give me your dress?
03:32You know, everything needs to be pinned and ready before the big day.
03:35We're all getting dressed across the way with Niamhie.
03:37Ah, yeah, I'll give it to you tomorrow.
03:39No, no, give it to me now.
03:40Quick question.
03:41Are we ready to rock?
03:43Yeah, we're ready.
03:46Good luck for today.
03:47What's happening here?
03:48I've read a few times that the hotel room can help.
03:50She's constantly on her phone.
03:52She's really proud of you.
03:53She's really proud of you.
03:53I'm going to get rid of my phone.
03:54So you won't be able to complain about it anymore.
03:57A très vite.
03:57Bisous.
03:58And then you don't, let me see.
03:59You don't have anything.
04:02Everything...
04:02Bon.
04:03Oui.
04:04Um, yes, everything bon.
04:07Great.
04:08All right, Elodie, let's go.
04:10Bye.
04:11Salon.
04:16Oh, that looks a lot like my beloved sobbing.
04:25Oh, my God.
04:26Oh, my God.
04:28I love your love.
04:29Oh, my God.
04:30I love the whole story they're telling here.
04:33I hope you don't mind me saying it, but you remind me of a young me.
04:38So nice.
04:39Oh, no, go on out into the garden, yeah.
04:42Thank you, Margot.
04:44Hi, Sandra.
04:45So, I didn't sleep all wink last night.
04:46I was so energised by our chat about art and patronage.
04:49She's not exaggerating.
04:51We're sharing a bed and she literally did not sleep all night.
04:53Why are you sharing a bed?
04:55You know, two single women at a wedding don't have the same rights as everyone else.
04:59Everyone assumes we'll sleep anywhere because we're just so grateful not to be left behind
05:03with our haunted uteruses.
05:04We're toxic matter.
05:06A woman said to me in our last one,
05:07are you having fun chatting at my husband?
05:09And he was gross.
05:10The last wedding we went to, we were sleeping in a kind of airing cupboard.
05:13Yeah, at least it's a double bed this time.
05:15Although, it is in the shape of a racing car.
05:17And the pillowcases say pit stop.
05:19Oh, God.
05:20Well, that doesn't sound very restful.
05:22Like Claire says, we've had worse.
05:25So, I was thinking about what I might show you.
05:28And sketching and thinking some more.
05:31And then, light bulb moment, I remembered Niamh's wedding gift.
05:35Oh.
05:35I, oh, okay.
05:37I wasn't going to do this, but...
05:40Uh...
05:40Oh, wait, oh.
05:42Is this something you've made?
05:44Mm-hmm.
05:44Oh, are you sure you want to open it now?
05:46Yeah, I mean, I think it's a really good illustration of where I'm at in my practice.
05:50Let's do it.
05:51Can I open the...
05:52I love opening things.
05:53Oh, my God, can I get it?
05:54I love opening things.
05:56Thanks for the big reveal.
05:57Oh, my goodness.
05:58Oh, my goodness.
06:02Oh, my goodness.
06:05Oh, my goodness me.
06:07I love, I love, I love it.
06:08I love it.
06:08Oh, my goodness me.
06:09And look, I don't want to be all like,
06:11this is actually a very generous wedding gift,
06:12but, you know, just so you know, this would go...
06:15I don't want to do that.
06:18And, you know, in case she wants to insure it, or...
06:21You are so talented, Claire.
06:23I am.
06:24I mean, thank you, thank you, obviously.
06:29Do you do bigger work?
06:31Oh, yeah.
06:32Yeah, of course, yeah.
06:33I think it's just a matter of scaling up, really,
06:36because the idea's always the same, the vision.
06:37But I suppose, yeah, if you're thinking about a much larger project,
06:43then you might want to consider a bigger animal.
06:45Yeah.
06:46Maybe something that represents who we are,
06:49or who you are.
06:54Um...
06:55Ooh.
06:57Ooh.
06:58What animal am I?
07:00I wonder.
07:01Um...
07:02You could be a deer.
07:02A deer is a little bit Lady Di, to be honest.
07:06I agree.
07:06I agree.
07:07Or a dolphin.
07:08Like a porpoise.
07:10Like any graceful animal, I think.
07:12I don't know if we need to be locked into the animal kingdom so intensely.
07:16I think I might bring this along to Councillor Barbera
07:19as proof of your work,
07:21and discuss some of the practicalities with him.
07:24He's been waiting on my submission,
07:26and, you know, his office is only ten minutes away,
07:28and he is the loveliest man.
07:30You know, he's very Spanish aesthetic,
07:33you know, bright, splashy colours,
07:34and with this I'll be guiding him towards a more...
07:37Northern European aesthetic,
07:39you know, something cooler.
07:42What about Caroline's son?
07:44I just think the best idea has to win.
07:46You know, this sculpture's going to be there forever,
07:49and I like the idea of it being a female artist.
07:52You know, it's time.
07:53Hello.
07:54Yeah, but won't she be mad?
07:57Not everyone thinks like you do, Margot.
07:58So, yeah, absolutely.
07:59Hold on to the bird.
08:00No worries.
08:02I think we should visit the site.
08:15I think it's going to have to be 30 feet tall, minimum.
08:24Yeah, that shit's got a loom.
08:27Let's look at it from the sculpture's point of view.
08:30Yeah.
08:41Yeah.
08:47Something that flows?
08:49Yeah, yeah.
08:51I'm hearing you.
08:51Yeah, something that flows and also looms.
08:55Uh-huh.
08:56Something that's feminine, but also powerful, yeah?
09:00Yeah, and fierce, right?
09:01Yeah.
09:01An Irish contemporary.
09:03Yeah.
09:05And you'll also need to consider for shortening.
09:08Of course, yeah.
09:09Clary, you're getting something under your neck.
09:12And also on your arms.
09:14You'll also be needing an engineer.
09:17And, you know, some kind of poured concrete base.
09:21I'm assuming.
09:22Absolutely.
09:23Yeah.
09:24Yeah, poured concrete.
09:26What kind of budget, just in terms of raw materials?
09:30I think that's what I'd have to do up on the laptop
09:32and then come back to you on.
09:35Right.
09:36Yeah.
09:38Oh.
09:39Right, so that's Barbara.
09:41He's free.
09:42Oh, okay.
09:42Oh, God.
09:43I'll see you girls at the hen.
09:44All right, good luck.
09:54I believe in you.
09:55I believe in you.
09:55I believe in you.
09:56I believe in you.
09:57I believe in you.
09:57You're the best.
09:58You're the best.
09:59You're the best.
10:00Caroline.
10:00Princess Caroline of Monaco.
10:03I'm just joking.
10:04No, Caroline.
10:05Caroline?
10:07Why is Caroline?
10:08Who is Caroline?
10:09What is Caroline?
10:10Oh, my God.
10:14You're so funny.
10:15That's very funny.
10:17Oh, that's very good.
10:19Yeah.
10:20Yeah.
10:20She's female.
10:21She's Irish.
10:22She's young.
10:22She's an artist, obviously, because that's why I'm here.
10:25And she's also bisexual.
10:28I think she's bisexual.
10:33Why are we here?
10:34Why are we staring at a fucking half-like mound of dirt?
10:55It's like a Christmas ornament, like something you put on a Christmas tree.
11:03Oh, uh, oh, I don't know about a Christmas tree, but yeah, yeah, it is, it is ornamental.
11:11It's a wedding gift by a young female Irish artist called Claire Cassidy.
11:15She's very exciting, making a lot of noise back home.
11:17And I really think we have found the creative lead for this project.
11:24Does she have any work on a bigger scale?
11:26I just think it's a matter of scaling up, do you know?
11:30You know, the most important thing is that she is a woman.
11:32She is Irish, and she really understands the brief.
11:35We toured the site this morning, and she, you know, she took measurements and that.
11:39Good.
11:39And what does Caroline think?
11:42I'm not sure.
11:47I think we just consider the work on its own terms.
11:54I mean, isn't that the best way to decide?
11:57The gift to the town from your golf club is very generous.
12:01Has the golf club approved the proposal?
12:04Well, they will.
12:05My husband, Jerry, as you know, is on the board, and Caroline's husband, Fergal, is not.
12:13Then I'll do some due diligence in order to ratify the 30% that will come from the local council.
12:19Yeah, that sounds proper.
12:21We need a full proposal.
12:23Yeah.
12:23What I like the proposal to contain along the drawing, of course, is a structural report for the roundabout,
12:30budget for raw materials, insurance details, local subcontractor details, and references,
12:35and a realistic time scale.
12:38Yeah.
12:39Great.
12:40I'm excited.
12:41Oh, me too.
12:50Sandra, aren't you forgetting something?
12:55Coco, ro, Coco?
12:56SÃ.
12:57Por supuesto.
13:20Out for a walk?
13:22Yes.
13:23Oh.
13:24You don't usually like to walk along the golf course.
13:26Did you lose something?
13:28I was just trying to get my distances sorted for the tournament this week.
13:33T to green, bunker placement, and so on.
13:36I've done so much work since last winter.
13:38It's like a different course out there.
13:40Mm.
13:40Oh, I see.
13:41Yeah, it's like how they change everything at super value, you know?
13:45One week the eggs are here, next week they're three aisles away, and where are the effing baked beans now?
13:49Like...
13:50Yeah, I suppose the club captain has to know about these things.
13:54Yes.
13:56Appearances and all that, yeah.
13:58Yeah, yeah, yeah.
13:59Yeah.
14:01So, I went to see Councillor Barbera this morning about the sculpture.
14:08I thought that was Caroline's gig.
14:09Well, it's anyone's gig, really.
14:12You know, Caroline is just one of a group of people who have interesting ideas, you know?
14:17I have an idea, too.
14:20You do?
14:21I do.
14:22Yeah.
14:25My interesting idea is young Claire Cassidy.
14:31With the big blazer and the mad curly hair?
14:35Yeah, the fascinating young female artist, yeah.
14:38What kind of experience does she have?
14:40We had a great meeting, and she has some wonderful ideas.
14:43Wait, now, what about Caroline's son, Finbar?
14:46Fenton.
14:46Fenton.
14:47See, I want a woman.
14:48We are a quarter of the way through the 21st century.
14:53Okay, well, have you seen Claire's work?
14:55I have, yeah, of course I have.
14:57And?
14:57What's it like?
14:58It's delicate, it's beautiful, it's Irish.
15:02Can you be more specific?
15:24It's fucking tiny.
15:25Everything can be scaled up by a man with a calculator and a hard hat.
15:29We're not looking for engineers, we're looking for artists.
15:32That's the most important thing.
15:34All right, this will all have to be put into the proposal for the golf club.
15:38Yeah, yeah, and you'll get it all.
15:40Good.
15:42I trust you.
15:44Yeah, I know.
15:46Okay.
15:47Yeah, great.
15:49You ready?
15:51Yeah.
15:54Well, you'll see, you'll see the problem.
15:56I don't mind need naming tables after gap year destinations she and Derek visited.
16:00I think that's fun, actually.
16:03But how can she sit a bunch of her friends at a table called Amsterdam and not expect her
16:07granny to think it's a drug thing?
16:08Meanwhile, your mother is all the way over in Vietnam with Stephen Carr, both of whom,
16:12it is fair to say, are terrific races.
16:14They won't be happy.
16:15Shouldn't they be in, I don't know, Berlin?
16:17Look at Naomi and Alwani, all the way over there in the corner, in Mumbai.
16:22Yeah.
16:22I mean, won't she think that's because she's half Indian?
16:25Lamb of Jesus.
16:27Also, I think the furthest we should be sending Catherine Bain to is Athens.
16:30Yes, yes.
16:31Is there a city called Single?
16:33What?
16:33Over by the water fountain, there's a table called Single.
16:36Is that in Hungary or something?
16:38Single is the singles table.
16:41Singles.
16:41Oh, hi, guys.
16:43Hiya.
16:43Hey, Caroline.
16:44Yeah, and Nevi wants to keep them all together.
16:46By all accounts, it is a nightmare trying to blend them with the couples.
16:51They never fit.
16:52Well, I gave you one point of nose, Gina, and you touched on it there.
16:56Like, if two litres of milk is too far...
16:58So, listen, Virgil's after finding porn on his browser history.
17:03It seems that when Fintan was down here last month taking pictures of the roundabout,
17:08he was spending his evenings on Pornhub on the computer.
17:11Look, you know, Fintan is a grown man.
17:12It's perfectly natural.
17:13Although you would worry about messaging in terms of consent, but, you know.
17:18Yes, but, um...
17:19Well, Fergal is freaking out because...
17:22Well...
17:23Because some of it's men.
17:25Well, they do play a part, Caroline.
17:29Yes, but...
17:30Oh, my...
17:30Fergal is freaking out because his son is not watching exclusively woman-on-woman porn.
17:35Oh, no, no, Fergal's freaking out because some of the porn itself is scary.
17:41Well, some of it, but not all of it.
17:43Yeah.
17:44So, in addition to everything else that's going on,
17:47Fergal now thinks Fintan might be gay.
17:49Well, can't he be bisexual?
17:52Jerry.
17:54Jerry.
17:54Yeah, what?
17:56Can't a man, you know, be bisexual?
17:59I don't...
18:00How would I know?
18:02Well, I don't know.
18:03I'm just wondering if you have, um, you know, an insight, any opinion?
18:07No, I don't.
18:08I do not.
18:08No, no, no.
18:09Oh, no, no.
18:11Fergal is hardly better, though, isn't it?
18:15Oh, pick a lane, would you?
18:17Oh, pick a lane, would you?
18:18Oh, pick a lane, would you?
18:20Oh, yeah, yeah.
18:21Oh, yeah.
18:22Oh, yeah.
18:22Oh, yeah.
18:24Oh, yeah.
18:27Oh, yeah.
18:29Oh, yeah.
18:36Jerry, are you staying?
18:37Oh, yeah, ma, don't just drop it off my credit card.
18:42Jerry, Jerry, Jerry.
18:45Oh, you'll stay for this one, won't you?
18:47Yeah.
18:49Oh, yeah.
18:52Oh, yeah.
18:56Oh, yeah.
18:59Yeah.
19:03Oh, yeah, yeah.
19:19you two smoke
19:25oh okay i had that meeting with councillor barbara
19:30you did i did yeah along with the drawings we'll need a structural report for the roundabout
19:39a budget for raw materials insurance details local subcontractor details and references
19:45and a realistic time scale whoa is that funny sander we just smoked the joint would you believe
19:57i've never done that
20:17i can provide all those things you said you know the numbers and the details and
20:24you're going to go from a five-inch bird to a 40-foot wrought iron sculpture
20:29uh yeah marga i can't feel anything
20:46sandra tell us about yourself where did you get your interest in art
20:49oh god where to begin um i mean we've got all day
20:52um just uh keep sketch because uh navy will skim me alive if she catches me smoking
21:02um
21:04gorgeous um where to begin yeah uh let's see
21:10uh born in a small town in mayo in the early 1970s uh convent educated brothers on the farm
21:20brunch was an ice cream you had after mass on a sunday
21:23you know i always liked art at school
21:31and there was a boy danny barrett who liked art too and uh he wanted to go to dublin to
21:40ncad
21:41he was two years older than me and i watched him put his portfolio together and he got in
21:52and he left and much to the horror of my parents i followed suit two years later
22:00you got into ncad good for you
22:08only when i got there
22:12danny had dropped out and moved to london with a new girlfriend
22:16and i didn't know a soul
22:20yeah i struggled to be honest i mean nobody from my county was there
22:24you know let alone my school and the rest of the year they were all artists you know
22:31i was on this is the sea and they were on venus and furs and
22:35i didn't know what i wanted to say
22:39and then it dawned on me
22:42i had moved to dublin to be with a boy
22:46and not to make art
22:50and so there i was freezing cold in a bed sitting kilmainham
22:54drinking snakebite and wearing dresses jumpers and woolen tights all at the same time
23:01let's catch
23:04so what then
23:06there was an end of year show
23:08it's pure disaster for me
23:10but a group of guys had come along
23:13fans of art or fans of young female artists will never know
23:17i suspect the latter
23:19a certain jerry bern among them
23:21did you drop out
23:22well no not there and then no
23:24and i i began second year all right
23:27but if you're
23:30ever wondering
23:33if you have something you have to say
23:35and you're hit with a life altering change of circumstances say you know
23:41falling pregnant in dublin
23:43in the 1990s then you
23:46you find out fairly quickly if you're an artist to your boots
23:54the road not taken
23:55and all that
24:02did you always want to be a mother
24:05i have no earthly clue
24:08do you
24:11i don't know
24:12see i i don't know how anyone knows
24:14i know i don't
24:23isn't this lovely
24:27a mother sending her daughter out into the world
24:36i remember being down here at this resort
24:40when i was naiv's age
24:42and
24:43the way me and karen fight now you'd think i was never young
24:48but i was
24:52that's just the mother wound
24:55your mother can never be perfect in the way you want her to be
24:58she will inevitably fall short and hurt you in a way that reflects your own self-loathing
25:05all the mothers occurs with that one
25:09my granny used to refer to my mother to me as the common enemy
25:13truly we are the worst
25:17i feel like we need another round of drinks now
25:19oh yeah
25:20yes
25:42we should be doing this every day
25:45we should
25:50now tell me to mind my own business caroline
25:52but about the sculpture
25:56well what about it
25:57well don't you think it'd be amazing if we got a female artist for the roundabout
26:02which i've already told fentany can do it
26:05well why'd you do that caroline
26:08if it's an open tender
26:11i wanted to give him something to work towards you know
26:15to live for
26:16if i take it away from him now you'd worry you'd relapse
26:19you know that kind of way
26:21i'm sure he's stronger than you give him credit for
26:26it's more him and fergal really
26:30what about him and fergal
26:35probably gives him such a hard time you know
26:38he's not gone easy on him down the years
26:40but i only do that because fergal is so awful to him
26:45toughening him up
26:47apparently
26:56you know what men are like
27:02i do
27:22oh
27:23you drowned your fags
27:25it's a hate crime
27:28the fags are so bad for me
27:33how's your week going?
27:34grand
27:35yeah
27:35having the chats
27:37a few drinks
27:38the usual
27:38yeah
27:40only nice men
27:43at a hen
27:45or boys
27:48don't know what you like
27:49how your tastes go
27:51maybe they're just like mine
27:54or
27:55maybe you'd just like to flirt with everyone
27:59are you a flirt?
28:01don't we all like a harmless flirt?
28:03that's not gay
28:04isn't it?
28:14i'm sorry
28:15i'm just not that good at
28:17chatting
28:19i'm in a weird place in my life right now
28:22weird?
28:23how?
28:25you know
28:26i mean i told you at the lunch
28:31oh
28:31about the beating up
28:34yes
28:35about the beating up
28:40it's terrible when bad things happen to good people
28:43not even remotely good
28:46i'm sure you are
28:49you don't know me
28:54do you know me?
28:56hmm?
28:57i don't
28:58i mean
28:59i mean
29:00a bit
29:02am i a good person
29:04do you think?
29:05yeah
29:05i think so
29:07why do you think that?
29:09you're Niamh's mother
29:12and you've been so nice to me
29:14to all of us
29:16finding us a house
29:19having us over for dinner
29:22Niamh's
29:23mother
29:26why don't i get you a refill
29:27and find you a dry fag
29:29well i'm at it
29:30come on
29:40to get you
29:41i don't want to
29:45i don't like
29:51to die
29:56i don't
29:57i don't
30:00ourselves
30:00czyli
30:00I think that's just Niamh and the wedding and stuff.
30:07Sorry about Fergal going on about the golf the whole way here.
30:10I'm delighted for him. He never wins.
30:15Men are so transparent.
30:19What's that?
30:20Oh, you know, look at Fergal there.
30:22He probably thinks he's playing it real cool.
30:25God, if they knew what we knew about them,
30:28they'd never live with themselves.
30:29I'll listen.
30:33Oh, God.
30:35If they knew how clearly they were showing everything
30:37and at the same time thinking it's all so hidden away.
30:41They'd bash our heads in with a rock.
30:45No.
30:47The night before I got married,
30:49my mother said to me,
30:50it's much, much better in the long run
30:52to let them think we're stupid,
30:54because it makes them happier.
30:56And that, you know, makes life easier for us.
30:58Absolutely.
30:59No.
31:01You have a car line.
31:02Mm-hmm.
31:04You don't want to be memorialising that, do you?
31:08I mean, you don't want to be building a monument
31:10to that state of mind, do you?
31:13Because did you know
31:14that in Dublin,
31:16there is not one statue
31:18of a female public figure, you know, in this day and age.
31:22Where's Molly Malone?
31:23No, she...
31:24She's a fable.
31:26She's made up.
31:27You know, she's a projection from the male imagination.
31:30She's a sex worker
31:31whose breasts visitors fondle for luck.
31:37Are you on something, Sandra?
31:40Am I on something?
31:42Am I on?
31:48No.
31:50No.
31:52No.
32:00He's a family man.
32:02So is Joseph Ritzel.
32:19Karin?
32:30Oh, oh God, oh jeez, oh Jesus, how did this happen, oh?
32:38How do you think it happened?
32:41Well, um, you didn't put on factor.
32:44That's not why it happened.
32:46It happened because you sent us to a fucking water park.
32:49Please, please, please don't F and Jeff at me, you know, Elodie, Elodie doesn't swear.
32:53Yeah, Elodie doesn't swear because Elodie is perfect.
32:56Why don't you just swap Elodie for me permanently?
32:58Well, I just don't, I don't think Elodie's mum would like that deal, hmm?
33:02And listen, you'll be fine.
33:05You'll be, you'll be fine.
33:07Look, the yogurt will help.
33:09Look, I have, I've got these.
33:14Why are your eyes so bloodshot?
33:16No.
33:18We're going somewhere, are we?
33:19It's, it's, it's Niamh's dinner.
33:21Love, we've got steak and a hot stone, whatever that means, in 30 minutes.
33:25It's just, it's just a little sunburn.
33:28I'll be back, I'll be back later.
33:31It's your sister's big night.
33:34Go!
33:36Where's Jerry?
33:38He went to buy us pizza.
33:40And more yogurt.
33:48Excuse me.
33:52Plates are hot.
33:53Plates are stones, actually.
33:57Ow.
33:59That stone is hot.
34:00Yeah, it's hot.
34:02She really wants to support my work.
34:05She said she knew I had to win the bid.
34:06She said, don't worry about the competition, the golf club, Barbera.
34:10She said, don't worry about any of it.
34:11They're so excited.
34:13Such a big opportunity for her.
34:15Mm.
34:16Yeah.
34:17Wait, do you not know any of this?
34:19I don't know.
34:19Whoops.
34:21Blabbermouth over here.
34:25Bye.
34:27Bye.
34:28Bye.
34:30Bye.
34:32It's fine.
34:36What is it?
34:38Envy of me.
34:44Is it interesting?
34:46I mean, it's very interesting.
34:51You can do some, Sandra, but you have to promise you won't die.
34:58Lick your finger.
34:59Mm-hmm.
35:00Dip it in.
35:07Oh, no.
35:09Oh.
35:09That must.
35:11Oh.
35:16Nothing's happening.
35:18I'm not eating anything.
35:26It's the night time.
35:29It is.
35:29And you were in there for 45 minutes.
35:32Are you okay?
35:33I'm fine.
35:35I just want to put my fist in my mouth.
35:39I feel wise.
35:40I feel wise.
35:42Who is the bride?
35:45Yeah.
35:47I need music.
35:49I have been thinking long and hard about this, Cormac.
35:53I don't want to eat meat off a rock.
35:57Oh, my God.
35:58That music is so iconic.
36:03Oh, it's still hot.
36:05Oh, it's still hot.
36:05Oh, it's still hot.
36:05Okay, so that's now the third time you've touched the incredibly hot stone.
36:09Do you want to be in this restaurant?
36:10Food?
36:11Yuck.
36:12I don't want to be in any restaurant.
36:13We'll maybe go somewhere.
36:14Somewhere else without food?
36:16Yes.
36:17And this is for dinner.
36:22Okay, let's go.
36:26Mom's on E.
36:30Box.
36:38It's actually a little bird.
36:39It's on the road, I think.
36:43Counselor!
36:44Sandra, this is my husband, Lucho.
36:46Hi!
36:48Oh!
36:49Oh!
36:50Oh!
36:52Oh!
36:52Oh!
36:52Oh!
36:53And this is Cormac, and he is also from Ireland.
36:58Oh, I was telling Lucho about the bird.
37:00Oh!
37:01The clerk, casi the bird.
37:03He thinks the statue should be a peacock.
37:05The feathers spread wide.
37:08Como la reina del carnaval.
37:10No, cariño.
37:11Esos son los pavos reales que tienen las plumas de colores.
37:14¿En serio?
37:15SÃ.
37:15Pensaba que era una pava.
37:16No.
37:17Seguro que no son las hembras.
37:18So where are you going?
37:21We're both going home now.
37:23I'm feeling sick, and Sandra's very kind to me.
37:26Taking me home, looking after me.
37:28A very good night to you both.
37:30Oh, that was brusque.
37:32They do not need to be seeing you right now, specifically your eyes.
37:35This looks fun.
37:36Oh!
37:51I remember all the early days, I tried to think of the right things to say, I didn't want you
38:02to think I was love the rest.
38:05You'll think they're on you just because you play with them.
38:09It didn't matter.
38:13Really didn't matter.
38:17Oh, it didn't matter.
38:20Oh, it didn't matter.
38:22Now we are together.
38:25Oh, it didn't matter.
39:46It's going to be something that's made by me.
39:47You want me to answer that?
39:49You and I both know the trouble you've had following through on commitments like this in the past.
39:54You and I both know I've never had a chance like this in the past.
40:00I want to ask you something.
40:03Oh, yeah.
40:06Claire.
40:09What about Claire?
40:11I think you think that she's not able for this project I have proposed.
40:17I don't want to be disloyal.
40:19No, no.
40:20I need to know what you think and I think you know that.
40:28Claire has had some trouble finishing projects in the past.
40:32She has mental health issues and they can be managed.
40:35But she can get high and then very low.
40:37Yeah, but that's the risk you take, yeah?
40:39For years, I have had to pick up the pieces after Claire's emotional fallout from more than one project that
40:46she promised and then failed to deliver.
40:49Claire is an over-committer.
40:52And when she had her breakdown and had to move back into her parents, it was me who had to
40:57pick her up, dust her off, and get her back in the game.
41:02I love her like a sister and she is incredibly talented.
41:06But you need to factor in extra time or fake deadlines and you need to find a way to keep
41:14enough pressure off her so that she can make this thing work.
41:18Because if you don't, it'll all be landing back in my door.
41:23And I'm kind of tired of being a professional friend to my friends.
41:55And I'm kind of tired of being a professional friend to my family.
41:56Yeah!
42:18Vincent, what are you doing here?
42:20Just not a church.
42:22Are you okay?
42:23Am I okay?
42:24Yeah, never better.
42:25How are you?
42:27Look a little shook, shall we say.
42:33Listen, I'm sorry if what I told you caused you to spin out in the way it clearly has done.
42:42Spin out?
42:43What the fuck does that mean?
42:46It's gobbledygook.
42:47It's fucking Bikram.
42:49It's holding space.
42:52I fucking had it.
42:54I'm just saying you must be processing a lot and maybe I was a bit blunt or something, but you
43:01had to know.
43:01Yeah.
43:02This is what me knowing looks like.
43:04Are you happy?
43:05No, I'm not.
43:06I'm not happy because I told you that in confidence and the way you're behaving, everyone can tell that something
43:13is going on with you.
43:14No, the kids at the village, they say you've gone fuck wild.
43:17I mean, these are, these are Niamh's friends.
43:20Vincent, can't you see?
43:21That's, that's really dangerous.
43:22Weren't on a confession boat, Sandra.
43:28I wasn't confessing a sin.
43:30No.
43:31No.
43:32No.
43:32I wasn't looking to be absolved by the fucking church, Vincent.
43:36I was, I, I was, I was talking to a man who once upon a time fucked me.
43:45Yeah, a man who ghosted me, you know, as the kids say, the morning afterward, and, you know, disappeared out
43:52of my life, leaving me to figure out what the fuck to do.
44:01So, I am asking you if I can rely on you in your current state to, to keep this to
44:11yourself.
44:13Do I owe you that?
44:15I mean, what, what are you, what are you going to do?
44:17Are you going to, you're going to shout it down from, from, from the pulpit, like, like, like it's an
44:20episode of Dallas, like it's the fucking Thornburn.
44:23I don't fucking know, Sandra!
45:09What are you going to do?
45:36So fucking controlling!
45:41So fucking controlling!
45:42So fucking controlling!
45:44So fucking controlling!
46:20I was so worried about you this evening, my baby.
46:27Listen, I know you're scared to be all on your own when I go to boarding school.
46:34It's not really my responsibility.
46:36Well, we still have to discuss that and technically it won't be on my own.
46:43No, I'm not sure about that.
46:47Darling, you are here with us and you are safe and your father and I, we love you to pieces
46:59and we will always be here for you and you never have to worry about that.
47:07No, I'm not worried, Mom.
47:12But maybe you should be.
47:20Okay.
47:22Okay.
47:27Okay.
47:36Okay.
48:18Take me away, you little bastards.
48:22Please, please.
48:25Please.
48:26Fucking flags.
48:27Thundra Burn, how the mighty have fallen.
49:30Up and gone
49:32They're flying south
49:35With their song
49:37And my love
49:41She too has gone
49:43She had to fly
49:46Take care
49:49It's such a lonely sky
49:54They'll trap your wings, my love
49:57And hold your flight
50:00They'll build a cage
50:03And steal your lonely sky
50:06Fly away, fly to me
50:08Fly when the wind is high
50:11I'm sailing beside you
50:14In your lonely sky
50:58The old cathedral lights are low
51:00Oh, Christmas is not mine
51:06I don't know
51:09I saw my son
51:12She had to fly
51:15Up and it's such a lonely sky
51:23They'll trap your wings, my love
51:26And hold your flight
51:29They'll build a cage
51:31I'll sink right up and let you through
51:31They'll be building
51:31And they'll be building
51:31I hear both discover
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