- 7 hours ago
Man on Fire S01E02
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05:13Creasy?
05:21Are they with us?
05:22Hey, we need to divert.
05:24What?
05:24They're on the buildings and we got a car pacing us about a block away.
05:27The route is compromised.
05:29Divert.
05:29Now.
05:34What's your diversion target?
05:36They've got a military facility on secure lockdown.
05:38Distance?
05:3912 kilometers.
05:45Are we good?
05:47Just keep your eyes peeled.
05:48That doesn't sound like an answer to my question.
05:51Senhor, mantenham as posições.
05:58Temos apenas uma equipe de busca.
06:09Tá rolando.
06:09Você decide logo.
06:11Come to the park.
06:11Come to the park on the right.
06:12On the right.
06:13On the right.
06:20Saindo da roda.
06:21E segue.
06:23Desviando para o alvo de meta-guarda.
06:27Suspente.
06:30Acabou.
06:31computer.
06:32Vive de MICHAELS
06:46Oh.
06:58Oh.
06:59Oh.
07:00Oh.
07:00Woo.
07:19My sincere apologies, sadly, even after yesterday's act of violence, we still continue to receive threats from the FRP.
07:26Give him the circumstances. It seems prudent to conduct an interview here, and then we've arranged a military transport to
07:32fly directly back to the U.S., okay?
07:39In there?
07:40Yes.
07:44Go on, Paul. We're just gonna chat for a second.
07:53You can record the interview. I'll make sure all your questions get asked, but I don't want anyone else in
07:57the room when I'm talking to him.
07:59You seem to be under the impression that you have some authority here, Mr. Creasy.
08:04You know, regardless of what you decided when you met me, you need to recognize that not only am I
08:10offering you my help, but that you need it.
08:13They had men staged all along the convoy route. That's a clear indication that there's a leak somewhere in your
08:18chain of command.
08:20And if you can't trust the men below you, you'd do well to reconsider the man in front of you.
08:31Would you trust the person I saw in that interview the other day?
08:37Job interviews are not my specialty.
08:41Unfortunately, this has turned into something I'm much more familiar with.
09:03I know that thinking about what happened is painful.
09:08So, just for the moment, let's not.
09:11As much as you can, I want you to stick to how you felt and what you saw before anything
09:18happened at the building.
09:19Before.
09:21That's where all the information that we need is waiting.
09:24Do you understand?
09:25Do you understand?
09:27Good.
09:28So, when you woke up, you were at your boyfriend's?
09:30He's not really who I am.
09:35But, yeah.
09:39He snuck out.
09:41I wasn't planning on staying out.
09:43But then when I woke up, I realized if I didn't rush, Dad would be awake and...
09:51Stay at number four.
10:00So, you had to get on.
10:02I took Liam's motorcycle.
10:06I remember thinking I was going to make it.
10:09The streets were empty.
10:10I was going fast.
10:12And I was coming through this last turn.
10:14I had the light.
10:16But it's like I just sent something coming before I saw it.
10:20So, I slammed the brakes.
10:21And then these two fans.
10:25They just came flying through the intersection.
10:27And then a motorcycle.
10:28Like a sport one.
10:30Or a racing one.
10:32Tell me more about the motorcycle.
10:35I think it was black.
10:38Like everything.
10:39The riders in black clothes.
10:40Black helmet.
10:44Yeah, that's all I remember.
10:45What about the vans?
10:47White.
10:48They look new or old?
10:49New?
10:50They look like work vehicles or some of the personal vehicles.
10:52Look, I don't know.
10:53Work, maybe.
10:55Okay.
10:56Let's go back to that.
10:57What happened after they passed?
10:58I took the bike around the corner.
11:03Maybe another half block and I parked it.
11:07I was basically staring right at the building.
11:11But he was there.
11:14Who?
11:18My dad.
11:20He was getting in his car and he saw me.
11:26And he was calling me and then...
11:28Okay, let's stop right there.
11:30That's good.
11:31That's very good.
11:32Let's take a little break.
11:35Let's stop right there.
11:39You didn't even ask her about the bombing.
11:41Suspects were gone before the bombing.
11:43Unless we do it the right way,
11:45strong emotions can warp memories.
11:46If I bring all the feelings up to the surface,
11:48that's likely to get us less useful intel and not more.
11:52I'm going to get everything that we need.
11:55Right now, what I need from you
11:57are pictures of the most common white van
12:00sold in the last five years.
12:02I'm asking you for a little faith here.
12:06You think you want to get these people anymore,
12:08not do anymore than she does?
12:11If you still have questions after I come out,
12:14I won't say anything if you want to go in
12:16and ask for yourself.
12:16Is that fair?
12:23I'm also going to need a couple of rags or a small towel.
12:30What are we doing?
12:33I want you to think back
12:35to being on that bike.
12:37Now,
12:3920 minutes ago,
12:42you were asleep.
12:43But from the minute
12:44you realized you had to get home,
12:46you've been wide awake,
12:47adrenaline pumping, yes?
12:49Yes.
12:50All right, and now you're so close.
12:53You reach that intersection,
12:54and then you slam on the brakes
12:55because you sense something coming out.
12:57Does that make you feel?
12:58How does what make me feel?
13:00Something coming out of nowhere.
13:01You have to stop
13:02or you're going to get smashed.
13:03How do you feel?
13:06Shocked.
13:07Surprised.
13:08I...
13:14Point to the van, you saw.
13:15Look and point, don't think.
13:16Just remember.
13:43All right, now I want you to...
13:58I saw his face.
14:08The rider just...
14:10Just for a second,
14:11but I saw it.
14:13Okay.
14:14Okay.
14:14Good, Po.
14:15Now let's hold the story right there.
14:18Stay with the rider.
14:19Mm-hmm.
14:20Stay with the rider, Po.
14:26Po.
14:48What about these sketch artists?
14:50Sketch artists can be hit or miss.
14:52They end up creating false memories
14:54just as often as they bring something back.
14:56CIA has a good one she can sit with.
14:58For now,
14:59we should pull the traffic and security cameras
15:01in the area from the morning of the bombing.
15:03Maybe we get not only a sighting,
15:04but a plate.
15:06I'll put the word out immediately.
15:08Yeah, see, but that's the thing.
15:09How do you run down a lead
15:10when you know you got a leak somewhere?
15:12I'm due to brief President Carmel personally.
15:14We will hand-select a small team
15:16and make sure to keep the circle
15:17as tight as possible.
15:18So, for now, the plane is fueling
15:20and we'll be ready to return Po to U.S.
15:22within an hour.
15:23I can't help but notice you only mention Po.
15:26Given there is a leak,
15:28I can see the potential value
15:29in having an outsider assistance.
15:32But you need to understand
15:34that I am in charge.
15:36Listen, we both want the same thing.
15:38I can't help but notice
15:39that you didn't acknowledge
15:40that I will be in charge.
15:43You will be in charge.
15:45I'll have a transport arranged for you
15:47after I brief the President.
16:00You know your friend Rayburn
16:02said we would see that
16:03having something to fight for
16:05would bring out the best in you.
16:09Did you believe?
16:12I have seen many situations, Mr. Creasy,
16:15where having something to fight for
16:17is what brings out the worst in people.
16:21And I suppose that's what
16:23continues to trouble me.
16:50Why can't you just come with me?
16:51No, you don't want that.
16:52I do.
16:54I promise I do have.
16:55I have work to do here.
16:58But you...
16:58You're not only going to make it home safe,
17:00you're going to have a long life ahead of you.
17:02But for that to turn out well,
17:03you're going to have to find a way
17:04to leave all this behind.
17:06The way to do that,
17:06it starts right now.
17:07You get on that plane
17:09with your best memories
17:12and you leave everything else,
17:14including me, right here,
17:16never to be thought of again.
17:21You were there when...
17:24when I didn't have anyone else.
17:29It's not something I plan on forgetting.
17:37I've got a time for you to go.
18:00Okay.
18:03Okay.
18:08Okay.
18:18Okay.
18:28You're coming back, there's nothing left to say.
18:31We were never meant to forget.
18:44Hey, no, don't want to stay.
18:58Get down, get down, get down!
19:13Get down, get down, get down!
19:15Decoa! Decoa!
19:17Levanta as escadas!
19:19Abaixa! Get down!
19:38Get down!
19:42Get down!
19:50Come on!
19:53Come on!
19:59Come on!
20:02Come on!
20:06Get down!
20:15Oh, my God.
20:38Wait, wait, why is he turning?
20:42No, no, no, no, no, no, no, no, no!
20:45No, no, no, no!
20:57Riva!
21:18Riva!
21:19Riva!
21:21Riva!
21:34Riva!
21:59Oh, my God.
22:17I'm trying to take out the engine.
22:19Hold on tight.
22:20Why?
22:21Go.
22:30Oh, my God.
22:31Creasy.
22:35Creasy.
22:42Creasy.
22:44Creasy.
22:45Creasy.
23:01Creasy.
23:04God, please take me more.
23:05Please.
23:09I got my mama in a cellar.
23:11I don't know what they need.
23:13I got my mama in a cellar.
23:13I don't know what they need.
23:14All enemies.
23:15Living with the light.
23:16Giving back to the creator.
23:17And out of shape.
23:18So they're in a small obligator's own a mission.
23:20I've been giving it deep.
23:22I've been digging so I've got an inner vision of peace.
23:24In the rhythm of life I breathe.
23:26I'm fighting with the fire inside.
23:28That burns further to the final bell rings.
23:30Yo, I was born in a diamond storm.
23:32In an endless fight between right and wrong.
23:35Come write songs like letters from war.
23:42Tudo bem?
24:04You're right, Pop.
24:06You're right, Pop.
24:24See you later.
24:32The Trumps are playing just so we can get paid.
24:44President Carmo afirma que não deixará que nenhum ataque interrompa a eleição.
24:49As pesquisas mostram uma grande mudança em favor do presidente
24:53com base na sua gestão da crise.
24:56A posição forte...
24:57Você quer que eu faça alguma coisa pra você comer?
24:59Não.
25:00Chá, quer chá?
25:02Não.
25:04Obrigada que você tá aqui, viu?
25:05Sei que ela não é criança, mas...
25:07não queria que ela ficasse sozinha depois de tudo isso.
25:10Adoro ficar com ela, não é problema nenhum.
25:13600 pessoas se foram assim.
25:17Eu sei que você não quer ouvir isso, mas eu tenho que falar de novo.
25:21Você, amiga, ainda tá jovem.
25:23Sua filha tá criada.
25:25Gabi.
25:25A minha prima foi pros Estados Unidos e ela falou que ela tem muitas oportunidades de escola pública.
25:30Gabi.
25:30Seu marido morreu assassinado.
25:32E as coisas só pioraram pra você depois disso.
25:35E agora esse terrorismo, louco?
25:38Mano, quando você olha lá pra fora, realmente você acha que esse é o melhor lugar pra você criar sua
25:41filha?
25:42Hum?
25:43Amiga, eu tô falando de um recomeço pra você e pra ela.
25:46Sabe?
25:47E aí?
25:52E aí?
25:54E aí?
25:57E aí?
26:24E aí?
26:24E aí?
26:38E aí?
26:38E aí?
26:56E aí?
26:59E aí?
27:00E aí?
27:01E aí?
27:02E aí?
27:18E aí?
27:20E aí?
27:25E aí?
27:26E aí?
27:26E aí?
27:27E aí?
27:28E aí?
27:29E aí?
27:29E aí?
27:29E aí?
27:29E aí?
27:43E aí?
27:43E aí?
27:58E aí?
27:59E aí?
28:05E aí?
28:06E aí?
28:07E aí?
28:07E aí?
28:08E aí?
28:10E aí?
28:10E aí?
28:11E aí?
28:11E aí?
28:23No one followed me.
28:27You leave me cell phones behind?
28:29Yeah, and I got these, like you asked.
28:35What's this?
28:36That's the beginning of something long and messy that doesn't need to concern you.
28:42Look, all I'm asking is that you find somewhere safe for us to assess things
28:47and then I'll make sure that your fee is taken care of.
28:49No fee.
28:50I told you what I need.
28:53Relocation with proper papers.
28:56Do we have a deal?
28:57Yeah, we do.
29:00Okay.
29:04I'm sorry.
29:05All right.
29:07I thought I heard someone.
29:11Hi.
29:13I'm Alu.
29:16Po.
29:23Creasy.
29:24Jesus, it's a relief to hear your voice.
29:26Is Poe with you?
29:27Is she okay?
29:28Yeah, she's safe for the moment.
29:30But after what happened this morning, I absolutely cannot rely on the Brazilians.
29:34I'm 100% on my own with this one.
29:35You're not on your own.
29:36Sir, I have-
29:37You've got us and I'm gonna get this taken care of for you.
29:40Hey, Martin.
29:41Tell me who we got on deck and ready to move.
29:43I'm gonna send you an extraction transport plane.
29:45Totally dark.
29:46No Brazilian involvement.
29:47I'm gonna get you and Poe home as quickly and safely as possible.
29:50Yeah, okay.
29:51Look, I'm gonna need some cash for protection and transportation.
29:55You got it.
29:56Done.
29:57And beyond that, you give me some exit options and I'll make an assessment.
30:04Are you saying you don't think it's safe to bring her back?
30:07I'm saying I don't know what I don't know and until I do, I can't commit to anything.
30:13Okay.
30:14Well, then John, I-I think you need to ask yourself, is she really safe with you?
30:20I mean, this is fucking Rayburn's daughter.
30:23We're talking-
30:27Go for it.
30:28Look.
30:29Go for it.
30:30We're moving to another car.
30:34If you bang on the trunk, it'll be the last thing that you do.
30:47You know what we need?
30:48Music.
30:49What do you like?
30:50Pop maybe?
30:55Can you turn it off?
30:57You don't like this one?
30:58I do.
30:59I just-I don't want to take songs I like and have them remind me of this.
31:15If you don't want to associate any of this with songs you like, maybe we'll switch it up.
31:20I'm gonna play it.
31:25Good night.
31:26Well, the midnight headlight find you on a rainy night.
31:29Steak great.
31:30Up ahead.
31:30Slow me down.
31:31Making no time.
31:33But I gotta keep rolling.
31:37Now, close a windshield wiper slapping out a tempo.
31:40Keeping perfect rhythm with the song on the radio.
32:11Dora, are you safe here?
32:13The favela has its own police, and my cousin is an important member.
32:22You're gonna have to pay for this.
32:27Mr. Budger, it might not work.
32:34Welcome to your new home.
32:51Mr. Budger, are you safe?
32:57Mr. Budger, are you safe?
33:10Mr. Budger, are you safe?
33:28Mr. Budger I'll take you to my cousin's clothes,
33:37Mr. Budger.
33:43Places like this are completely off the radar.
33:46You should try to get some sleep.
33:49I just left through most of the drive here.
33:51Apparently, country music has a set of effect on me.
34:04God, not you too.
34:07My dad always used to try to get me to play.
34:11Who you think taught me?
34:14He talked about chess like it was a religion.
34:17No, not a religion.
34:19A metaphor.
34:22You have a plan, other guy has a plan.
34:25And when you get surprised, you see who's smarter.
34:28Who reacts, who attacks.
34:32You learn to play chess.
34:34You learn to play life.
34:42I think that might be the first time I've seen you smile.
34:50You could play.
34:53If you, um...
34:55If you want.
34:58You settle, man. I'll be back.
35:00You're gonna leave?
35:02Yeah, I gotta go take care of a few things.
35:06Are you talking about the man in the trunk?
35:10Yes.
35:12Can you just stay?
35:14I'll be more useful out there, not so much in here.
35:18Are you gonna kill him?
35:20No. Just...
35:23Just talk to him.
35:25Like a surgeon?
35:29Something like that.
35:31Would he have killed me?
35:34Absolutely.
35:46Then I'll see you when you get back.
35:49I'll be torn.
35:52I'll be torn.
35:53No.
35:56No.
35:57No.
35:59No.
35:59No.
36:03No...
36:04No.
36:12No.
36:13No!
36:17No.
36:23There's a place that you can work two blocks away.
36:27Did Poe eat anything?
36:30Other than American fast food she hasn't eaten since she got to Brazil.
36:35A hard case. My favorite.
36:40I have a daughter.
36:43And when my husband was killed, I had a neighbor who would come over to just talk to her.
36:49Talking is how she process things.
36:52I think Poe is just like my daughter.
36:55If you want, I'm happy to stay with her.
37:00And just listen.
37:03All right, don't say.
37:04But you?
37:06You're just like me.
37:09When things are bad, what we seek is silence.
37:16Out of shop. Just around the corner.
37:19See you later.
37:22Bye.
37:36Hey.
37:39I brought something for you to eat.
37:44I'm not really hungry.
37:49Don't worry.
37:51I asked my daughter what an American who doesn't like Brazilian food would eat.
37:58And these are Cushina.
38:03It's kind of like a...
38:05It's kind of like what you call a nugget?
38:09She came nugget, right?
38:11Hmm.
38:12Yeah.
38:19It's okay with me if you don't eat them.
38:21I never get to tell my daughter she's wrong, so it's almost better if you refuse them.
38:47She might be right.
38:49She might be right.
38:55How old are you?
38:58Sixteen.
39:01And coming to Brazil wasn't something you were excited about?
39:07Yeah, can you tell?
39:12Well, when you drive a car, you know, you just meet lots of different people.
39:18You learn to really see them.
39:26What else do you see?
39:30Someone who needs a friend.
39:41You speak Spanish?
39:44Yeah.
39:47You like the movies?
39:51How do you realize when someone has seen many movies?
39:58How do you realize if they get a battery from a car and they tell you that they're going to
40:03work on you?
40:06That's bullshit.
40:07The car battery never broke nobody.
40:09You want information?
40:11It's not the battery that's key.
40:13It's what's inside.
40:18Acido sulfórico.
40:21I'll mess you up.
40:24That'll take time.
40:27Even if you mix it.
40:30With hydrogen peroxide, mix it and they call jugo de piraña.
40:35¿Tú sabes qué hacen las pirañas, no?
40:39Ellas comen tu carne.
40:42Yo soy un terco hijo de puta y te lo digo ya.
40:47They got everything out of me.
40:53There's one scar.
40:54Ready?
40:57Put this on your forehead.
41:01It's going to eat away at your skin.
41:03And slowly drip down.
41:06Once it gets into your eyes, it's lights up.
41:10Leave that a minute there.
41:14Once it's on, you got about two minutes before it gets into your eyes.
41:17So talk fast.
41:19Hey, hey, hey, hey, you're going to get this all alone.
41:23¿Qué haces, porra?
41:24Yo falo.
41:25Yo falo.
41:26Yo falo.
41:27¿Me dices que quieres intentar hablar?
41:34Estoy dispuesto a intentar, pero me lo has pendejadas y me aseguro que te arrepientas.
41:41¿Está claro?
41:42Sí.
41:44¿Cuál es tu nombre?
41:46Chaco.
41:47¿Quién te contrató para matarnos?
41:49Yo lo sé, yo lo sé, yo lo sé, yo lo sé, yo lo sé.
41:55Él solo me dijo que podíamos llamarnos mal, ¿ok?
41:58Pero no creo que sea su verdadero nombre.
42:04Tú le ayudaste con el bombardeo también.
42:10Bombardeo, bombardeo.
42:11Yo no sé nada sobre el bombardeo.
42:12Yo no sé nada sobre el bombardeo.
42:13Yo no sé nada sobre el bombardeo.
42:25El clock está cerrando ahora, Chaco.
42:28Deberías llegar a algunas respuestas.
42:30Yo no estoy con Felipe.
42:32Yo no estoy con Felipe.
42:33F.O.P.
42:33Por favor.
42:35Por favor.
42:36Esa es la gente de Osman.
42:37Sí, Osman.
42:39Yo no los puedo.
42:41Por favor.
42:42Yo trabajo con la faquizón de fuera de Río.
42:45Osman nos compartió después del bombardeo.
42:48Preció pagarnos por un golpe.
42:49No sabíamos de algo hasta ayer en la mañana.
42:52Para, por favor.
42:53Por favor, para.
42:54Estoy hablando.
42:55Tú no sabías llegar hasta la base.
42:57Osmar, que se lo hará acá con voy.
43:00Él dijo que la base sería para donde se iba a desear.
43:03Por favor.
43:04Por favor.
43:05Él dijo que iba a estar con poco personal por las amenazas que la impididia estaba haciendo
43:09por todas partes.
43:11Por favor.
43:12Please, please.
43:14Please.
43:18Please.
43:19Please.
43:19Please.
43:21Please.
43:23Please.
43:24Please.
43:25Please.
43:26Please.
43:26Please.
43:27Please.
43:28Please.
43:30How do I find Osmar?
43:33The issue here is this Mr. Creasy.
43:35I need your assurance that he's being extracted as well.
43:38It's one thing when he was offering to work with us.
43:40It's another to have a loose cannon who's gone completely unresponsive
43:44while I'm having to deal with terrorists and tragedy.
43:47Not to mention an upcoming election.
43:49Honestly, President Carmo, I spoke to Creasy, and right now he doesn't trust anyone.
43:54Even if Creasy delivers us the girl,
43:57everything I know about him leads me to believe that he's not leaving
43:59until the people that brought that building down are dead.
44:06Director Moncrief, I wonder how your government would react if you had a foreign national on the loose in your
44:13country,
44:13operating independently, without authority, and in a way that potentially jeopardized your investigation and response to a massive terror attack.
44:26I'm sure we would contain him using whatever means necessary.
44:33Hey. How did he go?
44:35He made a car.
44:36Why? What happened?
44:38There's a way I can get this guy to lead us to the people coming after Poe.
44:41So she's not going home?
44:43No. Not until I know everything we're up against.
44:45Okay, we'll see what I can get.
44:49How is it?
44:52Not well.
44:54Which is in good hands.
45:13Is it time to go?
45:17Not yet.
45:28I need your help with something first.
45:31What?
45:35How do you feel about the sight of blood?
45:59How do you feel about it?
46:00How do you feel about it?
46:00How do you feel about it?
46:01How do you feel about it?
46:04How do you feel about it?
46:04How do you feel about it?
46:04How do you feel about it?
46:04How do you feel about it?
46:05How do you feel about it?
46:05How do you feel about it?
46:09How do you feel about it?
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