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#The Brokenwood Mysteries S12E04 (2026) #video #trending #viral #dailymotionlove
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00:00:05Excuse me! Excuse me! You're on!
00:00:14Welcome, everyone, to this inaugural excursion of the Brokenwood Flyer.
00:00:21The culmination of years of hard work and planning by the many dedicated pharaoh equinologists of Brokenwood.
00:00:31That's a fancy talk for Iron Horse enthusiasts, and I'm sure you all know that already.
00:00:38I'm sure you also know that we wouldn't be here today without the sheer grit, determination, and fundraising stamina of
00:00:45two of the Brokenwood Vintage Railway Society's leading lights, Rosalie Barnes and Shane Griffin.
00:00:54They have committed years to this exciting project, and today is the day when it all comes to fruition.
00:01:01Oh, my God!
00:01:03What did you do that for?
00:01:05You know what Bloom's like? He'll prattle on all day if you let him. Mrs. Baker's already in a flap
00:01:10about getting away on schedule.
00:01:11I always thought there was a touch of Mussolini about that woman.
00:01:14Eh?
00:01:15Makes the trains run on time.
00:01:17No, I think Rosalie's the one who's putting the strings.
00:01:19As usual.
00:01:20Sound bitter?
00:01:21I'm not bitter.
00:01:22No, you've spent three years pretending to have an all-consuming interest in vintage trains, hoping to catch Rosalie's glad
00:01:30eye, only to find out that the woman of your dreams has taken up with a sap of a man
00:01:36half your age.
00:01:37Shane's not half.
00:01:38Anyway, you can talk.
00:01:39You French...
00:01:40All aboard!
00:01:42When each day is a rover in the hills of snow
00:01:45Meet me right back here
00:01:56I had a dream last night
00:02:00We were riding on a silver train
00:02:05So good
00:02:11Well, congratulations, you did it.
00:02:13With a lot of help.
00:02:15If Regan's father hadn't come to the party, when he did, he'd still be back at the cake stall and
00:02:20raffle stage.
00:02:24How are we doing for time?
00:02:25Oh, relax.
00:02:26We're all on track.
00:02:27Oh, on track!
00:02:34Oh, right, so it should be me driving, you know that, don't you?
00:02:36How did you work that out?
00:02:37It's in the blood.
00:02:39Dad was a railwayman for 50 years.
00:02:41Gandy with a shovel, was he?
00:02:42The only reason it's you and not me...
00:02:46If you haven't got the upper body strength, not pretty hard yet, and...
00:02:51Oh, hey.
00:02:57There's nothing quite like it, is there?
00:02:59Hmm?
00:02:59The romance of train travel.
00:03:01You're not in a hurry.
00:03:03It's only 20 minutes to Little Lake by car.
00:03:06This will take twice as long.
00:03:08Wait, yeah, but that's not really the point though, is it?
00:03:10It's why they closed the line in the first place.
00:03:13It wasn't needed.
00:03:15Devil on horseback?
00:03:16No, thanks.
00:03:18Oh, no thank you.
00:03:33What the hell's that?
00:03:35Uh...
00:03:35There's something on the track.
00:03:36Just look.
00:03:39Oh, jeez, that's not some thing!
00:03:41That's some body!
00:03:42Stop the bloody train!
00:03:52What?
00:03:54Why have we stopped?
00:04:06What the hell do you think you're doing?
00:04:08You could've got yourself killed.
00:04:09Oh, like you care.
00:04:10Just go ahead and kill the planet instead.
00:04:13Give me strength.
00:04:14Unbelievable.
00:04:15Billy McKelvey!
00:04:17What silly game are you playing now?
00:04:19It's not a game.
00:04:20This is a wake up call.
00:04:21What's wrong?
00:04:22It's the middle of the afternoon.
00:04:23We're already awake.
00:04:24Cole is killing the planet.
00:04:27Cole is killing the planet!
00:04:29What's all this?
00:04:29Cole is killing the planet!
00:04:31Somebody call the cops!
00:04:32Cole is killing the planet!
00:04:34I will not have her ruin Rosalie and Shane's.
00:04:36I mean, everyone's big day.
00:04:38I'll deal with you up at the lake.
00:04:40Come on!
00:04:40On the train!
00:04:41No!
00:04:42You can't make me!
00:04:43You'll do as you're told or you'll make things worse for yourself.
00:04:46Come on!
00:04:47Come on!
00:04:48Don't touch me!
00:04:52Poor thing!
00:04:53Are you okay to keep going?
00:04:55We can swap places if you're feeling a bit fragile.
00:04:56Joe!
00:04:57No!
00:04:58No!
00:04:58No!
00:04:59I'm fine!
00:05:01Come on!
00:05:02Pick up the train!
00:05:30It's just a hobby for you lot.
00:05:32You're not thinking!
00:05:33Oh, you don't want to know what I'm thinking, young lady.
00:05:35Coal is killing the planet.
00:05:38Coal is killing the planet!
00:05:40If you think the biggest threat to the planet is a quantum drain in Broken Wood, your head's on wrong.
00:05:45Now, you just don't care, because you'll be dead soon.
00:05:47No, no, no, all right, chatty Cathy, wrap it up.
00:05:50We're almost at the stop for a little late.
00:06:01Everyone else inside the path, you can't miss it.
00:06:05It's going really well, I think.
00:06:08Where's Rosalie?
00:06:09Oh, she'll be somewhere tuttuing with your frog.
00:06:11I'm going to sneak a cigarette more like.
00:06:13No, no, no. You go with the others.
00:06:15She wants to make a big entrance. I'll find you.
00:06:22Rosalie? You there?
00:06:25Rosalie?
00:06:33Rosalie?
00:06:48Mrs Baker?
00:06:59I don't want to be rude, but now's not a good time.
00:07:02I'm trying to find a runaway bride.
00:07:04I might be able to help you with that.
00:07:15What's all this carry-on? Is someone getting married?
00:07:18That was the plan, yes.
00:07:21Did you know anything about this?
00:07:23All I know is I was supposed to get fed.
00:07:25It's hungry business, shoveling coal.
00:07:27Oi! Don't touch.
00:07:29You reckon the bride's done a runner?
00:07:30I sure wish I'd done a runner on my wedding day.
00:07:35I don't know.
00:07:37She's a fine figure of a woman, is truly.
00:07:45Thanks for keeping everybody here.
00:07:48It wasn't hard.
00:07:49Never expecting a picnic.
00:07:51I haven't said anything about Rosalie.
00:07:54I wouldn't know how.
00:07:55We'll handle that.
00:07:56Next of kin?
00:07:58Oh, um...
00:07:59Oh, Regan.
00:08:01Rosalie's daughter and...
00:08:03Shame.
00:08:04The groom.
00:08:07Oh, excuse me.
00:08:10Thank you, Mrs. Baker.
00:08:11Good job.
00:08:13What's her story?
00:08:14We just need to interview everyone about a recent incident.
00:08:19Oh, right, that jumped up little madam on the tracks.
00:08:21You think she'd be old enough to know better.
00:08:24Right.
00:08:25I was told that thought.
00:08:31We're treating your mother's death as suspicious.
00:08:34She may have simply just fallen from the train,
00:08:36but we need to be sure about it.
00:08:39Okay.
00:08:40And we need someone to give us a formal ID.
00:08:43That should be me.
00:08:45If you don't feel up to it, we can ask Rosalie's fiancée.
00:08:49The what?
00:08:50I think it was going to be a surprise.
00:08:52Rosalie's ID.
00:08:53I thought we'd have been happy with the registry office.
00:08:57When was the last time you saw Rosalie?
00:08:59When the train had stopped.
00:09:00She'd gone up the front to get changed into her wedding dress.
00:09:03I thought she might need a hand with the fiddly bits.
00:09:06Everything all right in there?
00:09:07Go away!
00:09:08You're not supposed to see me.
00:09:09It's bad luck.
00:09:11So you didn't actually see Rosalie.
00:09:13You just spoke with her through the door.
00:09:16Yeah.
00:09:17Did anyone witness the exchange?
00:09:19No, I doubted everyone else had left the carriage by then,
00:09:21trying to work out why the train had stopped.
00:09:24We must have stopped just in time.
00:09:26And then everyone got off to see what was happening.
00:09:28Including Rosalie?
00:09:30I really can't remember.
00:09:32There was a lot going on.
00:09:35More than you realised.
00:09:37What?
00:09:38The surprise wedding.
00:09:40You had no idea?
00:09:42None.
00:09:43But you knew that your mother and Shane Griffin were in a relationship?
00:09:47Everybody knew.
00:09:48Mum had been raving about it for months.
00:09:51But Shane made her happy.
00:09:54For the first time in her life, I think.
00:09:57So, neither Regan Barnes nor Shane Griffin remember seeing the victim after the train stopped?
00:10:04Well, Shane said he'd talked to Rosalie through the toilet door and then got off the train with the others.
00:10:08And Doug and Ron were busy letting rap at Lily.
00:10:12I talked to Doug.
00:10:14Pinko Greenie.
00:10:15And she was lying on the tracks like some sort of damsel in distress.
00:10:19And she gets up with a placard and starts waving it around, going on about coal and the planet.
00:10:24But God knows what she was trying to achieve.
00:10:27So, what did the Pinko Greenie have to say for herself?
00:10:30Huh.
00:10:31Not much.
00:10:32Lily McKelvey, 145 Old Creek Road, date of birth, 27 March 2008.
00:10:37And that's all you're getting.
00:10:40She seems very well trained for an 18-year-old.
00:10:43Are we sure she was acting alone?
00:10:45Uh, I'm afraid Mrs. Bake is in a bit of a state.
00:10:49Any idea when we might get the all clear?
00:10:51Well, as long as they've given their initial statements, everyone's free to go.
00:10:54Oh, lovely.
00:10:55Uh, just not on the broken wood flyer.
00:10:57We still need to inspect the carriages.
00:10:59Ah, I see, I see.
00:11:00I'll see what I can do.
00:11:01Um, what's the point in being mayor if I can't rustle up a council coach when we need one?
00:11:05And, uh, Lily McKelvey.
00:11:07Don't worry about her.
00:11:08She's coming with us.
00:11:09Okay.
00:11:14Oh, here.
00:11:16Mimi, give me your hand with that.
00:11:17Oh.
00:11:19Thank you, Ron.
00:11:20Got it?
00:11:20Yeah.
00:11:23See, Jug, that's what a gentleman looks like.
00:11:31Oh, hello there.
00:11:32Oh.
00:11:33You sound relaxed.
00:11:34Not at all.
00:11:35Slogging it out, you know how it is.
00:11:37Well, I need you to find what you can on a Lily McKelvey.
00:11:41You want to know if she has any kind of record of involvement in climate, protest, that sort
00:11:46of thing?
00:11:47Well, you, I will clear my desk.
00:11:49Give the board a wipe.
00:11:50While you're at it, we're going to need it.
00:11:58So, Doug and Ron are in an engine cab with no access to the carriage.
00:12:04And everyone else is in the carriage.
00:12:07Black roses.
00:12:09Old choice.
00:12:11And then, at a certain point, Rosalie moves to the front of the carriage.
00:12:16To change.
00:12:19But ended up down there.
00:12:26Before falling or being pushed onto the tracks while everyone else was preoccupied by Lily's
00:12:33protest.
00:12:33Or, so they want us to believe.
00:12:43What if the offender wasn't one of our travellers?
00:12:47Someone else got on board the train before it left Brokenwood and waited for their chance
00:12:52to attack.
00:12:53Risky.
00:12:54With nowhere to hide.
00:12:56There's only this one cubicle.
00:12:58Yeah.
00:12:59And a black rose for a corsage.
00:13:02Slightly weird.
00:13:11For R, you know what this means.
00:13:19Next step.
00:13:21Handwriting samples from everyone on the train.
00:13:24Hmm.
00:13:25What did you find on Lily McKelvey?
00:13:28Yeah.
00:13:29Brokenwood's answer to Greta Thunberg.
00:13:31Her socials are dedicated to protest content.
00:13:34Nothing about today's protest?
00:13:36If you're going to go to all that trouble to stop a train, you'd want the world to know
00:13:40about it, right?
00:13:40You'd be live streaming or at least making sure someone was there to record it.
00:13:45Well, perhaps somebody did.
00:13:47Well, maybe the protest was just a diversion.
00:13:49Well, whatever happened, it went down fast.
00:13:53The Crimestoppers report about the body on the tracks came through at 2.47, not long after
00:13:59the train moved off again.
00:14:00Who did that report come from?
00:14:01Well, someone who saw something but didn't want to get involved, called it in anonymously.
00:14:07Well, Lily might be more forthcoming now that she knows that somebody has died.
00:14:12Oh, um, Gina's going to be expecting one of us soon, so fight amongst yourselves.
00:14:17Heartbreaker.
00:14:19Uh, was that you volunteering?
00:14:21Nice one.
00:14:29I'm assuming you weren't actually tied to the tracks.
00:14:33I'm not an idiot.
00:14:34Did you have any help getting into position?
00:14:36Lying down isn't hard.
00:14:39At my age, anyway.
00:14:41Hmm.
00:14:42Got no one to cheer you on?
00:14:44No.
00:14:47Thanks for your phone, Lily.
00:14:50Who's Noah?
00:14:53At 2.45pm, you got a text.
00:14:56Just two words.
00:14:58You okay?
00:14:59From someone called Noah.
00:15:01He's my boyfriend.
00:15:04Did he know about your protest?
00:15:05No.
00:15:06Then why the text?
00:15:08Why those words?
00:15:09You okay?
00:15:10He was just tricking in, I guess.
00:15:13Just, it's the kind of guy he is.
00:15:15Tell me a bit more about him.
00:15:19I cannot be precise about the time of death.
00:15:21No, I get it, Gina.
00:15:22Usual terms and conditions apply.
00:15:24But when I arrived at the scene, what we call the tracking of the eyes had not begun.
00:15:28And Palo Mortis was not complete.
00:15:30It can only have been a matter of minutes.
00:15:32Fifteen or twenty.
00:15:33That's pretty precise.
00:15:35What do you mean?
00:15:36I am very precise.
00:15:37Yeah, of course, but you just...
00:15:39Do you think my job is easy?
00:15:42No, but you just...
00:15:43You want me to hand you the bone saw?
00:15:45Knock yourself out.
00:15:47No.
00:15:48I'm good.
00:15:49Good.
00:15:50Now, cause of death.
00:15:52See here?
00:15:53One significant impact wound and a number of small scrapes and bruises along her right side.
00:16:01She died when she hit the rail track.
00:16:03Not necessarily.
00:16:05What does this tell us?
00:16:09She bounced.
00:16:13Mike would understand.
00:16:14Well, Mike's not here, so...
00:16:16Perhaps she was fatally hit on one side of the head.
00:16:19And then...
00:16:20Thrown from the train and landed on the other side.
00:16:24Very good.
00:16:25Now, we have a guest.
00:16:32Come through.
00:16:42That's her.
00:16:44That's my mum, Rosalie.
00:16:48Was it quick?
00:16:49Very.
00:16:50If you'd like, we can keep you up, bro.
00:16:52Has anyone told Dad?
00:16:55Hayden Barnes.
00:16:57As in Barnes Farming Supplies.
00:16:59Regan's father and Rosalie's ex-husband.
00:17:02Sims is with him now.
00:17:04Excuse me.
00:17:06I'm here for my daughter.
00:17:07You must be Mr. McAulvey.
00:17:10Troy.
00:17:11Could you get Miss McAulvey, please?
00:17:13Of course.
00:17:16Come on through.
00:17:20I'm Bridget, Lily's grandmother.
00:17:22Where is she?
00:17:23She'll be here soon.
00:17:24You do realise she's only 18?
00:17:26Yeah, old enough to be charged with breach of the police.
00:17:29Not today, however.
00:17:30We're letting her off with a warning.
00:17:32You just thought you'd scare her by keeping her here all afternoon.
00:17:35Hey, kiddo.
00:17:36You all right, love?
00:17:37Can we go, please?
00:17:41Your granddaughter has been helping us with our inquiries into a suspicious death.
00:17:46A woman died on the train that was stopped by her protest.
00:17:49She didn't say anything about that when she rang.
00:17:52Does the name Rosalie Barnes mean anything to you?
00:17:58You were close?
00:17:59Used to be.
00:18:01Old school friends.
00:18:02We travelled overseas together.
00:18:03It was a long time ago.
00:18:06How did it?
00:18:07What happened?
00:18:07We'll be releasing a statement in due course.
00:18:10Right.
00:18:11I should go.
00:18:13Lily told us that she was in a relationship with one of your farmhands.
00:18:19Noah.
00:18:19Noah Dunphy.
00:18:20If you see him, could you tell him to get in touch?
00:18:23Why do you want to talk to Noah?
00:18:24We'll explain that when we see him.
00:18:26All right, I'll pass that on.
00:18:29Thanks, love.
00:18:32It's hard to believe she had a big train launch this afternoon.
00:18:36I thought she'd be swilling champagne all day.
00:18:38I have to ask you this.
00:18:41Where were you around 2.45pm?
00:18:44Quarter to three, uh...
00:18:46I was here.
00:18:47Yeah, you can ask Dan.
00:18:49And when was the last time you saw Rosalie?
00:18:52A few weeks ago.
00:18:53We met to sign the divorce papers.
00:18:55It was all very amicable, if you're wondering.
00:18:58My daughter, does she know?
00:18:59Yeah, she identified the body, so she may need some support.
00:19:02All right, Bob.
00:19:03Okay, I'm here.
00:19:04I'm here.
00:19:05It's going to be okay.
00:19:12I did some research on the McAlvys, found this.
00:19:17Bridget and her best friend Rosalie protesting the closure of the Brokewood Railway Line way back in the 80s.
00:19:23The line was closed anyway, but the track was never pulled up.
00:19:25And then 40 years later, Rosalie's the driving force behind the Brokewood Flyer.
00:19:30Mm-hmm.
00:19:31Which was bitterly opposed by Bridget's son, Troy.
00:19:33He was pushing his own plan to turn the track into a cycle trail.
00:19:43Well, it was either restore the rails or pull them up.
00:19:46Council had been shunting that position down the track for about 30 years.
00:19:50Excuse the pun.
00:19:52I might have done the same if I'd not know what a kerfuffle it would turn into.
00:19:54What swung it in favour of the vintage railway?
00:19:58Only word.
00:19:59Rosalie.
00:20:00She was a bit of a steam engine herself, if you get my drift.
00:20:02A hard woman to say no to.
00:20:04Helped that she had Hayden Barnes's money behind her.
00:20:06Before the divorce, I mean.
00:20:08Though I imagine she took a good chunk of it with her when they split.
00:20:12He bought the engine and carriages, paid for the restoration.
00:20:15Troy McKelvey must have found it hard to compete.
00:20:17He just couldn't promise the investment we were looking for.
00:20:20Whatever he had himself, he sank into buying up land along the tracks.
00:20:23He had some grand scheme for accommodation and a cafe.
00:20:27Actually, I've got it here somewhere.
00:20:31Yeah.
00:20:33How are you expected to pay for it?
00:20:35I have no idea.
00:20:38This is the McCobie farm here, eh?
00:20:40Yeah, what's left of it.
00:20:42Troy's been selling bits off trying to claw back his investment.
00:20:46Do you mind if I get a copy of this?
00:20:48It would be a pleasure.
00:20:51Follow me, young man.
00:20:52Come on.
00:20:54Brand new photocopier.
00:20:57Rari Flansch.
00:20:58Voice activated.
00:21:02And copy.
00:21:07Got it.
00:21:07You have to say it right.
00:21:09And copy.
00:21:14Annoying.
00:21:15Might just, uh, use the old digit there.
00:21:28Trudy, there's a Noah Dunphy drink here.
00:21:31Friend of yours, is he?
00:21:32It's a professional inquiry.
00:21:34Thought so.
00:21:35Don't make me say it.
00:21:37It's not knocking if he hasn't done anything wrong.
00:21:40Sure.
00:21:42Lena.
00:21:45On my tab.
00:21:47What was that you just did?
00:21:48But you know what a tab is, don't you?
00:21:50No, the nose tab you think.
00:21:52What's that all about?
00:21:52Well, Trudy knows.
00:21:55That's all that matters.
00:21:57Okay, so Noah comes in with his mates every now and then and, you know, well, he was always
00:22:03hitting on me.
00:22:04I mean, I got there and it was just nothing.
00:22:07Nothing.
00:22:07Two pails and a hazy.
00:22:10Thanks very much.
00:22:11Appreciate it.
00:22:16Thanks again.
00:22:17Do you like cats?
00:22:20Yeah.
00:22:20Cats are, uh, cats are cool.
00:22:22Cool.
00:22:23I have a cat suit at home.
00:22:25You know, I mean, like, for special occasions.
00:22:30Okay.
00:22:31Uh, that's, that's, um, that's interesting.
00:22:34Yeah?
00:22:35Thanks.
00:22:37Lena.
00:22:45I thought you said he hit on you.
00:22:48He did.
00:22:49He said I was interesting.
00:22:51And he's cute.
00:22:52I mean, not.
00:22:53Not as cute as Chad.
00:22:54Oh, you think so too?
00:22:56No, I just.
00:22:57But then, no one is.
00:22:58But he is a little bit bad boy, which is nice sometimes, right?
00:23:03Thanks, Lena.
00:23:04Yeah.
00:23:06Oh, hello.
00:23:08You're here for that pizza for Shane.
00:23:09Well, normally I would have cooked him something, but I don't know, I can't seem to settle.
00:23:13I'm all the quiver.
00:23:14It's all good.
00:23:16Mrs. Baker, how is Mr. Griffin holding up?
00:23:19Do you really need to ask?
00:23:21Oh, I'm sorry.
00:23:23I know you're only doing your job, and that's how the police mind works, isn't it?
00:23:28The nearest and dearest are the biggest suspects, but I am telling you, Shane is one of nature's
00:23:33gentlemen.
00:23:34He wouldn't hurt a fly.
00:23:35Hey, and Hayden Barnes, would you say the same about him?
00:23:41Well, that's a different story.
00:23:52Thanks.
00:23:54So, it's hard to say if it's intel or just gossip, but according to Mrs. Baker, Hayden
00:24:00and Rosalie's split wasn't as amicable as he tried to make out.
00:24:07I am not a bloody ATM for your pet project.
00:24:11Oh, grow up.
00:24:13This is bigger than us.
00:24:15Us?
00:24:15What us?
00:24:16You've already got yourself a new toy, boy?
00:24:18Is everything all right?
00:24:18You're welcome to the gold-dicking cow.
00:24:21Good luck to you.
00:24:24Obviously, Rosalie liked her men younger.
00:24:27She had 10 years on Hayden as well.
00:24:30Did Hayden know about Rosalie and Shane's wedding yesterday?
00:24:34He didn't say, but Mrs. Baker insisted that no one knew about it.
00:24:37Not even her own daughter, Regan.
00:24:39Check in with Shane.
00:24:40Find out if he or Rosalie got any more aggro from Hayden.
00:24:44Or the McKelvies, for that matter.
00:24:47Oh?
00:24:48Well, Lily clearly isn't a fan.
00:24:50And Rosalie and Troy were practically feuding over rival schemes.
00:24:58This is the McKelvey farm, and this is the additional land
00:25:02that Troy bought for the tourist development.
00:25:06Right next to where Lily stopped the train.
00:25:08And Bridget's old friend, Rosalie, was killed.
00:25:19What do you got?
00:25:20Noah Dunphy is still not responding to my calls,
00:25:23but that could be because he has a history of prior arrests,
00:25:26disorderly behaviour, assault.
00:25:28Assault on who?
00:25:29It was related to a protest action.
00:25:32A bit of pushing and shoving on the front line of a march.
00:25:35A climate protest?
00:25:36Uh, coal, mining, oil.
00:25:38Anything that messes with the environment, he's against it.
00:25:40So his text to Lily, moments after his stunt,
00:25:43was in no way a coincidence.
00:25:45Gotta go.
00:25:47Uh, Lily, I was hoping you could help us.
00:25:50I've already told you everything.
00:25:51We've been trying to track down Noah, but we can't...
00:25:53Yeah, me too.
00:25:54So if you see him first, let him know from me that we're done.
00:25:56Okay?
00:26:03I think the kids call it ghosting.
00:26:06Huh.
00:26:08Was there something else you wanted?
00:26:10Yes, actually.
00:26:13Why are you so interested in Noah?
00:26:16Well, he's Lily's boyfriend.
00:26:18Uh, for now.
00:26:20It's reasonable to assume that he knew about a protest.
00:26:24Maybe he filmed it.
00:26:26I mean, after all, you know, what's a protest these days if it isn't all over the internet?
00:26:31Well, it's a bit of a stretch to go from being a protester to a murderer, isn't it?
00:26:37Uh, we had an anonymous tip-off about Rosalie's body.
00:26:41Whoever made that report may have seen more than they initially shared.
00:26:45Right.
00:26:46The incident happened very close to your land.
00:26:49Did either of you see anything out of the ordinary?
00:26:52I was here, making jam, head down over the kitchen bench.
00:26:55I was up in, uh, Old Creek Paddock, fixing some fences.
00:27:00Nowhere near.
00:27:01Meanwhile, your daughter was tying herself to railway tracks.
00:27:04Mm-hmm.
00:27:05Uh, did you know about that?
00:27:08Uh, she's always up to something.
00:27:11Thought she was just going to wave a sign.
00:27:12We've always encouraged Lily to think for herself.
00:27:16She's so compassionate and engaged.
00:27:18And that's something to be admired, isn't it?
00:27:20Uh, chip off the old block, perhaps.
00:27:24Do you think, uh, Lily's protest was inspired by this?
00:27:32Well, you'd have to ask her.
00:27:35You had your own reasons to oppose the Vintage Railway.
00:27:38Your failed development plans.
00:27:40Oh, come on.
00:27:42Must have been very frustrating.
00:27:43Well, not to mention expensive.
00:27:45We lost that fight ages ago and accepted it ages ago.
00:27:49Why are you giving me and my mum the third degree?
00:27:52We weren't even on the train.
00:27:55Shouldn't you be chasing the people who were?
00:27:57All lines of inquiry are being explored.
00:28:00Which is why I'm going to need a handwriting sample from each of you.
00:28:10Here you go.
00:28:12I'm not going to win any awards for calligraphy with that.
00:28:16Sorry to disturb you.
00:28:17It's fine.
00:28:19Anything to help find whoever hurt Rosie?
00:28:22Can you think of anyone who might want to do that?
00:28:24No.
00:28:25No, she was wonderful.
00:28:26She was very caring, very passionate.
00:28:28Although, her passion could rub some people up the wrong way.
00:28:32Like Hayden?
00:28:33If Rosie had done me, I'd be devastated too.
00:28:36How did you and Rosie get together?
00:28:39Well, there was no overlap if that's what you're getting at.
00:28:41Understood.
00:28:42We were both on the committee for the train project.
00:28:45Lots of long nights and weekends.
00:28:51I keep thinking she's going to come out of the bedroom or bring me a glass of wine.
00:28:57You and Rosie weren't the only ones who gave a lot to the rail project.
00:29:01Hayden Barnes made a huge commitment too, didn't he?
00:29:04It was his money that...
00:29:05It was Rosalie's money as well.
00:29:06That's what marriage means, sharing everything.
00:29:12I wonder how much Hayden shared with Rosalie in the divorce.
00:29:16Hmm, and who's in line for it now?
00:29:18Yeah, I'll chase out the will, but Regan, you'd think, and probably Shane.
00:29:24And they were both on the train.
00:29:25Shane may have been the last person to talk to Rosalie.
00:29:28Hmm, the romantic-politic door exchange.
00:29:30But what did he do after that?
00:29:32Uh-huh!
00:29:35Mrs Baker?
00:29:38I was wondering if I could get my things from the train, my clipboard and whatnot.
00:29:42I've got another wedding this weekend.
00:29:44I can only hope that that couple hasn't caught wind of my involvement with this debacle.
00:29:50R.I.P. Rosalie, obviously.
00:29:52Your timing is immaculate, Mrs Baker.
00:29:55We're in need of your insight.
00:29:59Police, come on through.
00:30:01Oh!
00:30:02Hmm!
00:30:04Sort of a thing, isn't it?
00:30:08Actually being part of a murder investigation.
00:30:11Could you talk us through what happened?
00:30:13Starting at the beginning.
00:30:17Well, um, Ron and Doug were at the front.
00:30:20Anyway, I should drive.
00:30:22I have seniority.
00:30:23Seniority?
00:30:24What you have is being scared of hard work.
00:30:28Um, we're not so worried about them.
00:30:32Can you remember where everyone was on the train?
00:30:35Um, well, the catering was in this one.
00:30:38And then we were all in the back.
00:30:41There was, um, General Minglik.
00:30:47Do you recall where Shane Griffin was?
00:30:50Oh, um, he was mainly talking to a friend.
00:30:55Fellow train geek.
00:30:56A special breed, those fair-nec-nec-quinologists.
00:31:01Shane told us he went to speak to Rosalie through the cubicle door when the train stopped.
00:31:06Oh, yeah, that sounds about right.
00:31:08He was the only other person on the train who knew what she was really doing, I'll tell you what.
00:31:12It wasn't easy keeping that a secret.
00:31:14Sorry.
00:31:15So, was Shane with you when you got off the train?
00:31:18Or was he still back with Rosalie?
00:31:21I remember him turning up at the tracks.
00:31:23It's not a game!
00:31:24This is a wake-up call!
00:31:26What for?
00:31:26It's the middle of the afternoon.
00:31:28We're already awake.
00:31:29Cole is killing the planet!
00:31:31Cole is killing the planet!
00:31:33What's all this?
00:31:34I can't be certain how long he was on the train before he joined us.
00:31:38Lily was very distracting.
00:31:40And he...
00:31:43No, no, no, no, not Shane Griffin.
00:31:46He would never.
00:31:47He was such an integral part of the planning.
00:31:49There was a theme.
00:31:51I had it all worked out.
00:31:53Champagne flutes.
00:31:54Tick.
00:31:55Doilies.
00:31:56Tick.
00:31:57Flower.
00:31:57Oh, what in the blazes are those?
00:31:59I was very clear with that florist what I wanted.
00:32:01I'll be having strong words with Jenny Munro.
00:32:03I don't quite like them, actually.
00:32:05Really?
00:32:09No, they were not from me.
00:32:11Definitely not part of my catalogue.
00:32:13And besides,
00:32:15black roses are a terrible omen for a wedding.
00:32:18They symbolise death.
00:32:20Would Rosalie have known that?
00:32:28That note could have been attached to the flowers.
00:32:30And I know where else I've seen black roses recently.
00:32:39I'm not much of a flowers man,
00:32:41but I imagine these are pretty rare.
00:32:44Yeah, I suppose.
00:32:45So, if a bunch of black roses
00:32:48were to show up in the vicinity,
00:32:50chances are they would have come from your garden.
00:32:52There are florists here on your note.
00:32:53Sure.
00:32:54But I'm talking about a hand-picked bunch.
00:32:56Tied with the ribbon,
00:32:57delivered with the note.
00:33:00Is this your writing?
00:33:03Yes.
00:33:04It's an interesting message,
00:33:06given that black flowers symbolise death.
00:33:08Is there anything you want to share, Hayden?
00:33:11Look, black roses don't just symbolise death.
00:33:13Okay?
00:33:14They're transformation,
00:33:16new beginnings,
00:33:17endings, farewells.
00:33:20Yeah, I know.
00:33:21I'm not exactly the type,
00:33:22but Rosalie planted this bush.
00:33:24She told me all about it.
00:33:25She would have known what I was saying.
00:33:27Mum was wearing one of the roses on her dress.
00:33:29She wouldn't have done that
00:33:30if she thought Dad was being threatening.
00:33:32You told us you weren't at the launch
00:33:33and that you haven't seen Rosalie for weeks.
00:33:36Dad couldn't handle actually being there
00:33:37and seeing her with shame.
00:33:39Can you blame him?
00:33:41So I said,
00:33:42I'll drop the flowers off.
00:33:44Right.
00:33:46Excuse me.
00:33:48Gina.
00:33:50You'll be okay?
00:33:51I've got to take my car to the garage.
00:33:53See you soon.
00:33:53Everything all right?
00:33:54Yeah, just to service.
00:33:55I should only take a few hours.
00:34:01For me,
00:34:02nothing can beat the appeal of a steam train.
00:34:04The Trans-Siberian Railway,
00:34:06it's on my bugger list.
00:34:08Your what?
00:34:09My bugger list.
00:34:11You know when you say,
00:34:12bugger it,
00:34:13let's just do it?
00:34:14It's a very common expression, Mike.
00:34:16I'm surprised you don't know it.
00:34:18I think you mean bucket list.
00:34:20Well,
00:34:20things you want to do
00:34:21before you kick the bucket.
00:34:22But what has the bucket done to you?
00:34:24Well,
00:34:25it's a saying.
00:34:25Well,
00:34:26anyway,
00:34:26the Brokernut Flyer,
00:34:27it's not of the same league,
00:34:29of course,
00:34:29but one day,
00:34:30I hope for a ride.
00:34:32Now,
00:34:32I have something
00:34:33I think you'll like.
00:34:34Fire away.
00:34:36When I looked closer
00:34:37at the two headwinds,
00:34:40I found something interesting.
00:34:42Metallic fragments
00:34:43in both of them.
00:34:44So the murder weapon
00:34:46was metal?
00:34:47Same as the railway tracks.
00:34:48Same age,
00:34:50same wear,
00:34:51same rust pattern.
00:34:52Rosalie was hit
00:34:54with a length of rail line.
00:34:56A small length,
00:34:57unless your fender
00:34:58was very strong.
00:35:03Mrs Baker can vouch
00:35:05that everyone got off the train
00:35:06at the same time
00:35:07as she did,
00:35:07except for Shane Griffin.
00:35:10Oi,
00:35:11you lot,
00:35:12anyone home?
00:35:17Hello?
00:35:18Oh.
00:35:19You want to talk
00:35:20to this guy?
00:35:21Noah,
00:35:22you are a hard man
00:35:23to find.
00:35:24Not really.
00:35:34Get in.
00:35:35That's beautiful.
00:35:36Not for me,
00:35:37you idiot.
00:35:38You have to talk
00:35:38to the police
00:35:39or they'll think
00:35:40you killed her.
00:35:41Look,
00:35:42he knows his rights,
00:35:43so don't try anything dodgy,
00:35:44okay?
00:35:45Wouldn't dream of it.
00:35:46Just because he has priors
00:35:47doesn't mean
00:35:47he's done anything wrong.
00:35:49Ghosting your girlfriend
00:35:50isn't technically a crime.
00:35:55It was one text,
00:35:56the timing was freaky,
00:35:57it doesn't mean anything.
00:35:58You weren't exactly
00:35:59in a hurry
00:35:59to talk to us, though.
00:36:01So you're saying
00:36:02despite your prior history
00:36:03of protest action,
00:36:05you had no idea
00:36:06what your girlfriend
00:36:07was planning to do?
00:36:08Look,
00:36:08the real target
00:36:08should be the freight trains
00:36:09carrying the coal
00:36:10from the mines,
00:36:10and she's out here
00:36:12trying to shut down
00:36:13a vintage train.
00:36:14It was pathetic.
00:36:14I was almost embarrassed
00:36:15to be involved.
00:36:16So you were involved?
00:36:19No comment.
00:36:20It is weird
00:36:21that there's nothing
00:36:22on the socials about it.
00:36:23So if we checked your phone,
00:36:25there wouldn't be any footage
00:36:26of Lily's protest.
00:36:29Lo and behold.
00:36:32He obviously was
00:36:33in one of the trees
00:36:34by the line.
00:36:35There's Doug and Ron
00:36:37exiting the engine cab first.
00:36:39Everyone else
00:36:40piling out of the carriage.
00:36:42Mrs. Baker,
00:36:43Mayor Bloom,
00:36:45all the others.
00:36:46Alibi is confirmed.
00:36:47That's something.
00:36:48There's Regan,
00:36:50but where's Shane?
00:36:51He said he was
00:36:52checking in with Rosalie.
00:36:54Yep.
00:36:54Wait for it.
00:36:56So Regan
00:36:57gets back on briefly,
00:36:59presumably to
00:37:00alert her mum.
00:37:02And there she is
00:37:03stepping back off,
00:37:05followed by Shane,
00:37:06which means
00:37:07he's getting off the train
00:37:08a good minute
00:37:09after everyone else.
00:37:11Enough time?
00:37:12If he worked fast.
00:37:13You can't see the back
00:37:14of the train
00:37:15from this angle.
00:37:15Why would he want
00:37:16to kill someone
00:37:17he's supposed to be marrying?
00:37:19Well, I followed up
00:37:20with Rosalie's lawyer.
00:37:22Shane is a main beneficiary
00:37:24in the will,
00:37:25as is Regan.
00:37:26Is this all the footage?
00:37:28According to Noah...
00:37:29I stopped recording
00:37:30when Lily got
00:37:31taken onto the train.
00:37:32And did you see
00:37:33anything else
00:37:33or anyone else?
00:37:35No.
00:37:35We'll need your phone.
00:37:36And there was
00:37:37nothing unusual
00:37:38in his call log.
00:37:39Ditto his search history.
00:37:41So if Noah
00:37:42is to be believed,
00:37:43he wasn't the person
00:37:44who called
00:37:45Crimestoppers.
00:37:45Well, he said
00:37:46he took off
00:37:47once Lily was
00:37:48on board the train.
00:37:49Where did you go?
00:37:50Back home.
00:37:52Well, Lily told us
00:37:53you were ghosting her,
00:37:54so presumably
00:37:55she couldn't find you there.
00:37:56I didn't stick around
00:37:57for long.
00:37:58I went to a mate's place.
00:37:59Well, we will need
00:38:00to speak to that mate.
00:38:01Oh, you can't.
00:38:02He's in Sydney.
00:38:03I needed some space
00:38:04to myself,
00:38:05so I crashed out
00:38:05there instead.
00:38:06Why did you need
00:38:07some space?
00:38:09To work out
00:38:10what I was going to do.
00:38:11Dump Lily
00:38:12and leave town.
00:38:14I want to make it
00:38:14sound worse than it was.
00:38:17Look, I was over it.
00:38:19This train thing
00:38:19was the last straw
00:38:20and I just wanted to bail
00:38:21without more
00:38:22of Lily's drama.
00:38:24Yeah, I'm not sure
00:38:26I'm buying that.
00:38:26Agreed.
00:38:27Where is he now?
00:38:28At the McAlvys,
00:38:29but we told him
00:38:30to stick around.
00:38:31Good.
00:38:32Me and my lockdown baby
00:38:36We had a ticket
00:38:37on a silver train
00:38:41Coming true
00:38:44About here, you reckon?
00:38:45Yep.
00:38:46Clear line of sight
00:38:47to the tracks.
00:38:50The train would have
00:38:52obscured whatever was
00:38:53happening to Rosalie
00:38:54at the back of it.
00:38:55Once it moves off, though.
00:38:57Thanks, guys.
00:39:00Oi!
00:39:01What?
00:39:02Am I not allowed to?
00:39:03Not on my train.
00:39:04Protocol.
00:39:05Hardly the worst thing
00:39:06that's happened
00:39:06on your train, is it?
00:39:10If Noah was still
00:39:11close by
00:39:12after the train
00:39:13moved off
00:39:13he would have been
00:39:14able to see
00:39:15Rosalie's body.
00:39:16But he claims
00:39:17he didn't make
00:39:17the Crimestoppers report.
00:39:19But he might have
00:39:20seen who did.
00:39:21Or he committed
00:39:22the crime himself.
00:39:24Could the phone
00:39:25have been on
00:39:26a tripod?
00:39:27He left it here
00:39:29while he boarded
00:39:29the train.
00:39:30The footage
00:39:31was pretty shaky
00:39:32had to be handheld.
00:39:33Or he was
00:39:34working with someone
00:39:35else.
00:39:35He gave them
00:39:36the camera
00:39:36while he went
00:39:37to the train.
00:39:38If he is
00:39:38hiding something
00:39:40what's his motive?
00:39:47Sorry, I don't
00:39:48know what else
00:39:48I can tell you.
00:39:49Well, what I can
00:39:49tell you is that
00:39:50we've got footage
00:39:51that confirms your
00:39:52story about being
00:39:53last off the train.
00:39:54Okay.
00:39:55Good.
00:39:56What I'm interested
00:39:57in is what you
00:39:58were doing
00:39:58before that point.
00:39:59I told you
00:40:00I was talking
00:40:01to Rosalie.
00:40:02She was changing
00:40:03and I thought
00:40:04after that she'd
00:40:04probably have a
00:40:04cigarette so I
00:40:05left her to it.
00:40:08Here you are.
00:40:08You have to help.
00:40:09With what?
00:40:10Mrs Baker's yelling
00:40:10at someone.
00:40:11I don't know
00:40:11what's going on.
00:40:12Okay.
00:40:13Everything on
00:40:14Mrs Baker's schedule
00:40:14was timed to the
00:40:15minute so I knew
00:40:16she'd be in a
00:40:16flat at the delay.
00:40:18So, what schedule?
00:40:20Yeah, nothing
00:40:21left to chance.
00:40:24It's like holding
00:40:25on to a little
00:40:25piece of her.
00:40:26It's just silly.
00:40:27I know.
00:40:29But I can tell you
00:40:30that when I spoke
00:40:32to Rosalie it was
00:40:33around 2.35pm
00:40:34changing time.
00:40:36Can I take that?
00:40:38Um, you'll get it
00:40:39back.
00:40:41Sure.
00:40:43I can email you
00:40:43a copy of that
00:40:44too if you like.
00:40:45Thanks.
00:40:46Why is it so
00:40:47important to know
00:40:47what I got off
00:40:48the train?
00:40:52Mrs Baker said
00:40:53you might go
00:40:53down that route.
00:40:55We're following
00:40:55all lines of
00:40:56inquiry.
00:40:57You've got this
00:40:58so wrong.
00:41:01That's another
00:41:01branch of the
00:41:02old rail line.
00:41:03That's right.
00:41:04It was never
00:41:05part of the
00:41:05restoration plan
00:41:06though so most
00:41:06of the tracks
00:41:07were pulled up
00:41:07years ago.
00:41:08How were they
00:41:09disposed of?
00:41:10I've got no idea.
00:41:11I suppose they
00:41:11would have been
00:41:12taken off for
00:41:12scrap.
00:41:18What's that?
00:41:19Regan Barnes?
00:41:20Yes.
00:41:21On bereavement
00:41:21leave of course,
00:41:22poor thing.
00:41:22Just popped in
00:41:23to get a few
00:41:23things.
00:41:57hello.
00:41:58Hi there.
00:41:59You all right?
00:42:00Yeah, just
00:42:01taking a walk.
00:42:03Helps me think.
00:42:05Am I right in
00:42:06thinking that this
00:42:07used to be the
00:42:07old Johnson
00:42:08sawmill line?
00:42:09It's going back a
00:42:10bit, but yeah.
00:42:12Is Troy around
00:42:13by any chance?
00:42:14Well, he's out
00:42:15just now, but
00:42:16he shouldn't be
00:42:17too long.
00:42:18I'm happy to
00:42:19wait.
00:42:30You'd better come
00:42:30up to the house
00:42:31then.
00:42:32Oh, well,
00:42:33if you insist.
00:42:38And this is
00:42:39where you tell
00:42:39me I haven't
00:42:40changed a bit.
00:42:41Apologies, they
00:42:42caught my eye.
00:42:43That's okay.
00:42:44I took a long
00:42:44stroll down
00:42:45memory lane
00:42:45last night.
00:42:46This is you
00:42:47and Rosalie?
00:42:48Hmm.
00:42:50You, uh,
00:42:50obviously had
00:42:51some adventures.
00:42:52Oh, Rosalie,
00:42:53she was the
00:42:54adventurous one.
00:42:55She taught me
00:42:55into all sorts
00:42:56of things.
00:42:56There's one that
00:42:57I saw on a
00:42:57roller coaster
00:42:58somewhere.
00:42:58The look on
00:42:59my face.
00:42:59Is this Troy?
00:43:01Hmm.
00:43:03He was born
00:43:04overseas?
00:43:05Poland.
00:43:06And I hope
00:43:07you're not going
00:43:07to ask me
00:43:08about the
00:43:08father.
00:43:09No.
00:43:10Well, that
00:43:10is the end
00:43:12of the adventures.
00:43:13Well, it started
00:43:14a new one, I
00:43:15suppose.
00:43:15Parenthood.
00:43:18Solo
00:43:18parenthood.
00:43:19I moved home
00:43:21when Troy was
00:43:22a few months
00:43:22old.
00:43:23We'd be back
00:43:23in here with
00:43:24Mum and Dad
00:43:24and they were
00:43:25remarkably
00:43:27non-judgmental.
00:43:28given the
00:43:29circumstances.
00:43:31And Rosalie?
00:43:34Three years
00:43:35in New York,
00:43:38two in Paris,
00:43:39and God
00:43:39knows where
00:43:39after that
00:43:40we lost
00:43:40touch.
00:43:42Our lives
00:43:43were so
00:43:45different.
00:43:50Shane
00:43:51mentioned
00:43:52he went
00:43:53up to
00:43:53the cubicle
00:43:53just after
00:43:55the train
00:43:55stopped.
00:43:56I guess
00:43:57so.
00:43:58What, you
00:43:58didn't see
00:43:59him go?
00:44:00I saw
00:44:00him come
00:44:00back, if
00:44:01that helps.
00:44:02Everyone
00:44:03else had
00:44:03got off by
00:44:04then, so
00:44:04I got back
00:44:05on to find
00:44:06him.
00:44:06I told
00:44:06him Mrs.
00:44:07Baker was
00:44:07stressing out
00:44:07and he
00:44:08should go
00:44:08and see
00:44:08what was
00:44:08up.
00:44:09And did
00:44:09he?
00:44:11Yes, but
00:44:11I got
00:44:12off before
00:44:12him.
00:44:14So there
00:44:14was a time
00:44:15when she
00:44:15and Shane
00:44:16may have
00:44:17been the
00:44:17only two
00:44:17people in
00:44:18the carriage?
00:44:23you
00:44:23don't
00:44:23think?
00:44:24No, we're
00:44:25just trying
00:44:25to establish
00:44:26a timeline,
00:44:26that's all.
00:44:27But if
00:44:28you do
00:44:28have reason
00:44:29to believe
00:44:29that Shane
00:44:30wanted to
00:44:30harm your
00:44:31mother,
00:44:31then you
00:44:32should tell
00:44:33us.
00:44:35Regan?
00:44:37Mum
00:44:37was super
00:44:38rich and
00:44:39Shane
00:44:39is super
00:44:40broke.
00:44:41The only
00:44:41thing he
00:44:41has is
00:44:42thousands
00:44:42of dollars
00:44:43of debt.
00:44:46I don't
00:44:46know where
00:44:47Troy's got
00:44:47to.
00:44:47He should
00:44:48be back
00:44:48by now.
00:44:49Sorry.
00:44:52Sims?
00:44:53Regan
00:44:53Barnes is
00:44:54suggesting
00:44:54Shane
00:44:54Griffin
00:44:55has money
00:44:55issues.
00:44:56I see.
00:44:57Bring her
00:44:58in.
00:44:58Copy
00:44:59that.
00:45:00I'm just
00:45:00calling
00:45:01Troy.
00:45:02Tell
00:45:03him I'll
00:45:03catch up
00:45:04with him
00:45:04another
00:45:04time.
00:45:13It's
00:45:14a big
00:45:14call
00:45:14you've
00:45:15made
00:45:15suggesting
00:45:15that
00:45:16Shane
00:45:16Griffin
00:45:17killed
00:45:17Rosalie
00:45:17for
00:45:18her
00:45:18money.
00:45:19I
00:45:19didn't
00:45:19say
00:45:20that.
00:45:20No.
00:45:21You
00:45:21stopped
00:45:21just
00:45:22short.
00:45:22I
00:45:23don't
00:45:23want
00:45:23to
00:45:23believe
00:45:23it
00:45:23but
00:45:24the
00:45:24facts
00:45:24are
00:45:24the
00:45:24facts.
00:45:25I
00:45:26thought
00:45:26you
00:45:26should
00:45:26know.
00:45:27This
00:45:27debt
00:45:28of
00:45:28Shane's,
00:45:29how do
00:45:29you
00:45:29know
00:45:29about
00:45:29it?
00:45:30I
00:45:30work
00:45:30for
00:45:30the
00:45:30council
00:45:30in
00:45:31the
00:45:31rates
00:45:31department.
00:45:32Shane's
00:45:33house
00:45:33is
00:45:33owned
00:45:33by his
00:45:33dad
00:45:34who's
00:45:34in
00:45:34a
00:45:34dementia
00:45:34care
00:45:35unit
00:45:35but
00:45:36he
00:45:36hasn't
00:45:36paid
00:45:36his
00:45:36rates
00:45:37for
00:45:37the
00:45:37last
00:45:3720
00:45:37years.
00:45:38And
00:45:39Shane
00:45:39is
00:45:39responsible
00:45:40for
00:45:40that?
00:45:40He's
00:45:41paraperturnie.
00:45:42But
00:45:42no way
00:45:42of
00:45:43paying?
00:45:43Well
00:45:44it's
00:45:44nearly
00:45:44200,000.
00:45:46The
00:45:46council's
00:45:47been
00:45:47talking
00:45:47about
00:45:47forcing
00:45:48the
00:45:48sale
00:45:48of
00:45:48the
00:45:48house.
00:45:49Well
00:45:49Shane
00:45:50wanted
00:45:50access
00:45:50to
00:45:50Rosalie's
00:45:51money.
00:45:52Surely
00:45:52marrying
00:45:52her
00:45:52would
00:45:53get
00:45:53him
00:45:53that?
00:45:53It
00:45:53was
00:45:54still
00:45:54her
00:45:54decision
00:45:54what
00:45:55to
00:45:55do
00:45:55with
00:45:55it.
00:45:58Maybe
00:46:04she
00:46:04ever
00:46:05mentioned
00:46:05changing
00:46:06her
00:46:06will
00:46:06to
00:46:06include
00:46:07Shane?
00:46:07Not
00:46:08to
00:46:08me.
00:46:10She
00:46:10did
00:46:10though
00:46:11didn't
00:46:11she?
00:46:13But
00:46:13whether
00:46:14Shane
00:46:14knew
00:46:14that
00:46:14is
00:46:15another
00:46:15question.
00:46:22This
00:46:22way.
00:46:25How'd you
00:46:25get on
00:46:25with the
00:46:25council?
00:46:26I'm
00:46:26still
00:46:26on hold.
00:46:28But
00:46:28they
00:46:28said
00:46:29my
00:46:29call
00:46:29is
00:46:29very
00:46:29important
00:46:30to
00:46:30them.
00:46:30Be
00:46:31quick
00:46:31at
00:46:31a
00:46:31walk.
00:46:32Hmm.
00:46:34Talk to
00:46:35Shane.
00:46:35See what
00:46:36he has
00:46:36to say
00:46:37for
00:46:37himself.
00:46:38Yes.
00:46:39I'm
00:46:39afraid
00:46:40Dad
00:46:40did
00:46:40let
00:46:40things
00:46:41get
00:46:41out
00:46:41of
00:46:41hand.
00:46:42I
00:46:42don't
00:46:42know
00:46:43if
00:46:43it
00:46:43was
00:46:43his
00:46:43dementia
00:46:43or
00:46:43just
00:46:44sheer
00:46:44bloody
00:46:44mindedness.
00:46:45How's
00:46:45that?
00:46:46Well,
00:46:47there was
00:46:47a dispute
00:46:47with the
00:46:47council
00:46:48over a
00:46:48boundary
00:46:48line
00:46:49years
00:46:49ago.
00:46:50Dad
00:46:51used
00:46:51to
00:46:51get
00:46:51pretty
00:46:51worked
00:46:51up
00:46:51about
00:46:52it.
00:46:53So
00:46:53he
00:46:53stopped
00:46:53paying
00:46:54his
00:46:54rates?
00:46:55Did
00:46:56Rosalie
00:46:56know
00:46:56about
00:46:56the
00:46:57debt?
00:46:57Yeah,
00:46:58of
00:46:58course
00:46:58we
00:46:58didn't
00:46:58have
00:46:58any
00:46:58secrets.
00:47:00Good
00:47:00news,
00:47:00I
00:47:01think.
00:47:02Case
00:47:02closed.
00:47:03Our
00:47:04case,
00:47:04not
00:47:04yours.
00:47:05Or
00:47:06is it?
00:47:06Closed,
00:47:07I mean.
00:47:07I mean,
00:47:08I wouldn't
00:47:08know,
00:47:08would I?
00:47:09How could
00:47:09I?
00:47:10I mean,
00:47:10could I?
00:47:11No.
00:47:11Sorry.
00:47:13I've been
00:47:14talking to
00:47:14the council
00:47:14about it,
00:47:15paying it
00:47:16off in
00:47:16instalments,
00:47:16but it's
00:47:17just all
00:47:17the interest
00:47:18and the
00:47:18penalties.
00:47:19It's a
00:47:20real
00:47:20cooker.
00:47:21I bet.
00:47:25That
00:47:28your
00:47:29father's
00:47:30rates
00:47:30debt
00:47:30was
00:47:31paid
00:47:31in
00:47:31full
00:47:32today,
00:47:33a scheduled
00:47:34payment
00:47:34from the
00:47:34account
00:47:35of
00:47:35Rosalie
00:47:35Barnes,
00:47:36with the
00:47:37reference
00:47:37wedding
00:47:38gift.
00:47:50Thanks.
00:47:53It was
00:47:54Regan,
00:47:54wasn't it,
00:47:56who told
00:47:56you about
00:47:57the debt?
00:47:58I knew
00:47:58she didn't
00:47:58think much
00:47:59of me,
00:47:59but I
00:47:59didn't
00:47:59think
00:48:00she'd
00:48:00think
00:48:00to
00:48:00that.
00:48:01Well,
00:48:01she's
00:48:01just
00:48:01lost
00:48:02her
00:48:02mother.
00:48:02She's
00:48:03looking
00:48:03for
00:48:03answers.
00:48:04I feel
00:48:05sorry
00:48:05for her.
00:48:06They never
00:48:06really got
00:48:06along.
00:48:07Rosie was
00:48:08a wonderful
00:48:08woman,
00:48:09but motherhood
00:48:10was not
00:48:11her forte.
00:48:11She was
00:48:12always
00:48:12fighting
00:48:12fault
00:48:13with
00:48:13Regan,
00:48:13with her
00:48:14hair,
00:48:14with her
00:48:15clothes,
00:48:15and with
00:48:15her
00:48:16attitude.
00:48:17Mothers
00:48:18and daughters,
00:48:18eh?
00:48:20Last big
00:48:20blow-up
00:48:21was a few
00:48:21weeks ago.
00:48:22We'd
00:48:23asked Regan
00:48:23to meet
00:48:24us for
00:48:24a drink
00:48:25while I
00:48:26was running
00:48:26late.
00:48:26I don't
00:48:27believe
00:48:27this.
00:48:29You're
00:48:29a sad,
00:48:30old,
00:48:31miserable
00:48:32drunk.
00:48:32Darling,
00:48:33I'm trying
00:48:33to help you.
00:48:34No,
00:48:34you're just
00:48:34trying to
00:48:35control me.
00:48:36What's
00:48:36new?
00:48:38Regan.
00:48:39Regan!
00:48:40Get back
00:48:40here.
00:48:43What was
00:48:44that about?
00:48:46A man.
00:48:48Did
00:48:48she say
00:48:49who the
00:48:49man was?
00:48:50I didn't
00:48:50think it
00:48:50was my
00:48:51business.
00:48:52Not
00:48:52her
00:48:53father.
00:48:58I
00:48:59wouldn't
00:48:59like it
00:48:59if my
00:49:00mother
00:49:00tried to
00:49:00dictate
00:49:00my
00:49:01love
00:49:01life.
00:49:02You
00:49:02don't
00:49:02have
00:49:02a
00:49:03love
00:49:03life.
00:49:04You
00:49:05don't
00:49:05know
00:49:05that?
00:49:06No,
00:49:06I think
00:49:07I do.
00:49:07Anyway,
00:49:08that's not
00:49:09the point.
00:49:09I'm just
00:49:09saying I
00:49:10wouldn't
00:49:10like it,
00:49:11but I
00:49:11wouldn't
00:49:11bash her
00:49:12over the
00:49:12head with
00:49:12a piece
00:49:13of
00:49:13railway
00:49:13line.
00:49:14I
00:49:14don't
00:49:14think
00:49:14Regan
00:49:14went
00:49:14that
00:49:15far
00:49:15either.
00:49:16Noah's
00:49:16video
00:49:16and
00:49:17all
00:49:17the
00:49:17other
00:49:17evidence
00:49:17suggest
00:49:18that
00:49:18she
00:49:18didn't
00:49:18get
00:49:18the
00:49:19opportunity.
00:49:20Shane,
00:49:21on the
00:49:21other
00:49:21hand...
00:49:22Senior.
00:49:29Yeah,
00:49:30Mum said
00:49:31you wanted
00:49:31to see
00:49:31me.
00:49:32I was
00:49:32out your
00:49:33way.
00:49:33I thought
00:49:34a chat
00:49:34might be
00:49:35useful.
00:49:35You've
00:49:36probably
00:49:36seen
00:49:37our
00:49:37search
00:49:37team
00:49:37working
00:49:38along
00:49:38the
00:49:38railway
00:49:38tracks.
00:49:39Yeah.
00:49:40Yeah,
00:49:40we need
00:49:40to extend
00:49:41the search
00:49:42into the
00:49:43surrounding
00:49:43properties.
00:49:44There's
00:49:44a chance
00:49:45the
00:49:45offender
00:49:46has
00:49:46disposed
00:49:46of the
00:49:47murder
00:49:47weapon
00:49:47somewhere
00:49:48in the
00:49:48area.
00:49:49Right.
00:49:51What was
00:49:51the
00:49:51weapon?
00:49:52We're
00:49:53still
00:49:53ascertaining
00:49:54that.
00:49:55If you
00:49:55have no
00:49:56objections,
00:49:56I could
00:49:57come out
00:49:57with a
00:49:57team
00:49:57this
00:49:58afternoon,
00:49:58take a
00:49:59look
00:49:59around.
00:50:00Yeah,
00:50:00go for
00:50:01it.
00:50:01You're
00:50:02wasting
00:50:02your
00:50:02time.
00:50:02Very
00:50:03likely.
00:50:04It's
00:50:04all part
00:50:05of the
00:50:05job,
00:50:06though.
00:50:06That's
00:50:06it,
00:50:06then.
00:50:07One
00:50:07more
00:50:07thing.
00:50:08You
00:50:08said
00:50:08you
00:50:08were
00:50:09working
00:50:09on
00:50:09a
00:50:09fence
00:50:10that
00:50:10afternoon.
00:50:11Yeah.
00:50:12Did
00:50:12anyone
00:50:12see
00:50:12you?
00:50:14Yeah,
00:50:14Jock
00:50:15Wilson.
00:50:16He's
00:50:16got
00:50:16the
00:50:16neighbouring
00:50:17farm.
00:50:17I
00:50:18laid
00:50:18up
00:50:18with
00:50:18a
00:50:18broken
00:50:19ankle,
00:50:19but
00:50:20gave
00:50:21me
00:50:21a
00:50:21wave
00:50:21around
00:50:22three
00:50:23o'clock.
00:50:24Oh,
00:50:25good to
00:50:26know.
00:50:34Hey,
00:50:35Sims,
00:50:35get your
00:50:36gamblers.
00:50:54They
00:50:55look
00:50:55like
00:50:55railway
00:50:55tracks,
00:50:56don't
00:50:56it?
00:50:56Yeah,
00:50:56they
00:50:57were
00:50:57lying
00:50:58around
00:50:58out
00:50:58by
00:50:58the
00:50:59road
00:50:59for
00:50:59years.
00:51:01What do
00:51:02you
00:51:02eyes
00:51:02saw?
00:51:04Nobody
00:51:04wanted
00:51:05them,
00:51:05so,
00:51:06uh...
00:51:06So,
00:51:06you
00:51:07decided
00:51:07to help
00:51:07yourself?
00:51:08Thought
00:51:08they
00:51:08might
00:51:08come
00:51:09in
00:51:09handy
00:51:09one
00:51:09day?
00:51:11I
00:51:11had
00:51:11a
00:51:11mother-in-law
00:51:12that
00:51:12was
00:51:12like
00:51:13that
00:51:13with
00:51:13ice
00:51:13cream
00:51:13containers.
00:51:18So,
00:51:19had
00:51:19a
00:51:19word
00:51:19to
00:51:19Jock,
00:51:20and,
00:51:20yes,
00:51:21he does
00:51:22remember
00:51:22seeing
00:51:22Troy
00:51:23working
00:51:23on
00:51:23the
00:51:23fence
00:51:24at
00:51:24exactly
00:51:24three
00:51:25o'clock.
00:51:26He
00:51:26knows
00:51:26it
00:51:26was
00:51:26three
00:51:26o'clock
00:51:27because
00:51:27he
00:51:27just
00:51:27turned
00:51:28on
00:51:28the
00:51:28wireless
00:51:29to
00:51:29listen
00:51:29to
00:51:29the
00:51:30news.
00:51:31Yes,
00:51:31Jock,
00:51:32old
00:51:32school.
00:51:32Then I
00:51:32got a
00:51:33full
00:51:33rundown
00:51:33of
00:51:34the
00:51:34day's
00:51:34activities,
00:51:35starting
00:51:35with
00:51:35Wordle,
00:51:36first
00:51:37thing
00:51:37in
00:51:37the
00:51:37morning,
00:51:37he
00:51:37got
00:51:38it
00:51:38in
00:51:38three,
00:51:38through
00:51:39till
00:51:39five
00:51:39o'clock
00:51:39when he
00:51:40sat
00:51:40down
00:51:40to
00:51:40watch
00:51:41the
00:51:41chase,
00:51:41which is
00:51:42when he
00:51:42happened
00:51:42to
00:51:43glance
00:51:43out
00:51:43the
00:51:43window
00:51:43and
00:51:44see
00:51:44Troy
00:51:44still
00:51:45at
00:51:45it.
00:51:45Hard
00:51:46worker
00:51:46that
00:51:46boy
00:51:46needs
00:51:47feeding
00:51:47up.
00:51:48It's
00:51:48chicken
00:51:49suit
00:51:49from
00:51:49Jock's
00:51:49freezer.
00:51:50Yeah,
00:51:50ta.
00:51:51Thanks
00:51:52again
00:51:52for your
00:51:52time.
00:51:52I'm so
00:51:53full
00:51:53of
00:51:53shit.
00:51:54Puss
00:51:55off
00:51:55and
00:51:55leave
00:51:55me
00:51:55alone.
00:51:59Any
00:52:00idea
00:52:00what that
00:52:00was
00:52:00about?
00:52:02Your
00:52:02young
00:52:02love?
00:52:09They
00:52:10were
00:52:10just
00:52:10lying
00:52:10there.
00:52:13Undisturbed
00:52:13by the
00:52:13look of
00:52:14the weeds.
00:52:15Then
00:52:16again,
00:52:16someone
00:52:17could have
00:52:17just
00:52:17slid one
00:52:18out
00:52:18from
00:52:18the
00:52:18back.
00:52:19Those
00:52:19things
00:52:20weigh
00:52:20a ton.
00:52:20If
00:52:21you're
00:52:21going
00:52:21to
00:52:21use
00:52:21it
00:52:21as
00:52:21a
00:52:21weapon
00:52:22you'd
00:52:22want
00:52:22to
00:52:22cut
00:52:22it
00:52:22down,
00:52:23right?
00:52:23There
00:52:23were
00:52:24tools
00:52:24in
00:52:24the
00:52:24shed
00:52:25that
00:52:25could
00:52:25have
00:52:25done
00:52:25that.
00:52:26Who
00:52:26had
00:52:26access?
00:52:27To
00:52:27the
00:52:27rails?
00:52:29Troy,
00:52:30Bridges,
00:52:31Lily,
00:52:31Noah.
00:52:32Or
00:52:32anyone
00:52:33who
00:52:33knew
00:52:33where
00:52:39I
00:52:39could
00:52:39get
00:52:39from
00:52:39the
00:52:39crime
00:52:40scene
00:52:40to
00:52:41the
00:52:41Old
00:52:41Creek
00:52:41paddock
00:52:42fence
00:52:42line?
00:52:43Where
00:52:44Jock saw
00:52:44Troy
00:52:45working
00:52:45at
00:52:453pm?
00:52:46Lily's
00:52:46protest
00:52:47stopped
00:52:47the train
00:52:48here
00:52:48at
00:52:492.40.
00:52:50It
00:52:50moved
00:52:50off
00:52:51again
00:52:51five
00:52:51minutes
00:52:51later
00:52:52and
00:52:52Rosalie's
00:52:53body
00:52:53was
00:52:53reported
00:52:54on
00:52:54the
00:52:54tracks
00:52:54at
00:52:552.47.
00:52:56So
00:52:56if
00:52:57Troy's
00:52:58our
00:52:58man,
00:52:58he
00:52:58had
00:52:59less
00:52:59than
00:52:5920
00:53:00minutes
00:53:00to
00:53:00get
00:53:01from
00:53:01point
00:53:02A
00:53:02to
00:53:03point
00:53:03B.
00:53:04Is
00:53:05that
00:53:05even
00:53:05doable?
00:53:06There's
00:53:06only
00:53:07one
00:53:07way
00:53:07to
00:53:07find
00:53:07out.
00:53:13Okay,
00:53:14here we
00:53:14go.
00:53:16Ready.
00:53:18Set.
00:53:19Go!
00:53:32Come on,
00:53:33man,
00:53:33we don't have
00:53:34all J.
00:53:5422 minutes
00:53:5643 seconds.
00:53:58Too slow.
00:54:00So,
00:54:01unless
00:54:03Troy McKelvey
00:54:04can run
00:54:04like
00:54:04Usain Bolt,
00:54:06it probably
00:54:07doesn't kill
00:54:07Rosalie.
00:54:11You know,
00:54:12I've got to
00:54:12say,
00:54:12I thought
00:54:13you'd be
00:54:13faster.
00:54:14It was
00:54:14soft,
00:54:15underfoot.
00:54:15Challenging
00:54:16conditions.
00:54:17Usain Bolt
00:54:17couldn't run
00:54:18like Usain Bolt
00:54:18in that
00:54:19terrain.
00:54:19Hang on.
00:54:22Hang on.
00:54:24Is that...
00:54:34going somewhere,
00:54:35going somewhere,
00:54:35Noel?
00:54:36We thought you
00:54:36were told not
00:54:37to leave town.
00:54:38I had to get
00:54:38away from Lily.
00:54:39She's doing my
00:54:40head in.
00:54:40Not having much
00:54:41luck with this
00:54:42hitchhiking thing,
00:54:42are you?
00:54:43No,
00:54:44this is,
00:54:44uh,
00:54:45this is perfect.
00:54:46You guys are going
00:54:47to be my first
00:54:47stop.
00:54:48Good idea.
00:54:49Good idea.
00:54:51Good idea.
00:54:52Good idea.
00:54:52Good idea.
00:54:53Good idea.
00:54:55Good idea.
00:54:55Is your gun on me?
00:55:00Right,
00:55:01Noah,
00:55:02what have you
00:55:02got for us?
00:55:03Oh, well,
00:55:04I may have not
00:55:05given you the
00:55:06full picture
00:55:06earlier.
00:55:07Come on,
00:55:08back on the train!
00:55:22When the train
00:55:23left,
00:55:23I didn't know
00:55:23what to do,
00:55:24so I started
00:55:24heading back
00:55:25to the house.
00:55:26You know,
00:55:26she's Lily's
00:55:27Nana.
00:55:27They gave me
00:55:27a place to stay.
00:55:28I felt like
00:55:29I owed them
00:55:30some loyalty.
00:55:30So that's
00:55:31why you didn't
00:55:31tell us,
00:55:32but did you
00:55:33tell Lily?
00:55:34What,
00:55:35that her Nan's
00:55:35a murderer?
00:55:38Yeah.
00:55:39Yeah,
00:55:39I did.
00:55:40Eventually.
00:55:41Well,
00:55:42you saw how
00:55:42that went.
00:55:43You are so
00:55:43full of shit!
00:55:44Lily,
00:55:44what?
00:55:45Puss up
00:55:45and leave me
00:55:46alone!
00:55:46She didn't
00:55:47want to believe
00:55:47me.
00:55:48There's no
00:55:49coming back
00:55:49from that.
00:55:49It's better
00:55:50you just
00:55:51hit the road.
00:55:55So she
00:55:56was protesting
00:55:57about coal trains
00:55:58then got run
00:55:59over by a coal train.
00:56:01Karma can be cruel
00:56:02at times.
00:56:03Well,
00:56:03that's not quite.
00:56:05Frodo,
00:56:05you know I can't
00:56:06comment on an ongoing
00:56:07investigation.
00:56:08Yeah,
00:56:08no,
00:56:09of course.
00:56:11Excuse me.
00:56:13Regan,
00:56:14I just want to thank you
00:56:15for bringing
00:56:17Shane's rates issue
00:56:18to our attention.
00:56:19No worries.
00:56:20You might not be up
00:56:21with the latest
00:56:21but the debt
00:56:22has been paid off.
00:56:25What?
00:56:26By your mother.
00:56:27Scheduled payment.
00:56:29A wedding gift.
00:56:30That must be
00:56:31a relief for Shane.
00:56:33Excuse me,
00:56:34I have to go.
00:56:42Simps.
00:56:42A witness has
00:56:43Bridget McKelvey
00:56:43at the scene.
00:56:44Yeah,
00:56:44I'll be there.
00:56:50We have a witness
00:56:51that puts you
00:56:52with Rosalie's body
00:56:53after the train left.
00:56:54What witness?
00:56:55Are you denying
00:56:56that you were there?
00:56:58Okay,
00:56:59all right.
00:57:01Despite everything,
00:57:02I wanted to see
00:57:03the line in action again.
00:57:08And the train
00:57:09had moved off
00:57:09while I was watching
00:57:10and that's when
00:57:12I saw her.
00:57:13Did you see
00:57:13anyone else there?
00:57:15No.
00:57:16A report was made
00:57:17to Crimestoppers
00:57:17around that time.
00:57:19Was that by you?
00:57:20One last act
00:57:21of kindness
00:57:22for your former
00:57:22friend, perhaps?
00:57:24If we checked
00:57:25your phone,
00:57:25would we find
00:57:26evidence of their call?
00:57:33Yes.
00:57:35It was me.
00:57:43Well,
00:57:44I couldn't just
00:57:44leave her there.
00:57:47after what you'd
00:57:48done.
00:57:49What?
00:57:50Where you had
00:57:50motive,
00:57:51your conflict
00:57:52over the railway line.
00:57:53Access to the likely
00:57:54murder weapon
00:57:55on your property.
00:57:56And opportunity.
00:57:57You were there
00:57:58when the train stopped.
00:58:00Did you climb
00:58:01aboard
00:58:01and murder
00:58:02Rosalie Barnes?
00:58:05You might want
00:58:06to call a lawyer,
00:58:07Ms. McKelvey.
00:58:12That feels like
00:58:13the closest
00:58:14we're going
00:58:14to get
00:58:14to a confession.
00:58:16What we have
00:58:16is only circumstantial
00:58:17and I think
00:58:18Bridget knows that.
00:58:19Hmm.
00:58:20How did she know
00:58:21that the train
00:58:21would stop
00:58:22or that Rosalie
00:58:23would be
00:58:23at the front
00:58:24of the carriage?
00:58:25Maybe the details
00:58:27of Lily's protest
00:58:27are in the family
00:58:28group chat?
00:58:30Huh.
00:58:30Let's find out
00:58:31how chatty they were.
00:58:45I've just called
00:58:46Dad.
00:58:47He'll be here soon.
00:58:49That's fine.
00:58:51Lily,
00:58:52how much did your
00:58:52Nan know
00:58:53about your protest?
00:58:54What do you mean?
00:58:55Did she know
00:58:56exactly when
00:58:57you'd be stopping
00:58:58the train?
00:59:00I doubt it.
00:59:01Why would you
00:59:02want to know that?
00:59:06What?
00:59:07So she could
00:59:08get on board
00:59:08and attack
00:59:09Rosalie or something?
00:59:10No.
00:59:11No, wait.
00:59:12She would never
00:59:12do something like that.
00:59:14It was just
00:59:15me and Noah.
00:59:16Okay?
00:59:17Nan had nothing
00:59:17to do with it.
00:59:18Nothing to do
00:59:19with what?
00:59:19I was about
00:59:20to inform Lily.
00:59:22We've arrested
00:59:23Bridget for
00:59:24Rosalie's murder.
00:59:25What?
00:59:25What?
00:59:27Wanted to talk to her?
00:59:28Well, you can't
00:59:29just yet.
00:59:30You got it wrong.
00:59:31Have we?
00:59:33Bridget was seen
00:59:34on the tracks
00:59:34next to Rosalie's
00:59:35body.
00:59:36Your mother
00:59:36has found herself
00:59:37in a serious
00:59:37situation.
00:59:38As will Lily
00:59:39if we find out
00:59:40that she's been
00:59:40lying to us.
00:59:45Do you think
00:59:46we got to Troy?
00:59:48Without a metal weapon
00:59:49it's hard to make
00:59:49those charges stick.
00:59:53Hey,
00:59:54what have you got?
00:59:55Mrs. Baker's
00:59:56run sheet.
00:59:57Everyone who had it
00:59:58would have known
00:59:59that Rosalie
00:59:59was scheduled
01:00:00to be at the
01:00:00front of the
01:00:01carriage
01:00:01to change
01:00:02outfits.
01:00:03So,
01:00:04Mrs. Baker,
01:00:05Rosalie,
01:00:06Shane?
01:00:06Yeah,
01:00:07but there was
01:00:07someone else.
01:00:09Shane emailed
01:00:09me a copy
01:00:10of the run sheet
01:00:11and as I
01:00:12scrolled back
01:00:12through the
01:00:13chain
01:00:13I saw
01:00:14all the
01:00:14recipients
01:00:14including
01:00:15someone who
01:00:16received it
01:00:16in error.
01:00:19Hi,
01:00:20it's
01:00:20Becky.
01:00:21I'm mortified.
01:00:23When DC
01:00:23Chalmers called
01:00:24I could have
01:00:24kicked myself.
01:00:25In my defence
01:00:26it was an easy
01:00:26mistake to make.
01:00:27Her address
01:00:28was very similar
01:00:29to Rosalie's.
01:00:31Regan Barnes.
01:00:32Well,
01:00:33she said she
01:00:33didn't know
01:00:34about the
01:00:34wedding.
01:00:35I guess
01:00:36it was possible
01:00:36she never
01:00:37read the
01:00:37email.
01:00:38Or what?
01:00:39She's lying
01:00:40to us.
01:00:42Hey,
01:00:42I've got a
01:00:43little job
01:00:43for you.
01:00:48Hi,
01:00:49Regan,
01:00:49it's
01:00:50Detective
01:00:50Sims.
01:00:51I was
01:00:51hoping we
01:00:51could have
01:00:51a chat.
01:00:58Sorry to
01:00:59intrude.
01:01:00Well,
01:01:00you actually
01:01:01shut up.
01:01:01We were
01:01:02just going
01:01:02through some
01:01:02photos for
01:01:03the
01:01:03remembrance
01:01:04board.
01:01:04Thought we'd
01:01:05do it over
01:01:05at Pimm's.
01:01:06So much to
01:01:06choose from.
01:01:07This is such
01:01:07an amazing
01:01:08life she
01:01:08had.
01:01:09Could we
01:01:09have a
01:01:10private
01:01:10word?
01:01:10Sure.
01:01:11What about
01:01:12this one of
01:01:12you and
01:01:12your mum?
01:01:13Yeah or
01:01:13nay?
01:01:13No.
01:01:15Some people
01:01:16find their
01:01:16baby photos
01:01:17embarrassing
01:01:17I suppose.
01:01:19Did not
01:01:20rock the
01:01:20boat.
01:01:23Regan,
01:01:24some of
01:01:24the things
01:01:24you told
01:01:25us don't
01:01:26match up
01:01:26to what
01:01:27we've
01:01:27discovered
01:01:27elsewhere.
01:01:28Would
01:01:29you like
01:01:30me to
01:01:30spell them
01:01:31out for
01:01:31you or
01:01:31would
01:01:32you like
01:01:32to tell
01:01:32me
01:01:32yourself?
01:01:33God,
01:01:33I was
01:01:34afraid
01:01:34this would
01:01:35come up.
01:01:36I did
01:01:37tell a
01:01:37white lie
01:01:38but it
01:01:38was only
01:01:38because
01:01:38I
01:01:39wanted
01:01:39to
01:01:39protect
01:01:39him.
01:01:40Who?
01:01:41Dad.
01:01:43keep
01:01:43talking.
01:01:44When the
01:01:45other guy
01:01:45was asking
01:01:46dad about
01:01:46the bunch
01:01:47of roses
01:01:47I told
01:01:48him that
01:01:49I'd
01:01:49been the
01:01:49one to
01:01:49deliver
01:01:49them to
01:01:50mum.
01:01:51But that
01:01:51wasn't
01:01:51true.
01:01:52Dad was
01:01:53there that
01:01:53day.
01:01:54He was
01:01:55on the
01:01:55train.
01:01:59I need
01:01:59to
01:01:59see
01:02:00my
01:02:00nana.
01:02:00Which
01:02:01person
01:02:01is
01:02:02you?
01:02:02How
01:02:02many
01:02:02old
01:02:03women
01:02:03do
01:02:03you
01:02:03have
01:02:03in
01:02:04custody
01:02:04you
01:02:04factious
01:02:05pigs?
01:02:05Alright,
01:02:06take it
01:02:06down a
01:02:07notch.
01:02:07No,
01:02:08where
01:02:08is
01:02:08she?
01:02:09If
01:02:09you
01:02:10calm
01:02:10down
01:02:10you
01:02:10can
01:02:10come
01:02:11on
01:02:11through.
01:02:14You
01:02:14good?
01:02:19Where's
01:02:20your
01:02:20dad?
01:02:21Shouldn't
01:02:21be
01:02:21alone
01:02:21when
01:02:21you're
01:02:21this
01:02:22upset.
01:02:22I
01:02:22don't
01:02:22know,
01:02:23he
01:02:23took
01:02:23off
01:02:23after
01:02:23those
01:02:24other
01:02:24cops
01:02:24came
01:02:24out.
01:02:26I'll
01:02:26make
01:02:26you
01:02:26a
01:02:26cup
01:02:26of
01:02:27tea.
01:02:27Try
01:02:27calling
01:02:28him
01:02:28again.
01:02:42Okay,
01:02:43yes,
01:02:44I put
01:02:44the
01:02:44rotas
01:02:44on
01:02:45the
01:02:45train,
01:02:45I
01:02:45promise
01:02:46you.
01:02:46I
01:02:46took
01:02:46off
01:02:46before
01:02:47I
01:02:47saw
01:02:47Rosalie.
01:02:48Why
01:02:48give
01:02:48her
01:02:48flowers
01:02:49at
01:02:49all?
01:02:49I
01:02:49wanted
01:02:50her
01:02:50to
01:02:50know
01:02:50I
01:02:50wished
01:02:50her
01:02:50well.
01:02:51It
01:02:51was
01:02:51her
01:02:51big
01:02:51day.
01:02:52You
01:02:52knew
01:02:52about
01:02:53the
01:02:53wedding.
01:02:53how?
01:02:55She
01:02:55told
01:02:55me
01:02:55after
01:02:56we
01:02:56signed
01:02:57the
01:02:57papers.
01:02:57Two
01:02:58champagnes.
01:02:59First date,
01:03:00right?
01:03:00Last,
01:03:01actually.
01:03:02We
01:03:02just got
01:03:02divorced.
01:03:03Oh,
01:03:03slave.
01:03:04Sorry.
01:03:05No,
01:03:06not at
01:03:06all.
01:03:06Um,
01:03:07we are
01:03:07celebrating
01:03:08closure.
01:03:09Oh.
01:03:11To the
01:03:11end
01:03:12of our
01:03:12journey.
01:03:18Thank
01:03:19you.
01:03:20happy
01:03:21happy
01:03:21happy
01:03:21happy
01:03:22life,
01:03:22happy
01:03:22right?
01:03:22Do
01:03:23you
01:03:23really
01:03:23mean
01:03:23that?
01:03:24Don't
01:03:24tell
01:03:24me
01:03:24you
01:03:24want
01:03:24half
01:03:24the
01:03:25house
01:03:25after
01:03:25all.
01:03:26I
01:03:26want
01:03:26something
01:03:27from
01:03:27you,
01:03:28but
01:03:28not
01:03:28that.
01:03:29What?
01:03:30Shane
01:03:31and I
01:03:31are
01:03:31going
01:03:31to
01:03:31get
01:03:31married
01:03:33quite
01:03:33soon.
01:03:35I'd
01:03:35love
01:03:35it
01:03:36if
01:03:36you
01:03:36would
01:03:36give
01:03:37us
01:03:37your
01:03:37blessing.
01:03:38Yeah,
01:03:38she'd
01:03:38ask
01:03:38for
01:03:39the
01:03:39moon
01:03:39that
01:03:39one.
01:03:40And
01:03:40not
01:03:40for
01:03:40a
01:03:40second
01:03:40think
01:03:41why
01:03:41you
01:03:41might
01:03:41they'll
01:03:41be
01:03:41able
01:03:41to
01:03:42give
01:03:42it
01:03:42to
01:03:42her.
01:03:43But
01:03:43I
01:03:43got
01:03:43there
01:03:43in
01:03:43the
01:03:43end.
01:03:44That's
01:03:45what
01:03:45the
01:03:45flowers
01:03:45were.
01:03:46Closure
01:03:46for
01:03:46me,
01:03:47a new
01:03:47start
01:03:48for
01:03:48her.
01:03:48So
01:03:49why
01:03:49lie
01:03:49about
01:03:50your
01:03:50whereabouts
01:03:50that
01:03:50day?
01:03:51Or
01:03:51rather
01:03:51why
01:03:52let
01:03:52Regan
01:03:52lie
01:03:52for
01:03:53you?
01:03:53I
01:03:53was
01:03:53in
01:03:54shock.
01:03:54And
01:03:55I
01:03:55suppose
01:03:55I
01:03:56was
01:03:56worried
01:03:56how
01:03:56it
01:03:56might
01:03:56look
01:03:57to
01:03:57you
01:03:57lot.
01:03:57How's
01:03:58that?
01:03:59Like
01:03:59the
01:03:59angry
01:04:00ex
01:04:00did
01:04:00it?
01:04:11She
01:04:11always
01:04:11took
01:04:12my
01:04:12side
01:04:12even
01:04:13though
01:04:13I
01:04:13was
01:04:13no
01:04:13angel.
01:04:14I
01:04:15never
01:04:15asked
01:04:15her
01:04:15to
01:04:15lie.
01:04:16Anyhow,
01:04:17didn't
01:04:17think
01:04:17it
01:04:17would
01:04:17matter
01:04:17since
01:04:18I
01:04:18had
01:04:18an
01:04:18alibi.
01:04:21You're
01:04:22Gardner.
01:04:23So
01:04:23why do
01:04:24you think
01:04:24Regan
01:04:25decided
01:04:25to
01:04:25tell
01:04:25the
01:04:25truth
01:04:26now?
01:04:26No
01:04:27clue.
01:04:28I
01:04:28love
01:04:28that
01:04:28girl
01:04:29to
01:04:29bits.
01:04:30But
01:04:30Rosie
01:04:30had
01:04:30that
01:04:30girl
01:04:30in
01:04:31therapy
01:04:31for
01:04:31years.
01:04:32I
01:04:32still
01:04:32have
01:04:32no
01:04:32idea
01:04:32what
01:04:33makes
01:04:33her
01:04:33tick.
01:04:41The
01:04:41tickies
01:04:42have
01:04:42Regan's
01:04:42laptop.
01:04:43They
01:04:43should
01:04:44be
01:04:44able
01:04:44to
01:04:44find
01:04:45out
01:04:45if
01:04:45she
01:04:45opened
01:04:46that
01:04:46run
01:04:46cheat
01:04:47attachment
01:04:47or
01:04:47if
01:04:47it
01:04:47went
01:04:48straight
01:04:48to
01:04:48spam
01:04:49like
01:04:49she
01:04:49claimed.
01:04:50Since
01:04:50she's
01:04:51been
01:04:51erratic
01:04:52with
01:04:52the
01:04:52truth
01:04:52I
01:04:53wanted
01:04:53to
01:04:53check
01:04:53on
01:04:53her
01:04:53movements.
01:04:54I
01:04:55saw
01:04:55her
01:04:55get
01:04:55picked
01:04:56up
01:04:56by
01:04:56someone
01:04:57at
01:04:57the
01:04:57council
01:04:58officers
01:04:58while
01:04:58her
01:04:59car
01:04:59was
01:04:59in
01:04:59service.
01:05:00I've
01:05:01got
01:05:01the
01:05:01council
01:05:02CCTV
01:05:02footage.
01:05:09Okay
01:05:10that
01:05:11ute
01:05:12that's
01:05:12Troy
01:05:12McKelvey's.
01:05:13So
01:05:13he was
01:05:14playing
01:05:14taxi.
01:05:15Well
01:05:15that
01:05:15makes
01:05:15sense
01:05:16helping
01:05:16her
01:05:16out
01:05:17as
01:05:17she
01:05:17grieves
01:05:17her
01:05:17mother.
01:05:18An
01:05:18olive
01:05:18branch
01:05:19perhaps?
01:05:19Well
01:05:19I
01:05:19saw
01:05:20him
01:05:20parked
01:05:20outside
01:05:20Hayden's
01:05:21place
01:05:21today.
01:05:22He took
01:05:22off
01:05:22when
01:05:22you
01:05:22saw
01:05:22me.
01:05:23And
01:05:23they
01:05:23were
01:05:23both
01:05:24at
01:05:24the
01:05:24coffee
01:05:24cart
01:05:24today?
01:05:25Together?
01:05:26No
01:05:27Regan
01:05:28took
01:05:28off
01:05:28when
01:05:28she
01:05:28saw
01:05:28him.
01:05:29It's
01:05:29almost
01:05:29like
01:05:30she's
01:05:30going
01:05:30to
01:05:30be
01:05:30seen
01:05:30with
01:05:30it.
01:05:31Because
01:05:31her
01:05:31families
01:05:32hate
01:05:32each
01:05:32other.
01:05:33Or
01:05:34an
01:05:34illicit
01:05:35love
01:05:35affair?
01:05:36Well
01:05:36Shane
01:05:36did
01:05:37say
01:05:37that
01:05:37Rosalie
01:05:38and
01:05:38Regan
01:05:38had
01:05:38been
01:05:38arguing
01:05:39about
01:05:39a
01:05:39guy
01:05:40she
01:05:40was
01:05:40seeing.
01:05:40Well
01:05:41there
01:05:41you
01:05:41go.
01:05:41Romeo
01:05:42and
01:05:42Juliet.
01:05:43And
01:05:43Troy
01:05:43kills
01:05:43Rosalie
01:05:44so
01:05:44that
01:05:44he
01:05:44and
01:05:45Regan
01:05:45can
01:05:45be
01:05:45together.
01:05:47Well
01:05:47they
01:05:47are
01:05:48both
01:05:48grown
01:05:49adults
01:05:49that
01:05:49don't
01:05:49need
01:05:50parental
01:05:50permission
01:05:51to
01:05:51be
01:05:51in
01:05:51a
01:05:51relationship.
01:05:52And
01:05:53killing
01:05:53your
01:05:53partner's
01:05:54mother
01:05:54is
01:05:55hardly
01:05:55a
01:05:55romantic
01:05:56gesture.
01:05:58Can
01:05:58you
01:05:59tell me
01:05:59when
01:05:59Troy
01:06:00shows
01:06:00up
01:06:00to
01:06:00pick
01:06:00up
01:06:00Lily?
01:06:09Troy
01:06:09and
01:06:10Regan
01:06:10what do
01:06:12you know
01:06:12about
01:06:12their
01:06:12relationship?
01:06:13There
01:06:13isn't
01:06:13one.
01:06:14They
01:06:14hardly
01:06:14know
01:06:14each
01:06:15other.
01:06:15Yes
01:06:16given
01:06:16the
01:06:17hostility
01:06:17between
01:06:18your
01:06:18families.
01:06:19How
01:06:19far
01:06:19back
01:06:19does
01:06:20that
01:06:20go?
01:06:20What
01:06:21do
01:06:21you
01:06:21mean?
01:06:22Troy
01:06:22and
01:06:22Regan
01:06:22did
01:06:23they
01:06:23know
01:06:23each
01:06:23other
01:06:23when
01:06:24they
01:06:24were
01:06:24young?
01:06:24I
01:06:25told
01:06:25you
01:06:25after
01:06:26Rosalie
01:06:26came
01:06:27back
01:06:27here
01:06:27we
01:06:27didn't
01:06:27have
01:06:28much
01:06:28to
01:06:28do
01:06:28with
01:06:28each
01:06:28other.
01:06:29Well
01:06:30I
01:06:30was
01:06:30busy
01:06:30with
01:06:30Troy
01:06:31trying
01:06:31to
01:06:31make
01:06:31a
01:06:31go
01:06:31of
01:06:31the
01:06:32farm
01:06:32and
01:06:33Rosalie
01:06:33was
01:06:34busy
01:06:35snagging
01:06:35herself
01:06:35a
01:06:36rich
01:06:36young
01:06:36husband.
01:06:37Different
01:06:38worlds.
01:06:39And
01:06:39then there
01:06:40was the
01:06:40conflict
01:06:41over the
01:06:41rail.
01:06:42Oh
01:06:42Rosalie
01:06:42always had
01:06:43to
01:06:43get
01:06:43away
01:06:43no
01:06:43matter
01:06:43who
01:06:44she
01:06:44hurt.
01:06:45I
01:06:46guess
01:06:46that
01:06:46almost
01:06:46counts
01:06:47as a
01:06:47motive.
01:06:48What?
01:06:49You seem
01:06:50determined
01:06:50to prove
01:06:51that you
01:06:51have
01:06:51one.
01:06:53Troy
01:06:53McHelvey's
01:06:54here.
01:06:54He wants
01:06:55to talk.
01:06:58But whatever
01:06:59mum might be
01:07:00saying she
01:07:00didn't kill
01:07:01Rosalie.
01:07:02How can
01:07:02you be so
01:07:03sure?
01:07:03Well
01:07:04she's pretty
01:07:05fit for her
01:07:06age but
01:07:07it's still a
01:07:07big ask
01:07:07isn't it to
01:07:08think that she
01:07:08could climb
01:07:09onto a
01:07:09train
01:07:10attack
01:07:11Rosalie
01:07:11throw her
01:07:12off the
01:07:12back and
01:07:13then jump
01:07:14off.
01:07:15All in a
01:07:16matter of
01:07:16a minute.
01:07:17Well you
01:07:17seem to have
01:07:18a very clear
01:07:18idea of
01:07:19what happened.
01:07:20Do you
01:07:20want to tell
01:07:21us about
01:07:21the murder
01:07:21weapon too?
01:07:23Well how
01:07:24about I
01:07:24tell you
01:07:24that we
01:07:25believe
01:07:25it was a
01:07:26length of
01:07:26sawn-off
01:07:27rail line
01:07:28the likes
01:07:28of which
01:07:29were lying
01:07:29around on
01:07:30your farm
01:07:31that Bridget
01:07:31would have
01:07:32had access
01:07:32to.
01:07:33She also
01:07:33had a
01:07:33motive.
01:07:34So did
01:07:35I.
01:07:36Doesn't
01:07:36prove
01:07:36anything.
01:07:37Well it
01:07:37could be
01:07:38either of
01:07:38you.
01:07:39Could be
01:07:40both.
01:07:41Were you
01:07:41working
01:07:43No.
01:07:45I was
01:07:46in the
01:07:47paddock.
01:07:48Jock saw
01:07:49me.
01:07:49You remember?
01:07:50I do.
01:07:51So unless
01:07:52you want to
01:07:53change your
01:07:53story,
01:07:54Bridget will
01:07:55remain in
01:07:56custody.
01:07:57Why don't
01:07:58you tell us
01:07:58about your
01:07:59relationship
01:07:59with Regan
01:08:00Barnes?
01:08:01There is no
01:08:02relationship.
01:08:03You've been
01:08:03seen near each
01:08:05other multiple
01:08:06times recently.
01:08:07today, for
01:08:08example, when
01:08:09I saw you
01:08:09waiting outside
01:08:10her house,
01:08:11picking her
01:08:11up from
01:08:12the council
01:08:12offices
01:08:12yesterday.
01:08:13We hung
01:08:14out a few
01:08:14times,
01:08:15that's all.
01:08:16You dated.
01:08:18Regan pulled
01:08:19a pin long
01:08:19before it got
01:08:20close to that.
01:08:20Because her
01:08:21mother disapproved,
01:08:24Rosalie
01:08:24interfered,
01:08:26Regan called
01:08:26time.
01:08:28And how did
01:08:28that make you
01:08:29feel?
01:08:30Angry?
01:08:31Angry?
01:08:33No.
01:08:34It wasn't
01:08:35like that.
01:08:36So why have
01:08:36you been trying
01:08:36to see her?
01:08:37The woman just
01:08:38lost her mother.
01:08:39I was offering
01:08:40her condolences.
01:08:42That's all.
01:08:44Nothing concrete
01:08:45to charge him
01:08:46with?
01:08:47Hopefully his
01:08:47concern for
01:08:48Bridget will
01:08:48keep him
01:08:49close by.
01:08:50Mike?
01:08:51Gina.
01:08:55I brought
01:08:55you this.
01:08:56Oh.
01:08:57The love
01:08:58train.
01:08:59A trans-Siberian
01:09:00journey into
01:09:00the heart of
01:09:01Russia.
01:09:01You were so
01:09:02interested yesterday.
01:09:03The translation
01:09:04is poor,
01:09:05but the story...
01:09:06Oh, thank you.
01:09:09Actually,
01:09:10are you free
01:09:12tomorrow morning?
01:09:13For you?
01:09:14Yes, of course.
01:09:15Work or pleasure?
01:09:16Lots of
01:09:16but both.
01:09:18Let's call it
01:09:18fieldwork.
01:09:19I look forward
01:09:20to it.
01:09:25What?
01:09:26What?
01:09:27I said it was
01:09:27work, didn't I?
01:09:39I say that.
01:09:41Well, you'd better
01:09:41get it in there
01:09:42quicker than this.
01:09:50So romantic.
01:09:52Steam travel.
01:09:54Thank you for this,
01:09:55Mike.
01:09:55I'm taking it
01:09:56off my bucket list.
01:09:59Oh, my God.
01:10:41Right, this is where the work part of the trip begins.
01:10:47Okay, start the train up again, same speed as the other day.
01:10:51I'll tell you when to stop.
01:10:52Roger that.
01:10:53Yeah, I'll roger that too.
01:10:59I'll roger that too.
01:11:11Naz is all here.
01:11:17Sims?
01:11:19Regan's not at home, and she's not answering her phone.
01:11:21Could she be ashamed of Griffin's more funeral plan?
01:11:24Chalmers checked.
01:11:25They were supposed to have a meeting, but she never showed.
01:11:27Still no answer.
01:11:29Is this like her?
01:11:30It's not the first time she's taken off to get her head together.
01:11:33Stop here, please.
01:11:34What?
01:11:35No, no, not you.
01:11:35Keep looking.
01:11:36Gotta go.
01:11:44There are better spots for a picnic further back.
01:11:48Eight minutes.
01:11:49Mike, if this is all you needed to calculate, I could have done it with simple mathematics.
01:11:54If a train leaves point A, traveling at X kilometers per hour...
01:11:59Ah, yes, but what would happen if a person jumped from a moving train, traveling at X kilometers per hour?
01:12:05I think this is not a hypothetical question.
01:12:08If they were fit and strong in their role on landing, they could survive jumping from a moving train with
01:12:15no injuries.
01:12:16Still need to clear the fence and make it to the paddock, though, to be seen from Jock's house.
01:12:27Oh, move a bit slower. Imagine you're carrying a heavy murder weapon.
01:12:36I often imagine this for my job.
01:12:41Mike, some of these fence posts are made of iron.
01:12:45A very particular iron.
01:12:49Yeah, and a person of interest was seen here on the day, mending the fiends.
01:13:08Oppa!
01:13:09Gotcha.
01:13:33Call Simms. Get back up here now.
01:13:39Put the knife down, Rick. Put it down, Regan.
01:13:43That's a good idea, Regan.
01:13:44You have to help me. He killed my mother.
01:13:46Yeah, that's the conclusion I came to.
01:13:48You have to arrest him. Take him away. He's dangerous.
01:13:51I can certainly take care of things from here.
01:13:53Regan, put the knife down, please.
01:13:55You have to arrest him.
01:13:57I will, but I can't do that until you put the knife down.
01:13:59You won't let him get away.
01:14:01Backup's on the way. You're not going anywhere, are you, Troy?
01:14:05Except jail.
01:14:06Regan.
01:14:10Regan.
01:14:18What are you doing?
01:14:19No!
01:14:19No, it's him! He killed her!
01:14:21But he didn't do it alone.
01:14:23Regan Barnes, I am arresting you as an accomplice in the murder of Rosalie Barnes.
01:14:27So you have a right to remain silent.
01:14:28You do not have the right...
01:14:29No!
01:14:29I didn't do it!
01:14:31Give it up, Regan.
01:14:33Give it up.
01:14:35This ain't no point lying anymore.
01:14:38I'm going to take your handcuffs off of you now.
01:14:47She won't do it.
01:14:49She won't let her.
01:14:52She won't let her.
01:14:53She won't let her.
01:14:56You don't have to say anything, remember?
01:15:06It was always about her.
01:15:08Everything was always about her.
01:15:10She never pulled me first.
01:15:12And some mothers are supposed to do this first, but she never did.
01:15:16She was selfish.
01:15:18And she used people.
01:15:20Everyone.
01:15:21Me.
01:15:22And...
01:15:23And Dad.
01:15:24And Bridget.
01:15:26And...
01:15:26And everyone.
01:15:30Why?
01:15:34They're psych team are on their way.
01:15:36What color were your herpes on?
01:15:41What songs did she sing to you in the night?
01:15:46Did she comb your hair and tie it up?
01:15:50When she looked at you, did she see herself?
01:16:06Take me to the place where you grew your home.
01:16:18It took me a while to figure out how you did it.
01:16:23For starters, how did you know that Rosalie would be in the cubicle when the train stopped?
01:16:27And then I realized...
01:16:30Regan knew.
01:16:31She got sent to run sheet by mistake.
01:16:36The only place to change is at the front of the carriage.
01:16:39There's a cubicle.
01:16:39That's where she'll be.
01:16:41You knew enough about Lily's protest to know where she would stop the train.
01:16:46So you lay in wait.
01:16:51You wanted Rosalie's death to look like an accident.
01:16:54So your weapon matched the rails that Rosalie would fall on.
01:17:09Then, with everyone preoccupied by the protest, you made your move.
01:17:16Oh, fortune tell them, don't tell me too much.
01:17:48What you didn't know is that Bridget saw you.
01:17:50She just grows and grows and grows and grows and grows.
01:17:53Hold on.
01:17:54She was there.
01:17:55She saw it all.
01:18:08You then hid in the cubicle.
01:18:11Quicker to train to old Great Paddock than to run.
01:18:22Making it in time to be seen by Jock at 3pm,
01:18:26you return later to conceal the murder weapon,
01:18:28having welded it back to the rail.
01:18:44Buried, it became part of the fence line.
01:18:55Smart guy, aren't you?
01:18:56To be fair, I didn't have it all figured out.
01:19:00I mean, I could see what your motive would be.
01:19:04But Regan, why would she have wanted her mother dead?
01:19:09Look, I've never seen her like that before.
01:19:14Completely out of her mind.
01:19:20You shouldn't be here.
01:19:21The police think I had something to do with it.
01:19:23Yeah?
01:19:24Well, showing up here isn't going to make you look more innocent.
01:19:26Well, what do I do?
01:19:29Regs, listen to me.
01:19:31The cops think it was mum.
01:19:32I've arrested her.
01:19:34What?
01:19:35She's letting them think it was her.
01:19:39I tried to talk to her.
01:19:42Talk some sense and she wouldn't listen.
01:19:44What the hell is the matter with you?
01:19:45But that's good.
01:19:46If she's prepared to take the blame, that's good.
01:19:48Look, I can't do that to mum, I can't.
01:19:50But if Bridget's already convinced...
01:19:51Look, it doesn't matter.
01:19:54I'll leave you out of it, I promise.
01:19:56What?
01:19:56The cops don't need to know you had anything to do with it.
01:19:59It's just me.
01:20:00No, they'll know.
01:20:01They'll work it out.
01:20:02You'll say the wrong thing.
01:20:03Please don't...
01:20:04Look, they will believe me for mum's sake.
01:20:15Make them believe you.
01:20:17Show them how desperate you are.
01:20:22I'll help you.
01:20:23Put the knife down, Regan.
01:20:24Put the knife down.
01:20:25Come on, put the knife away, Regan.
01:20:27She wanted you to look guilty by taking your own life.
01:20:31That's a rather extreme suggestion.
01:20:34It's the only way she could trust me not to drop her in it.
01:20:37Rosalie disapproved of your relationship.
01:20:40You see, that's the bit I couldn't understand.
01:20:44Until I spoke to Bridget again.
01:20:47The photo of Troy as a baby, it was taken at a maternity hospital.
01:20:52In Poland, I told you.
01:20:54I saw a similar photo yesterday.
01:20:56Same curtain, same pictures on the wall.
01:20:59Same baby.
01:21:00Only the woman holding him was Rosalie.
01:21:03So?
01:21:04She was there on the day?
01:21:06Of course she was.
01:21:08She was wearing a hospital gown.
01:21:10And a patient bracelet.
01:21:12The last letters of your name were clearly visible.
01:21:14It was Rosalie who gave birth, but to the hospital was Bridget McKelvey.
01:21:19It was your name on the birth certificate.
01:21:23Who were we hurting?
01:21:26I wanted a child.
01:21:29And Rosalie wasn't ready to be a mother.
01:21:32Never really was.
01:21:34Asked Regan.
01:21:35Did Troy know all this?
01:21:37Oh, Aunt Regan must have told him.
01:21:40She came to me in a state a few weeks back.
01:21:43Is it true?
01:21:44What?
01:21:45What my selfish cowl of her mother said, is it true?
01:21:48I finally find a decent man.
01:21:49And mum has to ruin it.
01:21:51She can't stand, send anyone else happy.
01:21:53Least of all me.
01:21:54She just has to hoard it all for herself.
01:21:56All the attention, all the love.
01:21:58She's just sick.
01:21:58Regan, listen.
01:22:00No, just tell me.
01:22:01Is it true?
01:22:03It's Troy, my brother.
01:22:16If it were up to me, Troy would never have known.
01:22:21He's mine.
01:22:23And that's all that matters.
01:22:27Regan obviously told you.
01:22:30And you didn't say anything to Bridget.
01:22:35It didn't change anything between us.
01:22:37But it changed everything with Regan.
01:22:40She told me at the pub.
01:22:42And yeah, she was a little dark on it.
01:22:44Hey.
01:22:47If Rosalie had been a better mother to her,
01:22:50she might have been able to let it go.
01:22:53But...
01:22:55Ah, something snapped.
01:22:59She was obsessed with getting back at her.
01:23:02And then, at a point,
01:23:04she shared her plan with you.
01:23:11Don't bail on me now.
01:23:15We deserve some happiness.
01:23:16So does Bridget.
01:23:19Since we can't be together,
01:23:20we can at least get us all some money.
01:23:22You went along with her plan to frame Shane.
01:23:30Proof of his debt.
01:23:31Mr. Droid.
01:23:32I bloody hope so.
01:23:33You believed that Regan would inherit
01:23:36a large chunk of money from Rosalie.
01:23:39Regan offered to share it with you.
01:23:41Maybe it was enough to clear your debts.
01:23:44Keep Bridget in her old age.
01:23:47What you didn't know was that
01:23:49Rosalie had already committed most of her funds
01:23:51to clearing Shane's rates bill.
01:23:54You killed her for money that was never coming your way.
01:24:16Thank you for her lovely service.
01:24:18May she rest in peace now.
01:24:20Time for a Pimms, I feel.
01:24:23Trains keep on rolling.
01:24:45It's lovely, isn't it?
01:24:48How a funeral can bring people together.
01:24:51Funeral's a freebie.
01:24:53Excuse me?
01:24:55Put it on my tab.
01:24:56Well, don't you imagine
01:24:57what kind of tab you're running?
01:24:59Tell him.
01:25:01Now.
01:25:03Trudy offered me a year of free tab beer
01:25:06because I did a favour for her.
01:25:09Shifting some stolen goods.
01:25:12It wasn't as dodgy as it sounds.
01:25:15And don't think I haven't been keeping track either.
01:25:18Your year's up as of yesterday.
01:25:19Ha!
01:25:19Shut up.
01:25:20Excuse me, I don't want to come between you two lovebirds.
01:25:23What the hell is that supposed to mean?
01:25:25Just try to keep it seemly, eh?
01:25:26This is a wake, after all.
01:25:29Another beer?
01:25:30Yeah, I reckon.
01:25:32On your tab?
01:25:32I haven't got a bloody tab.
01:25:34I'll start one.
01:25:35What the hell is that supposed to be?
01:25:42What the hell is that supposed to be?
01:25:42What the hell is that supposed to be?
01:25:42What the hell is that supposed to be?
01:25:42What the hell is that supposed to be?
01:25:42What the hell is supposed to be?
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