00:12Субтитры создавал DimaTorzok
00:30In many traditions, they were seen as a way to influence emotion, bring energy and accompany important moments in life.
00:36In Andižan, in the east of Uzbekistan, these ideas are reflected in the ongoing work of instrument makers and performers.
00:44From the time of Amir Simur to the present day, musical instruments in Andižan have remained an important part of
00:51cultural life.
00:52Their sound continues to come many generations of audiences and musicians.
00:57Abdul Malik Madrayimov has spent more than 55 years developing and producing national musical instruments such as duttar, tambour, gejak
01:06and doira in one of the country's largest specialized workshops.
01:18In his own workshop, Abdul Malik and his apprentices produce instruments for all levels, from schools to higher education institutions,
01:26as well as for professional musicians.
01:42While in Andižan, instruments are reconstructed and refined in workshops in the southern region of Surkhandariya, they are part of
01:49a living oral tradition.
01:51Bakshi performers carry epics through memory and improvisation.
01:55This tradition is not fixed. Each performance is shaped in the moment.
02:02Bakshi learn by listening, not by reading notes.
02:05The melody passes from one generation to the next, from hand to hand, from voice to voice.
02:23From Surkhandariya, where the Dombra guides oral performance, the journey continues west to Karakal, Pakistan, where craftsmanship plays a central
02:31role in shaping sound.
02:33In this region of the country, instruments such as the Kobbiz are still made by hand.
02:41Here, in Karakal, Pakistan, traditional music remains an important part of cultural identity.
02:46Instruments like the Kobiz and the Karakal Pak Duttar carry stories that have been passed down through generations, connecting today's
02:53musicians with centuries of musical tradition.
02:55But, preserving that sound depends on a precise and time-consuming process, where every material and every step affects the
03:04final result.
03:06The answer is, first of all, on its own work, stephenies and so on.
03:08The most important thing, the material, I have to put a hard time for the voguards.
03:19This is the way I have to put a hard time.
03:21After I've put the oil on the field, I just have to put a hard time to put it.
03:25The Kobuz is a part of a half point.
03:26When we were making this first, we were making this first, first of all, and the second piece is put
03:30the hard time to put it.
03:31We worked at a half point.
03:48Продолжение следует...
04:03A new generation is discovering the Qobis, learning to express emotions through an instrument whose origins are linked to the
04:11story of Korkitata.
04:22Today, young performers are learning the Duttare, continuing a tradition where Baxhe once shared stories with entire communities through night
04:31-long performances.
04:43Today, these instruments remain part of everyday life in Uzbekistan, produced, taught and performed across generations.
04:51Thank you.
04:53Thank you.
04:56Thank you.
04:58Thank you.
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