00:18¿Qué es el día de hoy?
00:59¿Qué es el día de hoy?
01:00Y alrededor del mundo con estas dos extraordinarias mujeres y parte del elenco
01:04Pero yo no te contraté y lo único que tengo que hacer es esperar hasta que falles
01:09Mejor vete en metro, querida
01:18Tal vez pueda hacer algo con este trabajo
01:20Podrías escribir un libro
01:21La vida completa de Miranda Priestly expuesta
01:24Que las puertas que cierro me abran otras
01:29A ver un momento
01:30Espero que no uses eso para la cena
01:32¿Qué es el día de hoy?
01:34¿Qué es el día de hoy?
01:35¿Qué es el día de hoy?
01:37¿Qué es el día de hoy?
01:47¿Qué es el día de hoy?
01:54¿Qué es el día de hoy?
01:56¿Qué es el día de hoy?
01:57¿Qué es el día de hoy?
02:07¿Qué es el día de hoy?
02:12¿Qué es el día de hoy?
02:26¿Qué es el día de hoy?
02:29¿Qué es el día de hoy?
02:34¿Qué es David?
02:35Do I want to stay away from it?
02:37¿O do I want to be a part of it?
02:38¿Nos Même si puedo influenciar a ella?
02:40¿Qué es lo que hace?
02:45Miranda es una persona de снова
02:47Vamos a contar una verdad
02:50I mean, she had absolute power in what she wanted to communicate before.
02:53Sure, absolutely.
02:54What happened?
02:55Yeah, well, it's all out of our control, you know, and things can be faked.
03:01Everything can be faked.
03:03And we're going to, we're just in the cusp of all that.
03:06We haven't, it hasn't really completely overtaken political and cultural lives.
03:13But for instance, on YouTube now, I think it's valuable to say I'm, there is a film of me talking,
03:24but it's not my mouth.
03:26Right.
03:26So they have put another person's mouth and I'm selling some kind of drugs that for Alzheimer's or to prevent
03:33Alzheimer's disease.
03:35They've taken a speech that I've made at the Golden Globes and put another mouth in.
03:43And it's so convincing that my college roommates called and said, should I get this stuff?
03:49Oh, my gosh.
03:50And I said, it's not me.
03:52And don't you know me by now?
03:54And, you know, but no, this is out of our control.
03:57And I have tried to get rid of it.
04:00And our tech overlords say, you know, it's just a platform.
04:06I'm not responsible for what's on my platform.
04:08Or if the New York Times put something that's phony and fake out there, you know, people would call them
04:15on it and they would be sued.
04:16Right.
04:17Cannot sue these people.
04:18So don't get me started.
04:21Yeah, no, no, I'm with you.
04:22And this is a world that Miranda and Andy get back together on.
04:25So there's a lot, there's a lot to work.
04:28But it's so delightful to see you guys get together again.
04:30And it's so funny.
04:32So how funny was it to play those scenes when you got to see each other again?
04:36I mean, I had a ball.
04:37I got the giggles that day.
04:39Nobody could go to lunch until I could stop laughing and I couldn't stop laughing.
04:43So hopefully it didn't irritate everybody.
04:44But it was so fun.
04:46It was fun.
04:47It was amazing because we got to experience it as ourselves, as the characters, and also just feel a little
04:53glimmer of excitement for what the audience might feel.
04:55So it was a wonderful day.
04:58I have an 18-year-old nephew.
05:00Yeah.
05:00He can't wait to see the movie.
05:02I was like, you weren't born.
05:03How?
05:03I know.
05:04What is it?
05:05I mean, I have my theories.
05:06But what are your theories about this movie that works with everyone?
05:10I have a theory about Annie's character, that people love seeing a young person come up against the real challenges
05:22of making a living and working in an area that you kind of love and kind of disapprove of.
05:32And sort of navigating, you know, your conscience, cutting your conscience to fit the climate of the day.
05:40And how she navigates that and Miranda saying everybody wants to be us and at the end she throws her
05:49phone in the fountain and so she wants a different path.
05:52And I think that is eloquent for young people, navigating their ways through things.
06:00And I think, as I've said before, this film for my character, for Miranda, was the first time that men
06:07have ever come up to say, I know how you felt.
06:10Wow.
06:11I know how you feel in that movie.
06:13I mean, really, of all the movies I've ever made, no men have never said, I know how you feel.
06:20So that was part of the whole appeal of it.
06:25And I think it crossed so many demographics, you know, of people.
06:30It's so beloved.
06:31It's just wonderful to have this moment.
06:34And we went through so many moments in the last 20 years.
06:36And I've always wondered in the back of my head, what would Miranda say about the pandemic aesthetic and those
06:42leggings?
06:44We haven't really gotten rid of it quite yet, have we?
06:47No, the pandemic aesthetic, oh, God forbid there's another one, you know, and then we'll have to deal with it
06:54all again.
06:55Without a CDC?
06:58Oh, but we do, that's a big one.
07:02But, well, one of the things about the first movie is that a lot of people understood what fast fashion
07:06is because of the blue sweater scene.
07:08And that keeps going.
07:10It's bigger now.
07:11It's so much bigger.
07:12Do you want to address that in any way?
07:14Because it's part of the ethos around everything.
07:18Yes.
07:18It's a big piece of the plot of our movie, so I won't give it away.
07:23But it does have an effect.
07:26I mean, fashion has always had to contend with the exploitation of people, of people, the people that make it,
07:36the most of the people who were sewers or women and they were way underpaid or, you know, the people
07:43who produced the fabrics and they were exploited.
07:49And so there's always been that tension and the people who have to navigate, you know, how to make that
07:58right.
07:59And in recent years, I think there's been a much bigger movement about mindfulness on all levels of production in
08:10fashion.
08:10And even the ecological concerns, the green fashion movement, all that is good and changing.
08:18But it's always a thing you've got to wrestle it back because it's always threatening to get out of hand.
08:24Well, what a joyful way to put so many important subjects on the table.
08:28Thank you for doing this.
08:30I know we don't have time and I'm asking for this.
08:32Can I just say something about why I think people love the movie?
08:35Yes, please, Sam.
08:35I think how unapologetic Meryl's character is, Emily's character is, and Stanley's character is.
08:42I think it's really fun to see people not apologize for having an edge.
08:46And I think that so often, like, especially when you're younger, you're so nervous about saying the right thing or
08:52dressing the right way.
08:53And to watch these characters who just enter every room and own it, I think there's something really inspiring about
09:00that.
09:00Now, should we all be quite that sharp?
09:02I don't know.
09:03Imagine if everybody in the room came in with that.
09:05But there's something so, like, delicious about it because it's almost illicit, you know, that kind of behavior.
09:11It's a little permission.
09:12Yeah.
09:13Just to be able to say, that's all.
09:15It's everything.
09:16Thank you so much.
09:17Thank you so much.
09:18I hope you have the time of your life here.
09:20Thank you.
09:21We're having so much fun.
09:22Thank you.
09:22Thank you, Miriam Hathaway, que exigió que nos dieran tiempo extra porque quería contestar.
09:27Quería contestar.
09:28Y además, una pregunta bastante importante.
09:29Lo están viendo.
09:30O sea, el tema de lo que está ocurriendo con el fast fashion y todo lo que puede surgir alrededor
09:36de eso, alrededor del mundo.
09:37Eso.
09:38Y además, lo que me gustó es que quería decir, porque ahora sí que Meryl Streep nos dijo por qué
09:42creía que todos queríamos el personaje de Andy.
09:45Claro.
09:45Y ella dijo, no, yo lo que quiero es que sepan por qué nos caen también estos villanos.
09:49¿Por qué queremos todos ser?
09:51Porque se vuelven entrañables.
09:53¿Así es?
09:53Sí, sí, sí.
09:54Y esto fue un deleite gracias a Disney por todo el acceso, por toda la oportunidad.
09:58Y es que la gira mundial, porque fue una gira mundial del Diablo Viste a la Moda, empezó en México,
10:03como ya supieron, pues hace ya más de un mes.
10:06En un desfile de modas, en unos cuantos eventos que llamaron mucho la atención, pero luego se fueron por el
10:13mundo entero.
10:14Exacto.
10:14¿Qué tal hacemos ese recorrido?
10:15Han pasado por Japón, han estado en Shanghái, han estado en infinidad de, pero yo creo que lo más importante
10:23es lo que presentaron como la premier general que se hizo apenas hace unos días y que se transmitió en
10:29vivo para todo el mundo.
10:30Así que a mí eso me encanta.
10:32Es una locura esto que está pasando. Vamos a ver un poco de este recorrido.
10:36Sí, eso es desgraciado en el filme. Se empieza con eso, realmente. Y es un aspecto muy importante del filme.
10:43Sí, sí, sí, sí.
11:39Y ya, en unos días estaremos todos hablando de la película.
11:42Seguiremos hablando por mucho.
11:44Seguiremos hablando de la película. La veremos en cines, pues.
11:46Y la tendremos presente y la sentiremos e iremos más de una vez.
11:49Y perderemos por las palomeras.
11:51Por supuesto que sí.
11:52Gracias. Muchas gracias.
11:54Gracias, Susi.
11:55Gracias a todo este gran equipo. Gracias una vez más a Disney por todo el acceso.
11:59Y a las diosas verdaderamente que mujeres tan fantásticas.
12:04Gracias, Meryl. Gracias, Anne.
12:07Y that's all.
12:15Gracias.
12:16Gracias.
12:16Gracias.
12:16Gracias.
12:17Gracias.
12:20Gracias.
12:22Gracias.
12:22Gracias.
12:22Gracias.
12:22Gracias.
12:22Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:23Gracias.
12:24Gracias.
12:24Gracias.
12:24Gracias.
12:24Gracias.
12:24Gracias.
12:24Gracias.
12:24Gracias.
12:24Gracias.
12:24Gracias.
Comentarios