- 6 hours ago
مسلسل Psych مترجم - Episode 6
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01:30تبعني أغلبت أن أ pew لن يكون في مناحكا، و تنز oscilة في الوبيع.
01:34موزف رائعاً بسآخر يكافذ الأفعال والأخدار، والذي أنت لا يتفضل.
01:38كل ما، حالك نعيدها؟
01:39لا, نعم، أتكام، نعم.
01:41مرحباً جزائعاً، بحاجة كما أعلان.
01:43أريد انتعلم بيجابك كيف يكون، أريد انتعلم بسرعة.
01:47في، بذلك، انتعلم بذلك؟
01:49وليس بذلك، فإن أتكامتي، لأنني أتهم.
01:52حسناً، حسناً ، حسناً، نحن أعطي بحيطاً للمتده
01:55كنت أصدق بيضاً، كنت أغير بك أشخاص بك
02:00لا أعطي بك أفضل، رأينا نظر هذا اليوم، لا أقوم بشكل جيد
02:03أنا متعبقى، أكن أعطي عن أن تخبرك
02:06لا يبقى إليه
02:07حسناً، حسناً، كنت نحن نعضي مع الناس، ونحن نحن نحن
02:13ما هذا؟
02:19Okay, here's the thing.
02:21The police may have found a body,
02:23which I may have picked up on my police scanner,
02:25which I may have brought with me.
02:29No cases, Sean.
02:30No cases.
02:30We go in, we see, we say hello, and we leave.
02:34Say hello?
02:35This is a crime scene.
02:36You can't just walk in there.
02:37McNabb!
02:39Nebby!
02:40Buzz.
02:41Buzz, seriously?
02:42What's his first name?
02:43Don't you ever talk to him?
02:44Why would I talk to anybody named Buzz?
02:46Sean, my man.
02:48Pow!
02:50Okay with...
02:51Yes.
02:52You look trimmed.
02:55Somebody made their wedding weight.
02:56Five more pounds.
02:57I'm close, but I still have a month.
02:59You'll get there.
03:00You remember my partner?
03:02Sure, yeah.
03:02Matt, right?
03:04Gus.
03:05Right.
03:06So what do you got going on up there?
03:08Don't hold out on me now.
03:09Looks like suicide.
03:10Guy from the phone company found the victim in his apartment.
03:13Been up there for a few days already.
03:14A few days?
03:16Do you mind if we head up, take a look, poke around a little?
03:18Oh, I don't know.
03:20Lasseter's up there and he's in a mood.
03:21Yeah, we just, uh, got his coffee.
03:24Wanted to bring it by, make it right.
03:26Oh, that's nice of you.
03:27He asked me to get it, but this is perfect.
03:33Hey, did you just sip that?
03:36You don't taste Lasseter's coffee before you give it to him?
03:39That surprises me, Buzz.
03:40He's so particular with no cream, no sugar.
03:42It's three creams, four sugars.
03:45Yeah, it is.
03:47Sharp as a tack.
03:49You!
04:04We found a note.
04:05The body's been here at least three days, maybe more.
04:08All signs point to 11-44.
04:10Three 11-44s in four months?
04:12Must be something in the water.
04:14Uh-huh.
04:15All right, ladies and gentlemen, listen up.
04:16You know the procedure.
04:17I want this done right.
04:18I do not want any mistakes.
04:23Hey, blowy.
04:25I know you're new, but next time, if you want to get your spit all over the evidence,
04:28why don't you just lick it?
04:30Clearly he doesn't need any more coffee.
04:32Okay, there's a dead guy.
04:34Can we go now?
04:34Relax, we just got here.
04:36Have some meat crap.
04:37How do you just eat when there's a dead guy laying there?
04:39What, is that rude?
04:40Am I supposed to share?
04:43Forensics.
04:50Well, that's it.
04:51What?
04:52What do you see?
04:54Red pepper flakes.
04:56Is that a glow or something?
04:57No, it's a delicious spice, and it's exactly what my meat crop needs.
05:00I told you this.
05:04What are you doing?
05:05This is a crime scene.
05:06You can't touch stuff.
05:11What?
05:16Seriously, check this out.
05:21A marinating steak?
05:23What, you want to eat that too?
05:24No, but don't you find that a little odd?
05:26That a man would eat a steak?
05:28That a man who was ready to kill himself would take the time to marinate a steak for a future
05:32meal.
05:36Dude, this was not suicide.
05:39This was murder.
05:54The door latch is still intact.
05:57Now I ask you, if you were going to kill yourself, wouldn't you want the door to be locked so
06:02that no one can barge in on you right in the middle?
06:04What?
06:06I don't, what is, I don't...
06:08What in the name of sweet justice are you two doing in my crime scene?
06:12Your crime scene?
06:13That's funny.
06:13I didn't see your name on it anywhere.
06:15Get out.
06:16We are.
06:17Just thought you might want to know that this thing here, not a suicide.
06:21Great.
06:22Thanks for that.
06:23Really.
06:23And thanks also for bringing a snack to the crime scene.
06:31Oh boy.
06:33Oh!
06:36I'm sensing a...
06:37I'm sensing there was someone here.
06:39Someone here in the room with the victim when he died.
06:43Someone with a sliver of grease on his or her shoe.
06:47Ah, no.
06:48I'm not sensing a struggle.
06:50No struggle.
06:52No struggle.
06:55The door.
06:57Did you have to break down the door when you got here?
06:59No, it was open.
06:59Why?
07:00No, no, no.
07:00Don't encourage him.
07:01Get out.
07:02McNav, I want you to escort these two men out of here now.
07:06Come on, let me read the witnesses.
07:07You know, due diligence.
07:08Spencer, we did the due diligence.
07:10It was a suicide.
07:11There is no crime.
07:12There are no witnesses.
07:13You're wrong.
07:14There is a witness.
07:18There's a cat.
07:21I want to talk to that cat.
07:25As soon as he's finished licking himself.
07:34Well, I'm jealous.
07:40I know, you know, that I'm not telling the truth.
07:44I know, you know, they just don't have any proof.
07:48It's a deception.
07:49Learn how to bend your worst inhibitions.
07:52Then we'll psych you out in the end.
08:11Now we have one.
08:22Plus, he clearly likes you.
08:24Give him a snuggle.
08:24You know what?
08:25I'm actually going to enjoy these.
08:26You having to carry this cat around, pretending you can communicate with him?
08:29I'm buying a disposable camera for when you have to clean out his dirty litter box.
08:32Let me tell you something.
08:33This cat here is a gift.
08:36A conduit for us to save lives.
08:38And he has more integrity in his furry little hand, Paul,
08:41than most people have, than most people have in their whole appendages.
08:46Appendages.
08:47What?
08:48All of them.
08:50Most people have in all of their appendages combined.
08:55Oh, yeah?
08:56I think he wants to sleep on your chair.
08:58Isn't that cool?
08:59How long are you going to keep this up for?
09:00Until we solve the crime.
09:03Don't you or your cat get mad at me?
09:04But I don't think there was a crime.
09:06Oh, really?
09:06You don't think so?
09:07No.
09:07Try telling that to this poor little guy who was traumatized seeing his owner killed.
09:11Tell him.
09:15I'm just saying.
09:16I can kind of get where Lasseter's coming from.
09:18A few suicides is not uncommon.
09:20Gus, did you look at the sky today?
09:22Blue.
09:23Clear.
09:24And did you feel it out there?
09:25Warm.
09:26Nice.
09:27Statistically, people in mild climates are far less likely to kill themselves.
09:30Now, if we were in Vladivostok, we could talk.
09:33Point is, at the end of the day,
09:35this was a 50-year-old man living alone with a cat.
09:39Do you want down?
09:41You can get down.
09:49You're probably right.
09:50I know I'm right.
09:52It's probably a suicide.
09:55Thank you.
09:57That was big of you to admit.
09:59I'm just, I'm unclear on one little thing.
10:02What's that?
10:03How do we explain the second body they just found?
10:06Deceased is in the car, over.
10:13Detective O'Hara.
10:15What, you're here all by yourself?
10:19Ah.
10:23Damn it all.
10:27Could have happened to anybody.
10:29Talk to me.
10:30Well, the victim is a female in her late 20s, Gloria Starks.
10:33We're waiting for forensics to confirm, but it appears to be a suicide.
10:36Carbon monoxide poisoning.
10:37Asphyxiation.
10:38Ooh, I'm afraid the cat doesn't think so.
10:40Turn around and walk away.
10:42This cat can tell us if the killer has been here.
10:44All I need is 30 seconds.
10:45Watch this.
10:46You ready, boy?
10:47Huh?
10:47You ready?
10:47What?
10:48What, over here?
10:49Where?
10:50What?
10:53That is, that is very thoughtful.
10:56I'll tell him.
10:56He says the fact that you take three creams and four sugars in your coffee, dangerous.
11:01Is that true?
11:02Do you really take three creams and four sugars?
11:04So what?
11:05So what?
11:06Carly, that is a heart attack waiting to happen.
11:08You're still a young man.
11:09That was amazing.
11:10How did you do that?
11:11He's a lucky guess.
11:12Don't you get tired of saying that.
11:14Now, with your permission, I'd like the little boy cat to snip out the car.
11:20Absolutely not.
11:21Oops!
11:23What did I just say?
11:24Just relax and let him do his job.
11:26He might find something.
11:29He's peeing.
11:36No.
11:37No, he's drawing your attention to the evidence in the back seat.
11:40By peeing on it.
11:41Nice.
11:43Come here, kitty, kitty, kitty.
11:45Let's get here.
11:47Yes, did you make good pee-pee?
11:49Did you make good pee-pee?
11:50Yes, you did.
11:51What?
11:52Hello.
11:55That's a little inappropriate.
11:59I'm sorry.
12:00That's rude.
12:01He was just saying that he would have done the same thing if he had killed himself.
12:05He would have swung by the dry cleaners and grabbed the pantsuit first.
12:09Maybe she picked up the dry cleaning days ago.
12:12Did the cat ever think of that?
12:14What is he doing right here?
12:15He is measuring the amount of carbon monoxide in the head.
12:19Uh-huh.
12:19Uh-huh.
12:20Okay.
12:21I knew that.
12:22Yeah, you did.
12:28Whoa.
12:31Whoa.
12:31Now, does she strike you as the type that would go for heavy metal?
12:35Any number of people could have changed her radio station.
12:37Now, Mr. Spencer, if you and your new partner are finished urinating on things, I believe your work here is
12:42done.
12:44Check out the dry cleaning.
12:45I'm on it.
12:50Look, I don't care what Lasseter says.
12:52The cat is not my new partner, Gus.
12:53Don't be ridiculous.
12:55Then tell me again why the cat gets the rice shotgun?
12:56He gets carsick.
12:58And you know this.
12:59Do you want him to throw up again back there?
13:00Is that what you want?
13:02That's not funny, Sean.
13:04Here.
13:04Lay these down.
13:06He's doing fine, aren't you?
13:08This is a company car, Sean.
13:09That means I have to return it in like-new condition.
13:11Lay these down.
13:18Whoa, whoa, whoa, whoa.
13:19Look at this.
13:20What?
13:2370% off off storm doors and window panes?
13:26Everything must go?
13:27Gus, flip it over.
13:29It's her.
13:31She's juggling Actors Land's big break at Santa Barbara play.
13:34And then kills herself?
13:35I don't think so.
13:36Okay.
13:36You might be on to something.
13:38Yeah.
13:38The play's called Dazzle and Stretch.
13:40Dazzle and Stretch?
13:45I was wondering if I could ask you a question.
13:50I could really use some advice.
13:54Yeah, right.
13:56Get on in here.
14:05What can I do for you, McNabb?
14:07It's just that, well, you're still married, right?
14:11Are you trying to piss me off?
14:12No, sir.
14:13No, I just have a question.
14:16On your wedding night, did you feel any, well, any added pressure to perform?
14:22Excuse me.
14:23It's just that my Francie is going to be expecting a lot on our first night as a married couple.
14:28And I was wondering if you had any tips for me.
14:31What the hell kind of sick bastard are you?
14:34Thank you very much, sir.
14:35I appreciate it.
14:37So what you're trying to tell me is, now it's the cat that's convinced these weren't suicides?
14:45Yes.
14:45Do you really think I'm going to open a bunch of closed cases just because a cat tells me to?
14:50Meow.
14:53This is it.
14:55Meow.
15:00Meow.
15:00Meow.
15:01Meow.
15:03This is it.
15:04The girl that was found in her car, Gloria Starks.
15:09She's here.
15:11She's here with us.
15:21Oh, despair.
15:24I fear that you will leave me.
15:26What choice do I have?
15:31I dazzle and I stretch.
15:37I dazzle and I stretch.
15:42What the hell is going on in here?
15:44Shh.
15:44Mr. Spencer, this is telling me nothing.
15:47He can't hear you right now because, see, he's telling the cat who's channeling glory.
15:52I dazzle.
15:53Well, then what are we looking at?
15:55I stretch.
15:56I'll be painting.
15:57Bad acting.
15:58I think she wants you to see something in the paper.
16:01Gloria's trying to tell you something.
16:02I stretch.
16:04I'll be painting.
16:087% off storm doors and window panes.
16:10Everything must go.
16:17Struggling actress lands big break in Santa Barbara play.
16:21So what?
16:22So what?
16:22Does that sound like a woman who would kill herself?
16:24Please.
16:25All actresses are crazies.
16:26I know.
16:26I dated one in college once.
16:28She had a nose ring.
16:29Oh.
16:30Good work, little buddy.
16:32Whoa.
16:33I don't know.
16:34This is something.
16:35Something?
16:36Oh, come on, you guys.
16:37that's the biggest thing that ever happened for that girl.
16:39Hey, you need to stop waiting around for another suicide and start looking for a serial killer.
16:45Spencer, get off my lap.
17:01What does this mean?
17:04I have no idea, but I see it on numbers all the time and it seems to work for them.
17:09You ready to give up?
17:11Four separate suicides, two of which occurred before we came on the case, and I don't see a pattern of
17:15any kind.
17:16different ages, different sexes, different socioeconomic levels, different methods of death, no duplicate weapons, locations.
17:23I mean, what do we got?
17:24First, we have a jumper, second an oven, third pills, fourth carbon monoxide.
17:30They'll have to be connected somehow.
17:33What I see is a whole lot of nothing.
17:35Nothing.
17:37You see, sometimes, Sean, you don't need to dig so deep.
17:40You just need to turn things upside down to make them right side up.
17:47And there's your prize.
17:52Wait a minute.
17:57What are you doing?
17:59Turning things upside down in order to make them right side up.
18:08There's the prize.
18:12This is the prize?
18:14Going to the first dead guy's place and what?
18:16Talk to a dead guy?
18:17No, we talked to the dead guy's brother.
18:19The dead guy's brother lives at the dead guy's place?
18:22They're roommates.
18:23But that's the point.
18:24He's getting rid of the apartment.
18:27And we're here to rent it.
18:29Where what?
18:33Why can't we for once just talk to somebody as us?
18:35Because, Gus, I don't want him to be on guard.
18:36If he thinks we're investigating something, he'll clam up.
18:41Wes Hiltonbach.
18:42Yeah.
18:43Hey, Sean Spencer.
18:45I talked to you on the phone about the apartment.
18:47And this is Gus.
18:48It would actually be for both of us.
18:50Yeah, okay.
18:51Come on.
18:52Thanks, man.
18:58Just so you guys know, the utilities are included.
19:02But I would require first and last month and a sizable security deposit.
19:06Oh, that's not a problem.
19:07You take cats?
19:09Yeah, I guess so.
19:12You two guys have a cat?
19:14We do, actually.
19:15Sort of like our child.
19:17I see.
19:19How do you guys know each other?
19:21We're partners.
19:23Gotcha.
19:24Oh, no, no, no.
19:25No, it's fine.
19:26Really, I'm totally fine.
19:28No, we're partners in a private...
19:29Relationship.
19:31Believe it.
19:32It's been a while.
19:33We've finished each other's sentences.
19:35So tell me, Wes,
19:37why would you want to give up such a handsome apartment?
19:40Do you not like it anymore?
19:44Ooh.
19:46Gus.
19:48Good news.
19:49Shower for two.
19:55Actually, I just have some bad memories here.
19:57I used to...
19:58I used to live here with my brother, but he passed away.
20:01Oh, I'm sorry, man.
20:02Was he sick, or...?
20:03He killed himself.
20:05Oh, good Lord.
20:06I'm so sorry.
20:08Yeah, I'm sorry.
20:10Yeah, me too.
20:11We were real close, you know?
20:15Was he depressed?
20:16I mean, were there signs?
20:17Did you...
20:18What am I...
20:19I'm sorry, you don't have to answer those questions.
20:22No.
20:24Actually, I had no idea anything was wrong, you know?
20:26I mean, he had so much to live for.
20:29He's a great guy, you know?
20:31Smarter than me, more talented.
20:34He's a great singer.
20:37He was really going places.
20:41Um, so look, are you guys, uh...
20:43You guys interested in the place, or...?
20:44What do you think, honey?
20:46I think it's great.
20:48I think it's perfect.
20:49All right, then.
20:50Well, uh, I got another couple coming by a little later, so, uh...
20:53But I'll let you guys know either way.
20:55Shower for two?
20:56That was so I could see your face when I said it.
20:58You know, you enjoy these things more than you should.
21:00I suffered through that for no reason.
21:02We learned nothing.
21:03Yes, but I grabbed this while we were up there.
21:06You took his mail?
21:07It's not like I took a Sports Illustrated, dude.
21:09It's a phone bill.
21:10You can't open someone else's mail, Sean.
21:11It's a federal offense.
21:12Gus, he's dead.
21:13So what?
21:15Well, maybe I'll hold it to my head and read it psychically.
21:18Hurry up, Sean.
21:19Gus, who's gonna see us?
21:20Hurry up.
21:23Wait, there's like...
21:25There's like 16 calls here to some 1-800 stress line.
21:29Including the last call he made.
21:30I still didn't ask for that, so what?
21:32A depressed guy calls a stress line.
21:34I bet you a hungry guy calls a pizza place.
21:35That doesn't tell us anything.
21:37Yeah, but it might give us a link.
21:39I'm gonna run the other victim's phone records.
21:40With what?
21:41You do-it-yourself phone record running key?
21:44Next best thing.
21:48The answer is in the phone bills.
21:52I need you to run the victim's phone records.
21:54What, no cat this time?
21:55Julia, I'm very serious about this.
21:57I have a strong sense about a stress line,
21:59and I know the link is in the phone records.
22:01I don't know why you would think
22:02I would do something like this for you.
22:04Some have said it's the hair.
22:06Really?
22:07Who says that?
22:09Oh, guess what?
22:09We already ran the phone records
22:11and checked out the dry cleaning.
22:12Turns out,
22:13pants were picked up over a week ago.
22:15What kind of dog and pony show do you think we run here?
22:17Gus, you wanna take this one?
22:18No.
22:20Let me put an end to this non-case right now, okay?
22:22Yes, all the victims called the 1-800 stress line.
22:25Not just once, many times over.
22:26Detective Lassiter and I have combed everything.
22:29We've gone to the bone on these.
22:30All the way to the bone?
22:31I know this is hard for you to grasp,
22:33but these people did have something in common.
22:35They were troubled,
22:36and they were depressed.
22:37And as sad as that is,
22:39they all committed suicide.
22:40Case closed.
22:42We've clearly wasted your time.
22:49It's not over, is it?
22:50Of course not.
22:51They all call the same helpline,
22:52and they all kill themselves?
22:53Come on.
22:53Sean, that's what stressed people do.
22:58It's strange how he gave up so easily.
23:00Yeah, it is.
23:02Maybe we should take a closer look at that stress line.
23:06Gloria Starks only called that line
23:07because she was stressed about an audition.
23:09You call a helpline, they find you dead?
23:11That's not very helpful.
23:12What if someone there is killing the callers
23:14and making it look like a suicide?
23:16Gus, we go to the stress line?
23:18I think we solved the case.
23:20Come on.
23:21Come on.
23:27Ta-da!
23:29What is this?
23:30You're looking at our new business.
23:32Mazel tov.
23:33Are you out of your mind?
23:34You rented office space for this?
23:36Gus, don't be a crazy hooligan.
23:38I rented a sign.
23:45Now let's go say hello to our new neighbors.
23:54Hello, everyone!
23:55Who wants pineapple?
23:57Be honest.
23:59You guys can slice it up and fight over it later.
24:01I'm sorry, gentlemen.
24:02May I help you?
24:03I'm Terrence.
24:04I run the line here.
24:06Terrence, hello.
24:07I'm Sean Spencer.
24:08This is my partner, Gus Silly Pants Jackson.
24:10Just came by to say hello.
24:12We've opened up our own little 1-800 thingy down the hall.
24:15Not as big as you guys.
24:16More of a closet, really.
24:18Your own 1-800 thingy, huh?
24:20Yeah, yeah, yeah.
24:21It's called Dial a Psychic.
24:23Maybe you recognize us.
24:24I am the lead psychic for the Santa Barbara Police Department.
24:31McCallum murders.
24:34Edmund robberies over there?
24:36You? Nothing? Nothing?
24:37Wow, really?
24:38What, do you guys live in this room?
24:42So, you can know stuff about me just by looking at me?
24:46Yeah, pretty much.
24:47Well, do it.
24:48Do it.
24:49Go ahead.
24:50Show us.
24:52Looking for a little demo.
24:53Well, for one, they don't like pineapple.
24:57I don't know, guys.
24:58I don't think Big T wants us to take up any more.
25:00No, no, no, no, no.
25:01Go right ahead.
25:02You know, half the lines are down.
25:04Phones are being worked on right now.
25:05We have time for your little trick.
25:06Oh, yeah?
25:07Huh.
25:11Let's see what I can come up with.
25:25Loose, flowing stanzas, Bobby Frost.
25:28Are you a poet, by chance?
25:30Yeah, yeah, I am.
25:32Wow.
25:33How did you know that?
25:34I guess you could say I'm a bit of a psychic poet.
25:39Oh, please, stop.
25:42Because I'm like, I'm freaking out.
25:45Do you see his eye line?
25:46The guy could be the drummer from The Cure.
25:54Wow.
25:55I can see why you come out here to eat.
25:57It's beautiful.
25:58The sound of the seagulls, the smell of the ocean, the salt air.
26:02Hmm.
26:03I never noticed.
26:05What do you got there?
26:06That's what you asked for.
26:08They ran the sheets on all the volunteers at this dress line.
26:11Can you mind?
26:12It's police business.
26:15Scram.
26:18Let's see what we got here.
26:21Well, looky there.
26:23It's a picture of an old friend.
26:25Hmm.
26:30Hey, Rory.
26:31Hey, Rory.
26:41Where the hell have you been?
26:43I've been sitting on this mop bucket in this tiny closet for the last hour and a half,
26:46waiting for you to show up.
26:47I'm all cramped.
26:48Well, get up, man.
26:49Do some push-ups or something.
26:50I need you light and limber.
26:51Do some push-ups?
26:52Sure, like Clint Eastwood in Escape from Alcatraz.
26:54Sure.
26:55He spends the whole movie in the tiny little cell, right?
26:57But he's in the best shape of his entire life.
27:01Give me a little piece of tape.
27:03What happened to the big ticking time clock?
27:05Gus, what do you think I've been doing all day?
27:12My work happens here.
27:15And here.
27:16What are you doing?
27:18I'm trying to create a pleasant work environment.
27:21I can tell by looking at your little area that you don't care.
27:24We don't work here, Sean.
27:25We do until we solve these murders.
27:27But don't worry.
27:28I have a plan.
27:28You are going to call the stress line and pretend to be depressed.
27:31No, I'm not.
27:32Yes.
27:32And I will go down the hall when you make the call.
27:34Ask for Rory so that I can see him in action.
27:36Why don't you call him?
27:37Gus, please be serious for one second.
27:39No one's going to believe that I'm depressed.
27:40Come on.
27:41I got an idea.
27:42Why don't you have the cat make the call?
27:43He's like your new partner, right?
27:45Where is he anyway?
27:46Gus, he's far more comfortable in your car.
27:48Plus, I need him well-rested for when he identifies the killer.
27:52Now, wait exactly two seconds and then make the call.
27:56I have no idea what I'd even say.
27:59Here's a good opener.
28:00Hello, my name's Gus.
28:01I have a deep-seated jealousy for a tiny little boy cat.
28:08Why would you put them on speakerphone?
28:09See, because I think that tends to undercut this feeling of an...
28:12look sharp.
28:17What is it now, Mr. Spencer?
28:18Just wanted to pick your brain for a second.
28:20How many lines you got going here?
28:22I have 12 lines, but I'm adding more all the time.
28:25I get it.
28:25I get it.
28:26The more lines, the more green.
28:28Am I right?
28:28I'm a non-profit operation.
28:30The calls are free.
28:32I'm not in this for the money.
28:33Really?
28:34That's weird.
28:35See, I'm thinking of charging four bucks a minute.
28:43Rory!
28:48Hey, Rory.
28:50Hey.
28:51Oh, you really do love your music, huh?
28:52Are you kidding?
28:53Music inspires me.
28:55Yeah, you know, you don't really strike me as the, uh...
28:58Charitable type.
28:59I was going to say sensitive, but sure.
29:01Actually, I'm here as part of a community service on this assault beef, you know.
29:05I got into it with this guy who didn't like my poetry.
29:09So, 250 hours.
29:12250.
29:12Wow.
29:13That's intense.
29:15Hey.
29:16Rory!
29:18It's at 26.
29:20I'll let you get back to work.
29:22All right.
29:26Hello, stress line.
29:27The extra S is for extra stress.
29:30This is Rory.
29:32Uh-huh.
29:35Right.
29:35So, you're experiencing some stress.
29:39Career and personal.
29:41Well, yeah.
29:42I suppose.
29:43I mean, my career's not exactly where I would like it to be.
29:47No.
29:48No, I don't have a girlfriend right now.
29:50It's been a while.
29:53Right.
29:57Right.
29:58That's not good.
29:59Um, does it make you have dark thoughts?
30:05Like how dark you talking.
30:08Like, want to be dead?
30:09Okay, easy.
30:10Now, I just want to say this, like, right off the bat.
30:13Suicide is not the answer.
30:15Who said anything about suicide?
30:17I just said maybe I should find a new hobby.
30:19Like coin collecting.
30:20Or something at the beach.
30:21I like water activities.
30:23Like drowning?
30:25What?
30:26Drowning?
30:27I don't want to drown.
30:28No, no.
30:29Of course you don't.
30:30That's awful.
30:31Okay?
30:31But I don't care what you say about suicide in a lake being poetic.
30:36You know?
30:37Like your body floating to the top of the pristine, serene waters.
30:42And your final breaths rippling out in an ever-widening circle.
30:46You know, like the circle of life.
30:48But you have to stop that kind of thinking.
30:50It's...
30:51You have so much to live for.
30:52You damn straight.
30:53I have a lot to live for.
30:55Of course you do.
30:56You see?
30:57I can tell.
30:57This phone call is helping you already.
31:05Dude, what the hell was that?
31:06Was he trying to help me?
31:07Because I feel really creeped out right now.
31:08Dude, he put you on the creepy train.
31:10Headed for Creep Island where the natives drink creep nectar out of creepy coconut shells.
31:13Sean, it's horrible.
31:15Yeah, sorry.
31:16He's nuts, Sean.
31:17Yes.
31:17And worst of all, he actually made some good points.
31:19I mean, pharmaceutical sales, not sexy.
31:22You are my only non-work friend.
31:23There's got to be something wrong with that.
31:25Hey, hey, hey.
31:26What is this?
31:27What?
31:29Hang in there.
31:30He's right.
31:31I need to start taking some more risks.
31:33Does that mean we can go cliff diving and see what to nail?
31:35No.
31:35I'm being serious, Sean.
31:37Look, would it make you feel any better if I told you Hildenbach called?
31:39We got the apartment.
31:40What would make me feel better if we called the police?
31:42This guy's dangerous, Sean.
31:44Let's call Vic.
31:45Maybe get him arrested.
31:45Gus, Gus.
31:46What?
31:48The only thing this guy is guilty of right now is being a bad poet.
31:51You know how this game works.
31:53We cannot just pick up a phone and beg the police to come and save us.
31:56Gus, stupid.
31:58Look, just stay away from the water for now.
32:02Final decision.
32:03We wait.
32:09Thank you.
32:13Um, no, it's this way.
32:15You sure?
32:15Yeah.
32:17Was that so hard?
32:24Maybe you'd care to explain this.
32:28My eyeliner pencil?
32:30So you admit it's yours.
32:33Funny how Gloria Stark's suicide note was scrawled across her windshield and black eyeliner,
32:38yet no eyeliner was found at the crime scene.
32:41You, my friend, are looking at Exhibit A.
32:44Faggot O'Hara.
32:46You like your music, don't you, Rory?
32:49Yeah, I do.
32:50It's my inspiration.
32:52I bet.
32:55I bet it inspires you to kill.
32:57That's why you couldn't resist playing your big hair, drug-induced death music on Mortimer,
33:01Tilden's stereo while you forced him to swallow all those pills,
33:04or on Gloria Stark's car radio while she slipped into all unconsciousness.
33:07And even now.
33:10Let's have a little listen, shall we?
33:20What, you think you can pull a fast one on me,
33:23switching out your head thrashing crap for this noise?
33:27This crap is all I listen to.
33:31I hate metal music.
33:33I use the details that I get from callers to write better poems.
33:38I am not a killer.
33:40Yeah, I know.
33:41You're a poet.
33:42You're also an assaulter, aren't you?
33:44Who do you think arrested you on that assault charge?
33:47Assault?
33:56Oh, a guy from the phone company found the victim.
34:04I didn't kill anybody.
34:07Get him out of my sight.
34:15What?
34:16You're not taking notes?
34:21How could you let him do that?
34:23Now Lassler gets credit for solving a crime, and we don't get paid.
34:25Oh, we're going to get paid.
34:26How do you figure?
34:28Lassler didn't solve the crime.
34:29Rory's innocent.
34:30He didn't do it.
34:31He didn't?
34:32No.
34:32Then who did?
34:36Just grip the spike with your little foot and climb.
34:38Come on.
34:42Why do I got to go first?
34:44Because you're a climbing machine, Gus.
34:45Just, you know, be careful.
34:48Grip the spike with your foot.
34:49Okay.
34:50Oh, okay.
34:50Okay.
34:53Okay.
34:59Grease.
35:04Dude.
35:05Dude!
35:05Dude, I know who the killer is!
35:07Can I come down, then?
35:08No, no, stay up there.
35:09I have to figure out where he's headed.
35:10Who is it?
35:11Well, put it this way.
35:12I don't think taking the apartment is such a good idea, unless you think it's cool that
35:15our would-be landlord is a serial killer.
35:18Hilton Bach?
35:19There was a pattern.
35:20See, all the murders coincide with dates that Hilton Bach was servicing the phone lines.
35:25That's when he had access.
35:26With this?
35:26Yes.
35:27Yeah, yeah, send that down.
35:32Perfect!
35:34See, this device stores all the incoming and outgoing calls.
35:37My guess is that whatever number he dialed last, that's where Hilton Bach is headed.
35:40And whoever that is, is probably his next victim.
35:44Hello, you reach Buzz McNabb.
35:46I'm not in right now, but please do leave a message, and I will get back to you when I
35:49get in.
35:51Oh, no.
35:55Who are you calling?
36:00Hello, Chief.
36:01Uh, hey, uh, Sean Spencer here.
36:03Uh, yeah, yeah, yeah.
36:04Look, I'm getting a vibe right now as big as a Buick.
36:14Whoa, whoa, whoa, whoa.
36:15No, you don't.
36:17Stay, Boycat.
36:37Hey, McNabb.
36:39So this is the place, huh?
36:41It's nice.
36:42It's really nice.
36:43Drop it!
36:44Don't, don't get any blood.
36:45Get it together, I will drop you.
36:46I swear to God, I'm going to shoot you.
36:48Drop it!
36:48Everybody breathe, just breathe.
36:49Get out of here.
36:51Wow, the other ones must have gone a lot smoother than this.
36:53Huh, Hilton Bach?
36:55And comparatively, it was probably pretty easy to get Mortimer Tilden to swallow those pills.
36:59You want to die, old man, huh?
37:01Eat him.
37:02Because you are not really a cold-blooded serial killer, are you?
37:06Yeah, we only threw his own brother off a building.
37:09I didn't push him off the roof.
37:10No, no, no, no.
37:10No, you didn't.
37:11You didn't do that.
37:13But you were there.
37:14You saw it.
37:15You saw the whole thing.
37:16You saw him jump off the balcony of the apartment that you shared.
37:19He was weak.
37:20There's a lot of weak people out there, Hilton Bach.
37:22You're going to track them all down, huh?
37:24One at a time?
37:25Punish them for their weakness?
37:27You want to get back at your brother so badly, you don't even, you don't even care who these
37:30people were.
37:31It's just that they called a line.
37:32I mean, look, you're going to kill McNabb here just because he had a few pre-wedding jitters.
37:36I was just looking for a little advice.
37:38Nobody else would talk to me.
37:43It's okay, Buzz.
37:45We all have stress.
37:46All of us.
37:47Right here in this room.
37:48I mean, take a good look, Hilton Bach.
37:50We all have problems.
37:52Who else deserves to get shot or hung?
37:55Maybe it's Gus.
37:57It's enough Spencer.
37:58Oh.
37:58Shoot him.
37:59What are you doing?
38:00Yeah, maybe I should.
38:02Don't listen to him.
38:03He's a crazy person.
38:05He's crazy.
38:05That's right.
38:06I am crazy.
38:08So maybe you should shoot me.
38:10Okay.
38:13here's the best part.
38:14It doesn't matter what I think because you have a problem that's a lot bigger than me.
38:20This guy.
38:22The man with his gun trained on you is not only a fine human being with a strong Irish hairline.
38:27He is an exemplary public servant and arguably the finest detective mind in the lower western Santa Barbara County area
38:36over the age of 35.
38:39And right now, while I'm speaking, he is devising a swift and stealth-like tactic that is going to disarm
38:45you and blow your freaking mind.
38:57Anytime you're ready.
39:01All right, we got him.
39:02Make the move.
39:11Whoa, whoa, whoa, whoa.
39:19Who's adequate, Spencer?
39:21Don't thank me.
39:22Thank the little boy cat.
39:25Ow!
39:27Ow!
39:31There you are.
39:33There's my big guy.
39:36There's my big guy.
39:38You're a hero.
39:38You are a hero today.
39:40Yes.
39:42Speaking of heroes, McNabb, I was going to get you something off the registry online, but it turns out the
39:48chief already got you the asparagus steamer.
39:50So, instead, I give you this little guy.
39:56Yeah.
39:57Yeah.
39:58Yeah.
40:03If you, uh, take him in the car, he likes it right up front.
40:07Shotgun.
40:15You know, there's something beautiful about the color Fruity Puffs turns to milk.
40:20I think it's the most beautiful thing in the whole world.
40:23And I've been thinking, you're not the only one that lives a charm in life, Sean.
40:27I've got a pretty good, too.
40:28Yes, you do.
40:29And it makes me glad to hear you say so.
40:30I mean, the other day at work, this dermatologist, Katie Feinstadt, commented how I looked handsome carrying my sample case
40:38into her office.
40:39Feinstadt said that?
40:40Yes, she did.
40:41Yes, she is fine.
40:42Hmm.
40:43Hmm.
40:44So, what got me thinking?
40:47Maybe pharmaceutical sales can be sort of sexy.
40:50There are times when I have to stand a few feet away because you're literally sizzling.
40:53You see what I'm saying?
40:54I mean, you may be my only non-work friend, but you're my best friend.
40:59And how many best friends does one guy need, really?
41:02That's my point.
41:03It's all in the attitude, Gus.
41:05Exactly.
41:06Not sweating the small stuff.
41:09Life's too short.
41:10Too short.
41:12Changing my attitude, Sean.
41:22Where the hell is my prize?
41:24Where's my ring, Sean?
41:26Easy now.
41:27No, no.
41:27I've timed the balls out perfectly, Sean.
41:29Me, then you, then me, then you.
41:31Then I get the prize.
41:32What happened to not sweating the small stuff?
41:35Life's too short.
41:35All that.
41:38Did you open the bottom of the box?
41:39Why would I do something like that?
41:42That's my ring.
41:45You know I'm a kill for that ring, don't you?
41:46Uh, you're upsetting me.
41:48You just changed my mood from an orangey-yellow to a muddy brown.
41:51You need to say something sweet.
41:52Quick.
41:57Gus, that's so childish.
42:05I'm going to eat yours.
42:12I'm going to eat yours.
42:16In between the lines, there's a lot of obscurity.
42:20I'm not inclined to resign to maturity.
42:23If it's all right, then you're all wrong.
42:26But why bounce around, do the same down song?
42:31You'd rather run when you can't crawl.
42:37I know, you know, that I'm not telling the truth.
42:41I know, you know, they just don't have any truth.
42:44It's a deception.
42:46Learn how to bend.
42:47Your worst inhibitions, they'll psych you out in the end.
42:51I know, you know, I know, you know.
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