00:11It's a sound art, art that sounds.
00:15The focus of this particular exhibition was the objects, the sound in relation to the objects.
00:24And to show different types of objects.
00:27Like I said earlier, some sound, some don't sound.
00:32Some don't sound, but they are in relation to the sound,
00:36they are in relation to the sound in some way, visually.
00:39Others don't.
00:40But my intention as a curator was to put them all in the same place
00:45so that in some way they create a connection between the sound and the object.
01:14This piece is based on three compositions.
01:19The drum is not dead, and it's a tribute to a band called Liars.
01:32I composed three pieces that are here,
01:34exploring different textures and different ways
01:39to compose with this percussion element.
01:41What is the mystery of the objects?
01:46I'm interested in everything that has to do with the strangeness
01:51or the strangeness of objects,
01:54the mystery that objects hide.
01:58And that mystery sometimes comes to the moment
02:03when something breaks your eyes
02:05and takes you to a state of contemplation.
02:14The subject of contemplation also happens with the landscape,
02:17for example,
02:18and the membrane that replace the television screen
02:25tries to absorb the gaze of the spectator,
02:28attract, seducing,
02:30with an ingenious aspiration,
02:33as an artist,
02:34that it can be lost there,
02:37that it can be almost like something hipnotic.
02:41And,
02:42at the end,
02:53you've got the same,
02:58and to take care of them,
03:01and to watch their friends,
03:02and to watch them,
03:04and to take care of them.
03:05You're right,
03:05The game is,
03:06The game is,
03:06you're right.
03:07You're right.
03:08It's perfect.
03:10You're right.
03:11You're right.
03:11to discover things.
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