00:07In reality it is a lot of work to make a album, we take it with much seried and much
00:12calm, and in this case it was all in 2017 to be working, from January to listen to our
00:21ideas, our songs, even some of already finished, and selecting, giving them form,
00:28entering into the pre-production stage that we always do, in this case Sergio
00:32a lot of this stage, that is to start recording the songs, to start imagining what is a
00:38format of a album, because it is very different from how it is conceived in your house, how
00:43it will end in a format of a band of rock.
00:51It is always exciting for us the work in studio, I think it is one of the most enjoyable parts,
00:57where one really can experiment, and for that it is always the sonic experimentation,
01:04or the design of sounds, or the search of resources, which many times
01:08are not even formal instruments, it becomes like all these ingredients
01:13that give a personality and a sonic identity.
01:17And in this case it was, I think it was more emotional and more enjoyable, because we
01:24were doing for the first time a album in our studio, which is the Studio Panorama
01:28in the Ciudad of Mexico, which, although we had opened the studio a year and a half
01:32before this, we did not have had the opportunity to make a album of that.
01:36So, of course, this studio also becomes the materialization of all these years of work,
01:46where you have your house, your general quartet, where today we do not only
01:50our albums, but we produce other bands, where we have the jointes of our album,
01:57where it becomes a house full of activity, and where it happens a lot of
02:02what has to do with the universe of SOE.
02:09I think it has been our evolution as a natural, of production and of sonic identity.
02:18I think, as you say, this new wave, synth pop, or post-punk,
02:25it has always been part of the music that we like most and with which we grew up.
02:30And, obviously, it is always reflected in the moment of doing our things.
02:35And I think that from the program, I think that from the first album,
02:39I think that from the first album, I was feeling this anxiety,
02:43the synthese, the new wave, and, well, this influence more than anxiety.
02:47And I think that this album is very well achieved.
02:55The first album, we decided to invite more musicians in live.
03:00The first one to enter was Andrés Sánchez,
03:02the pelirrojo that is with us from the Unplugged.
03:05And then, Pipe Ceballos,
03:07who is a very dear friend colombiano,
03:10who also plays with us for years.
03:12So, thanks to these two,
03:15some extra personalities in the band,
03:17we allow us to have this dynamic.
03:20And we have several years where, of course,
03:23where, of course, they move the strings,
03:26and, of course, Angel leaves the bass,
03:27and, of course, he passes Andrés,
03:28he grabs the guitar,
03:30and, of course, Pipe,
03:31and, of course,
03:32percussiones,
03:32with Rodrigo,
03:33and, of course,
03:35I think that this,
03:36this formation that we have
03:38from a few years ago,
03:41allows us to,
03:44all these ingredients,
03:45that they make Azoe,
03:47can be translated into an execution in live,
03:50in a way,
03:51efficient and very dynamic.
03:59The artists who work for sencillos,
04:01practically,
04:02all the songs of a album
04:04are the same,
04:05maybe,
04:06very similar.
04:08They are songs more
04:10of formula,
04:11of repetition,
04:12that work a lot in the music,
04:14and, of course,
04:15we like the exploration,
04:17the experimentation,
04:18and, of course,
04:19in a single song,
04:20it wouldn't fit all that.
04:21We need all these 12 songs
04:24to tell people
04:25everything we have in the imagination.
04:31I think that,
04:33it's the first album
04:34where,
04:35from the title,
04:36that we haven't revealed,
04:37there is more reference
04:39to our country
04:41and the situation
04:42that we are living.
04:45Acerca of the corruption,
04:47even the earthquake
04:48that we have suffered,
04:51the expectations of a better future,
04:55that this year is very important,
04:58because there are elections,
04:59the migration,
05:00our neighbor,
05:02the north,
05:03there are many things
05:04that are permeated
05:05and that are present
05:05in the album,
05:07not necessarily
05:08as songs of protest,
05:10because we are not
05:10a band of protest,
05:13but they are there,
05:14in some way,
05:15in the lyrics
05:16and in the emotions
05:18of the new album.
05:19So,
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