00:00We should ask ourselves what kind of images need a world,
00:05today, characterized by globalization,
00:09by those economic markets so volatiles,
00:14by virtual economy...
00:18There are a series of other elements
00:22that define the spirit of our time,
00:25and we ask ourselves what types of images
00:30that respond to this new world, to this new era.
00:44The image may seem similar,
00:48but in the case of its substrate,
00:52in what we could say, its nature, its ontology,
00:55and in a series of distinctive rasgos
00:57that make something completely different.
01:14The images have been designed by a picture of a picture of .
01:26The image of the photographic photographic
01:28is theOkay Life Editor,
01:29which is the image of the photographs in the image in the image
01:29and the image of the image of the image of a photographic image,
01:30in reality, while digital, precisely because of its structure,
01:38allows itself to relate to the narrative.
01:51It is true that the digital photography, Photoshop,
01:55or the treatment of images,
01:58has allowed some interventions in the image
02:05that would result in much more difficult,
02:09but also, at the same time,
02:11has educated the users, the citizens,
02:15the lecturers,
02:17about the possibility that that intervention
02:21was factible and relatively asequible.
02:27Therefore, it has not touched the critical balance
02:32of the public with regard to the image.
02:37The images can be manipulated more easily,
02:41but the public is aware of this fact,
02:44that the images can be manipulated.
02:54If today, the biggest users of photography
02:58are the adolescents and the young people,
03:01by observing the use of images,
03:03we realize that the destiny of most of them
03:08is to be erased.
03:09For the first time in history,
03:12we are responsible for our own image,
03:16our own appearance,
03:18and the way we give us to see the others.
03:23While Salgado preconize the death of photography
03:26to 25 years old,
03:27we can say that, in fact,
03:29that it has happened now.
03:30If for Salgado,
03:32that means death of photography,
03:34that death has already been produced.
03:36What we have to calibrate is
03:39until the point
03:40it is really a disappearance
03:42or a mutation.
03:44I think in terms of transformation,
03:48of metamorphosis.
03:49I don't know
03:50what my colleagues will do,
03:52but I would prefer
03:55to dedicate myself
04:00to photography
04:01as a pretext to agitate consciences.
04:05To be continued...
04:08To be continued...
04:10To be continued...
04:11To be continued...
04:11...
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