00:12My name is Amaranta Hank, I chose Amaranta for the character of 100 years of soledad
00:19and Hank for the pseudonym of Charles Bukowski, which is one of my favorite writers,
00:23still not mature, they say that it is adolescent, but I love it.
00:31I became a periodist by the circumstances, because I was born in an environment
00:37of controversy, of paramilitarism, of sicariato, and the people who were around me were a part of that.
00:45My colleagues from school were traffickers or paramilitarists,
00:51so I felt that I had to tell what was happening, because it was not normal
00:54what was happening where I lived, it was not normal in my environment.
00:59And when I felt that I had burned that tapa, that I had already gained enough
01:04that I had told what I had to tell, I wanted to be a high-level
01:09and think about what I really liked.
01:12And I always wanted to talk about sex and take it in front of a camera.
01:16What is porn?
01:19The porn is a sexual educator, by nature, because we replicate what we see there.
01:26What we have been doing well, yes, because the industry is doing for men, for men,
01:33but we definitely replicate what we see there.
01:37That's why the idea of changing a little bit what is happening in porn,
01:41that's why the idea of putting a little bit more of the senses,
01:44that's why focusing more on the sexuality of the woman,
01:47that's why exploring a little bit more the bodies that are not seen in porn,
01:54that's what they call post-porn now, because there is a need to educate well.
02:01The post-porn is the porn that is not conventional, that involves new bodies.
02:08The porn with people with mobility reduced, without some members,
02:13with bodies that are not the most sold.
02:17For example, mine can be a little bit more into that,
02:21because I'm not the thin girl that appears in the cameras.
02:24I have what they would call, in some places,
02:30but that doesn't limit me to pornography.
02:33And the post-porn is what Erika Loz is doing,
02:36what Marna Miller is doing,
02:38it's a story to tell in pornography,
02:40it's not only two bodies and genitals,
02:43and a man penetrating a woman.
02:49We are not the main consumers, because we are too late to all sexual,
02:53we are too late to our own body.
02:56We, unlike the men, we don't hold the genitals,
02:59and they always tell us that we have to be tapated,
03:02with the legs closed, and that we can't touch because it's sin.
03:06So, very late, we started exploring,
03:09and with the time, very late, we realize that we have a clitoris,
03:14and starting to manage it is a thing of experience,
03:17of a long time, of practice.
03:18And when we are still excited about that,
03:22and trying to test it,
03:23we can also be penetrated,
03:25and it becomes a much more complex thing,
03:27because if we can't stimulate ourselves,
03:29we have to give that responsibility to a man.
03:32So, our sexuality is much, much, much more pausable
03:36than the men,
03:37and that's why we get very late to porn,
03:40and that's why we do pornography is for men,
03:43because the industry has to survive
03:45and it has to be for those who consume.
03:47How do you feel about it?
03:51How do you feel about it?
03:52How do you feel about it?
03:54I feel like it's not done,
03:55but it's really good in the post-porn,
03:57and it's a scene, for example, with the menstruation,
04:00which is super beautiful,
04:02because it's very natural,
04:03even though it's very common,
04:05that women have sexual relations
04:07while they have menstruation,
04:08because there's much more sexual
04:10than normal days.
04:13and I want to see that scene,
04:15I would like it,
04:16because it's very beautiful,
04:18very beautiful and very natural.
04:20How do you feel about it?
04:21I want to write and write a film,
04:24a film normal,
04:26I have to say,
04:27a film normal,
04:28a film that is not porn.
04:30That's what I want to do,
04:31write and write a film.
04:33I'm certainly empresarial,
04:34because sometimes,
04:35living in the world of art
04:36is not very easy,
04:37but I want to do film.
04:40How do you feel about it?
04:40In your way,
04:41it has not a film.
04:42Because it's the movie
04:44that's amazing,
04:44that can't be so good.
04:44Woah,
04:45you so have the dance.
04:45They are all sitting in the goddamn responsability.
04:45You
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