00:01The end of the year 1600
00:05When the Tirano was sent
00:09No, I have no pacho in saying that for me this is the best of the frontinian music in this
00:14country, at least.
00:15People love it. How is that feeling so loved?
00:19It's a beautiful experience, and it's a living experience that has no limits.
00:28I try to do what I feel.
00:31The other day, at the end of the Grand Festival of Salsa Park, in Bogotá,
00:36there were two classic things.
00:37You can't do it with the Philharmonica, two of your great works.
00:41The Rebellion and the Noche.
00:42What did you feel in that moment when you had 96 musicians behind?
00:46It was an experience infinite.
00:49For me, it was something inolvidable.
00:54And I felt like, I felt like, I felt like...
00:58And then after I felt like that band, I felt like that,
01:02I felt like that.
01:04And I felt like in the mud.
01:07And how was the moment of the musa, of the inspiration?
01:16No, I can tell you, Antonio.
01:18But what do you remember?
01:19I feel like the issues are, from the moment to the moment.
01:22I feel like the night, you know?
01:26The night, I feel like the night, I feel like I'm awake.
01:29From 7am in the morning, I feel more awake and more awake.
01:33There is another aspect of your life that I would synthesize in a song,
01:38and it's your relationship with the sacred.
01:41And it's A My Dios Todo Le Debo,
01:43that I know it's a song that you have a lot of love.
01:45How is that?
01:47The truth is, you know, you know,
01:49that you know, you know, all of a sudden,
01:51thanks to God that came out of this song.
01:54And I put all my commitment,
01:57and my gratitude,
01:58a complete and total for him.
02:01And what do you do?
02:03Of course, I will always follow him.
02:06Why do you call him cuero duro?
02:08Well, I've spent so many experiences,
02:11I've been sick several times,
02:16very grave,
02:18and God has stopped.
02:20So that's why I say cuero duro.
02:22Cuero duro, like the cuero of the blood.
02:23Yes, yes, cuero duro.
02:24And also, you know,
02:25that you have a desire to live,
02:28for a fortune,
02:29to your followers,
02:30and to the Colombian music,
02:31until the 120 years.
02:33That's what I always say,
02:34and I hope so.
02:35And you go to that.
02:36Exactly.
02:37That's what one confess,
02:39that's what is the manifesting.
02:42As the song says,
02:43Nadie le quita al Joel lo bailao,
02:45un hombre que lo quieren,
02:46de Yaoundé,
02:47en África,
02:48a Moscú,
02:49de Tokio,
02:49a Nueva York.
02:50Joel Arroyo,
02:52muchas gracias por haber estado en El Radar.
02:54Maestro.
02:54Hubiera decido,
02:56¿verdad?
02:56Hubiera decido.
Comentarios