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00:02I heard an absolute classic the other day.
00:07The fella says to me,
00:08did you hear Paul McCartney's dead?
00:11And I'm like, what? No, when?
00:12No, it's all.
00:14US tour.
00:15Cow Palace, 31st of August, 1965.
00:19Huh, murdered by the CIA.
00:22Kid you not.
00:23Government hushed it up, swapped him for a double.
00:25And I'm like, nah, nah, nah.
00:28Fatal flaw there, mate,
00:28because if that is true,
00:30then who won't let it be?
00:32Jay, go over.
00:33I don't fucking think so.
00:34Some of that wing's shit, possibly.
00:37But, well, it just goes to show, doesn't it,
00:39that it pays to follow the facts.
00:46Are you all right?
00:47Are you OK?
00:48JP, are you OK?
00:50No, is he?
00:51Don't move.
00:53JP, are you OK?
00:54Are you OK?
00:56Are you all right?
00:57What?
00:57I flipped.
00:59He fell in.
00:59I got him out.
01:02You shut up.
01:04Understand?
01:04Shut up.
01:07You all right?
01:09You OK?
01:10You OK?
01:33You'll get to see any of you.
01:36You got it.
01:37I got it.
01:40You got it.
01:41Final question, how many fingers?
01:47It's all right. Panic over. He's not concussed.
01:58Jen. Sir.
02:01You got the message?
02:02Yeah, yeah. Kim, he called me. He told me to come over.
02:04Good. No problem.
02:05Kim, let's get the scene clear. Come on, let's get it going. I want the scene clear.
02:08All right, come here.
02:09Sir, what about the handover crew from the prison?
02:12Can I give him a call? Tell him I got him.
02:14You called the handover crew, right?
02:16Yeah, yeah, yeah. Yeah, no problem.
02:18Okay, all right. Famos.
02:20All right, let's go, let's go.
02:21Jen, can you do us a favor here?
02:24Yeah.
02:24When you drive, boy Wander up to St. Catharines.
02:27Check his clock's still ticking.
02:28No, we're not going to wait for the paramedics.
02:30No, no, no, no. We better off take them up ourselves.
02:32That's for Dr. Chakravarti.
02:34Chakravarti?
02:35Yeah, yeah, yeah. He's a local, but he's thorough.
02:40Well...
02:41And what about... and what about him?
02:44The boat time.
02:45Yeah, I mean, are you going to talk to him?
02:47Yeah.
02:48I'll sit with him.
02:49I'll have a word while we're waiting for the handover crew.
02:53Call you as soon as we're done, okay?
02:56I just wanted you to know where we're at.
02:59Okay.
03:01Thanks.
03:03All right, come on. I'm your designated driver.
03:06I'm going to hang out over there.
03:10Bye-bye.
03:11Come on.
03:15Come on.
03:21Bye-bye.
03:22Bye-bye.
03:22Bye-bye.
03:23Bye-bye.
03:24Bye-bye.
03:26Bye-bye.
03:30Bye-bye.
03:42Get us down to William Street.
03:43Sure.
03:44You getting in, sir?
03:44No, no, no.
03:49Go front.
04:05Hello, Billy.
04:31Me and you, when I think of you, just me and you, just me and you, just me and you.
05:02Hey, try to stay awake.
05:04Do you want to put some music on or something?
05:06No.
05:08Sing to me, though, if you like.
05:10Yeah, right.
05:13I'm in the corner watching you kiss her.
05:17Oh.
05:18If you want to walk, keep going.
05:20Come on.
05:23I'm right over here.
05:25Why can't you see me?
05:27Oh.
05:27Oh, I'll keep dancing on my.
05:33Bone.
05:33Hey.
05:35See?
05:35Yeah, party central.
05:36Is there, like, an off switch for this, like, flirty, churpsy bullshit?
05:40Wow.
05:41Burn.
05:42I thought I was on a roll there.
05:47You do know I fell in, right?
05:49Oh, yeah.
05:49Yeah, yeah, yeah.
05:50It's fine.
05:51It was very slippy.
05:53Slippy?
05:54Seriously?
05:55Wow.
05:56Thanks, Mum.
06:01What?
06:02Yeah, it's the first Saturday.
06:03No, there's...
06:05Don't act like there's not a little...
06:07Not a little what?
06:10Suffolk Square.
06:11Suffolk Square?
06:12As in...
06:13Oh, you don't remember?
06:16I was there on Nailsworth Street.
06:19Drafting in for the day.
06:20Extra boots on the ground.
06:21I thought I knew yours.
06:23Yeah, that was me.
06:24I had a fucking storm.
06:25Urgent tactical support requires.
06:27That was you?
06:28You...
06:29You gave the warning?
06:30Yeah.
06:30When it was too fucking late.
06:32And they're already halfway up the fucking street.
06:34JP?
06:36Fuck it.
06:37I waited too long.
06:38Bowled it.
06:41Slipped up again, didn't I?
06:43Like tonight.
06:43Like tonight.
06:49There's a kid dead and it's because of me.
06:54I'd have to live with that.
06:57None of this is your fault.
06:59All I had to do was say the warning, though.
07:01No?
07:04All I had to do was give the warning.
07:05Why didn't I just give it?
07:11You know what?
07:13I liked you better when you were singing.
07:24What, what now?
07:26We're moving.
07:29Where?
07:29What do you think?
07:31Prison.
07:34Wait.
07:35What have we got here, okay?
07:37Six years left in your sentence.
07:39Plus, off the top of my head, that poor girl's mother, that's breaking and entering.
07:42I didn't do a fucking thing to her.
07:44Public order offence for Suffolk Square.
07:45I didn't.
07:46Assault on my officer on the canal.
07:48That's not what happened.
07:49Well, that sure worked against his belly.
07:51Look, this is your life, right?
07:53All I'm saying is, by the time you're out, your hair will be as white as mine.
08:07Hi, love.
08:08Hey.
08:08Yeah, it's me.
08:10Oh, hi.
08:11Look, um, Zach called.
08:12Uh, is it okay if they take Jake next Tuesday, because Leah's got this circus skills thing,
08:17apparently, and she really wants Jake to be there, so...
08:20Yeah, yeah, if that's, uh, if that's what he wants to do.
08:23Didn't we already talk about this?
08:24Uh, did we?
08:26Yeah, maybe.
08:27Just, um, look, do you know, do you know what time you're getting back in tonight, or...?
08:31No, I don't know yet.
08:32I'm just...
08:34I'm not sure.
08:36Look, I'll see you later.
08:37Oh, okay.
08:38Yeah, see you.
08:42You didn't tell her.
08:44Jake, look, some things you don't talk about...
08:49We'll tell her later, okay?
08:51It's, um, Leo.
08:53My partner.
08:55I hate that word.
08:57Oh, yeah.
08:58Me too.
09:00He does this thing where he calls me on my son's phone, because he knows that I would pick up.
09:05Oh, that's sneaky.
09:07I know.
09:10Now, look, you're slow.
09:12Oh, dream one, buddy.
09:21I do need to get home.
09:23Got to break the news I've been seconded to your lot.
09:26Is that a problem?
09:27Might be.
09:27Me and your boss, we worked together before, did he say?
09:31No.
09:33No, but my ear things.
09:35Oh, yeah?
09:35Like what?
09:36Like, the fact that you gave him a hard time, but it all worked out in the end.
09:43Yeah, something like that.
09:44Mm-hmm.
09:45John Paul Brownlee?
09:47Yep.
09:48Come on, then.
09:50Show me what you got.
09:53You wish.
09:54I think wish, that's all.
09:58Hello.
09:59How is this?
09:59Is he okay?
10:01Frighteningly normal, I would assume.
10:03Good, good.
10:04Listen, I need you.
10:05I'm going to drop you a pin.
10:06How soon can you get here?
10:22What's up?
10:23Where's the handover crew?
10:25They're on the way.
10:26Did you ask him?
10:27Yes, about Suffolk Square, the stabbing, yeah, absolutely.
10:29And?
10:30Well, there's a couple of names we can check him on.
10:32No smoking gun yet, but here's the thing.
10:35He's been hiding out with a gang.
10:38And he gave.
10:40He alluded to something else.
10:42What do you mean?
10:43I need someone else to witness this.
10:47Okay, sure.
10:48Good.
10:57Billy.
10:59The island cut.
11:06Okay, showtime.
11:09As you were saying.
11:13Billy, tell me about Suffolk Square.
11:17I saw you there.
11:20It's not like I had any choice, is it?
11:22I had to go.
11:23Do him a favour, they said.
11:25Like a...
11:26Test.
11:27Yes.
11:28Were you carrying a knife?
11:29No, of course not.
11:31They said it was a laugh.
11:32A laugh?
11:33Like throw a punch, yeah?
11:35Teach him ragheads a lesson.
11:37Who killed him, Billy?
11:38I don't know.
11:38Who killed that boy?
11:39I don't know.
11:41Not yet.
11:43Tell her, Billy, what for what, what you told me.
11:54Okay, um...
11:55One of the lights was talking.
11:58Who?
11:58I don't know.
11:59I don't know names, but he was...
12:02bragging.
12:03What was he saying?
12:05He said something about...
12:09Seven fire starters for Lanarkshire.
12:15Seven fire starters?
12:17What?
12:18What is that?
12:19What does that mean?
12:23Give us a second, will you?
12:32What?
12:32Where are we with the safe house?
12:34Flat room, garden shared.
12:36I don't care.
12:37Get back to him just as soon as you can.
12:38Okay.
12:39Okay.
12:40Bye.
12:47Sir, what is this?
12:48What's going on?
12:52Part of my brief is weapon striking.
12:54Hmm.
12:55Staying across any and all potential firearms, explosives, weapons, you name it.
12:59And parts thereof that get lost, go missing, or potentially...
13:03Stolen.
13:04It's never ending.
13:05But going back a bit.
13:07May last year was, uh, ten months.
13:09Freight lorry coming east out of Hatch Docks gets run off the road by an armed gang.
13:14Contents stolen, including seven military-grade detonators bound for a quarry in a certain benighted county in lowland Scotland.
13:20Seven fire starters for Lanarkshire.
13:23Right.
13:23Now, detonator's spare parts, so will Bowie.
13:27We have a concern.
13:31Cosmo Thompson.
13:33The guy whose gang has been sheltering Billy.
13:39Real name, Gavin Wozniak.
13:41He's on the watch list.
13:43Watch list?
13:44Why was it then?
13:45Oh, back in the day, he was trafficking firearms.
13:47For the far right.
13:48That was the rumor.
13:49That and, you know.
13:51The usual grievances.
13:52He's got an online chat show that nobody watches.
13:55We had him pegged as a narcissist, a big mouth.
13:58But that's more than that.
13:59You know, he's...
13:59That's money.
14:01Family business.
14:02Gone lumber.
14:03He's...
14:03He's ambitious.
14:06Seven detonators.
14:09Seven explosive devices.
14:12Then what?
14:15Save them, trade them, or deploy them.
14:16So, yeah, this is urgent.
14:18It's active.
14:19Frankly, we're nowhere.
14:20Nothing.
14:21Until this now.
14:22Right now.
14:23Tonight.
14:24We'll never get a better chance to get to Cosmo.
14:26You want to turn Billy loose?
14:29Yeah.
14:32Run him as an asset.
14:34What are they planning?
14:35As the bomb factory.
14:36But we can't think about it.
14:38Jesus.
14:40Jesus.
14:40Jesus brilliant, or...
14:41You couldn't do that.
14:42Look, I'm just responding to an opportunity, okay?
14:45If you don't like it, we don't like it.
14:47But maybe when he's in the lines, then he can do us a favor.
14:50He can get us an ID on your Suffolk Square fiasco.
14:53Oh, two birds with one stone.
15:00Do you think he can do it?
15:02Well, I can talk to him.
15:04Well, he broke out of prison, so that shows initiative, right?
15:07Right.
15:14Scout?
15:16Maybe they'll be looking for him.
15:18I know where I would be.
15:19If Cosmo gets a whiff, Billy's talking to us.
15:22This operation's over before it's begun.
15:27Okay, great, yeah.
15:29Ping me the address.
15:30Thanks.
15:30Thanks, mate.
15:32Okay, let's get out of here.
15:34Are you okay?
15:37Okay.
15:39Okay.
15:40I'll go in the van.
15:41You're from behind.
15:47Will do.
15:54I have sent you the address of the safe house.
15:56Let's move.
16:13So where is he then?
16:13Where's Billy Boy?
16:14Moving up Mare Street.
16:15He was on the canal like 10 minutes ago.
16:17Canal?
16:18Man's a fucking fugitive.
16:19What's he doing on the canal?
16:20Did you tell Cosmo I need it?
16:21No.
16:22I sent you a note in a spake.
16:30He's looking for a night.
16:32We'll find him.
16:33Yeah?
16:35I'll tell you what.
16:38Something's fucking off.
16:59What do you want?
17:02I want those detonators.
17:04Seven fire starters for Nalaksha.
17:07Okay?
17:08But it's now or never.
17:09We go fast or not at all.
17:13Billy, you know that we're going to have your back.
17:16You'll be safe.
17:17We'll look after you.
17:18Bullshit.
17:18Bullshit.
17:18I want it done properly.
17:20Yeah?
17:20I want it written down.
17:21Written down?
17:22What do you think you're doing?
17:22You think you're opening a fucking bank account?
17:24Fuck you.
17:27You're in no position to negotiate.
17:29Okay?
17:32This is your last chance, Billy, to do something with your life.
17:38So what is it?
17:40Yes or no?
17:47Hello, Leo.
17:48Mum?
17:48Oh, hi, babe.
17:49What's up?
17:53Jacob?
17:54What?
17:55Jacob?
17:59I want to move Rashford to Dad's.
18:02Rashford?
18:03Okay.
18:04He's a hamster, babe, so you know he's going to need food and water morning and night.
18:08Yeah, I know.
18:09So...
18:10Right.
18:10So who's going to look after him?
18:12Me.
18:13I will.
18:14You?
18:15But...
18:17I want to live at Dad's.
18:23Just for a little bit, okay?
18:28Why?
18:29I don't know.
18:31Is it me?
18:32No, no.
18:32Is it something I've said or done or...?
18:34No.
18:35It's not something you said.
18:36Is it the job, Jacob?
18:38Because I could always...
18:38No!
18:40What is it?
18:41Is it Leo?
18:42No, it's not Leo.
18:44It's...
18:46I don't know.
18:46I just feel like there's more going on at their house.
18:49And I want to hang out with my sisters.
18:52Moro is also teaching me how to cook rice.
18:55Yeah?
18:57So you're leaving home to learn to cook rice?
19:01No, I'm not leaving home to cook rice, Mum.
19:03Sorry.
19:05I'm sorry.
19:06Sorry.
19:09Jake, look, you...
19:10Look, if it's what you want to do, I...
19:13It's fine.
19:14You know, me and your Dad, we always said...
19:17It's just, I don't feel like you've really thought this through.
19:21You know, like, at all.
19:22Mum.
19:24I think you need to wait till I get home.
19:26Mum?
19:26Yeah, and then we can, you know...
19:28Mum.
19:32He's picking me up tonight.
19:34Tonight?
19:36Yeah.
19:36After Hazel's choir.
19:38That's not fair, Jake.
19:41Jake, look, can you please just wait until I get home?
19:46Jacob.
19:53I'm going to be back in, like, an hour.
19:59I'm going to be back in the morning.
20:01Jacob.
20:03Because you know you're more important to me than anything.
20:06Anything in the whole world.
20:07You know that, right?
20:12Look, I've got to go.
20:13I'm going to call you later, okay?
20:15You've got the techs.
20:33Eighth floor.
20:35Okay.
20:36Where's the left?
20:37Over there.
20:37Okay.
20:38Take it to the left.
20:39Keep them out of sight.
20:40They've got to go outside.
20:46Well?
20:47What happened?
20:48We're on.
20:49And what does that entail?
20:51He wants a clean slate.
20:52Clean?
20:53But tonight, for the breakout?
20:55He wants to go home.
20:56Home as in...
20:57What does that mean?
20:58The murder charge.
20:59The murder of Ashish Karkaris?
21:01Yeah.
21:01Well, he can't do that.
21:02He's still got six years left.
21:04I know.
21:05You can't write off a murder charge.
21:07No one's saying that.
21:08But we could talk to the parole ward.
21:10You gave him that?
21:11If he delivers.
21:12No win, no fee.
21:14That's arrangement.
21:15So, let's take the stairs.
21:17Check the coast is clear.
21:18You're fucking kidding me.
21:24You're fucking kidding me.
22:14You're fucking kidding me.
22:18Uh-huh.
22:20Uh-huh.
22:22Uh-huh.
22:57Okay, move him through here.
23:13You can't do this.
23:14You don't mean that.
23:16You just want to hear yourself say it.
23:18Excuse me.
23:19Kim!
23:29Goodbye.
23:30Goodbye.
23:32Jim.
23:33Mom.
23:34I'm sorry to call.
23:35Kim, how's the view on the outside?
23:37Oh, no drama.
23:38We had one delivery Danny a few minutes ago.
23:41I think he was just passing through, though.
23:42Well, keep your eyes peeled, okay?
23:44And listen, get a driver up to the hospital.
23:46I need JP.
23:47Tell him I've got a job for him.
23:48Tell him to get him down here as soon as possible.
23:49Boss, what's going on with Billy?
23:53Oh, Kim.
23:54Are we all right there?
23:55It's all fine.
23:56It's all good.
23:57Does she know?
24:01You gonna tell her?
24:03Anything suspicious, just call it in.
24:10Sir, um, AC, you want a word?
24:14A word?
24:15What now?
24:17Yeah, sounds urgent.
24:20All right.
24:22Okay, well, set it up.
24:24We serve it his majesty's pleasure.
24:26Sir.
24:27Sir.
24:35I called her, the AC.
24:37Is that all right?
24:39Well.
24:41Well, you see me at the border, she was my next call.
24:45We've got another flat downstairs.
25:01We've got another flat downstairs.
25:16Okay, sir, just setting up a call now.
25:18Yeah, fine.
25:21Get that tablet for me.
25:22Yeah.
25:24Okay.
25:26Cup of tea.
25:28Black.
25:29White.
25:30Two sugars.
25:36Kim?
25:37I still have rid of Danny.
25:39He's back.
25:40Same guy.
25:40I was hired.
25:41You sure?
25:42Yeah, helmet, sneakers, looks like.
25:45What's he doing?
25:45He's, uh...
25:47Yeah, I'll tell you what.
25:48He's not delivering a pizza.
25:53Right.
25:54Okay.
25:54We've got a problem.
25:56It's one of course most boys.
25:57How do they find us?
25:59Are they tracking us?
26:00No.
26:01We searched Billy when we picked him up.
26:03What about his phone?
26:05Jen.
26:08Jen?
26:09Jen?
26:11Sir?
26:12The phone we took off Billy when we detained him.
26:14Did you turn it off?
26:16Yeah, I think so.
26:17You think so?
26:18Jen?
26:21Uh...
26:21Yeah, wait, hang on.
26:26There.
26:26What?
26:28You sending a text?
26:31It's on.
26:35A text just came.
26:38What's it say?
26:40Where are you?
26:43Which flat?
26:45Yeah, there's a whole bunch of them.
26:54Turn it off, Jen.
26:56Yeah.
26:57Turn it off.
26:58Yeah, turning it off.
27:12I told him the phone stays on.
27:14I know.
27:15So why did he turn it off?
27:16I heard the RISP said.
27:18Police, where?
27:19Canal.
27:20You tell Kieran, get inside that building, knock on every single fucking door until we
27:25know what we're dealing with here, that you understand me.
27:27Yeah.
27:28Sir, the AC's ready for you now.
27:30Right.
27:34Do you want to join us at the top table?
27:38Right.
27:39Well, it's up to you.
27:41Oh.
27:42You need my help?
27:43Well, it makes sense, because Ivy, the boss, she'll be after reassurance, and you were there.
27:47You heard what he said in the back of the van.
27:50Yeah, because you made sure I was in the van.
27:52Jen.
27:52You needed me in that van.
27:54Well, that made sense.
27:55Get a second officer to corroborate, and you're on the outside.
27:58Outside?
27:58Yeah, maybe you could help me out here.
28:04Well, like I say, no one is forcing your hand.
28:10But, you know what I will say?
28:11What?
28:12Have you had a look at the logs for your Suffolk Square model?
28:15No.
28:16Well, all credit to Mike and his team, you know, but...
28:20Colonel Rosario's pissed away on bystanders.
28:22No nothings.
28:23No witnesses.
28:24Still no model weapon.
28:26They're running down the clock.
28:27Yeah?
28:28Yeah.
28:29You want to catch your killer?
28:30This guy, Billy, he's the only game in town.
28:33Okay.
28:35Sir.
28:39I mean, I'm not pushing you either way, you know.
28:45But it's all there, you know.
28:47In the logs.
29:00Here I am, ready or not.
29:01Here I am, ready or not.
29:03Dan.
29:06Ma'am.
29:06So we have a convicted murderer broke out of prison, popped up at Suffolk Square, and you
29:15want to roll the dice and run him as an undercover asset.
29:18Is that right?
29:19Is that right?
29:20Right.
29:21Well, this shouldn't take too long.
29:23Off you go.
29:24Seven fire starters for Lanarkshire.
29:26Detonators gone walkabout.
29:27Yeah, you're across the reports.
29:28They were stolen, removed at gunpoint.
29:30I'm aware of the context, yeah.
29:32And your plan is what?
29:33Billy here at Cosmos got them.
29:35We send him back.
29:36He could potentially help us prevent a possible act of terror, threat, and save lives.
29:40Could potentially be possible.
29:41Let me just stop you there.
29:44This all sounds like talk to me.
29:47Talk?
29:48Yeah, talk.
29:49Chatter.
29:50Something that is picked up in the lunch queue during his incarceration.
29:54Yeah, it's not talk.
29:56He's not, you know, he's not in the lunch queue now anymore, is he?
29:59He's embedded with possible terrorists.
30:03For fuck's sake.
30:13June, are we okay?
30:54He's an escaped prisoner, a convicted murderer.
30:57If I may, the circumstances of his crime, they were a particular.
31:05Particular?
31:06How?
31:07He's 17, right?
31:08He could barely tie his own shoelaces.
31:10Oh, right.
31:11So not a murderer, a pussycat?
31:13No.
31:14He killed her, yes.
31:16But there were kids.
31:17There were kids in care.
31:19She's 16.
31:20He's not much older.
31:22He liked her.
31:23She didn't like him back.
31:24They had some kind of a do.
31:26It was a school prom or something.
31:27I don't know.
31:28And he gave her ketamine.
31:29Now, the drugs, they were bad.
31:32And Billy knew.
31:34He knew and he bragged about it.
31:37And she died of toxic shock.
31:41God knows what was going on in his mind.
31:43Well, the judge took a swing at it.
31:46Yeah.
31:47But he had no history of violence before or since.
31:53And the victim's family?
31:54There is no family.
31:57Well, that's the mother.
31:58And you think she'll take kindly to us cutting a deal with her daughter's killer?
32:03Okay, the mother's a sad case, right?
32:06She's no stranger to the psych teams of Guy's and Tommy's.
32:13Come on, come on, come on, come on.
32:18All good?
32:23Oh, for fuck's sake.
32:26Fuck.
32:27Yeah, it's the chemist.
32:28We've got his keys.
32:36Ma'am, we've been chasing our tails for the best part of a year here.
32:40And yeah, there are operational risks.
32:42Risks?
32:43Sure.
32:44But we can play safe.
32:46We can send our hands here.
32:48We can send Billy back behind bars.
32:49But he's right there.
32:50He's trusted by our target guy, Cosmo Thompson, who's on the watch list, by the way.
32:56Who's in the system.
32:57And there's no getting away from that.
32:58So say, in a few months, a few weeks, a few days, God forbid, some mass casualty madness right here,
33:05on our own soil.
33:07The smoke clears the wheel you in for another select committee witch trial.
33:11Who knew what, when?
33:12What are you going to say then?
33:13That you knew?
33:14You were told you had the intel?
33:16You could have stopped this thing and you did what?
33:18Nothing?
33:21No one remembers the saves.
33:24We know that.
33:26It's the ones you miss.
33:28That's your legacy.
33:34I tell you what, let's get a second opinion, shall we?
33:43You're up.
33:44What?
33:45Next door.
33:54Who is it?
33:56Delivery.
33:59Wrong address.
34:04June.
34:06Mum.
34:11What do you think about running Billy Fielding?
34:15Me?
34:17For what it's worth.
34:26In my view, the reward outweighs the risk.
34:29Are you sure?
34:31Yeah.
34:33Mike and his team have nothing.
34:34I've seen the logs.
34:36And...
34:37Billy Fielding was there.
34:39I saw him.
34:40He was on the other side of the square, so he's not our murderer.
34:44But he is embedded.
34:47He's a key witness.
34:49He's our only witness.
34:52It's too good to miss.
34:57No danger to the public.
35:00No danger to the public.
35:01In your view, Dan.
35:03In your judgment.
35:05No.
35:05No danger.
35:06You have my word.
35:08No word.
35:14Five minutes.
35:15I'll let you know.
35:22Don't beat yourself off for doing the right thing.
35:27We do this.
35:29You'll get your man.
35:31Sir.
35:31Sir.
35:33Our delivery rider is in the building.
35:36Okay.
35:36June.
35:37Can you check in on Billy?
35:38Let's get ready to roll.
35:39Yeah.
35:44Ma'am.
35:45You're clear to go ahead.
35:46But you work with counter-terror.
35:48Where is he?
35:49He's coming.
35:49He's close.
35:51Ma'am, thank you.
35:53Thank you very much.
35:55Okay.
35:55We're on.
35:56Let's shut this flat down.
35:57No one can find him.
35:58Back down the hatch.
35:59Okay.
36:07Uh, well, I did hear a lot of noise coming from the stairs.
36:11Yeah?
36:12Yeah, yeah.
36:12I think there were some people going up to the floor above.
36:15Thanks.
36:16Okay.
36:17Okay.
36:47Are you okay?
36:49You'll survive.
36:50Past all that stuff, anyway.
36:57You okay?
37:01Tell you what.
37:03What?
37:04Two minutes with that man, I feel like I've been dipped in fucking oil.
37:17You okay?
37:18Yeah.
37:18You sure?
37:19Yeah.
37:19You're fine?
37:20Mm-hmm.
37:20Good.
37:21Okay.
37:21So the votes are in from the eighth floor.
37:23Thumbs aloft.
37:24We're good to go.
37:25Can I have a word?
37:25Yeah.
37:31I want you to be his handler.
37:33All direct contact goes through you as long as he's undercover.
37:51Me, why me?
37:53Well, because he saved your life.
37:55So that's the connection.
37:56Yeah.
37:57Yeah.
37:58No, you're fantastic.
37:59Okay.
38:00Jeff, you can go.
38:06Jeff, you can go.
38:31Give him the phone.
38:35You'll need that.
38:37Turn it on.
38:38Text them.
38:39Tell them you'll meet them.
38:47Billy?
38:51Billy?
38:52Billy?
39:02Sorry, mate.
39:03Who are you after?
39:06They didn't leave a flat number.
39:08Oh, no.
39:10Nightmare.
39:11Yeah.
39:12Well, it can't be 89 because that's me.
39:17Yeah?
39:18Yeah, I think I'd know.
39:20Sorry.
39:24You've got a name at all.
39:26I left the note down with the bike.
39:28Oh, no.
39:31It's not your night.
39:34Um, have you tried flat two downstairs?
39:38Because they're always ordering in.
39:41Oh, no.
39:43Oh, no.
39:46See ya.
39:54He's gone.
39:55No, no, no.
39:56Billy?
39:56No, no, no, no.
39:57Billy is fine, mate.
39:59No, no, no, no.
39:59He's gone.
40:00Turn on the phone.
40:00No, they're proper baby-like.
40:02Billy, Billy.
40:02No, no, no.
40:02Come on, come on.
40:03Turn on the phone.
40:04He'll know.
40:04He'll see right through me.
40:06Who's he?
40:06Cosmo.
40:07No, he won't.
40:08I fucking know him.
40:09You don't know what he's like.
40:10Hey, Billy, Billy, Billy, Billy, Billy.
40:13Listen, why don't you just tell him that you're hitting the canal?
40:15Turn on the phone.
40:16Come on.
40:17You're hitting the canal.
40:17Police came and went.
40:19Police?
40:20Yes.
40:20What?
40:21Police came and went, and then you broke into the flats.
40:25What do you mean I broke in?
40:26That's a good question.
40:27Now you're thinking.
40:28Basement.
40:28There you go.
40:29Basement.
40:29Car park.
40:30Right?
40:30Up the stairs to flat 89.
40:3289?
40:33Yeah.
40:34Okay, then what?
40:35Well, and then what happens?
40:36The owner walks in.
40:37Black woman.
40:37Awkward.
40:39Then you turn your phone off.
40:40Yeah?
40:41And?
40:42I hate it.
40:44I...
40:44Yeah, nice.
40:46See?
40:47Yeah.
40:47See?
40:47That's good.
40:49That's more like it.
40:50And then what?
40:52And then I wait for him to go out again.
40:54It's...
40:55See?
40:56Yeah.
40:56I told you.
40:56Yeah.
40:57He's a fucking natural.
41:00You've got nothing to fear from this man.
41:03He's good.
41:04He's good.
41:05You are better.
41:08You're better than so many ways.
41:12So come on.
41:13Turn on the phone.
41:14Tell him to come and hear you.
41:24Good boy.
41:27Right, fling him out the window.
41:30What?
41:30It's a joke.
41:32He's kidding.
41:34Yeah.
41:34He'll head the stairs down.
41:34I would.
41:35Oh.
41:38Billy.
41:42Billy, listen to me, right?
41:44All of this trust that I'm putting in you tonight.
41:50Just don't test me.
41:53Okay?
41:56Go and find me those detonators, eh?
41:59Don't be good.
42:27I like who he is.
42:28He'll walk and see you.
42:36I don't know.
42:58Come here.
43:37It's sad to say, but we are a dying breed, my friends.
43:41Nobody cares about the truth.
43:43Don't want it.
43:45Don't need it.
43:46We're all passionate about plugging it to the fucking Matrix.
43:50Yeah, well, it just goes to show, doesn't it?
43:52It pays to follow the facts.
43:54Hit it.
43:55Come on, boys.
43:56Five.
43:58Six.
43:59Seven.
44:04Billy Messie.
44:05He's on his way.
44:07Now, Andy, can we get that up?
44:10Is that all right?
44:12I mean, I'll shut us down for this, I'm sure of it, but what the hell?
44:15You know what?
44:15It's our lad and nothing.
44:20All right, sunshine.
44:21All right?
44:27Tell Cosmo we got him.
44:28Now, we've all seen this, haven't we?
44:29I mean, they've made sure of that.
44:32Suffolk Square, young lad of the, I mean, how does one say it, the Mohammedan persuasion,
44:38Rohan with two A's, knifed in the old, ee, ee, ee, Turkadal.
44:45Very sad he is.
44:47Come on, very sad.
44:50We got him.
44:51He's on his way in.
44:55Now, I'm no Galileo.
44:57I ain't exactly Sir James fucking Dyson.
45:00But it's not complicated, is it?
45:03I mean, the sun's either shining or it ain't here.
45:06You've got two faces clearly in the sun and this little piggy in the middle here in the shade.
45:12How is that photograph any possible?
45:14Light.
45:16Shadow.
45:17Light.
45:19I know, I know.
45:20The truth can be such a drag, can't it?
45:22But why?
45:24Why, why, why would the police, I'm not saying it's the police.
45:27I'm not saying it's the police.
45:28That hasn't been proved yet.
45:29But why, why would anybody with half a brain want to put this butchered photograph and put it all over
45:35mainstream media?
45:36Young lad.
45:37Killed by.
45:39Violent mob.
45:41Far right.
45:42Extremists.
45:44Danger.
45:44Dracarist.
45:45It's not fucking hell, it's vulnerable.
45:48What's going on?
45:49I mean, really.
45:53Light.
45:56Shadow.
45:58Light.
45:59Again.
46:00Light.
46:01Shadow.
46:03Light.
46:04Where have you been?
46:06Where have you been?
46:07I just, I was just hiding out.
46:09Hayden?
46:10Yeah.
46:10From what?
46:12From what?
46:13From, uh, uh, police, yeah.
46:15I saw him.
46:16I'm like one of them, them emojis, their brain popping out.
46:19So why'd you turn your phone off?
46:21I don't know, I wasn't like, maybe I wasn't exactly thinking straight.
46:24Light.
46:26Shadow.
46:27Light.
46:28You're very good.
46:29No, I'm just...
46:30Are you on something?
46:31Did you see my bit?
46:31I'm just fucking, I'm just buzzing, man.
46:33The night I've had, I'm flying.
46:34No.
46:36Is there any food inside?
46:37Because I'm fucking starving.
46:38Just get in there.
46:46I mean, what's going on?
46:48Really?
46:50Light.
46:52Shadow.
46:54Light.
46:55Again.
46:57Light.
46:58Shadow.
46:59Light.
47:00Here he is, little horror.
47:04Where you been?
47:07What you been up to?
47:22How stupid do you think we are?
47:23What do you think we are?
47:25What is it?
47:30How stupid do you think we are?
47:41When you think we are Birds These macos is pretty fast.
47:42How do we know?
47:42Very good.
47:42Very good.
47:45How do we know walked up here?
47:46How do you think it will be agrade forearm?
47:46How do you think it will happen there?
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