- 2 days ago
في حلقة استثنائية من برنامج "بحر النجوم"، نستضيف قامة من قامات الإخراج في الوطن العربي، المخرج الكبير مجدي أبو عميرة. نأخذكم في رحلة سينمائية ودرامية عبر تاريخه الطويل الذي شكل وجدان المشاهد المصري والعربي.
[ماذا ستشاهد في هذا اللقاء؟]
في هذا الحوار، يكشف المخرج مجدي أبو عميرة لأول مرة عن كواليس صناعة مسلسلاته الخالدة التي لا تزال تعيش معنا حتى اليوم، مثل "المال والبنون"، "زيزينيا"، و"الحقيقة والسراب". نتحدث معه عن:
الفلسفة الإخراجية في اختيار الممثلين والسيناريو.
الصعوبات التي واجهته في كواليس المسلسلات التاريخية والاجتماعية.
رؤيته لمستقبل الدراما المصرية وتطورها.
ذكرياته مع كبار النجوم الذين تعامل معهم خلال مسيرته المهنية.
[تابعونا]
لا تفوتوا هذه الحلقة المليئة بالذكريات الفنية القيمة. إذا أعجبكم اللقاء، يرجى متابعة القناة ليصلكم كل جديد من أرشيفنا الفني المميز.
[ماذا ستشاهد في هذا اللقاء؟]
في هذا الحوار، يكشف المخرج مجدي أبو عميرة لأول مرة عن كواليس صناعة مسلسلاته الخالدة التي لا تزال تعيش معنا حتى اليوم، مثل "المال والبنون"، "زيزينيا"، و"الحقيقة والسراب". نتحدث معه عن:
الفلسفة الإخراجية في اختيار الممثلين والسيناريو.
الصعوبات التي واجهته في كواليس المسلسلات التاريخية والاجتماعية.
رؤيته لمستقبل الدراما المصرية وتطورها.
ذكرياته مع كبار النجوم الذين تعامل معهم خلال مسيرته المهنية.
[تابعونا]
لا تفوتوا هذه الحلقة المليئة بالذكريات الفنية القيمة. إذا أعجبكم اللقاء، يرجى متابعة القناة ليصلكم كل جديد من أرشيفنا الفني المميز.
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TVTranscript
00:00foreign
00:12foreign
00:14foreign
00:14foreign
00:14from the
00:15...
00:16...
00:16...
00:18...
00:22...
00:23...
00:23...
00:23...
00:23...
00:23You know, if you're looking for a relationship with...
00:26Do you still feel that I'm talking about?
00:27I feel that you speak for me
00:31I felt a lot of emotion
00:34I have been saying that it was a living
00:36Is he doing anything?
00:39He's ready for you
00:40I'm glad you're here
00:42But I am talking to you
00:43You're a thousand people
00:45We've been living with a few people
00:47Everyone is living together with them
00:48It's a hundred and ten
00:51I feel
01:21Our most bold audience was by the show.
01:26He was one of those both.
01:29But I also wanted you to ask an extension.
01:56Thank you very much.
02:21I am a queen, my brothers...
02:24You are also your daughter too.
02:25Yes, thank you.
02:26My sister, I am a queen.
02:28My husband, my children, my brothers.
02:33My wife, my sister.
02:33My brother, my sister and my sister.
02:35My sister and my daughter.
02:38My sister, my brother.
02:39My sister, my sister, my brother.
02:39Yes, ma'am.
02:41My daughter, I don't need to be in your work.
02:44What's the one who left you in my life?
02:46Is this what?
02:48I'm sorry.
02:49Youssef.
02:49You're like the ball here.
02:52You're like the ball.
02:53You're like the ball?
02:54You don't need to know the ball.
02:59You're like the ball?
03:00I'm sorry.
03:02I'm sorry.
03:05You're finally going to get your ass.
03:08You're like the ball.
03:09You're always in the world.
03:12Do you feel like I'm not going to be in the ball?
03:15I'm sorry.
03:16I'm sorry.
03:17What?
03:19You're not even listening to me.
03:21It's time for you.
03:22I'm sorry.
03:23I have to understand what I'm doing.
03:24I have to understand what I'm doing.
03:27You're like the ball.
03:27I got a lot of people.
03:33They told me
03:34that there's a lot of fun.
03:38I'm sorry.
03:39I told you that there's a lot.
03:41I had a lot of fun.
03:43And I was like.
03:44You're like the ball?
03:45Yeah.
03:46Sure.
03:48It was a series of racers.
03:51And it was a series of times.
03:56I'm sorry.
04:03And it was a series of things.
04:05It was a series of racers.
04:08Instead of having an example of a portrait in the cinema films,
04:15it would be to try to create a large number of figures,
04:20and a large number of figures, and a large number of figures.
04:21Have you seen it?
04:24Don't give up with your friends, my son.
04:27Who are those who are they?
04:28You'll give up with them.
04:30You'll give up with them.
04:33I'll give up with them.
04:35I'll give up with them.
04:36I'll give up with them.
04:37No, my son, I'm working.
04:39And from the morning, I'm working with you.
04:41I'm working with you.
04:42The earth doesn't have a light.
04:44You'll give up with me.
04:46You're going to be on the floor.
04:47And you're going to be on the floor.
04:48You're going to be on the floor.
04:51I was born in the television film.
04:54I was involved in the television film.
04:58I was involved in the children's programs
04:58with my mother,
04:59and I was thinking
05:03I was in the middle of the film
05:04which is near the television film.
05:07I was in the middle of the television film.
05:09I was working in the children's program.
05:12I was involved in the television film
05:14in a very famous series
05:15called The Ttfck of the Sun.
05:18To the extent that the big fan of our friends
05:20I was in the middle of the television film.
05:21When I came, I was in the studio
05:23I was sitting on the television film.
05:26I was working in the studio.
05:33With the television film,
05:34I was doing television.
05:37I was looking at the middle of the sun.
05:46Yes.
05:48There are many prophecies.
05:52And, for example, I wanted to make a TV show.
05:58And I wanted to make a TV show.
06:00Do you have any food?
06:03No food.
06:05Do you want to know?
06:07Do you want to see me?
06:08I'm not going to let you know.
06:13Yes.
06:14You are the Casuals.
06:16We will all get news.
06:17You go out to all the people.
06:21And why don't you go out there?
06:23I was talking to you.
06:24I was thinking, you're lacking so much.
06:27I was thinking I was thinking about what I need.
06:30I only want to know.
06:31I came to the audience for a free time.
06:33And I was thinking of doing this in the pre-pandemic.
06:35And I got a job at the time and I got a lot of students.
06:42And I watched the students.
06:51Yeah.
06:54Yeah.
06:59Yeah.
06:59Yeah.
07:01Yeah.
07:06Yeah.
07:09Mm-hmm.
07:10and this was the hardest thing
07:12really
07:12I was really excited
07:13and then I was
07:19but in the end, I got my
07:20I got my job
07:23and my life
07:24and my life
07:24and my life was outside
07:26which was the old one
07:27I was outside
07:28I was walking
07:31I was walking
07:34five minutes
07:35I was walking
07:39I was in the city of the city of the city of the city.
07:42I went to see the light of the city.
07:46I was very impressed with the light of the city.
07:51He was a big man.
07:54First he had a special character.
07:56The studio was one and two in the television.
07:58When he was in the city, he didn't hear the noise.
08:02He didn't hear the noise.
08:04for the breaking of the music
08:07and the skills of the room
08:12What do you think about it?
08:13Of course, it is also something else
08:17We can't use it
08:18We can't make it
08:19We can't talk that way
08:19We can't make it
08:20We can't make it
08:21We can't make it
08:24Don't we have a person
08:25That's to tell
08:27We have to talk about it
08:29Is it what it says?
08:30Or, yeah?
08:30The same as Sissy
08:32it's my life.
08:33I found her Tw Arien Somerals.
08:34She may still beat her up or not.
08:40You're thinking about her.
08:42and, and such?
08:47And, her husband comes back to you.
08:50And...
08:52That's her嫌.
08:52Then, my σedding friend went to her members'
08:54par order from theстранate bar.
08:55the job to go to the television. Uh-huh. To the end, I see what I said, I left
09:02a job to be able to perform it. Of course. By the way. To the degree that the
09:06big fan, I want you to see me good. Uh-huh. Mr.
09:13. He told me, you're going to leave the television
09:16to the television? Mm-hmm. You mean, you're better to be a
09:22He said, I didn't have any trouble.
09:26He didn't have any trouble.
09:26He was very nervous.
09:28I think he had a heart attack.
09:30Because he was, as I was talking about him,
09:32he was a traitor.
09:33He was a traitor.
09:34He was a traitor.
09:34I was working with him and I was a child.
09:41So, I found myself myself
09:43in order to be a traitor.
09:46How dare you?
09:48Come here, come here.
09:50As-salamu alikum.
09:52How are you?
09:54I'm sorry.
09:55How do you do?
09:56How do you do?
09:57What's your dream?
09:59You'll turn your dream in every day.
10:05You'll be happy now.
10:07I'm gonna be happy now.
10:09I'll go and get you.
10:11I'll tell you what you want.
10:12What you want?
10:14I'm going to go back to him just so that he's good, and he's not going to enter the world.
10:19I'm sorry, I'm sorry.
10:35Good morning and good morning.
10:37Good morning, Mahmoud Bey.
10:38I'm Zeyn and I'm Fouad.
10:40I'm going to call you Zeyn.
10:41I'm going to call you Zeyn.
10:45Welcome to Zeyn.
11:03What are you doing here?
11:05Who are you doing here?
11:06That's what I'm doing here.
11:07How do you call me?
11:08Yes, sir.
11:09I'm going to put it on my side.
11:11What do you mean?
11:12What do you mean?
11:13I'm going to call you Zeyn.
11:15What can I call you?
11:22I'm going to call you Zeyn.
11:28What can I call you?
11:29I love you.
11:31Oh, it's a new thing.
11:34I was working on a barrenship in the 7th and 2000.
11:39He was writing a barrenship in the 7th century.
11:41He got a little bit like this.
11:42But it didn't have to be done with me.
11:45I gave you my meal.
11:47I gave you my meal.
11:48I gave you my meal.
11:49Did you get it?
11:50I gave you my meal.
11:51I gave you my meal.
11:52And I gave you my meal.
11:53And I gave you my meal.
11:54Why did you eat?
11:55What?
11:56Why?
11:57I didn't eat any more.
11:59Why?
12:00I thought I was working behind you and I didn't eat any more.
12:03What?
12:04I'll eat from you.
12:07I was doing this for you.
12:10Why?
12:11I actually worked a little.
12:12I worked and I was...
12:15I was...
12:16I was...
12:17What did you do?
12:19I said, if we were to get to the heart,
12:22I was thinking about it.
12:24I told you what.
12:25I didn't take care of you.
12:26Are you right away?
12:28What is wrong?
12:30I'm going to be right away.
12:32I'm going to have a great idea.
12:33It's first to get out of control.
12:35I'm going to get out of control,
12:38i can take control of the function.
12:41By the way i am going to take control of the function of the car box.
12:41I will go to the car box next time to the car box.
12:43If there is bad,
12:43I'll take control of the car box then be available.
12:45By the time I'm going to take control of the cell box.
12:47In the computer.
12:49Let's take control of the car box.
12:50and then we change it.
12:52Okay.
12:52And if I put it in a way,
12:53I put it in a way.
12:58So, all this is made inside me
13:00a
13:01a
13:01a
13:01a
13:01a
13:01a
13:02a
13:02a
13:02a
13:02a
13:02a
13:02a
13:02a
13:02a
13:05a
13:11a
13:13a
13:13a
13:15a
13:15a
13:15a
13:15a
13:16a
13:28a
13:29a
13:29And you're the people
13:29empty
13:30do not do you
13:31did not leave anything
13:35no
13:36no
13:36you
13:38few
13:38you
13:39don't
13:39you
13:40do not want to come to me
13:46would
13:47you
13:48you
13:50yes
13:50I'll do that
13:52I'll do that
13:54I'll see you
13:56the next
13:56I'll give you
13:57I'm
13:57She has been very hard for me.
14:02I love you.
14:05Dear friends, I told you that this is a bad word.
14:15And I wanted to tell you that a lot.
14:17This is a great community.
14:18This is a great community.
14:22When they tell their community back to me.
14:24If you're a person who can maintain it, it will fall.
14:26I will say that the people who maintain it will fall.
14:28But I don't think it will fall.
14:31If you're a person who is going to be able to maintain it,
14:33I don't feel like I'm feeling it,
14:34but there's a level.
14:35But they are not those who can maintain it.
14:38So they will fall.
14:39So they will fall.
14:40That's why I want to handle it.
14:44I don't know what I can imagine.
14:46Do you know if anyone's in the world
14:48can think of it when you think of it,
14:50they will fall in the next day.
14:50What's your name?
15:20No, no, no, it's the first one that I've heard.
15:23You're the one who's a good one.
15:24You're the one who's a good one.
15:27I'll give you the first one to you.
15:28And what's your point?
15:30It's a good one.
15:31It's a good one.
15:31The one that I've written about is the one.
15:33You saw it's a good one.
15:37I'll tell you what I mean.
15:42I was the first episode of the Iman Atabari
15:45to the big number of people in my family.
15:47I'll give you a quick one.
15:49I had a situation with myself, and there was always a situation between the audience and the Arabic language.
15:58This is the fact that the audience had to find the Arabic language to change the environment.
16:05For some reason, it was a TV show.
16:08So when I did my job, and I helped myself with that, I had a great deal with that.
16:14That's what we're going to do.
16:16We're going to have a series of history and religion
16:19But there's a series of social media.
16:22Hello?
16:23I'm sorry.
16:24I'm sorry.
16:33I'm sorry.
16:36I'm sorry.
16:37I'm sorry.
16:38I'm sorry.
16:38I'm sorry.
16:49I'm sorry.
16:50I'm sorry.
16:52I'm sorry.
16:55What are you thinking?
16:57You're thinking of them in Germany
16:59and you're in the doctor?
17:02Yes.
17:03I'm sorry.
17:05I was in the market.
17:23I'm sorry.
17:30I'm sorry.
17:32I'm sorry.
17:34I'm sorry.
17:36I was thinking of a research.
17:36You'll be able to move on to your own
17:39You'll be able to move on to your own
17:43And you'll be able to move on to your own
17:45And you'll be able to move on to your own
17:47You can move on to your own
17:47What is your own
17:48Why is it?
17:50I was able to get a new
17:52For example
17:54To a writer
17:55The author of Mحمد Jalal Abdelkhoi
17:58The money and the banon
17:59And I was able to get a new
18:03For example
18:04The money and the banon
18:05Will be able to move on to your own
18:09A previous history
18:10Through the previous events
18:11In the past
18:12In the past
18:13They were in the past
18:15We were able to move on to your own
18:16We were able to move on to your own
18:17For example
18:26For example
18:27The money and the banon
18:28If not
18:29The money and the banon
18:31When I saw
18:32For example
18:33The money and the banon
18:35For example
18:35This is a war
18:36The country
18:39In the front
18:42They couldn't
18:43I could not assume the thing I want to use
18:45when I told you
18:47I told you
18:50what do we need to use?
18:54I told you
18:55when was I told you
18:59that you'll never look
19:01for us on the coast.
19:06Did you say,
19:08we are on the coast now?
19:13you
19:43We are fighting and we are fighting
19:44We are not fighting and we are fighting
19:47We are not fighting
19:51The series was a great one
19:57But for example, I want to tell you
20:00There was a problem that happened in the end
20:04The big writer, Mr. Hjab, is the one who made the feelings
20:07And the one who made the feelings
20:08And the other guy who made the feelings
20:08And the other guy who made the feelings
20:10The last one
20:13It was a natural
20:15She was a natural
20:16One of the difficult people
20:16From the time they told me
20:39The first thing is
20:40after the journey, it was just like,
20:42I didn't do the failure.
20:46We were going to resurrect at the start,
20:50after five days, we were on from the beginning.
20:54I spoke to my husband and I spoke with my husband,
20:57my husband was a straighter,
20:59but for my music,
21:01I was able to get to the orchestra
21:03so I met my husband with my heart
21:08بدل دنيا غرورة دانية زي الحنى الشرانية
21:13حط بحلم وفتح عينية على جنة للإنسانية
21:17وجات حنان ماضي غنتها من غير ما نعدل في اللحن
21:22ولا نعيد تسجيل الأوركسر بتادي
21:24مش عايزة زينة زينة كل سنة
21:27وعلى الفكرة بقى أنا لو مشيت بطريقتك دي
21:30مش هنجح خالص حسقط
21:32طب وماله وماله لما أسقط
21:34أيوة يا أخي مرة من نفسك اخفي العين
21:37للأسف ما أقدرش يا أستاذ فريد
21:39إيه بقى يا صغير
21:40بلا خايف للدكتور إمام
21:42لا يشوف وريد جرينك
21:43لا
21:44خايف على عمك عباس لا يتوب فيها ساكت
21:47يا ماما
21:53يا أمو فريد
21:54يا حاجة فوية
21:57يا أمو فاهمك يا أمو فريد
22:03إيه
22:04إيه جرأي يا ودي يا فريد
22:06إنت عامل حصل إيه
22:07الله الله الله الله الله الله
22:09إيه ودي
22:10يا سلام كبيرت يا سفريد
22:13لا بقولك إيه
22:14ودي كانت زمان
22:15ما تقول لها جو
22:17كل سنة وأنت طيبة يا خلتي
22:19وإنت طيب يا حبيبي
22:21يا سلام
22:22وحشتك خلتك قوي
22:23وإنت مالك إنت أيوة طبعا وحشتني قوي قوي
22:26يا أبن أنت مش كنت هنا لعصر
22:28ده حتى كتر السلام إيه للمعرفة
22:30ما تخلصونا بقى
22:32وكان التحدي بالنسبالي أن المال البنون بيعرض قدام مسلسلين كبيرين
22:37ليهم نجاحات من أجزاء سابقة
22:41ليالي الحلمية ورقف الهجان
22:44فكنت يعني بعمله بإصرار شديد
22:50أني لازم أنجح
22:51وتنجح طبعا عند الله سبحانه وتعالى
22:53لكن إذا
22:55لو لم يكن المال البنون قوي
22:57ما كان سيصمد قدام الحلمية والهجان
23:10ليكا
23:20من أين دا كله يا كامير
23:22من الكوب إبتو
23:23الكوم الكفري
23:24أيوه
23:25عيسى بيحكة الأرض
23:26سراح المحرات شكة في الأرض
23:27لنفتح الكنزة
23:28قلت له نروح باني
23:30وليجي من ايه
23:30قلت له مفيش
23:31للعباس الضول
23:32وسلامة فراويني
23:33هم اللي بيشتغلوا في مصر
23:34في الساعة
23:35وطول بلدياتي
23:36وستر وقاط عليني
23:38أين العابل؟
23:40عبّي عبّي
23:41أتقرب عباس شوف
23:43أنت بتفهم في الحاجات دا
23:44كتر مني
23:45هو طبعا
23:46سيدة عبدالله ريس
23:47حالة خاصة
23:47طبعا
23:48في المال العظيم
23:49رباني يرحمه
23:50احنا كنا نمسيبينه
23:52الشديد يعني
23:53هو كان في المال البنون
23:55واشتغل
23:56وكن متحمس جدا
23:57للجزء التاني
23:58بس فيه جابة فيه
23:59سنتين تلاتة كده
24:00عدوا
24:01عملت ساعتها
24:02زقاب الجبل
24:02هو توفي أثناء
24:04زقاب الجبل
24:04لكن رحت أكمل
24:08بحد من عيلة غيس
24:10يعني يا حمد
24:10يا حمد غيس أقرب
24:11الممثلين
24:12أنه يعمل
24:13عبدالله غيس
24:15يعمل دور
24:16عباس الضوء
24:17يعني
24:17كان فكرة
24:18تغيير
24:20الممثلات
24:21الأجزاء
24:22الممثلين
24:23اللي هم
24:23بيتغيروا
24:25المال دا حرام
24:27سلامة
24:28فراويلة
24:29وإي حرامه
24:30بس
24:30دا ما للناش
24:31كلها
24:32يا جدع
24:33أنا عايز ربي
24:34أولادي
24:35من مال حلالة
24:36سلامة
24:37طب ما ربنا
24:37بقيت لك رزقهم
24:38عشان تربيهم
24:39طب أنزل
24:41أنزل
24:42قول للناس
24:42كلها
24:43وللحكومة
24:44أن دا رازق
24:45وجاء لك
24:46تقدر
24:47سلامة
24:48الحكومة
24:48أتاخده
24:49عباس
24:50وإحنا أقول
24:50بيه
24:51مدام خايف
24:52وبالدار
24:53تبسر
24:55سلامة
24:56أنا رأيي الشخصية
24:59أنه
25:00الجمهور
25:02مالو الزنب
25:03أن الجزء
25:03الأول
25:04لازم
25:05الممثل
25:07يلتزم
25:10طالما هو
25:11قبل أنه
25:12يعمل
25:12جزء أول
25:13ما يعتذرش
25:14على الجزء
25:14الثاني
25:15عشان
25:17فيه كسر
25:18المشاهد
25:20مرتبط
25:21بممثل
25:22فده حصل
25:23في ليلة الحلمية
25:24لما
25:24أصر الحكيمة
25:25اعتذرت عن زهرة
25:26وجاءت
25:27الهم شاهين
25:29ومحسنة
25:30وفيق
25:30وجاءت
25:31فرد وصعد الحميد
25:32في المالو البنون
25:33في كوز الأول
25:34اعتذر شريف منير
25:36وفايزة كمال
25:37وحلم
25:38عن لهم
25:38واق المور
25:39وجهان ناصر
25:41سلامة
25:42فراويل
25:43هو ده بس
25:45اللي انت حافظه
25:45مقرآن
25:46طم تقول
25:48المالو البنون
25:49زينة الحياة الدنيا
25:50وربنا ادينا العيان
25:52ودلوقتي ادينا المال
25:54عشان الزينة تكمل
25:55طب ما تكمل يا سلامة
25:58كمل
25:59المال والبنون
26:01زينة الحياة الدنيا
26:04هيه كمل
26:05اقول
26:06والباقيات الصالحات
26:09خير عند ربك
26:11ثوابا وخير
26:13املا
26:14صدق الله العظيم
26:16انا رأيي شخصي
26:18ان الموثل
26:18لابد ان يحترم
26:20البمهور
26:21طالما انه
26:22ارتدى ان يعمل
26:23المسلسل اجزاء
26:23لازم يكمل
26:25بقية الاجزاء
26:39انا كان نفسع من مسلسل عن
26:42وبور اكتوبر العظيم
26:43لان ده اللحزة الفارقة
26:46اللي حاولت مصر
26:47من نكسة سبعة وستين والشعور بالانهزامية
26:52الى النصر والتفوق
26:55هذه اللحظة التاريخية
26:58في تاريخنا المعاصر
27:00السينما عملتها في خمس ستة افلام
27:02كل سنة بيزاعوا
27:04على يعني
27:05مكررانية
27:06اه
27:06لكن التليفزيون
27:08اعتقدوا فيش دراما عالك
27:11لا ما تعملش
27:11هو بس في الملو
27:12البنونه جزء الاول
27:13باستاذ جلال عبدالقوي
27:15في مقدمة الجزء التاني
27:16في مقدمة الجزء التاني
27:18كتب جسد هذه اللحظة
27:20باعتباره
27:20احد الذين عبروا
27:22في تلاتة وسبعين
27:23وعملنا حاجة جميلة
27:25وحتى نهاية السفح
27:27تمن دقائق دي
27:28بخطبة السيدات
27:29في مجلس الشعب
27:30لما قال
27:31الان قد اصبح لنا درعون وسائف
27:35كل يوم
27:37نفس العذاب
27:51بتفرحني بس انا
27:53ومش انا اللي عملتها
27:54وانا من نوع اللي كنت دايما نعمل المشهد
27:56فمشهد صعب
27:58فيه مثلا خمس ممصرين
27:59وسائلتها كنت باعمل
28:01الملو البنون
28:02وهنا كاميرا تلات كاميرات
28:04وكاميرا فوق
28:06وبتنطط كده
28:07هنا هنا
28:09ف
28:10كان مدير التصوير
28:12السيد سامير فرج
28:14ومدير التصوير السينمائي عظيم
28:16ورئيس جهاز السينما
28:17فهو مبهر
28:19وانا
28:19بشرح المشهد
28:21فقال لي ملك
28:22ف
28:23ما عرفش هي
28:26فاطلقت الحكاية دي
28:27من ساعتها
28:28وبقى
28:29يعني
28:30لقب دارج
28:32مش هو ده اللي خينيجني ومديريجني
28:33اه
28:34يبقى هتقول لي ثاني
28:36خايف عليكي وعي الولاد
28:38وهقولك للمرة العشرة بعد الميل
28:40يا حبيبي ما تخافش
28:42ربنا مردوه
28:43واحنا علينا منه
28:44ونعمة بالله
28:47برضو مش هو ده اللي شغلني
28:49مشاهدين الكرام نرجو أن تكونوا قد استمتعتم بما قدمناه
28:53مع تحية فريق البرنامج
29:23مشاهدين الكرام
29:54مشاهدين الكرام
30:18Transcription by CastingWords
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