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يحيى العلمي.. صانع الأساطير
"حينما تلتقي الكاميرا بالوطنية، وتتحول ملفات المخابرات إلى أساطير حية على الشاشة. بين 'رأفت الهجان' و'جمعة الشوان'.. بصمة لا تُمحى، ورؤية صاغها مخرج الروائع يحيى العلمي. رحلة في عقل صانع الدراما الذي جعلنا نحبس أنفاسنا أمام الشاشات."
"لم يكن مجرد مخرج، كان 'جواهرجي' الدراما المصرية. من عبق 'الأيام' إلى صراعات 'الزيني بركات'، ومن مشاعر 'نصف ربيع الآخر' إلى ملاحم الجاسوسية. يحيى العلمي.. المبدع الذي رسم ملامح عصر التلفزيون الذهبي بذكاء وفن."
"يحيى العلمي.. المايسترو خلف أعظم كلاسيكياتنا. مخرج الروائع الذي حوّل الخيال إلى واقع عشقه الملايين. شاهدوا قصة صانع البهجة والهيبة في الدراما المصرية."

Category

😹
Fun
Transcript
00:00Oh
00:53I love you
01:05The name is Yaha Al-Alami, the name is cinema and television.
01:11Or television and cinema.
05:39üyorum
06:08improvingsproccpproccpproccpproccpproccp
06:31I don't know what he's doing.
06:40One English, two French, three Jewish
06:43Three is the Mocerian
06:45He is the Mocerian
06:47Yes, one is the Fursaried
06:49and the other is the Fikindriya
06:51The Mocerian is the Mocerian
06:54but I am not sure about it
06:56but I am not sure about it
06:59There is a family of my friends
07:01and if I find a family
07:04If I find a family
07:04Is it possible?
07:04Is it possible?
07:08The problem in the name of the Mocerian
07:11is that the name of the Mocerian
07:13the name of the Mocerian
07:13is the name of the Mocerian
07:14is the name of the Mocerian
07:14but it is a very rare thing
07:18The law is the law
07:21which has been done in six weeks
07:24The law has been changed
07:26and has entered the television
07:28and has been told
07:31that the law has been studied
07:32There are no rules as your standard to be rejected.
07:36I'm not sure yet.
07:38Ya, my lord!
07:41God, you're in love with your sins.
07:43You're in love with your love with your child.
07:47Are you like this?
07:49Will you bring me to the house of your house?
07:51Yeah, I did.
07:52I will.
07:52I was in the house and was in the house and I was in the house.
07:55I was in the house and I was in the house.
08:01مالك يومي
08:04مالك يومي
08:06مش عارفة
08:07قلبي مخطوفة على أخوكي
08:11شهرين
08:11شهرين دلوقتي من ساعة ما بعت الحوالم و3 جنيه
08:16لا حس ولا خبر
08:17حصل يحيى العالمي على جائزة الدولة التشجيعية في الفنون من المجلس الأعلى للثقافة عام 1982
08:241982 and the television
08:271982
08:28and the television
08:30and the television
08:31and the American
08:31and the American
08:33in 1985
08:36He loved the era
08:37and there is a lot of people
08:40who didn't know about it
08:40He was writing a book
08:44such as the television
08:45that was written on
08:47his own
08:48He was writing
08:52and he was writing
08:53and he was writing
08:53He had to write
08:59And he was writing
09:01and talking about
09:01and trying to get
09:04He was writing
09:08He was writing
09:09He was writing
09:09and going to break
09:09and I was writing
09:15and I didn't have to worry
09:16to my own
09:16He needs to be there
09:18He was like
09:19I'm not sure what I'm doing.
09:21After all that, I didn't find anything.
09:23What about all that?
09:25This is not a big company.
09:29I'm a legal company.
09:30I'm a legal company.
09:31I don't have to do it in a day and a day,
09:32and I'm still a good job.
09:34This is not a good job.
09:36This is not a good job.
09:41Is this a good idea?
09:42No, it's a good idea.
09:45This is a real thing.
09:47I'm a close friend.
09:47I'm gonna try to see you again.
09:49I'm not going to get into trouble to be with her.
09:54He's like,
09:55I've got an older brother.
09:59He has better than his brother's brother.
09:59He's a younger brother.
10:02He is another brother,
10:02so he's saying that he's the son
10:05who isn't the younger brother.
10:08He's the younger brother.
10:10He hasn't been the other one in his life.
10:11He's one and the other half.
10:12The other one has his next.
10:15What did you say?
10:16God!
10:17She's the only one who was in the world.
10:20But I'm just going to be a little girl.
10:22So I'm going to take her away from you.
10:24And I'm going to put her away.
10:25I've got you a little girl.
10:27I mean...
10:28Something that I'm going to do with you.
10:32And what's the same?
10:35We're going to do the same thing.
10:37I'm going to do the same thing.
10:40I'm going to get you in the same way.
10:44I don't want you to be a good thing to do.
10:47I don't want you to be a good thing or a good thing.
10:50You want to get into the topic of the whole.
10:53You want to be a good thing.
10:54He was a kid who was crazy.
10:58It was a strange thing.
10:59He was a man who was very interested in.
11:02He was a kid who was a kid.
11:06He was a kid.
11:06He was a kid.
11:06He was a kid.
11:09I had a email for the to-
11:11He was a kid.
11:11He was a kid in the rear.
11:13He refused to stop the using the übergine.
11:17He was a kid in the field.
11:21He refused to stop.
11:27But,
11:27I didn't want him to jump.
11:30I was a kid in the field.
11:34I don't want him to be an individual.
11:38Oh, I'm your friend, because you're a big one.
11:46Hold on!
12:02I'm just one.
12:03It's not a word, but it's a word.
12:07Yeah he's
12:07He's an accurate isn't it?
12:10He was not as nervous.
12:12He was a angry person
12:15When he knew
12:16he was angry
12:18when he had something happen
12:20because he had to go
12:20no, he didn't even tell me
12:25But it became
12:26It became
12:51I'm going to put it in the middle of my head.
12:52What's your name?
12:58What about the 6th, Fatima?
13:01Good.
13:02Alhamdulillah.
13:05I've got money for two years.
13:11Well, actually...
13:14I've got a lot of money.
13:15I've got a lot of money.
13:17I've got a lot of money.
13:21What did you call a Production?
13:26I've got the name Ian immediately
13:28I'm going tozone all of you.
13:32How did you understand?
13:35As I left it in the village of Tunay Sea,
13:40I'm Bemidatu.
13:43I'd like to get $9,000.
13:44I'm in the village under $ifatima цел아.
13:44How did you get to the office with me in the office?
13:47It was 6 years ago.
13:50How did you get to the office?
13:52It was about 10 days.
13:56I didn't realize anything during the 10 days in the office.
14:00If I could see a couple of days in the office, I would have told you about it.
14:06No, it's all a work like the baby's baby.
14:09You can't say that there's a work like that.
14:11No, no, no.
14:12But after that, he was supposed to be strong.
14:16He was different.
14:17No, I can't say anything.
14:20He didn't do two or three years in the year.
14:24No, he didn't do one in the year.
14:28Because as I said, he put everything in the office.
14:31When he comes to the office, he can do a couple of days.
14:38But once you get the job, he'll stay in the office.
14:41And if you do one of the work, he'll be able to do it.
14:43And he'll be on the office.
14:44He'll be able to do it.
14:45He'll be able to do it.
14:46He'll be able to do it.
14:47He'll be able to do it.
14:49I got to do it.
15:02I'm just having to do it.
15:03I'm not a good person in the world.
15:04I am not a bad boy.
15:06You're a good boy.
15:07I'm an an abu girl.
15:10I'm a good boy.
15:12You're a good boy.
15:14You're a good boy.
15:17I'm a bad boy.
15:18Good brother.
15:19Come on.
15:20But the right boy is a good boy.
15:22Why shouldn't you get married?
15:24You're a bad boy.
15:26You're a good boy.
15:28You're a good boy.
15:33Get back to the house, Zeyna.
15:35You're going to get the time.
15:38You're going.
15:40After a while in his history,
15:43about 30 films in the first place,
15:45fear of something,
15:47and the wild films,
15:48and the images in the real world.
15:50He was very good at the characters.
15:53He was looking for the artist
15:54and he felt like he could see something
15:56that he didn't get away from him.
15:58So he was having this very high.
16:01I don't know.
16:02He's saying he's going to see you on a different one.
16:04He's not really able to tell you.
16:07He's saying he's going to be afraid.
16:09There is a mistake in his own way.
16:13It's wrong, but it doesn't hurt any way.
16:16The money and the king put me in this way.
16:19It's my goodness.
16:20I don't have any kind of money.
16:22But everyone, honestly, he's not going to get it there with him.
16:27You're going to get it right away.
16:28Hello?
16:30Fattahy becky.
16:32Well, yeah, I should be.
16:33I should be.
16:33What's your name?
16:36Allah!
16:39Fattahy.
16:42But you're a good girl.
16:44You're a good girl.
16:45I'm a good girl.
16:46We're a good girl.
16:47We're a good girl.
16:50Like Zinu and Zinu.
16:55We'll see her.
16:56We'll also make out her movies.
16:59We'll see you.
17:00I'm so strong.
17:00Oh, oh my God.
17:01You'll do everything, man.
17:04You'll do all this one?
17:10Here's my mom.
17:13When I was tell my only monster
17:15when I was a father
17:20that who retains my ass away
17:22which is the truth, which is the weakness of the president
17:27and I don't love that
17:29حكمت المحكمة حضورياً
17:32بأحالة أوراق المتهم
17:34عاد العزام
17:36إلى فضيلة المفتي
17:37والنطق بالحكم
17:39لجلسة 25 مايو
17:41سنة 1971
17:43رفعت الجلسة
17:53.
17:53.
17:53.
17:53.
17:53.
17:53.
17:53.
18:04.
18:04.
18:04.
18:04.
18:06.
18:06.
18:06.
18:09.
18:09It's a strange thing, but it doesn't mean that if it's done well, it's done well.
18:19And if it's done well, it's done well.
18:21But if it's done well, it doesn't have to talk about it.
18:25And this is a very good thing.
18:28I want to tell what it's done well.
18:31It doesn't mean that it's done well.
18:32The fact that the government of the U.S.,
18:35it doesn't mean that the government of the U.S.,
18:39the problem is that the people in the U.S. have a strange feeling
18:44that there was a curse.
18:48I don't want to say that it's done well and it's done well.
18:53I want to say that it's done well.
18:56I don't want to say that it's done well.
19:02I don't want to say that it's done well.
19:04I want to make this money before it's done.
19:05I don't want to say that it is done well.
19:06But I saw that a lot of γs is done well.
19:13It's not a benefit.
19:18While you were not alone, you're not alone.
19:20You look at your parents' you're bad for their children.
19:23You're not alone.
19:23You're not alone.
19:24You're not alone.
19:25You're not alone.
19:26You're alone.
19:27I'm alone.
19:28I think it's very simple, very simple, but I think it's very simple.
19:32The problem is that Israel is a country that is a country, and the games like this are in the
19:38same way.
19:39It's not a big country. It's not a big deal. It's not a big deal.
19:44It's either in the companies, or in the organizations, or in the companies.
19:47What do you mean?
19:50That's what we did all the years ago, it was because of this...
19:57I don't know.
20:00The first time I worked with her, I worked with her.
20:03The first time I worked with her, I worked with her, it was the Arab television television.
20:09It's a great deal, and a great deal.
20:13She knew that she was a good person, and she knew that she was a good person.
20:18It's not a question, but it's another question.
20:23And the other time I worked with her, I played the British, and I was a big deal of what
20:33he thought was.
20:37You were able to hit the British people's Festival, and you were able to hit the British.
20:43You were able to hit the British and the British.
20:52I'm afraid that I'm not going to have it
20:54David
20:56What's going to happen?
20:57What's going to happen?
20:58What can happen?
21:00Not only in the United States, but in the world first and foremost, but in the world every year
21:05If Israel said that the channel of the Swiss channel is going to be on the border
21:10It's going to be able to get everything that is going to be on the border
21:15What's going to happen?
21:16If they're going to do this, David
21:19He'll put his hand on the border
21:21Everything to the world
21:22And it's going to be in the world
21:23What's going to happen?
21:25Would it be Aristotle for the U.S.?
21:28He wouldn't have been around the border
21:31Obviously, the days were gone
21:32And the days of the U.S. and the U.S. Nour D'Mirdash
21:36And the actions that can remember in the world
21:39But I've been the same thing
21:42I've been a long run
21:43So I knew from the past
21:45But for those who want to go to the border
21:49the television television
21:50...
21:50...
21:50...
21:51...
21:52...
21:54...
21:55...
22:04...
22:05I'm a leader of the Arab, Dr. Tawah Sin
22:07Because of the past, we're going to be able to get back
22:10And if we said we didn't do anything like this
22:14It means there's nothing to do with it
22:20Amigo
22:20The thing is is that I'm a good guy
22:24I'm going to get into the situation
22:27I'm not teaching a Spanish
22:28I'm going to go to Spanish
22:31I'm going to know what I'm going to do
22:35And I'm going to be able to get back
22:36And I'm going to be able to get back
22:38I'm going to give you an example
22:39The name that you mentioned was
22:42It's being a Jewish man
22:45And the other man was to live here
22:47The name of the Arab
22:50The Greek myth
22:53The book was really about the name
22:55In the area of the Doran Spasiano
22:57The Indian
22:57The Indian
22:58And I was going to tell you
23:00I'm going to tell you
23:01I was going to live here
23:02The Indian
23:04or
23:05or
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23:07.
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23:29.
23:29mوقف آآ يقول آآ. لازم يكون مقتنع بيها. عشان يكون مقتنع
23:34بيها لازم تكون اساسا عنده القدر يقول لا. قبل ما يقول آآ. بمعنى
23:38انه الموقف الاجاب الانسان يتراوح تايما بين القبول والاجاب. ما
23:43باش انا ضعيف في مواجهة اتخاذ القرار سواء بالرفض. وآآ او
23:48بالقبول. الا ازا كنت مكتمل نفسيا. هذا الاجتمال النفسي بيجي
23:53من الاجتمال الخارجي المحيط بينا يعني. وهو مناخ الحرية. ماش
23:58يخليني قادر على اني اكون ايجابي في اتخاذ قراراتي. فالقدرة
24:02على الرفض يمكن بتبقى اصعب من القدرة على القبول. لان القبول
24:05احيانا تحت ضغط ممكن تقول ايوة. آآ اسمع شاوي. آآ عادي السلف منك
24:12العربية. عادي معادي مهمة اوه. تحت رأمك يا حبيبي. متفضل. متشاكل
24:17شاوي. مع السلام. ايه هو دي خلاك تدي واحدة من العمال اجازة بتوم
24:22ما تكبر ايه. مش انا ليس العمال. يبقوا مسؤولين مني. وهي دي خلاك تدي
24:26العمال قابل اضافي. عادي اسبوعي بفعل. ما هو مش تاني الوقت
24:30اضافي. ما بحقهم. انت هتخليني شغل يا را. العمال دول مسؤولين
24:34مني. اقل ما فيها نديهم حقهم. ما انتو كان لازم تاخد ايه في
24:38الاول. ما هي بقى مسؤول عني. وتخلينا اتصرف معهم براحتي.
24:42يترجعني اعمل زيهم. وتجيب لك رئيس يسألك في الكبير او
24:45صغير. انت مترض علي يا ايه. ما هو معاملتك ليا هي اللي حتخلينا
24:49رب عليك. مواصفات البطولة مش لازم تكون مطرية على الدوام او
24:53الى الابد يعني. يعني مش لازم ابدا يبقى الشاب الوسيم الجميل
24:58الغني او اللي انقذ البنت بفروسية او الفارس المقدام اللي
25:03اختطفها من فوق الحصان. لا. انما هو ببساطة شديدة ويمكن لو
25:07تذكرنا احداث القصة. اتنين بني ادمين يعني فيهم كم من
25:13الانسانية مكسف جدا نتيجة الازمات اللي بيعنيها كل منهم. اه
25:19البعد الانساني ده هو اللي جماحهم. هو انسان اه اه خارج بيبحث
25:24عن ذاته. التي قمعت وقهرت. وهي انسانة اه اه ضغوط كسيرة حولها
25:30لانها جميلة. مجرد انها انسانة جميلة ومرغوبة. فالنجاح اه اه اي
25:36خطوة نجاح بتحاول تخطوها بتحس ان المطالبة ان تدفع اه تمنا لها
25:40يعني. اتنين جماحهم هزا البعد الانساني اللي يمكن مش متجسد
25:44في احداث واضحة او مادية قوي. انما هم حسوه بعض. عشان كده
25:50حصل هزا الالتقاء بينهم.
26:11كنت بحب الفن قوي. وكنت بقى قبضي يمكن اه سواء عندي شغلة او
26:17معديش شغلة. ووقتي كله الاول ما روحت لزيون الصبح. لغاية بعد
26:21منتصف الليل. في السوديو التنفيذ. بتاع القناة يعني. او في
26:25السوديوهات الدراما او في المنوعات. فهي لمحت فيي هذا. فاسندت
26:29الي اي اول عمل درامي. وكان ما يعني ما فاتشي على التحقي بالتليفزيون
26:36يمكن اهIGHT او اقل. وكان مسلسل باللغة الانجليزية من العمل
26:43مقرر على الثانوية العامة. كان اسمه اد ميربل كريتون او
26:47كريتون العجيب. كنتني يعني قلقت بيه في البحر كده. وانا فاكر
26:55انو خفت لكن متخزالتش. وحسيت انها بتوجيه للرسالة انك انت
27:01هتنفع بس تعليم. فبقيت اه اه
27:06I was afraid, with love, with anger, with anger, but with anger, but with anger, and with anger, and I
27:14did it for the first episode,
27:16so I got me in her school and said to me that I didn't want to stop.
27:20So I thought that there was a mistake, or something, but I didn't know.
27:25But I discovered after that, or I knew that she got the episode and saw it,
27:29and we were able to share the episode with her, and we didn't have a montage.
27:33I saw it, and I didn't say that she saw it.
27:36But I saw it, after several days, I found it, and I found it, and I found it.
27:39And I didn't know it, and I found it, and I found it.
27:42After that, I got it, of course.
27:43And it stopped to give me a job, and I need a job.
27:50It was a good worker, to the point of her, in the television, and in the society, but it was
27:58a good worker,
27:59and it was a very difficult time, and it was very difficult,
28:01and it was difficult for me to have a lot of fun and fun.
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