- 6 weeks ago
في هذه الحلقة، نبحر في عالم "مخرج الروائع" يحيى العلمي، أحد أعمدة الإخراج في العصر الذهبي للدراما المصرية. نتناول مسيرته الاستثنائية التي بدأت من أروقة التلفزيون المصري لتصل إلى قمة المجد الفني.محاور الحلقة:عبقري الدراما الوطنية: كواليس إخراجه لأيقونات الجاسوسية "رأفت الهجان" و"دموع في عيون وقحة".بصمة اجتماعية: كيف صاغ برؤيته مسلسلات "نصف ربيع الآخر" و"الزيني بركات".سير العظماء: دوره في توثيق حياة طه حسين في مسلسل "الأيام".شهادات وذكريات: لقطات نادرة وحديث عن كواليس العمل مع كبار النجوم مثل محمود عبد العزيز وعادل إمام.شاهدوا قصة المخرج الذي لم يكتفِ بنقل القصة، بل صنع وجدان جيل كامل.اشتركوا في القناة لمتابعة المزيد من حلقات توثيق زمن الفن الجميل.
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FunTranscript
00:00Oh
00:30I'm afraid
00:32I'll be afraid
00:32The new one
00:33What?
00:35You're going to be a man
00:36I'm not a man
00:37I'm not a man
00:38I'm a man
00:38I'm a man
00:38I'm a man
00:39I'm a man
00:39You're a man
00:42You're a man
00:44I'm a man
00:44I don't have any
00:45You don't have any
00:48It's not that
00:49This is not that
00:50The girls are just that
00:51I'm a man
01:00Thank you very much.
01:36Thank you very much.
02:07Thank you very much.
02:41Thank you very much.
06:50You know, I love you, I love you, but there are a lot of things that let me do this.
07:01First of all, it's a bad thing.
07:05You have to grow and grow and grow.
07:08It's a bad thing.
07:13Secondly, it's a bad thing.
07:19I'm Muslim, I'm a religious teacher.
07:25The 80s are the stage that I could say I've been able to get more people.
07:32I've been able to get more people and get more people.
07:36The 80s are the stage that I've been able to get more people.
07:41The first stage is that people are still aware of the TV,
07:56and we're able to get more people.
08:01We're able to get more people.
08:07We're able to get more people.
08:13What's your experience with everybody?
08:15The 80s are the loved ones who can carry it down.
08:16You can see the outsider that I can get on time,
08:20that can't help you, you can get younger people,
08:22What's your experience withings?
08:24What did you say?
08:30What do you think about it?
08:31Why didn't you ask me to get a phone?
08:33Who can you ask?
08:35You're not allowed to get a phone?
08:36You're not allowed to get a phone number?
08:38He's not allowed to get a phone number.
08:40He's calling me a phone number.
08:45Today...
08:48Today...
08:49There's a one that asked me to get a phone number.
08:51What did you do?
08:53I was going to get a phone number.
08:55What do you mean?
08:57I'm gonna ask you something
08:58I didn't know what I did.
09:00I didn't tell you anything.
09:02This was a one I was with you, but I didn't know what you were doing.
09:05This was something that happened.
09:07And you could not tell me what it happened.
09:08This was a romance.
09:11I saw Him.
09:14I saw him.
09:17I saw him.
09:17I was going to find him.
09:18I saw him, and I saw him.
09:20I saw him.
09:21I don't know what to say to people. So the study was behind the... What's the reason?
09:27The reason is the grammar of the work. And I don't know the wrong thing.
09:34But when I finished the cinema, I started to feel that I could work in the film film.
09:41And I asked from my God, God Almighty, that I could not be able to make a film film.
09:49He was like our parents, he had to take a look at him and take a look at him.
09:54He was able to take a look at him, and he was able to take a look at him.
09:59So I entered the law, and I changed a little bit.
10:04I told him that I'm going to be a person.
10:06The people of the community were the people who were the people who were the people who were the people
10:11who were.
10:11And I had to do it.
10:13And we all had to do it.
10:13And I was able to do it.
10:27I was able to do it.
10:30I was able to do it.
10:33What are you doing here?
10:34I'm not convinced.
10:36I'm not convinced.
10:38I'm convinced that the situation is not related to the situation.
10:41It's not related to the situation.
10:45What are you doing here?
10:47Is this a story like this?
10:49What are you doing here?
10:51What police do you say?
10:53What are you doing here?
10:54This is the secret I want to know.
10:58I have to get a thousand times more than the first one.
11:00All right.
11:00I have to call on the first meeting.
11:06For when I was just working on the television,
11:08I was able to install television from outside the city.
11:09I would call on it.
11:10Keep them from the cinema, scholars, networking.
11:16I will give them some information on the other side.
11:18Because at the time I have done it.
11:19We have to do this one.
11:21The first meeting will be dismantled from the citizens.
11:24Television.
11:25I would buy one of the scenes.
11:27I would call on that.
11:28A public area is a point of view of a change.
11:36He was going to give it to me and I was just working with him, just to give him a
11:41message and to give him.
11:41He said, and he gave him the letter to the letter, and he gave him the letter to the letter.
11:45He said, You're going to give his age.
11:48You're going to give it to me.
11:50I was going to give him to the bottom of the bell.
11:52The studio's had just never done all of them.
11:55But I was thinking that the studio was 3, and I went to the entrance.
11:59So I entered the entrance to the entrance.
12:00And the painting, and people who are wearing masks.
12:03And I think that it's a real real art.
12:08It's a real art.
12:09It's a real art.
12:11It's a real art.
12:13It's a real art.
12:14It's a real art.
12:22How are you doing?
12:23Good.
12:24You're welcome.
12:25Good.
12:26Good.
12:29I'm going to go with you.
12:31I want you to go with me.
12:32I want you to go with me.
12:35What is your art?
12:37I'm in your house.
12:39Come on.
12:51What is your art?
12:54What are you doing?
12:58What are you doing?
13:01I want you to go with me.
13:01I have a weird girl.
13:05You're going to go with me.
13:10Why are you waiting for me?
13:11I'm going to go with you.
13:12I saw you today.
13:15You saw me?
13:16I was in my house.
13:17I didn't even get in my house.
13:17You're going to go with me.
13:18I saw you.
13:19Come on.
13:20You have to go to me.
13:28I don't like myself, I'm sorry after I have fallen into the world, I have to love it, I love
13:37it, it's not working, you're being able to do my life for a long time, you're a part of my
13:44life, you're being a part of my life, you're being a part of my life, you're being a partner in
13:47the family life and the family life and you're with me.
13:51In every place, in the house, in the street, in the room, in the whole thing.
13:55But I'm going to apply it to something else.
13:59I'm trying to make the ability to experience it.
14:02I don't want to be a very common man.
14:06Or I'll show you the view of the person who is talking.
14:09But I'm going to experience it.
14:11I see this personality, is there one from me?
14:14There's one who knows.
14:26I'm going to experience it.
14:27I'm also going to experience it.
14:28Like you.
14:30Even if it was the matter, it would be me.
14:33This story took me a lot of time.
14:37It was a big deal.
14:40But...
14:41Madam, I don't have any idea about the matter of this child.
14:45Of course, when you get the information wrong,
14:48It would cause people to feel better and broken and ghetto...
14:52And you don't have any idea of it.
14:54I don't want to call it that much.
14:59I don't want to speak too much.
15:00I don't even understand my own thing.
15:01If I didn't have anyнxs, I'm going to experience it.
15:04I'm going to experience it.
15:07And, of course, you know that every person has a special life.
15:11He has his own life.
15:13Even if he had nothing left behind it.
15:15But the truth is, and I don't know how you started this story.
15:45Do you want to give it to the president or the president of the first administration?
15:48Do you want to give it to you? Do you want to give it to you?
15:50Do you want to give it to you? Do you want to give it to you?
15:53Do you want to give it to you? How do you return to you?
15:54This is something like that.
15:55If it was a historical event, did I have lived it or not?
16:00For example, in 1967.
16:02We visited it in the 19th century.
16:04I lived in 1967.
16:05I was trying to get back to my experience or my experience
16:09that was present in this period.
16:11For example, this means that it is the message that people are calling him.
16:16I'm trying not to look at the work I have done.
16:20I'm trying not to look at the work I have done.
16:21I can't picture this one or maybe if I are not saying anything about it.
16:24No, I don't have to say anything about this.
16:26I'm trying not to say anything about it.
16:26To see how you in the north side of it.
16:27No, we want to talk about the work I have done.
16:30For example, we're talking about it to be honest.
16:31We're thinking, we're thinking, we're thinking.
16:34I'm trying to make it in the work that I do.
16:41He's like this.
16:42He's like this guy.
16:44He's like this guy.
16:46He's like this guy.
16:46Did you know him before that?
16:48No.
16:49But I see you in the same way.
16:51Yes.
16:53Why?
16:54He's the one who wants me and wants me.
16:56He's the one who wants me.
16:59He wants you?
17:01How do you want?
17:03He wants me to go to my husband.
17:04He wants me to go to my husband.
17:06He says this guy was the one who wants me to resist.
17:11He wants me to resist if he was right or not.
17:13He wants you to resist?
17:14He wants you to resist?
17:16What does he mean?
17:17That's why I say this guy.
17:20Yes.
17:23Are you going to resist?
17:24What?
17:25You're going to resist.
17:28Who are you?
17:29Why are you doing this?
17:38You're going to resist.
17:40You're going to resist.
17:41You're going to resist.
17:42For example, I chose Zainabu Al-Arsh.
17:44The fanatic of Zainabu Al-Arsh.
17:47This is one of the fanatic fans that you didn't have to be able to do.
17:50What can you do to Zainabu Al-Arsh?
17:52Before that, I was able to do something very simple.
17:54I was able to do something very simple.
17:55Mr. Nourad Gamerdash.
17:58But I saw this in Zainabu Al-Arsh.
18:01This is a very important point.
18:03At that time, I found out that it wasn't...
18:07It was actually considered a new TV TV.
18:08It was a very young audience.
18:10And I did this with the entire fanatic fanatic.
18:13It was about every fanatic fanatic,iblity,
18:27and a very
18:27important fanatic fanatic texts throughout these movies. It was a
18:30very big fanatic fan. I value plans
18:31for TV shows true. Very charming fans
18:34of Zainabu Al-Arsh. And hopefully you
18:35are able to see such known fans of Zainabu Al-Arsh. In the right
18:37time, I continue to just obtain the young and entender from Zainabu Al-Arsh.
18:38The image is a very rich image, but from underneath has a very large appearance that is becoming happy and
18:49happy but it is a very bright color.
18:51She doesn't have any color of this is a red.
18:53After two, it was red and it wasn't red, it wasn't red and it wasn't red one.
18:57It was red and it was red and it was red and that was red and white.
19:10Anur Laficerianat the
19:12Pleaseocate yourself
19:14Because we have a guest
19:15And will give you money
19:21Because of this
19:21Even if you miss
19:21And get out of it
19:24And it is
19:25You know
19:28He is
19:30You're a good person!
19:31You're a good person!
19:32You're a good person!
19:35That's right!
19:37You're a good person!
19:37I'm going to give you this job!
19:39I'm going to give you this job!
19:43You don't understand me!
19:45We're not able to live like we could live in the first time.
19:49You understand me?
19:50We don't have money!
19:51You don't understand me!
19:53We don't have money!
19:55You understand me!
19:57I'm going to live!
20:08I'm going to live!
20:10When I was in court.
20:12I really started to say to me,
20:13how did you make it?
20:14How did I Mondays get to it?
20:18He's a good person.
20:20Where did you have technology?
20:20Where is the art of art?
20:38No, it's a very important world in my life
20:43I was a very big one for my life
20:46I felt that this huge cinema
20:50It was a very big thing to do for television
20:53We were talking about a few hours
20:55We were talking about it
20:57We started the idea
21:00We started the idea
21:02But during the trip
21:03The lady Fadilla
21:06I was with her
21:07I was standing there
21:09jambihaa. Falii saraat hosni jaiya min al-akhir, min al-akhir kaiyaraa. Bitkuli
21:13ana wa maadam samia sadeq, ana mustعدa amdil al-akad. Asnai rihlea
21:17al-awdaa fakkarit wakadit al-karar waaktanakit.
21:20.
21:20.
21:20.
21:20.
21:22.
21:22.
21:23.
21:23.
21:23.
21:23.
21:23.
21:23.
21:23.
21:23.
21:23.
21:24.
21:24.
21:25.
21:34and we were very sad to see some of them.
21:37I mean, I think that it's an art style.
21:44And it doesn't have the ability to say that it's going to be able to communicate.
21:47No, I was going to tell her that she needs to be able to communicate.
21:50She has an affiliate inside her.
21:52I don't know if it's true. But if it's not, it's true. There's a big difference.
22:02But it's not an opinion that it can be established at any time.
22:09Do you want to enter the bus?
22:11No, don't worry.
22:13Don't worry.
22:14Don't worry.
22:19Don't worry.
22:21Don't worry.
22:21I've always done a program called The History.
22:26I'm trying to study it through my book.
22:29I wanted to know what the drama is.
22:30So I started from the German drama.
22:33The Asatir.
22:34The history of Europe and Europe.
22:36I discovered that this is not German.
22:40It was the light of it in the third or fourth year.
22:44I was a kid.
22:44I was on my own home.
22:46I was on my own home.
22:48I was on my own home.
22:49He was here every week.
22:50He was on my own.
22:51I saw the days.
22:52The days of the days.
22:54I said I want to go to the television.
22:56After I saw you.
22:57So I had a book for the 9th century, and it was a book for the 9th century after the
23:0419th century.
23:05But it was a book for the 10th century, and it wasn't a book for him.
23:13So I don't want to stay in my life.
23:16There's someone who died because of it.
23:21I don't want to go.
23:23I don't want to go.
23:27I don't want to go.
23:29You understand me?
23:35You understand me?
23:35I don't know why I didn't know.
23:36I didn't know what the answer was.
23:38I only got a book for a book.
23:40I found a book for him.
23:43I told him I was a fan.
23:45I told him I was a fan.
23:45I was a fan.
23:46I was a fan.
23:49I wanted a girl who was a fan.
23:54He was a fan.
23:54The girl who was a fan.
23:58The fan.
23:58The fan.
23:59The fan.
24:00the one who loves it, from the beginning of the day.
24:03So I found that she had a beautiful place.
24:07It's a great thing.
24:09Yeah, I'm sorry.
24:15I'm sorry.
24:16I'm sorry.
24:21I'm sorry.
24:22I'm sorry.
24:22I'm sorry.
24:23I'm sorry.
24:24I'm sorry.
24:28I'm sorry.
24:29Okay, good morning.
24:32I'm sorry.
24:32You're sorry?
24:35You're sorry, I'm sorry.
24:39You're sorry.
24:39I'm sorry.
24:39I know you're on the ground.
24:41I know what I'm saying.
24:42I have to say,
24:43I know you're in front of me.
24:46I'm sorry.
24:50I know.
24:51I'm sorry.
24:52You might.
24:53The doctor Dr. Dr. Dr. Dr. Dr. Trani told me something like this.
24:57I gave work for the people of the German and government government,
25:00and in order to form the scientific law from the top.
25:02And it did not work for years.
25:04So in this year, I have been a little sad in life for me.round?
25:10I gave
25:11wage 81, God bless 82. In January
25:141982. I don't
25:15like you. That's the
25:17one I don't like you. It's been...
25:23What kind of men you got?
25:26I don't know what I got here
25:27I don't know
25:29I don't know
25:30I don't know
25:32I got your daughter
25:36I don't know
25:41I don't know
25:44How is my daughter
25:47How are you
25:47I got your daughter
25:50I got your daughter
25:53He was the first work in the work of the interviews.
26:03I had a day that I found an Arabic language from the interviews.
26:10We had a lot of people who wanted to do the interviews.
26:15We had a lot of people who wanted to do it.
26:17So I got upset with this.
26:18I said I didn't do anything at all.
26:21I met a professor at the University of Massachusetts, and I said, go and see who wants to know, and
26:26what do you want to know?
26:28I went to the University of Minnesota, and I saw a person in the area of the city and the
26:33city.
26:33I discovered that this facility is the one that we are going to hide in the house and work, which
26:39is what is the city that is alive and that is the city.
26:41It is a facility in the area of the city, and people in the area of the city.
26:45The world is a artisan.
26:47It's written about a real issue.
26:50It's the issue of the funeral.
26:52I felt that I had to have a new one.
26:55I mean, a new drama.
26:57I always wanted to be a real drama.
26:59No, it's a real drama.
27:00This story happened.
27:01This guy is there.
27:02The guy is there.
27:04The machine is there.
27:05The Israeli people are there.
27:06The story is 100%.
27:17I'll be there.
27:18I'll be there.
27:18Yes, you will.
27:21You'll be there.
27:23You'll be there.
27:25You'll be there.
27:29Tell me, you know, what's your name?
27:32What's your name?
27:33Your name?
27:34My name is the man.
27:35You're there.
27:36You're there.
27:37You're there.
27:45You're the Arabic guy.
27:46Who are the
27:47Where, who is the name of God?
27:48Who are the points of cash?
27:50My name is the only question to us.
27:53Who is the measure of our hand?
27:55No.
27:56What do we say?
27:57With SWF.
27:58My name is the person.
28:00Three, when her name is orgasm.
28:02You're biting my ownouncement.
28:03Why am I teaching my own language?
28:41What do you say?
28:41but I found a lot of jobs in that way.
28:43God!
28:44The world happened on a lot of jobs
28:46from the international government
28:48in the fain
28:49and the international and international
28:51and the international and international
28:54and international international
28:55and international education
28:55and the international education.
28:56Despite the world's debut
28:57but the movement of the movement
28:59in the cinema and drama
29:01was registered
29:02by the famous ones
29:03in the past.
29:05Come on, dear.
29:07Come on.
29:07Come on.
29:08Come on.
29:09What are you doing?
29:10What are you doing?
29:14No, I'm not going to go.
29:17Our viewers, we are going to be able to be aware of what we have done.
29:21With the praise of the team of the program.
29:51Any questions?
29:54Any questions?
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