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Bergerac S02E04 [Full Movie] [Hot 2026]Full EP - Full
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00:03You've run to a trip to the coast?
00:16How's things with your daughter?
00:19Uh, yeah, she's not speaking to me.
00:23Nope, she won't be.
00:25She's gonna punish you about 50 times before she eventually gives you the time of day.
00:31What do I do until then?
00:34Keep showing up, regardless of how much she tries to push you away.
00:38And eventually those 50 punishments will run down to zero.
00:44She's leaving soon.
00:45You better get cracking then.
00:55This car was found over there, with the keys still in it and the suicide note on the dashboard.
01:02I want to know a bit more about Alan.
01:06This incident with Monica and the knife, when was it?
01:10A few days before he died.
01:12But you didn't see it?
01:12No, I told you, I was at uni. He told me about it.
01:17Thanks.
01:18But in the years before I left, Monica and Dad would argue a lot.
01:23Not blazing rows, just sort of tense, small, sort of snipings.
01:28Do you remember what about?
01:31Michael, mostly.
01:32How Monica and Molly cuddled him, how Dad wanted him out from underneath them.
01:36And me.
01:38How Dad was easier on me, at least according to her.
01:42How that was giving Michael a complex.
01:46Dad wanted out.
01:48I know he did, but not like this.
02:05Why are you looking into all this again?
02:08Well, it's possible that when Tony said no more secrets, he was talking to Monica.
02:13And do you think that my Dad is the secret?
02:16I think...
02:21I'm late for work.
02:32I'm late for work.
02:33The lift-top only opened to the public two months before Alan Barton was reported missing.
02:37Presumed dead. Thank you.
02:38Since then, we've sadly had one further suicide and an accidental death there.
02:43Now, the tide is very predictable, even in extreme weather.
02:46And both of those times, the body washed up in the bay half a mile down the coast.
02:50Alan's body didn't.
02:51And no one questioned it at the time because, I guess, no one knew about the tide patterns.
02:55Cara and I have been back to the hotel to check on Tony's sightlines.
02:58When Tony said no more secrets, he was looking in a mirror at Monica.
03:04So, what was the secret?
03:06We've got two theories.
03:08Either Monica killed Alan, Tony knew and was threatening to expose her.
03:12But what was Monica's motive for killing Alan?
03:14I mean, he had a couple of grander savings, but that was about it.
03:16Like, the cottage maybe?
03:18That's what we need to find out.
03:20The bit I don't get is why she'd then tell Tony.
03:22I mean, you'd keep that to yourself, right?
03:24Again, that's what we need to find out.
03:26The other theory is that Tony was summoning up the courage to tell Monica that he lied about his job
03:31and his money.
03:33Now, Monica says that Tony told her the week before the wedding.
03:36What if he didn't?
03:37What if he told her that night?
03:39Well, and then she killed him.
03:40That's quite a reaction, isn't it?
03:41Yeah, well, even if she didn't kill her first husband, Alan, the daughter said that Monica once threatened him with
03:46a knife.
03:47So, we're dealing with someone potentially prone to aggression, violent outbursts.
03:51Cara, Sally, Dan, go back through the reports into Alan's suicide.
03:56We need to see if there's anything that they missed.
03:57Simon, Liam, Katie, talk to Monica's friends.
03:59Did she mention Tony's financial situation to anyone?
04:02And crucially, when did he tell her?
04:04And we still haven't figured out who this figure in the coat is.
04:11Bonnie.
04:12All right, all right, all right, all right, all right.
04:15Yeah, yeah, yeah. Good to see you, all right.
04:17They've discharged you from the hospital?
04:18I mean, not technically.
04:20I thought you'd all be missing me by now.
04:22Are you okay?
04:23Oh, yeah. Doctor said it's a scratch.
04:26Sorry, Jimmy, you carry on.
04:27That's okay, we were just finishing.
04:29Uh, thank you, everyone.
04:35May.
04:39Hey, boss.
04:40Thanks, man.
04:41Cheers, mate.
04:42Yes, mate. Good to have you back.
04:44How are you feeling?
04:45Like I just got stabbed.
04:47So, no, you shouldn't be here.
04:48What am I supposed to do? I can't go to the gym.
04:51Let me bring you up to speed.
04:53Yeah, all right.
04:55Um...
04:56Lost the video, and I?
05:20Uh, Ian has confessed to killing Carl, and to swapping the bloods, and, uh, obviously, to the attack on you.
05:26He's Adam, and he didn't kill Tony.
05:29You believe him?
05:29I do.
05:33Wish I didn't.
05:56So, yeah, the current focus is Monica, and, uh, well, there's a possibility that her first husband's suicide was, was
06:02actually staged.
06:03Yeah, and Tony knew and threatened to expose her. That's what Nicola said, right?
06:07The other theory is that Tony told her about his financial situation.
06:09And she lost her shit, yeah.
06:15Uh, about what you said at the hospital, I just...
06:17Jim, what happened was really shit. I'd like to put it behind me, okay? We're good.
06:30What happened there?
06:32I've no idea.
06:33Barney.
06:35I didn't expect to see you back so soon.
06:37Discharge this morning.
06:39That's... surprising, after such a close shave. And God Jim arrived when he did.
06:44Take it steady, Barney.
06:45Understood, Mum.
06:47About time some of the others did some work, eh?
06:58For good health, I don't know.
07:06You're totally fine.
07:07It's not that bad.
07:07It's not that bad.
07:13You've got to go.
07:13For good health, I mean...
07:14You're going to be so close.
07:14You're too close.
07:14You're too close.
07:19My mess.
07:19You're too close.
07:21Get your clothes on.
07:33Boss, have you got a minute?
07:34Uh, yeah.
07:36So the footage from the night of Tony's murder came in?
07:39What was it?
07:40Costello's, the restaurant.
07:41The footage of you and Nicola Barton.
07:44When you disclosed you had contact with Nicola the night of,
07:46you said it was a two-minute conversation.
07:49It wasn't.
07:50It was longer.
07:51Really?
07:52Way longer.
07:54It was 43 minutes.
07:5543 minutes?
07:58Wow, okay, yeah.
07:59You do understand I need to put this on the CMS, don't you?
08:02Yeah, of course.
08:03Which means that everyone in here can access that footage.
08:05Yeah, I know how the CMS works, Cara.
08:07And see that your two-minute conversation with the person connected to the case
08:10was actually much longer and much more cozy than you initially let.
08:14Cozy?
08:14Uh, is it subjective?
08:16Maybe.
08:17But the timestamp isn't.
08:19Look, maybe you lost track of time.
08:23Or maybe you thought it was inconsequential.
08:26But please, get your fucking story straight, sir.
08:33All right.
08:45All right.
08:46All right.
08:47All right.
08:48All right.
08:48All right.
08:48All right.
08:49All right.
08:49All right.
08:50All right.
08:50All right.
08:50All right.
08:50All right.
08:51All right.
08:53All right.
09:00i thought you'd gone back to manchester i decided to stick around visit some old haunts like the cliff
09:10a friend saw you there this morning sorry that sounds like i mean you can you can do what you
09:15like i just mean that i i wish i'd known you were still here um we could spend a bit
09:21of time together
09:23i don't know what i thought we'd made some progress nick i explained how your father was i know that
09:30it must have been difficult for you to but you know i thought it might have answered some questions
09:36for you no it did it's just being back in jersey it's harder than i thought it would be
09:47being back around me you mean
09:56have you heard about love languages people have different ways of demonstrating their love
10:04and i think that i had a way of showing you that i loved you because because i did i
10:09i do
10:12and i think it's something that i learned from my mom she was um she was practical she was endlessly
10:20practical so the house was clean and we were clean and there was food and you know i think that
10:28that's
10:28what i associate with love and it's just as deep as something more demonstrative but maybe it's not
10:36how you needed to be loved
10:42yeah that would make a lot of sense if i hadn't seen you do it with michael
10:49you weren't practical with him
10:54you engaged with him you gave him energy and time and love and i got
11:04what was left well michael just demanded more he needed more you didn't have to give it to him
11:10you could have said no you can't say no to a child like that so i'm left with this impossible
11:17choice of what to believe yeah that oh you couldn't love me because of some
11:24flaw in you some bit in you that's missing or that ultimately because i'm just too hard
11:32to love what no that's not christ no
11:47this is why i didn't want to see you because these conversations are too hard
11:59i'm sorry about tony but
12:05i want you to leave now
12:14have kids
12:16then we'll talk
12:27kim
12:28i know you're sure is with me and you have every right to be
12:32but you're leaving soon you know and i would just love it
12:36if you would just consider forgiving me just a bit quicker than you would normally
12:42i have forgiven you yeah i mean it just doesn't feel like that i'm just tired
12:50uh thanks for the lift
12:5649 to go
13:08jim
13:09migel um i'm sorry doesn't even come close
13:14it's okay jim really it was uh it was an accident no it's not okay it's it was it was
13:20out of line
13:21and uh look i'm sorry apology unnecessary but accepted uh is johnny in um christ uh well if you're
13:49i just wanted to say um how how sorry i am and by the party
14:01i don't know what else there is to say
14:09when rachel died
14:10you were devastated as was i as was everyone
14:15in many ways we will never fully recover i appreciate that but the rest of us
14:23even her daughter are managing to function now
14:28and so for you to still be spreading such olympic standard chaos would suggest an element of choice
14:35of choice the risk of sound of condescending charlie you do know that i'm an alcoholic
14:40really oh you should have mentioned that oh wait you do endlessly you know rachel was exquisite
14:50she was she was perfect she was better than me in every single way but she never made me feel
14:57like
14:57i didn't deserve her but from the moment we met i have spent every single day trying to prove
15:04myself worthy to you
15:09i have lowered the bar as far as i can for you jim any lower it'll be in the cellar
15:15not getting drunk at kim's leaving party was all that was required of you
15:21i'm sorry even that proved too much
15:29jim that actually went better than i expected
15:32how do you deal with her well when you get to my age and you've been through some
15:39some stuff not to suggest you haven't had your own share of stuff but
15:50i lost a child my first wife and i
15:56when he was only two god
16:00i thought i'm sorry and obviously that's something charlie and i have in common and
16:08the one thing about something so unfair so
16:14so savage is
16:19it gives you some perspective
16:23and some patience
16:27i'll talk to her all shall be well and all manner of things shall be well thank you
16:37that's all right again oh you should see the other guy
16:59uh
17:00uh sorry talk to me
17:02monica was telling the truth
17:05spoke to one of her bridesmaids and according to her tony had told monica about his financial
17:09situation a week before the wedding okay did you say how monica responded well i'm not thrilled
17:13but not filled with murderous rage either okay and i take it we're still nowhere with the figure in
17:18the coat yeah but yeah we're we aren't uh cara i had a look at alan's phone records and i
17:26found some
17:26calls that the original investigation must have missed who are philips and hawthorne solicitors
17:31on the mainland who happen to specialize in divorce i spoke to them they dug out the notes they said
17:36alan barton spoke to them about divorcing monica two weeks before you died monica didn't mention it
17:42in either investigation which means she didn't know or she concealed it read the third paragraph
17:53okay well there we go uh i'm gonna put this to monica and yeah obviously you can come too funny
18:02should come too yeah if you're for it i think i can manage sitting in the car and then sitting
18:07in a
18:07chair in her living room good yeah brilliant let's go thanks yeah if they get divorced you're going
18:26into foster care oh don't say that listen i thought you should know i was with jim bergerac today
18:34i finally got him to look into my dad's death again right so you're still looping all this back
18:41to monica then she threatened my dad with a knife i'd call that a red flag i'm confused i thought
18:49you thought monica did it too when i saw her michael was there and he got into an argument with
18:59his
18:59neighbor he was out of control like just the the rage monica actually had to hold him back
19:05i just think maybe we're looking in the wrong place you think michael might have killed tony maybe
19:14and maybe not just tony i don't too no come on well we've talked a lot about whether monica did
19:22it
19:22never how how did she overpower two husbands two fully grown men who would have fought back
19:40let me just have a couple more things we'd like to run by you
19:43how would you describe your relationship with alan around the time of his death well what's this got
19:49to do with tony's death i was still trying to establish what tony meant when he said
19:54no more secrets you described alan as in a dark place before his death well he um he killed himself
20:02unless i've read too much into that
20:06you said that he was erratic and unpredictable yet we found no evidence to corroborate that if anything
20:13mrs salinger we found that he was making plans for his future you've been talking to nicola
20:20i don't know why she's dredging all this up again i thought we'd settle this were you aware
20:24that shortly before his death alan contacted a divorce lawyer what um no no i didn't know that
20:33they had two conversations the solicitor described him as buoyed by their discussions and hopeful for his
20:39future he said the final straw was a fight the two of you had where you threatened him with a
20:44knife
20:46no that never happened i know this is hard monica but we're still exactly where we were
20:52on the night of tony's death and look no more secrets meant something okay you don't upend your
20:57wedding day for a joke now there are people who love tony you loved tony and so we owe it
21:02to all of
21:03you to explore every lead answer every question i'm really sorry but that's led us to alan's death
21:07and look look if there is nothing if there is no relevance then i swear to you we will move
21:12on
21:14but we won't know until we ask
21:26okay what it's true the knife it's true
21:32but when alan spoke to nicola and this solicitor he left out some pretty crucial context
21:40he did change his behavior did change and i hid it too because i didn't want people to think ill
21:49of this beautiful kind man that i loved
21:58one night he hit me
22:02and i grabbed the knife um because
22:05he kept coming towards me and um i told him to get out of the house and i didn't see
22:12him for a few
22:12days so that must have been when he um when he spoke to nicola and this lawyer anyway after a
22:18while
22:18he came home and he was full of this this indignation and um he said that i had attacked him
22:27and i said
22:28no alan you hit me because i still had the bruise and um he was devastated because his father was
22:40abusive
22:40towards his mother and him and his brother and um there he was completing the cycle becoming
22:48the thing that he swore he'd never be i see it's in michael too sometimes
22:57and a few days later he died
23:00i couldn't tell the kids i mean nicola would never believe me she will never let this go
23:09michael
23:15michael
23:17michael
23:18michael please
23:18michael
23:23oh my god you've got to go after him what well he must have heard everything that i said
23:28about alan he didn't know any of that actually no no no look you don't understand he's fragile
23:33he's been going to the cliffs where alan died when he's like this i have no idea what he's capable
23:38of
23:45i need all available units dispatched to the morbury cliffside and a bolo put out for michael
23:51for driving a blue bw polo
23:53and
24:04and
24:06and
24:06and
24:19Oh, shit.
24:31Hey!
24:32Is he...
24:33No sign!
24:34No sign of his car, either!
24:37We've got a visual on Michael's car.
24:38Where?
24:39Pulling into the Clifton Hotel.
24:41Jesus.
24:43What?
24:44We need a unit at the Clifton immediately.
24:46Quiet approach.
24:47We're in 401.
24:48We do not want him spooked.
24:49Wait.
24:50What is in 401?
24:51It's Nicola Button's room.
24:53We don't know what Michael's capable of.
24:54He's not the one in danger.
24:55Nicola is.
24:58Come on!
25:35We've got laws against doing that.
25:43How did you know her room number?
25:45What?
25:46There's a guy.
26:05Hello.
26:05Welcome to the Clifton.
26:06Do you have a room for 401?
26:08Uh, fourth floor.
26:09But you'll need a key card.
26:15Hey, uh, we need a room pass for room 401.
26:18Okay, um, I just need a credit card to activate the room pass.
26:22Thank you so much.
26:24Okay, just 401, yeah.
26:26Please, please, can you just hurry?
26:29Oh, righty, there we go.
26:31There's your room card.
26:32Oh, sorry, the, um, the lift's undergoing maintenance at this present moment in time.
26:36Of course it is.
26:52You all right?
26:53I'm fine.
26:54Just go.
27:03Wait, wait.
27:04Wait, wait, wait, wait, wait.
27:06Oh, it's a fool.
27:07You're going to be stuffed.
27:08You're making fun.
27:10I'm so sad.
27:12You're going to be a possibility.
27:13You're in state Manchester and track yourself in that front row.
27:16Michael, nothing.
27:17Well, enough is enough.
27:19Go, go, go.
27:20Police!
27:21Police!
27:21I didn't do anything.
27:25I didn't do anything, I swear.
27:26Are you okay?
27:28Nicola?
27:29What is it?
27:30Nicola!
27:32What, what, what is this?
27:35I'm here.
27:38I can't believe it.
27:40Well, it's true.
27:41So you can stop now.
27:43You can finally leave us alone.
27:45I don't understand.
27:45What is this?
27:46What's the confusing bit, huh?
27:48It's from him.
27:49Alan, my father.
27:58He's not dead.
28:14It arrived the day before my, uh, 30th birthday.
28:19Uh, a few months earlier, dad had been officially declared dead, and mum had arranged a little
28:25gathering for us to say goodbye.
28:28And Nicola came.
28:30Reeking off for gasp her.
28:33And that's when she first suggested that our mother, a woman who has to literally ask me
28:37to open jars for her, killed our father.
28:40I mean, it's ludicrous.
28:43Anyway, that's when the card arrived.
28:46At first I thought it was Nicola playing some sort of joke.
28:49But then, postmark.
28:53The date.
28:54And you didn't tell Monica.
28:56Oh, mum, by the way, dad's alive.
28:58He'd just rather you think he was dead than ever talk to you again.
29:04No.
29:05I didn't.
29:06I didn't tell anyone.
29:08The police had ruled her to suicide for the second time.
29:11Nicola had been extradited back up to her northern town.
29:14I didn't think that there was any point in exhuming it all again.
29:17But then, Tony died.
29:19And when Nicola reappeared and started trotting out her greatest hits,
29:23I didn't think about telling her then.
29:26But the next minute she was leaving, so I didn't bother.
29:31Except, she didn't.
29:34Did she?
29:36Hmm?
29:41I saw you with her.
29:44At the cliffs.
29:47And sure enough,
29:49you descended on my mother,
29:51parroting Nicola's slurred fantasies like they were facts.
29:54Right.
29:55I thought enough is enough.
29:58It's in quite a big risk there, your father.
30:01How did he know that you wouldn't tell your mother and Nicola straight away?
30:04Nicola likes to tell everyone about this
30:08special relationship she had with dad.
30:10But I was the son.
30:12I was his blood.
30:14He could trust me.
30:17No, look.
30:18Don't get me wrong.
30:20I mean,
30:22I feel sorry for her.
30:25It must be quite a shock.
30:27No, to
30:29to find out that someone would literally
30:32fake their own death
30:33rather than
30:34spend time with you.
30:36I mean,
30:39that's bound to smart little.
30:47Forensics have checked the postmark.
30:49It's authentic.
30:51Definitely sent from Bermuda.
30:53What about the handwriting?
30:54They've only been able to do a preliminary analysis.
30:56They still need to do four bells and whistles.
30:58But they compared the card with confirmed examples of Alan's handwriting.
31:01And it's a match.
31:05Right, so
31:06Monica didn't kill Tony because of the money.
31:08She didn't kill him because
31:08he was about to tell the world that she killed Alan,
31:11which would suggest
31:12she didn't kill Tony.
31:14Okay, so
31:15we keep looking.
31:16We keep digging.
31:17Jim,
31:17I'd like a word with you.
31:22Can someone tell Monica Salinger
31:23her first husband is alive and well
31:25and living in Bermuda?
31:26I'll call their family liaison.
31:28Cara,
31:28did the footage come back from the bar of Nicola Barton?
31:31Yeah, it's on the CMS.
31:32Yeah, and?
31:34It's deemed irrelevant.
32:03What's your next move?
32:04I have absolutely no idea.
32:07Well, whatever it is,
32:07it won't involve Barney.
32:09You need to send him home.
32:10He's practically green.
32:11Yeah, that's my fault.
32:13We're allowing him to accompany me
32:14to interview Monica.
32:16I'll make sure he stays behind his desk from now on.
32:17You seem uncharacteristically eager to keep him here.
32:20Normally I have to sit you two as far apart as possible.
32:22Well, he's an exceptional officer
32:24and an integral part of the team.
32:25Now I'm really suspicious.
32:28Why did he go and see Ian Monkford without backup?
32:31We were working in parallel
32:33and we both uncovered different strands of evidence against him.
32:36That's not what I asked.
32:38He went without telling his colleagues,
32:40specifically you,
32:41suggesting a troubling
32:42and in this case potentially fatal
32:43breakdown in communication.
32:46Something's going on.
32:47And it's becoming a problem.
32:49Sort it out, Jim.
32:51Redraw some boundaries.
33:15Don't start, I'm fine.
33:16You're not.
33:17You need to go home.
33:18Does that come from Uma?
33:19Me.
33:20It's coming from me.
33:21Take your time.
33:21Get better.
33:22Christ.
33:23At this rate,
33:23when you come back...
33:24I'm just in the middle of something here.
33:25Do you need me to leave this a second
33:26or can I finish?
33:30Bye-bye.
33:34How are you?
33:39What are you doing here?
33:47You're welcome.
33:56Bye.
34:13you all right absolutely sensational good well i know that despite your best efforts to conceal
34:21that kim leaving is challenging for you so it'd be all right if things weren't all right
34:26yes it is challenging for me and i think it's important kim isn't privy to that the last thing
34:32she needs is to feel guilty about what she's leaving behind that would be selfish and i'll
34:38leave that to her father what was jim like before rachel died very different capable besotted with
34:48the two girls steady reliable right so this isn't him he's still hijacked by the grief he's a man
34:58possessed did you become a functioning adult again how long did it take it's a work in progress
35:11i'm saying be patient with him i'm not making any promises that's my goal
35:25i'd like to give you the money for the restaurant it would be alone obviously but seems rather silly
35:32you need the money and i've got it sitting in my bank account um right that's very kind of you
35:40but no no what no thank you but why not
35:48because it would be emasculating and utterly humiliating oh for god's sake so this is about
35:53pride is it it's all i have charlie i i don't have any property i i don't have any investments
35:59i
36:00i don't even have a family my pride is the one thing i've been able to cling on to so
36:04no
36:06but again thank you
36:10where are you going i need to pee i don't need any help with that either
36:19good night ross good night
36:20good night
36:22good night
37:03Nicola?
37:07Hey.
37:10I'm in here.
37:16Free upgrade due to the door, so thank you.
37:26It's Monica, she keeps calling.
37:28Uh, that will, uh, yeah, someone would have just told her.
37:31I'm sorry, it's looking like the card is genuine.
37:34It can't be.
37:36I'm sorry.
37:38Because my dad is dead.
37:41He wouldn't do this to me.
37:49He wouldn't do this to me.
37:50Hey, it's...
37:53It's okay.
38:06It's okay.
38:18Oh, Christ, is that Monica again?
38:22Oh, it's Kim.
38:25Um...
38:25I'll take this outside.
38:28Hi.
38:28Hey, sweetheart.
38:30I'm staying another night at Granny's.
38:32Yeah, okay.
38:33Yeah.
38:34Uh, that's...
38:34That's fine.
38:35Uh, I'll pick you up tomorrow.
38:37I'll text you.
38:42I didn't even make it to the door.
38:44She rang you, though.
38:46She could have just texted.
38:49She wants a dialogue.
38:51Yeah, you really think so?
38:54Is this what being a parent is like?
38:57Your kid becomes like someone you have a crush on at school and you're constantly trying to decipher every single
39:02interaction.
39:04Oh, she asked me earlier for a lift.
39:10I think she likes you, Jim.
39:13Yeah, you see now you've made it weird.
39:18She's trying to keep the channels open.
39:20She just wants to run it down from 50 to zero.
39:23As much as you.
39:32What are you doing, Jim?
39:34In what sense?
39:35In any sense.
39:37The case.
39:41Us.
39:43There can't be any us.
39:45So stop showing up at my hotel.
39:49I know.
39:50I'm sorry.
40:06Just, um, hold that thought.
40:09I, um...
40:11I just...
40:12I gotta pee.
40:18Oh, my God.
40:27Uh...
40:27Where's the minibar?
40:29Uh, you're kidding, right?
40:31I thought we could share a sparkling water.
40:34Yeah, let's push the boat out.
40:36It's in the wardrobe.
41:11I found it!
41:16Jim?
41:37Oh, crap.
41:57Oh, crap.
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