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Bergerac S02E04 [Full Movie] [Trending]Full EP - Full
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00:03You've run to a trip to the coast?
00:16How's things with your daughter?
00:19Uh, yeah, she's not speaking to me.
00:23Nope, she won't be.
00:25She's gonna punish you about 50 times before she eventually gives you the time of day.
00:31What do I do until then?
00:34Keep showing up, regardless of how much she tries to push you away.
00:38And eventually those 50 punishments will run down to zero.
00:44She's leaving soon.
00:45You better get cracking then.
00:55This car was found over there, with the keys still in it and the suicide note on the dashboard.
01:02I want to know a bit more about Alan.
01:06This incident with Monica and the knife, when was it?
01:10A few days before he died.
01:12But you didn't see it?
01:12No, I told you, I was at uni. He told me about it.
01:17Thanks.
01:18But in the years before I left, Monica and Dad would argue a lot.
01:23Not blazing rows, just sort of tense, small, sort of snipings.
01:28Do you remember what about?
01:31Michael, mostly.
01:32How Monica and Molly cuddled him, how Dad wanted him out from underneath them.
01:36And me.
01:38How Dad was easier on me, at least according to her.
01:42How that was giving Michael a complex.
01:46Dad wanted out.
01:48I know he did, but not like this.
02:05Why are you looking into all this again?
02:08Well, it's possible that when Tony said no more secrets, he was talking to Monica.
02:13And do you think that my Dad is the secret?
02:16I think...
02:21I'm late for work.
02:33The lift-top only opened to the public two months before Alan Barton was reported missing.
02:37Presumed, Ed. Thank you.
02:38Since then, we've sadly had one further suicide, and an accidental death there.
02:43Now, the tide is very predictable, even in extreme weather.
02:46And both of those times, the body washed up in the bay half a mile down the coast.
02:50Alan's body didn't.
02:51And no one questioned it at the time, because I guess no one knew about the tide patterns.
02:55Cara and I have been back to the hotel to check on Tony's sight lines.
02:58When Tony said no more secrets, he was looking in a mirror at Monica.
03:04So, what was the secret?
03:06We've got two theories.
03:08Either Monica killed Alan, Tony knew and was threatening to expose her.
03:12But what was Monica's motive for killing Alan?
03:14I mean, he had a couple of grander savings, but that was about it.
03:16Like, the cottage maybe?
03:18That's what we need to find out.
03:20The bit I don't get is why she'd then tell Tony.
03:22I mean, you'd keep that to yourself, right?
03:24Again, that's what we need to find out.
03:26The other theory is that Tony was summoning up the courage to tell Monica that he lied about his job
03:31and his money.
03:33Now, Monica says that Tony told her the week before the wedding.
03:36What if he didn't?
03:37What if he told her that night?
03:39Well, and then she killed him.
03:40That's quite a reaction, isn't it?
03:42Yeah, well, even if she didn't kill her first husband, Alan, the daughter said that Monica once threatened him with
03:46a knife.
03:47So we're dealing with someone potentially prone to aggression, violent outbursts.
03:51Cara, Sally, Dan, go back through the reports into Alan's suicide.
03:56We need to see if there's anything that they missed.
03:57Simon, Liam, Katie, talk to Monica's friends.
03:59Did she mention Tony's financial situation to anyone?
04:02And crucially, when did he tell her?
04:05And we still haven't figured out who this figure in the coat is.
04:11Bonnie.
04:12All right, all right, all right, all right, all right.
04:15Yeah, yeah, yeah.
04:15Good to see you.
04:16All right.
04:17They've discharged you from the hospital?
04:18I mean, not technically.
04:20I thought you'd all be missing me by now.
04:22Are you okay?
04:23Oh, yeah.
04:24Doctor said it's a scratch.
04:26Sorry, Jimmy.
04:26You carry on.
04:27That's okay.
04:28We were just finishing.
04:29Uh, thank you.
04:43Good to have you back.
04:44How are you feeling?
04:45Like I just got stabbed.
04:47So, no, you shouldn't be here.
04:48What am I supposed to do?
04:49I can't go to the gym.
04:51Let me bring you up to speed.
04:53Yeah, all right.
04:55Um...
04:56Lost the video in on.
05:20Uh, Ian has confessed to killing Carl and to swapping the bloods and, uh, obviously,
05:25to the attack on you.
05:26He's Adam and he didn't kill Tony.
05:29You believe him?
05:30I do.
05:33Wish I didn't.
05:56So, yeah, the current focus is Monica.
05:59And, uh, well, there's a possibility that her first husband's suicide was actually staged.
06:03Yeah, and Tony knew and threatened to expose her.
06:05That's what Nicola said, right?
06:06Yeah.
06:07The other theory is that Tony told her about his financial situation.
06:09And she lost her shit.
06:10Yeah.
06:15Uh, about what you said at the hospital.
06:17I just...
06:18What happened was really shit.
06:20I'd like to put it behind me, okay?
06:21We're good.
06:30What happened there?
06:32I've no idea.
06:33Barney.
06:35I didn't expect to see you back so soon.
06:37Discharge this morning.
06:39That's... surprising, after such a close shave.
06:41And got Jim arrived when he did.
06:44Take it steady, Barney.
06:45Understood, Ma'am.
06:47About time some of the others did some work, eh?
06:58You're not getting scared.
06:59You're not the same.
07:00It was only when he died.
07:00It was not the same.
07:01That was me.
07:03Since we lost the area.
07:04The woman had a lot of trouble.
07:05Oh God.
07:05Oh God.
07:06Oh God.
07:08I've got a lot of trouble.
07:08Oh God.
07:08Oh God.
07:10Oh God.
07:14Unwes with me.
07:16Oh God.
07:33Boss, have you got a minute?
07:35Yeah.
07:36So the footage from the night of Tony's murder came in?
07:39What was it?
07:40Costello's, the restaurant.
07:41The footage of you and Nicola Barton.
07:44When you disclosed you had contact with Nicola the night of,
07:46you said it was a two-minute conversation, it wasn't.
07:50It was longer.
07:51Really?
07:52Way longer.
07:54It was 43 minutes.
07:5543 minutes?
07:58Wow, okay, yeah.
07:59You do understand I need to put this on the CMS, don't you?
08:02Yeah, of course.
08:03Which means that everyone in here can access that footage.
08:05Yeah, I know how the CMS works, Karen.
08:07And see that your two-minute conversation with the person connected to the case was actually much longer,
08:12and much more cosy than you initially left.
08:14Cosy?
08:14Uh, is it subjective?
08:16Maybe.
08:17But the timestamp isn't.
08:19Look.
08:20Maybe you lost track of time.
08:23Or maybe you thought it was inconsequential.
08:26But please, get your fucking story straight.
08:29Sir.
08:33Sorry.
09:00I thought you'd gone back to Manchester.
09:03I decided to stick around, visit some old haunts, like the cliff.
09:10A friend saw you there this morning.
09:12Sorry, that sounds like, I mean, you can do what you like.
09:16I just mean that I wish I'd known you were still here.
09:20We could spend a bit of time together.
09:23I don't know what.
09:25I thought we'd made some progress, Nick.
09:27I explained how your father was.
09:29I know that it must have been difficult for you to, but, you know, I thought it might have answered
09:35some questions for you.
09:37No, it did.
09:40It's just being back in Jersey, it's harder than I thought it would be.
09:47Being back around me, you mean?
09:57Have you heard about love languages?
10:01People have different ways of demonstrating their love, and I think that I had a way of showing you that
10:07I loved you, because I did.
10:10I do.
10:12And I think it's something that I learned from my mum.
10:15She was, um, she was practical.
10:19She was endlessly practical.
10:21So, the house was clean, and we were clean, and there was food, and, you know.
10:27I think that that's what I associate with love, and it's just as deep as something more demonstrative, but maybe
10:35it's not how you needed to be loved.
10:41Yeah, that would make a lot of sense if I hadn't seen you do it with Michael.
10:49Michael, you weren't practical with him.
10:53You engaged with him.
10:56You gave him energy, and time, and love.
11:02And I got what was left.
11:06Well, Michael just demanded more.
11:08He needed more.
11:09You didn't have to give it to him.
11:11You could have said no.
11:12You can't say no to a child like that.
11:14So, I'm left with this impossible choice of what to believe, yeah?
11:19That, oh, you couldn't love me because of some flaw in you, some bit in you that's missing, or that
11:30ultimately because I'm just too hard to love.
11:33What?
11:34No, that's not Christ.
11:36No.
11:37It is a...
11:46This is why.
11:49I didn't want to see you, because these conversations are too hard.
11:59I'm sorry about Tony, but I want you to leave now.
12:14Have kids.
12:16Then we'll talk.
12:28Kim, I know you're furious with me, and you have every right to be.
12:32But you're leaving soon, you know, and I would just love it if you would consider forgiving me just a
12:39bit quicker than you would normally.
12:42Yeah, I have forgiven you.
12:44Yeah, I mean, it just doesn't feel like that.
12:46I'm just tired.
12:47I'm just tired.
12:50Thanks for the lift.
12:5649 to go.
12:5749 to go.
13:07Jim.
13:09Nigel.
13:11Um...
13:11I'm sorry.
13:12It doesn't even come close.
13:14It's okay, Jim, really.
13:16It was an accident.
13:17No, it's not okay.
13:19It's...
13:19It was out of line, and I'm sorry.
13:23Apology unnecessary, but accepted.
13:27Uh, is...
13:28Is...
13:28Is...
13:28Charmian?
13:31Um...
13:32Christ...
13:34Uh...
13:34Well, if you're sure.
13:47Hi, Charlie.
13:50I just wanted to say how sorry I am about the party.
13:57Is that it?
13:59Well, I don't know what else there is to say.
14:08When Rachel died, you were devastated, as was I.
14:13As was everyone.
14:15In many ways, we will never fully recover.
14:18I appreciate that.
14:21But the rest of us, even her daughter, are managing to function now.
14:28And so for you to still be spreading such Olympic standard chaos would suggest an element of choice.
14:35Of choice.
14:37The risk of sound, I'm condescending, Charlie.
14:39You do know that I'm an alcoholic.
14:41Really?
14:42Oh, you should have mentioned that.
14:43Oh, wait.
14:44You do.
14:46Endlessly.
14:48You know, Rachel was exquisite.
14:50She was perfect.
14:53She was better than me in every single way, but she never made me feel like I didn't deserve her.
14:59But from the moment we met, I have spent every single day trying to prove myself worthy to you.
15:09I have lowered the bar as far as I can for you, Jim.
15:12Any lower, it'll be in the cellar.
15:15Not getting drunk at Kim's leaving party was all that was required of you.
15:21I'm sorry, even that proved too much.
15:28Jim.
15:29That actually went better than I expected.
15:32How do you deal with her?
15:34Well, when you get to my age and you've been through some stuff, not to suggest you haven't
15:43had your own share of stuff, but I lost a child.
15:53My first wife and I, when it was only two.
15:58God.
16:00Nigel, I'm sorry.
16:02And obviously, that's something Charlie and I have in common.
16:06And the one thing about something so unfair, so savage, is it gives you some perspective.
16:23And some patience.
16:27I'll talk to her.
16:30All shall be well.
16:31And all manner of things shall be well.
16:37I'm sorry again.
16:39You should see the other guy.
16:59Simon, talk to me.
17:02Monica was telling the truth.
17:05I spoke to one of her bridesmaids, and according to her, Tony had told Monica about his financial
17:09situation a week before the wedding.
17:11Okay.
17:11Did you say how Monica responded?
17:13Well, I'm not thrilled, but not filled with murderous rage either.
17:16Okay.
17:16And I take it we're still nowhere with the figure in the coat.
17:18Yeah.
17:20Yeah, we are.
17:22Uh, Cara?
17:23I had a look at Alan's phone records, and I found some calls that the original investigation
17:28must have missed.
17:29Who are Phillips and Hawthorne?
17:30Solicitors on the mainland who happen to specialize in divorce.
17:34I spoke to them.
17:35They dug out the notes.
17:36They said Alan Barton spoke to them about divorcing Monica two weeks before you died.
17:41Monica didn't mention it in either investigation.
17:43Which means she didn't know.
17:44Or she concealed it.
17:45Yeah.
17:46Read the third paragraph.
17:53Okay, well, there we go.
17:55Uh, I'm gonna put this to Monica.
17:58And yeah, obviously you can come too, Bonnie.
18:02Should come too, yeah, if you're up for it.
18:05I think I can manage sitting in the car and then sitting in a chair in her living room.
18:10Good.
18:12Yeah, brilliant.
18:13Let's go.
18:15Thanks.
18:17Yeah, see you in the car?
18:24If they get divorced, you're going into foster care.
18:27Oh, don't say that.
18:29Listen, I thought you should know.
18:31I was with Jim Bergerac today.
18:34I finally got him to look into my dad's death again.
18:37Right.
18:39So, you're still looping all this back to Monica then?
18:42She threatened my dad with a knife.
18:44I'd call that a red flag.
18:47I'm confused.
18:49I thought you thought Monica did it too.
18:54When I saw her, Michael was there.
18:57And he got into an argument with his neighbor.
19:00But he was out of control.
19:02Just the rage.
19:03Monica actually had to hold him back.
19:05I just think maybe we're looking in the wrong place.
19:09You think Michael might have killed Tony?
19:12Maybe.
19:14And maybe not just Tony.
19:18My dad too?
19:19Oh, come on.
19:20Well, we've talked a lot about whether Monica did it, but never how.
19:23How did she overpower two husbands, two fully grown men who would have fought back?
19:40Look, we just have a couple more things we'd like to run by you.
19:43How would you describe your relationship with Alan around the time of his death?
19:48Well, what's this got to do with Tony's death?
19:50I was still trying to establish what Tony meant when he said, no more secrets.
19:55You described Alan as in a dark place before his death?
19:59Well, he killed himself.
20:02Unless I've read too much into that.
20:06You said that he was erratic and unpredictable, yet we found no evidence to corroborate that.
20:12If anything, Mrs. Salinger, we found that he was making plans for his future.
20:17You've been talking to Nicola.
20:20I don't know why she's dredging all this up again.
20:23I thought we'd settled this.
20:24Were you aware that shortly before his death, Alan contacted a divorce lawyer?
20:29What?
20:29Um, no.
20:31No, I didn't know that.
20:33They had two conversations.
20:35The solicitor described him as buoyed by their discussions and hopeful for his future.
20:41He said the final straw was a fight the two of you had where you threatened him with a knife.
20:45No, that never happened.
20:49I know this is hard, Monica, but we're still exactly where we were on the night of Tony's death.
20:54And look, no more secrets meant something, okay?
20:56You don't upend your wedding day for a joke.
20:59Now, there are people who love Tony.
21:01You loved Tony.
21:01And so we owe it to all of you to explore every lead, answer every question.
21:06I'm really sorry, but that's led us to Alan's death.
21:08And look, look, if there is nothing, if there is no relevance, then I swear to you we will move
21:12on.
21:14Well, we won't know until we ask.
21:25Okay.
21:26What?
21:28It's true, the knife.
21:31It's true.
21:33But when Alan spoke to Nicola and this solicitor, he left out some pretty crucial context.
21:41He did change.
21:42His behavior did change.
21:45And I hid it, too, because I didn't want people to think ill of this beautiful, kind man that I
21:53loved.
21:58One night, he hit me.
22:02And I grabbed a knife because he kept coming towards me.
22:07And I told him to get out of the house.
22:11And I didn't see him for a few days.
22:12So that must have been when he spoke to Nicola and this lawyer.
22:17Anyway, after a while, he came home.
22:20And he was full of this indignation.
22:24And he said that I had attacked him.
22:27And I said, no, Alan, you hit me.
22:32Because I still had the bruise.
22:36And he was devastated because his father was abusive towards his mother and him and his brother.
22:43And there he was, completing the cycle, becoming the thing that he swore he'd never be.
22:52I see it's in Michael, too, sometimes.
22:57And a few days later, he died.
23:00I couldn't help the kids.
23:02I mean, Nicola would never believe me.
23:04She will never let this go.
23:10Michael!
23:16Michael!
23:17Michael, please!
23:18Michael!
23:19Michael!
23:21Come back!
23:24Oh, my God!
23:25You've got to go after him.
23:26What?
23:26Well, he must have heard everything I said about Alan.
23:29He didn't know any of that.
23:30I'm sure he'll be fine.
23:30No, no, no.
23:31Look, you don't understand.
23:32He's fragile.
23:33He's been going to the cliffs where Alan died.
23:35When he's like this, I have no idea what he's capable of.
23:38Please.
23:39Please.
23:46We need all available units dispatched to the Morbury cliffside, and a polo put out for Michael Bart, driving a
23:52blue VW polo.
24:23I'll see you next time.
24:23I'll see you next time.
24:33No sign! No sign of his car, either!
24:37We've got a mission on Michael's car.
24:38Where?
24:39Pulling into the Clifton Hotel.
24:41Jesus.
24:43What?
24:44We need a unit at the Clifton immediately.
24:46Quiet approach.
24:47We're in 401.
24:48We do not want him spooked.
24:49Wait.
24:50What is in 401?
24:51It's Nicola Button's room.
24:52We don't know what Michael's capable of.
24:54He's not the one in danger.
24:55Nicola Riz.
24:58Come on!
24:58He's not the one in danger.
25:01No!
25:24I don't know.
25:35I've never got laws against her in there.
25:38How are you ready to come back?
25:40Shit.
25:43How did you know her room number?
25:44What?
25:46Doesn't matter.
26:05Hello.
26:05Welcome to the Clifton.
26:06Do you have a room 401?
26:08Fourth floor.
26:09But you'll need a key card.
26:15Hey, we need a room pass for room 401.
26:17Okay.
26:18I just need a credit card to activate the room pass.
26:22Thank you so much.
26:24Okay.
26:25Just 401.
26:26Yeah.
26:27Please, please.
26:27Can you just hurry?
26:30All righty.
26:30There we go.
26:31There's your room card.
26:32Oh, sorry.
26:33The lift's undergoing maintenance at this present moment in time.
26:36Of course it is.
26:52You all right?
26:53I'm fine.
26:54Just go.
27:03No.
27:04Wait!
27:05Wait.
27:05Wait, wait, wait…
27:06Maim!
27:09Maim!
27:10Is that fake?!
27:13You've stayed in Manchester and drunk yourself in that front of you.
27:15No, Michael. No, no, no.
27:17Well, enough is enough.
27:19Go, go, go.
27:20Relief! Relief!
27:22I didn't do anything. I didn't do anything. I didn't do anything, I swear.
27:26Are you okay?
27:28Nicola? What is it?
27:30Nicola!
27:32What is this?
27:35Amita?
27:38I can't believe it.
27:40Well, it's true.
27:41So you can stop now. You can finally leave us alone.
27:45I don't understand. What is this?
27:46What's the confusing bit, huh?
27:48It's from him.
27:50Alan, my father.
27:58He's not dead.
28:14It arrived the day before my 30th birthday.
28:20A few months earlier, Dad had been officially declared dead, and Mum had arranged a little gathering for us to
28:26say goodbye.
28:27I and Nicola came, reeking of vodka as per, and that's when she first suggested that our mother, a woman
28:36who has to literally ask me to open jars for her, killed our father.
28:40I mean, it's ludicrous.
28:43Anyway, that's when the card arrived.
28:46At first, I thought it was Nicola playing some sort of joke.
28:49But then, postmark.
28:53The date.
28:54And you didn't tell Monica?
28:56Oh, Mum, by the way, Dad's alive.
28:58He'd just rather you think he was dead than ever talk to you again.
29:04Then, no, I didn't.
29:06I didn't tell anyone.
29:08The police had ruled her to suicide for the second time.
29:11Nicola had been extradited back up to her northern town.
29:14I didn't think that there was any point in exhuming it all again.
29:17But then, Tony died.
29:20And when Nicola reappeared and started trotting out her greatest hits, I did think about telling her then.
29:26But the next minute, she was leaving, so I didn't bother.
29:31Except, she didn't, did she?
29:36Hmm?
29:41I saw you with her.
29:44At the cliffs.
29:47And sure enough, you descended on my mother, parroting Nicola's slurred fantasies like they were facts.
29:54Right, I thought enough is enough.
29:57It didn't quite a big risk there, your father.
30:00How did he know that you wouldn't tell your mother and Nicola straight away?
30:04Nicola likes to tell everyone about this special relationship she had with Dad.
30:10But I was the son.
30:12I was his blood.
30:14He could trust me.
30:17Now, look, don't get me wrong.
30:20I mean, I feel sorry for her.
30:25It must be quite a shock.
30:28No, to...
30:29To find out that someone would literally fake their own death rather than spend time with you.
30:36I mean...
30:39That's bound to smart little.
30:47Forensics have checked the postmark.
30:49It's authentic.
30:51Definitely sent from Bermuda.
30:53What about the handwriting?
30:54They've only been able to do a preliminary analysis.
30:56They still need to do full bells and whistles.
30:58But they compared the card with confirmed examples of Alan's handwriting.
31:01And it's a match.
31:05All right, so Monica didn't kill Tony because of the money.
31:08She didn't kill him because he was about to tell the world that she killed Alan, which would suggest she
31:13didn't kill Tony.
31:14Okay, so we keep looking.
31:16We keep digging.
31:17Jim, I'd like a word with you.
31:22Can someone tell Monica Salinger her first husband is alive and well and living in Bermuda?
31:26I'll call their family liaison.
31:28Cara, did the footage come back from the bar of Nicola Barton?
31:31Yeah, it's on the CMS.
31:32Yeah, and?
31:34It's deemed irrelevant.
32:03What's your next move?
32:04I have absolutely no idea.
32:07Well, whatever it is, it won't involve Barney.
32:09You need to send him home.
32:10He's practically green.
32:11Yeah, that's my fault.
32:13We're allowing him to accompany me to interview Monica.
32:16I'll make sure he stays behind his desk from now on.
32:17You seem uncharacteristically eager to keep him here.
32:20Normally, I have to sit you two as far apart as possible.
32:23Well, he's an exceptional officer and an integral part of the team.
32:25Now I'm really suspicious.
32:28Why did he go and see Ian Monkford without backup?
32:31We were working in parallel and we both uncovered different strands of evidence against him.
32:36That's not what I asked.
32:38He went without telling his colleagues, specifically you, suggesting a troubling and in this case
32:42potentially fatal breakdown in communication.
32:46Something's going on and it's becoming a problem.
32:49Sort it out, Jim.
32:51Redraw some boundaries.
33:15Don't start, I'm fine.
33:16You're not.
33:17You need to go home.
33:18Does that come from Uma?
33:19Me.
33:20It's coming from me.
33:21Take your time.
33:21Get better.
33:22Christ.
33:23At this rate, when you come back...
33:24I'm just in the middle of something here.
33:25Do you need me to leave this second or can I finish?
33:26Let's go.
33:28Let's go.
33:58So, let's go.
34:13Are you all right?
34:15Absolutely sensational.
34:17Good.
34:19Now, I know that despite your best efforts to conceal it, Kim leaving is challenging for you, so it'd be
34:25all right if things weren't all right.
34:26Yes, it is challenging for me. And I think it's important Kim isn't privy to that. The last thing she
34:32needs is to feel guilty about what she's leaving behind.
34:35That would be selfish. And I'll leave that to her father.
34:40What was Jim like before Rachel died?
34:43Very different. Capable. Besotted with the two girls. Steady. Reliable.
34:53Right, so this isn't him. He's still hijacked by the grief. He's a man possessed.
35:02How did you become a functioning adult again? How long did it take?
35:08It's a work in progress.
35:11I'm saying, be patient with him.
35:15I'm not making any promises.
35:17That's my goal.
35:25I'd like to give you the money for the restaurant.
35:28You would be alone, obviously, but it seems rather silly.
35:32You need the money and I've got it sitting in my bank account.
35:35Um, right. That's very kind of you. But no.
35:42No what?
35:43No, thank you.
35:45But why not?
35:48Because it would be emasculating and utterly humiliating.
35:52Oh, for God's sake, so this is about pride, is it?
35:54It's all I have, Charlie. I don't have any property. I don't have any investments. I don't even have a
36:01family.
36:01My pride is the one thing I've been able to cling on to, so no.
36:06But again, thank you.
36:10Where are you going?
36:11I need to pee.
36:13I don't need any help with that either.
36:19Good night, Ross.
36:20Good night.
36:21Good night.
36:37Good night.
37:01Good night.
37:04Nicola?
37:08Hey.
37:10I'm in here.
37:16Free upgrade.
37:18Due to the door.
37:19So thank you.
37:26It's Monica.
37:27She keeps calling.
37:28That will, yeah, someone will have just told her.
37:31I'm sorry, it's looking like the card is genuine.
37:34It can't be.
37:36I'm sorry.
37:38Because my dad is dead.
37:41He wouldn't do this to me.
37:48He wouldn't do this to me.
37:52Hey, it's...
37:54It's okay.
38:07It's okay.
38:18Oh, Christ, is that Monica again?
38:22Oh, it's Kim.
38:25Um...
38:25I'll take this outside.
38:27Hi, hey, sweetheart.
38:30I'm staying another night at Granny's.
38:32Yeah, okay, yeah.
38:34Uh, that's fine.
38:35Uh, I'll pick you up tomorrow.
38:37I'll text you.
38:42I didn't even make it to the door.
38:44She rang you, though.
38:46She could have just texted.
38:49She wants a dialogue.
38:51Yeah, you really think so?
38:54Is this what being a parent is like?
38:57Your kid becomes like someone you have a crush on at school,
38:59and you're constantly trying to decipher every single interaction.
39:04Oh, Archie.
39:05Asked me earlier for a lift.
39:10I think she likes you, Jim.
39:13Yeah, you see, now you've made it weird.
39:18She's trying to keep the channels open.
39:20She just wants to run it down from 50 to zero.
39:23As much as you.
39:32What are you doing, Jim?
39:34In what sense?
39:35In any sense.
39:37The case.
39:41Us.
39:43There can't be any us.
39:45So stop showing up at my hotel.
39:49I know.
39:50I'm sorry.
40:06Just, um, hold that thought.
40:09I, um...
40:11I just...
40:12I gotta pee.
40:18Oh, my God.
40:26Uh, where's the minibar?
40:29Uh, you're kidding, right?
40:31I thought we could share a sparkling water.
40:34Yeah, let's push the boat out.
40:36It's in the wardrobe.
40:43Okay.
40:46Uh.
40:58Any regrets.
41:03Oh, my God!
41:06Have a good night!
41:07Rocked!
41:11I think so.
41:15Jim?
41:16Jim?
41:37Oh crap.
41:42Jim?
41:45What the fuck?
41:48Oh we go.
41:55Jim?
41:58Jim?
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