- 8 hours ago
The Crown S03E01 [Full Movie] [Vertical Drama]Full EP - Full
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08:40From a Jack
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15:18Just one of those
16:12Jesus Christ
16:13As a large majority
16:43of those things
17:13neighbor staff and
17:14all the Vietnam,
17:17CBS fon prag would live,
17:23We shall be the same, we shall die.
17:27How we say to the transvestite, we shall be the same,
17:31we shall be the same, we shall be the same.
17:52Sir, the protocol is as follows.
17:54When you're announced, you bow from the neck.
17:56First time you see the queen, you say, your majesty.
17:58After that, it's man.
17:59Runs with ham until you leave.
18:01Then it's your majesty again.
18:02Don't sit until her majesty does.
18:04Don't talk until she does.
18:05Absolutely no physical contact other than taking a hand if and only if she offers it.
18:11No small talk unless she invites it.
18:13And at the end, she'll buzz and I'll come and get you.
18:15Bow from the neck and walk back towards me.
18:29The leader of the opposition, your majesty.
18:32Mr. Wilson.
18:42Your majesty.
18:44The country's spoken.
18:46Your party has won the election.
18:48The duty befalls me as sovereign to ask you to form a government in my name.
18:54Congratulations, prime minister.
19:10Well, I suppose I should kick things off with an apology.
19:14Whatever for?
19:15Winning.
19:17I'm aware of your affection for my predecessor and doubtless you'd have preferred him to have continued in office.
19:22It is my duty not to have preferences.
19:25Well, we all do, though, don't we?
19:27We can't help it.
19:27It's human nature.
19:29And I can see the attraction of someone like Bosch Alec.
19:32Someone you can chat with about the racing.
19:34Someone well-bred, high-born, who knows how to hold his cutlery as opposed to a ruffian like me.
19:40Hardly.
19:40Still, the country said otherwise.
19:43They'd had enough of the mess those conservatives left us.
19:46And the havoc they wreaked.
19:49Soaring land and house prices.
19:51Race riots.
19:52Sex scandals.
19:53Large-scale unemployment.
19:55Rejection from the EEC.
19:56And an annual trade deficit of 800 million pounds.
20:02Yes, it's an unenviable legacy.
20:06What will you do about the balance of payments?
20:08Will you devalue?
20:10No, ma'am.
20:12A Labour government devalued the pound once before with little success,
20:16and my party cannot risk being seen as the party of devaluation.
20:22It is also a matter of national pride.
20:25This is still a great country, and the pound is a powerful symbol.
20:33It can't have been an easy one to get used to.
20:36What's that?
20:37Were you being part of that symbol, your face on every coin and banknote?
20:43No.
20:45I remember seeing my father's face on a shilling for the first time,
20:48and thinking how odd it looked.
20:51At the same time realizing I would probably one day have to look at my own face.
20:56But one never knows what destiny has in store for one.
21:00Did you ever imagine you'd be Prime Minister?
21:02Goodness, no.
21:04How could you have done?
21:05Mr. Gateskill was still such a young man.
21:08He was.
21:10No one could possibly have foreseen his death?
21:13No.
21:14So sudden?
21:15Yes.
21:17And unexpected?
21:18Yes.
21:20Still, we make of our destiny what we can.
21:23Indeed.
21:27I'm not sure what I was expecting.
21:29Each of his predecessors, Churchill, Eden, Macmillan, even Ellick,
21:34each in their own way, was formidable.
21:37Statesmanlike.
21:38But Wilson is neither old nor young, tall nor short, loud nor quiet, warm nor cold.
21:47He seems to have come from nowhere and is entirely unremarkable.
21:52Best qualities in a spy.
21:54What did you say?
21:56Aren't those the best qualities in a spy?
21:59Well, it should be forgettable, unremarkable, not stand out in a crowd.
22:04We used to say that about Henry, didn't we, dear?
22:06What?
22:07That you would have made the perfect spy,
22:09because no one could remember having met you.
22:13I'd say that was marginally better than everyone having nightmares having met you.
22:30Of course, we do tease each other.
22:32With Tony, one never knows quite whom one's going to get from one moment to the next.
22:37It's changeable.
22:38It goes from loving to hating.
22:41Mummy, you're not listening.
22:43Of course I am, darling.
22:46Tony doesn't hate you.
22:48I think he may be starting to.
22:50You must try not to let him consume you like this.
22:55Two of you have your trip to America coming up.
22:58Yes.
22:59You'll be with each other round the clock, working together as a team.
23:02Your father and I always found those trips very bonding.
23:08I hope you're right.
23:09All right, all right, all right.
23:12All right.
23:58What's up?
23:59Margo.
23:59Margo.
24:02How did you know?
24:03Margo.
24:0417 minutes door to door.
24:06I'm claiming that as a land squeeze raffle.
24:08Is there any food left?
24:10Have you eaten it all?
24:10Your Majesty.
24:13Yeah.
24:14Your Majesty, a thousand apologies.
24:18Happy birthday, Henry.
24:19Tony, where were you?
24:20Hello.
24:21Hello, darling.
24:22Tony, darling, come and sit next to your wife.
24:26Why would I do that?
24:27I see her all the time.
24:29She was just saying she sees you none of the time.
24:31Mm, because he's always working.
24:33Travelling or water skiing.
24:35Ah!
24:36It's my new passion, ma'am.
24:37Your Majesty, there's a telephone on the label.
24:39Oh, it's lovely that.
24:41Actually, there's a ghastly little pond.
24:43Pat, I think it's fine.
24:44We owe you.
24:45I think it's fine.
24:46You're singing.
24:47What do you know?
24:47You don't have to wind it up.
24:49Oh, the general...
24:50Oh.
24:54Charming, Elizabeth.
24:54Thank you so much.
24:55Oh, it's really charming.
24:57It's fine.
24:58Happy birthday to you.
25:01Oh, it's in my word.
25:02Happy birthday to you.
25:05Happy birthday, dear Henry.
25:10Happy birthday to you.
25:14Amen.
25:18Winston is dead.
25:41Ah!
25:42God.
25:43Holmes.
25:45Oh!
25:52Oh, God.
26:01Oh!
26:04Oh!
26:04Oh!
26:04Oh!
26:05Oh!
26:05Oh!
26:06Oh!
26:07Oh!
26:10Oh!
26:40BIRDS CHIRP
26:42on the phone.
26:43I'll call him back.
26:44He called on Juliet, sir.
26:47Heads of states from around the world
26:50are arriving, crowding in to this
26:52great mother church
26:54of the Commonwealth.
27:19Jim?
27:21Martin.
27:22A man by the name of Michael Strait
27:24has surrendered himself to us at the DOJ.
27:28He claims to be a sleeper agent
27:30working for the Russians.
27:31He says he has information that will uncover
27:33a senior KGB mole
27:35at the top of the British establishment.
27:57Where is he now?
27:59Washington.
28:00We can have him flown into you by tomorrow.
28:04We are assembled here
28:06as representing the people
28:08of this land
28:09to join in prayer
28:11on the occasion of the burial
28:13of a great man
28:14who has rendered memorable service
28:17to his country
28:18and to the cause of freedom.
28:24We shall think of him with thanksgiving
28:26that he was raised up in our days
28:29of desperate need
28:31to be a leader and inspirer of the nation
28:35for his dauntless resolution
28:37and untimely vigilance.
28:41My name is Michael Strait.
28:44And since all men
28:45are subject to temptation and error,
28:49we pray that we,
28:51together with him,
28:53may be numbered
28:54among those whose sins are forgiven
28:58and have a place
29:00and have a place
29:00in the kingdom of heaven.
29:02I attended Cambridge University
29:05and it was during this time
29:07that I was first approached
29:10by members of the Communist Party.
29:23Right?
29:33I'll confirm with her majesty
29:35and come back to you
29:36straight away.
29:46Director General of MI5,
29:48Mr. Furnival Jones,
29:49your majesty.
29:55Your majesty,
29:57thank you for seeing me.
30:06It gives me no pleasure
30:07to tell you that
30:08we have been approached
30:09by a former Russian agent
30:11who has identified a mole
30:13at the top
30:13of the British establishment.
30:16So it's true.
30:18Ma'am?
30:19I'd heard the rumours.
30:21Initially, I dismissed them.
30:22But spending time with him personally
30:24in close proximity,
30:26one had become
30:26more and more suspicious.
30:29Indeed.
30:30And that he should have been able
30:31to carry on for so long.
30:34Undetected
30:34is a subject of enormous embarrassment
30:37to all of us.
30:39This obviously needs to be handled
30:41very delicately.
30:42That's what I've come
30:43to talk to you about,
30:44to see if we might find a way
30:46to contain it.
30:48What?
30:50We can't do that.
30:52Have a Russian spy
30:53in Downing Street.
30:56Oh, those rumours.
30:58You were talking about Harold Wilson.
31:00Yes.
31:02I'm so sorry, ma'am.
31:03Yes, it's widely accepted
31:05that repeated attempts
31:06were made by the KGB
31:07to recruit Wilson
31:08when he was younger,
31:10working on trade missions.
31:11He travelled to Russia
31:12a great deal in those years.
31:14But the evidence
31:15for the Russians
31:16having succeeded
31:17is so weak.
31:18We discounted it
31:19some time ago.
31:21And the poisoning
31:22of Gateskill?
31:23Gateskill wasn't poisoned.
31:25He died of lupus.
31:26The fact is,
31:27even if the Russians
31:27had poisoned Gateskill,
31:30the most likely beneficiary
31:31would have been
31:32George Brown,
31:33not Harold Wilson.
31:34Wilson was not favourite
31:35to take over
31:36the leadership at the time.
31:38We don't have a Russian spy
31:39in Downing Street.
31:41No.
31:44But it seems
31:46we do have one
31:48in Buckingham Palace.
31:53We look at a painting
31:54and immediately want
31:56to know it,
31:58understand it.
32:00But can anything
32:01ever be fully understood?
32:05Take our bearded trickster here.
32:07A Venetian card sharp
32:10originally ascribed
32:11to Titian
32:12until new evidence
32:13came to light
32:14proving the painting
32:15is actually by
32:15Lorenzo Lotto.
32:17As time passes,
32:19so we learn.
32:21Truths are revealed.
32:24In the late Renaissance,
32:26painting after painting,
32:27masterpiece after masterpiece,
32:28seem full of
32:30hidden intentions,
32:32multiple meanings.
32:36Annibale Caracci's
32:37allegory of truth
32:38and time,
32:39painted in 1584
32:40or 1585.
32:42This winged figure
32:44here rescues
32:46a young woman,
32:47his daughter,
32:49from the darkness.
32:50He is time,
32:52she is truth.
32:54And this figure
32:56below,
32:57trampled by truth,
32:59is deceit.
33:00Caracci's message
33:02is clear.
33:06Be patient.
33:07The truth will out.
33:09I'm afraid I can now
33:10confirm that
33:11the surveyor
33:12of the Queen's pictures,
33:14Sir Anthony Blunt,
33:15was the fourth man
33:16in the Cambridge spy ring.
33:18The message
33:19encoded in the painting
33:21is repeated in reality.
33:23As with the Lotto,
33:24time passed
33:25and the painting
33:26was restored
33:26to reveal
33:28deceit is two-faced.
33:29She has a second
33:31monstrous visage.
33:34And that alongside
33:35conducting a distinguished career
33:37as an art historian
33:38and member
33:39of the royal household,
33:41he spent 15 years
33:43as an active KGB mole
33:45and passed
33:46almost 2,000 documents
33:48of sensitive military secrets
33:49to the Kremlin.
33:50Truth may lie
33:52beneath the surface,
33:54buried,
33:55forgotten,
33:56but time
33:57has a way
33:58of uncovering it.
34:00One thinks
34:01of the merchant
34:02of Venice.
34:04Truth
34:04will come to light.
34:07Murder
34:07cannot be hid long.
34:09A man's son
34:11may,
34:13but at the length
34:14truth
34:15will out.
34:35We had initially
34:36hoped the information
34:37was false.
34:38We get these
34:38sorts of claims
34:39all the time,
34:40but
34:42we subsequently
34:43detained
34:44and interviewed
34:45Blunt,
34:45and
34:48I'm sad to say
34:49he has confessed.
34:52in full.
35:02What's the next step?
35:04Well,
35:05as a traitor
35:05to his country,
35:07he should have
35:07caused down trial,
35:08be put in prison,
35:10and the key
35:10thrown away,
35:11quite frankly.
35:12Unless
35:12it was felt
35:14that exposure
35:15of Blunt's treachery
35:16could cause
35:18even more damage.
35:19What?
35:20Then
35:20keeping it silent?
35:22How?
35:23Apparently
35:24it could have
35:24a catastrophic
35:25effect on the
35:26reputation
35:26of our
35:26intelligence services.
35:28The fact
35:28that he had
35:29gone undetected
35:30for so long,
35:31which could,
35:31in turn,
35:32seriously affect
35:33our relationship
35:34with the Americans.
35:35We're on our
35:36last reserves
35:37of goodwill
35:38with them
35:38as it is.
35:39One more
35:40operational failure
35:41and our credibility
35:41would be
35:42completely shot.
35:43What are they
35:44suggesting?
35:45That we
35:45turn a blind eye
35:47and allow
35:47a traitor,
35:49an enemy
35:50of this country,
35:50to remain free
35:51with his career
35:53and reputation
35:54intact?
35:55Just a spare
35:56MI5's blushes?
36:00The man
36:01should be shot.
36:02I agree.
36:03But instead,
36:04I have to get up
36:05and pay tribute
36:06to him
36:06at this exhibition.
36:08How am I supposed
36:09to get through
36:09my speech?
36:11My joke
36:11on my words.
36:27We stand here
36:28tonight,
36:29surrounded by
36:30some of the
36:31royal collection's
36:32greatest treasures,
36:33to admire the genius
36:35of Rubens,
36:36Titian,
36:37Rembrandt,
36:37and Hovey.
36:39But we are able
36:40to make sense
36:40of it all
36:41appreciate it,
36:43understand it.
36:44It speaks to the
36:45genius of another
36:46man whose
36:47exceptional
36:48scholarship and
36:49vision have
36:51brought us
36:51together today,
36:53Sir Anthony
36:53Blount.
37:00It is he
37:01who has curated
37:02this exhibition
37:03and given
37:04meaning to
37:05mystery and
37:06revealed what
37:06really does
37:07lie beneath the
37:09surface.
37:10I, for one,
37:11had never thought
37:12of art history
37:13in that way,
37:14as the art
37:15of investigation,
37:16solving riddles,
37:18finding clues,
37:20unlocking secrets.
37:22It's been quite
37:23an education.
37:25I particularly
37:26enjoyed the portrait
37:27which turned out
37:28to have another
37:29person lurking
37:30beneath the surface.
37:35have I described
37:36that correctly,
37:36Sir Anthony,
37:37or am I
37:37stumbling around
37:38in the dark
37:39as usual?
37:40Not another
37:41person, ma'am.
37:42The same
37:43person.
37:44It was not
37:45uncommon in the
37:46early modern
37:46period for an
37:47artist to finish
37:47a portrait and
37:49the patron would
37:49take a look and
37:50ask for a more
37:51flattering version
37:52of themselves,
37:54and the artist
37:55would paint
37:55another version
37:56over it.
37:59So not two
38:00different people?
38:01Two different
38:02versions of the
38:03same person.
38:04Which might as
38:05well be two
38:06different people.
38:08The idealized
38:09version of
38:09themselves they
38:10want to be seen,
38:11and the less
38:12desirable person
38:13they rarely are
38:14hidden away.
38:16There's even a
38:17word for it,
38:18pelimpsest.
38:19That generally
38:20applies to
38:21manuscripts, ma'am.
38:22Pentimento for
38:23paintings.
38:25Pentimento?
38:26Well, I think I
38:27speak for everyone
38:28here when I say
38:30none of us will be
38:31able to trust or
38:32look at anything in
38:33the same way ever
38:34again.
39:05Prime Minister.
39:08Your Majesty.
39:09I'm so glad you
39:11came.
39:11It gives me the
39:12chance to apologize
39:13in person.
39:15What for?
39:16There's no need to
39:17understand.
39:17All you need to
39:19know is that I
39:19misjudged you
39:20terribly, and I'd
39:21like to take this
39:22opportunity to say
39:23sorry.
39:28Are you an art man?
39:31Art?
39:33Yes, art.
39:33Paintings.
39:34Well, actually,
39:35no.
39:37I'm an economist,
39:39a statistician at
39:40heart.
39:41I'm happiest with
39:42numbers.
39:44You can trust
39:45numbers.
39:46They're honest.
39:48There's no mystery
39:50or deception
39:51or allegory.
39:54You know where
39:55you stand.
39:57What you see
39:58is what you get.
40:01I prefer things
40:02that way.
40:04I quite agree.
40:16Excuse me,
40:16excuse me a moment.
40:39The very least you could do is quietly crawl away,
40:44or force us to live with you under the same roof,
40:49doing the right thing, the decent thing, the honourable thing.
40:55You know, the faintest idea what that was.
41:00Well, I am going to be watching you on one wrong step,
41:05you treacherous snake,
41:08and I will expose you and have you thrown in jail.
41:12I would think long and hard before I did that, sir.
41:18You would do well to reflect on your own position.
41:22What are you talking about?
41:27You may remember at the height of the Profumo sex scandal,
41:31there was talk of a member of the royal family being involved.
41:34No one knew who.
41:37But it was rumoured to be a senior member of the royal family.
41:42Very senior.
41:45When the osteopath at the centre of the scandal, Stephen Ward,
41:50took his own life,
41:52there was speculation that a number of portraits of that senior member of the royal family
41:56had been found in his apartment.
41:59Naturally, a great many people were keen to get their hands on those portraits.
42:05Mercifully, someone respected and well-connected in the art world
42:10was able to make sure they didn't fall into the wrong hands.
42:14I never saw Stephen Ward in any capacity other than as an osteopath.
42:19If he made drawings of me, he would have done so from photographs.
42:24We all tell ourselves all sorts of things to make sense of the past.
42:30So much so that our fabrications, if we tell them to ourselves often enough,
42:35become the truth in our minds and everyone else's.
42:41And believe you me, I'm happy for your truth to be the truth.
42:47It would be better for everyone.
42:50Imagine how awful it would be, for example,
42:54if those pictures saw the light of day now,
42:57a storm it would create.
43:00And for what?
43:03It's the past.
43:32Would you excuse me?
43:33Of course.
43:34Yeah.
43:35Majesty.
43:49We could film.
43:50Yes.
43:51But!
43:57Yes!
43:58Yes!
44:01Yes!
44:02Yes!
44:03Yes!
44:04Yes!
44:05Yes!
44:06Yes!
44:07I was sure that was helpful.
44:08Yes!
44:09Yes!
44:09Yes!
44:10Yes!
44:11Yes!
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