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The Crown S06E08 [Full Movie] [Full Version]Full EP - Full
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00:07Yesterday morning at 2.41 a.m. at General Eisenhower's headquarters, General Jodl,
00:17the representative of the German High Command, signed the act of unconditional surrender of all
00:26German land, sea, and airports in Europe, hostilities will end officially at one minute after midnight
00:38tonight, Tuesday the 8th of May.
00:54We may allow ourselves a brief period of rejoicing, today is victory in Europe's day, long live
01:05the cause of freedom. God save the King.
01:14Ready? Margaret, I'm not sure this is a good idea.
01:17Come on, the war is over. We have to celebrate. What if something goes wrong?
01:21We'll have Porchy and Peter Townsend with us. What could possibly go wrong?
01:30We're escaping from the palace. Quick, out the servants' door before anyone sees us.
01:39We can't just break out like this. Oh shush, hurry up.
01:46Come on, girls. Hold your noses. Why?
01:54It stinks of alcohol. And sweat. It smells of life.
02:22No. Green Park or Trafalgar Square? I say the Ritz. It's where all the most elegant people go,
02:28and some G's in Worcester. Good plan. The Ritz it is.
02:31Shall we be inside the palace? Why? So we can wave to Mummy and Papa?
02:35Honestly, what's the matter with you? Can't you be irresponsible just once?
02:51Margaret? Margaret? Oh.
02:59Next week is May the 8th. Do you know, it's been over 50 years, and we've never done anything to
03:07commemorate it.
03:08What are you talking about? The Sovereign? I attend VE Day celebrations every year.
03:15No. I mean, our VE Day. It was quite a night. Do you remember?
03:25Of course I remember. We almost lost you. And then we very much found you. The real you. The you
03:39that you gave up in order to be the other you.
03:43Yes, all right. Don't you miss her? She was so much fun.
03:48Oh, it ain't my fault. Oh, it ain't my fault.
03:56And as I recall, we swore to keep the events of that evening secret.
04:05Gin.
04:07Well done.
04:09Revenge?
04:10I can't, I'm afraid. Early start. I'm expected in Clapham Junction, first thing.
04:17Whatever for?
04:18Something to do with the local council's closed circuit television system.
04:25Oh. Do you not have anything tomorrow? No. But, must eat soon. At the weekend. Good.
04:40Why? I always think that's where you're happiest. Come on, dogs. Come on.
04:48Come on.
05:07Green with lust. And sick with shyness. Let me lick your lacquer, Jones.
05:17God, oh, gosh, your royal highness. Put your finger up my nose.
05:29John Betjeman was so mad for me that his friend Morris Bower wrote this filthy bone about it.
05:39Pin your teeth upon my dress. Plant my head with watercress. Only you can make me happy. Wrap me in
05:51a woolen nap.
06:04Look at your hair.
06:07No, ma'am.
06:12In a plush and plated wrap,
06:20wheel me around.
06:22St. James's, ma'am, let your, ma'am, let your, ma'am, let your, ma'am, let your, ma'am,
06:42is she on?
06:42Is she on?
06:43Oh, good luck.
06:44Oh, good luck.
07:41Oh, good luck.
07:44Oh, good luck.
08:17Princess Margaret, your majesty.
08:20Hello?
08:22Margaret, what on earth happened?
08:25I'm afraid I had a teeny tiny stroke.
08:31Oh, a bit of a shock.
08:33One minute I'm in full flow at the Lawrences, and the next minute I'm in an air ambulance, unable to
08:42feel my arms and legs.
08:44Where are you now?
08:47In hospital.
08:49In Barbados.
08:51Right.
08:53Poor thing.
08:55Well, the doctors assure me I'm going to be fine.
09:01What?
09:01I can't hear you properly.
09:02That's because my mouth is still numb.
09:06I could bite off my own tongue, and I wouldn't feel a thing.
09:11Are we bringing you home?
09:13Yes, tomorrow, apparently, for further tests and edible food.
09:20With any luck, I'm smiling, as I say that, not that you'd notice, but goodbye, Lilibus.
09:35I'll see you tomorrow.
09:38Oh.
09:42Oh.
09:43Good boy.
09:51Oh.
09:53All right.
09:56Oh.
09:56Oh.
09:56Oh.
10:07Oh.
10:32Well, I'm happy to say the stroke was relatively mild, ma'am,
10:35and we ought to be able to treat the condition effectively with just an aspirin a day to thin the
10:41blood,
10:42along with statins to reduce your cholesterol and atenolol to lower your blood pressure.
10:49But these alone will not be enough, ma'am, to prevent the risk of a second, more serious stroke.
10:58You will need to look more closely at your lifestyle.
11:01And make one or two modifications.
11:08So, no more Chesterfields, no more whiskey, no more sweet treats.
11:18Just lemon barley water, nicotine gum, and lots of rehabilitation exercises.
11:33Get out of here, man.
11:35I'm not willing to...
11:37Get in some money, too.
11:41A flea and a fly in a fool were in prison, so what could they do?
11:56A flea and a fly in a fool were in prison, so what could they do?
12:15I'm still alive!
12:17Like some other men do.
12:23Get out of here and get me some money, too.
12:30Why don't you do right?
12:33Like some other men do.
12:37Like some other men do.
12:41Like some other men do.
12:51Good.
12:54Oh!
12:56Bad time?
12:58Good time?
12:59Mm.
13:02Honestly.
13:03I take a nap.
13:05And everyone thinks I've kicked the bucket.
13:08And now you arrive, unannounced, with anxious looks.
13:12i just wanted to see how you are i'm well thank you of course you are but i do hope
13:20you're taking
13:20it easy and cancelling official engagements some of them yes no need to cancel all of them
13:29you know how i hate an empty diary see there's that look again i'm fine lilibet bouncing back
13:41on the way up not on the way out
14:08mom thank you
14:28i thought perhaps a gentle stroll nice siesta and then dinner on the terrace just the two of us
14:36stroll yes but then i'd like a picnic on the beach with the whole gang cocktails at the cotton club
14:45and dinner followed by general bacchanalia at basil's i'm only here for two weeks i intend
14:53to make the most of it all right you're the boss i most certainly am
15:10to make the most of it
15:14to make the most of it
15:24so
15:31to make the most of it
15:34to make the most of it
15:35to make the most of it
15:52to make the most of it
16:01so
16:02이쁘게
16:04to make the most of it
16:05to make the most of it
16:05i don't think i can have a seat
16:20i don't think i don't think i can have a seat
16:28but i can have a seat
16:32Mom?
16:33Mom?
16:35Mom?
16:36Mom?
16:40Mom?
17:02Mom?
17:18Yes.
17:33The doctor saw instantly that I'd had another stroke, but that, as it turns out, was the
17:42least of my problems, because even after he'd stabilized me with a cocktail of drugs, the
17:50soles of my feet were so burned it meant I couldn't stand, never mind walk.
17:57Then why didn't you come home sooner?
17:58Because all manner of humiliating preparations needed to be made.
18:05A car had to be specially modified, handrails put all over the place, like a home for geriatrics.
18:17I don't have handrails anywhere.
18:19Now I'm back. The doctors want to use leeches on my feet as an anticoagulant.
18:33Her voice is a little odd, but what is she saying?
18:36I think it was anticoagulant.
18:37You've given me these velcro slippers instead of shoes.
18:43Gone are the days of heels. Gone are the days of feet, for that matter.
18:49Why not try some gentle exercise? You could use the palace pool. Exercise can help with moods, too.
18:57I'd rather die than do exercise. And, seeing as I'm going to be dead soon anyway, I thought I might
19:07as well go out with a bang.
19:10It's my 70th birthday this year, and I've decided I want to celebrate it with a nice big party.
19:19What at the Ritz? Because we love the Ritz, don't we, Lilibet? Do we?
19:28We do. We have such special memories.
19:36Oh, you will end my loss. Oh, you will end my faults.
19:44Have I missed something?
19:55Look at how I'm dressed. Do you think they all have seen?
19:59Of course. Just tell them who you are.
20:02That is the one thing I'm not going to do.
20:04Then you're going to have to bite your eyelids a little.
20:08Go on.
20:16Get out, get out, get out, get out.
20:18Evening, miss.
20:19Here you go.
20:23Ah.
20:23Ah.
20:25Hi.
20:25Are you pulling your lips, sir?
20:27There you go.
20:30Will you look at that?
20:32What do we do now?
20:35Dive in, I suppose.
20:45Are you doing it?
20:48Where's this, please?
20:49Oh, I can hear this time.
20:51Cheers on the gears.
20:53Oh, my God.
20:55Cheers.
20:56Cheers!
21:00I said so.
21:01Come on.
21:03Come on.
21:03Come on.
21:04Come on.
21:07Yes.
21:08Come on.
21:08Come on.
21:08Come on.
21:10Come on.
21:14Come on.
21:15Come on.
21:15Come on.
21:22I'm going to put this in the cloak.
21:23Oh, let me escort you.
21:24No need.
21:31Hello, miss.
21:39I asked you that?
21:40Thanks.
21:44Excuse me, miss.
21:45Sorry.
21:46Have a nice evening.
21:49Wait.
21:51Don't go up there.
21:52Come with us.
21:54Way more fun.
22:19I wouldn't go down there if I were you.
22:23Americans.
22:23Ever heard of the jitterbug?
22:26Well, I know about the doodlebug.
22:28It's a dance.
22:29Band here, and with good reason.
22:32Comes from Harlem.
22:33Where?
22:34A ghetto in New York.
22:39Wait.
22:40Don't I recognize you?
22:41I don't think so.
22:52Right.
22:54I'll be off.
22:55Will you make my apologies?
22:57I will.
22:58And wish the birthday girl a very happy birthday.
23:02I will.
23:03You taking anyone?
23:05Anne.
23:06And Porchi will be there.
23:08Ah.
23:08Good old Porchi.
23:10Yes.
23:10Good old Porchi.
23:11Always good company.
23:13Never lets one down.
23:19Is everything all right?
23:23Sorry.
23:25I just find myself worrying about Margaret all the time.
23:29Well, hasn't it always been like that?
23:32Yes.
23:34I suppose it has.
23:58It's all right.
24:05It's all right.
24:06Sorry, ma'am.
24:08Go on.
24:10Mm-hmm.
24:11Mm-hmm.
24:33Do you need a hand, ma'am?
24:34No, I'm all right.
24:35Are you really no man?
24:38Are you still smoking cigarettes, ma'am?
24:42How are you feeling?
24:44How are you?
24:45How are you?
25:03Thank you all for coming this evening.
25:08As you know, I've spent much of my time recently lying in hospital beds, sitting in wheelchairs, staring
25:22out of windows at that little patch of blue that prisoners call the sky.
25:33But, one thing that, throughout it all, sustained me, memories.
25:46As it turns out, I have rather fond memories of quite a few evenings at the Ritz that I'd
25:58like to share with you.
26:00One in particular comes to mind when a very different side of the young Princess Elizabeth
26:11was revealed.
26:16And I'm sure everyone would love to hear about that.
26:19Yes, they would, Lilibet, which is why I'm telling it.
26:24It would miss the point entirely of why we're all here tonight.
26:27To celebrate you.
26:34As a child, I always felt sorry for children who didn't have a brother or a sister.
26:39From the day she was born, Margaret Rose has been my constant companion.
26:46Rarely able to see other children.
26:48We relied on one another and, like Juno's swans, we were inseparable.
26:55We shared a room, wore the same clothes, enjoyed the same activities.
27:02In particular, managing our collection of wooden horses on wheels.
27:08That we would groom and water and race.
27:13And whenever we got into trouble, Margaret would blame everything on her imaginary friend,
27:20Cousin Halifax.
27:22I would.
27:23There really wasn't anything Cousin Halifax wouldn't do.
27:28Sounding the air raid bell to wake the guards.
27:31Hiding the gardener's tools.
27:33He really was very mischievous.
27:38It's not always easy.
27:40Growing up in a family where one person has to wear the crown.
27:44Being the number two.
27:47But Margaret has been my ally, day in, day out.
27:52And that's the person I wanted to tell you about tonight.
27:55Not the dazzling, you all know that already.
27:59But the dutiful.
28:00Never wavering.
28:04Never wavering.
28:04My lifelong companion and support.
28:09Without whom.
28:15Well.
28:19It would be unimaginable.
28:24Dearest Margaret.
28:28Many happy returns.
28:32Many happy returns.
28:40I don't know whether to be touched or cross.
28:43Why?
28:45I've always wanted to sing your praises in public.
28:47Well.
28:49It was both uncalled for.
28:53And rather thrilling.
28:55Everyone is being so nice.
28:58One should be seriously ill more often.
29:03Listen to that cough.
29:05You haven't started smoking again.
29:07No.
29:08Of course not.
29:10That was...
29:12Cousin Halifax.
29:17Good night, Lilibet.
29:20Good night.
29:22Good night.
29:27Good night.
29:28Oh, my God.
30:15Oh, my God.
30:28Oh, my God.
30:59Oh, my God.
30:59Oh, my God.
31:13Oh, my God.
31:15Oh, my God.
31:18Hello, you.
31:28Well, goodbye, you.
31:30Stop it.
31:33We'll have you up and out of here in no time.
31:35No.
31:36I'm afraid it's serious this time.
31:42I can feel it.
31:46I can feel it.
31:47Or can't feel it.
31:48Or like...
31:51I can't feel anything.
31:54Or see anything.
31:59My body's...
32:03Deserting me one limb at a time.
32:08The doctors tell me you aren't eating.
32:12I'm really not hungry.
32:17Well, I brought you these.
32:20Your favorite.
32:23Jam tarts.
32:24Yeah.
32:26Yeah.
32:27Now you'll talk.
32:30And...
32:34A very pretty...
32:36walking stick.
32:38For when you're back on your feet.
32:40Mm-hmm.
32:41In the middle.
32:54When you're back on your feet.
32:55In the middle.
32:56In the middle.
32:57In the middle.
33:03In the middle.
35:00A San Francisco husband.
35:04Slept through his wife's call from the World Trade Center.
35:09She left her last message to him on the answering machine.
35:14There was really only one thing left for her to say.
35:17I love you.
35:18She said it over and over before the line went dead.
35:23And then...
35:25Oblivion.
35:29So sad.
35:31And such terrible news about Lord Carnarvon, too.
35:38Borechie.
35:40Why?
35:41What's happened?
35:43He collapsed while he was watching the news.
35:46Heart attack.
35:50Poor Jean.
35:52Poor you, too.
35:55He was such a special friend.
36:03He would bring horse news, which is the only news I ever really want to hear.
36:09He used to hold up his mobile phone when horse bidding was underway so I could hear the action.
36:15He was devoted to you.
36:20Now all those closest to you are abandoning you one by one.
36:27What are you talking about?
36:29What are you talking about?
36:29Borechie.
36:30Yes.
36:32Mummy.
36:33Soon.
36:35Yes.
36:37Me.
36:38Don't you dare.
36:39It's the truth.
36:41I'm not thrilled about it.
36:44In fact, I'm furious about it.
36:47I'm not ready to leave this particular party, but we need to discuss it.
36:55I've written a very detailed plan for my funeral.
37:00You know what a planner I am, and I want your reassurance that it will go exactly as I intend.
37:13I want to wear my flower dress, not some horrid black thing.
37:20And please don't let them put red lipstick on me.
37:25For the chapel, I want roses and tulips, and I want the finale, the Swan Lake, playing on the organs
37:37people arrive.
37:40And one more thing, very important, is, of course, promise me that I will actually be dead when they close
37:55the coffin.
37:58Oh, oh, Mum.
38:05Bertie, old egg, said young Eustace.
38:08Fancy meeting you here.
38:10The one man in London who can support us in the style we're accustomed to.
38:16Oh, by the way, you've never met old Dogface, have you?
38:20Dogface?
38:21This is my cousin Bertie.
38:24Is this silly?
38:25No, it's wonderful.
38:28Go on.
38:30What are you doing in London, I asked.
38:32Oh, buzzing round.
38:34We're just up for the day.
38:36Flying visit, strictly unofficial.
38:39We oil back on the 310.
38:42We oil back on the 310.
38:45And now, touching on that lunch you very decently volunteered to stand us, which shall it be?
38:52Ritz?
38:53Savoy?
38:54Carlton?
38:55Ritz, please.
38:57Because we love the Ritz, don't we?
39:00Honestly.
39:01You and the Ritz?
39:02No.
39:03You and the Ritz.
39:05If people don't know about that night, they'll never fully understand.
39:11How irresponsible I was.
39:14The scale of the sacrifice you've made.
39:19How much of your true self you've locked up.
39:25Hidden away.
39:27You caused havoc that night.
39:32It was the end of the war.
39:44Now.
39:49You rest.
41:34We're actually in with friends upstairs and really should go.
41:42Well, in that case...
42:05...it ain't my fault. Hell no, it ain't my fault.
42:12You blame her, I blame her, it ain't my fault.
42:17Let's go!
42:18Oh, it ain't my fault.
42:22Said no, it ain't my fault.
42:27Well, no, it ain't my fault.
42:31You blame her, I blame her, it ain't my fault.
42:36Alright. No, it ain't my fault.
42:41Good, no, it ain't my fault.
42:47I said no, it ain't my fault.
42:51You blame her, I blame her, it ain't my fault.
43:11You two haven't seen Elizabeth, have you?
43:13Stop worrying about her. She never does anything irresponsible.
43:16Look, she's been a long time. I'm going to look for her.
43:22I'll come with you, Porchy.
43:27All right, wait for me.
43:50Let's go.
44:03Come on, Porchy. Let's get her out of here.
44:06No, don't.
44:08Leave her. Look how happy she is.
44:12Let's go.
44:15Let's go.
44:17Let's go.
44:30Let's go.
44:32Let's go.
44:33Let's go.
44:34Let's go.
44:36Let's go.
44:45Let's go.
44:50Let's go.
44:53Let's go.
44:57Let's go.
45:07Let's go.
45:11Let's go.
45:14Come on.
45:36You dark horse.
45:39You'd have known you could jive.
45:41There must have been 50 men chasing you out.
45:44Don't exaggerate.
45:46What?
45:47I said don't exaggerate.
45:49It's hard to talk.
45:51When you're sloshed.
45:52When you're chewing gum.
45:56When did you get that?
45:58Well, I'm not sure.
46:01I think it might have come after a kiss.
46:03Inebert!
46:04You didn't intend to kiss him.
46:06This is what everyone else was doing.
46:07They didn't want to be rude.
46:10I think Portia might have seen got a bit cross.
46:13Oh dear.
46:29Look.
46:31The blossom's out.
46:33Yes.
46:34The sun is rising.
46:40What will this future hold?
46:43For us all?
46:51Aren't you coming?
46:53We can join mummy and papa for breakfast.
46:59I'm afraid not.
47:03But I will always
47:05be by your side.
47:09No matter what.
47:34Couldn't sleep and wouldn't sleep.
47:39When love came and told me I shouldn't sleep.
47:45Bewitched, bothered, and bewildered, am I?
47:56Lost my heart, but what a bit.
48:01He is cold.
48:04He is cold.
48:04I agree.
48:05I agree.
48:07He can laugh, but I love it.
48:12He can laugh, but I love it, although the laugh's on me.
48:16I'll sing to me.
48:20I'll sing to him each spring to him, and long for the day when I'll cling to him.
48:29Bewitched, bothered, and bewildered am I.
48:43I've got the stir.
48:45Super.
48:58But this is an artful favorite for Christmas, Philippines, and Tri
49:06All the children will be born in my very early life, but I am not a slogan for you.
49:11You
50:06You
50:35You
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