- 12 hours ago
Ponies - Season 1 - Episode 07: Livin' Thing
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TVTranscript
00:06Previously on Ponies
00:07Tom was the mole
00:09The one that got Chris killed
00:11You tell me now when I'm dealing with Andre
00:13I have to seduce him
00:14Which of course for you isn't a big deal
00:15Because sex doesn't matter
00:16But I still have feelings
00:18With all the foreigners in town
00:19For the Elton John concert
00:20They must be doing an operation
00:22At that hotel tonight
00:23Our objective is replacing
00:24One of the KGB tapes
00:25With a tape of our own
00:26Our tape has a tracking device
00:28Hidden in it
00:28This is how we figure out
00:29to the location of the Compromat facility.
01:00Есть в мире звезды и солнечный свет,
01:05есть дом родной и тепло огня,
01:10и у меня есть ты у меня.
01:15Все, что в жизни есть у меня,
01:20все, в чем радость каждого дня,
01:24все, в чем тревоги и мечты,
01:30это все, это все ты
01:35связана, связана только с тобой.
01:40Связана, связана только с тобой.
01:44Лишь с тобой, лишь с тобой, только с тобой.
01:57ДИНАМИЧНАЯ МУЗЫКА
02:08ДИНАМИЧНАЯ МУЗЫКА
02:17it's five in the morning i nearly shot you oh whoa why why would you have shot us i mean
02:22didn't
02:22you look through the people yes what do you need no no we shouldn't talk here we should talk
02:25elsewhere yeah i'll see you in the bubble in five yeah it was a much bigger operation than we thought
02:32i mean they must have recorded what dozens of these blackmail tapes and that's just at this
02:36one hotel they're gonna have to move him somewhere today good analysis thank you what about you did
02:42vasilyev give you anything last night you better believe he gave her something last night twyla
02:47what are we not supposed to talk about what he gave to be i might have some usable intelligence yes
02:52he implied that he had his own blackmail operation going i think he's targeting powerful soviets
02:58and manipulating them with what he has on them which is how he's been able to move up so fast
03:02in
03:02the kgb if there's a connection here this could be why some of the prostitutes are being murdered
03:06while others aren't that's because he's the one killing him just keep doing what you've been
03:10doing b maintain your connection her connection with a fucking psycho killer he's a valuable asset
03:15and he remains a valuable asset keep him close ray did you get your tracker into any of those cameras
03:21yes sir i'm gonna follow it this morning you can't you can't go back to that hotel you'll catch a
03:25tail you're gonna have to do it we need you to find the compromat facility today
03:35so
03:47so
03:48so
04:49I'm just saying we could also...
04:53Yeah, yeah, I know.
04:54Yeah.
04:57Hey, I'm sorry.
04:59Go on.
05:00No, no, no, absolutely not.
05:01You first.
05:02You had sex?
05:03With who?
05:05A woman.
05:06The mean lady at the market?
05:08She's not that mean.
05:10I mean, she is.
05:11She's, yeah, she's mean.
05:13Okay.
05:14Yeah.
05:15I mean, did you...
05:17Like, I mean...
05:18You were going to say something.
05:19What were you going to say?
05:21Yeah, okay, right, sure.
05:23So, I mean, I should have said this earlier.
05:25I just, I'm...
05:27I'm sorry.
05:30As you may have noticed, I have some issues with control.
05:37If I agree with you, it'll ruin the moment.
05:40So, just continue.
05:41Okay.
05:42I was just finding out I was being lied to after so long.
05:45It just made me feel so powerless.
05:47And it fucked me up.
05:49And I took it out on you.
05:50And I never should have.
05:52And I am just so sorry.
05:54Okay?
05:56I am too.
05:57I mean, I'm...
05:59I'm sorry too.
06:01Yeah.
06:02You know, I should have told you about Tom the second I found out on you.
06:04I don't know why I didn't.
06:05No, no, no, not at all.
06:06No, no.
06:07You just, you didn't want me to blame you for what he did.
06:10Which, knowing me, I might have done that.
06:12Thanks for saying that.
06:14I know you think that I judge you.
06:17That I think that I'm, like, superior to you.
06:19But I really, I don't.
06:20Twyla, you have to know that I don't think that.
06:22No, no, it's okay if you do think that.
06:24Because you are, you know, a little bit superior to me.
06:27In certain aspects, so...
06:29Well, if I agree with you, I'll ruin the moment.
06:34So, you had sex with a woman.
06:37Yeah, I did, yeah.
06:39Okay.
06:40You want to hear about it.
06:42Oh, oh yeah.
06:42In detail.
06:43I mean, yeah.
06:44I can handle that.
06:45Oh my god, of course I can handle it.
06:46Yes, I went to Wellesley.
06:48You know?
06:49Come on.
06:50Okay.
06:51Hit me.
06:52Okay.
06:52Mm-hmm.
06:54So, uh, you know, I've never eaten pussy before, but, uh, not to toot my own horn, but I think
06:58I was pretty good at it for my first time.
07:00Uh-huh.
07:01I mean, Ivana seemed to enjoy it.
07:04Yeah.
07:05I get...
07:05Whoa!
07:06Uh, okay.
07:08Which truck?
07:09Maybe, maybe it's, maybe it's both of them?
07:11Okay.
07:12Oh, shit.
07:13Wait.
07:16Oh.
07:16It's not on the trucks.
07:18It's the ambulance.
07:19Oh, shit.
07:21Okay.
07:22Okay.
07:23Mm-hmm.
07:23Yeah.
07:23Yeah.
07:24There it is.
07:26Yeah.
07:26Drive, drive, drive!
07:27Okay.
07:28Shit.
07:29My son will be more than my daughter.
07:33He says, he needs a little lamb.
07:37It's American shoes for a farmer.
07:40And if he wants to be a farmer, then he will work for a farmer.
07:50Andrey, пойдите.
08:00It looks like he is not going to give me a increase in my opinion.
08:04What could be worse than a nanny?
08:07That's what he is experiencing in you.
08:11You're listening to him.
08:13What do I tell you?
08:15You're listening to Andrea Vasileva.
08:18You're listening to him.
08:21What do you want to tell him?
08:23Tell him to buy Cadillac.
08:26Tell him to give him your house.
08:28Tell him to kill your daughter.
08:30Tell him to kill your daughter.
08:31Tell him to kill him.
08:35Otherwise, you'll be your wife,
08:40and your daughter, and your mother.
08:43Do you know what there is?
08:46First of all, in the camera.
08:49Your old lady is dead.
08:51Enough, enough.
08:53Then, you idiot, you start to give them a cab.
08:58You're just a shame.
09:00You're just a shame.
09:02You're just a shame.
09:05I know, what you think.
09:09How do you say it?
09:11You're alive or dead.
09:13It's a shame.
09:18You're alive or dead.
09:21Too quickly.
09:24Only if you're not white and white.
09:28You'll find my place.
09:33Oh, my dear,
09:36you're not going to eat, you're not going to eat.
09:47Mom?
09:48Mom?
09:50Mom, I'm going to eat, I'm hungry.
09:53Let's go.
10:01We took the story of Galeine.
10:03There is a couple of your clothes,
10:06which she was in you.
10:08Do you remember that?
10:12I thought, where did it all happen?
10:21I don't know how to know all this world.
10:25Then you'll see it.
10:28It's all your clothes.
10:29It's all your life.
10:35Go to the street,
10:37breathe fresh air,
10:38see your friends,
10:40and the sun,
10:41if you're happy.
10:59You can get in and around everyone
11:00without even caring who you're pissing off.
11:04Who cares if you piss people off?
11:06I mean, they're strangers.
11:07You got to be pushy in life
11:08or you're not going to get anywhere, you know?
11:10Whoa!
11:13Mom, you lied, Zuka!
11:15I think you learned how to say go fuck yourself in Russian.
11:17Where are you from?
11:18Today we met.
11:26Goodbye, my love.
11:28Can we say bye-bye to Mama?
11:30Bye-bye.
11:31Bye-bye.
11:31Bye-bye.
11:32Bye-bye.
11:35Wow, you look nice to be serving a child cornflakes.
11:40I know it is a bit much,
11:42but I have spent half my compensation on this
11:45and I have never had a chance to wear it.
11:49What better reason as him?
11:51Okay.
11:53Elton John?
11:55Um, Mr. Ray offered me your ticket
11:57to the concert tonight.
12:00I hope that is still okay.
12:02Why?
12:04Of course.
12:06Yeah.
12:07It was my idea.
12:10Thank you, Mrs. Simanski.
12:23Michelle.
12:34Welcome to West Germany.
12:46Jesus Christ, that's him.
12:47You think he saw us?
12:48No, I don't think so.
12:51What's he doing?
12:52Wait, that's Andre's wife.
12:55Damn.
12:56She's a fox.
12:58She makes Russian clothes look decent.
13:00That package looks important.
13:01We should find out what it is.
13:02Yeah, but how?
13:02We have to follow the ambulance.
13:04Well, we should do both.
13:05That is probably how Andre is funneling out
13:07his blackmail on the Russians.
13:08Through his wife.
13:10Okay.
13:10She knows what I look like,
13:11so you follow her,
13:12and I'll follow the ambulance.
13:14I'll get to the compromise facility.
13:15No, no.
13:15I mean, if Andre sees you even for a second,
13:18I mean, we know how dangerous this guy is now.
13:20He could kill me.
13:21Yeah.
13:22I know, I know, but...
13:23This is what I came back for.
13:26Answers.
13:27Okay?
13:27Okay.
13:28You need to follow her.
13:29Okay.
13:30And I need to follow him.
13:32Okay.
13:34Okay.
13:35So, I'll see you tonight?
13:37Yeah.
13:38Yeah, they'll have a John concert.
13:39Shep will be such an asshole, you know,
13:40if we're not all theirs.
13:41Such an asshole.
13:42Yeah.
13:43So I'll be there.
13:44Me too.
13:46Mm-hmm.
13:48Good luck.
13:49Okay.
13:49Okay, be careful.
13:50Good luck.
13:51Yeah.
13:52Oh, shit.
14:17Sasha. Shit.
14:35Shit.
14:38Shit.
14:47Shit.
14:49Shit.
14:52Sasha.
14:54Sasha.
14:59Sasha.
15:00Sasha.
15:01Sasha.
15:02Sasha.
15:03Sasha.
15:16Sasha.
15:21Sasha.
15:33Sasha.
15:35Sasha.
15:39Sasha.
15:40I don't know.
16:30I don't know.
16:33Well, where are you?
16:35Well, you're dead.
16:40You're dead.
16:41You're dead.
16:41You're dead.
16:43You're dead.
16:45You're dead.
16:49You're dead.
16:51You're dead.
16:52You're dead.
16:54You're dead.
16:56You're dead.
16:58You're dead.
16:59You're dead.
17:02You're dead.
17:04You're dead.
17:06You're dead.
17:12You're dead.
17:15You're dead.
17:20You're dead.
17:21You're dead.
17:23You're dead.
17:27You're dead.
17:27You're dead.
17:32You're dead.
17:34You're dead.
17:34I'm sorry.
17:36Ray, where the hell did you get real ketchup in Moscow?
17:39You just have to fill out the requisition form for the supply train from Stockholm and then
17:42wait about two months.
17:43It's actually not that difficult.
17:45Can we have some?
17:48Yes.
17:49Here you go.
17:51Of course.
17:53Ray, may I speak with you for a minute?
17:55Yes.
17:56Of course.
17:59Not...
18:00Okay.
18:01That's...
18:02Yeah.
18:03Yeah.
18:03What's up?
18:04I hear you're taking our nanny on a date tonight.
18:08No.
18:09No.
18:10No.
18:10It's not a date.
18:11It is the definition of man, woman, theater, songs about love.
18:15Sure.
18:16Yes.
18:17But you...
18:18I mean, you said you didn't want to go.
18:21You said, and I quote, I don't like music.
18:24Doesn't mean taking our teenage employees is appropriate.
18:26She's 20.
18:27Sure knew that pretty fast.
18:29You are her employer, not her friend.
18:33People are going to start looking at me like they look at Gretchen.
18:35With pity.
18:37Honey.
18:39Honey, I would never, ever cheat on you.
18:43People already think you do.
18:48I'm sorry.
18:49I'm so sorry.
18:50I goofed.
18:51All right?
18:51It's my fault.
18:53I'll talk to her tonight.
18:55I'll give her my ticket.
18:56She can take a friend.
18:58No.
18:59No.
19:01You're going to take that ticket and give it to me.
19:03I want to go to the concert tonight.
19:05I deserve a night out.
19:07What am I going to tell her?
19:08Oh.
19:09Whatever you want.
19:10I don't care.
19:11This is your mess.
19:12You can clean it up.
19:15Okay.
19:17I'm glad we had this talk.
19:21How is the work at the Yugoslavian automobile factory at Dela?
19:27Trying.
19:29Maybe you should quit.
19:30Hm.
19:33You told me last time you didn't believe I managed a car factory.
19:36I've never believed any of your stories, but it's your money, your hour.
19:41It doesn't matter to me what you do.
19:43But we should talk about why you lie.
19:46I'm not lying about everything.
19:47Right?
19:47Yes.
19:48You're honest about some things.
19:49You were married.
19:50You are a homosexual.
19:51See?
19:52Not all lies.
19:53That's not why you get the treatment though.
19:56No.
19:58I get the treatment because if I don't, I think about putting a gun in my mouth.
20:06Not lying about that either.
20:08Maybe there are just too many lies and you don't know who is the man under the lies anymore.
20:14I know who I am.
20:16And I know why I lie.
20:21Why do you think I lie?
20:23I think you lie to me because you are a spy.
20:25Is that what you think?
20:27I don't think.
20:29I know you are a spy at Dela.
20:31Your friend.
20:32The one who sent you to me.
20:35He was a spy.
20:36Really?
20:38He told you that?
20:39He wanted help.
20:41Real help.
20:43So he was honest.
20:46My friend.
20:48The spy.
20:52He's dead.
20:53Did you know that?
20:56I didn't.
20:59And you blame yourself.
21:00He's dead because of my mistakes.
21:03So...
21:05It's my fault.
21:07What was your mistake that you believe you killed your friends?
21:16I'd like to go upstairs for the treatment now, please.
21:20This is why you want to put a gun in your mouth.
21:25I'd like the treatment now.
21:49I'd like the treatment now.
21:52Why you did you know the light in your eyes?
21:53It's like you are so sweet.
22:01You're like a car.
22:09It's like you're too sick.
22:13It's like a cat.
22:17You're too...
22:19I mean, you have to come out.
22:21I don't know?
22:24For example, that you are beautiful, that I like to play with you in your shoes.
22:33It's hard to make my life easier to go around and around.
22:46Come on.
22:48Listen to my mother, Arina.
22:50Come on.
22:55Come on.
23:05Be little.
23:09That's what happens.
23:11It's nice.
23:13I'm kind.
23:14I love you.
23:15No, no, no, no, no.
23:38No, no, no, no.
24:23No, no, no, no, no, no, no.
24:55No, no, no, no, no.
24:56Come on, yeah, that's a good baby, yeah, come on, yeah, yeah, okay, okay, yeah, okay.
25:18Open.
25:19Open.
25:2810, 9, 8, 7, 6, 5, 4, 3...
25:50Can you try to enjoy the song, Dane?
25:52You're our audience.
25:53You weren't supposed to die.
25:55In our jobs, we're all supposed to die.
25:59They were only killed because the Soviets knew they were coming.
26:02We knew there was a mole.
26:03We weren't sure.
26:05Now you're sure.
26:06Are you the mole?
26:08Did you tell the Soviets?
26:10Was it you, Dane?
26:17Why do you have my daughter?
26:24I was driving home from the university and it was the scariest thing.
26:28She was just crawling right in the middle of the street.
26:31Yeah, but I, I, don't worry, I slammed on my brakes, I jumped out of the car, I scooped her
26:35up.
26:35You know, your neighbors must have recognized little Dasha here because they just pointed me right to your apartment.
26:44So, yeah.
26:45Thank you for bringing her back home.
26:47Of course, of course.
26:48She never does this before.
26:50Oh, consider yourself lucky.
26:52My son is a mad man.
26:54You know, I, I, I turned my back for, uh, two seconds and he's, you know, he's, uh, covered in
26:59peanut butter.
27:00It's just, uh, you know, and is there anything worse than trying to get peanut butter out of a kid's
27:05house?
27:05No, there isn't.
27:07I do not have peanut butter, so thank you.
27:10Oh, oh, oh.
27:12There's, there's no way you found this in the Soviet department stores, right?
27:14I mean, it's just too beautiful.
27:15What is this?
27:16I have to get Western clothing through other means.
27:19All right.
27:20Can I tell you a little secret?
27:21When my son was born, I, I just, I wanted a girl.
27:25I wanted a baby girl, you know, I just really did.
27:27And I, and I had found all of these darling dresses and skirts and the first arrondissement in Paris, you
27:33know.
27:33And they're just, uh, rotten away in my closet in this trunk.
27:37Um, it's really a shame.
27:38You, you wouldn't be interested, would you?
27:40I mean, I would so much rather share them with a mother like me who appreciates these fine things.
27:50Let me make her a cup of tea.
27:51Oh, thank you.
28:50Milk?
28:51Oh, please.
28:53Yes.
28:53I, I love Soviet milk.
28:56You know, it's so convenient.
28:57It's always just out on the counter.
28:59Sitting there.
29:00Maybe some sugar too, please, if you don't mind.
29:11Oh, I was just admiring your bag.
29:14I mean, it seems like everyone in this city's got one.
29:17It's, uh, must be popular.
29:18This ugly bag?
29:22Perhaps bag.
29:23Oh.
29:23In Moscow, you never know when the line will form for something desirable, so you must be ready to carry
29:28it.
29:28Right.
29:29Well, I should get one.
29:30Maybe then people will think I'm a local.
29:32No, I do not think anyone will mistake you for a local.
29:37So, where would you like to meet?
29:39To give me the closing?
29:41For the close, yes.
29:42Um, how about the university?
29:45You can swing by.
29:46Right now?
29:47How about tomorrow?
29:48I will come with my husband.
29:51I'm sure he would like to thank the American woman who saved our daughter.
29:55That sounds like a wonderful plan.
29:57Yeah, I can't wait to meet him.
29:59And which university did you say?
30:02Um, just the one down the road.
30:04The big one.
30:05You can't miss it.
30:06Tell anyone there to find me.
30:07My name's Cheryl Zomansky.
30:09How do I spell that?
30:11Zomansky.
30:14Oh!
30:15Oh!
30:16I'm so sorry.
30:17I'm always making a mess like this.
30:19Beth, you get your clothes.
30:19Oh, thank you.
30:20Yes, it's...
30:22Oh, fuck.
30:24Shit.
30:25Ah.
30:27Oh.
30:28Oh.
30:54Oh, fuck.
30:55Oh, fuck.
30:57Oh, fuck.
30:58Oh, fuck.
30:59Oh, fuck.
31:01Oh, fuck.
31:03Oh, fuck.
31:04Oh, fuck.
31:05Oh, fuck.
31:05Oh, fuck.
31:05Oh, fuck.
31:07Oh, fuck.
31:08Oh, fuck.
31:09Oh, fuck.
31:10Oh, fuck.
31:11Oh, fuck.
31:13Oh, fuck.
31:14Oh, fuck.
31:42Shampoo.
31:43Shampoo.
31:46Shampoo.
32:05Давай, давай, давай.
32:09Давай.
32:09We're going to come back to you.
32:11After you.
32:12After you.
32:42IND Sono
32:48VASILI見
32:49VASILIEN
32:50Oi?
32:52Show me
32:52We are promettent
32:54Yeah, well, I agreeiba
33:03Hey
33:04Why
33:05are you saying like he mentioned this materia in the world
33:08I'm not sure what you want to do.
33:10I'm not sure what you want to do.
33:12But I'm sure I'll show you what I need to do.
33:16I understand what you're doing.
33:18Then you want me to do an instrument of pressure.
33:21You want me to take off the road.
33:23I'm not thinking about this.
33:25This is a bad thing, Andrew.
33:30I'll give you power,
33:31which you need.
33:33Just because I don't have a choice.
33:36But remember,
33:38you have your own own записи,
33:40but my own own.
33:43Show me what I gave you.
33:45I'll show you.
33:45There's a good news.
33:47Google Play.
33:51Google Play.
33:56Google Play.
34:00Google Play.
34:04Google Play.
34:04I'll take it.
34:05I'll take it.
34:07I'll take it.
34:10I'll take it.
34:30Go get him!
34:45I really did try to explain to her.
34:49I didn't realize how sensitive Cheryl was going to be about this.
34:53It's okay.
34:55You should not cry.
34:58It's only a concept.
34:59No, no.
35:00I completely understand.
35:02I mean, it's Elton.
35:03But, you know what?
35:05I'll try and get you an autograph.
35:07That would be pretty cool, right?
35:09Oh, Evie, I am so sorry, too.
35:12I didn't know they'd want me there.
35:13I'm going to see business and all.
35:14Of course.
35:15Ready, Ray?
35:16Yes.
35:17Okay.
35:19Oh, Evie.
35:21Make sure Trent's in bed by eight.
35:25Okay.
35:28Ray, do you think it's going to be one of those concerts where everyone stands?
35:31I hope not.
35:32I'm going to say...
35:33When I tell you, that I'm really good.
35:37A beer, please.
35:39Yes, sure.
35:40I'm going to say...
35:41...or if you're going to be one of those concerts...
35:44...you're going to be one of those concerts...
35:50...when I tell you, that I'm really good.
35:56...
36:05...
36:06...
36:08There's nothing in your house.
36:10There's nothing in your house.
36:11There was a woman in your house.
36:14I don't know her.
36:19You know her?
36:23I can't remember.
36:29Let's go.
36:31Let's go.
36:33Let's go, I told you.
37:01She's cute.
37:03It's light.
37:04Yeah.
37:10I do not care what happened to your aunt.
37:12I'm sure you don't.
37:14I'm just trying to give you this.
37:16If you want it.
37:18Elton John, tonight.
37:20I'll be there.
37:21You know, they gave me an extra ticket because they forgot my husband's dead, so...
37:27In exchange for what is this?
37:29Nothing.
37:30I'm just...
37:31I told you, I don't need anything.
37:33I'm just...
37:36Yeah.
37:39I could get a good price for this.
37:42Really?
37:44Good for you.
37:45Yeah.
37:46Get top ruble.
37:47Yeah, sounds great.
37:48I guess I'll see you around then.
38:12Hi, I wasn't expecting you.
38:15I know, you're going to get me out of the way.
38:19I'm Nadia. I'm not going to get me out of the way.
38:21Why do I need to...
38:25I see my eyes. I think Nadia found a new way to get me out of the way.
38:42I'm not going to get me out of the way.
38:44Nadia, I don't think so.
38:46I don't think so.
38:49I'm really scared.
38:52I think I should admit that it's going to be possible.
38:57And why? I live with you just because I don't want to go anywhere.
39:01What? What did you say?
39:05It's still possible.
39:08In the end, you served my own happiness.
39:11So you want to finish it all?
39:13Yeah?
39:18Wait, you want to finish it all?
39:25Yeah.
39:25You know, in the end of the day, I didn't know who I met.
39:29Yeah?
39:31In the park.
39:33When I was walking with my friends.
39:36And she reminded me about how it was before.
39:38You know, before...
39:39It was...
39:40...to meet you.
39:41It was all so difficult.
39:44But now I understand that in the real world,
39:47...it was everything more easier.
39:51Everything was easier.
39:53It was easier.
40:19Hi.
40:20Hi.
40:23Did you really meet someone today?
40:26Uh-huh.
40:27And she felt easier?
40:30No one would try to kill me if I was with her.
40:33Except maybe some theater critics.
40:39You know how neither of us were sure if what we were risking our lives for was worth it?
40:44I found something out today.
40:47Something important.
40:49Something that has to do with why my husband was killed and I wouldn't have been able to do it
40:53without your help.
40:54So, if you want to walk away, you can knowing that you've done something to hurt the people who killed
41:02Galina.
41:12Your bosses, they will let me go?
41:16I don't know, but they can't stop you.
41:19You're only safe talking to me. There's no one else who can.
41:22And you?
41:24You will let me go?
41:29I want you to live your life.
41:32Whatever that looks like.
41:36So the question is, what do you want?
41:52I'm sorry, I'm...
41:54No.
41:55I just...
41:56I thought you met someone today and she felt easier.
41:59Yeah.
42:00Easier.
42:02But I don't want easier.
42:15I have to go.
42:16Yeah.
42:18But...
42:20Maybe I...
42:22I can come back.
42:26Yeah.
43:00Do you need something else, Doctor?
43:03No, thank you, Gertrude. I'll close.
43:06I'll have a nice day.
43:07No.
43:27It hurts me, I was a little nervous.
43:30That must be me.
43:37Higher and higher, baby.
43:42It's a living thing.
43:46It's a terrible thing to lose.
43:50It's a giving thing.
43:53What a terrible thing to lose.
44:11I can't believe this is what you conceive from your worst day.
44:17I'm taking a side.
44:19I'm moving in line when you look back in time to the first day.
44:25I'm taking, I'm taking a side.
44:27Hey.
44:29Thought you were, uh, selling the tickets.
44:33Nobody wanted this shitty seat.
44:35Yeah, it's a really shitty seat.
44:37Next to me.
44:40I like your tights.
44:43I like your jacket.
44:47It's a terrible thing to lose.
44:51Honey, the door, the latch is a little finicky.
44:55But you're so mad.
44:57Yes, because you call me sensitive in front of Evie,
44:59and now I seem like some jealous wife.
45:02You couldn't have just lied like everybody else in the city.
45:03Blame it on your boss.
45:04I try not to lie to anyone, especially you.
45:06Well, I'm glad it felt good telling Evie the truth.
45:08Oh, my God.
45:10Cheryl, are you...
45:11What does it matter what I told her?
45:13She's not here, you are.
45:14You're getting what you want, like you always do.
45:18Do you think that this is what I want?
45:20Being in Moscow for your job?
45:24You think I want to color my own hair?
45:26You think I want to boil some potatoes
45:28and a geriatric goose for Thanksgiving?
45:31Cheryl.
45:31All of this is for you.
45:33All of it.
45:34Everything I do.
45:36Cheryl.
45:37Cheryl!
45:37Honey!
45:38Cheryl!
45:58I'm Johny!
46:00Let's get caught!
46:04Let's play the clock.
46:04You guys are in the kitchen much?
46:04Let's go.
46:04You guys are in the kitchen,
46:05We'll be in for the next room!
46:05Let's go.
46:07If you're in the kitchen?
46:07You're a good lunch.
46:09We've got to the kitchen.
46:10You're a good lunch.
46:12The kitchen?
46:32One time, when I was little, like five or six or something, my mom shoved a whole slab
46:36of bacon down the back of my pants so she wouldn't have to pay for it, and the whole
46:39time the store owner's dog was just lunging for my ass, so.
46:42One week, my family of six children lived off of one roasted squirrel.
46:48Yeah, I'm not going to win this game with a Russian, am I?
46:53Why does everyone just assume I'm American?
46:56Your hair, teeth, the way you walk, they wear a shirt that says bounce, bounce, bounce.
47:04How do I walk?
47:06Like someone who has grown up being free?
47:10Yeah, well, I didn't.
47:13Are you free now?
47:16About your friend?
47:18Um, uh, yeah, um, my friend, uh, sorry, I just haven't seen her since, um, well, since
47:26this morning, but I gotta, I gotta go talk to her and do stuff, so I'll be back though,
47:31okay?
47:31Try not to miss me too much.
47:34You're alive.
47:35So are you.
47:36What the fuck happened?
47:37Uh, she's here by coincidence, or what's going on?
47:39Okay, we'll talk about her later, but first we should talk about what we've been, we've
47:43been doing, so we'll talk to Yana, I followed her.
47:45What?
47:45And then, uh, yeah, I kinda, I kinda took her baby.
47:47You kidnapped her?
47:49Well, I'm more, kinda borrowed her, I guess.
47:50Yes, the gals I was looking for.
47:52I need you both to come backstage with the other ladies.
47:54Oh, well, no, no, we can't wait.
47:55Sweetie, this is official embassy business.
47:58I know you girls are excited to see the show, but you aren't here on the U.S. government's
48:02dime to be looky-loos.
48:04Oh.
48:04You both look presentable, thankfully.
48:07Come on, let's go.
48:08Elton's gonna love you.
48:09Come on.
48:11Okay.
48:12Okay.
48:13Okay.
48:13And I'm told, and I'm told he's a merchant.
48:18He may be sheep, but I'm told.
48:22It's never, never for certain.
48:26With my side and throat.
48:29Right on time.
48:30I saw your doctor.
48:36So it's done.
48:37Well, there are still loose ends.
48:40But this one is tied.
49:02Oh.
49:18Is there anything else?
49:20Yes.
49:21We need to go to the airport.
49:23I received a message from our friend in the village.
49:27He asked us to visit.
49:32What are you doing?
49:33I...
49:34What is that?
49:34Put that back.
49:35I was...
49:36Put it back.
49:39Please.
49:40I was only...
49:41Let me explain.
49:42I knew we couldn't trust you.
49:43You're working for them.
49:45And nobody believed me.
49:46You don't understand.
49:47Don't!
49:48Don't!
49:50Everyone, meet the beautiful American ladies of the U.S. Embassy.
49:55So I followed him and I had to get to this checkpoint and then I got there.
49:59I found...
49:59You found it?
50:00I found the facility.
50:02Yeah.
50:02You found it.
50:02I know.
50:03I'm pretty sure that I know how to get us back there.
50:05But, Twyla, it's fast.
50:06I don't even know how we're gonna get through all of the material.
50:08It's...
50:09It's this huge facility.
50:10And there was...
50:12Okay.
50:12Okay.
50:13But, yeah.
50:13I'm pretty, but...
50:14We need our...
50:15We need...
50:15We need to go to...
50:15We need to go to.
50:17We need to go to the Trishivi or something.
50:21Hello, American.
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