The Brokenwood Mysteries S12E04 (2026)

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Transcript

00:00:05Excuse me! Excuse me! You're on!

00:00:14Welcome, everyone, to this inaugural excursion of the Brokenwood Flyer.

00:00:21The culmination of years of hard work and planning by the many dedicated pharaoh equinologists of Brokenwood.

00:00:31That's a fancy talk for Iron Horse enthusiasts, and I'm sure you all know that already.

00:00:38I'm sure you also know that we wouldn't be here today without the sheer grit, determination, and fundraising stamina

00:00:45of two of the Brokenwood Vintage Railway Society's leading lights, Rosalie Barnes and Shane Griffin.

00:00:54They have committed years to this exciting project,

00:00:57and today is the day when it all comes to fruition.

00:01:01Oh, my God!

00:01:04What'd you do that for?

00:01:05You know what blooms like, he'll prattle on all day if you let him.

00:01:08Mrs Baker's already in a flap about getting away on schedule.

00:01:11Always thought there was a touch of Mussolini about that woman.

00:01:14Eh?

00:01:15Makes the trains run on time.

00:01:17No, I think Rosalie's the one who's putting the strings.

00:01:19As usual.

00:01:20I'm bitter.

00:01:21I'm not bitter.

00:01:22No?

00:01:23You've spent three years pretending to have an all-consuming interest in vintage trains, hoping to catch Rosalie's glad eye,

00:01:30only to find out that the woman of your dreams has taken up with the sap of a man half

00:01:36your age.

00:01:37Shane's not half.

00:01:38Anyway, you can talk.

00:01:39You fancy-

00:01:40Oh!

00:01:40All aboard!

00:01:41Well, this day is a rover in the hills of smoke.

00:01:50Meet me right back here.

00:01:56I had a dream last night.

00:02:00We were riding on a silver train.

00:02:05Suck it!

00:02:08Oh!

00:02:11Well, congratulations.

00:02:12You did it.

00:02:13With a lot of help.

00:02:15If Regan's father hadn't come to the party, when he did, he'd still be back at the cake stall and

00:02:20raffle stage.

00:02:24How are we doing for time?

00:02:25Oh, relax.

00:02:26We're all on track.

00:02:27Oh!

00:02:28On track!

00:02:34Oh, right, so it should be me driving, you know that, don't you?

00:02:36How did you work that out?

00:02:37It's in the blood.

00:02:39Dad was a rail woman.

00:02:40Fifty years.

00:02:41Candy with a shovel, was he?

00:02:42The only reason it's you and not me.

00:02:46You haven't got the upper body strength.

00:02:47Not for any hard yet.

00:02:51Hey.

00:02:57There's nothing quite like it, is there?

00:02:59Hmm?

00:02:59The romance of train travel.

00:03:01You're not in a hurry.

00:03:03It's only 20 minutes to Little Lake by car.

00:03:06This will take twice as long.

00:03:08Wait, yeah, but that's not really the point though, is it?

00:03:10It's why they closed the line in the first place.

00:03:13It wasn't needed.

00:03:15Devil on horseback?

00:03:16No thanks.

00:03:18Oh, no thank you.

00:03:33What the hell's that?

00:03:35There's something on the track.

00:03:36Just look.

00:03:39Oh, jeez, that's not something.

00:03:41That's somebody.

00:03:42Stop the bloody train!

00:03:52What?

00:03:54Why have we stopped?

00:04:07What the hell do you think you're doing?

00:04:08You could've got yourself killed.

00:04:09Oh, like you care.

00:04:10Just go ahead and kill the planet instead.

00:04:12Give me strength.

00:04:14Unbelievable.

00:04:15Billy McKelvey!

00:04:17What silly game are you playing now?

00:04:19It's not a game.

00:04:20This is a wake up call.

00:04:21What for?

00:04:22It's the middle of the afternoon.

00:04:23We're already awake.

00:04:24Cole is killing the planet.

00:04:26Cole is killing the planet!

00:04:29What's all this?

00:04:29Cole is killing the planet!

00:04:31Somebody call the cops!

00:04:32Cole is killing the planet!

00:04:34I will not have her ruin Rosalie and Shane's.

00:04:36I mean, everyone's.

00:04:37Big day.

00:04:38I'll deal with you up at the lake.

00:04:40I'll deal with you up at the lake.

00:04:40Come on!

00:04:41On the train!

00:04:41No!

00:04:42You can't make me!

00:04:43You'll do as you're told or you'll make things worse for yourself.

00:04:45Come on!

00:04:47Come on!

00:04:48Don't touch me!

00:04:52Poor thing!

00:04:53Are you okay to keep going?

00:04:55We can swap places if you're feeling a bit fragile.

00:04:56Joe?

00:04:57No!

00:04:58No!

00:04:58I'm fine!

00:05:01Come on!

00:05:02Pick up the train!

00:05:30It's just a hobby for you lot, but you're not thinking.

00:05:33Oh, you don't want to know what I'm thinking, young lady.

00:05:35Coal is killing the planet.

00:05:38Coal is killing the planet!

00:05:40If you think the biggest threat to the planet is a quaint little train in Broken Wood, your

00:05:44head's on wrong.

00:05:45You just don't care, because you'll be dead soon.

00:05:47No, no, no.

00:05:47All right, Chatty Cathy.

00:05:48Wrap it up.

00:05:50We're almost at the stop for Little Lake.

00:06:01Everyone else in front of the path, you can't miss it.

00:06:05It's going really well, I think.

00:06:08Where's Rosalie?

00:06:09Oh!

00:06:10She'll be somewhere tattooing with her frog.

00:06:11I'm gonna sneak a cigarette in my life.

00:06:13No, no, no.

00:06:13You go with the others.

00:06:15She wants to make a big entrance.

00:06:16I'll find her.

00:06:22Rosalie?

00:06:23You there?

00:06:25Rosalie?

00:06:26Rosalie?

00:06:26You there?

00:06:26Rosalie?

00:06:48Mrs. Baker?

00:06:52What's wrong?

00:06:54What's wrong?

00:06:59Mike? I don't want to be rude, but now's not a good time.

00:07:02I'm trying to find a runaway bride.

00:07:04I might be able to help you with that.

00:07:15What's all this carry-on? Is someone getting married?

00:07:18That was the plan, yes.

00:07:21Did you know anything about this?

00:07:23All I know is I'm supposed to get fed.

00:07:25It's hungry business, show and call.

00:07:27Oi! Don't touch.

00:07:29You reckon the bride's done a runner?

00:07:30I sure wish I'd done a runner on my wedding day.

00:07:35I don't know.

00:07:37She's a fine figure of a woman, Miss Trudy.

00:07:46Thanks for keeping everybody here.

00:07:48It wasn't hard. Never expecting a picnic.

00:07:51I haven't said anything about Rosalie. I wouldn't know how.

00:07:55Uh, we'll handle that.

00:07:56Next of kin.

00:07:58Oh, um, oh, Regan, Rosalie's daughter, and Shane, the groom.

00:08:10Thank you, Mrs. Baker.

00:08:11Oh, good job.

00:08:13Well, what's her story?

00:08:14Uh, we just need to interview everyone about a recent incident.

00:08:19Oh, right, that jumped up little madam on the tracks.

00:08:21You think she'll be old enough to know better.

00:08:24All right.

00:08:26Hold that thought.

00:08:31We're treating your mother's death as suspicious.

00:08:34She may have simply just fallen from the train,

00:08:36but we need to be sure about it.

00:08:39Okay.

00:08:40And we need someone to give us a formal ID.

00:08:43That should be me.

00:08:45If you don't feel up to it, we can ask Rosalie's fiancée.

00:08:49The what?

00:08:50The wedding was going to be a surprise.

00:08:52Rosalie's idea.

00:08:53I thought I would have been happy with the registry office.

00:08:57When was the last time you saw Rosalie?

00:08:59When the train had stopped.

00:09:01She'd gone up the front to get changed into her wedding dress.

00:09:03I thought she might need a hand with the fiddly bits.

00:09:06Everything all right in there?

00:09:07Go away.

00:09:08You're not supposed to see me.

00:09:10It's bad luck.

00:09:11So you didn't actually see Rosalie?

00:09:13You just spoke with her through the door?

00:09:16Yeah.

00:09:17Did anyone witness the exchange?

00:09:19No, I doubted everyone else had left the carriage by then,

00:09:21trying to work out why the train had stopped.

00:09:24We must have stopped just in time,

00:09:26and then everyone got off to see what was happening.

00:09:28Including Rosalie?

00:09:30I really can't remember.

00:09:32There was a lot going on.

00:09:35More than you realised.

00:09:38What?

00:09:38The surprise wedding.

00:09:40You had no idea?

00:09:41None.

00:09:43But you knew that your mother and Shane Griffin were in a relationship?

00:09:47Everybody knew.

00:09:48Mum had been raving about it for months.

00:09:51But Shane made her happy.

00:09:53For the first time in her life, I think.

00:09:57So neither Regan Barnes nor Shane Griffin

00:10:01remember seeing the victim after the train stopped?

00:10:04Well, Shane said he'd talk to Rosalie through the toilet door

00:10:07and then got off the train with the others.

00:10:09And Doug and Ron were busy letting rap at Lily.

00:10:12I talked to Doug.

00:10:14Pinko Greeny.

00:10:15And she was lying on the tracks like some sort of damsel in distress.

00:10:19And she gets up with a placard and starts waving it around,

00:10:22going on about coal and the planet.

00:10:24But God knows what she was trying to achieve.

00:10:27So, what did the Pinko Greeny have to say for herself?

00:10:30Huh.

00:10:31Not much.

00:10:32Lily McKelvey, 145 Old Creek Road, date of birth 27 March 2008.

00:10:37And that's all you're getting.

00:10:40She seems very well trained for an 18-year-old.

00:10:43Are we sure she was acting alone?

00:10:45Uh, I'm afraid Mrs. Bake is in a bit of a state.

00:10:49Any idea when we might get the all clear?

00:10:51As long as they've given their initial statement,

00:10:53everyone's free to go.

00:10:54Oh, lovely.

00:10:55Just not on the broken wood flyer.

00:10:57We still need to inspect the carriages.

00:10:59Ah, I see, I see.

00:11:00I'll see what I can do.

00:11:02What's the point in being mayor

00:11:03if I can't rustle up a council coach when we need one?

00:11:05And, uh, Lily McKelvey.

00:11:07Don't worry about her.

00:11:08She's coming with us.

00:11:09Okay.

00:11:14Oh, here.

00:11:16Mimi, give me your hand with that.

00:11:17Oh.

00:11:19Thank you, Ron.

00:11:20Got it?

00:11:20Yeah.

00:11:24See, Jack, that's what a gentleman looks like.

00:11:31Well, hello there.

00:11:33You sound relaxed.

00:11:34Not at all slogging it out.

00:11:36You know how it is.

00:11:37Well, I need you to find what you can on a Lily McKelvey.

00:11:41You want to know if she has any kind of record of involvement?

00:11:44Climate, process, that sort of thing?

00:11:47Well, you, I will clear my desk.

00:11:49Give the board a wipe while you're at it.

00:11:51We're going to need it.

00:11:58So, Doug and Ron are in the engine cab with no access to the carriage, and everyone else

00:12:05is in here.

00:12:07Black Roses.

00:12:09Bold choice.

00:12:10And then, at a certain point, Rosalie moves to the front of the carriage to change.

00:12:19But ended up down there.

00:12:27Before falling or being pushed onto the tracks while everyone else was preoccupied by Lily's

00:12:33a protest.

00:12:34Or, so they want us to believe.

00:12:43What if the offender wasn't one of our travellers?

00:12:47Someone else got on board the train before it left Brokenwood and waited for their chance

00:12:52to attack.

00:12:53Risky.

00:12:54With nowhere to hide.

00:12:56There's only this one cubicle.

00:12:58Yeah.

00:12:59And a black rose for a corsage.

00:13:02Slightly weird.

00:13:11For R.

00:13:14You know what this means.

00:13:20Next step.

00:13:21Handwriting samples from everyone on the train.

00:13:25What did you find on Lily McKelvey?

00:13:28Yeah.

00:13:29Brokenwood's answer to Greta Thunberg.

00:13:31Her socials are dedicated to protest content.

00:13:34Nothing about today's protest?

00:13:36If you're going to go to all that trouble to stop a train, you'd want the world to know

00:13:40about it, right?

00:13:40You'd be live streaming, or at least making sure someone was there to record it.

00:13:45Well, perhaps somebody did.

00:13:47Well, maybe the protest was just a diversion.

00:13:49Well, whatever happened, it went down fast.

00:13:53The Crimestoppers' report about the body on the tracks came through at 2.47, not long

00:13:59after the train moved off again.

00:14:00Who did that report come from?

00:14:02Well, someone who saw something but didn't want to get involved, called it in anonymously.

00:14:07Well, Lily might be more forthcoming now that she knows that somebody has died.

00:14:12Oh, um, Gina's going to be expecting one of us soon, so fight amongst yourselves.

00:14:17Heartbreaker.

00:14:19Uh, was that you volunteering?

00:14:21Nice one.

00:14:29I'm assuming you weren't actually tied to the tracks.

00:14:33I'm not an idiot.

00:14:34Did you have any help getting into position?

00:14:36Lying down isn't hard.

00:14:39At my age, anyway.

00:14:41Hmm.

00:14:42Got no one to cheer you on?

00:14:44No.

00:14:47Thanks for your phone, Lily.

00:14:50Who's Noah?

00:14:53At 2.45pm, you got a text.

00:14:56Just two words.

00:14:58You okay?

00:14:59From someone called Noah.

00:15:01He's my boyfriend.

00:15:04Did he know about your protest?

00:15:05No.

00:15:06Then why the text?

00:15:08Why those words?

00:15:09You okay?

00:15:10He was just tricking in, I guess.

00:15:13Just, it's the kind of guy he is.

00:15:15Tell me a bit more about him.

00:15:19I cannot be precise about the time of death.

00:15:21No, I get it, Gina.

00:15:22Usual terms and conditions apply.

00:15:24But when I arrived at the scene, what we call the tracking of the eyes had not begun.

00:15:28Impalo Mortis was not complete.

00:15:30It can only have been a matter of minutes.

00:15:3215 or 20.

00:15:33That's pretty precise.

00:15:35What do you mean?

00:15:36I am very precise.

00:15:37Yeah, of course, but you just...

00:15:39Do you think my job is easy?

00:15:42No, but you just...

00:15:43You want me to hand you the bone saw?

00:15:45Knock yourself out.

00:15:46No.

00:15:48I'm good.

00:15:49Good.

00:15:50Now, cause of death.

00:15:52See here?

00:15:53One significant impact wound,

00:15:56and the number of small scrapes and bruises along her right side.

00:16:01She died when she hit the rail track.

00:16:03Not necessarily.

00:16:05What does this tell us?

00:16:09She bounced.

00:16:13Mike would understand.

00:16:14Well, Mike's not here, so...

00:16:16Perhaps she was fatally hit on one side of the head, and then...

00:16:20Thrown from the train and landed on the other side.

00:16:24Very good.

00:16:25Now, we have a guest.

00:16:31Come through.

00:16:42Dad, sir.

00:16:44Ask me memorously.

00:16:48Was it quick?

00:16:49Very.

00:16:50If you'd like, we can keep you up.

00:16:52Has anyone told Dad?

00:16:55Hayden Barnes.

00:16:57As in Barnes Farming Supplies.

00:16:59Regan's father, and Rosalie's ex-husband.

00:17:02Sims is with him now.

00:17:04Excuse me.

00:17:06I'm here for my daughter.

00:17:07You must be Mr. McKelvey.

00:17:10Troy.

00:17:11Could you get Miss McKelvey, please?

00:17:13Of course.

00:17:16Come on through.

00:17:20I'm Bridget, Lily's grandmother.

00:17:22Where is she?

00:17:23She'll be here soon.

00:17:24You do realise she's only 18?

00:17:26Yeah, old enough to be charged with breach of the police.

00:17:29Not today, however.

00:17:30We're letting her off with a warning.

00:17:32You just thought you'd scare her by keeping her here all afternoon.

00:17:35Hey, kiddo.

00:17:36You all right, love?

00:17:37Can we go, please?

00:17:40Your granddaughter has been helping us with our inquiries into a suspicious death.

00:17:46A woman died on the train that was stopped by her protest.

00:17:49She didn't say anything about that when she rang.

00:17:52Does the name Rosalie Barnes mean anything to you?

00:17:58You were close?

00:17:59Used to be.

00:18:00Old school friends.

00:18:02We travelled overseas together.

00:18:03It was a long time ago.

00:18:06How did it?

00:18:07What happened?

00:18:07We'll be releasing a statement in due course.

00:18:10Right.

00:18:11I should go.

00:18:13Lily told us that she was in a relationship with one of your farmhands.

00:18:19Noah.

00:18:19Noah Dunphy.

00:18:20If you see him, could you tell him to get in touch?

00:18:23Why do you want to talk to Noah?

00:18:24We'll explain that when we see him.

00:18:27All right, I'll pass that on.

00:18:29Thanks, love.

00:18:32It's hard to believe she had a big train launch this afternoon.

00:18:36I thought she'd be swilling champagne all day.

00:18:39I have to ask you this.

00:18:41Where were you around 2.45pm?

00:18:44Quarter to three.

00:18:46I was here.

00:18:47Yeah, you can ask Dan.

00:18:49And when was the last time you saw Rosalie?

00:18:52A few weeks ago.

00:18:53We met to sign the divorce papers.

00:18:55It was all very amicable, if you're wondering.

00:18:58My daughter, does she know?

00:18:59Yeah, she identified the body, so she may need some support.

00:19:02All right, Bob.

00:19:03Okay, I'm here.

00:19:04I'm here.

00:19:05It's going to be okay.

00:19:12I did some research on the McAlvys, found this.

00:19:16Bridget and her best friend Rosalie protesting the closure of the Brokewood Railway Line way back in the 80s.

00:19:23The line was closed anyway, but the track was never pulled up.

00:19:25And then 40 years later, Rosalie's the driving force behind the Brokewood Flyer.

00:19:30Mm-hmm, which was bitterly opposed by Bridget's son, Troy.

00:19:33He was pushing his own plan to turn the track into a cycle trail.

00:19:43Well, it was either restore the rails or pull them up.

00:19:46Council had been shunting that decision down the track for about 30 years.

00:19:50Excuse the pun.

00:19:51I would have done the same if I'd not know what a kerfuffle it would turn into.

00:19:54What swung it in favour of the vintage railway?

00:19:58Well, the word.

00:19:59Rosalie.

00:20:00She was a bit of a steam engine herself, if you get my drift.

00:20:02A hard woman to say no to.

00:20:04Helped that she had Hayden Barnes's money behind her.

00:20:06Before the divorce, I mean.

00:20:08Though I imagine she took a good chunk of it with her when they split.

00:20:12He bought the engine and carriages, paid for the restoration.

00:20:15Troy McKelvey must have found it hard to compete.

00:20:17He just couldn't promise the investment we were looking for.

00:20:20Whatever he had himself, he sank into buying up land along the tracks.

00:20:24It's a grand scheme for accommodation and a cafe.

00:20:27Actually, I've got it here somewhere.

00:20:28Um, yeah.

00:20:33How are you expected to pay for it?

00:20:35I have no idea.

00:20:38This is the McCovey farm here, eh?

00:20:40Yeah, what's left of it.

00:20:42Troy's been selling bits off trying to claw back his investment.

00:20:46Do you mind if I get a copy of this?

00:20:48It would be a pleasure.

00:20:50Follow me, young man.

00:20:54Brand new photocopier.

00:20:56Very flanch.

00:20:58Voice activated.

00:21:01And copy.

00:21:07Got it.

00:21:07Yeah, you have to say it right.

00:21:09And copy.

00:21:14Annoying.

00:21:15Might just, uh, use the old digit there.

00:21:27Trudy.

00:21:28Trudy.

00:21:28There's a Noah Dunphy drink here.

00:21:31Friend of yours, is he?

00:21:32It's a professional inquiry.

00:21:34Thought so.

00:21:35Don't make me say it.

00:21:37It's not knocking if he hasn't done anything wrong.

00:21:40Sure.

00:21:42Lena.

00:21:45On my tab.

00:21:47What was that you just did?

00:21:48Well, you know what a tab is, don't you?

00:21:50No, the nose tab, you think.

00:21:52What's that all about?

00:21:53Trudy knows.

00:21:55That's all that matters.

00:21:57Okay, so Noah comes in with his mates every now and then, and, you know, well, he's always

00:22:03hitting on me.

00:22:04I mean, I got there, and it was just nothing.

00:22:07Nothing more.

00:22:07Two pails, and a hazy.

00:22:10Thanks very much, appreciate it.

00:22:16Thanks again.

00:22:17Do you like cats?

00:22:20Yeah, cats are, uh, cats are cool.

00:22:22Cool.

00:22:23I have a cat suit at home.

00:22:24You know, I mean, like, for special occasions.

00:22:30Okay.

00:22:31Uh, that's, that's, um, that's interesting.

00:22:34Yeah, thanks.

00:22:37Lena.

00:22:45I thought you said he hit on you.

00:22:48He did.

00:22:49He said I was interesting.

00:22:51And he's cute.

00:22:52I mean, not.

00:22:53Not as cute as Chad.

00:22:54Oh.

00:22:55You think so too?

00:22:56No, I just.

00:22:57But then, no one is.

00:22:58But he is a little bit bad boy, which is nice sometimes, right?

00:23:03Thanks, Lena.

00:23:04Yeah.

00:23:05Oh.

00:23:07Hello.

00:23:08You're here for that pizza for Shane.

00:23:09Well, normally I would have cooked him something, but, I don't know, I can't seem to settle.

00:23:13I'm all the quiver.

00:23:14Oh, it's all good, huh?

00:23:16Mrs. Baker, how's Mr. Griffin holding up?

00:23:19Do you really need to ask?

00:23:21Oh, I'm sorry.

00:23:23I know you're only doing your job, and that's how the police mind works, isn't it?

00:23:28The nearest and dearest are the biggest suspects, but I am telling you, Shane is one of nature's

00:23:33gentlemen.

00:23:34He wouldn't hurt a fly.

00:23:36And, uh, Hayden Barnes, would you say the same about him?

00:23:42Well, that's a different story.

00:23:52Thanks.

00:23:54So, it's hard to say if it's intel or just gossip, but according to Mrs. Baker, Hayden

00:24:00and Rosalie's split wasn't as amicable as he tried to make out.

00:24:08I am not a bloody ATM for your pet project!

00:24:11Oh, grow up!

00:24:13This is bigger than us!

00:24:15Us?

00:24:15What us?

00:24:16You've already got yourself a new toy boy?

00:24:18Yeah, is everything alright?

00:24:18You're welcome to the gold-dicking cow.

00:24:21Good luck to you.

00:24:24Obviously, Rosalie liked her men younger.

00:24:27Did Hayden know about Rosalie and Shane's wedding yesterday?

00:24:34He didn't say, but Mrs. Baker insisted that no-one knew about it, not even her own daughter,

00:24:38Regan.

00:24:39Check in with Shane.

00:24:40Find out if he or Rosalie got any more aggro from Hayden, or the McKelvies for that matter.

00:24:47Huh?

00:24:47Well, Lily clearly isn't a fan, and Rosalie and Troy were practically feuding over rival

00:24:54schemes.

00:24:58This is the McKelvey farm, and this is the additional land that Troy bought for the tourist development.

00:25:06Right next to where Lily stopped the train.

00:25:08And Bridget's old friend, Rosalie, was killed.

00:25:19What do you got?

00:25:20No, I've done for you, still not responding to my calls.

00:25:23But that could be because he has a history of prior arrests, disorderly behaviour, assault.

00:25:28Assault on who?

00:25:29It was related to a protest action.

00:25:32A bit of pushing and shoving on the front line of a march.

00:25:35Climate protest.

00:25:36Coal, mining, oil.

00:25:38Anything that messes with the environment, he's against it.

00:25:40So his text to Lily, moments after his stunt, was in no way a coincidence.

00:25:45Gotta go.

00:25:47Lily, I was hoping you could help us.

00:25:50I've already told you everything.

00:25:51We've been trying to track down Noah, but we can't.

00:25:53Yeah, me too.

00:25:54So if you see him first, let him know from me that we're done.

00:25:56Okay?

00:26:03I think the kids call it ghosting.

00:26:06Huh.

00:26:08Was there something else you wanted?

00:26:10Yes, actually.

00:26:13Why are you so interested in Noah?

00:26:16Well, he's Lily's boyfriend.

00:26:18For now.

00:26:20It's reasonable to assume that he knew about a protest.

00:26:24Maybe he filmed it.

00:26:26I mean, after all, you know, what's a protest these days of it isn't all over the internet.

00:26:31Well, it's a bit of a stretch to go from being a protester to a murderer, isn't it?

00:26:37We had an anonymous tip-off about Rosalie's body.

00:26:41Whoever made that report may have seen more than they initially shared.

00:26:45Right.

00:26:46The incident happened very close to your land.

00:26:49Did either of you see anything out of the ordinary?

00:26:51I was here, making jam, head down over the kitchen bench.

00:26:55I was up in Old Creek Paddock, fixing some fences.

00:27:00Nowhere near.

00:27:01Meanwhile, your daughter was tying herself to railway tracks.

00:27:04Mm-hmm.

00:27:05Did you know about that?

00:27:08She's always up to something.

00:27:11Thought she was just going to wave a sign.

00:27:12We've always encouraged Lily to think for herself.

00:27:16She's so compassionate and engaged.

00:27:18And that's something to be admired, isn't it?

00:27:20Uh, chip off the old block, perhaps.

00:27:24Do you think, uh, Lily's protest was inspired by this?

00:27:32Well, you'd have to ask her.

00:27:35You had your own reasons to oppose the vintage railway.

00:27:38Your failed development plans.

00:27:40Oh, come on.

00:27:42Must have been very frustrating.

00:27:43Well, not to mention expensive.

00:27:45Look, we lost that fight ages ago and accepted it ages ago.

00:27:50Why are you giving me and my mum the third degree?

00:27:52We weren't even on the train.

00:27:54Shouldn't you be chasing the people who were?

00:27:57All lines of inquiry are being explored.

00:28:00Which is why I'm going to need a handwriting sample from each of you.

00:28:10Here you go.

00:28:12Are you going to win any awards for calligraphy with that?

00:28:16Sorry to disturb you.

00:28:17It's fine.

00:28:19Anything to help find whoever hurt Rosie?

00:28:22Can you think of anyone who might want to do that?

00:28:24No.

00:28:25No, she was wonderful.

00:28:27She was very caring, very passionate.

00:28:29Although, her passion could rub some people up the wrong way.

00:28:32Like Hayden?

00:28:33If Rosie had done me, I'd be devastated too.

00:28:37How did you and Rosie get together?

00:28:39Well, there was no overlap, if that's what you're getting at.

00:28:41Understood.

00:28:42We were both on the committee for the train project.

00:28:45Lots of long nights and weekends.

00:28:51I keep thinking she's going to come out of the bedroom or bring me a glass of wine.

00:28:57You and Rosie weren't the only ones who gave a lot to the rail project.

00:29:01And Hayden Barnes made a huge commitment too, didn't he?

00:29:04It was his money that was Rosalie's money as well.

00:29:06That's what marriage means, sharing everything.

00:29:12I wonder how much Hayden shared with Rosalie in the divorce.

00:29:15Hmm, and who's in line for it now?

00:29:18Yeah, I'll chase up the will.

00:29:19But Regan, you'd think, and probably Shane.

00:29:24And they were both on the train.

00:29:25Shane may have been the last person to talk to Rosalie.

00:29:27Hmm, the romantic toilet door exchange.

00:29:30But what did he do after that?

00:29:33Oh!

00:29:35Mrs Baker!

00:29:38I was wondering if I could get my things from the train, my clipboard and whatnot.

00:29:42I've got another wedding this weekend.

00:29:44I can only hope that that couple hasn't caught wind of my involvement with this debacle.

00:29:50R.I.P. Rosalie, obviously.

00:29:52Your timing is immaculate, Mrs Baker.

00:29:55We're in need of your insight.

00:29:59Police, come on through.

00:30:01Oh!

00:30:02Hmm.

00:30:04Sort of a thing, isn't it?

00:30:08Actually being part of a murder investigation.

00:30:11Could you talk us through what happened?

00:30:13Starting at the beginning.

00:30:17Well, um, Ron and Doug were at the front.

00:30:20Anyway, I should drive.

00:30:22I have seniority.

00:30:23Seniority?

00:30:24What you have is being scared of hard work.

00:30:28Um, we're not so worried about them.

00:30:32Can you remember where everyone was on the train?

00:30:35Um, well, the catering was in this one.

00:30:38And then we were all in the back.

00:30:41There was, um, General Mingling.

00:30:47Do you recall where Shane Griffin was?

00:30:50Oh, um, he was mainly talking to a friend.

00:30:55Fellow train geek.

00:30:57A special breed, those ferrant-nequinologists.

00:31:01Shane told us he went to speak to Rosalie through the cubicle door when the train stopped.

00:31:06Oh, yeah, that sounds about right.

00:31:08He was the only other person on the train who knew what she was really doing, I'll tell you what.

00:31:12It wasn't easy keeping that a secret.

00:31:14Sorry.

00:31:15So, was Shane with you when you got off the train?

00:31:18Or was he still back with Rosalie?

00:31:21I remember him turning up at the tracks.

00:31:23It's not a game!

00:31:24This is a wake-up call!

00:31:26What's wrong?

00:31:27It's the middle of the afternoon.

00:31:28We're already awake.

00:31:29Cole is killing the planet!

00:31:31Cole is killing the planet!

00:31:33What's all this?

00:31:34I can't be certain how long he was on the train before he joined us.

00:31:38Lily was very distracting.

00:31:40And he...

00:31:43No, no, no, no, not Shane Griffin.

00:31:46He would never.

00:31:46He was such an integral part of the planning.

00:31:50There was a theme.

00:31:51I had it all worked out.

00:31:53Champagne flutes.

00:31:54Tick.

00:31:55Doilies.

00:31:56Tick.

00:31:57Flowers.

00:31:57Oh, what in the blazes are those?

00:31:59I was very clear with that florist what I wanted.

00:32:01I'll be having strong words with Jenny Monroe.

00:32:03I don't quite like them, actually.

00:32:05Really?

00:32:05Hmm.

00:32:09No, they were not from me.

00:32:11Definitely not part of my catalogue.

00:32:13Besides,

00:32:15black roses are a terrible omen for a wedding.

00:32:18They symbolise death.

00:32:20Would Rosalie have known that?

00:32:23Hmm.

00:32:24Hmm.

00:32:25Hmm.

00:32:26Hmm.

00:32:28That node could have been attached to the flowers.

00:32:31And I know where else I've seen black roses recently.

00:32:40I'm not much of a flowers man,

00:32:41but I imagine these are pretty rare.

00:32:44Yeah, I suppose.

00:32:46So, if a bunch of black roses were to show up in the vicinity,

00:32:50chances are they would have come from your garden?

00:32:52There are florists in town, you know.

00:32:53Sure.

00:32:54But I'm talking about a hand-picked bunch.

00:32:56Tied with a ribbon,

00:32:57belivered with a note.

00:33:00Is this your writing?

00:33:03Yes.

00:33:04It's an interesting message,

00:33:06given that black flowers symbolise death.

00:33:08Is there anything you want to share, Hayden?

00:33:11Look,

00:33:11black roses don't just symbolise death.

00:33:13Okay?

00:33:14They're transformation,

00:33:16new beginnings,

00:33:17endings,

00:33:17farewells.

00:33:20Yeah, I know,

00:33:21I'm not exactly the type,

00:33:22but Rosalie planted this bush.

00:33:24She told me all about it.

00:33:25She would have known what I was saying.

00:33:27Mum was wearing one of the roses on her dress.

00:33:29She wouldn't have done that if she thought Dad was being threatening.

00:33:32You told us you weren't at the launch,

00:33:33and that you haven't seen Rosalie for weeks.

00:33:35Dad couldn't handle actually being there,

00:33:37and seeing her with shame.

00:33:39Can you blame him?

00:33:41So I said,

00:33:42I'll drop the flowers off.

00:33:44Right.

00:33:46Excuse me.

00:33:48Gina.

00:33:50You'll be okay?

00:33:51I've got to take my car to the garage.

00:33:53See you soon.

00:33:53Everything all right, Rob?

00:33:54Yeah, just to see this.

00:33:55I should only take a few hours.

00:34:01For me,

00:34:02nothing can beat the appeal of a steam train.

00:34:04The Trans-Siberian Railway,

00:34:06it's on my bugger list.

00:34:08Your what?

00:34:09My bugger list.

00:34:11You know when you say,

00:34:12bugger it,

00:34:13let's just do it?

00:34:14It's a very common expression, Mike.

00:34:16I'm surprised you don't know it.

00:34:18I think you mean bucket list.

00:34:20Well,

00:34:20things you want to do before you kick the bucket.

00:34:22But what has the bucket done to you?

00:34:24Well,

00:34:25it's a saying.

00:34:25Well,

00:34:26anyway,

00:34:26the Brokernut Flyer,

00:34:27it's not of the same league,

00:34:29of course,

00:34:29but one day,

00:34:30I hope for a ride.

00:34:32Now,

00:34:32I have something I think you'll like.

00:34:35Fire away.

00:34:36When I looked closer

00:34:37at the two head wounds,

00:34:40I found something interesting.

00:34:42Metallic fragments in both of them.

00:34:44So the murder weapon was metal?

00:34:47Same as the railway tracks.

00:34:48Same age.

00:34:49Same wear.

00:34:51Same rust pattern.

00:34:53Rosalie was hit with a length of rail line.

00:34:56A small length,

00:34:57unless the offender was very strong.

00:35:03Mrs Baker can vouch that everyone got off the train

00:35:06at the same time she did,

00:35:07except for Shane Griffin.

00:35:10Oi,

00:35:11you lot.

00:35:12Anyone home?

00:35:17Hello?

00:35:19You want to talk to this guy?

00:35:21Noah,

00:35:22you are a hard man to find.

00:35:24Not really.

00:35:34Get in.

00:35:35That was beautiful.

00:35:36Not for me,

00:35:37you idiot.

00:35:38You have to talk to the police

00:35:39or they'll think you killed her.

00:35:41Look,

00:35:42he knows his rights,

00:35:43so don't try anything dodgy.

00:35:44Okay?

00:35:45Wouldn't dream of it.

00:35:46Just because he has priors

00:35:47doesn't mean he's done anything wrong.

00:35:49Ghosting your girlfriend

00:35:50isn't technically a crime.

00:35:55It was one text.

00:35:56The timing was freaky.

00:35:57It doesn't mean anything.

00:35:58You weren't exactly in a hurry

00:35:59to talk to us, though.

00:36:01So you're saying

00:36:02despite your prior history

00:36:03of protest action,

00:36:05you had no idea

00:36:06what your girlfriend

00:36:07was planning to do?

00:36:08Look,

00:36:08the real target

00:36:08should be the freight trains

00:36:09carrying the coal from the mines

00:36:10and she's out here

00:36:12trying to shut down

00:36:13a vintage train.

00:36:14It was pathetic.

00:36:15It was almost embarrassed

00:36:15to be involved.

00:36:16So you were involved?

00:36:19No comment.

00:36:20It is weird

00:36:21that there's nothing

00:36:22on the socials about it.

00:36:23So if we checked your phone,

00:36:25there wouldn't be any footage

00:36:26of Lily's protest.

00:36:29Lo and behold.

00:36:32He obviously was

00:36:33in one of the trees

00:36:34by the line.

00:36:35There's Doug and Ron

00:36:37exiting the engine cab first.

00:36:39Everyone else

00:36:40piling out of the carriage.

00:36:42Mrs Baker,

00:36:44Mayor Bloom,

00:36:45all the others.

00:36:46Alibis confirmed.

00:36:47That's something.

00:36:48There's Regan,

00:36:49but where's Shane?

00:36:51He said he was

00:36:52checking in with Rosalie.

00:36:54Yep.

00:36:54Wait for it.

00:36:55So,

00:36:57Regan

00:36:57gets back on briefly,

00:36:59presumably to

00:37:00alert her mum.

00:37:02And there she is

00:37:03stepping back off,

00:37:05followed by Shane,

00:37:06which means

00:37:07he's getting off the train

00:37:08a good minute

00:37:09after everyone else.

00:37:11Enough time?

00:37:12If he worked fast.

00:37:13You can't see the back

00:37:14of the train

00:37:15from this angle.

00:37:15Why would he want to

00:37:16kill someone

00:37:17he's supposed to be marrying?

00:37:19Well,

00:37:19I followed up

00:37:20with Rosalie's lawyer.

00:37:22Shane is a main

00:37:23beneficiary in the will,

00:37:25as is Regan.

00:37:26Is this all the footage?

00:37:28According to Noah...

00:37:29I stopped recording

00:37:30when Lily got

00:37:31taken onto the train.

00:37:32And did you see

00:37:33anything else

00:37:33or anyone else?

00:37:35No.

00:37:35We'll need your phone.

00:37:37And there was nothing

00:37:37unusual in his call log.

00:37:39Ditto his search history.

00:37:40So if Noah is to be believed,

00:37:43he wasn't the person

00:37:44who called

00:37:45Crimestoppers.

00:37:45Well, he said he took off

00:37:47once Lily was

00:37:48on board the train.

00:37:49Where did you go?

00:37:50Back home.

00:37:52Well, Lily told us

00:37:53you were ghosting her,

00:37:54so presumably

00:37:55she couldn't find you there.

00:37:56I didn't stick around

00:37:57for long.

00:37:58I went to a mate's place.

00:37:59Well, we will need

00:38:00to speak to that mate.

00:38:01Oh, you can't.

00:38:02He's in Sydney.

00:38:03I needed some space

00:38:04to myself,

00:38:05so I crashed out there instead.

00:38:06Why did you need

00:38:07some space?

00:38:09To work out

00:38:10what I was going to do.

00:38:11Dump Lily

00:38:12and leave town.

00:38:14To make it sound

00:38:14worse than it was.

00:38:17Look, I was over it.

00:38:19This train thing

00:38:19was the last straw.

00:38:21I just wanted to bail

00:38:21without more

00:38:22of Lily's drama.

00:38:25Yeah, I'm not sure

00:38:26I'm buying that.

00:38:26Agreed.

00:38:27Where is he now?

00:38:28At the McAlvey's,

00:38:29but we told him

00:38:30to stick around.

00:38:31Good.

00:38:36We had a ticket

00:38:37on a silver train

00:38:41Coming true

00:38:44About here,

00:38:44you reckon?

00:38:45Yep.

00:38:46Clear line of sight

00:38:47to the tracks.

00:38:51The train would have

00:38:52obscured whatever

00:38:53was happening

00:38:53to Rosalie

00:38:54at the back of it.

00:38:55Once it moves off,

00:38:56though.

00:38:57Thanks, guys.

00:39:00Oi.

00:39:01What?

00:39:02Am I not allowed

00:39:02to turn?

00:39:03Not on my train.

00:39:04Protocol.

00:39:05Hardly the worst

00:39:06thing that's happened

00:39:06on your train,

00:39:07is it?

00:39:10If Noah was still

00:39:11close by

00:39:12after the train

00:39:13moved off,

00:39:14he would have been

00:39:14able to see

00:39:15Rosalie's body.

00:39:16But he claims

00:39:17he didn't make

00:39:17the Crimestoppers report.

00:39:19But he might have

00:39:20seen who did.

00:39:21Or he committed

00:39:22the crime himself.

00:39:24Could the phone

00:39:25have been on a tripod?

00:39:27He left it here

00:39:29while he boarded

00:39:29the train?

00:39:30The footage was

00:39:31pretty shaky.

00:39:32Had to be hand-held.

00:39:33Or he was working

00:39:34with someone else.

00:39:35He gave them

00:39:36the camera

00:39:36while he went

00:39:37to the train.

00:39:38If he is hiding

00:39:39something,

00:39:40what's his motive?

00:39:47Sorry, I don't know

00:39:48what else I can tell you.

00:39:49Well, what I can tell you

00:39:50is that we've got

00:39:50footage that confirms

00:39:52your story about

00:39:53being last off the train.

00:39:54Okay.

00:39:55Good.

00:39:56What I'm interested in

00:39:57is what you were doing

00:39:58before that point.

00:39:59I told you I was

00:40:01talking to Rosalie.

00:40:02She was changing

00:40:03and I thought after that

00:40:04she'd probably have

00:40:04a cigarette

00:40:05so I left her to it.

00:40:08Here you are.

00:40:08You have to help.

00:40:09With what?

00:40:10Mrs Baker's yelling

00:40:10at someone.

00:40:11I don't know what's going on.

00:40:12Okay.

00:40:13Everything on Mrs Baker's

00:40:14schedule was timed

00:40:15to the minute

00:40:15so I knew she'd be

00:40:16in a flat

00:40:17at the delay.

00:40:18So, what schedule?

00:40:20Yeah, nothing left

00:40:21to chance.

00:40:24It's like holding on

00:40:25to a little piece of her

00:40:26which is silly,

00:40:27I know.

00:40:29But I can tell you

00:40:30that when I spoke

00:40:32to Rosalie

00:40:32it was around 2.35

00:40:33here and changing time.

00:40:36Can I take that?

00:40:38You'll get it back.

00:40:41Sure.

00:40:43I can email you

00:40:43a copy of that too

00:40:44if you like.

00:40:45Thanks.

00:40:46Why is it so important

00:40:47to know when I got

00:40:48off the train?

00:40:52Mrs Baker said

00:40:53you might go down

00:40:54that route.

00:40:55We're following

00:40:55all lines of inquiry.

00:40:57You've got this

00:40:58so wrong.

00:41:01That's another branch

00:41:02of the old rail line.

00:41:03That's right.

00:41:04It was never part

00:41:05of the restoration plan

00:41:06though so most of the

00:41:07tracks were pulled up

00:41:07years ago.

00:41:08How were they

00:41:09disposed of?

00:41:10I don't have an idea.

00:41:11I suppose it would have

00:41:12been taken off

00:41:12for scrap.

00:41:14Hmm.

00:41:15Hmm.

00:41:18What's that?

00:41:19Regan Barnes?

00:41:20Yes.

00:41:21On bereavement leave

00:41:21of course, poor thing.

00:41:22Just popped in

00:41:23to get a few things.

00:41:25Don't you?

00:41:27No.

00:41:29Oh.

00:41:34Oh.

00:41:40Oh.

00:41:43Oh.

00:41:46Oh.

00:41:57Hello?

00:41:58Hi there.

00:41:59You alright?

00:42:00Yeah, just taking a walk.

00:42:03Helps me think.

00:42:05Am I right in thinking that this used to be the old Johnson sawmill line?

00:42:09It's going back a bit, but yeah.

00:42:12Is Troy around by any chance?

00:42:14Well, he's out just now, but he shouldn't be too long.

00:42:18I'm happy to wait.

00:42:30You'd better come up to the house then.

00:42:32Oh, well, if you insist.

00:42:38And this is where you tell me I haven't changed a bit.

00:42:41Apologies, they caught my eye.

00:42:43Oh, that's okay. I took a long stroll down memory lane last night.

00:42:46This is you and Rosalie?

00:42:48Hmm.

00:42:50You, uh, obviously had some adventures.

00:42:52Oh, Rosalie, she was the adventurous one.

00:42:55She taught me into all sorts of things.

00:42:56There's one of us on a roller coaster somewhere.

00:42:58The look on my face...

00:42:59Is this Troy?

00:43:01Hmm.

00:43:03He was born overseas?

00:43:05Poland.

00:43:06And I hope you're not going to ask me about the father.

00:43:09No.

00:43:09Well, that is the end of the adventures.

00:43:13Well, it started a new one, I suppose.

00:43:15Parenthood?

00:43:17Hmm.

00:43:18Solo parenthood.

00:43:20I moved home when Troy was a few months old.

00:43:23We'd be back in here with Mum and Dad.

00:43:24And they were remarkably non-judgmental, given the circumstances.

00:43:31And Rosalie?

00:43:32Hmm.

00:43:34Three years in New York.

00:43:38Two in Paris.

00:43:39And God knows where after that.

00:43:40We lost touch.

00:43:42Our lives were...

00:43:44So different.

00:43:52Shane mentioned he went up to the cubicle, just after the train stop.

00:43:56I guess so.

00:43:58What, you didn't see him go?

00:44:00I saw him come back, if that helps.

00:44:02Everyone else had got off by then, so I got back on to find him.

00:44:06I told him Mrs Baker was stressing out and he should go and see what was up.

00:44:09And did he?

00:44:10Yes.

00:44:11But I got off before him.

00:44:13So there was a time when she and Shane may have been the only two people in the carriage.

00:44:23You don't think...

00:44:24No, we're just trying to establish a timeline, that's all.

00:44:27But if you do have reason to believe that Shane wanted to harm your mother, then you should tell us.

00:44:35Regan?

00:44:37Mum was super rich and Shane is super broke.

00:44:41The only thing he has is thousands of dollars of debt.

00:44:46I don't know where Troy's got to.

00:44:47He should be back by now.

00:44:49Oh, sorry.

00:44:52Sims.

00:44:53Regan Barnes is suggesting Shane Griffin has money issues.

00:44:56I see.

00:44:57Bring her in.

00:44:58Copy that.

00:45:00I'm just calling Troy.

00:45:02Tell him I'll catch up with him another time.

00:45:13It's a big call you've made suggesting that Shane Griffin killed Rosalie for her money.

00:45:19I didn't say that.

00:45:20No.

00:45:21You stopped just short.

00:45:22I don't want to believe it, but the facts are the facts.

00:45:25I thought you should know.

00:45:27This debt of Shane's.

00:45:28How do you know about it?

00:45:29I work for the council in the rates department.

00:45:32Shane's house is owned by his dad who's in a dementia care unit, but he hasn't paid his

00:45:36rates for the last 20 years.

00:45:38And Shane is responsible for that?

00:45:40He has power of attorney.

00:45:42But no way of paying?

00:45:43Well, it's nearly 200,000.

00:45:46The council's been talking about forcing the sale of the house.

00:45:49Well, Shane wanted access to Rosalie's money.

00:45:52Surely marrying her would get him that?

00:45:53It was still her decision.

00:45:55What to do with it?

00:45:56Maybe she didn't know about the debt.

00:45:57She never mentioned it.

00:45:58Why didn't you tell her?

00:46:01And lose my job for breaking confidentiality.

00:46:03Did Rosalie ever mention changing her will to include Shane?

00:46:07Not to me.

00:46:10She did, though, didn't she?

00:46:13But whether Shane knew that is another question.

00:46:22This way.

00:46:24How'd you get on with the council?

00:46:26I'm still on hold.

00:46:28Well, they said my call is very important to them.

00:46:30Be quick at a walk.

00:46:33Hmm.

00:46:34Uh, talk to Shane.

00:46:36See what he has to say for himself.

00:46:38Yes.

00:46:39I'm afraid Dad did let things get out of hand.

00:46:42I don't know if it was his dementia or just sheer bloody-mindedness.

00:46:45How's that?

00:46:46Well, there was a dispute with the council over a boundary line years ago.

00:46:50Dad used to get pretty worked up about it.

00:46:52So he stopped paying his rates.

00:46:55Did Rosalie know about the debt?

00:46:57Yeah, of course.

00:46:58We didn't have any secrets.

00:47:00Good news, I think.

00:47:02Case closed.

00:47:03No, our case.

00:47:04Not yours.

00:47:05Or is it closed, I mean?

00:47:07I mean, I wouldn't know, would I?

00:47:09How could I?

00:47:10I mean, could I?

00:47:11No.

00:47:11Sorry.

00:47:13I've been talking to the council about it,

00:47:15and I'm paying it off in instalments,

00:47:16but it's just, it's all the interest and the penalties.

00:47:19It's a real kicker.

00:47:21I bet.

00:47:24Ah, that was DSS Shepard calling from the council office.

00:47:29Your father's rates debt was paid in full today,

00:47:33a scheduled payment from the account of Rosalie Barnes,

00:47:36with the reference wedding gift.

00:47:53It was Regan, wasn't it?

00:47:56Who told you about the debt?

00:47:58I knew she didn't think much of me,

00:47:59but I didn't think she'd think to that.

00:48:01Well, she's just lost her mother.

00:48:02She's looking for answers.

00:48:04I feel sorry for her.

00:48:05They never really got along.

00:48:07Well, Rosalie was a wonderful woman,

00:48:09but motherhood was not her forte.

00:48:11She was always fighting fault with Regan,

00:48:13with her hair and with her clothes and with her attitude.

00:48:17Mothers and daughters, eh?

00:48:20The last big blow-up was a few weeks ago.

00:48:22We'd asked Regan to meet us for a drink,

00:48:24and while I was running late...

00:48:26I don't believe this.

00:48:28You're a sad, old, miserable drunk.

00:48:32Darling, I'm trying to help you.

00:48:34No, you're just trying to control me!

00:48:36What's new?

00:48:38Regan.

00:48:39Regan!

00:48:40Get back here!

00:48:43What was that about?

00:48:46A man.

00:48:48Did she say who the man was?

00:48:50Oh, I didn't think it was my business.

00:48:52Not her father.

00:48:58I wouldn't like it if my mother tried to dictate my love life.

00:49:02You don't have a love life.

00:49:04You don't know that?

00:49:06No, I think I do.

00:49:07Anyway, that's not the point.

00:49:09I'm just saying I wouldn't like it,

00:49:11but I wouldn't bash her over the head with a piece of railway line.

00:49:13I don't think Regan went that far, either.

00:49:16Noah's video and all the other evidence

00:49:17suggest that she didn't get the opportunity.

00:49:20Shane, on the other hand...

00:49:22Senior.

00:49:29Yeah, Mum said you wanted to see me.

00:49:32I was out your way.

00:49:33I thought a chat might be useful.

00:49:35You've probably seen our search team

00:49:37working along the railway tracks.

00:49:39Yeah.

00:49:40Yeah, we need to extend the search

00:49:42into the surrounding properties.

00:49:44There's a chance the offender

00:49:46has disposed of the murder weapon

00:49:47somewhere in the area.

00:49:49Right.

00:49:51What was the weapon?

00:49:52We're still ascertaining that.

00:49:55If you have no objections,

00:49:56I could come out with a team this afternoon

00:49:58and take a look around.

00:50:00Yeah, go for it.

00:50:01You're wasting your time, mate.

00:50:02Yeah, very likely.

00:50:03It's, uh,

00:50:05we're part of the job, though.

00:50:06That's it, then.

00:50:07One more thing.

00:50:08You said you were working on a fence

00:50:10that afternoon.

00:50:11Yeah.

00:50:12Did anyone see you?

00:50:14Yeah, uh, Jock Wilson.

00:50:15He's got the neighbouring farm,

00:50:18uh, laid up with a broken ankle,

00:50:19but, uh,

00:50:21gave me a wave around,

00:50:22uh, three o'clock.

00:50:24Oh.

00:50:25Good to know.

00:50:34Hey, Sims.

00:50:35Get your gun boots.

00:50:54They look like railway tracks to me.

00:50:56Yeah, they were, uh,

00:50:58lying around out by the road

00:50:59for years.

00:51:01What do you eyes saw?

00:51:04Nobody wanted them,

00:51:05so, uh...

00:51:06So, you decided to help yourself.

00:51:08Thought they might come in handy one day?

00:51:11I had a mother-in-law

00:51:12that was like that

00:51:13with ice cream containers.

00:51:18So, I had a word to Jock,

00:51:20and, yes,

00:51:22he does remember seeing Troy

00:51:23working on the fence

00:51:24at exactly three o'clock.

00:51:26He knows it was three o'clock

00:51:27because he'd just turned on the wireless

00:51:29to listen to the news.

00:51:31Yes, Jock, old school.

00:51:32Then I got a full rundown

00:51:33of the day's activities,

00:51:35starting with Wordle

00:51:36first thing in the morning,

00:51:37he got it in three,

00:51:38through till five o'clock

00:51:39when he sat down

00:51:40to watch The Chase,

00:51:41which is when he happened

00:51:42to glance out the window

00:51:43and see Troy still at it.

00:51:45Hard worker, that boy,

00:51:47needs feeding up.

00:51:48It's chicken soup

00:51:49from Jock's freezer.

00:51:50Yeah, ta.

00:51:51Thanks again for your time.

00:51:52You're so full of shit!

00:51:54Pass off

00:51:55and leave me alone!

00:51:59Any idea what that was about?

00:52:01Yeah, young love.

00:52:09They were just lying there.

00:52:13Undisturbed by the look of the weeds.

00:52:16Then again,

00:52:16someone could have just

00:52:17slid one out from the back.

00:52:19Those things weigh a ton.

00:52:20If you're going to use it as a weapon,

00:52:22you'd want to cut it down, right?

00:52:23There were tools in the shed

00:52:25that could have done that.

00:52:26Who had access?

00:52:27To the rails?

00:52:28Uh, Troy, Bridges, Lily, Noah.

00:52:32Or anyone who knew where they were

00:52:34and wanted to point the finger

00:52:35at the McKelvies.

00:52:36Yeah, maybe.

00:52:37I'm wondering how quickly

00:52:39I could get from the crime scene

00:52:40to the Old Creek paddock fence line.

00:52:43Where Jock saw Troy working at 3pm?

00:52:46Lily's protest stopped the train here

00:52:48at 2.40.

00:52:50It moved off again five minutes later

00:52:52and Rosalie's body was reported

00:52:54on the tracks at 2.47.

00:52:56So,

00:52:57if Troy's our man,

00:52:58he had less than 20 minutes

00:53:00to get from point A

00:53:02to point B.

00:53:04Is that even doable?

00:53:06There's only one way to find out.

00:53:13Okay, here we go.

00:53:16Ready.

00:53:18Set.

00:53:19Go!

00:53:32Come on, man.

00:53:33We don't have all J.

00:53:5522 minutes, 43 seconds.

00:53:57Ugh, too slow.

00:54:00So,

00:54:02unless Troy McKelvey

00:54:04can run like Usain Bolt,

00:54:06who probably didn't kill Rosalie.

00:54:11You know, I've got to say,

00:54:12I thought you'd be faster.

00:54:14It was soft, underfoot.

00:54:16Challenging conditions.

00:54:17Usain Bolt couldn't run

00:54:18like Usain Bolt in that terrain.

00:54:19Hang on.

00:54:22Hang on.

00:54:25Is that...

00:54:34going somewhere, Niall?

00:54:36We thought you were told

00:54:37not to leave town.

00:54:38I had to get away from Lily.

00:54:39She's doing my head in.

00:54:40You're not having much luck

00:54:41with this hitchhiking thing,

00:54:42are you?

00:54:43No.

00:54:44This is, uh...

00:54:45This is perfect.

00:54:46You guys are going to be

00:54:47my first stop.

00:54:48Good idea.

00:54:54Take that on me.

00:55:00Right, Noah.

00:55:02What have you got for us?

00:55:03Oh, well, I may have not

00:55:05given you the full picture

00:55:06earlier.

00:55:07Come on, back on the train!

00:55:17Come on!

00:55:18Come on!

00:55:22When the train left,

00:55:23I didn't know what to do,

00:55:24so I started heading

00:55:24back to the house.

00:55:26You know, she's Lily's nana.

00:55:27They gave me a place to stay.

00:55:28I felt like I owed them

00:55:30some loyalty.

00:55:30So that's why you didn't

00:55:31tell us, but...

00:55:33did you tell Lily?

00:55:34What, that her nan's

00:55:35a murderer?

00:55:38Yeah.

00:55:39Yeah, I did.

00:55:40Eventually, yeah.

00:55:41Well, you saw how that went.

00:55:43You are so full of shit!

00:55:44Lily, what?

00:55:45Puss up and leave me alone!

00:55:46She didn't want to believe me.

00:55:48There's no coming back

00:55:49from that.

00:55:50It's better you just

00:55:51head the road.

00:55:55So, she was protesting

00:55:57about coal trains

00:55:58then got run over

00:55:59by a coal train.

00:56:01Karma can be cruel at times.

00:56:03Well, that's not quite.

00:56:05Frodo, you know I can't

00:56:06comment on an ongoing

00:56:07investigation.

00:56:08Yeah, no, of course.

00:56:11Excuse me.

00:56:13Regan, I want to thank you

00:56:15for bringing Shane's

00:56:17rates issue to

00:56:18our attention.

00:56:19No worries.

00:56:20You might not be up

00:56:21with the latest,

00:56:22but the debt

00:56:22has been paid off.

00:56:25What?

00:56:26By your mother.

00:56:27Scheduled payment.

00:56:29A wedding gift.

00:56:30That must be

00:56:31a relief for Shane.

00:56:33Excuse me,

00:56:34I have to go.

00:56:42Simms.

00:56:42A witness has

00:56:43Bridget McKelvey

00:56:43be at the scene.

00:56:44Yeah, I'll be there.

00:56:46Yeah, I'll be there.

00:56:50We have a witness

00:56:51that puts you

00:56:52with Rosalie's body

00:56:53after the train left.

00:56:54What witness?

00:56:55Are you denying

00:56:56that you were there?

00:56:58Okay, all right.

00:57:01Despite everything,

00:57:02I wanted to see

00:57:03the line in action again.

00:57:08And the train

00:57:09moved off

00:57:09while I was watching

00:57:10and that's when

00:57:12I saw her.

00:57:13Did you see

00:57:13anyone else there?

00:57:15No.

00:57:16A report was made

00:57:17to Crimestoppers

00:57:17around that time.

00:57:18Was that by you?

00:57:20One last act

00:57:21of kindness

00:57:22for your former

00:57:22friend, perhaps?

00:57:24If we checked

00:57:25your phone,

00:57:25would we find

00:57:26evidence of that call?

00:57:33Yes.

00:57:35What was me?

00:57:43Well, I couldn't

00:57:44just leave her there.

00:57:47After what you'd done?

00:57:49What?

00:57:50Where you had motive,

00:57:51your conflict

00:57:52over the railway line.

00:57:53Access to the likely

00:57:54murder weapon

00:57:55on your property.

00:57:56And opportunity.

00:57:57You were there

00:57:58when the train stopped.

00:58:00Did you climb aboard

00:58:01and murder

00:58:02Rosalie Barnes?

00:58:05You might want

00:58:06to call a lawyer,

00:58:07Ms. McKelvey.

00:58:12That feels like

00:58:13the closest we're

00:58:14going to get

00:58:14to a confession.

00:58:16What we have

00:58:16is only circumstantial

00:58:17and I think

00:58:18Bridget knows that.

00:58:19Hmm.

00:58:20How did she know

00:58:21that the train

00:58:21would stop

00:58:22or that Rosalie

00:58:23would be at the

00:58:23front of the carriage?

00:58:25Maybe the details

00:58:27of Lily's protester

00:58:28and the family

00:58:28group chat.

00:58:29Oh, let's find out

00:58:31how chatty they were.

00:58:45I've just called

00:58:46Dad.

00:58:47He'll be here soon.

00:58:49That's fine.

00:58:51Lily, how much

00:58:52did your nan know

00:58:53about your protest?

00:58:54What do you mean?

00:58:55Did she know

00:58:56exactly when

00:58:57you'd be stopping

00:58:58the train?

00:59:00I doubt it.

00:59:01Why would you

00:59:02want to know that?

00:59:06What?

00:59:07So she could

00:59:08get on board

00:59:08and attack

00:59:09Rosalie or something?

00:59:10No.

00:59:11No, wait.

00:59:12She would never

00:59:12do something like that.

00:59:14It was just

00:59:15me and Noah.

00:59:16Okay?

00:59:17Nan had nothing

00:59:17to do with it.

00:59:18Nothing to do

00:59:19with what?

00:59:19I was about

00:59:20to inform Lily.

00:59:22We've arrested

00:59:23Bridget for

00:59:24Rosalie's murder.

00:59:25What?

00:59:27Wanted to talk

00:59:28to her?

00:59:28Well, you can't

00:59:29just yet.

00:59:30You got it wrong.

00:59:31Have we?

00:59:33Bridget was seen

00:59:34on the tracks

00:59:34next to Rosalie's

00:59:35body.

00:59:36Your mother

00:59:36has found herself

00:59:37in a serious

00:59:37situation.

00:59:38As will Lily

00:59:39if we find out

00:59:40that she's been

00:59:40lying to us.

00:59:46Do you think

00:59:46we got to Troy?

00:59:48Without a

00:59:48medaweapon,

00:59:49it's hard to make

00:59:49those charges stick.

00:59:53Hey, what have you

00:59:54got?

00:59:55Mrs Baker's

00:59:56run sheet.

00:59:57Everyone who

00:59:58had it would

00:59:58have known

00:59:59that Rosalie

00:59:59was scheduled

01:00:00to be at the

01:00:00front of the

01:00:01carriage to

01:00:02change outfits.

01:00:03So, Mrs Baker,

01:00:05Rosalie, Shane?

01:00:07Yeah, but there

01:00:07was someone else.

01:00:09Shane emailed

01:00:09me a copy

01:00:10of the run sheet

01:00:11and as I

01:00:12scrolled back

01:00:12through the

01:00:13chain, I saw

01:00:14all the recipients,

01:00:15including someone

01:00:15who received it

01:00:16in error.

01:00:19Hi, it's

01:00:20Becky.

01:00:21I'm mortified.

01:00:22When DC

01:00:23Charm was called,

01:00:24I could have

01:00:24kicked myself.

01:00:25In my defence,

01:00:26it was an easy

01:00:26mistake to make.

01:00:28Her address was

01:00:28very similar to

01:00:29Rosalie's.

01:00:31Regan Barnes.

01:00:32Well, she said

01:00:33she didn't know

01:00:34about the wedding.

01:00:35I guess it is

01:00:36possible she never

01:00:37read the email.

01:00:38Or...

01:00:39She's lying to us.

01:00:42Hey, I've got

01:00:43a little job for you.

01:00:48Hi, Regan.

01:00:50It's Detective Sims.

01:00:51I was hoping

01:00:51we could have a chat.

01:00:58Sorry to intrude.

01:01:00Well, you actually

01:01:01shut up.

01:01:01We were just

01:01:02going through some

01:01:02photos for the

01:01:03remembrance board.

01:01:04Thought we'd do it

01:01:05over a Pimms.

01:01:06So much to choose

01:01:07from.

01:01:07Such an amazing

01:01:08wife she had.

01:01:09Could we have

01:01:09a private word?

01:01:10Sure.

01:01:11What about this one

01:01:12of you and your mum?

01:01:13Yay or nay?

01:01:13No.

01:01:15Some people find

01:01:16their baby photos

01:01:17embarrassing, I suppose.

01:01:19They'd not rock the boat.

01:01:23Regan, some of the

01:01:24things you told us

01:01:25don't match up to

01:01:26what we've discovered

01:01:27elsewhere.

01:01:28Would you like me

01:01:30to spell them out

01:01:31for you or would

01:01:32you like to tell

01:01:32me yourself?

01:01:33God, I was afraid

01:01:35this would come up.

01:01:36I did tell a white

01:01:37lie but it was only

01:01:38because I wanted

01:01:39to protect him.

01:01:40Who?

01:01:41Dad.

01:01:43keep talking.

01:01:44When the other guy

01:01:45was asking dad

01:01:46about the bunch

01:01:47of roses

01:01:47I told him that

01:01:49I'd been the one

01:01:49to deliver them

01:01:50to mum

01:01:51but that wasn't

01:01:51true.

01:01:52Dad was there

01:01:53that day.

01:01:54He was on the

01:01:55train.

01:01:59I need to see my

01:02:00Nana.

01:02:00Which person is

01:02:02you?

01:02:02How many old

01:02:03women do you have

01:02:03in custody

01:02:04you fascist

01:02:05pigs?

01:02:05Alright, take it

01:02:06down a notch.

01:02:07No, where is

01:02:08she?

01:02:09If you calm

01:02:10down you can

01:02:10come on through.

01:02:14You good?

01:02:19Where's your dad?

01:02:21Shouldn't be alone

01:02:21when you're this

01:02:22upset.

01:02:22I don't know,

01:02:23he took off after

01:02:23those other cops

01:02:24came around.

01:02:26I'll make you a

01:02:26cup of tea.

01:02:27Try calling him

01:02:28again.

01:02:42Okay, yes, I

01:02:44put the roses on

01:02:45the train, I

01:02:45promise you.

01:02:46I took off before

01:02:47I saw Rosalie.

01:02:48Why give her

01:02:48flowers at all?

01:02:49I wanted her to

01:02:50know I wished her

01:02:50well.

01:02:51It was her big

01:02:51day.

01:02:52You knew about

01:02:53the wedding.

01:02:54How?

01:02:55She told me,

01:02:56after we signed

01:02:57the papers.

01:02:57Two champagnes.

01:02:59First date,

01:03:00right?

01:03:00Last, actually.

01:03:01We just got

01:03:02divorced.

01:03:03Oh, slave.

01:03:04Sorry.

01:03:05No, not at all.

01:03:06Um, we are

01:03:07celebrating closure.

01:03:09Oh.

01:03:11To the end

01:03:12of our journey.

01:03:20Happy ex-wife,

01:03:21happy life, right?

01:03:22Do you really

01:03:23mean that?

01:03:24Don't tell me you

01:03:24want half the house

01:03:25after all.

01:03:25I want something

01:03:27from you, but not

01:03:28that.

01:03:29What?

01:03:30Shane and I are

01:03:31going to get

01:03:31married quite

01:03:33soon.

01:03:35I'd love it if

01:03:36you would give us

01:03:37your blessing.

01:03:38Yeah, she'd ask for

01:03:39the moon, that one.

01:03:39And not for a second

01:03:40think why you might

01:03:41not be able to give

01:03:42it to her.

01:03:43Well, I got there

01:03:43in the end.

01:03:44That's what the

01:03:45flowers were.

01:03:46Closure for me,

01:03:47a new start for her.

01:03:48So why lie about

01:03:50your whereabouts that

01:03:50day?

01:03:51Or rather, why let

01:03:52Regan lie for you?

01:03:53I was in shock.

01:03:54And I suppose I was

01:03:56worried how it might

01:03:56look to you lot.

01:03:57How's that?

01:03:59Like the angry ex

01:04:00did it.

01:04:01You would have

01:04:02heard about those

01:04:02fights we had in

01:04:03public.

01:04:04But that was early

01:04:05on.

01:04:05I got over it.

01:04:06What about Regan?

01:04:08Not so forgiving.

01:04:10I blamed her mum

01:04:10for the breakup.

01:04:11She always took my

01:04:12side, even though I

01:04:13was no angel.

01:04:14I never asked her

01:04:15to lie.

01:04:16Anyhow, I didn't

01:04:17think it would matter

01:04:17since I had an alibi.

01:04:21You're Gardner.

01:04:23So, why do you

01:04:24think Regan decided

01:04:25to tell the truth

01:04:26now?

01:04:26No clue.

01:04:28I love that girl

01:04:29to bits, but Rosie

01:04:30had that girl in

01:04:31therapy for years.

01:04:32I still have no idea

01:04:32what makes her tick.

01:04:41The tickies have

01:04:42Regan's laptop.

01:04:43They should be able

01:04:44to find out if she

01:04:45opened that run

01:04:46sheet attachment or

01:04:47if it went straight

01:04:48to spam, like she

01:04:49claimed.

01:04:49Since she's been

01:04:51erratic with the truth,

01:04:52I wanted to check

01:04:53on her movements.

01:04:54I saw her get

01:04:55picked up by someone

01:04:57at the council

01:04:58officers while her

01:04:59car was in for

01:04:59service.

01:05:00I've got the

01:05:01council CCTV footage.

01:05:09Okay.

01:05:10That ute.

01:05:12That's Troy McKelvey's.

01:05:13So he was playing

01:05:14taxi.

01:05:15Well, that makes

01:05:15sense.

01:05:16Helping her out

01:05:17as she grieves

01:05:17her mother and

01:05:18Olive Branch, perhaps?

01:05:19Well, I saw him

01:05:20parked outside

01:05:20Hayden's place today.

01:05:22He took off when

01:05:22he saw me.

01:05:23And they were both

01:05:24at the coffee cart

01:05:24today?

01:05:25Together?

01:05:26No.

01:05:27Regan took off

01:05:28when she saw him.

01:05:29It's almost like

01:05:30she didn't want to

01:05:30be seen with him.

01:05:31Because her families

01:05:32hate each other?

01:05:34Or an illicit

01:05:35love affair?

01:05:36Well, Shane did say

01:05:37that Rosalie and

01:05:38Regan had been

01:05:38arguing about a guy

01:05:40she was seeing.

01:05:40Well, there you go.

01:05:41Romeo and Juliet.

01:05:43And Troy kills

01:05:43Rosalie so that he

01:05:44and Regan can be

01:05:45together.

01:05:46Well, they are

01:05:48both grown adults

01:05:49that don't need

01:05:50parental permission

01:05:51to be in a

01:05:51relationship.

01:05:52And killing your

01:05:53partner's mother

01:05:54is hardly a

01:05:55romantic gesture.

01:05:58Can you tell me

01:05:59when Troy shows up

01:06:00to pick up Lily?

01:06:09Troy and Regan.

01:06:11What do you know

01:06:12about their

01:06:12relationship?

01:06:13There isn't one.

01:06:14They hardly know

01:06:14each other.

01:06:15Yes, given the

01:06:17hostility between

01:06:18your families.

01:06:19How far back

01:06:19does that go?

01:06:20What do you mean?

01:06:22Troy and Regan,

01:06:23did they know each

01:06:23other when they were

01:06:24young?

01:06:24I told you.

01:06:26After Rosalie came

01:06:27back here, we didn't

01:06:27have much to do

01:06:28with each other.

01:06:29Well, I was busy

01:06:30with Troy trying to

01:06:31make a go of the

01:06:32farm.

01:06:33And Rosalie was

01:06:34busy snagging

01:06:35herself a rich young

01:06:36husband.

01:06:37Different worlds.

01:06:39And then there was

01:06:40the conflict over the

01:06:41rail...

01:06:42Oh, Rosalie always

01:06:42had to get away,

01:06:43no matter who she

01:06:44hurts.

01:06:45I guess that almost

01:06:46counts as a motive.

01:06:48What?

01:06:49You seem determined

01:06:50to prove that you

01:06:51have one.

01:06:53Troy McHelvey's here.

01:06:54He wants to talk.

01:06:58But whatever mum

01:06:59might be saying,

01:07:00she didn't kill Rosalie.

01:07:02How can you be so

01:07:03sure?

01:07:04Well, she's pretty fit

01:07:05for her age.

01:07:06But it's still a big

01:07:07ask, isn't it, to think

01:07:08that she could climb

01:07:09onto a train, attack

01:07:11Rosalie, throw her

01:07:12off the back, and

01:07:13then jump off?

01:07:15All in a matter of

01:07:16minutes.

01:07:17Well, you seem to have

01:07:18a very clear idea of

01:07:19what happened.

01:07:20Do you want to tell us

01:07:21about the murder

01:07:21weapon, too?

01:07:23Well, how about I tell

01:07:24you that we believe

01:07:25it was a length of

01:07:26sawn-off rail line,

01:07:28the likes of which

01:07:29were lying around on

01:07:30your farm, that

01:07:31Bridget would have

01:07:32had access to?

01:07:33She also had a

01:07:33motive.

01:07:34So did I.

01:07:36Doesn't prove anything.

01:07:37Well, it could be

01:07:38either of you.

01:07:39It could be both.

01:07:41Were you working

01:07:41together?

01:07:43No.

01:07:45I was in the

01:07:47paddock.

01:07:48Jock saw me.

01:07:49You remember?

01:07:50I do.

01:07:51So unless you want

01:07:52to change your story,

01:07:54Bridget will remain

01:07:55in custody.

01:07:57Why don't you tell

01:07:58us about your

01:07:59relationship with

01:08:00Regan Barnes?

01:08:01There is no

01:08:02relationship.

01:08:03Well, you've been

01:08:03seen near each other

01:08:05multiple times

01:08:06recently.

01:08:07Today, for example,

01:08:09when I saw you

01:08:09waiting outside her

01:08:10house, picking her

01:08:11up from the council

01:08:12offices yesterday.

01:08:13We hung out a few

01:08:14times, that's all.

01:08:16You dated.

01:08:18Regan pulled a pin

01:08:19long before it got

01:08:20close to that.

01:08:20Because her mother

01:08:22disapproved?

01:08:24Rosalie interfered?

01:08:25Regan called time?

01:08:28And how did that

01:08:29make you feel?

01:08:30Angry?

01:08:33No.

01:08:34It wasn't like that.

01:08:35So why have you

01:08:36been trying to see

01:08:37her?

01:08:37The woman just

01:08:38lost her mother.

01:08:39I was offering her

01:08:40condolences.

01:08:42That's all.

01:08:44Nothing concrete

01:08:45to charge him with?

01:08:47Hopefully his

01:08:47concern for Bridget

01:08:48will keep him

01:08:49close by.

01:08:50Mike?

01:08:51Gina.

01:08:55I brought you this.

01:08:56Oh.

01:08:57The Love Train.

01:08:59A trans-Siberian

01:09:00journey into the

01:09:01heart of Russia.

01:09:01You were so

01:09:02interested yesterday.

01:09:03The translation is

01:09:04poor, but the story...

01:09:06Oh, well, thank you.

01:09:10Actually, are you

01:09:11free tomorrow morning?

01:09:13For you?

01:09:14Yes, of course.

01:09:15Work or pleasure?

01:09:16Well, it's a bit of both.

01:09:18Let's call it fieldwork.

01:09:19I look forward to it.

01:09:25What?

01:09:26What?

01:09:27I said it was work,

01:09:28didn't I?

01:09:38All aboard!

01:09:40I say that.

01:09:41Well, you'd better get it

01:09:42in there quicker than...

01:09:50So romantic.

01:09:52Steam travel.

01:09:54Thank you for this, Mike.

01:09:56I'm ticking off my

01:09:57bucket list.

01:09:58I'm dismissed.

01:10:12I'm infamous.

01:10:21Hey!

01:10:25Bye!

01:10:28Wow, and I'm done.

01:10:41Right, this is where the work part of the trip begins.

01:10:47Okay, start the train up again, same speed as the other day.

01:10:51I'll tell you when to stop.

01:10:52Roger that.

01:10:53Yeah, I'll roger that too.

01:10:59Okay, start the train up again, same speed as the other day, same speed as the other day.

01:11:11Now's the road, yeah.

01:11:17Sims?

01:11:19Regan's not at home, and she's not answering her phone.

01:11:21Could she be ashamed of Griffin's or funeral plan?

01:11:24Chalmers checked, they were supposed to have a meeting, but she never showed.

01:11:27Still no answer.

01:11:29Is this like her?

01:11:30Not the first time she's taken off to get her head together.

01:11:33Stop here, please.

01:11:34What?

01:11:35No, no, not you. Keep looking.

01:11:36Gotta go.

01:11:44There are better spots for a picnic further back.

01:11:48Eight minutes.

01:11:48Mike, if this is all you needed to calculate, I could have done it with simple mathematics.

01:11:54If a train leaves point A, traveling at X kilometers per hour...

01:11:59Ah, yes, but what would happen if a person jumped from a moving train, traveling at X kilometers per hour?

01:12:05I think this is not a hypothetical question.

01:12:08If they were fit and strong in their role on landing, they could survive jumping from a moving train with

01:12:15no injuries.

01:12:16Still need to clear the fence and make it to the paddock, though, to be seen from Jock's house.

01:12:22You'd better do it, then, for scientific accuracy.

01:12:33Move a bit slower.

01:12:34Imagine you're carrying a heavy murder weapon.

01:12:36I often imagine this for my job.

01:12:41Mike, some of these fence posts are made of iron.

01:12:45A very particular iron.

01:12:49Yeah, and, uh, a person of interest was seen here on the day, mending the fiends.

01:13:08Oppa!

01:13:09Gotcha.

01:13:29Just listen to me, Regan.

01:13:31I can't.

01:13:32I can't.

01:13:33Call Simms.

01:13:34Get back up here now.

01:13:39Put the knife down, Rick.

01:13:42Put it down, Regan.

01:13:43That's a good idea, Regan.

01:13:44You have to help me.

01:13:45He killed my mother.

01:13:46Yeah, that's the conclusion I came to.

01:13:48You have to arrest him.

01:13:49Take him away.

01:13:50He's dangerous.

01:13:51I can certainly take care of things from here.

01:13:53Regan, put the knife down, please.

01:13:55You have to arrest him.

01:13:57I will, but I can't do that until you put the knife down.

01:13:59You won't let him get away.

01:14:01Backup's on the way.

01:14:02You're not going anywhere, are you, Troy?

01:14:05Except jail.

01:14:06Regan.

01:14:10Regan.

01:14:18What are you doing?

01:14:19No.

01:14:19No, it's him.

01:14:20He killed her.

01:14:21But he didn't do it alone.

01:14:23Regan Barnes, I am arresting you as an accomplice in the murder of Rosalie Barnes.

01:14:27So you have the right to remain silent.

01:14:28You do not have the right...

01:14:29No!

01:14:29I didn't do it!

01:14:31Give it up, Regan.

01:14:33Give it up.

01:14:35This ain't no point lying anymore.

01:14:44I'm going to take your handcuffs off of you now.

01:14:47She won't do it.

01:14:49She won't let her.

01:14:52She won't let her.

01:14:53She won't let her.

01:14:56You don't have to say anything, remember?

01:14:58No.

01:15:02No.

01:15:03No.

01:15:04No.

01:15:05No.

01:15:06No.

01:15:06It was always about her.

01:15:08Everything was always about her.

01:15:10She never pulled me first.

01:15:12That's what mothers are supposed to do.

01:15:13They're supposed to put their daughters first.

01:15:14But she never did.

01:15:16She was selfish.

01:15:18And she used people.

01:15:20Everyone.

01:15:21Me.

01:15:22And...

01:15:23And Dad.

01:15:24And Bridget.

01:15:26And...

01:15:26And everyone.

01:15:30Why?

01:15:34They're psych team are on their way.

01:15:36What color were your heart's design?

01:15:41What songs did she sing to you in the night?

01:15:46Did she comb your hair and tie it up?

01:15:50When she looked at you, did she see herself?

01:16:07Take me to the place where you grew your home.

01:16:19It took me a while to figure out how you did it.

01:16:22For starters, how did you know that Rosalie would be in the cubicle when the train stopped?

01:16:27And then I realized, Regan knew.

01:16:31She got sent the run sheet by mistake.

01:16:36The only place to change is at the front of the carriage.

01:16:39There's a cubicle.

01:16:39That's where she'll be.

01:16:41You knew enough about Lily's protest to know where she would stop the train.

01:16:46So you lay in wait.

01:16:51You wanted Rosalie's death to look like an accident.

01:16:54So your weapon matched the rails that Rosalie would fall on.

01:17:09Then, with everyone preoccupied by the protest, you made your move.

01:17:16Oh, fortune tell them.

01:17:20Don't tell me too much.

01:17:48What you didn't know is that Bridget saw you.

01:17:52What?

01:17:53She was there.

01:17:55She saw it all.

01:17:56She saw it all.

01:18:08You then hid in the cubicle, quicker to train to old Green Paddock than to run.

01:18:22Making it in time to be seen by Jock at 3pm.

01:18:25You return later to conceal the murder weapon, having welded it back to the rail.

01:18:44Buried, it became part of the fence line.

01:18:55Smart guy, aren't you?

01:18:56To be fair, I didn't have it all figured out.

01:19:00I mean, I could see what your motive would be, but Regan, why would she have wanted her mother dead?

01:19:09Look, I've never seen you like that before.

01:19:13Completely out of her mind.

01:19:20You shouldn't be here.

01:19:21The police think I had something to do with it.

01:19:23Yeah?

01:19:24Well, showing up here isn't going to make you look more innocent.

01:19:26Well, what do I do?

01:19:29Regan, listen to me.

01:19:31The cops think it was mum.

01:19:32I've arrested her.

01:19:34What?

01:19:35She's letting them think it was her.

01:19:39I tried to talk to her.

01:19:42Talk some sense and she wouldn't listen.

01:19:44What the hell is the matter with you?

01:19:45But that's good.

01:19:46If she's prepared to take the blame, that's good.

01:19:48Look, I can't do that to mum, I can't.

01:19:50But if Bridget's already convinced...

01:19:51Look, it doesn't matter.

01:19:54I'll leave you out of it, I promise.

01:19:56What?

01:19:56The cops don't need to know you had anything to do with it.

01:19:59It's just me.

01:20:00No, they'll know.

01:20:01They'll work it out.

01:20:02You'll say the wrong thing.

01:20:03Please don't...

01:20:04Look, they will believe me.

01:20:06For mum's sake.

01:20:15Make them believe you.

01:20:17Show them how desperate you are.

01:20:22I'll help you.

01:20:23Put the knife down, Regan.

01:20:24Put the knife down.

01:20:25Come on, put the knife away, Regan.

01:20:27She wanted you to look guilty by taking your own life.

01:20:31That's a rather extreme suggestion.

01:20:34It's the only way she could trust me not to drop her in it.

01:20:37Rosalie disapproved of your relationship.

01:20:40You see, that's the bit I couldn't understand.

01:20:44Until I spoke to Bridget again.

01:20:47The photo of Troy as a baby, it was taken at a maternity hospital.

01:20:52In Poland, I told you.

01:20:54I saw a similar photo yesterday.

01:20:56Same curtain, same pictures on the wall.

01:20:58Same baby.

01:21:00Only the woman holding him was Rosalie.

01:21:03So?

01:21:04She was there on the day?

01:21:06Of course she was.

01:21:08She was wearing a hospital gown.

01:21:10And a patient bracelet.

01:21:12The last letters of your name were clearly visible.

01:21:15It was Rosalie who gave birth, but to the hospital was Bridget McKelvey.

01:21:19It was your name on the birth certificate.

01:21:23Who were we hurting?

01:21:26I wanted a child.

01:21:29And Rosalie wasn't ready to be a mother.

01:21:32Never really was.

01:21:34Asked Regan.

01:21:35Did Troy know all this?

01:21:37Oh, Aunt Regan must have told him.

01:21:40She came to me in a state a few weeks back.

01:21:43Is it true?

01:21:44What?

01:21:45Well, my selfish cowl for mother said, is it true?

01:21:47I finally find a decent man.

01:21:49And Mom has to ruin it.

01:21:51She can't stand to send anyone else happy.

01:21:53Least of all me.

01:21:54She just has to hoard it all for herself.

01:21:56All the attention.

01:21:57All the love.

01:21:58She's just sick.

01:21:59Regan, listen.

01:21:59No, just tell me.

01:22:01Is it true?

01:22:03Is Troy my brother?

01:22:16If it were up to me,

01:22:18Troy would never have known.

01:22:21He's mine.

01:22:23And that's all that matters.

01:22:27Regan obviously told you.

01:22:30And you didn't say anything to Bridget.

01:22:34It didn't change anything between us.

01:22:37But it changed everything with Regan.

01:22:40She told me at the pub.

01:22:42And yeah, she was a little dark on it.

01:22:44Hey.

01:22:47If Rosalie had been a better mother to her,

01:22:50she might have been able to let it go.

01:22:53But now something snapped.

01:22:59She was obsessed with getting back at her.

01:23:02And then at a point,

01:23:04she shared her plan with you.

01:23:11Don't bail on me now.

01:23:15We deserve some happiness.

01:23:16So does Bridget.

01:23:19Since we can't be together,

01:23:20we can at least get us all some money.

01:23:21You went along with her plan to frame Shane.

01:23:30Proof of his debt.

01:23:31This will do it.

01:23:32I bloody hope so.

01:23:33You believed that Regan would inherit

01:23:36a large chunk of money from Rosalie.

01:23:39Regan offered to share it with you.

01:23:41Maybe it was enough to clear your debts.

01:23:44Keep Bridget in her old age.

01:23:47What you didn't know was that

01:23:49Rosalie had already committed most of her funds

01:23:51to clearing Shane's rates bill.

01:23:54You killed her for money that was never coming your way.

01:24:16Thank you for her lovely soonness.

01:24:18May she rest in peace now.

01:24:20Time for a Pimms, I feel.

01:24:22Trains keep on rolling

01:24:30Throughout the little town

01:24:37It all feels different

01:24:41Without you around

01:24:46Lovely, isn't it?

01:24:48A funeral can bring people together.

01:24:51Funerals and free beer.

01:24:53Excuse me?

01:24:55Put it on my tab.

01:24:57No doubt to imagine

01:24:57what kind of tab you're running.

01:25:00Tell him.

01:25:01Now.

01:25:03Trudy offered me a year of free tab beer

01:25:06because I did a favour for him.

01:25:09Shifting some stolen goods.

01:25:12It wasn't as dodgy as it sounds.

01:25:15And don't think I haven't been keeping track either.

01:25:18Your year's up as of yesterday.

01:25:19Shut up.

01:25:20Excuse me, I don't want to come between you two lovebirds.

01:25:23What the hell is that supposed to mean?

01:25:25Just try to keep it seemly, eh?

01:25:26This is a wake, after all.

01:25:29Another beer?

01:25:30Yeah, I reckon.

01:25:32On your tab?

01:25:32I haven't got a bloody tab.

01:25:34I'll start one.

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