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Peaky Blinders： The Immortal Man Movie part 1 [Full Movie] [Full Story]Full EP - Full
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Short filmTranscript
00:00:23You'll ask for a meeting out in the open.
00:00:26Fresh air and the fine aroma of shit.
00:00:31Neutral ground, you see?
00:00:33This is hardly neutral on the ground.
00:00:36Well, it's what you've got.
00:00:39So, off of a boat.
00:00:43You see that?
00:00:44Where is Thomas? He got called away.
00:00:46He said he'd be here. Yeah, he's busy.
00:00:49I just told you he got called away. What do you want?
00:00:57There has been a peace between the Peaky Blinders and the Changrae
00:01:03family for two years now.
00:01:05Do you want some tea or not?
00:01:07If you can pour the Italians some English tea, go on.
00:01:11You don't want fucking tea!
00:01:18We want an explanation.
00:01:20Well, I'll have fucking tea.
00:01:22Explanation for what?
00:01:24The Little Venice restaurant in 4th Street was burnt down.
00:01:29Nah, nah.
00:01:29Couldn't have been us.
00:01:30Well, he was at a wedding.
00:01:31You burnt it down.
00:01:33To stop my son being at that same wedding.
00:01:36Er, it wasn't missed.
00:01:42You are such big boys now.
00:01:45But once you borrowed clothes from us to look like men.
00:01:49How's the tea off, is it?
00:01:53It's cold.
00:01:57Please tell Tommy that we pay him whatever he asks us to pay.
00:02:03We stay out of the city and off the tracks.
00:02:06But you tell him from me that my son will walk with any woman in this city.
00:02:15Any woman he chooses.
00:02:17Even if that woman works for the Emperor, Thomas Shelby.
00:02:21My son is in love.
00:02:25Sorry.
00:02:27Do excuse me.
00:02:29Carry on.
00:02:34And if he wishes, he will walk with the woman he loves.
00:02:39Okay.
00:02:42You know, it'd be hard for your son to walk anywhere with a bullet in each knee, wouldn't it?
00:02:57Too much.
00:03:00You said too much, my friend.
00:03:04Sabine says suck and swallow, but no.
00:03:08Too much.
00:03:10I spit.
00:03:18Oh, fuck you.
00:03:20It's strong.
00:03:27Oh, fuck you.
00:03:28Here you now.
00:03:28Isaiah, put two extra men on our pubs in Nichols.
00:03:33What are you talking about, Arthur?
00:03:35You're not scared of fucking eye ties anymore.
00:03:37Don't tell Tommy about the chair and clean this fucking shit up.
00:03:42You're not scared of fucking wops.
00:03:44All right, John.
00:03:47Arthur!
00:04:00This way, Mr. John Greta.
00:04:02Go, go, go, go.
00:04:04The stairs are...
00:04:06There.
00:04:09Go, go, go, go, go.
00:04:10Go, go, go.
00:04:17Go, go, go.
00:04:22Go, go, go, go.
00:04:43I don't want to kill me.
00:04:44You fucking...
00:04:46Stay away from Lizzie!
00:04:59By order of the P.K. fucking blinders!
00:05:11Ahi! Ahi! Ahi! Ahi! Ahi! Ahi! Ahi! Ahi! Ahi! Ahi! Ahi! Ahi! Ahi! Ah! Ah!
00:05:20Prenderà il treno da Napoli a Parigi, e poi il traghetto a Londra.
00:05:30E potrà essere qui domenica, così.
00:05:55Police!
00:05:57Police!
00:06:01Officer, there are some men, they mean as hard.
00:06:04We are in danger here.
00:06:06Can you escort us to the dock?
00:06:10Please, come with me.
00:06:13Excuse me, brother. Have you got a light?
00:07:05Thank you, officer.
00:07:07That'll be all...
00:07:08John Shelby.
00:07:10Is that the lad I used to teach?
00:07:13John Shelby, I smacked your arse.
00:07:16Let him go.
00:07:18Please, please let her go.
00:07:20Arthur, how many times I looked the other way because of your sweet smile?
00:07:26I said let him go. He's coming with us.
00:07:30Not until I know my wife is safe.
00:07:34She's safe.
00:07:35I'm not gonna harm her.
00:07:37Let's just get a move on.
00:07:39Look, witness abounds from his orders.
00:07:41Just by talking to you.
00:07:43Don't push it.
00:07:45Please.
00:07:47Come with us. Let him go.
00:07:48Let him go, too.
00:07:50Say it's Tom.
00:07:52Say he's in the harbour.
00:07:53He can do you no harm from New York.
00:07:55I can't do that, Miss Jane Greta.
00:07:58I can't do that, sorry.
00:07:59OK, sorry.
00:08:01Andre, listen.
00:08:01No!
00:08:02Listen to me!
00:08:04Go to the cafe in Mont Street.
00:08:06Bonito will take care of you.
00:08:08Let him go, too.
00:08:10He's an old man.
00:08:11I gave you sweets and cakes.
00:08:14Jane Greta, there are rules.
00:08:15Your husband knows the rules.
00:08:18Come on, old man.
00:08:20No!
00:08:22Sorry.
00:08:25We're disobeying orders here.
00:08:28Let him fucking go!
00:08:32You have ten seconds or Tommy's order, stand.
00:08:36They stand.
00:08:38One.
00:08:39Two.
00:08:40Please!
00:08:43Three.
00:08:49I love you forever.
00:08:50War!
00:09:02No!
00:09:03No!
00:09:03No!
00:09:04No!
00:09:04No!
00:09:04No!
00:09:05No!
00:09:06No!
00:09:07No!
00:09:08No!
00:09:08No!
00:09:09No!
00:09:11Hello, love.
00:09:14Look, yonder!
00:09:18Look yonder!
00:09:19Look, yonder!
00:09:20A big black cloud come!
00:09:24A big black cloud comes!
00:09:27Yeah, come to Tupelo, come to Tupelo
00:09:34Yonder, under horizon, yonder, under horizon
00:09:38Stop the mighty river, and set the dancing dry
00:09:43Distant thunder, rumble, distant thunder, rumble
00:09:47Rumble hungry like the beast, the beast it cometh, cometh down
00:09:52The beast it cometh, cometh down, the beast it cometh, cometh down
00:09:56Tupelo bow
00:10:02Yeah, the great come down, the great come down
00:10:06Water, water, everywhere, but no bird can't fly
00:10:10No fish can't swim, no fish can't swim
00:10:13Until the king is born, until the king is born
00:10:45Do you know what time it is, old man?
00:10:51They'll tell you
00:10:57It's after seven in the evening
00:11:02And I'm going to keep you alive
00:11:05Until it gets light
00:11:12I'll not deliver the final cuts
00:11:16Until we can both hear the blackbird singing outside
00:11:25It's a beautiful sound
00:11:30Which my wife will never hear again
00:11:48Now, of course, I'm going to have to choose carefully
00:11:52Which part of you, I'll cut away first
00:12:00Open your eyes
00:12:01Open your eyes, or I will cut away your fucking eyelids
00:12:11Now look at me
00:12:14Look at me
00:12:18This is the end
00:12:21This is the end
00:12:30It was your tongue that gave the order
00:12:35I'll take your tongue first
00:12:40Then I'll take your ears
00:12:45And I'll take your fingers
00:12:48And your fucking toes
00:12:51See, I'll take your balls first
00:12:53You drain too fast like you fuckers do
00:12:56I think tongue first
00:13:01See, you got to go first
00:13:02I won't know it
00:13:04I won't, I won't, I won't
00:13:10I won't
00:13:14I'll take your tongue
00:13:15I'll take your tongue
00:13:17You won't be able to explain
00:13:19And I want you to explain
00:13:22I want you to fucking explain
00:13:57Come on, tell me
00:14:00I forget who I am
00:14:03I forget who I am
00:14:06I'm a blind
00:14:07And I'll take your fucking eyes first
00:14:15I heard the blackbird sing
00:14:31And we got his wife brought the immigrant ship to New York
00:14:35We didn't kill Mrs. Cangretta
00:14:39And the lights
00:14:44We're not those kind of men
00:14:56Oh, and this one is for bravery
00:15:04When this one is for me
00:15:10And everything's a dollar
00:15:12In this box
00:15:16You get rid of the body, John
00:15:20Get rid of the house
00:15:23For good
00:15:24Cufflinks and hubcaps
00:15:27And trophies and paperbacks
00:15:42Come
00:15:51I'm really sorry to bother you again, sir
00:15:54But Chef insists on knowing what time the guests will arrive
00:15:59Francis, for the last time
00:16:02It's Johnny Dogs
00:16:04They're gypsies
00:16:05They're camped down by the river
00:16:06When they're ready, they'll walk up
00:16:08All right?
00:16:10He says it's about preparation, sir
00:16:11What is?
00:16:13He's us specifically
00:16:15Will they arrive before the King's speech or after?
00:16:22He said he was new there, Chef
00:16:26When did he join us?
00:16:28October
00:16:33October
00:16:36And he's fallen?
00:16:38He's Italian, sir
00:16:39Oh
00:16:42He's the best chef we've ever had in the house
00:16:45No shouting or swearing or blaspheming
00:16:48Do we owe his references?
00:16:50Yes
00:16:53The only problem has been his assistant
00:16:56What assistant?
00:16:57He brought an assistant with him
00:16:59He calls him his sous chef
00:17:05Are they still working, Francis?
00:17:08They'll be there till midnight, sir
00:17:14All right, thank you
00:17:15Good night, you can go to bed
00:17:18Merry Christmas, sir
00:17:22And I thought about your offer
00:17:25I'd be happy to sit at your table
00:17:29All right, thank you
00:17:38Thank you
00:17:50Thank you
00:17:51Thank you
00:17:52Thank you
00:17:54Thank you
00:17:54Thank you
00:17:55Thank you
00:17:55Thank you
00:17:56Like, weren't you here?
00:17:56Do you?
00:17:58God
00:17:59We're going to sleep
00:17:59Bye
00:17:59Goodbye
00:18:00Mr Shelby.
00:18:10What's your name?
00:18:11Max, Mr Shelby.
00:18:12Max.
00:18:16It's all right, don't get up.
00:18:18Oh.
00:18:20Sorry, sorry, sorry.
00:18:25You're new on Mr Shelby.
00:18:27Hello, sir.
00:18:29I haven't taken time to introduce myself.
00:18:33Antonio.
00:18:38What have you done that's so wrong, eh?
00:18:41Excuse me?
00:18:43See you, Chef.
00:18:45Getting potatoes.
00:18:47It's an emergency.
00:18:49Late notice.
00:18:51Oh.
00:18:52Late notice.
00:18:54Right.
00:18:56All right, carry on.
00:19:07Antonio.
00:19:09To your ten pound.
00:19:12For the late notice.
00:19:18To your 학 boy.
00:19:23I need to go ahead and wave the door for more.
00:19:24To your next visitor.
00:19:24To your first place.
00:19:27To your master.
00:19:33To the first place.
00:19:34To your next 24 hours.
00:19:35To your next person.
00:19:36To your next profession.
00:19:36To your next person.
00:19:37To your next person.
00:19:53You wanted to know if my guests would arrive before or after the King's speech?
00:20:00Eh?
00:20:01Yeah.
00:20:04It'll be after.
00:20:08Heh.
00:20:15How are ya?
00:20:17Oh, Mr. Worried about tomorrow.
00:20:22Yeah, I'm worried about Antonio.
00:20:29You've been here two months and we've not met before. It's my fault.
00:20:33I've been busy.
00:20:36It's on Michelle, boy.
00:20:41My hand has blood.
00:20:42Oh, mine too.
00:20:47Hi.
00:20:48Uh, how much do you pay, Antonio?
00:20:53I forget.
00:20:55Must be a lot.
00:20:57I was just getting 10 pounds.
00:21:00Didn't mean a fucking thing to him.
00:21:06Maybe it isn't you that pays him.
00:21:20I've been reading up on you.
00:21:22Burzarelli, Claridges.
00:21:25You used to work in a place called San Marcos.
00:21:30On, uh, on Fleet Street.
00:21:36I used to know the man that owned San Marcos.
00:21:40A man called Darby Sabini.
00:21:43I've never met him.
00:21:44No.
00:21:47Maybe your, um, assistant, Antonio, maybe. He's met him.
00:21:54Here's how it is.
00:21:56Antonio was sent from New York.
00:21:57I don't know.
00:21:59Please.
00:21:59Darby Sabini facilitated.
00:22:01He passed him on to you.
00:22:02He told you to bring him into my house.
00:22:04Threatened to kill you if he didn't do it.
00:22:07You got me to dress you like a dress that fucking stag.
00:22:09Please.
00:22:13You know about me.
00:22:15All right.
00:22:17You know what I do.
00:22:21You wanted to know when my guests would arrive.
00:22:23Because Antonio needed me alone.
00:22:25He's an assassin.
00:22:27Clar needs to kill me tomorrow.
00:22:31I don't know.
00:22:33They just said, bring him here.
00:22:40I'll bring him here.
00:22:47Antonio!
00:22:50Vico!
00:22:51You have his own.
00:23:22Oh.
00:23:24What's going on?
00:23:26What's going on?
00:23:27Huh?
00:23:44You're a black hand!
00:23:46You're a black hand!
00:23:48How many came from New York?
00:23:50Hey!
00:23:51How many fucking came from New York?
00:23:52Thank God.
00:23:53You're a black man.
00:23:54What did he say?
00:23:57Is that a curse or a number?
00:23:58What did he fucking say?
00:23:59What did he fucking say?
00:24:01He said fuck you!
00:24:02Yeah!
00:24:14Black hand means kill or be killed.
00:24:19You got back to London.
00:24:21You tell Derby to be unique.
00:24:23He picked the wrong side in this war.
00:24:26Once we dealt with the Americans,
00:24:28we're going for him.
00:24:30Go on.
00:24:34It's in women's war.
00:24:36Welcome him for a name.
00:24:37Yes.
00:24:38Yes!
00:24:39Yes, sir.
00:24:40Yes.
00:24:41left
00:24:41back
00:25:10in
00:25:19Hello?
00:25:27Oh, fuck a show.
00:25:29Got nothing better to do on Christmas morning.
00:25:32Dummy wants everybody at Charlie's yard now. Come on.
00:25:35Get him! Get him!
00:25:36What's gonna happen, mate? It's fucking Christmas.
00:25:39Look, John, we don't have time for this.
00:25:41All right? Just come to the meeting.
00:25:43Have some food.
00:25:46Hey.
00:25:46Tell Tommy Shelby we can look after ourselves.
00:25:48Tommy says that they could come for us today, hasn't he?
00:25:50Tommy says, Tommy says. Are you his fucking parrot?
00:25:52Look, it's the Mafia, all right?
00:25:54This is the New York Mafia we're talking about.
00:25:56And we're the Peaky fucking Blinders.
00:25:58No, we're not, John.
00:25:59We're not the Peaky fucking Blinders unless we're together.
00:26:03We were together on the gallows.
00:26:04With one man missing.
00:26:07John.
00:26:09John, come to the meeting.
00:26:10All right? Think about the kids.
00:26:12Come to the meeting, and if you want to leave, then fine.
00:26:15No.
00:26:16It's Christmas Day.
00:26:18We're the family now.
00:26:19We're staying at home.
00:26:23In the fucking house!
00:26:24It's me.
00:26:26It's over.
00:26:28It's over.
00:26:39I'm hungry.
00:26:46I'm hungry.
00:26:58We'll like sitting ducks here if the wop's come.
00:27:00Yeah, well, Tommy said we should do it in the open.
00:27:18This is how John wanted to go, on the smoke.
00:27:24The truth is, we died together once before.
00:27:31Arthur, me, Dunny Whizbang, Reddy Thorne, Jeremiah, and John.
00:27:45We were cut off from the retreat.
00:27:48No bullets left, waiting for the Prussian cavalry
00:27:52to come and to finish us off.
00:27:56And while we waited, Jeremiah said we should sing
00:28:01in the bleak midwinter.
00:28:06But we were spared.
00:28:09The enemy never came.
00:28:11And we all agreed that everything after that was extra.
00:28:20And when our time came, we'd all remember.
00:28:24You remember that God spared you?
00:28:27Well, what did you do with that extra time
00:28:29that he gave you, eh, Thomas?
00:28:42Come here, this is the Taliban.
00:28:44Leave us.
00:28:46Leave us there.
00:28:47Leave us here, Aunt Galois!
00:28:48Come on, Oluf.
00:28:52Come on!
00:28:53Come on!
00:28:54Come on!
00:28:55Come on!
00:28:57Come on!
00:28:57Come on!
00:29:00Come on!
00:30:02Do not return fire.
00:30:04I repeat, do not return fire.
00:30:08Stand down.
00:30:09The men doing the firing are on our side.
00:30:33I took the trouble of getting an invitation to Aberamma Gold.
00:30:40Oh, fuck.
00:30:42Now it's begun.
00:30:48You put us out in the open on purpose.
00:30:52You used John's funeral fire as a fucking beacon.
00:30:56We were never in any danger, Polly.
00:30:58You set a trap.
00:30:59Finn?
00:31:00Finn!
00:31:01Go to the yard and light the fires.
00:31:03You set a trap with us as fucking bait!
00:31:08Who's dead?
00:31:10Our enemies.
00:31:16Who's dead?
00:31:17You want to know, Paul?
00:31:20Two fucking local Italians heard about the Vincetta.
00:31:22Tried to make a fucking name for themselves.
00:31:24That's who.
00:31:25We got word to them about the funeral.
00:31:28The way, the when.
00:31:30Tell them where to stand for the best shot.
00:31:33And Aberamma Gold will do the rest.
00:31:36That's the language of Vendetta.
00:31:38They take one of ours.
00:31:40We take two of theirs.
00:31:42You used your own brother's funeral.
00:31:50When did we vote on this, Tommy?
00:31:55Curly?
00:31:57Get a boat ready to take the bodies to the city.
00:32:00And another boat.
00:32:01For anyone.
00:32:02Anyone who wants no more part of this.
00:32:05Because this is how it's going to be.
00:32:08Polly!
00:32:09Polly!
00:32:11I'm not staying for this, Arthur.
00:32:13I'm going home.
00:32:15Oh, yeah?
00:32:17Home's 57 Watery Lane.
00:32:19You go there.
00:32:21Lock the doors.
00:32:23You wait for me.
00:32:36Key to number 57.
00:32:38I'm going home to the country.
00:32:39You will stay here until it's over.
00:32:41Take the fucking key, Linda.
00:32:43Look, away from here.
00:32:43You are a weakness to all of us.
00:32:45They will take you hostage.
00:32:47And the baby.
00:32:48They will use the baby.
00:32:51Take it.
00:32:52Put the kettle on.
00:32:54Wait for your husband.
00:33:02The only way any of you Shelby's will leave this place is on a cloud of smoke like John.
00:33:07Well, you're a Shelby now, too, Linda.
00:33:14500 each, 1,000 for the brace.
00:33:16Where do you want them?
00:33:18Charlie, take them to the yard.
00:33:20He will turn around.
00:33:25Bye.
00:33:32See?
00:33:34II to the kettle on.
00:33:37You?
00:33:37You?
00:33:38You?
00:33:48How you want to go?
00:34:18Champagne, please.
00:34:19Of course.
00:34:22Madam, women alone are not allowed at the bar.
00:34:27Will someone be joining you?
00:34:30What do you think?
00:35:17This is public enough, no?
00:35:20Yes.
00:35:25So?
00:35:27The boy in the hospital's out of bounds, and I'll ask you to spare Finn and Arthur.
00:35:35And we're done for what?
00:35:42Tommy Shelby.
00:35:49And why should I trust you?
00:35:55Because you know our history.
00:35:59You know what happened between us.
00:36:03You are an unlikely Cassius.
00:36:13You know, my mother.
00:36:18My mother knew your mother.
00:36:22She thought how to read.
00:36:26Did she tell you that John and Arthur spared her life?
00:36:29When Tommy wanted her dead?
00:36:31Yeah.
00:36:34And now she's given me the information about you people.
00:36:38So Tommy Shelby was right.
00:36:44His, uh, ruthlessness was justified.
00:36:51You should have killed her when you had the chance.
00:36:54Yes.
00:36:56John was a good boy.
00:37:02Arthur tries.
00:37:06Tommy's different.
00:37:09You take Tommy.
00:37:11You take Tommy.
00:37:11Spare the rest.
00:37:17You know, my mother used to say this about you.
00:37:24She said that Polly Gray, that child would never let go of the grievance.
00:37:35And she loves to dance.
00:37:41What do you say, huh?
00:37:45Want to dance?
00:37:52I don't dance anymore.
00:37:56Yeah, that's a shame.
00:38:05Because you're dancing with me.
00:38:23What are you doing?
00:38:28Oh, that's a shame.
00:38:35Ah!
00:38:38Ah!
00:38:45Ah!
00:38:48Ah!
00:38:50Ah, ah, ah!
00:38:51Ah!
00:38:51Ah, ah, ah!
00:38:52Ah!
00:38:53Ah!
00:38:53Ah!
00:38:53Well, I'm from the head on the bends of Lucky.
00:39:02My family, who say it brings down.
00:39:11Maybe, maybe that's what happened.
00:39:15Last time my man was sent to you, you got Lucky.
00:39:25No.
00:39:31It looks my mouth.
00:40:06And tell your mother, we have a deal.
00:40:21Let's go.
00:40:23Blast it!
00:40:24Come on!
00:40:25Let's go!
00:40:26Let's go!
00:40:41Let's go!
00:40:45Party, did I?
00:40:46Is that what it is?
00:40:47What's this, a party?
00:40:50Aye!
00:40:50Who got out of it?
00:40:52Grouch!
00:40:58See?
00:40:59I wasn't going to hit you.
00:41:01But that wasn't fucking nice.
00:41:03What?
00:41:14No!
00:41:15No!
00:41:16No!
00:41:16No!
00:41:17No!
00:41:17No!
00:41:17Don't fucking move!
00:41:19Don't fucking move!
00:41:19No!
00:41:20Stop!
00:41:20No!
00:41:21Then get yourself out!
00:41:25Fuck your fucking revolution!
00:41:27No!
00:41:28No!
00:41:37Don't fucking move!
00:42:11I don't know.
00:42:14I don't know.
00:42:17I don't know.
00:42:20I don't know.
00:42:24Shit.
00:42:24Shit.
00:42:25Shit.
00:42:25Shit.
00:42:45It's here!
00:42:46Shit!
00:43:05Where you guys?
00:43:07Come here.
00:43:08Fucking hitman, are you?
00:43:10I don't know what you are.
00:43:13Fuck me, Shelby.
00:43:15That's who you wanted.
00:43:18What about...
00:43:20What about fucking...
00:43:21John Shelby?
00:43:24What?
00:43:25Fuck!
00:43:28Fuck!
00:43:29Fuck!
00:43:30Fuck!
00:43:51Listen.
00:43:53John.
00:43:53Oh, my God.
00:44:39What is that?
00:44:41It seems that there is an obstacle, Mr. Jean Gretta.
00:44:57There's been an accident.
00:45:01Well, why don't you move it out of the way?
00:45:03What?
00:45:06I said, why don't you clear it so that we can get past?
00:45:10What's that accent?
00:45:12We're Americans. We all are business, so...
00:45:16Well, you're gonna have to wait.
00:45:19Jesus Christ.
00:45:20We waited for you fucking yanks until 1918.
00:45:25It'll be clear in 20 minutes, all right?
00:45:27Yeah, all right. Thank you, officer.
00:45:30Big fucking hell.
00:45:38Talking about the war.
00:45:42Everything here is about the war.
00:45:57Come on, let's go moving ourselves, fucking idiots.
00:46:11What's this? Whose wagon is that?
00:46:13They're gypsies.
00:46:16Tribe of fucking gypsies.
00:46:19Oh, we can move it out of here.
00:46:22I said it'd be clear in 20 minutes.
00:46:26Let's go.
00:46:30Hold on another way out of here.
00:46:37Go.
00:46:39Get us the fuck out of here.
00:46:42Come on, fucking move.
00:46:46Reiki, fucking move.
00:47:13Put the guns down.
00:47:15Put the guns down!
00:47:16Put the guns down!
00:47:16Let's go.
00:47:50Say it's time.
00:48:20Come on!
00:48:33Come on!
00:48:34Go, go, go!
00:48:39I'm going to go!
00:48:41What are you doing, Garbari?
00:48:50Come on.
00:48:52Come on.
00:49:05It's all right.
00:49:06It's all right.
00:49:07Come inside.
00:49:08Come inside.
00:49:09This is me.
00:49:10Stay inside.
00:49:11Take him out.
00:49:20Come inside.
00:49:21Let's go.
00:49:56Let's go.
00:50:21Let's go.
00:50:21Get away from the window.
00:50:23Right, stay inside, stay down.
00:50:36Everyone stay indoors.
00:50:39Stay down.
00:50:40Fire all of the pinky blinders.
00:50:42Let's go.
00:51:04Let's go.
00:51:13Let's go.
00:51:15Let's go.
00:51:17Let's go.
00:51:30Let's go.
00:51:34Come in.
00:51:45Let's go.
00:51:47Let's go.
00:51:49Let's go.
00:51:51Let's go.
00:51:52Let's go.
00:51:55Let's go.
00:52:06Let's go.
00:52:10Let's go.
00:52:23Let's go.
00:52:24Let's go.
00:52:26Let's go.
00:52:46Let's go.
00:52:47Let's go.
00:52:48Let's go.
00:52:48Let's go.
00:52:48Let's go.
00:52:49Let's go.
00:52:49Let's go.
00:52:51Let's go.
00:52:56Let's go.
00:52:58Let's go.
00:53:09Let's go.
00:53:28Let's go.
00:53:32Let's go.
00:53:33Let's go.
00:53:36Let's go.
00:53:37Let's go.
00:53:39Ammonio, obveghiamo!
00:53:53Che dare male! Sparare dopo brutto!
00:53:57Ammo a venicare!
00:54:13Che!
00:54:14Che!
00:54:14Che vabbè!
00:54:15Che vabbè!
00:54:16Ma che vabbè!
00:54:19Eh!
00:54:21I know you own the cops in this dirty fucking town,
00:54:25but you're gonna be dead before they get here!
00:54:29Come on, me and you, Tommy.
00:54:33Come on.
00:54:44Yes.
00:54:47Señor hizo,
00:54:50la manita de todo.
00:54:55Padre mío,
00:54:58guardame.
00:55:00Esta manita
00:55:04prepara pa' tío.
00:55:15No.
00:55:15Stop what you're doing!
00:55:17Get in!
00:55:18Get in!
00:55:18Get in!
00:55:21Get in!
00:55:24Get in!
00:55:25Get in!
00:55:26Get in!
00:55:28Get in!
00:55:32Get in!
00:55:35Get in!
00:55:37Get in!
00:55:39Get in!
00:55:40Get in!
00:55:40Get in!
00:55:41Get in!
00:55:42Get out of it!
00:55:43Get away!
00:55:45Enough!
00:55:46Fuck you, don't you?
00:55:48Saving your life.
00:55:50Always.
00:55:50I'm a police officer, Tommy.
00:55:53I'm a fucking police officer, right?
00:55:56Doing my duty.
00:55:57Stopping all this!
00:56:02Three bodies.
00:56:04We're cleaning up.
00:56:06No.
00:56:06Enough.
00:56:07Tell the people who live in these houses that they are afraid to go about their lawful business.
00:56:15Tell them that the rule of law has been restored.
00:56:19Haven't you heard something?
00:56:22Eh?
00:56:23Soldiers are coming!
00:56:30OFTEN
00:56:34Oh!
00:56:35I believe it.
00:56:36Where's he going?
00:56:37Get out of the fight, eh!
00:56:40Let me do my fucking job!
00:56:42You want that again?
00:56:45Go again, go again!
00:56:45Get off!
00:56:46Fuck shit!
00:56:47You got it!
00:57:35Bonnie, Bonnie, are you okay?
00:57:43I give you two to one, now I'm the cuckling!
00:57:47I give you two to one, now I'm the cuckling!
00:57:53In the heights.
00:58:13That's it! One turn, one turn!
00:58:23Come on, buddy boy!
00:58:25Buddy, come on, kill him!
00:58:27Come on, come on!
00:58:43Come on!
00:58:43Come on, come on!
00:58:43Come on, come on, come on!
00:58:46Come on, come on, come on!
00:58:47Come on!
00:58:48Where did Tommy and Arthur?
00:58:50Come on, Arthur!
00:58:52I don't know!
00:58:54DJ!
00:58:55Go on, Bonnie!
00:58:56Come on!
00:58:58Come on!
00:58:59Come on, Bonnie!
00:59:00Come on!
00:59:01Come on, Bonnie!
00:59:01Come on!
00:59:02Come on!
00:59:03Come on, Bonnie!
00:59:04Come on, Bonnie!
00:59:24Arthur!
00:59:35Arthur!
00:59:53What's your life?
01:00:01I don't know.
01:00:56Oh
01:00:58Oh
01:01:31Oh
01:02:07Oh
01:02:13Tommy what's happened? Oh, this dead
01:02:33Tommy we have the other one comes out of water in his pockets
01:02:46What's in?
01:02:53Turkey's I've been do it for Arthur
01:02:58Oh
01:03:28Oh
01:03:29My brother is dead
01:03:44You hear me?
01:03:45My brother is dead
01:03:49My brother is dead
01:04:15Oh
01:04:16Oh
01:04:17Oh
01:04:17Oh
01:04:20Oh
01:04:21Oh
01:04:25Oh
01:04:26Oh
01:04:26Oh
01:04:31Oh
01:04:32Oh
01:04:33Oh
01:04:35Oh
01:04:35Oh
01:04:35Oh
01:04:35Oh
01:04:35Oh
01:04:37Oh
01:04:37Oh
01:04:37Oh
01:04:49Oh
01:04:50Oh
01:04:51Oh
01:04:52Oh
01:04:52Oh
01:04:54Oh
01:04:54Oh
01:04:56Oh
01:04:58Oh
01:05:01Oh
01:05:03Oh
01:05:03Oh
01:05:03Oh
01:05:05Oh
01:05:05Oh
01:05:05Oh
01:05:05Oh
01:05:07Oh
01:05:07Oh
01:05:09Oh
01:05:09Oh
01:05:09Oh
01:05:10Oh
01:05:10Oh
01:05:10Oh
01:05:10Oh
01:05:35Oh
01:05:43Oh
01:05:44Oh
01:05:51Oh
01:05:52Oh
01:05:53Oh
01:05:53Oh
01:06:03Oh
01:06:04Oh
01:06:04Oh
01:06:06Oh
01:06:07Oh
01:06:07Oh
01:06:07Oh
01:06:07Oh
01:06:07Oh
01:06:07Oh
01:06:11Oh
01:06:11Oh
01:06:11Oh
01:06:11Oh
01:06:11Oh
01:06:11Oh
01:06:11Oh
01:06:14Oh
01:06:14Oh
01:06:14Oh
01:07:21All that's left are the peaky fucking blinders.
01:07:47I've had my lawyer draw up these papers, cover, uh, every enterprise in your possession.
01:07:59Bars, restaurants, warehouses, every fucking thing that you have taken all these years
01:08:09to gather together.
01:08:13You all signed them all over to my family.
01:08:22Or you're gonna die right here.
01:08:35I would've buried you all.
01:08:39But my mother, she, uh, she knows you.
01:08:43She said it'll be worse for you if I let you live and take away everything that you have.
01:09:01Search him.
01:09:13Especially don't trust this bitch.
01:09:15Search him.
01:09:24Search him.
01:09:33Search him.
01:09:40So.
01:09:46Sign every fucking one of them.
01:09:55You can sign them on your knees, on the floor.
01:10:11Get on your fucking knees and sign!
01:10:19A friend of mine once said,
01:10:24Big fuck small.
01:10:26So I had to find someone bigger than you.
01:10:30Now you may know there are two families in Brooklyn
01:10:33who want to take over your monopoly on the import of liquor into New York.
01:10:37But if they move against you in New York,
01:10:39they'll start a war between the families.
01:10:43But if you were to die in a vendetta
01:10:47with some fucking bookmaker in Birmingham,
01:10:52I could take over your business without a war.
01:10:56We also contacted a businessman in Chicago.
01:11:03He's also interested in moving into the liquor business in New York.
01:11:08His name is Alphonse Capone.
01:11:13You've been talking to that fat fuck.
01:11:17See all the blood relatives you brought with you from New York.
01:11:20They're all dead.
01:11:22Mr. Cangretta.
01:11:23And these men here.
01:11:25They work for money for the highest bidder.
01:11:28They now have new orders.
01:11:32Is that right?
01:11:38Mr. Cangretta.
01:11:39Mr. Cangretta.
01:11:43And you, Matthew?
01:11:45I am.
01:12:02Hank.
01:12:04Mary.
01:12:05Welcome.
01:12:41Arthur's been injured, but he's all right, Paul.
01:12:46We need to make them believe that he's dead.
01:12:51To everyone but you, me, and Linda, Arthur Sharpie is dead.
01:13:01I've got it all worked out.
01:13:03I can use his death to win this war.
01:13:18Tell your people in Chicago that Michael Gray will sign the import license to New York.
01:13:26300 barrels of English dry gin a month.
01:13:28Look.
01:13:30Leave.
01:13:32All of you.
01:13:36Tell your boss what you saw here today.
01:13:39Tell him.
01:13:43You don't fuck with the Peaky Blinders.
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